#i usually draw and post and then write when i post

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[local-limebug]

DBDA characters + formal desi attire: Charles and Edwin (Pt. 1)

This is not fanart, because I cannot draw, but if any fanartists want to use this as inspo, go ahead. And, before we begin, my fashion sense is not the best, so if any fellow desi people see this and have anything to add, go ahead. These aren't very detailed either tbh, because I am much more well versed in women's desi fashion than men's. Ok, now, let's go.

Charles Rowland

You know I had to start with my favourite desi boy of all time. I'm putting my man in a sherwani because he deserves it. Red's his colour, and it's also the colour associated with weddings in south asian culture, so yes, these pictures are technically bridegroom inspo.

So, I absolutely adore embroidered sherwanis, and I do think Charles would slay one of these beyond imagination. For full outfit references, see below.

Golden and red go together amazingly in desi wear, although they do usually denote wedding wear. But sherwanis fit so wonderfully on the shoulders + Charles' dangly gold earring would go so so well with the outfit !!

Edwin Payne

Yes, I'm imagining the British Raj era white boy in desi attire. Sue me. We all know blue's his colour, so of course I went for the blue sherwanis.

Now, blue and golden are an amazing colour combination and my original choice, because I wanted there to be a common colour between Charles and Edwin, but blue and silver/white was easier to find on Pinterest. You can see golden highlights on a few of these, though, and this next one.

This one is a bit plain but to be quite honest, it has a simple elegance to it that reminded me of Edwin. Its golden highlights mean that it would work best with golden trousers, like Charles' outfits up top.

BUT I also saw this amazing formal shalwar kameez in blue that I do think Edwin would look so so good in, so I have to add it here as a bonus idea.

+ Bonus Payneland

So, desi men's attire also has this thing where the sherwani itself is a muted colour and the man wears a cloth draped around himself in the highlighted colour (IDK what the cloth is called 😭). But I found these similar ones in blue/white and red/golden combo, and yes, it reminded me of Payneland.

LIKE. You can't tell me they wouldn't absolutely slay it. Like these are their wedding outfits to me, like for when they get married to each other.

Anyway, that's the limit for the pictures I can put on this post. Next one up is Crystal and Niko! I am so excited for Niko.

taglist because people seemed to want this and i don't want anyone to miss it. just say the word and i'll tag you for the next part: @queen-of-hobgobblers @mirabel-on-a-bicycle @shipspainfulships @read-write-thrive @justalunaticfangirl @guardianspirits13

[veronicaphoenix]

until the stars stop shining | noah sebastian

previous part to all that's left, but it can be read as a one shot.

summary: noah and his girl spend an evening by the lake | words: 1.2k | reading time: 5mins

tags & trigger warnings: fluff, fluff, fluff. noah is an illustrator, reader loves baking cookies, mentions of noah having been reader's first, and that's it—they love each other a ton.

This is for the anon that asked for something sweet and fluffy after i posted All That's Left. I hope this does it. It's not actually a standalone work, but a sort of flashback belonging to the same story where All That's Left happens. I have a full plot developed in my head, but I can't tell if I'll ever write it and post it, so here goes this little thing where you get to know a little bit more of those characters and the story.

Thank you for all your constant love and support <3

 ͢ until the stars stop shining

Noah leaned back in the Muskoka chair, one leg lazily stretched out, balancing his sketchbook on his lap. He was shirtless, only wearing his bathing suit. For over an hour, he had been sketching, savoring the tranquil solitude offered by the lake, the warm caress of the late afternoon sun, and the rustling of leaves. Early fall was the perfect time for moments like this, when nature felt intimate and unhurried. Most of the tourists had long gone, leaving behind only the soft chorus of birds and the quiet murmur of waves licking the shore.

The breeze teased the pages of his sketchbook, carrying with it the crisp scent of pine needles and the rhythmic whisper of water against the rocks. Noah’s pencil glided in slow, thoughtful strokes as he tried to capture the scene before him, but his thoughts drifted constantly to his girl.

The door to the cottage creaked open right then, and she stepped outside. She carried a wooden tray filled with oat cinnamon cookies, their powdered sugar dusting glinting in the soft afternoon light. The sweet, comforting aroma mingled with the crisp air, making Noah smile to himself even without glancing back. 

She padded softly down the dock, her bare feet almost silent against the worn wood, and placed the tray on the armrest of his chair, her fingers grazing his shoulder in a brief, affectionate touch.

“I baked something,” she said, her voice carrying that familiar warmth. Of course she had. Baking was her favorite thing to do.  “Something sweet for my favorite artist.”

Noah grinned as he finally looked at her, his eyes catching on the spot of flour smeared across her nose. She had no idea it was there, and he decided not to tell her—she looked adorable like that.

“You need to refill your energy after working so hard for hours on end,” she pointed out as she glanced at the open sketchbook on his lap. 

Instead of reaching for a cookie, Noah broke off a small piece and gently brought it to her lips. Her smile widened as she took a bite, the sweetness melting on her tongue. A moment later, he let out a soft chuckle, reaching to brush a crumb off her lip with the pad of his thumb. His eyes lingered on her for a beat longer before dropping back to his half-finished sketch.

“I’m not half as good at drawing as you are at baking,” he admitted.

She tilted her head, glancing at the sketch. “This one looks pretty good to me, Noah.”

He smirked, a playful gleam in his eyes. “Wait until you see the one I did last night, after you fell asleep on the couch.”

“Why do you find it so entertaining to draw me?”

His gaze softened as he looked back at her. “Because you’re my favorite subject.”

That’s when he bopped her nose, making the flour stain disappear.

Her grin was bright and effortless as she leaned over the back of his chair, wrapping her arms around his neck. She rested her chin on his shoulder, close enough to feel his warmth. “And you’re my favorite person to bake for,” she whispered.

Noah’s cheeks flushed slightly at her words, a rare blush coloring his usually composed expression. She kissed the warm skin of his left cheek, lingering for just a moment before pulling away with a satisfied smile. She wandered toward the edge of the dock, her bare feet padding softly against the wooden planks. She sat down, her legs hanging off the edge.

