#i want to discuss the media as it exists

[ghastbutlikegay]

i just realized that since i actually deliberately AVOID cartoon fandoms most of the time, having a cartoon blog on the fandom website probably isnt a good idea

[waterberry-strawmelon]

just gonna go ahead and say this in advance—

if Riz does indeed come out in junior year, and he says, “I’m ace” or “I’m asexual” when referring specifically to his lack of romantic attraction, aromantic people are allowed to be upset about it.

[the-hilda-librarians-wife]

so howd you like it what are your thoughts

Anon, I hope you don't mind it but I'm going to use this ask as an excuse to do my Full On Rambling post about my honest thoughts. I'll try to keep is as coherent as possible, but I can't actually guarantee it :')

Also putting it under a cut because some of it is going to sound negative (as I said, I want to exorcise any critiques I have so I can go back to Vibing asap) and I know many people (undestandibly!!) won't want to read that, and I don't want to burst anyone's happy bubble :) . And also because of s3 spoilers. Bear in mind that it's not a rant post, I still had tons of fun with the season. But since I'm going to be talking about the things I enjoyed forevermore and gonna try to keep all my 'didn't really like this :/'s contained in this post, it may come out sounding like I enjoyed it less than I truly did. Here we go, get ready for some Thoughts

-> Content

Okay, listen. This season was fun. I had a nice time watching the newest shenanigans. New characters (with one notable exception) were a joy to watch (yes, even the thing. We're in a toxic situationship) and I was greatly amused by their adventures; most of them kept me on the edge of my seat.

(ok, here's where the negativity begins. Please don't take me for someone who wanted everything to be done for Their Specific Standards or who thinks they know more than the professional and extremely skilled team that was behind the series. I'm just throwing around thoughts about how I feel, but in the end, the only thing that matters is that Luke Pearson and the team got to tell the story they wanted to. If that was achieved, I'm happy regardless)

However, I couldn't help but think that some of it felt... like it was "thrown" at us, in a way? To be fair, I think most of the negative points I'll discuss in this post are a consequence of this season being 6 epsidoes short of what the writers originally planned because, as I've mentioned before, I do think the show's writing is great and that the team puts their heart and soul into making this the best cartoon possible. Anyway, what I mean is that at times I thought the episodes seemed so worried with delivering all the information they could that a lot was left behind and some stuff didn't really tie together with the rest.

For example; I still cannot understand why aunt Astrid and Anders had to be these big surprises that had never been mentioned before if Hilda, the character who we see this world through, already knew about them? Don't misunderstand me, I am well aware that these nitpicks of mine are subjective and only my personal opinions that may very well simply be a consequence of not understanding what the writers were trying to achieve. I just feel like Johanna's family and Hilda's father are topics that have been discussed so at lenght in the fandom, precisely because they'd been so carefully skirted around in the previous seasons, that the reveal that nothing really dramatic had happened (between Johanna/Astrid and Johanna/Anders, at least) feels anticlimatic to me. It just feels (again, to me, personal opinion) that if this was going to be the case all along they could have mentioned these characters before, and it would have made the narrative make a little more sense.

(This is especially true to me in Anders' case. Bc it felt to me like they had been trying to highlight how irrelevant Hilda's dad was to the story in the first seasons by not bringing him up at all, by not even pointing out his abscence. But I can't really see the point in that if you're gonna bring out the man either way)

Ironically, at the same time I felt like some of the arcs were a tad overachieving, especially the Johanna's parents one. I just felt like it was Too Much Too Quickly, which once again is likely because of the season having been shortened. I feel like if they really wanted to do that arc, and that way, it would have been helpful to cut some other storylines so they could begin fleshing out this one earlier. They way it was done I just personally (can you tell I'm terrified of being taken as a hater?) felt like there was no time at all to get either used to the idea of Johanna being half faerie nor to get attatched to her parents. Like. I know the episode was the season's emotional peak, but it just didn't hit me the way I know it should.

Not sure if this was a me problem, but I felt like the audience wasn't given enough time to process what had even happened when they got stuck in the fairie island, nor to even consider that they'd truly be stuck there forever, much less to fully process the sacrifice Johanna was making when she left it with Hilda. I didn't get to get attached to Johanna's parents or to the dynamic they have with their daughter. I didn't suffer the way I wanted to when I saw them having to part ways, because I couldn't become invested in their bond when I was still trying to wrap my head around what their backstory even was and pay attention to the action heavy scenes that were to come.

