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scifrey · 4 years

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WORDS FOR WRITERS: The Value of Fanfiction

There’s been a lot of chatter on social media these last few weeks, recycling that trashy, self-aggrandizing, tired old “hot take” that reading and writing fanfiction is somehow bad for you as a writer.

Before we go any further, let me give a clear and definitive answer to this take:

No, reading and writing fanfiction will not make you and does not make you a bad reader or writer.

Period.

Why? Here’s the TL;DR version:

1) Reading and Writing, any kind of reading and writing, will make you a better reader and writer. And it’s enjoyable, to boot.

2) Fanfiction has been around as long as Original Fiction, so we’d know if there was any negative impact by now (spoiler alert: there isn’t.)

3) Practice is Practice, so matter what medium you get that practice in.

4) Comprehending and writing fanfiction is harder than writing original fiction because you have to hold the Source Media Text in your head at the same time as you’re reading/writing a different story. It improves your understanding of storytelling.

5) No hobby, no matter what it is, so long as it doesn’t harm anyone else or yourself, is bad. And that goes double for if you decide to keep it a hobby. Not every fanfic writer wants to write original fiction, and that’s just fine. Not every hobby has to be monetized.

Okay. But what do they mean by “fanfiction”?

“Fanfiction is fictional writing written by fans, commonly of an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator as a basis for their writing.”-- Wikipedia

Basically – it’s when you take elements (setting, characters, major themes or ideas) of a Media Text (a novel, a movie, a podcast, a comic, etc.) and create a different story with those elements. You can write a missing scene, or an extended episode, or a whole new adventure for the characters of the Media Text. You can even crossover or fuse multiple Media Texts, or specific elements, to create a whole new understanding of the characters or their worlds.

Similar to fanfic, you can also create fanart, fancomics, or fansongs (“filk”), fancostumes (“cosplay”), and fanfilms. These are called Fanworks or Fancrafts.

Fanfiction is usually posted to online forums, journals, blogs, or story archives and shared for free among the public. Before the advent of the internet, fanfiction was often printed or typed, and hand-copied using photocopiers or ditto machines, and distributed for free (or for a small administration fee to cover materials) among fans at conventions, or through mail-order booklets (“zines”).

Fanfiction has existed pretty much since the beginning of storytelling (A Thousand and One Nights, Robin Hood, and King Arthur all have different elements attributed to them by different authors retelling, twisting, adding to, or changing the stories; there’s no single-origin author of those tales.)

There are billions on billions of fanfics out there in the world—and while a majority of them are romance stories, there are also adventures, comedies, dramas, thrillers, stories based on case files, stories about the emotional connection between characters when one is hurt and the other must care for them, historical retellings, etc. There are also stories for every age range and taste, though be sure to take heed of the tags, trigger warnings, and age range warnings as your browse the archives and digital libraries.

As a reader, it’s your responsibility to curate your experience online.

So why are people so afraid or derisive of fanfic?

People who are hard on fanfic say that…

· It sucks.

o Well of course it sucks! As it’s a low-stakes and easy way to try out creative writing for the first time, the majority of fanfiction is overwhelmingly written by new and young writers. Everything you do when you first try it sucks a little bit.

I’m sure no figure skater was able to immediately land perfect triple axels ten minutes after they strap on the skates for the first time in their lives. No knitter has ever made a flawlessly perfect jumper on their first try. No mathematician has ever broken the code to send a rocket into space after having just been taught elementary-school multiplication. So why on earth do people think that new writers don’t need to practice? I can promise you that Lin-Manuel Miranda’s first rap was probably pretty shaky.

· It’s lazy or it’s cheating.

o Listen, anyone who tells you that writing anything is lazy clearly has not sat down and tried to write anything. Writing is tedious. It is boring. It takes hours, and hours, and hours to get anything on the page, and then once it’s on the page you have to go back and edit it. UGH. There is nothing about being a writer—even a fanfic writer—that is lazy.

o And anyone who tells you that trying to tell a fresh, new story within the limits and confines of a pre-existing world and have it make sense is cheating, then they have no freaking clue how hard it is to be creative with that kind of limitation placed on you. It’s harder when you have a set of rules you need to follow. What you do come up with is often extremely interesting and creative because of those limitations, not in spite of them.

o The argument that using pre-made characters, settings, tropes, and worlds to make up a new story is cheating is also complete bunk. Do those same people also expect hockey players to whittle and plane themselves a whole new hockey stick from scratch before each game? No, of course not. And yeah, a baker can grow all their own wheat, grind the flour, raise the chickens and cows so they can get eggs and milk, distill the vanilla, etc. Or a baker can buy a box mix. Either way, you get a cake at the end of the process. Whether you write fanfic or original fiction, you still get a story at the end of the process.

· It makes you a worse writer.

o * annoying buzzer noise * Practicing anything does not make you worse at it. And reading stories that are not edited, expertly crafted, or “high art” will also not indoctrinate you into being a bad writer. If anything, figuring out why you don’t like a specific story, trope, or writing style is actually a great way to learn what kind of writer you want to be, and to learn different methods of constructing sentences, creating images, and telling tales. Or you know, just how much spelling and grammar matter.

· It’s not highbrow or thoughtful enough.

o Sometimes stories are allowed to be just comfort food. Not every book or story you read has to be haute cuisine or boringly nutritious. You are allowed to read stories because they’re exciting, or swoony, or funny, or just because you like them. Anyone who says differently is a snob and worth ignoring. (Besides, fun silly stories can also be packed with meaning and lessons—I mean, hello, Terry Pratchett, anyone?)

· It makes you waste all your time on writing that can’t be monetized.

o No time is wasted if you spend it doing something that brings you joy. Not every hobby needs to be a money-maker and not everyone wants to be a professional writer. You are allowed to write, and read, fanfic just for the fun of it.

· It’s theft.

o According to Fair Use Law, it’s not. As long as the fanfic writer (or artist, cosplayer, etc.) is not making money on their creation that directly impacts or cuts into the original creator’s profit, or is not repackaging/plagiarizing the original Media Text and profiting off it’s resale, then Fan Works are completely legal. So there.

How, exactly, does fanfic make you a better writer?

Fanfiction…

· teaches you to finish what you start.

o The joy of being able to share your fic, either as you’re writing it, or afterward, is a big motivating factor for a lot of people. They finish because they get immediate feedback on it from their readers and followers. Lots of people have ideas for books, but how many of them do you know have actually sat down and written the whole thing?

o Fanfic is also low-stakes; there’s nothing riding on whether you finish something or not, so you have to inspire yourself to get there without the outside (potentially negative) motivation of deadline or a failing grade if you don’t get the story finished. You end up learning how to motivate yourself.

o Fanfic has no rules, so you write as much or as little as you want, stop wherever you think is a good place to end the story, write it out of order, or go back and write as many sequels or prequels as you like. Again, it’s totally low-stakes and is meant to be for fun, so you can noodle around with what it means to write a “whole” story and “complete” it, which teaches you how you like to write, and how you like to find your way to the finish line.