Noah watched her for a moment, admiring how the wind gently tousled her hair and the way the light danced off her skin. The contentment in her posture, the way her eyes reflected the colors of the setting sun—everything about this moment felt perfect.

“You ever gonna let me teach you how to swim?” Noah asked.

She hesitated for a moment, her gaze fixed on the water before she responded quietly, “I don’t know... I’m still a bit scared of it.” She dipped her feet a little deeper, letting the cool water lap around her ankles. “But... I love being here. With you.”

The memory of that first visit just the two of them was vivid in both their minds. This was Jolly’s cottage, the same place where Noah and her had meet back when she was still fourteen and he was eighteen. They had spent countless of weekends and birthdays and fourths of July in this very same place. But nothing had been as special as the weekend Noah convinced Jolly to let him stay with her, alone. It had been six years since then, and even now, the memory of taking her virginity—in Jolly’s bed—was still as clear as water.  

Noah watched as the wind played with her hair, blowing soft strands across her face. He picked up his sketchbook again, unable to resist capturing her in this moment—the peacefulness, the effortless beauty. His pencil moved in quick, steady strokes as he sketched her sitting at the edge of the dock, her feet in the water, the sun casting an orange glow over the horizon. He knew that one day, he would marry this girl. There was no question in his mind.

Once satisfied with the drawing, Noah quietly set his sketchbook aside and rose from the chair. He walked over to her with slow, deliberate steps, his heart swelling as he took in the sight of her in this perfect, secluded spot. Without warning, he bent down, pretending to lift her by the underarms as if he were about to toss her into the water.

She yelped in surprise, her heart leaping as she felt her feet lift off the dock. “Noah!” 

Before she could fully react, Noah pulled her back into his arms, turning her around to face him. She clung to him, her legs instinctively wrapping around his waist, her arms tightening around his neck, her pulse racing from the surprise.

“Don’t you dare!” she gasped, breathless from both fear and thrill, burying her face against his neck.

Noah laughed with her, holding her close, feeling her warm breath against his skin. “I wouldn’t let you go that easily,” he murmured, pressing a soft kiss to her temple.

Still holding her, Noah carried her over to the blanket they had left spread out on the dock earlier. He gently laid her down, her body sinking into the soft fabric, and then settled beside her. 

“Don’t you ever,” she started to say, “ever, let me drown, Noah Sebastian.”

“Never ever,” he promised, showing her his pinky finger. 

She laced it with hers and finally, she let out a heavy sigh and cuddled closer to him, nuzzing her cheek against his bare shoulder. 

They lay close, facing each other, their fingers lazily tracing along each other’s arms and faces. Neither spoke for a long while. Her fingers trailed down his chest while his hand rested lightly on her hip. Above them, the stars began to appear, one by one, until the sky was a dark, glittering canvas. The moon’s reflection shimmered on the water.

“How long will you love me?” Noah asked, his voice barely louder than the breeze.

She gazed at him, eyes warm and steady. She placed the most tender of kisses on his lips.

“Until the stars stop shining.”

[flowerakatsuka]

.*🍀 KUROKARA LORE [ 01 ] — rainy day reunion. 🌹*.

after putting off finishing the art and writing for this post, i finally dump the first major bit of kurokara lore on ya'll — their " first " meeting! i also wanted to include the song i imagine being the bgm for this lore event so please enjoy while you read the post. :3c

SO, i imagine this taking place during the first half of season 2 ( probably around episode 5 since rainy season is during summer in japan. )

their meeting happens one day in june, when karamatsu had decided to make the most of the ( at the time ) sunny weather and gallivant around akatsuka. the previous night hadn’t been the best — with osomatsu eating the pudding he had saved for later, being forced to buy the rest of his brothers snacks when he went to go replace it, and then getting splashed by a car going through a rain puddle on the way back from the konbini. but it was a new day, surely it will be kinder to him with how beautiful the weather was!

well, it seemed like kara’s bad luck from the previous day had decided to linger. everything he had decided to do to enjoy himself that day was not going in his favor ; totoko had already left home to go on a date when he tried to visit, catching only tiny cans and broken sunglasses at the fishing hole, the last croquette being sold to the previous customer. he even tripped and fell in front of the girls he was attempting to flirt with. at this point, he was really starting to wonder if he was cursed or something, but quickly picked himself back up and tried to reassure himself. there was no way this day could get worse, after all.

yeah, it definitely could.

meanwhile, kuroba had just managed to bring in the last of the store’s outside decorations before the rain really started to come down. thankfully, they were lucky enough to spot the accumulating storm clouds early and act accordingly. still, it was strange how suddenly it started raining when there wasn’t anything about it in the weather report that morning. sure, it was rainy season, but the rain really came out of nowhere. before they could get too lost in their pondering about weird weather patterns, they spotted someone walking through the ongoing downpour with nothing to protect them from the rain.

karamatsu was trudging through the rain on his way back home, having already resigned himself to whatever divine punishment he had brought on. it took him a moment to notice the shadow that had overtaken him and blocked the rain, only really coming to when a concerned voice called out to him.

kuroba handed him a towel to draw himself off with and suggested he wait out the rain in their shop ; walking around in rain like that wouldn’t be doing himself any favors, after all. taking them up on their offer, they let karamatsu in and excused themself into the back for a moment. while wandering around the shop, he wondered why he hadn’t remembered there was another flower shop in akatsuka... Until he recognized the shop’s name : yotsubana florals.

he definitely remembered passing by there in the past and being greeted by the kind granny that ran it before. kuroba overheard him wondering aloud if they had sold the shop and cleared some things up for him. they’re actually the previous owners’ grandchild, having taken over the store’s ownership and daily operations not too long ago after their grandmother’s passing and grandfather’s ( forced ) retirement. with things clarified, they directed karamatsu to a spot in the shop where he could relax while he waits out the rain and handed him a cup of tea to help warm him up.

much to his delight, it ended up being his favorite.

