GOTCHA! I TRICKED YOU!!!! I got you an unbelievably expensive top of the line coffee maker that’s gonna make your life as a single dad easier and I made your only child, your soul and heart, your entire world, laugh and feel included the process. I’m the funniest man alive, I’m such a prankster, I’m the KING of pranks lol
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Ugh do you ever think about how season 3 tried to make Jamie’s greatness on the pitch a product of spite and rage when it’s canon, from Jamie’s own lips, that his love of footie comes from his mom and how much she loves him?! Like, they tried to make my boy an obsessive fighter when in reality he’s an obsessive lover. All of Jamie’s motivations come from loving and wanting to be loved. And I love that he’s soft, and when he’s allowed to be, when his softness leads to acceptance, he just gets softer? With no shame? I just….ugh
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just a cute little thought i had based on the fact that the dude is almost always wearing some sort of hat (including in the non-canon voxtagram posts!)
character: vox
genre: fluff
words: 374
vox has an impressive, extensive hat collection that he is exceptionally proud of. it’s obvious; easy to guess, based on his ability to produce the perfect hat for any occasion, but not many have actually had the privilege of seeing his collection in the flesh, in the full.
because that’s personal, that’s special, that’s not just for anyone to view.
it takes a while for him to finally show it to you, a second room wedged deep within his walk-in closet with tall, floor-to-ceiling shelves built into the walls, housing his wide array of hats.
it’s immaculately arranged, but you wouldn’t expect any less from vox. they’re categorized by event, he explains to you as he leads you further into the room, one of his hands in yours. and then organized by colour. it’s the most efficient way to display them, i think, because it makes selecting the ideal accessory hassle-free.
and it’s kinda cute, how excited he is about it, how excited he is to share it with you, each and every hat having a story of its own; a purpose, a past, a reason for being in his collection, packaged with sweet little anecdotes and memories—where he got it from, who made it for him, why he needed it, what happened when he wore it.
throughout it all, you hum and ooh and nod, thumb rubbing rhythmic caresses across sharp knuckles; a silent encouragement. he meets your questions and remarks with enthusiastic responses, words bouncy and crisp, smile stretched from edge to edge, so wide it almost looks painful.
“maybe i’ll let you wear one of ‘em, one day,” he muses near the end of his showcase, placing a white snapback on your head gently, then tilting his head in observation.
eyes dimming to a tender glow and smile relaxing to something languid, he grips your chin between a forefinger and a thumb, tipping your head one way, then the other, pupils sweeping in time with your motions.
“cute,” he murmurs to himself as his grasp releases, the tips of his fingers, then edges of his claws, brushing along your jaw. “i’m sure the press would have a damn field day with that.”
but he’s sure he wouldn’t mind one bit.
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every time i remember hiei and yusuke's little ritual of sparring whenever they see each other for the first time in a while (usually as they're about to face a big threat) and how hiei just wordlessly attacks him and yusuke takes it with good humor (for the most part) i lose my fucking mind and i need someone else to understand so so bad
hiei opening with unexplained violence, acting like the murderous demon everyone takes him to be, and yusuke seeing through it as just how hiei is, and meeting him where he is in this non-malicious but combative intricate ritual bs. they met through violence and communicate through it but it's out of an admiration for skill, for what can't be said with words, for their reliance on each other as equals, as teammates. they share a past of ostracization, resentment, and a desire to burn the world down for its treatment of them the others don't. hiei feels seen in and understood by yusuke. i don't think it needs to be said that hiei doesn't have many people he considers equals, or peers, or teammates. and yusuke was the first to trust him. to see him as more than a monster. to have blind, unearned faith that he could do good, and that he could be better. yusuke changed him. his trust and friendship changed him. and so for that ritual to rely on that trust—the thought that hiei wouldn't actually turn on him, wasn't trying to betray him or hurt him or get his revenge like he used to claim—makes those scenes so poignant (read: makes me want to howl into the night air). it's about the dance. it's about what they know they have in common beneath the posturing and machismo, the ways they are alike deep, deep down, and the way they both know that and never speak of it.
i also think it's because hiei's afraid of losing him. it's especially obvious in chapter black, but even in DT he's got to make sure yusuke—a dumbass who only got his powers recently—is up to scratch. no matter how he feels about humanity, he doesn't particularly want to see yusuke lose everything he loves either. but mostly he couldn't stand to watch yusuke fall. and because he knows yusuke's in over his head, he's testing whether he has to distance himself and prepare for yusuke to abandon him (via death) like everyone else. he doesn't do this with kuwabara because (at least in the DT's case) he'd been training him. he knows, for the most part, what kuwabara can do. (he also doesn't have that same closeness, both because kuwabara doesn't trust him and, perhaps, because he's doing the distance thing pre-emptively bc he thinks he's weak, unlike yusuke). and he doesn't do this with kurama because he believes wholeheartedly in his skill, centuries of experience, and demonhood. humans are fragile, and hiei needs to reassure himself that yusuke isn't.
hiei claims he wants revenge and postures like a rival, but he never goes all out and he never tries this seriously. he fools around with yusuke because if yusuke lost and hiei proved his superiority, hiei would have to leave him behind. and as much as he wants to prove his strength, as hungry as he is for validation (centering fighting prowess because violent is all he's ever been allowed to be), he can't stand the thought of that. he feels that he is yusuke's equal and peer (and friend), whether they're equally strong or not, but because a part of him still thinks fighting's all that matters (and because he wants to protect him and thus himself), hiei must make himself believe that yusuke is as strong as him. so he checks in on him for reassurance via sparring, but never actually tries to hurt him. in conclusion, i am so normal
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Things I Loved About Fleabag (2016):
The careful balance of spiralling and sincerity that keeps you rooting for resolution and relief, despite the show intentionally framing itself around grief
The way that it is clear based on the way that they talk about her that Fleabag is a great deal like her mother (her off-colour jokes, her charisma, even hints of difficult friendships through the Godmother) but they don't have anyone make that comparison until the last episode of S2, with, "You are the way you are because of [your mother]" and the look of surprise on Fleabag's face when she hears it
"Don't make me an optimist; you will ruin my life," being such a telling line, because as you fall in love with the Priest, and Fleabag, you want to believe that things will work themselves out
The love in Claire's line to Fleabag, "The only person I'd run through an airport for is you," and the delightful contrary optimism of her deciding to go to the airport anyway
The revelation that Boo had offered to take Fleabag's love for her mother, intertwining both losses
The way that the Priest not only breaks through the carefully constructed narrative relationship that Fleabag has with the viewer, but also himself directly looks toward the audience on a separate beat as he tries to understand her more ("You don't like answering questions, do you?")
The entire sequence of the last few scenes, "Being a romantic takes a hell of a lot of hope," to "I love you." "It'll pass," to Fleabag walking around with a statue that is, in some ways now, a physical representation of the love she is carrying around. Because while the show is about grief, and love, it doesn't feel like it is asking you to overcome those things, but to learn to live with them while moving forward
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