What I'm gonna say here is way meaner than the people behind the show's writing deserve and I know, I can absolutely tell it isn't the case because you can see some of the foreshadowing once you have the benefit of hindsight, but it felt to me like some of Johanna's backstory was written for shock value alone. Which, considering the previous components of the season that I have already mentioned felt underwhelming, was even more jarring.

Another thing is that I feel like a lot was sacrificed in order to do these overachieving arcs. This maaay just be the side character lover and change hater in me, but I do feel like in order to present to us all these new concepts that would be necessary for the backstory to make sense, we were deprived of some elements in Hilda The Series that are arguably what the show does best. It felt like they all but scratched all of their previous stories, characters and components to switch them up for new ones. Pikablob has said it better than me, tbh.

However. I do feel like saying that none of the fears I had for the season came true. No character feels ooc, no one was left with an incomplete arc, and though I can't see how Anders contributes to the story, if he had to be there I feel like the way that was it done was the right one.

-> Pacing

Frenetic. Run for the hills kind of thing sometimes. Which, once again, I can't bring myself to believe was the writers' fault, not when they had other 6 episodes planned that they didn't get to do. I absolutely understand that they had to condense everything they wanted to show us into half the runtime. But it did become an issue (to me) when instead of the trademark Hilda Idyllic Tranquility I usually feel while watching (even plot and action heavy content like TMK), I felt like I was watching a completely different cartoon. Carmen Sandiego, or something like that (please note that I do also love Carmen Sandiego). Many times it just felt like there was no breathing space, which isn't necessarily bad when done well, but I hadn't gone into the season prepared for that.

It wasn't a problem that was all around present, though. I do want to point out that imo "The Giant Slayer", "The Laughing Merman", "Strange Frequencies" and even "The Forgotten Lake" still felt like Hilda to me. Which is where I realize what the main issue I had with the season was. That a lot of it just felt like a different show.

-> ~ vibes ~

I am bringing back the disclaimer that if the team told the story they wanted to, then good for them, I'm pleased as can be. I do enjoy that the series played with some different concepts. The musicality and colours in The Laughing Merman, for example, were absolutely delightful to me. Seriously, I want an entire Hilda musical now.

But some things I just couldn't help but feel were so disconnected from the previous feel of the show that it felt to me like they didn't belong. You can sum the rest of this post up by saying that season 3 would have been one of my favourite ever cartoons if it had been its own thing. But it's not, so I can't help but compare it and try to understand how all of the installments work when together.

The faeries, for example. I was so excited when I saw the trailer and knew it was going to be one of the plots, because I thought it was going to be another adventure of the day type of thing that would span over three episodes max. And listen, I've talked about how much I love Celtic folklore, and maybe this is just my consistency loving brain being annoying, but it felt a bit... clashing? that this season was based on tales and creatures and treaditions that weren't the scandinavian ones that inspired the rest of the series. It just felt like a major shift in tone that I don't really understand (once again, me problem, may very well be a skill issue on my part & I'm not saying they shouldn't have ventured so far just bc I didn't quite vibe with it). It just feels a bit off to me, knowing that Johanna's backstory was likely planned from the start, that there wasn't any celtic lore at all in previous seasons to make this sudden detachment from nordic folklore feel less out of the blue.

You know that joke that Disney movies like Aladdin and Raya take concepts from different cultures and smash them together like they're not completely different? I felt to some extent (bc OF COURSE Hilda is much better researched and has a lot better quality than that /gen) like they did that this season. But with white people. Which, fair, I can appreciate the irony.

Back to the topic of bold storylines, I understand what the Hilda team did with all the Johanna backstory. I understand that it's something that everyone wanted to see soo bad and they wanted it to be great (and it was). The thing I got stuck on is just that it ended up changing the vibe of the show to me. Whereas previous seasons feel like "slice of life in a magical place", I felt like this time I was watching a magic centered fantasy. Especially when they got into trying to explain the origin of magic and everything. Which is ironic, because I enjoyed the concept a lot and will explore it in the future, but it still felt like something that I wouldn't have expected Hilda the Series to tackle. Like there was a giant shift from folkloric to fantastic that isn't bad, but it is different and I hadn't been prepared for that lol.