kuroba struck up a conversation with karamatsu while they continued their work and the two hit it off pretty quickly. their chat bounced from topic to topic and, in spite of him lulling back into his usual casanova shtick, they both seemed to have plenty of fun talking with each other. so much so that karamatsu hadn’t realized how much time had passed when he noticed that the rain was starting to let up.

he decided that it’d be best for him to head out despite there still being light rain, which kuroba had some objections to.

after being told to be careful and sent off with a wave goodbye, karamatsu started to head back home. he couldn’t help but wonder if his luck was starting to turn around while looking at the clover-patterned umbrella.

a week or two passes after that and it’s rained a few more times since then. unfortunately for kuroba, their umbrella still hadn’t been returned yet. it was a shame, they’ve had that umbrella for a long time, ( and they were being genuine when they said they’d like to chat more with the person they helped, ) but there wasn’t much that could be done about it. at least, there was a bit of reprieve from the frequent rain that day.

just as they had finally resigned themself to getting a new umbrella, the shop’s door opened with a jingle and a familiar face entered with much more bravado than he had before. karamatsu was ready to put on the best casanova act he’s got, this could be the first beautiful chapter of his own sweeping love story, after all. he explained that a mild fever had kept him from coming back sooner, but assured kuroba that it wasn’t a result of the other day by going “ it seems not everyone shares your stunning kindness, “ and leaves it at that. ( really, he tried seeing if he could get something like his meeting with kuroba to happen again by standing out in the rain with. obviously poor results. )

while he came to return kuroba’s umbrella, he also hoped to return the kindness of his ✨ rainy day savior ✨ and, well, what’s a better way to show that than by showing patronage.

yeah, he really didn’t think that all the way through. karamatsu quickly perks back up when they tell him they were just teasing and would be happy to make up a bouquet for him, especially if he’s willing to stay and chat…

AND THAT’S ALL I’VE GOT! sorry that this took me forever to finish, so many different things kept on getting in the way. but i’m really happy to have some more kurokara lore out now, i’m hoping i can get some more out soon. >;3c

[cotl-flower-crown]

Going on hiatus*

*Well, kinda.

Hey, I'm gonna start this post with "omg, this blog has more than 2 followers, what the fuck?? That's crazy!". I don't usually look at numbers, because I don't want it to be a focus on my platforms, but just know that I appreciate every single one of you and I hope that you all enjoy what I'm doing here. Like at the moment of writing this there is 2277 people that decided they want to look at my art more and it makes me very happy, thank you! ^^

So uhh yeah, hiatus.

Not gonna lie, the past few months has been stressful for me and I have reached the point where my chest and stomach are in pain and I can't get enough sleep because of it, among other things (damn you mosquitoes!!!). It's something that happened before and it might take me months to recover from it. So I suppose you could say that this hiatus is mainly for the health reasons.

Though it's also because my gut is telling me that it's time to move on from this fandom to do other things.

Hear me out. It's not that I hate COTL now, far from it, I still love this silly cult game and I will follow what MM has to offer for this game in the future. I am just kinda not keeping up with myself when it comes to posting. I've been trying to post about my favs at least once a week, but honestly it's been a struggle to pump out anything at all lately. It's not that I don't have anything to post, I'm just tired and burned out.

So yeah, I think it's time to put this blog on hiatus for the time being. What I mean by that is I don't want this blog to be the top of my priorities and I want to take it easy.

I don't want it to go completely silent though. I'm planning to open my ask box again, because I miss interacting with everyone. However I will not do any art requests or draw anything for the asks in general. If I do, it will most likely be poorly drawn or it will be something related to character design, since that's what I'm most comfortable with, but I would prefer not have to draw at all. Though I am open for writing. I also wish to draw sometimes, so maybe I will post some artwork when I feel like it. I'm just not gonna post as often as I used to. It might take like a month (maybe two, maybe three, etc) before I decide to make anything.

What's the future of this blog? I am not sure yet. There is a chance that eventually I will abandon this blog entirely OR I could repurpose it for fanart in general. To be honest I'm leaning towards the second option at the moment, but that is a future me's problem.

I think that's all I've got to say right now. Again Thank You everyone who decided to follow, reblog and like my art and leave comments, I appreciate it all, and thank you to my moots and friends that I made along the way, I love you all (plat/non parasocial) and I hope this will work out.

TLDR: I'm going on hiatus, but not completely silent, also ask box open, but no requests

[ryuichirou]

Who would bathe with their lover and who wouldn’t? If they would, would they prefer baths, bubble baths, or showers?

I wanted to start by saying that I really appreciate everyone’s supportive messages, thank you for your asks! I’ll get to them later, I need some breathing time.

And thank you, Anon, for this ask as well! It’s kind of perfect for today because I wanted to talk about something more lighthearted and fun. Sorry for making you wait, as always.

What I learned while writing this post is that I can picture pretty much everyone in a bathtub with their lover lol I should keep in mind that “would” and “should” are different things, aaah…!! How come I never draw this kind of scenario..? Anyways!

Riddle – I think this is a secret wish of his that is so secret that even he isn’t quite aware of it. Vulnerability, comfort, relaxation – all of those things would be very good for Riddle! Plus, he never normally has bubble baths, and he would probably be very cutely excited about it. But if you asked him, he would be against it – sounds like a waste of time and water to him, not to mention how inappropriate it is.

Ace – he finds the idea too embarrassing, but he still might end up sharing a bubble bath with certain someone at some point… while complaining about how lame it is and also blushing lol In general though, I think he would prefer to do it in a shower.

Deuce – he would be even more embarrassed than Ace because he never imagined himself in a “bathing with someone” scenario. He would also prefer to do it in a shower, but he would still be super embarrassed the entire time. I think he and Ace are the type of boys to stand together awkwardly until someone (usually Ace) acknowledges the elephant in the room.