· teaches you story structure.

o Before you can sit down and write a story based on one of your favorite Media Texts, you’re likely to spend a lot of time consuming that text passively, or studying it actively. Either way, you’re absorbing how and why Media Text structures the stories it tells, and are learning how to structure your own from that.

o Once you’re comfortable with the story structure the Media Text you’re working in is told, you’ll probably start experimenting with different ways stories can be told, and find the versions you like to work with best.

· teaches you how to write characters consistently.

o Fanfic is really hard because not only do you have to write your fave characters in a way that moves the story along, but they have to be recognizable as those fave characters.

o This means you have to figure out their body language, verbal and physical tics, their motivations and they way the handle a crisis (fight, flight, or fawn?), and then make up the details you may need for your story that you may never see on screen/the page, like how they take their eggs or what their fave shampoo is, based on what you already know about them. That takes some top-notch detective work and character understanding to pull off.

o Once you know how to do that, just making up a whole person yourself for original fiction is a breeze.

· Teaches you how to hear and mimic a character/narrator voice.

o You have to pay close attention to how an actor speaks, or how a character’s speech patterns, dialect, work choice, etc. is reflected on the page in order to be consistent in your story.

o And all of this, in turn, teaches you how to build one for yourself.

o I have a whole series of articles here about building a narrative voice, if you want to read more on constructing an original voice for your narrator.

· Teaches you how to create or recreate a setting.

o Again, like achieving character consistency, or mimicking a character or narrative voice, it takes work and paying attention in order to re-create a setting, time period, or geographical region in a fanfic—and if you’re taking your characters somewhere new, your readers will expect that setting to be equally rich as the one the Media Text is based in.

o Which, again, teaches you how to then go and build an original one for yourself.

· teaches how to take critique.

o Professional writing is not a solitary pursuit. In fact, most writing is not entirely the work of an author alone. Like professional authors work with editors, critique partners, and proofreaders, some fanfiction writers will sometimes work with beta-readers or editors as well. This are friends or fanfic colleagues who offer to read your fanfic and point out plot, character, consistency, or story structure errors, or who offer to correct spelling and grammar errors. This is a great way to practice working with editors if you decide to pursue a professional career, and also a great way to make friends and strengthen your community and skill set if you don’t.

o Many fanfic sites offer readers the opportunity to leave a comment on a fic, rather like a reviewer can leave a review on GoodReads or Amazon, or any other online store or blog, for a novel they’ve read. Sometimes these comments/reviews are 5 star and enthusiastic! Sometimes they are… not. The exact opposite in fact. As you get comments on your fanfic, and learn to ignore the ones that are just mean rather than usefully critical, you gain the Very Important Skill of learning to resist firing back at bad comments or reviews, while enjoying the good ones. It also teaches you how to ignore drama or haters.

· Teaches you how to exist within a like-minded community.

o While the actual writing part of writing is solitary and sometimes tedious, nothing is ever published into a vacuum, whether it be fanfiction or original. Besides your editing/critique/beta reader group, you will also likely develop friendships, a support network, and mutuals. It’s always great to uplift, support, cheer on, and celebrate one another’s accomplishments and victories, whether the writing is fanfic or original.

· Teaches you that it’s okay to write about things important to you, or your own identity.

o You can change a characters ethnicity, cultural background, sexuality, religion, or disabilities to match yours, and talk about your lived life through the megaphone of that character. Or, you can insert original characters based on you, your desires, and experiences.

o Once you’re comfortable writing in your #ownvoice in fanfic, you can approach it in original fiction, if you like.

o See my article titled Your Voice Is Valid for more on this.

What if I want to be a professional writer?

Notice how I didn’t say “real writer”. Any writer who writes any kind of story is a ‘real’ writer. I mean, pinch yourself—you’re real, right? The difference is actually between being an “amateur” writer (a hobbyist who does not write for pay), and a “professional” (who is paid for their writing). Just because you only play shinny on the street with your friends, or in a house league on the weekends, it’s doesn’t mean you’re not still as much of a hockey player as someone who plays in the NHL.

Writing fanfiction before or at the same time as writing original fiction that you intend to sell is a great way to learn, or practice, everything I’ve mentioned above. If you read it widely, it will also expose you to different story telling styles, voices, and tropes than your reading of published fiction.

· Can I sell my fanfic?

o No. For fanfiction to remain under the umbrella of Fair Use Law, you cannot profit off your fanfiction. There’s some grey-area wiggle room around things like charging a small amount for a ‘zine or a PDF to cover administrative costs, but zero wiggleability around, say, selfpublishing your fanfic and charging heaps for it.

· Can I “file off the serial numbers”?

o “Filing of the series numbers” is when you take a fanfic you’ve written and essentially pull it apart, remove everything that’s clearly someone else’s Media Text, and reassembling the story so that it’s pretty much a completely original piece of creative writing.

o Yes, you can sell these, provided your filing is rigorous enough that you aren’t likely to be dinged for plagiarism. It’s widely known that Cassandra Claire’s Shadowhunters was once Harry Potter fanfic, and that Fifty Shades of Gray was once Twilight fanfic. But did you know that my Triptych started life as an idea for a Stargate Atlantis fic? There’s lots of stories out there that were once full fics, or the idea for the novel was originally conceived for a fandom, but written as original instead.

o So long as you’re careful to really rework the text so that it’s not just a find-name-replace-name rewrite, you should be fine.

o Be aware, though, that the agents and editors you might pitch this novel to know how to Google. They may discover that this is a filed-off story, and depending on their backgrounds and biases, might be concerned about it. There’s no need to inform them of the novel’s origin straight off in your pitch/query letter, but you may want to have a frank discussion with them about it after it’s been signed so they can help you make sure that any lingering copywrited concepts or characters are thoroughly changed before publication.

o Should you take down the original fic-version of the novel while you’re querying/shopping it? Well, that’s up to you, and whether you’re comfortable with an editor/agent potentially finding it.

· Should I be ashamed of my fic, or take it down, or pretend I never wrote fic?

o What? Why? No! I mean, I have hidden some of my most immature work, but I’ve left pretty much my whole catalogue of fanfic online and I don’t deny that I was/am a ficcer. Why? Because it’s a great repository of free stories that people can read before they buy one of my books, so they can get a taste of how and what I write. Also, you will be in good company. Lots and lots of writers who are published now-a-days started in fandom, including:

Steven Moffat

Seanan McGuire

Rainbow Rowell

Claudia Gray

Cory Doctorow

Marissa Meyer

Meg Cabot.

Naomi Novik

Neil Gaiman

Lev Grossman

S.E. Hinton

John Scalzi

The Bronte Sisters

Andy Weir

Sarah Rees Brennan

Marjorie M. Liu

Anna Todd

...and me, J.M. Frey

How fanfic can harm.

Like with anything else, there are ways that reading and writing fanfiction can actually harm you, or others, but it has nothing to do with the reading or writing of fanfiction in and of itself.

· Some creators may prefer that you don’t (and may or may not follow up with legal action).

o Anne Rice famously went after fanficcers in the 90s who wrote fanfic of her work, handing out Cease & Desist notices like confetti.

o 99% of creators don’t care. Those who do will generally have a notice on their websites or social media politely asking fancreators to refrain. Mostly this is due to their general discomfort over the idea of anyone else getting to play in their worlds. The best thing to do is respect that request, and find a different fandom to write in.