God, I feel like I just wrote all of that and just to be A Bitch. I just wanted to get these thoughts out but I don't expect you guys to agree or anything. I genuinely liked watching this season, and I will continue to reiterate this in the future. And even if it doesn't beat s1 or s2 in my heart, I'm still grateful we got a final season at all, and everyone who was involved in it deserves all the praise <3

[eerna]

I read the TFOTA series at the beginning with low expectations and I surprised myself of how much I ended up loving it so much. I do have a few things did not liked about that I would want it to be different. But overall I think it was great.

My only complaint is that the fandom, and finding your blog among a few others felt like fresh air. I don’t know if it’s me but I feel like a great portion of the fandom lacks reading comprehension skills. I try not to interact much with the fandom because:

1- I’m in my late 20s and not going to argue with a bunch of people who are the target audience of the series.

2- Most of the conversations lacks nuance and are mostly focused on the romance aspects of the series.

I also love your fan art. You are very talented.

Hiiii, thank you so much, I'm so glad you enjoy my stuff~

I feel this so much, and it's why it took me 3 years to gain my first mutual in this fandom lololol. Instead of interacting with anyone in the wild, I made all my smart beautiful friends read the series and used my fanart to attract people interested in the same aspects of the books as me and thus created a private little fandom where we could discuss story nuances without being called abusers <3<3<3

[angorwhosebabyisthis]

i feel like i should start making more of an effort, when i talk about something in a piece of media being Upsetting to me, to distinguish between 'cathartic' upsetting and 'gave me psychic damage' upsetting. sometimes i mean OUGH OW MY FEELINGS THIS FUCKS ME UP IN A MEANINGFUL AND RESONANT WAY, MY LIFE IS ENRICHED FOR BECOMING AWARE OF IT and sometimes i mean that it is genuinely distressing and i want to shake the creators and ask what the fuck they were thinking

[magnetic-dogz]

Everytime someone says something that implies hinted gay ships are the pinnacle of LGBT representation I'm just like. Ok so do trans people and aroace people just not exist to you or something

[flamboyant-king]

Shout-out to the folks that reblog my OC stuff. You guys get a special place in my will.

[musical-chick-13]

Oh not me avoiding a wildly popular piece of media that I’d probably actually like out of sheer spite.

[hungersauce]

im gonna be real anon I don't care about label shit ship discourse I care about if real people are getting hurt and ONE reblog from someone being jokingly aggressive on the subject isn't enough to convince me that people are getting hurt when there's more evidence to the contrary. you've put me in a shitty situation here and I don't want to engage with it. please just ask people what they actually think next time before you go throwing your assumptions at other people.

[vampirehowl]

ik its actually because you have to actually read and put a significant amt of effort in comparatively to like know enough abt mina and gideon to enjoy them over katya so the fan spaces for them are smaller compared to katya but the fact that gideon is the ONLY butch on the ENTIRE bracket and shes still is only getting just under 1/3rd of a three way poll (although thats still significant considering the popularity of goncharov) is. well it just brings me a lot of questions i guess abt the types of characters ppl are more willing to support over others

[stompandhollar]

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

[mashpotatoe]

im a white jew, i was born in israel,

ive lived there all my life and was brought up in an environment that fosters racism driven by nationalism, nationalism driven by racism.

in israel, they teach you jews and muslims (though usually, they just say arabs) have always been enemies, the same way the US deems the entire middle east as a inherent war zone, ridding them of the responsibility for perpetuating war in thst region.

they tell you "were the fair and humane side who strives for peace! its the arabs who never accept the offer!"

i remember the first time i began doubting that sentiment was in fourth grade, when we were having a discussion in class about the character of Saul from the Torah. the teacher was talking about how Saul, the first monarch of the Kingdom of Israel, used to fight the Philistines, and when she added that the Philistines were the natural enemy of the Israelites, she asked the class what group of people is their modern equivalent to which everyone very eagerly replied "Arabs!" and nevermind that there in that same class sat two arab boys, one of whom sat next to me, who i looked at and thought "but he isnt my enemy? hes just a boy in my class."

they teach you to hate arabs. sometimes they say it outright. sometimes they say it more carefully, or make a distinction between good and bad arabs, those who are with us and those who are against us.

in a state based on the idea of (white) jewish supremacy, they teach you jews are naturally superior. they use the conspiratorial narrative of "jews controlling the world" to their favor, giving their own watered down explanation for why antisemitism exists, saying that it must be driven by jealousy.