Trey – he would, and he probably fantasises about having a bath with Riddle. But he is more into the whole washing routine than in lying in a bubble bath, cuddling and playing in the water… Trey would rub his back, wash his hair, maybe even clean his ears, maybe even… brush… teet-

Cater – he loves the idea, so in theory, he would! He finds it romantic, hot, fun And surprisingly magicammable; even though when he does take a picture, he probably is going to feel like he wants to keep those private… for a couple of weeks, and then he’ll add them to one of his “what I did this month” compilations~

Leona – kinda? He wouldn’t mind if his lover washed him, I think. He would fall asleep in a bathtub while getting his back rubbed and ears massaged, but whenever he would wake up, he would complain about this thing (a bathtub, it’s called a bathtub) being too small for two of them, and how this was a stupid idea.

Ruggie – he would also consider it a waste of time and water, but if he is getting paid to wash someone- Ruggie, this isn’t about you and your lover anymore! Anyways. I think he wouldn’t mind having a quickie in a shower because this is actually both fun and efficient!

Jack – another one who is too embarrassed, but also he probably would feel kind of claustrophobic in a bathtub with someone else. He should do it though, imagine him getting comments about his tail looking 5 times less floofy when its wet omg. In general though, I think he is a part of the shower squad. It’s too easy to picture him with Deuce after their club activities…

Azul – weirdly, I think he would, but he needs to be very close with that person. I think despite always doing 1000 things at once and having a lot of plans, Azul enjoys long baths, and it’s kind of his “me” time that he treasures. But he would also share it with Idia, for example… he would actually force Idia into doing something like this once lol

Jade – both of the tweels prefer pools because staying in water for a long time without actually swimming feels very weird, and with Jade specifically, I think he isn’t super into bathing with someone. He wouldn’t mind sitting by the bathtub and taking care of someone for shits and giggles, pretending to be a butler of sorts you know, but this would probably just a part of the bigger game Jade would be playing in his head.

Floyd – like I already said, he prefers something bigger and comfier than a bathtub (for his subjective eel self), but unlike Jade, I can picture Floyd sharing a bathtub with someone more easily. I think he would be more into all the stuff that comes with it: bubbles, a ducky toy… He would be more into the bath itself than into his partner, wouldn’t he? I guess that defeats the purpose lol He would also splash around so much that his partner (very likely Riddle) would start yelling at him, and then Floyd would get some soap in his eye and it will sour his mood forever because it hurts… Doesn’t sound like a fun time for some reason wow

Kalim – technically, he’s been doing it all the time ever since he was a kid! Jamil very often accompanies him whenever he takes a bath and, of course, does a lot of back rubbing, hair washing and other stuff for him. They don’t do it as often as they used to nowadays, but Kalim loves it whenever they get to do it: he always considered bathing together to be like a playtime, but at the same time, cherished moments together with your favourite person.

Jamil – while he probably shares soooome small percentage of nostalgia for this kind of thing, for the majority of time he considers this to be another manifestation of their unequal status, which is ironic because this is the opposite to how Kalim feels about them bathing together. He also loves his own privacy, so in theory he would say “NO”  to something like this. But let’s be honest, it’s very deeply engraved in his brain… he would.

Vil – would on a rare occasion whenever he wants to treat himself and his lover. Bath salts, candles, quiet music, sparkling wine; he would put a lot of effort in creating a perfect atmosphere for relaxing with his man. He knows it’s cliché and he knows it’s cheesy, but sometimes a thing becomes a cliché because it genuinely makes you feel good, okay?

Rook – of course he would. It’s not his go-to usually, but he would never refuse an invitation + he prepared a couple of bubbly baths for this exact purpose in his life. Sometimes he creates bath bombs and different kinds of salts during his science club activities; because you know this is exactly what the rest of the science club members need: to hear him singing about how he is about to take a bath with Vil or something.

Epel – I think he would refuse because he would consider it embarrassing (wow, are all freshmen too shy to take a bubble bath with someone?), buuut once he’s in, he’s in! He’ll pout for exactly 5 seconds, and then he’ll get super into it and start splashing around and giggling. Who are you trying to fool, Epel? You’re clearly into this lol

Idia – wouldn’t; it sounds like a nightmare to him. He doesn’t like spending more than ~a minute for anything shower-related anyways, god bless super powerful S.T.Y.X. showers! And standing/sitting there with his naked boney ass with someone else..? This is just the worst case scenario. Who does he think he is, a BL protag? A romcom hero? I will stop this rant because otherwise the rest of the post will just be Idia’s 1000 reasons to never bathe or take shower with someone. Azul doesn’t agree with you, Idia.

Ortho – he would and he really really really really wants to!! He is working on a gear that is perfect for that! But if we’re talking about real!Ortho, the answer is still yes: he is nostalgic about the time he used to take baths with Idia together and they spent over an hour playing with mecha toys and ships and stuff. He will use this nostalgia talk to pressure Idia into doing it with him again, even though this time he clearly isn’t interested in sinking little robots and plastic ships.

Lilia – another person with a nostalgia… even though bathing with a loved one isn’t really his style, he would still get super excited about bubble baths. He would add so much of this stuff that there would be not a single centimeter of space that is not covered in bubbles. Everything will be so foamy and white and sweet smelling, and his lover won’t be able to find Lilia… Only if he listens to where his laughter is coming from very carefully… It’s hard to tell whether it’s a romantic thing for Lilia or is he just being childish at this point.

Silver – in theory he would, but he would get concerned that he’ll fall asleep. He doesn’t like long baths because they always make him very drowsy. This is why he would probably prefer a shower, but a short and cold one to keep himself awake, so… um… not very romantic? I guess he needs another person to guide him and wake him up from time to time for this to work.

Sebek – aaaand another freshman that is way too embarrassed to even think about it, but this one is so embarrassed that he’d get ANGRY if someone even suggested this! Of course, he did share a shower with Silver a couple of times, but there was nothing sexual going on! And this 100% isn’t some kind of cope because he kept staring at him..! Jokes aside, I think he would do it if he was really into someone, because he finds water a very pleasant addition to an already pleasant thing. And of COURSE if Malleus invites him to do something like this, he would die of happiness and agree immediately; this isn’t even a question.