· Flamewars and fandom fights leading to bullying and doxing.

o Regrettably, just like any other community filled with people who have different favorites, opinions, and preferences, there will inevitably be clashes. It’s up to you to decide how to react to negative interactions, and how to model positive ones.

o Don’t forget, you curate your online experience, so don’t be afraid of that block button.

o Also, don’t be the jerk who goes after people for liking different aspects of the fandom. Everyone is entitled to interact and like a Media Text their own way. “Don’t yuck my yum,” as they say.

· Trying to make money on other people’s IP/Media Text (law suits, etc.)

o It doesn’t belong to you, so don’t try to make money on it.

o There’s a grey area here in terms of selling prints/plushies/jewelry/etc. and there’s no hard line about where one copyright owner will draw the line, and another won’t. Warner Bros. owns the film rights for both Harry Potter and Hunger Games, but I’ve seen Harry Potter-themed bars spring up while fans wanting to make Hunger Game fanfilms have been shut down. A friend of mine sells hand-made fandom-inspired items at cons—there is no rhyme or reason to what she gets told to stop making and what she’s left alone on.

o Best thing to do if you’re told to stop is just so stop, move on, and find a different fandom to be active in.

· Writing Real Person Fanfic (“RPF”) can be considered a violation of consent.

o This article sums it up pretty well, but basically… if you decide to write RPF, be aware that they person you are writing about is a real person, with real thoughts, and emotions, and they may feel violated by RPF. If you decide to write it, never send it to the people it’s about, and always clearly tag it so other can choose to engage with it, or avoid it.

o Also be aware that it could ruin their love for what they do. For example: the friendships between the members of 1Direciton became strained and the band eventually disintegrated because people wouldn’t stop sending band members smutty stories or art of them having sex with one another, and it made them too uncomfortable to continue in the band.

· Showing/sharing fanfic & fanart outside of its intended context. Fanworks are for fans, and there are definitely issues if…

o It’s shown to celebrities/actors/creators.

Shoving your fantasies onto the people who create or portray your fave characters is rude, and wrong, and also kinda gross. If they seek it out themselves, that’s one thing, but the same way you wouldn’t throw it at a complete stranger, don’t throw it at them. You may love the characters these people play, but they are not their characters, and they are not your friends.

It may also really weird them out and ruin their love for what they do.

o it’s shown to writers working on the series.

There was a famous case where a fanficcer sent a story to a novelist, and the novelist was accused of plagiarism by the ficcer when their next novel in the series resembled the plot of that fanfic. There was a whole court case and everything.

Because of this, writers of TV shows, books, etc. don’t want to (and often times, legally can’t) read your fanfic. They don’t want to get accidentally inspired by what you’ve written, or worse, have to throw out something because it resembles your fic too closely. Just let them write their stories the way they want, and if they choose to seek out fic, they will.

o it’s mocked by celebrities.

I’m not letting Alan Carr and Graham Norton off the hook. If it’s super rude and gross to shove fanworks at actors/writers/creators when you’re a creator, then it’s doubly rude for anyone to take a story or art made for a specific audience (the fans), by a specific community (the fans), lift it out of it’s context, and invite the public to mock it while also shoving it at the actor/celebrity in a place where they are literally cornered and can’t leave (i.e. the chat-show sofa). Man, it really steams me up when they do that. It’s rude and it’s tone-deaf, and it’s not fair.

And most of the time they do it, they don’t even ask the artist or writer for permission, first, which is just…. Uuuuugggghhhh. It may be fanfic, but it was still created by someone, and you should always ask permission before publicly sharing something created by someone else.

Grrrrrrr.

In Conclusion

If someone tells you that reading or writing fanfic is bad for you as a creator, tell them to get bent.

Famous Fanfic

· Hamilton by Lin-Manuel Miranda

· Wicked by Gregory Maguire

· Wicked: the Musical by Stephen Schwartz

· The Phantom of Manhattan by Fredrick Forsyth

· A Study in Emerald by Neil Gaiman

· Sherlock by Mark Gatiss and Steven Moffat

· The Dracula Tape, by Fred Saberhaugen

· Paradise Lost, John Milton

· Inferno, by Dante

· The Aeneid, by Virgil

· Ulysses, by James Joyce

· Romeo & Juliet, by William Shakespeare

· The Once and Future King by T.H. White

· A Connecticut Yankee in King Arthur’s Court, by Mark Twain

· The Three Musketeers, by Alexandre Dumas

· Pride & Prejudice & Zombies, by Seth Grahame-Smith

· Phantom, a novel of his life by Susan Kaye

· …and so many more.

#words for writers #fanfiction #fan fiction #fan fiction is good for you #writing #am writing #writing community #writing fanfiction #writing fanfic

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fransportfolio · 3 years

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'the space in between' zine

Lockdown has often felt heavy and dark, but for me, it was also a time for reflection and nostalgia for more exciting times. I also had lots of time to watch movies, I watched one in particular about two people who meet on a train and get off in Vienna. One character says, “I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something.” It stood out to me and I took it with me the rest of Lockdown. I began to think about how we share things, and how we love when we aren’t able to see one another—hence the title of the zine, ‘the space in between’.

I’ve tried to explore love and our minds in a few ways. We cleaned our house during isolation and I came across a bag of love letters that belong to my mother. For the first page, I scanned in all the postage stamps that were still attached to the envelopes. I then created a simple watercolour painting of hands not quite being able to reach each other, and layered this over the background of stamps. I turned down the transparency to evoke a feeling of wistfulness, as we read some of the letters and found that most contained the feeling of yearning for another. Moreover, one of my mother’s friend’s had doodled all over the back before sending it to her. He created a small cartoon of a funny-looking man whom he called the ‘Potty Panty Man’, I thought it was sweet and wanted to expand on the character. I created a story that he was yearning for love, as my mother friend may have been, and was in search of his ‘Panty Woman’. I scanned in parts of the letter and drew the character digitally into a photo that I had taken of a draped white sheet. I tweaked the hue of the picture to better fit the colour scheme of the character and the zine, and copied in my mother’s friend’s writing (as seen in the third page).

The fourth page is a scan of a painting I had done for the GCSE art course in acrylic. It was a copy of an edited photo of Frida Kahlo, with her head and arm cut out and removed. I wanted to improve my abilities to notice tone, and felt that using an achromatic colour scheme would be useful. I also like the message of ‘loosing your head’, although it may be a bit blatant, it seemed to relate to the darker feelings that Lockdown has brought and perhaps also the much tougher side of missing someone. Page 5-7 focuses on this. However, I interspersed the two black-and-white pages with a short animation I created. I thought about where my mind goes when I think about love, and what my ‘dreamscape’ might look like. I’ve included my original notes on this at the end. I think if I were to do this page again, I might have wanted to create an actual landscape using clay and other sculptural mediums as to emphasise this. Furthermore, I wanted these three pages to be relatively coherent, so for page 7, I edited a photo using Procreate. Since my painting of Frida had no head, the photo is only of a head.