the zionist movement always used antisemitism to its advantage, either for reinforcing the notion of jewish supremacy or appealing to the real pain and trauma of generations, people who survived the holocaust, connecting them to stolen land where they are "guaranteed" safety ergo granting "justification" for the suffering of others.

its using peoples real pain that makes fear mongering so effective, and when the israeli population grows up being told all of their neighboring countries want to kill them, they quickly get defensive of the "only land where they can feel safe", but the only explanation ever provided for Why these neighboring countries are considered enemies is because theyre arabs.

and when it comes to palestine, it isnt even recognized as a country, nor identity. just a threat. ive talked to many people who are genuinely unaware of the occupation, and they arent willing to believe it either, because the media narrative has successfully shifted the blame on hamas. because "how could it be us? we want peace! its the terrorists who make us look bad! and their children, they grow up to be antisemites*, might as well get rid of them too!" they never stop to think what environment these children must grow up in to develop these "radical" ideas.

* what they mean by antisemite is really just antizionist, but the term anti/zionist isnt practiced in local dialect, being a zionist is treated as a given

any jew who stands against israels oppression is dubbed a self hating jew, but the biggest contributors to antisemitism is the people in charge of an ethnostate, because at any moment they could decide who is not white enough to be jewish, who is too jewish to be white, who stood against the current coalition government and who is an obedient dog.

israelis arent a monolith, but many of them have been won over, convinced its an "us v them" situation, when in reality it could never be the "us" that "loses"

the israeli government was waiting for an event like the massacre on the seventh of october to declare war, to have the so called "right to defend itself", so they could initiate the final steps of an ethnic genocide and displace, if not kill, all remaining palestinians. under the guise of bringing peace.

it isnt too late to call for a permanent ceasefire, to end the occupation.

please contact your representatives, attend protests and rallies if you are able. palestine will be free, and the flowers will rise again.

[likeumeanit9497]

just like that | m.s. |

matt sturniolo x fem!reader

based on this request :))

summary: after dating for four months without having sex, y/n finally decides that she's ready to take matt for a ride

warnings: smut; established relationship; unprotected p in v; oral (fem receiving); riding; mentions of questionable consent (NOT with matt dw); dirty talk; 18+

notes: damn i completely forgot about this im so sorry:/ i've just been so busy over the past week or so it completely went under the radar. def not my best work (i wrote it all today), but i wanted to get it up because i'm going on a trip through europe for 6 (SIX???!!?!?!) weeks and will probably not be able to post much when im there. anyways i hope u all enjoy!!

p.s. working on one more fic that i would LOVE to post before i leave tomorrow, if not it might be a while before im able to write again :/ it's gonna be a good one for the matt girlies though so keep ur eyes peeled ;)

─ ⊹ ⊱ ☆ ⊰ ⊹ ─

“Do you want anything from the kitchen baby?” Matt’s soft voice in my ear pulled me from the lull I was in, curled up beside him on the couch watching a movie. My drooping eyes fluttered open and I couldn’t help but smile once I came face-to-face with my beautiful boyfriend. The late-August sun was setting, and it shone through the living room windows in just the way that made Matt’s gorgeous blue eyes almost transparent; a harsh contrast to his dark eyelashes and tidy beard. He was looking at me with such unclouded care, the way he always did, and it never failed to make my heart flutter.

Matt and I had met on social media about six months ago, and started dating just two months after that. Our earliest conversations online had consisted of occasionally discussing our shared interest in pretty embarrassing hobbies — playing Minecraft, journaling, and watching rom-coms to name a few — but those occasional conversations evolved into staying up all night messaging each other, multiple-hour long Facetime calls, and eventually meeting at a restaurant for our first date.

Although it hadn’t been long since we started dating, Matt’s soul was one that I felt like I’ve known all my life. Never before had I felt more at home around another person than I did once I met him, and his presence in my life gave it a new level of stability that didn’t exist before. I had dated a guy in high school for almost two years, but the quality in the time spent with Matt versus him was incomparable. I was sure that Matt was the person that I was meant to be with, and everyday he did something new to prove that to be true without even trying.

Another thing that I loved so much about Matt was that, even after months of dating, he hasn’t once pushed me to have sex with him. In one of our early conversations, I had told him that my ex had always made me feel bad when I would turn down sex with him. While him and I did have sex a few times during our relationship, I had since come to terms with the fact that I really was just doing it to make him happy. Once Matt got over his immediate anger for me, he had sat me down and told me that he could wait forever, but that he won’t have sex with me unless I tell him I’m ready.

