#i need to make them a tag actually

[nihilara]

👫 for kuro & io

so we've already established that io and kuro are... a bit of a slow burn. but in a kind of weird and funny way. they have plenty of time. i seriously love the idea of them not really being aware they're an item until it's very very clear to everyone else. and even then they slowly move into it. and it's less of an oh!!! moment, and more an alright it's official- as if there hasn't been a huge change. by the time they've accepting it for what it is, kuro's got clothes there, a few dishes, and food. like he's half moved in by the time they're calling it a legitimate relationship.

kuro is the promise of a meal whenever io wants. and though they do begin with places that are very easy to hide-- he does eventually trust io enough to allow her to bite along his neck too. it definitely helps he already covers the majority of it up with a silk choker. but the scar there is a bit of a sore topic. one that io never brings up and kuro is very happy not to talk about.

now hear me out. kuro would happily, eagerly even, introduce io to his cats. they're not really his, but to her it's obvious he cares a great deal about the strays that live nearby. and it would be sooooo cute if he moved in with her, and was able to bring mimi along with. she's an old cat but astonishingly well behaved, and tends to just sleep all day.

the size difference between them is QUITE substantial. and they both know it- even if io can shapeshift and change how she looks. he is perfectly fine reaching things for her she can't normally, or providing other tall person sort of help. // much later into their relationship, kuro does tease her wordlessly about it- by not leaning over for things, or questioning if she's sure she does or doesn't need help with something. but it's all in good fun, even if he gets shit for it sometimes.

( bonus ) bringing this back too-- but blood for a good sleep? worth it. and if io ends up using him as a pillow while he naps? what of it? he's warm and comfortable. and sometimes, kuro might wake up with io sitting on him and just,,, let himself drift back in and out until he's ready to get up again.

𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 / paramythas

[deathlonging]

we should talk more about cities that are vampires. cities that are cold and wet and sink into your bones and stay there. cities that are hungry and want to live. dead cities that dont know they're dead and suck the life force of their people to maintain the delusion. cities with harbors that are actually mouths; one-way entries. cities that are devastatingly lonely and see consumption as love

[forgettable-au]

PROLOGUE

FORGETTABLE-AU (Page 1-9)

AND SO IT BEGINS!

I don't think I can fit all 20 pages of the prologue in just one post, so I'm dividing it into 4 posts! This one's the longest...

[CONTINUE]

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[kaizsche]

"tyler, how'd you come to do this work?" / "well, when you love something, you'll spend your whole life trying to understand it." TWISTERS (2024)

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[tangledinink]

Hello sorry for tagging. I am very sick, my asthma is at its maximum level, my nose freezes, I have no medicine or food. I am in bad shape financially, I am a black disabled, who uses multiple medications, I pay for my food and lodging

Unfortunately I do not have all the resources to keep me safe, that is why I need your help, whatever you can contribute to me will be of great help.

Okay kids, are you ready for a lesson in SPOTTING ONLINE SCAMS????

*please don't message this person or harass them-- i do recommend that you report and block them, however.

right now it's incredibly important to give time, attention, and money to online fundraisers. but it's also incredibly important not to let scammers take advantage of that and steal money that could actually save lives right now.

firstly-- if we go to this person's blog, and navigate to "archive--"

this person's blog has only existed for a few days, only has a handful of generic posts (many reblogged multiple times,) and made their first reblog the same day that they posted their "fundraiser" post. this is a MASSIVE red flag.

please also note that neither their ask nor post actually mention palestine or gaza at all, but it's still tagged with "free palestine" and "gaza."

though this one should obviously be taken with a grain of salt, it is also worth noting the poor grammar here, because this can be (but isn't always!!!) another red flag. Note also that all the details are really vague and don't quite make sense... user describes "enduring cold" and their "nose freezing" though it's the middle of the summer. This user says that they're "sick," but doesn't really offer any further details about this. This user says that they need money for "resources," but don't elaborate on what exactly they need. They vaguely elude to a need for lodging, caretakers, and medicine, but don't actually give us any details-- despite this they have a "$1200" goal. What is this specific goal of $1200 for? Is that the cost of their medication? Overdue medical bills? Cost for rent this month?... They also apologize in their ask for "tagging" me... but they didn't tag me. They sent me an ask.

Another red flag is that their link labeled "Fundraiser link" leads directly to a Paypal donation page rather than a gofundme or anything else. If someone chooses to collect aid through paypal, venmo, etc. instead of through a gofundme, that's not a huge issue in and of itself... but it is fishy that it's mislabeled like this.

And if we GOOGLE this user's tumblr name or paypal name, we can find results like this:

This also led me to find them on @/kyra45's blog on their list of current scam accounts.

Despite all this, they have close to 100 reblogs from well-meaning people trying to signal boost and ask for donations on their behalf.

With the current situation in Palestine and the amount of actual, legitimate fundraisers and donations being circulated right now, for Palestine, Sudan, the Congo, or otherwise, it is more important than ever to be aware of people who are trying to take advantage of the situation for their own personal gain. Whenever possible, please take the time to do some due diligence when you receive messages like this and check to see if a fundraiser is legitimate! It always sucks for someone to be the victim of a scam and lose money to someone playing pretend on the internet... but it sucks even more when that money could have gone to people in actual, acute, dire need.

Here's some more information about spotting scams on tumblr! Shoutout to tumblr user kyra45 for compiling this, and for all the other hard work they do-- thanks.

Here's an actual, vetted, and legitimate campaign that could use your support. After receiving this ask, I went and donated. If you have the means to do so, it would be amazing if you did so, too.

[ see ALL gaza funds campaigns here ]

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 3 - Random Screenshot Edition

[Pt. 1] [Pt. 2] [Pt. 4] [Pt. 5] [Pt. 6]

[heartorbit]

i'm sending this endless melody to a nameless you

[cobaltfluff]

persona boyfriends being cringe (2/3)

[wyrmswears]

its only been a day since the new episodes dropped and im already making a libber centric au out of it

anyway, heres some doodles of if libber was in super-hell all these years and thats why we never see her

[tomaturtles]

Happy Campus Apocalypse volume 1 16th anniversary here's something to celebrate

[tzarrz]

to all people who said PART 1 made them laugh - i lov u 💗 this is for u