I laced song lyrics throughout as I spent lots of time listening to my favourite albums. I pulled ones that felt relevant to the photos I had taken. For example, pages 8-9, I used cut outs of eyes and mouths with magazine style text that read the lyrics of Frank Ocean’s ‘Thinkin Bout You’. The song reminisces on a past love, and the lyrics explore the need to rekindle that love, and if it is even possible for the speaker. Personally, I think that our eyes and mouths are the most emotive areas of our face, and it is widely known that ‘eyes are the window to the soul’. I wanted to create a simple two page spread with this as the focus. I took photos of myself making faces I thought correlated to that of feeling in love, then edited them into black and white to fit with the other photographs I had included in the zine.

For page 10, I found an artist named Sophie Bryant-Funnell, who uploaded a series of her sketchbook pages to an online archive. For each page she chose a collection of items that reminded me of being a child, Blackberry phones, old perfume and rollerskates. I really enjoyed her use of sweet, bright colours and wanted to replicate that same feeling of child-like excitement. Over 2020, I kept in contact with friends by sending small gifts and letters. I was sent many things also, I arranged them on a piece of paper and painted them in watercolour. The last page again, features lyrics and a photo also from my original GCSE portfolio. It was apart of an exploration of Henry Moore’s work, however I think it didn’t really suit his style—which is much more morose.

Overall, I tried to be conscious of the textures I wanted to use throughout the zine also, much like the transparency of the easier watercolour. I used mostly fluffy and soft fabrics, which also feature of the front and back covers and avoided too many harsh lines which is why I opted for watercolour for most of the drawings I did.

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minijenn · 5 years

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Across the Universe Falls: A UF Fan Zine

So in order to celebrate Universe Falls’ 4th anniversary/birthday/what have you in September, I decided to go a step further than last year’s anniversary extravaganza by deciding to once again open the field up to you all, the fans of the fic, this year be creating.a digital zine!!!!

So in case you have no idea what this is, basically the digital zine will be a repertoire for any and all kind of UF fan works that you guys might want to make! Wanna draw something? Go on ahead! Write a drabble or oneshot! Go for it! Even just share your thoughts or theories on the fic? Fair game! Anything goes really, go as wild and free as you want on this (within reason, of course, as we’ll discuss in a sec).

Anyway, below will be a link to a Google spreadsheet where you, yes, YOU can go and sign up to contribute to the zine, which I’ll then compile together and release for everyone to share and enjoy! On that spreadsheet, all the info I need is a name (tumblr or discord moniker), what kind of piece you’ll be doing (art/writing/ect) and either what AU (if any) you’re going to be working in or maybe a brief sort of concept (can include ships, certain chapters or characters you want to focus on, so on). Like I said, anything goes here so feel free to get creative!

Now of course there are a few rules for this that I should lay out before we get to the timeline of things. Please keep all submissions T rated at the most! No smut or lemon is allowed, no excessively graphic violence or gore (blood is ok but nothing too gross), swearing is ok in writing but not too excessively, no... icky ships (you know what these are), and so on and so forth. I will be looking over all submissions personally, and while I do intend to approve pretty much everything (regardless of quality when it comes to art, so if you don’t feel like your art skills are the strongest, don’t worry!) I do reserve the right to reject a piece based on inappropriateness! As far as tone goes, anything is fine, angst, fluff, romance, humor, anything and everything! same with AUs! If you wanna combine AUs, tackle theories and ideas for UF2 or even further out than that, or just come up with an AU entirely of your own, go right on ahead! Like I keep saying, the sky is totally the limit! And now, for the list of artforms that will be accepted:

Art (digital or handrawn, single piece, character drawings, comics, basically anything)

Writing (short drabbles, longer oneshots, poems, songs, ect)

Crafts (paper craft, paintings, so on and so forth)

Theories/Ideas (any sort of concept you think would be cool to see in UF, could even include outlining your own AU idea (these don’t have to be formal writing pieces, they can be in the form of bullet points or something looser like that)

Videos (AMVs using clips from both shows, original songs, fan readings, fan edits, so on)

Gifs

Moodboards

Pretty much any other idea you might have in mind not listed here!

Also, you can submit more than one piece to the zine if you want! If you want to send multiple pieces of art or writing, that’s fine, just make sure to put them down each in individual lines in the Google Doc please! Now with that out of the way, let’s go onto the schedule of things, which goes as follows:

August 1-18: Sign up period: This is how long the Google Doc linked below will be open for you to sign up to participate in the Zine! I’ll remind you guys up until that point regularly to sign up. Pretty much as soon as you do, you can start working on your piece!

August 18-October 31: Work period: Basically this is how long you guys have to complete your pieces for the zine. Yeah it will sorta miss UF’s fourth birthday in September, but I’m sorta late to the ball on this and I wanna make sure i give you guys plenty of time to get your stuff done for it!

November 11: LAST CALL FOR SUBMISSIONS (all submissions need to be sent to me by this date! (All Submissions can be sent either through tumblr or Discord PMs or to my email at [email protected])

December 15: Zine Release! When the link will be up for the zine for all of you to see and enjoy, completely for free, complete with a credits and shoutout list for everyone who participated!

So yeah, hopefully all that makes sense. I feel like I’m probably leaving something out here, but ah well. If you guys have ANY sort of questions, feel free to send them my way! All the same, I’m SO hype to see what you guys come up with for this! UF has such an amazing fanbase and I’m always completely stunned by how talented and awesome you guys are! So hopefully, this will be the ideal place to display just how talented and awesome you all really are! So get ready to create! :)

Link to sign up sheet: https://docs.google.com/spreadsheets/d/1by85G5l1BWnbppxN8VIgb3aUl51aelf6oIlqOiUKbC4/edit?usp=sharing

#universe falls #gravity falls #steven universe #crossover au #across the universe falls #fan zine #zine announcement #fanfiction #fanart

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stormofblue-blog · 5 years

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submit | storm of blue press

We want every unsent text you wish you were brave enough to send. Consider this an open phone plan.

Below is a snippet from our editor-in-chief; it includes a list of things we're always interested in reading more about, primarily feelings and ideas that excite & break us like waves against the shore.