That was months ago, and still, he has kept his promise. While we have done plenty of other things in bed, he has always made it a point to stop everything before it gets to the point of sex. At first, I felt riddled with guilt because I felt like I should want to have sex with my boyfriend —especially one so kindhearted as Matt — but over time that guilt has fizzled out from Matt’s reassuring words and actions. He never ever put me in situations that he knew had the potential to make me uncomfortable, and wouldn’t allow me to feel bad about it either.

Lately, though, I had been feeling slightly different. While before, I would squirm at the thought of anything more happening once Matt’s hand would slip out of my panties, now I feel a slight tightening in my stomach at the idea of more. And before, I would feel a certain level of nervousness as I felt the weight of his member in my hand, where now there is a flutter in my core at the thought of that same part of him filling me up.

Never before in my life had I felt any of these feelings, and I didn’t quite know what to do with them. I was afraid of the abundance of dirty thoughts that flooded my own head constantly, and I realized that I was ready for more, but only with Matt. I had been contemplating on telling him this for the past week, but as I watched him walk back over to me on the couch in nothing but baggy grey sweats — the black ink of his tattoos hypnotizing me — my body reacted in such a way that let me know that tonight was the night.

“Here, I know you didn’t say you wanted anything but I grabbed you a water anyways. I haven’t seen you drink any yet today and you-” I cut Matt’s rambling off by climbing on top of his lap as soon as he was back on the couch; wrapping my arms around his neck and planting a deep kiss to his pink lips. He responded with a soft hum against my lips before wrapping his own arms around the small of my back. I opened my mouth slightly before pressing it against his again and moving them in a slow but passionate rhythm. Matt quickly followed suit, slipping his tongue through my parted lips before using it to explore my mouth. I fluttered my eyes open for a brief moment and caught a glimpse of Matt’s most beautiful features up close — lidded eyes, flushed cheeks, straight eyebrows — and released a satisfied sigh against his mouth.

I ran my hands through his soft brown hair, tugging slightly at the ends and eliciting a soft gasp from him as I felt my body flood with arousal. His hands travelled up and down my back, his firm yet somehow delicate touch a comfort that eased my nerves. From my place on his lap, I could feel a growing hardness against my ass. This wasn’t uncommon, obviously, but in the past I usually pretended to ignore it pressing against me. This time however, I rolled my hips up and down, feeling it slide against my aching core. “Baby.” Matt’s voice was barely above a whisper against my lips, but the combination of shock and arousal was still evident in its tone as he grabbed firmly onto my forearms to hold me still.

I detached my mouth from his while still keeping our faces just centimetres apart. His breath was rapid, but so was mine as we stayed like that for a moment; wild eyed and equally uncertain. Finally, I repeated my action by grinding my hips against his clothed shaft; this time watching as his eyes rolled back slightly in pleasure. “Y/n, what are you doing?” He mumbled, clearly wavering between making sure I was okay and wanting desperately for more. I continued grinding my hips against him, my mouth dropping open as I felt his shaft reach my nerves. “I want you Matt.” I whispered, and I watched as his eyes widened in shock; pupils dilated. “What do you mean?” He asked hesitantly, brushing his knuckles softly against my arms.

“I mean, I’m ready. Ready to have sex again.” I blurted out, feeling my face immediately flush in equal parts nervousness and arousal as I waited for him to respond. His face was unreadable as he clearly tried to gauge whether or not I was serious. That was confirmed once he finally spoke. “A-are you sure? I don’t want you to think just because I’m hard we have to do anything, baby.” I felt his dick twitch in between my legs as he spoke, and it shot electricity down my spine. “I know Matt, but I really am sure.” I responded, running my hands up and down his bare chest and leaving a trail of goosebumps in my path.

He continued to stare at me, his eyes travelling wildly across my face; clearly still in a state of uncertainty. I, on the other hand, was growing more and more frustrated by the moment as the heat continued to grow between my legs. “Give me your hand.” I stated, and he obliged; placing his much larger hand in my own. I guided his hand down to the waistband of my sweatpants, inside of the material, and finally slid it against my dripping wet core. Intaking a sharp breath from the contact, I watched his face as it immediately darkened once he felt my arousal coat his fingertips.