Malleus – I think he would enjoy something similar to what Vil is doing, but he wouldn’t prepare it himself. He prefers to just waltz in and see how his lover already did everything: the bath, the water, the salts, the bubbles, the music, the refreshments, all those things. But also, even though Malleus is a spoiled prince, he doesn’t necessarily need all those bells and whistles – just plain water with nothing else but his lover’s body would suffice because what he really craves is bonding and intimacy. He has some precious memories of being with Lilia like this, but it was a looong time ago. Nowadays Lilia just says that both of them wouldn’t fit in a tub… Then fill a pool with bubbles, Lilia.

[elitadream]

Hi! I saw @living-the-dream-yall's ask and just wanted to say I 100% agree! Your interpretations of these characters are one of a kind and captivating, and the art is top tier. I confess, I've stared at some of your artwork longer than I usually do, and tried to take some inspiration from it on a few occasions. For example, I contemplated your beautiful drawing of the Mario Bros. touching foreheads for a while before attempting to draw that gesture for the first time myself.

My first encounter with your art was when I found @drones-of-innocence's fic Sing For Absolution (came for the Muse reference, stayed for the incredible writing and art alike). And by now I'm pretty sure that I've seen every piece you've ever shared.

Like I told you before, a big fan of yours here :D I just admire your art style and characterization so much, and don't even get me started on your amazing Body Swap AU. It's so good! I love how many fanworks were inspired by it.

No matter what direction you're taking your blog now, I just want you to know how much I appreciate all that you've created and shared. It's so nice to finally be able to tell you all of this directly, and thank you so much for becoming my mutual. I'm not exaggerating when I say it's an honor!

Wow, thanks a lot!! 🤩 I really appreciate the wonderful feedback. Knowing you've taken inspiration from my work is incredibly flattering. ☺️💖 And omg the body-swap AU! x3 That was a fun one haha, and people's participation made it even better. 🙌

I did keep everything up for a while before taking it all down, so you're probably right! The only pieces you guys haven't seen are the ones I had finished but hadn't yet posted before my batteries abruptly went dead. >< If anything, it was a sure sign I needed to slow down. 👀😅

Thank you again for leaving such a nice and thoughtful message. I keep some very fond memories of my time spent in the Mario fandom as a creator and it's thanks to all of you. 🤗✨ Also you're very welcome! It was my pleasure. 😁

[deathtodickens]

A Bering & Wells Gift Exchange comic story for @lady-adventuress. Happy Palentines Day, friend! There are typos and drawos, even after my very extensive, not-at-all rushed, proof-reading, so, many advance apologies. Thank you for the ideas, I tried to stay in line with mistaken identity/long lost theme. Hope it is enjoyable!

Myka was seventeen when Emily Lake, her best friend, disappeared. Whisked away into the night by Mrs. Frederic, crying and inconsolable, cursing her father’s name. It was unreal, all of it, from first kiss to final goodbye. But whatever disbelief Myka had held onto, wide awake in her bed most of that night, shattered entirely on her walk to school the next morning.

She remembers hearing the sirens as she’d finally drifted into sleep but there were always sirens. Sirens were never unusual.

She should have known. She should have known.

Emily Lake’s house was burned to the ground. A smoldering pile of charred rubble, surrounded by crime scene tape, police vehicles, and a white Coroner's Office van.

She could only get so close but she could see all she needed to see.

She doesn't remember losing consciousness, though she supposes no one does when they come to. She remembers the spinning. She remembers the falling.

And she remembers waking up in the back of an ambulance with Mrs. Frederic by her side.

//

Myka sees Mrs. Frederic a lot over the years. Not by choice or chance. Not by want for that woman to be in her life. Just by the mere fact that she loves a ghost. A girl that's supposed to be dead.

Burned up in a house fire.

Buried in the ground.

They'd pulled two bodies from the rubble of Emily Lake's house, too badly burned for an open casket. Too unknown and unrelated to anyone of means to have a proper burial.

Myka went to Emily's memorial at the high school. She listened as others spoke about a girl they knew nothing about. And while she grew angry at their forced tears and fabricated associations to a dead girl they never knew, she, herself, had absolutely nothing to say about it.

Her best friend, Emily Lake, had died in a fire.

Some girl she loves, called Helena, arose from her ashes.

//

Myka sees Mrs. Frederic once when she's nineteen. This time she hasn't passed out. She's at a cafe on her college campus, listening to music through a set of headphones, and drawing in her sketchbook.

Mrs. Frederic sets a flyer down on the table in front of Myka and takes a seat in the chair across from her.

She doesn't wait for Myka to remove her headphones or even acknowledge her presence.

"This is not cute," the older woman tells her while gesturing down at the paper. "This is too close."

Myka eyes the flyer. It isn't hers per se but she'd been hired by someone on campus to draw it for an upcoming event. It's a very simple drawing of two women holding hands, but one of those women looks a lot like herself and the other looks a lot like someone she used to know.

"You don't like my art?" Myka sighs, turning her attention back to her sketchbook.

"She's dead," Mrs. Frederic recites, not at all for the first time.

Myka puffs out a soft laugh, glances up at Mrs. Frederic, and says, "And yet here you are. Again."

"It isn't safe yet, Myka."

Myka drops her pencil. "When will it be?"

Mrs. Frederic looks away from Myka, over her shoulder, out of a window. She says, without ever turning back, "I told you to forget her. She told you to forget her. You know the consequences of not doing that. You've seen what they're capable of."

"I don't know anything. I certainly don't know the consequences or who they are."

"And believe me when I tell you that you do not want to."

"Is it witness protection?"

"Do I look like I work for the Marshal's office, Ms. Bering? Do our interactions scream Federal Government to you?"

Myka eyes Mrs. Frederic up and down but says nothing at all. In response, she receives a huff of annoyance from the older woman across from her.

"The amount of time I have spent running interference between you and that girl is both baffling and exhausting."

That makes Myka smile. Just a little.

"Finish school, Ms. Bering. Keep your head down. Stop this," Mrs. Frederic taps the paper on the table, "and forget her." She stands and turns then adds, just over her shoulder, "I won't be repeating myself."

Myka sits back in her chair, smiles softly up at the other woman, and says, "Let's do this again sometime, hm?"

Mrs. Frederic rolls her eyes up and sighs. Then turns and walks away.