GIRLS, electric loss, pink + blue + neon colors, unsent text messages + sent ones that blink back as read, vodka, dancing in the street at night, sloppy mouths, the day after, regret, plastic flamingo lights, 4:17 am, ruined cuticles, murmuring both ends of a conversation because I find myself talking to you through every orgasm, bathroom sinks, whole foods green hair, rewriting texts 6 different times bc I can’t bear to mess this up, pink drinks, glow in the dark stars, taking hours to fall asleep because it’s so easy to picture you sprawled out against this warm body, crying over “Someone Great” on Netflix, blaming everything on astrology, or timing, or me over you, sunsets, drinking just for an excuse to spill my guts, when a heart breaks does it echo, Boston accents, smiling into a kiss, New York, the state almost touching it just as much as I’m never touching you, empty spaces that make me choke, bright, half hideous stuffed animals won from claw machines, that moment when someone smiles + they put their hand over the camera lens, wishing I could make out with my phone and somehow transfer it like a Venmo, throwing dumb shit across my room to feel in control, eating Cheetos and nothing else all day, more alcohol, not remembering anything about that dream except knowing you were in it, pining, standing in the pool for hours and not moving, music videos in my head spilling out onto pavement, colored smoke, hazy boundaries, lines that slip like Crayola chalk in the rain, touching myself and wishing it was you instead, screaming sounds instead of words bc what do I even say, begging for a release bc this body can’t hold it all in, every single “I love you” + “I’m sorry” + “do you think we will ever be able to work” + all the in-betweens, a compilation of snapchat messages + insta DMs + texts + Spotify songs played right when you log on just in case you’re still watching me + the day we first met, digitalized 4ever, heartbeats sent through iMessage, voice memos recorded at 3 am & never sent to you but sometimes played back to myself years later to remind these fangs that there was a time I still fucking cared about something [anything], fisticuffs, friends to enemies to lovers to emotional tag as an Olympic sport, concentrated want like orange juice but it hurts more when I swallow, unobtainable vulnerability, balloons after a party when they fall really slowly and it’s like watching you leave all over again but in slow motion [funny bc you’re always running], birthday cake, 6 years of cards, candles which remind me of fire, remind me of your hands, remind me of that Buffy episode where she & Spike fuck & the whole goddamn house falls to the ground, absence, missing flights, missing chances, + missing you

Multimedia, nontraditional, and experimental collections are encouraged but not required.

Storm of Blue Press is by & for lgbtq women & nonbinary people. In your cover letter, please highlight the connection you personally have with the lgbtq community and with being a woman or nonbinary. We discourage third person bios with a string of publications and no personal connection. At Blue, it doesn't matter where you've been previously published (although it's really cool to meet those familiar with our friends of course). Bios can instead be built around unique aspects of your presence, and even include non-writing related attributes. Who do you fight for? What makes you angry, mad, or passionate? Who do you love and why? What's the saddest thing that's ever happened to you? Favorite food, dogs or cats, tiny, microscopic details you don't think anyone cares about... [spoiler alert: we care a lot]. Choose some of the above prompts or create your own, but please remain original, authentic, and unapologetically yourself.

We accept simultaneous submissions, but please notify us immediately if your work finds home elsewhere.

There is currently no reading fee for Blue Literary Magazine. Because of this, we currently don't have the funds to pay online contributors. If given permission to showcase your work on our online store via merch, you will receive 50% of all net proceeds. If Blue accumulates the resources to print monthly issues of our literary magazine, our contributor compensation policy will change.

Storm of Blue Press requires a $15 reading fee for zines and micro chapbooks (25 pages and less), a $20 reading fee for chapbooks (50 pages and less) and a $25 reading fee for full length poetry collections. We are not currently accepting young adult manuscripts unless they are lgbtq centered and absolutely amazing ($25 reading fee as well because we value both your time and ours).

We waive our reading fees for ALL lgbtq women & nonbinary people who ask, to help bridge the elitist divide in creative spaces. If you need a fee waived, email [email protected]

Blue Literary Magazine and Storm of Blue Press are by & for lgbtq women & nonbinary people. All male submissions will be automatically declined.

As an author, you are considered a collaborator not only regarding royalties, but also in relation to artistic liberty. If accepted, our team will edit, guide, and format your manuscript while respectfully considering your vision. Because our team values your partnership, we share 50% of all manuscript profits with our creators and will pay to commission your book cover. Blue is composed of poets, writers, and artists with strong social media presence and dedicated readers/viewers. If accepted, said team will foster and promote your work via social media, help generate engagement, and potentially arrange for public readings. Blue remains a small, independent publisher, so we are able to give personalized attention to all of our authors, while guiding them through the literary world.

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#press #small press #literary press #literary magazine #magazine #zine #chapbook #microchap #collection #poetry collection #lgbtq poetry #confessional poetry #sapphic #sapphic poetry #lgbtq #lgbt #writers #paid content #call for submissions

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ongshat · 5 years

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For a comprehensive list of most of my print work (not including magazine articles) see this list on Goodreads.

All my works dedicated to the memory of my dearly departed friends: The members of The Formless Ocean Group – Nina Graboi, Elizabeth Gips, Paddy Long, Betsy Herbert, and Robert Anton Wilson. Also to my departed friends: Dave, DW Cooper, Dr. Hyatt (Alan) and humdog.

PAST WORK

Beats In Time: A Literary Generation’s Legacy (Chapter 12 is my interview with Diane DiPrima) also to be included in Conversations with Diane di Prima to be published by the University Press of Mississippi, in 2021/22.

Transmedia: Who Invited the Lobsters Anyway?

Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat by Michael Kinsell – While clearly this is a book about my transmedia project it also includes a lot of things that I wrote as examples, so I include it here. Metamodernism, anyone?

Rebels and Devils: The Psychology of Liberation edited by Christopher S. Hyatt, Ph.D. introduced by S. Jason Black foreword by Nicholas Tharcher contributions by William S. Burroughs Joseph C. Lisiewski, Ph.D. Timothy Leary Ph.D., Robert Anton Wilson, Austin Osman Spare, Genesis P-Orridge, Aleister Crowley, Joseph Matheny, Peter J. Carroll, Israel Regardie, Jack Parsons, Phil Hine, Osho, and many others

Black Book Omega: CIRQUE APOKLYPSIS by Christopher S. Hyatt, Ph.D. Joseph Matheny, Nick Pell, Calvin Iwema, Wes Unruh, Antero Alli (more info here)

Contributor YouTube: An Insider’s Guide to Climbing the Charts (more info here)

Introduction to The Art of Memetics Aside: When I posted about this book on Greylodge, Seth Godin references the post as a good example of “How to write like a blogger“ This made me happy. 😉

Contributor/Editor:This is Not a Game: A Guide to Alternate Reality Gaming with Dave Szulborski (Excerpt here )I edited and contributed to : “This Is Not a Game” which was included in the annual Tween market report that went to marketing executives worldwide in the toy, gaming and youth market industries. Also, I appeared as myself/in character, in person, in the “Catching the Wish” ARG by Dave.

Third Realm (The Yellow King) Written and executed by me, produced in conjunction with Foolish People http://www.argn.com/2009/10/puzzles_for_the_apocalyps

4P2 My first foray into the True Crime arena. Formula: Just put up a single, spooky web page, that purports to be a recruitment drive for an organization whose actual existence is speculative at best and at worst is fiction presented as fact or paranoid, hysterical hand-waving in the interest of selling books and you will get all kinds of reactions. In all fairness, I think the theories mentioned read as good fantasy crime fiction and this was a conceptual attempt at that very thing. Apparently, it succeeded. The unnerving side of this was the equal amount of applications I received asking to join (Really? Join a group of underground serial killers? Really?) or outright death threats by people who really believe in such things. (Someone summed it up pretty well in this article from The Fenris Wolf)

the-fenriswolf-iss-no-4-pp-87-116 PDF Excerpt

El Centro & OMEGA This was a ARG/Transmedia style story with occult/horror/conspiracy elements, started in 2004 and ended in 2006. It utilized Web, print (booklet), radio, phone trees, theater and news wire services. [A version of the doughnut shop scene from this story was used in Amsterdam production of Terra: Extremitas by Foolish People.] This project was done in collaboration my late friend Dave Szulborski. There’s a LOOOOOONG story about this project. So long in fact that it will take up at least three chapters in an future book.