“See? I told you I’m ready,” I leaned forward slightly, bringing my lips to his exposed collarbone and kissing it wetly. “So please Matt, can you fuck me?” The room stayed silent for a beat, the only sounds being our ragged breathing, and I felt fear begin to trickle down my spine; worried that Matt might reject me. Just as I was about to retract everything I had just said, Matt’s hand snaked to the back of my head, guiding it up from his chest before crashing his lips onto mine.

I deepened the kiss immediately, feeling a mutual level of desperation like a surge of electricity between our lips that had never been there before. Matt’s hands began traveling all across my writhing body — taking his time on the curves of my ass — before planting firmly on my hips where he helped them grind against his rock hard member. Breathy, almost silent moans fell from both of our lips as our bodies slid against each other, and the deep-rooted sensation was taunting.

Matt’s hands slithered from my hips up to the bottom of my t-shirt, where he toyed with the material for a moment before detaching his lips from mine. “Can I take this off?” He asked, glazed eyes staring longingly into my own. I nodded, and without a moment’s hesitation my vision was blocked for a brief second by Matt peeling the fabric over my head and tossing it to the side. Once my vision returned, my view was of Matt’s hungry eyes glued to my bare chest.

Matt had seen my tits countless times before throughout our relationship, but at this moment it was like he was seeing them for the very first time. Mouth slightly parted, his breathing was ragged as he brought both hands to my chest and cupped my tits delicately between them; pushing them together slightly and brushing a thumb along each nipple. I hissed at the feeling, and that seemed to pull him from his trance, as his eyes immediately shot up to mine. “This okay baby?” He asked, and I nodded my head wildly.

A smirk toyed at the corners of his mouth before he attached it to my left nipple. I released short moans as he sucked and nibbled it gently, still pressing my core against his throbbing shaft. I felt myself falling deeper and deeper into a trance that I had never experienced before, and it was like my body and mind had completely separated as I mindlessly tugged desperately at the waistband of his sweats. Catching on to my gesture, Matt shifted slightly below me before using one of his hands to haphazardly pull his sweats down slightly; allowing his cock to spring up in between my legs.

I gasped at the sight before me, only now realizing its true size with it between my legs and feeling just a tinge of excited fear trying to figure out just how it was going to fit inside of me. Shaking the thought from my mind, I collected a pool of saliva in my mouth before spitting it in my hand and bringing it down to his shaft.

Running my thumb along his slit, I felt his whole body shudder below me from the contact. I began pumping my hand up and down his length; spending extra time twisting my wrist around his sensitive tip, and watched as his mouth went slack on my tits. “Mmm, keep doing it just like that baby.” He muttered against my plump skin, and I continued to work his cock in my hand while simultaneously grinding my core against its base. Just knowing that I was making him feel good was making me feel good, and my eyes rolled to the back of my head in pleasure.

After a few short moments, I felt Matt’s hands snake to the waist band of my own sweats. My eyes found his again, and I watched as they searched my face. “You’re sure you want this, Y/n?” He asked, his voice gentle but laced with a huskiness that could only be explained as pure desire. I nodded desperately once again, feeling so pathetic but not capable of giving a shit. “I’m sure baby, please.” My voice had a slight whine to it, making my frantic need even more evident.

Planting a soft kiss to my lips, he grabbed firmly onto my sweats and began peeling them off of my body. I lifted my hips up slightly to assist him in this, and once I dropped them back down, I hissed from the feeling of my bare core against his cock. “Matty, I need you right now.” I practically cried out, leaning my body forward and planting nibbles and kisses along his exposed neck. The suspense was torturous, my body only just now recognizing how badly it was craving his.

His hands cupped my ass, and he used his grip to lift me just a couple inches off of him. I felt him spread me open slightly before dragging a finger once again against my aching folds. “Mmm, so wet for me baby.” I released a breathy moan at the combination of his touch and words, and squirmed in his grasp. “I’ll help you get it in, but I want you on top. That way you can take it as slow as you need to, okay?” His voice softened as he spoke, and his hands massaged me gently causing me to physically relax. “O-okay.” I muttered, so turned on that I was willing to do just about anything he wanted me to.

Just then, he placed a soft kiss to my lips before I felt the very tip of his cock brush against my opening; causing me to gasp. “Shh, it’s okay baby. I’ll go slow.” He whispered in my ear, and I pressed my forehead into the crook of his neck in anticipation. Finally, I felt my walls begin to expand as he pressed the first few inches into me. Moaning at the sensation, I felt my whole body flush in immediate lust. As if they had a mind of their own, my hips subconsciously began lowering onto his shaft; taking more and more of him as I sunk down.