//

When Myka graduates college at twenty-two, she catches a glimpse of Mrs. Frederic in the hallway of the auditorium where her commencement ceremony is to take place. She is mentally and emotionally preparing herself to fend off all of that woman's criticisms, about what she should and shouldn't be drawing, about how she should and should not be living her life, about who she should and should not be remembering.

But Mrs. Frederic never approaches her. She disappears into the crowd.

Myka has always just assumed that she is being watched, that Mrs. Frederic is watching her. But Mrs. Frederic has never, before now, allowed herself to be seen in return.

//

Myka starts dating a boy named Sam when she is twenty-five years old. Sam doesn't remind her of Helena and it's the thing she likes most about him. It's easy. He's nice. They have fun together.

Myka doesn't see Mrs. Frederic the entire two years they are dating. And somehow, somewhere inside of her, she's a little sad about that.

//

Sam is killed in an accident when Myka is twenty-eight.

They had been broken up for a year at that point but they were still close. Still really good friends with a shared love of art and creating, still collaborating to make what dreams they may have into reality.

A lot of Myka's art shifts back into dark places and in those dark places comes reminders of dark histories. Of grief and sadness. Of love and loss. Of all the pain suffered and endured and, mostly, overcome when the perfect person comes along and holds your hand through it all.

For years, that had been Emily.

Helena.

They'd suffered and endured. They'd held hands through it all. Comforted each other, whenever the other needed it most. Together, they'd imagine themselves on fantastic journeys. The innumerable marks on their skin, souvenirs from their mishaps and adventures.

Myka hasn't cried in so long but she cries the night Sam dies. She cries hard and long, for hours and hours. And when she's all cried out over Sam, she starts crying all over again for Emily Lake.

For the girl named Helena whose last name she doesn't even know. She cries until she falls asleep, then wakes up and does it all over again the next day. She does this for a whole week until the day of Sam's funeral and she doesn't know who she cries for more, Sam, Helena, or herself.

It's been nearly four years since their last encounter but Myka isn't surprised when Mrs. Frederic appears. After the casket is lowered and the crowd dispersed, she steps to Myka's side and stands there just beside her for several moments in silence.

And when Mrs. Frederic has decided she's had enough of the quiet, she says, "You did try. I'll give you that."

Myka doesn't know why but this comment, a simple and useless recognition from the woman who gives almost nothing at all, makes her full belly laugh, crying tears of laughter until she can cry no more.

//

Myka is almost thirty when she almost dies of a heart attack. And then, immediately after that, almost dies by large-toe bludgeoning.

"I'm glad to see you attempting to move on with your life."

"Oh, fuck!" Myka drops a mixing bowl of cooke dough and the very thin, suddenly sharp lip of that bowl lands square on her big toe. When she turns to Mrs. Frederic, in her kitchen somehow, she swears that woman is smiling.

Even if just barely.

"That's a new trick." Myka growls, calming her racing heart.

"New to whom? You seem to be an expert in the field of accidental self-inflicted wounds."

"I mean you. In my kitchen. Inside of my apartment." Myka sighs. "How did you get in here?"

"Certainly not by working at the Marshal's office." Mrs. Frederic quirks a singular brow in Myka's direction.

"Certainly not." Myka mimics, lowering herself to the ground, to clean the cookie dough from tile floor. "What have I done now?"

"I've seen the draft of your very telling graphic memoir. I thought we were clear on the lines that should not be crossed."

Myka stops cleaning. "Speaking of lines that should not be crossed, I won't bother asking how you've seen something that exists solely on my computer." She stands and crosses her arms and tells Mrs. Frederic, "It doesn't mean anything to anyone except me. Nobody else would know it's her and it's not like it's going to bring her back."

"Myka."

Myka laughs softly, "Wow. First name basis? I have definitely crossed a line."

"The problem is, that is exactly what could happen. It could bring her back. Give her no choice but to return."

"She has a choice now? Because that's not what it looked like when you dragged her away."

"I did not drag her. I simply urged her to move forward, faster. You saw, with your own eyes, what the result would have been had she lingered with you. Two homes might have burned that night and your family--"

"I have a lot of respect for you, Mrs. Frederic, despite your constant intrusions. But please, do not talk about my family."

"Fair enough," Mrs. Frederic concedes after a sigh.

"You know, I thought I'd have more hope over time. That she was alive. That she'd one day come back. That I could go to her. Or that holding on to her the way I do would eventually mean something. Anything.

"But after all this time, I find myself more often grieving Emily's death. Because it's the only thing that's real in my mind, it's the only thing that happened.

"Helena is just... she's an old memory that I struggle to keep alive. Ten minutes in one night in the entirety of my life. And I don't even know if anything about those ten minutes is real. If it even means anything. If it's worth holding on to."

Mrs. Frederic watches Myka in thoughtful silence.

"I do know that I never want to forget the way she makes me feel. They way she always made me feel. As Emily, before Helena. She taught me so much. She helped me open up. She opened up to me.

"If I can't talk about her, in a book about my life, there is no book.

"She was my best friend and I loved her. I do what I love because of her and having known her and loved her, for the little time that I was able to, still impacts my life today. Every single day."

Myka gestures to Mrs. Frederic and smiles.

"You, Mrs. Frederic, are living proof of that." She pauses to laugh and adds, "Or the most prolific stalker the world has ever seen."

The older woman remains quiet, pensive. And for a second, one tiny fraction of a second, Myka thinks she's going to show some kind of emotion. Sympathy. Sadness. Contentedness. Amusement? At this point, Myka would even take her usual dose of exhaustion. But Mrs. Frederic's face remains a facade of unconvinced underwhelm and boredom.

Her words, however, belie genuine emotion.

"I have a story for you."

Myka arches a brow. "How suspicious."

"Two little girls grew up together, lived similar lives with similar fathers, who mistreated them in very similar ways. In a single night, they had the nerve to fall in love, right in front of my eyes. A youthful, foolish love that should have ended a decade ago. And yet, here I stand, an intermediary between two foolish girls who refuse to let each other go. Even as they risk their very ends.