Contributor: What Would Bill Hicks Say with Ben Mack, Amelia the Great and Soft Skull Press (along with Jeff Danziger and Martyn Turner; writers Neal Pollack, Robert Newman, and A.L. Kennedy; and Thom Yorke of Radiohead and others…)

Contributor: 2004-2005 Exquisite Language project for the 2004 ELfest and collected in the Spring 2005 issue of of 2 Gyrlz Quarterly. NOW AVAILABLE AT POWELLS.COM

Introduction, afterward and editing for Poker Without Cards– First Edition. I orchestrated the first release campaign for this book, with the main character becoming “real”on the Internet for a while. After the first few months I turned it over to the author. (statement regarding this work here)

GALT’S ARK: The Black Symphony, First and Second Movements Produced by Cthulhu The Players: Joseph Matheny, Christopher S. Hyatt, Ph.D., Father Daniel Suders & Nicholas Tharcher Illustrated by S. Jason Black, Jonathan Sellers, Weirdpixie & MobiusFrame

THE BLACK BOOK Volume III, Part I

THE BLACK BOOK Volume III, Part II

(The Black Books are considered the workbooks for The Psychopath’s Bible, which I wrote an infamous jacket blurb for.)

The Incunabula: Ong’s Hat Project [ Reviews | Interviews, etc. | Wikipedia | History] This was a ARG/Transmedia style story started in 1988 and ended in 2001. It utilized zines, BBS, early Internet, Web, CD ROM, CD Audio, DVD, print (book, graphic novel and magazine), radio, phone trees, fax, and news wire services. I gained and leveraged exposure in both the mainstream and alternative media to distribute over 2 million copies of CD ROM, ebook and print versions of the story combined. Story elements from Ong’s Hat were also included in the EA Game, Majestic which unfortunately ended prematurely due to 9/11. It was the subject of a full 4 hour show on Coast to Coast AM, been the subject of an article on the Weekly World News and been covered on many radio shows world wide, books, newspapers, magazines, etc. Links to media here.

Description: “…a bizarre Internet phenomenon: an “immersive” online experience—part mystery, part game, part who knows what—known as both the Incunabula Papers and Ong’s Hat. The Incunabula Papers/Ong’s Hat was, or is, a “many-threaded, open-ended interactive narrative” that ”weds an alternate history of chaos science and consciousness studies to conspiracy theories, parallel dimensions, and claims that computer-mediated environments can serve as magical tools…. the documents provoked a widespread “immersive legend-trip” in the late 1990s. Via Web forums, participants investigated the documents—manifestos—which spun up descriptions of brilliant but suppressed discoveries relating to paths that certain scientists had forged into alternate realities. Soon, those haunted dimensions existed in the minds and fantasies of Ong’s Hat’s many participants. That was evident as they responded to the original postings by uploading their own—all manner of reflections and artifacts: personal anecdotes, audio recordings, and videos—to augment what became “a really immersive world, and it was vast”. – The Chronicle of Higher Education—-

“Ong’s Hat was more of an experiment in transmedia storytelling than what we would now consider to be an ARG but its DNA – the concept of telling a story across various platforms and new media- is evident in every alternate reality game that came after.” – Games Magazine 2013

Though Ong’s Hat may not have set out to be an ARG, the methods by which the author interacted with participants and used different platforms to build and spread its legend has been reflected in later games. –Know Your Meme

The Incunabula Papers are arguably the first immersive online legend complex that introduced readers to a host of content, including what religious historian Robert Ellwood has called the “alternative reality tradition. – Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat

As a companion piece to understanding some of the history of the transmedia work that centered around Ong”s Hat you may also want to read Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat, reviewed here.

The Incunabula Papers CDROM was recently included in the BNF (Bibliothèque nationale de France) digital art collection.

Game Over? (currently re-vamping this for re-release)…but if you just HAVE to have it now, someone is selling one for $900 over here. 😛

What Really Happened at Ong’s Hat?

The Incunabula Papers (CD ROM) Free ebook versions here

Incunabula: The Graphic Novel Free ebook version here

Why DVD? (B and N Digital Bestseller)

A booklet published in April-99

Over 100,000 in circulation to date

Available from booksellers nationwide in October reprinted by:

DVD Creation Magazine

Videography Magazine

(printed copy sent out with each issue – July,1999)

Video Systems magazine

and many others

Convergence 2000 (B and N Digital Bestseller) Free ebook version here

Covert Culture Sourcebook

Earth Dance 2000 (Video and DVD)

The Millennium Whole Earth Catalog

Transmedia Litany (with Genesis P’Orridge)

Thee psychick bible

esoterrorist (publisher)

My idea for an Exquisite Corpse jacket blurb using faxes. (WSB missed inclusion by a day). Used on Esoterrist

Banishing Ritual (cover) with Illusion of Safety (audio here)

The Last Book

Also contributed a few articles to Bob and Arlen Wilson’s Trajectories.

A write up I did about my old friend Rob Brezsny for disinfo.com

Interview that I did with with Beat poet and author Diane DiPrima

Nina Graboi Interview, bOING bOING, Number 8 (written under my nom de plume: Michael Kelly)

I’ve contributed articles to AlwaysOn and Adotas. I’ve contributed book, music, and movie reviews to Gnosis and Magical Blend in the past as well as the old Boing-Boing print magazine and Fringeware Review. Note, in the interest of full disclosure, I’d sometimes contribute more than one article or review to a single publication and to avoid the appearance of saturation, I’d use the pen name: Michael Kelly for some of the articles.

Writing For a comprehensive list of most of my print work (not including magazine articles) see this list on Goodreads…

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nieniekoto · 6 years

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Hi! One of the accounts I follow reblogged your flower todoroki post about his growth (i cried, all of it was amazing, so poetic, youre a genius) and I noticed in one of the panels he is missing his scar. I thought you might want to edit that or fix that but if not its totally fine! It doesnt take away from the work at all. I just thought you might benefit from knowing. Thanks for the lovely art! ❤❤

Ahh thank you so much for the kind message!! I actually did realise I forgot his scar in one of the panels after I submitted it to the zine asjkdjas but I figured it might be a bit. dishonest? to edit it when I post it online, since so many have received physical/digital copies of it (that they paid for, no less).

I might fix it a little later on maybe, but I really appreciate that you took the time to tell me so so kindly ;u; Thank you for liking my art!!🌻💕

#ask #txt #not art #Anonymous

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therewasabrowncrow · 4 years

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New Year Update! Lockdown #2:

Last July we moved to a new place in Leith-- this is literally the second place we saw, the first we couldn’t visit- it had a virtual tour option only. We stood outside that building and speculated about our lives inside, our future room facing a freshly excavated burial site nearby where the tram line would go, and thus, we bounced.

This second place faced the tram line too- the main road and shops (now almost all shut) but we were at least indoors looking out.

This north facing room is my home studio for now. I have imagined this to be a working studio for at least two people so consider this an open invite

I am very happy with it, I came here in January with a motherboard, power supply, a fan and a flatbed scanner --Don’t buy an expensive laptop they said, assemble a desktop--it’s so much fun, they said-- I don’t regret the decision to not get a laptop now

Since the entire room was built during lockdown a lot of it depended on delivery and it took more or less 6 months. I still need to add an overhead rig to attach a camera so I can make more Earthsea fan art! Unfortunately my cheapo tripod broke and my Earthsea feed is stalled. Now that we enter proper lock down 2 I’ll wait and see until March what happens.

I was not able to pay towards any rent this year and my partner had to manage from his first full time job at the university but I was able to save and pay towards internet and utilities for all of next year (still not enough to half the rent yet) I also have enough to pay off a debt finally.

I got my first paid project before I moved here, from a classmate-- a short animation! I remember sitting in Calcutta with no equipment trying to figure how to put it together but I had a self initiated project from summer 2019 that I pitched to them and it worked! I could buy enough time for me to travel end of the year to the UK. My partner had already managed to find a place for us to house sit while the owners were away on sabbatical.

Luckily one of the owners of the house is a professional sculptor so I had access to art materials but I already had a portable mono print kit with me and I was able to put together at least two frames per scene in loop. By now I had the CPU case and Monitor in place (thanks to the owners who let me use it).

The film was done! It also made it to a few selections this year, thanks Helmie!

During this time I was working with Nia Thandapani on a STEM facilitator manual for Quest Alliance. She was making a workbook designed for girl students that look into representation, goals, dreams, and coding basics. She approached me after seeing the icon work for A Cloud Called Bhura and another illustrator on this project.

Pages from the book:

During this time Amphan was raging in Bengal and Assam. The little veranda garden I made for ma before I left was washed away.

Now it was summer. I had the opportunity to work with Numbi Arts on a more or less retainer until end of the year. I knew about Numbi before I left UK three years ago when I volunteered to document some of their live events. The Numbi projects were a blessing

This year Numbi were working to build a Somali Museum and they were able to successfully raise the funds. I am excited to see how it shapes up. I made visual comms (posters, insta ads etc) for their events-- mainly for Your Mother tongue is Gold. Thanks to Numbi I got referred to another community project which will start shortly.

I had a few projects with Storyweaver. One was in the works since 2019.

Written by Yamini Vijayan Your Body is Yours has been a really interesting project -- in the middle I was fully giving up because I didn’t think I had enough maturity and knowledge to visually interpret consent and boundaries. But reading up and questioning oneself during lockdown helped. I am actually looking forward to seeing more books on consent and personal boundaries by others. When I made my zine about periods I was told that there were more than enough projects on periods. I see literature and art about periods that I failed to address in the zine-- so it’s never enough!

The other was also based on body and anatomy art directed by Snigdha Rao who is my NID animation classmate. I really enjoyed our brainstorming and I am quite happy with the way we interpreted the texts

Towards the end of the year I got to work on a very simple book about anatomy again..this time a chilli plant written by Radha Rangarajan

I had a few quick editorial projects with Current Conservation:

The first one of the year was made with Clip Studio. As you can see I used every brush in the arsenal to show off -- this was me saying fuck you to Photoshop forever so I spent a lot of energy to perfect this. Rookie mistake.

Later in the year, I use another technique where I locate a theme in the text and try and find organic materials that best compliment it. I then scan or mono print the objects/material and use them as a digital collage. This direction works very well when timelines are tight and usually foreground the main theme of the story quite well.

I have been building a library of these textures and scans. They are free to download and remix from my Gumroad account.

I used this technique for Moo Dunnit by C.G. Salamander

The story is a case of missing vegetables so the mono print of corn, peas, strawberries, dhaniya, as base of the illustrations really helped.

By this time I was going in and out of it with the pandemic and the Lockdown both here and in India. So there were lots of apology emails to the editor and finally I just sat down and finished in one go. I don’t think I have been able to relocate myself fully from the anti CAA-NRC protests in Calcutta. Some scenes will remain.

I worked on two documentaries. One was Crutch and the other was Moving Upstream: Ganga.

Crutch had been in process for the last seventeen years! I met the directors Chandler and Sachi when I was in CA back in 2017-- the time I dropped next door to borrow a lighter from Chandler :P and told him that I do animations that “explain complex stuff” which fit the bill on what they were looking for: Someone to animate the insides of a pelvic joint.

I had a small tester project with them before I got signed up on this project. We had a sit down with the team and I had the chance to meet the artist Bill Shannon on whom the film is based. I will share more scenes from the film shortly. A large chunk of my studio costs came from this project, so yay

The other documentary was with Veditum about their river walk. This film also took some time to happen and I was approached when the team were already finishing up with their edit. I met Siddharth when I was in Calcutta-- we had been in touch via Insta for years. It is always exciting to meet your social friends IRL and I was thrilled to be part of this project. They were very clear about the direction so it was easy to put my bits into the film--Mostly animated overlays. I will share the trailer shortly!

We contributed my bit from the project to Association SNAP for Ramzan Ration Kits and the WB Emergency Relief Fund.

End of Autumn I got approached for a few projects-- one was for Story Museum with my classmate again. They were making small online storytelling sessions on popular fairy tales. I made a few illustrations for them that my classmate animated. It wasn’t extensive animation work, as the budget was quite small but I had a lot of fun exploring different styles for each fairy tale

The first one dropped on Youtube:

https://www.youtube.com/watch?v=OXTL6tkQRzk&feature=youtu.be

She also gave birth towards the end of the project--this meant that our project needed to be planned thoroughly ahead of the deadline.. and we did it!

The other project running parallel right now is due to end in February. This is another collaborative project with Falana Films based in Bangalore. We have a bunch of deliverables -- a series of films on STEM awareness for girls and I am doing the animation direction.

It took a while for me to come up with a specific look but by the time the script was written, it helped massively with the visual direction. Initially I found it quite hard to build a visual language that would explain STEM thinking without us explicitly pointing an arrow at things. So we decided to focus on the assembling and dissembling of objects, compositions etc. I am quite happy with the direction now:

I appreciate the commitment Quest took to be inclusive and get as many different participants on board, thanks to Falana

---

I wanted to make animations for a while and this year I had quite a few. I hope to make games next year. I made a bunch of fan art and WIPs and protest art and sketch notes this year, a lot of it made through bouts of different kinds of mental states.

I also joined local mutual aid and volunteer networks even though our socialisation was all online.

Ohhh did I mention the experience of applying for a visa in Brexit UK with an ongoing pandemic!

I wanted to make a living wreath for a family member and many who couldn’t make it during this pandemic -- out of all the projects, this took the longest and went through many iterations. This was in December and by now I felt tired and worn out.

#2020

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ineffableplanner · 4 years

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Wednesday Spotlight #44 - February 24th 2021

What’s new? A return of a fanart book in digital version.

Remember, feel free to PM/Ping/telepathically relay to me if you have any zines coming up for sale - or fancomics. (Even if I know of more than a few coming up, the information is greatly appreciated).

If some have gone out of the cycle below, but are still for sale, check the listing on the Trello (Good Omens Posting Events and Fanzine pre-orders)

Good Omens Fanzines open for orders/pre-orders:

[NEW] Sweet Hereafter Digital Art Book by GingerHaole

Sweet Hereafter: a 70-page digital fan art book about Crowley & Aziraphale, two sweet idiots in love!

Thwarting Wiles A bottom Crowley Zine [18+]

Pre-orders for Thwarting Wiles, an 18+ bottom!Crowley Good Omens zine, are now open! Over 100 pages of wonderful content, made by an amazing group of contributors!

RESTOCK

Unleash the Chaos

A limited number of physical zines, merch (stickers, postcards, keychains), and discounted items with minor damage up for grabs in the store now! If you missed out on ordering the first round, now is your chance!

Seductive Sins - A charity ezine by Kinks4Kindness 18+

A bottom Aziraphale Charity Ezine.

Cold Omens - a Good Omens Zine (Extended until March 8th)

A love letter to the episode three cold open of the show.

—————–

Note: Zine pre-orders have been moved from Saturday’s newsletter to Wednesday’s Spotlight post. Zine’s will be spotlight’ed until pre-orders/orders end date. Personal comics will get one spotlight for now - if more weeks go by without any new ones, I’ll re-boost some of the earlier ones.

If you have a fanbook/comic for sale or a fanzine up for pre-order, please PM me to let me know or email me at ineffableplanner (at) gmail.com. I may catch it on my own but better safe than sorry ;) - same goes for any events or zine signups you’d like boosted in the Saturday newsletter. Also a shout-out to those of you who ping me with links, both for events as well as comics and zines.

You can find older editions of the Wednesday spotlight by following the tag #Wednesday spotlight

#Good Omens #Good Omens Zines #Good Omens Fanbooks #Wednesday Spotlight #IneffablePlanner

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powerdragonmoon · 7 years

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Do you do ko-fi, patreon, or commissions?

Hi nonny!!! I dont have those >o

But i do know some people who you can totally support on ko-fi, patreon, or commission!!!

For ko-fi:

@mavilez (who has amazing art) is currently drawing characters in exchange for 3 coffees! she’s such a sweetie and drew me this! (link for mavilez’s kofi)

@yunyin is just plain amazing and sweet and lovely and ahhhhhhhhhhhhh this entire fandom owes her one million coffees alone for her amazing feat of drawing something for everyday of adrienette month!!! (link to yunyin’s kofi)

@sweet-childhood-dreams is THE SWEETEST BEAN!! the only thing cuter than her is her adorable art! for a limited time, shes offering chibi commissions for the cost of 3 coffees, and fancier chibs for the price of 5!! (link to sweet’s kofi) **edit** just look at the cute cherry tomato baby bee twins she gave me!!!

@edendaphne is amazing, i love her. she has a ko-fi (link to eden’s ko-fi)–she takes payment in hot chocolate xD and she also takes commissions!!! (link to her commission page) ngl ive been wanting to commission eden for sooooo long, but its almost like i have to find the right thing!!!! and the pressure is paralyzing!! >w

@lunian is the greatest, i love her so much and fjalksjf;laksdfjal;skfdj i got noooooo words except BUY HER COFFEE (i know you dont like coffee…BUT THIS IS THE KIND OF KO-FI SHE LOVES!) >olink to luni’s ko-fi)

@ceejles if you’re in the miraculous ladybug fandom, and haven’t already bought ceej a coffee than IM CALLING THE POLICE //dials 911 on the microwave// youve seen her art, you love her, give her coffeeeeeee (link to ceej’s ko-fi)

@kittykichi is another amazing artist!!! you should totally check out their stuff and consider buying them a coffee!! (link to kitty’s ko-fi) **edit** kitty also has a doodle deal, if you buy a coffee you get a dood!!! (link for more info here) (also look at this beautiful beenath i got ;o;/)

//cracks knuckles// oKAY NEXT!

For Patreon

there are a lot of amazing content creators on patreon! and i highly recommend taking a look around to find people to support…here’s some suggestions!

@shishitsunari is amazing, and really deserves more patreons!!! their art was some of the first i saw of the ml fandom, and its stunning!!! without the support they aren’t able to fanart as much as they’d like, so my dream is that one day they are able to!!! (link to shishitsunari’s patreon)

@nokkiart HAS THE GREATEST MOST MAGICAL STYLE!!! and one day i will own a picture book of their art, i dont even care if there are puns involved, I LOVE IT THAT MUCH!!! and damn, three lucky butts–if you donate enough–can get a custom paper cut out piece, and oh boy are they stunning!! (link to nokkiart’s patreon)

@portentous-offerings is amazing at running her patreon, ;o;/ its full of amazing content and goodness do i love all her stuff! she also has a lot of tiers to choose from and makes them all worth it!! (link to dire’s patreon)

@hchano you’ve seen h’s art…but have you read her COMIC!??!?!!? FREAKING WHATj;lfjas;ldfjkas;ldkfja!??!?! its good!!! ITS AMAZING!! SHES AMAZING!! and you should totally check out dream*scar and consider supporting her on patreon!!! (link to hchano’s patreon)

For Commissions

@twindoodle (Happy Birthday Twin!) does commissions!!! AND I LOVE HER BRIGHT COLOURS AND STYLE!!! she did this awesome buzzkill piece for me, and im obsessed! (link to twin’s commission page)

@bichatnoir AKA @sealfarts also has such a distinct and lovely style! (i got an amazing piece done by them and its just so lovely!!!) also their prices are criminal….so please be sure to tip !!! (link to seal’s commission page)

@chalala-chan created ONE OF MY ALL TIME FAVOURITE PIECES EVER! ACTUALLY TWO OF MY ALL TIME FAVOURITE PIECES EVER! everything about lala’s style is perfection! (link to chachachahahahhaaa’s commission page)

@smiling-grouch is a genius and master of traditional art, she murdered me with her style and it blew my mind when i realized that it wasnt digital art! LOOK AT THIS! (link to grouch’s commision page)

and there’s so many more creators that im so sure im missing >O

LASTLY…

if you’re looking for another place for some awesome content, can i suggest (AND ALSO HIGHLY RECOMMEND) the UP to the Test! Miraculous Ladybug Zine for disaster relief?

donate to a charity of your choosing and email your receipt to @ml-disaster-relief-zine (instructions here)

In return for donating to charity you’ll be given the zine when it comes out!! so preorder today!!! remember portentous offerings? well she’s offering access to her Marinette and her Romeo FULL COMIC for donations of $5!!! its quite the deal, tbh, not only do you get to help others in need (like seriously earth CAN YOU JUST CHILL FOR A MINUTE?!?!?!) but you’ll be rewarded with amazing content!!

#oops sorry long post #but thanks for the ask nonny!#ask #anon #powder answers #commissions #ko-fi #patreon #so many amazing creators #!!!!!#support your local fanartist #support charity!#support all the things!!!!#i know im missing like SO MANY PEOPLE #DAMNIT!#ill rebloop this later with more!!!#ahhhhhhh!#Anonymous

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