A moan fell from his lips as my walls enveloped him inch by inch, and I slowly lifted my head from his neck and straightened my body up to allow more of him to fill me up. Even though he was big and I hadn’t had a dick in me in a long time, my slick arousal allowed him to bottom out without causing me to feel any pain; only indescribable pleasure. Once every inch of him was in me, I stayed still for a moment looking down at him. His desire was plastered across every inch of his face, and it made him look impossibly beautiful. There was no fear in me in that moment, only want, and so I began riding him.

As soon as I propelled my body up and down his shaft just once, I felt a pit of arousal begin to grow in my stomach. Groaning in pleasure, I continued with my moments; holding onto his shoulders to keep my trembling body stable. “Mmm you feel so good baby.” Matt moaned out, his eyes never leaving my pinched face. After a while, my body adjusted completely to his size and I was able to increase my speed. As I slid my walls up and down his shaft, Matt gripped onto my ass with all his might, using his hands to help me maintain my speed.

Moans fell from my lips as his cock ruthlessly hit my g-spot, and I felt my lower stomach build in pressure. “Fuck.” I muttered under my breath, feeling my skin go flush from the heat of the moment. The room filled with the echo of our wet skin slapping against each other, adding to the erotic air around us. Prolonged strings of moans fell aimlessly from my lips, and as I came closer and closer to my impending climax I began struggling to maintain my movements.

Matt seemed to pick up on this, as he adjusted his hips and began pounding into me from below; his hands holding me in place where I just clung onto him for dear life. “F-fuck Matty, like that. S-so good.” I cried out, my voice choppy from his rapid movements. My brain melted into a pool of liquid as all I could think about was reaching my high that was just out of reach. “You’re taking me so good baby.” Matt groaned out as he continued driving his length into me, staring deeply into my eyes with a fogged over expression.

“I-I think I’m gonna — oh god, think I’m g-gonna cum Matt.” My eyes rolled to the back of my head and I dug my nails into his shoulder blades, struggling to give into this new overwhelming sensation bubbling up inside of me. At this, a guttural moan fell from his lips and he somehow increased the speed of his thrusts even more. “Want you to cum around me baby, please.” There was a desperate whine to his voice as he spoke through his shortness of breath, and it was enough for me to reach my climax. Legs shaking, I released a plethora of moans and curses as my body was hit with multiple waves of indescribable pleasure. “Good girl, feels so good honey.” Matt’s voice was soft in my ear, and it helped to bring me back to earth as my hurricane of an orgasm left my body in shambles.

I continued to bounce on Matt’s dick slowly as I attempted to regain what little composure I had before my orgasm stole it from me, but I quickly learned that all of my energy had been stripped away. My body was trembling uncontrollably, and my head was filled with a fog that made it difficult for me to stay upright. Matt caught on to this, as he planted his hands firmly on my hips, keeping me still, before reaching forward and kissing me deeply. “You tired, baby?” He asked gently, rubbing circles on my sensitive skin. Sheepishly, I nodded, and Matt didn’t hesitate before guiding me off of his lap and helping me lay down on the couch.

As soon as my head hit the soft material, I felt my body immediately begin to relax again. I watched from my place on the couch as Matt began to slowly crawl over to me, before leaning above me. “You did so good baby,” He brought his lips to my chest and began dropping soft kisses against my skin, “Now,” His mouth travelled from my chest down to my stomach, “I want you to just lay here and relax,” He continued to move his lips down my stomach to my hips, “Let me make you feel good, okay?” His face was now hovering above my swollen heat, and I couldn’t help but nod frantically, feeling a sudden need to have his mouth on me.

Matt situated his body so that he could lay down with his face still just above my core. He brought both of his hands to my folds and I flinched as he used his thumbs to spread them apart slightly; exposing my bundle of nerves to the air. My vision partially skewed by his hair flopping in front of his eyes, I watched in awe as he brought his mouth closer and closer to where I needed it the most; before immediately gasping in pleasure once I felt his warm tongue make contact with my clit.

Immediately, Matt got to work in swirling his tongue in expert circles on my overstimulated nerves. This sensation in combination with his rough beard against my inner thighs was so intense it was almost painful in the best way possible, and I was incapable of controlling the throaty moans that fell from my lips as I watched him devour me entirely. Matt then used his mouth to suck on my nerves, bringing forward yet another new sensation that drove me crazy. It felt so unbelievably good, my hands flew to his hair where I held firmly; doing everything in my power to keep him in place. “Oh yeah baby, please, just like that.” I struggled to get the words out through my constant gasps of pleasure, but it was clear that they didn’t fall on deaf ears as Matt moaned in pleasured acknowledgement against my heat and kept his rhythm and pressure the exact same.

Feeling another orgasm begin to bear its teeth in my stomach, it was like my hips grew a mind of their own because as soon as Matt brought his hands under my ass to lift me slightly up on the couch; I began grinding my heat against his eager mouth. “Fuck.” He moaned against my clit as he continued to greedily suck and lick my nerves. I squeezed my eyes shut as a whine escaped my lips from an approaching orgasm, the pleasure that his mouth was giving me was too much. “S-stop baby.” I said suddenly, to which he immediately detached his mouth from me and I watched as his eyes scanned my fucked out face. “What’s wrong? You want to stop?” He seemed so concerned, clearly worried that he had somehow crossed a boundary, and it caused my chest to flutter. “N-no. It’s just, I was gonna cum again.” He raised a quizzical eyebrow, clearly confused by how that might be a problem. “I…I want to cum with you.” I finally said, and watched as his facial expression changed from one of concern back to one filled with lust.

He smiled quickly before dragging his body up my own, planting occasional kisses along my body on his way. Once he reached my head, he immediately began kissing me passionately, slipping his tongue through my parted lips and allowing me to taste myself on his mouth. Pulling away, I noticed my arousal laced throughout his beard, and that along with his pink swollen lips fresh off of my heat was enough to make my head spin. Just then, I felt him line his shaft up with my entrance, and immediately gasped out when he slid it in completely. Before moving at all, Matt took a moment to gaze down at my destroyed face before grabbing my legs and wrapping them around his waist. He then leaned forward and propped himself on his forearms on either side of my head; slipping a hand through my hair and grabbing onto it gently.

After noticing my body relax, he finally began thrusting into me. Starting off slow and deep, he gradually increased his speed until he was pounding his inches deep into me at a rapid pace. Already being close to cumming, I struggled to get a grip on my thoughts as the pleasure of the moment pulled me deeper and deeper into a world of euphoria. “You’re so tight sweetheart.” He muttered through his grunts, and I felt my eyes roll to the back of my head at his words. “F-feels so good Matty.” I managed to reply, tightening my legs around his waist as I tried everything I could to hold off my orgasm.

Matt’s hand snaked through my hair before he grabbed onto my cheek, brushing it gently with his thumb as he stared at me with a gaze so intense that it was almost intimidating. “I-I’m close Y/n.” He nearly whispered, and I felt his pace begin to slow slightly as he began to be overtaken by his own orgasm. My eyebrows knitted together as I felt my walls began to break. “M-me too.” I replied, wrapping my hands tightly around his biceps to keep me grounded. “Ah fuck, I’m cumming baby.” His erotic words were followed by a string of animalistic grunts as he drove his cock in and out of me — slow but hard — and it was like my body was waiting to hear those words as my second orgasm immediately ran through me like a freight train.

My breathy moans harmonized with his deep ones, and I felt my walls contract around his shaft; milking his dick as it painted them white. My legs were wrapped so tightly around his waist, he was barely able to move them as we both rode the waves of our intense pleasure. As my orgasm continued to tear through me, my back arched off of the couch and my body trembled. From above me, Matt watched me writhe in bliss as his movements completely stopped. As I finally began coming down from my high, I felt his hand brush through my hair affectionately, and watched as his face turned up in a smile before he placed a deep kiss to my lips.

He gently pulled his cock out of me, causing me to wince from the raw pain, before laying beside me on the couch and pulling me into him. Face to face, we stared lovingly at each other for a moment; my mind still spinning from how good he had made me feel, and in that moment I was worried that my heart might explode. His blissed expression told me that he was feeling the same, and his hand delicately rubbing the small of my back confirmed it. “Are you okay?” He finally asked, minor concern visible on his beautiful face. “I’m more than okay.” I answered honestly with a chuckle, causing him to laugh in relief as well. “I think I actually love sex.” I continued, causing him to really laugh this time before planting a kiss on my sweat-beaded forehead. “Well I think I actually love you.”

─ ⊹ ⊱ ☆ ⊰ ⊹ ─

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