"One of those girls is the daughter of a dangerous man who once had the power to demand ungodly things be done to the families of even more dangerous people.

"And the other girl, Ms. Bering, is you."

Myka breathes in slowly. Breathes out one long steady breath.

"I have... so much work to do. And yet, for some reason, I spend, have spent, most of my time intervening in various shenanigans between the two of you."

"Me, living my life like a normal human being, not constantly under threat by some faceless boogie man, is not shenanigans."

Mrs. Frederic ignores Myka's interjection and goes on.

"Intercepting every little whim of the heart you two decide to try and throw out into the world, in order to find each other without blatantly finding each other, when you both know, very well, that is the last thing you should be doing."

"She's... she's trying to find me?"

"Not the point," Mrs. Frederic cuts in. "The point is that she should not be. She knows that. Nor should you be and you know that. Because they could leverage you to get to her to get to her father. They have tried and they will continue to try. And I will continue exhausting myself to keep you two safe because that is what I am, unfortunately, obligated to do.

"No matter how hard you make the task. No matter how many times you want to laugh in the face of it, believe me when I say that he is not worth either of you dying."

Myka remains quiet. She stills. When Mrs. Frederic says no more, Myka takes in another steadying breath and says, "If I didn't know any better, I'd say you actually care about me."

"I care to keep you alive. And her. Until such a time that I no longer have to care about keeping either of you anything for the foreseeable future."

"I do appreciate what you supposedly do, Mrs. Frederic, but in all of our time together, I have never, at any point, felt unsafe or watched by anyone but you."

"And you are welcome for that."

That, to Myka, is the most unnerving thing she has ever heard Mrs. Frederic say to her. In all of their time.

"So what, her dad was some sort of mob boss's hit man?"

"That's a close enough analogy."

"Why didn't you just tell me all of that from the beginning?"

"You were a child. You're no longer a child. I've seen what you've survived. Even if I myself don't find it amusing, I do understand why you laugh when threatened. Now, do you understand the gravity of this ongoing situation?"

Myka nods, "I do."

"I don't believe you."

Myka rolls her eyes. "I understand that I'm supposed to stop doing what I love to do most, drawing and telling stories about my own life, because you want this to end, sooner rather than later."

"No," Mrs. Frederic corrects, "because your life could end, sooner rather than later. You would not have a life to draw or tell stories about."

Myka breathes in deep.

"I am not asking you to give up your passion, Myka, I'm simply reminding you to be mindful, as your passion influences art that grows in popularity, about how much personal information you impress upon it.

"Or one day you'll turn around and it won't be me standing behind you."

//

Myka is thirty-two years old when Mrs. Frederic appears in a bookstore for one of Myka's book signings and, for whatever reason, that woman chooses to stand in line. Myka catches sight of her when she's at least eight people back, and after three more signings, she motions for Mrs. Frederic to come forward.

To Myka's surprise, the woman does.

Nothing about the way she looks has changed, except that she seems a little less baffled, a little less exhausted. Her visits had slowed, once more, as Myka's preoccupation with Helena's absence continued to wane over time.

"I could have waited," the woman tells Myka.

"The looming anticipation of your next threat was too much for me to handle." Myka smiles. "How is our girl?"

The older woman sighs heavily. All of that exhaustion and bafflement returning to her expression. But Myka is surprised, more than that, when Mrs. Frederic answers her genuinely.

"Insistent. Stubborn."

Myka smiles at the thought of Emily/Helena interacting with Mrs. Frederic in these little ways she occasionally interacts with Mrs. Frederic. A thing she used to think about often but doesn't think about so much anymore.

"Thank you," Myka says softly, lowering her head to face the table below and wiping away a stray tear. When she looks back up to Mrs. Frederic, she adds, "I appreciate knowing she hasn't changed one bit."

Mrs. Frederic reaches into her purse and pulls out a copy of Myka's book. She sets it on the table in front of Myka, who smiles wide.

"You bought my book."

"A birthday gift," Mrs. Frederic says, "for our very insistent friend."

//

Myka is thirty-four when Mrs. Frederic unexpectedly sits beside her on a park bench then holds an envelope out in front of her. And for the first time, in a long time, Myka isn't startled. She almost expects that other woman's arrival.

She says to the older woman, without ever looking at her, "I don't know what they're paying you but I'm sure it's not enough."

Myka doesn't immediately take that envelope but she can see that her name is on the front. She can see that the handwriting is Emily's. Recognizable in comparison to all of the old notes she has stashed away from high school.

Still, she straightens in her seat and asks, "We're on writing terms now?"

"Proof of life."

"Seventeen years ago, you told me she died." Myka cautiously takes the envelope. "You told me to forget about her."

"And nearly two decades later, look where that has gotten us."

"You've suggested on several occasions that I'd be murdered."

"I resisted the urge myself on many of those occasions."

"A joke?"

Mrs. Frederic arches a brow. The playfulness of that expression, Myka finds, is unnerving at best.

"You said they are dangerous people."

"They were."

"They were?"

"We're on the cusp of a resolution."

"A resolution? With very dangerous people? More dangerous than the man who committed heinous crimes against them?"

Mrs. Frederic nods and simply says, "Even dangerous people grow old."

"Then I guess I feel comforted that you haven't aged a day since we met."

Myka can see Mrs. Frederic suppressing a smile.

"You know, in all these years that I've come to know you, Mrs. Frederic, you don't strike me as the type to negotiate with, much less protect, a man who has done ungodly things to anyone. Dangerous people included."

"You refer to her father as a man, which is something I haven't done in over three decades." A pause follows a thoughtful sigh as Mrs. Frederic turns away from Myka and says. "Still, I find even calling him the monster that he is to be too generous."

Myka gives a subtle, understanding nod.

"The thing you may or may not have come to understand, without the proper context, is that some very terrible people are more valuable to when they are alive, worthless when they are dead, when the survival of many more good people depends on what they know. My employers find value in his living, so he remains alive and, by default, protected."

"And Helena? Where does she come into all of this talk of value and worth?"

"She is her father's collateral damage." Mrs. Frederic turns to Myka. "From the moment she was born, he has been using her existence to further his malintent. Without her, he would already be dead."

Myka can feel her blood rising.

"He had money. He had custody. He had power. He doesn't have any of those things now and I promise you, Myka Bering, that he is not worth the energy you will burn being angry at him."

Myka doesn't quite let the anger go. But she breathes a little steadier now.

//

Weeks later, Myka finds a Post-It note on her refrigerator door that she didn't place there and doesn't recall seeing the night before.

It reads: Answer the call. - F

Within the hour, Myka's cell phone rings. No name or number appears on the screen. And when she answers, it's with a tease. She says, "It only took you twenty years to realize you could threaten me over the phone instead of constantly sneaking up on me in public?"

"I told Irene," a soft, distantly familiar voice starts, "you'd tire of her appearing act sooner than most."

The voice hits her hard. Harder than the combined weight of every moment in her past that she has felt sorrow or grief or loneliness beyond measure. She has to steady her hands to not drop the phone. She has to steady her breathing to not fall to the floor.

"Helena?"

Soft breathing turns to soft laughter which turns to soft crying, on both ends of that line.

"Is that really you?"

"It really is."

Myka sits before she falls, carefully lowering herself to the kitchen floor. Clutching that phone in her hands. Her back to the cabinet doors. Her legs folded up before her.

She decides to start off small and easy.

"Hi."

And is rewarded beyond measure.

"Hello again, my love."

[itty-bitty-sunshine]

Although there's a very specific reason for them to be working at the Pizzaplex, that doesn't stop them from infodumping every once in a while!

Knowing a bunch of random info turns out to be pretty useful when working with curious kids and a 8 foot tall robot who's always more than happy to listen to anything. Besides it makes for great stories to tell

[wren-kitchens]

mildly frustrated at how many 'we need to talk about lizzie more' posts ive seen and the distinct lack of actual posts of art or writing about lizzie that ive seen cross my dash

like guys i thought we wanted to talk about lizzie and not the fandom's problems when is that happening

[sualne]

carnis au accidental [???] but i was thinking about mimic luffy wanting to get closer and closer to law, and i'd been thinking since i've made the au about how he'd want to see law's scars (already various scenes on how it could happen, written notes and all, don't know which to pick), and then the fact that he knows there's something carnis still in him.

so i was thinking of another scene where he's inspecting the scars on his face and they both very close but it's not the scars he's really looking at, he's searching for that carnis leftover and says maybe mostly to himself "It's still inside you. That's just so unfair. Why, just why couldn't it have been me?"

And jokingly is thought: This is it folks, I broke the code, this is about bottom dysphoria!

But then! I thought again, the au is about feeling otherized, isolated and monstrous and wrong. i've already strongly considered the idea of luffy's death as a suicide metaphor. the mimic has been thinking about socially detransitioning because it keeps getting accosted by creeps and assholes and knows that luffy would've fought back most of the time but also knows it's much stronger now and doesn't want to get caught, he needs to lays low, it doesn't want to cause a scene, it has to go stealth.

law hates the idea because it's not enough that it killed luffy now it has to just go and erase that important part of him of as well but the mimic insist, he's still a man, he'll just fake being a girl to make it easier. but law doesn't understand because to him the mimic is faking being a man, it's faking being a person, it's faking being luffy.

the reason the mimic wants to lay low is because it doesn't want to get caught so it can stay with law and study him, understand him. law doesn't knows that, he's too freaked out by the fact that's it's a mimic! that it killed luffy and might possibly want to kill him too! but the mimic feels a kind of kinship with law because of that remaining carnis in him.

remains he got from nearly dying, from losing his family, from an attack to another carnis. and i thought, law is meant to be reminiscent of mimics. he had to regrow his face, he's (as always) autistic and doesn't always act as expected, he's also paranoid even when he happens to be right, he's traumatized to the point of psychosis, the encounter changed him. it was meant as a parallel to how ppl like to think murderers&co are all mentally ill because they can't possibly be Normal Like Them, they must be different, they must not be human, they're obviously monsters. but those victims, those who get to survive, the trauma change them, they can acquire all sort of neurodivergences, and when those same Normal People learn that a person has some kind of The Scary Disorder they think "Oh, you're a monster too! You'll (inevitably) hurt someone!" which lead back to being otherized ect.

there's also something about how law didn't just get scars from his near death experience but also what's essentially a disease.

and then back to the mimic, who recognize itself in him, in that disease, but it isn't quite right, it's not enough and it's also nothing alike at all and also he's kind of jealous? it makes no sense to the mimic itself but he can't stop thinking about law either.

it's also how a monster that's linked to what is theorized to be something close to a hivemind accidentally developing a sense of identity and facing some sort of existential crisis over the fact that it can't ever escape it's monstrous nature and doesn't want to either. and that sound like, very much like being trans and cracking your egg and realizing you're fucked cause that sure is knowledge to have about oneself and also it's in the fictional 90s of a op carnis au so good luck with that.

anyway that's a lot of words and im not sure how to phrase the rest it's just, this was supposed to be a casual au where i went "OHOHO look at the Tragedy" but i thought about it too long and now i feel like i've ended up with a millefeuilles of overlaying themes and im, i means sure. can't draw All that tho so what now.

[ohitslen]

BREAKING NEWS 🎉Ch. 5 of The neighbor from 311 is up!🎉

[hayaku14]

GUYS I'M BEGGING

SHINICHI ON A SKATEBOARD

PLEASE

[ganondoodle]

chapter 2 rough draft wip (✿◡‿◡)

[good-beansdraws]

I know I said I wanted to do Loveit Mappi (and I still plan on it!) but it was indulgent Fuuta art that finally broke my art block so. Ver with mv references, and under the cut one with Loveit/Salamander lyrics🍴

[sasanka-27]

It’s real

| Fandom: supernatural | Pairing: Dean/Castiel | Words: 7k+

| Type: oneshot | Rating: Teen and up | Author: Sasanka27

Summary: Morning of his birthday Dean wakes up alone doubting if he hadn’t dream the good parts of his life.

Link: