#i will proceed to never post about this again

[darkficsyouneveraskedfor]

Bad Guy 2

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: The men your mother brings home rarely stick around, but her latest catch can’t seem to unhook himself from your life.

Characters: Destroyer!Chris

Note: don't act like you don't want a meanie

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The stump of the cone drips down your fingertips as the car jolts to a stop. You lurch against your seatbelt and hold up your hand and cup the other beneath, trying to keep the melting mess concentrated. Chris cranks the shifter as he idles in front of your mother’s house. 

“Hey, told ya not to get that all over,” he sneers. 

“Sorry, I...” you utter. “I’ll get out.” 

You balance the cone with one hand you do your best not to smear the mess as you unbuckle the seat belt. He huffs as he turns off the engine and his own belt recoils sharply. You glance over as he gets out and slams the door. He stomps around the car and wrenches open your side. 

“Out, now,” he barks. 

You obey and climb out, stepping up on the curb to examine the front of your shirt. He snaps the door shut and snarls again. 

“Keep pushing your chest out like that, someone might just take it as an invitation,” he grits. 

You wince and look up at him, hunching your shoulders. He makes everything you do a crime. As if you’re intentionally trying to offend him. 

“Well, thanks for the ride,” you mutter. “I’ll just go--” 

“I’m comin’ with ya. Mom’s waitin’,” he insists. “Sure, she’s real worried about you. Girl your age can get up to all sortsa trouble, can’t she?” 

He points you up the slanted walk and you glare ahead. Your eyes hurt as they long to roll. He walks beside you, crowding you on the thin blocks of pavement. As you get to the steps, he reaches over and taps your ass. 

“Go on, get up,” he orders you. 

You squeak and hurry up the steps. You just want to get away from him. He probably wants the same thing with the way he speaks to you. 

You wrench the door back with your free hand and angle inside. He catches the door behind you, brushing close as he follows you inside. You feel a tickle on your lower back and hurry up. 

“Gail,” Chris calls past you. 

There’s no answer. You don’t worry about it. Most of the time, your mom isn’t home when you get in. It never bothers you as you like having the house to yourself. 

You go into the kitchen and toss what’s left of your cone. You rinse your hands and ignore the man as he trudges around your house. Your mother’s squeaky hinge whines and he comes back out with a harrumph. 

You dry off and go back into the front room. He’s not far behind as he flops onto the couch with a growl. You peek over as he pulls out his phone and taps on it with his thumb. He jams the screen so hard you expect it to crack. 

“See where you get it from, huh,” he scoffs. “Damn woman.” 

You quickly flit away before you can hear any more of his gripes. He just seems the type to look for anything to be mad about. You might be a cynic, but you’re not an asshole about it. 

You change out of your uniform and toss it into the basket by the door. You’re annoyed. If he had driven a bit slower, you could have worn it at least one more time. 

You shimmy out of your pants and pull on some linen shorts and find a loose tee patterned with sunflowers. You stretch out on your bed and put on the next episode of your serial addiction. As you settle in, you hear him moving around in the kitchen. 

From what you can guess, your mom isn’t even there. She tends to do that. Just wander in and out whenever it suits you. If you were less of an introvert, you might have actually gotten in trouble as a teen with so little parental supervision. Come to think of it, she seems to have lived your teenage rebellion for you. 

A pounding on the door shakes you from your Netflix-induced trance. You sit up and sigh as you go to the door. It’s bad enough he’s getting in the way of your late night snacking but not he’s interrupting your binge. 

You crack the door open an inch and look out, “she’s probably down at Jim’s,” you say. 

“I didn’t ask that,” he brings his hand up to grim the door frame. “Did I?” 

“No,” you frown. 

“'No, sir,'” he wags his index at you. “You should try a smile. Be a lot prettier if ya did.” 

You blink. The only response you have will only piss him off. You clamp your lips tight and shrug instead. 

“There’s shit all in the cupboards.” 

You squint and shake your head, “okay?” 

“I mean, you can figure it out, can’t you? Man’s gotta eat.” 

You tilt your head in confusion, “what?” 

“Don’t tell me ya can’t cook neither. What kinda man’s gonna want a woman can’t do nothing?” He snorts. 

“I-- I don’t want to,” you blurt out. “Cook for yourself.” 

You push the door but he slaps his hand against it and forces it inward, “what did you just say, girl?” 

“I... you’re here for my mom. Go down to Jim’s and tell her to cook--” 

“You’re right. I’m here ‘cause your mommy’s a slut. Any other man stick around, huh? Pay for her bills? Her food? Don’t sound like men to me, and you,” he grabs your chin and you whimper, “don’t speak like much of a lady.” 

“Let go of me,” you smack his wrist, “ow.” 

“See, I knew your mama isn’t shit. The way she acts, shoulda figured you’d be the same.” He yanks you into the hall, “don’t worry, I’ll teach ya manners, girl.” 

“Ah, you’re hurting me--” 

“What do you think your husband’s gonna do when you get mouthy, huh? I’m saving you a lot of hard lessons,” he shoves you past him and you hit the wall with your shoulder. He snaps his knuckles against your ass. “I saw a box of macaroni, think you can boil some water or is that too much for that empty head of yours?” 

“What is your problem?” You turn and lean against the door. “I didn’t do anything and... and...” your words fizzle out as you see the way his icy eyes sear. You gulp. “Why are you so mean?” 

“Mean?” He laughs, “keep talking and I’ll put you over my knee. Now take your ass to the kitchen and make some dinner. I know you ain’t some child eating ice cream for supper, hm? Can’t be walking around like that.” 

He reaches for you and tugs the hem of your tee, letting it go so the fabric springs back up and you feel air flow along the underside of your tits. You quickly cross your arms and try to dissolve into the wall. You stare at him, annoyed but frightened. It occurs to you that he’s a lot stronger than you. 

“Well, you gonna walk around dressed like a woman, may as well be one,” he points down the hall. “You won’t like me when I’m real hungry.” 

You peel yourself off the wall and cower as you pass him. You feel his gaze on you, as oppressive as his presence. You bite down on your lip, as much to keep your thoughts inside as to keep from screaming. You should’ve known that one day your mother would bring home the wrong sort. Well, she always does but they can’t be bothered to stick around. 

You enter the kitchen and go to the cupboard. You search around for the sole box of mac and cheese. That’s your insurance policy. Your mother rarely grocery shops. She only ever goes to the bar or the liquor store. She drinks, she doesn’t eat. 

You grab a pot and fill it with water. As you light the burner, you glance over your shoulder. Chris stands in the doorway, watching, like a warden in a jail. You add salt to the water. You step back and wait for it to boil. The silence scrapes your ears. 

You sway listlessly and another growl rolls up his throat. He clicks his tongue. “Must get good tips down at the ice cream joint, huh? Wearing your cutoffs like you're at the beach.” 

You turn and frown, “...what?” 

“Nah, nah,” he shifts to stand inside the door, leaning his back on the wall, “not ‘what’. You say, ‘sorry, sir, my sweet little head’s empty and I don’t understand. Please explain to me what you mean.’ 

Your lips part and you stare at him. He snickers. 

“The way you look at me, I know you don’t got much going on in there, do ya, girl? So let’s think. You go down to the parlour in those jean shirts, wagging your ass as the boys, and they toss you a couple dollars extra. Hell, I bet those pudgy-bellied dads with all their regret and whiny brats like ya too.” He sniffs and his eyes pinpoint, “keep that up, you’ll find out how much you could make on a pole, flirting with all those greasy dicks down at Bunnies.” 

You recoil at the mention of the strip club. The very thought makes your skin crawl. And your shorts aren’t that short. Your boss said they’re just fine and it’s so hot out in the summer. 

“Shouldn’t flaunt it if you’re not selling it,” he says. 

You stare at the floor and drop your arms, tugging the hem of your shorts to make sure they aren’t bunched. “Sir, I’m not... flaunting it.” 

“Coulda fooled me.” He exhales loudly. “You wanna end up like your ma?” 

No, you don’t want to end up with a man like him. You keep that thought to yourself. You shake your head and take the box of the macaroni. You tear off the top as the water starts to boil. 

“So maybe you should take some advice from someone older and wiser. Do you know what your mama’s problem is?” He asks. 

You shake your head again. You dump the noodles into the water. You go to the drawer and open it to grab a wooden spatula. As you do, he shuts it on your fingers. You yelp as he keeps your hand trapped. You look up at him as he stands close. 

“She can’t hang onto a man. She’s too easy. No guy’s gonna take care of a fucking mess like her. And what good is she without a man lookin’ after her? Living in this hellhole with some deadbeat daughter--” 

“That’s...” you whimper and squirm as you try to free your fingers. “Ow, please--” 

“It is true,” he insists against your unspoken protest. “Whatcha think you’ll be doin’ in another few years? You’re gonna age out and those tips are gonna dry up like sand.” He taunts as he leans in, “and you’re only happiness will be at the bottom of a glass--” 

“Stop. Please,” you beg as the drawer crushes your knuckles. You can’t bear it anymore. You put your hand on his hard stomach and push. “Ow! It hurts--” 

He lets up on the drawer but only to grab your arm. He twists your wrist around and you bend with the angle of your arm. He has you facing the tile as he hyperextends your elbow. You whimper and wiggle your throbbing fingers. 

“See, a woman don’t just need a man to take care of her,” he puts his hand on your ass and brushes up your shorts. “He needs to discipline her.” He pulls his hand away and the drawer rolls open. “And I know your mama didn't do none of that.” 

He rests the spatula against your ass and you twitch, “sir, please, I wasn’t--” 

“Either you shut up and take it like a good girl or each noise means the next one’s harder,” he swings his arm back then forward. The wood strikes your ass in a radiating crack. Your legs tremble and you yowl. “Now what did I say?" 

He spanks you again with the spatula, this time on the other cheek. You grunt behind your teeth and reach back with your other arm. He raps your knuckles with the wood and you recoil. You bend your arm to your chest and he swats you again. Your ass burns from his cruel force. 

He does it again, and again, and again. You try not to make a sound but the whimpers fall out of you. Your arm strains from the angle and his unyielding grip, your ass pulsing in agony. The spatula thwaps down over and over until your eyes are streaming and all you can muster are hollow gasps. 

He lets you go and you crumple to the floor, holding yourself on your hands and knees. He whips the spatula down to it hits the tile and bounces. You wipe your face and look up at him. The air smells like fire. He sighs as his eyes drift to the stove, the water boiling over. 

“Fuck damnit, girl,” he tuts, “figure it the fuck out.” 

He shakes his head and marches out of the kitchen. You stare after him, breathless and battered. You can’t believe he just did that.  

[a-secret-bolton-vampire]

CW: Rape, incest, CSA

This is actually not a strictly A Song of Ice and Fire post here, but it overlaps in some ways so I figured I'd write this.

Anyone who has not read the web serials Worm or Ward and wishes to avoid spoilers, don't read this post:

Disclaimer out of the way, I've found striking parallels between fandom reaction for both A Song of Ice and Fire and Parahumans regarding how characters who survived sexual abuse view their abusers, in a dangerously disturbing way.

For this I'm going to specifically be using the examples of Aeron and Theon Greyjoy from A Song of Ice and Fire to compare and contrast to Victoria Dallon in Ward. All three were psychologically and sexually tormented by their abusers during the course of the series. Theon is a young adult by the time Ramsay gets his hands on him, but Aeron and Victoria were both children when they were molested by family members so they will be the main two characters to compare.

In the case of Euron and Aeron, there are a (sadly very vocal) minority who are ready to dismiss Euron's danger to others by specifically using Aeron's abuse against him. Sure, Euron is evil and horrifically abused him and Urrigon when they were children, and it is understandable that Aeron would be mortified of Euron. After all, he tries to warn people about Euron repeatedly, only for his attempts to stop him to all fail.

The response by this section of the fandom to claims of Euron being built up as a major threat are essentially that Aeron's trauma is in the way of his ability to perceive Euron objectively. Is Euron actually as dangerous as Aeron claims? You can say the same for Theon and Ramsay. After all, Theon is half-mad warning Stannis about Ramsay, and Stannis is bringing some Rational Realness to the forefront by saying "what do I have to fear him for?"

Since GRRM is never releasing another A Song of Ice and Fire book it's hard to say what he intends but he could definitely intend for this to be the case. That said, there is a story featuring a similar character that is completed. Ward!

Victoria Dallon's sister, Amy, is a cape with healing abilities, though as the series progresses we know that healing is just the tip of the iceberg; she can change the biological makeup of living things. Amy is adopted, and has never felt any love from anyone other than Victoria. Amy develops deep romantic love for her sister, however, and then begins a series of bad decisions that just serve to deepen her already deep mental breakdown.

Amy proceeds to; alter Victoria's brain chemistry to give her compulsive romantic thoughts about her, then following healing Victoria after a battle, she spends several days alone with her, during which she repeatedly rapes her, erases her memories of said rapes, until her mental health deteriorates even further and she is unable to use her power properly and turns Victoria into the Wretch: a mass of flesh and limbs and heads, rather than anything actually human.

Then Victoria spends 2 years in a mental institution, stuck in a body she hates, all the while fighting the compulsions Amy left in place. When she finally returns Victoria to normal at the end of Worm, it is actually against her will and not because she had a change of heart or got more confident.

Then we get to Ward, where Victoria is the main POV. As is very obvious, Victoria is struggling with extremely intense PTSD, mentioning Amy is enough to trigger a dissociative flashback, and she wants absolutely nothing to do with her anymore: and fucking rightfully so.

Victoria also warns people about Amy. She warns her therapist to try to reach out to Amy before she hurts someone else, she warns literally anyone who will listen about Amy and what she might end up doing. We may not know what it is that Ramsay and Euron end up doing, but we do know what Amy does.

She refuses all help and doubles down on bad decisions, enslaves people with her powers, later imprisons and torments and touches Victoria again against her will, and becomes the dictatorial monster in charge of an entire planet. Victoria's warnings prove to be extremely prophetic and extremely real.

Now lets get into some discourse shall we?

Despite Amy being a rapist who rapes her sister, enslaves others via mind control, and literally never once improving as a person or acknowledging that her actions even caused harm, there are still those who think Amy isn't at fault. Some might find this post, but I don't really care. Amy is at fault for things Amy did. Victoria is not at fault for hugging her sister like a normal human being when Amy is upset, Amy didn't do her a favour healing her because then she just raped her and then really couldn't fix her back to a human body, and Amy isn't absolved of these sins because she healed a lot of people.

Essentially, Victoria is sometimes blamed for being raped by her sister, the rapist, despite Amy canonically being a manipulative lying liar rapist.

Okay so that doesn't seem to related to what the fandom says with Euron and Ramsay, right? After all, we don't really blame Aeron for being molested and Theon for also being sexually tortured and abused by Ramsay, do we? There are factors as to why that is (mostly that Aeron and Theon are men and Victoria is a woman; if you don't buy this argument look at people who say Cersei deserved to be sexually assaulted by Robert or try to use "the times" as an excuse to overlook Daenerys also being raped by Drogo) but there is an overlap here.

Amy being able to get away with that she did only to go on and hurt so many other people is a meta-commentary on the way survivors of sexual abuse are disbelieved or blamed for what happened to them. Naturally, those real like abusers end up going to abuse other people too. Fuck, even in the fandom, Victoria is still fucking blamed for things that she had absolutely no choice in the matter.

Which leads back to Theon and Aeron. Yes, trauma impacts the way you remember traumatic events, and that means objectivity can get lost at times. It can for Victoria and Theon and Aeron. But that trauma, the dissociation, memory problems, all of these together, are there for a reason. And that's because someone came along, ruined another persons life for their own pleasure and satisfaction, and then got away with it.

Victoria warned the world about what Amy would do, and she was unfortunately correct. Theon and Aeron warned others about Ramsay and Euron. Survivors should be believed, and not be dismissed. After all, it isn't our fault that we got abused. People may hear things about Euron or Amy or Ramsay, but the people who truly know who they are---what they are capable of, what they are actually like---are the people they abused.

So yeah, it's kinda fucking lame when I hear someone go "Stannis gonna prove Theon wrong with facts and logic" as if he doesn't, I don't know, have insight into Ramsay's psychology in ways Stannis doesn't. Same with Euron. Same with Amy.

Also fucking read Ward it hurts as intensely as it kicks ass.

[thatrandomlemononyourcounter1]

The Problems With TMNT 2012 April O'neil (And Why It's The Writer's Fault)

(side note this accidentally low-key turned into an April O'neil defense post, and I apologize.)

Hello everyone! This post was seven pages on google docs so that's fun :D

When I was younger, I thought April O'neil was so cool. She was part Kraang, had multiple guys chasing after her, and was training to be a kunoichi.

As I got older though, and rewatched the show, I realized that while her character was cool, there were a lot of issues with said character.

Now, before I really start, I want to clarify, I do not dislike April! In fact, I still think she's a really cool character with a lot of potential. Unfortunately, said potential has been lost to the grasp of time and space, but that's not her fault.

A lot, and I mean a LOT of people don't like April. The most common complaints I hear about her are as follows. A, she led Donnie and Casey on. B, she's a Mary Sue. C, she got too powerful too fast. D, she's just annoying and two-faced.

Let's start with point number 1.

The Love Triangle between Donnie, April, and Casey is one of the most controversial things in the show. Some people love it, most people hate it, not that I blame them. The biggest point against the love triangle was that it deterred from the characters, and was honestly just kinda gross and cringey.

This could not be more true.

I could make whole other posts on why Donnie and Casey's characters would've been so much better without the love triangle, but this is an April post, so let's talk about April and the first point where the writer's screwed up.

Introducing April as a love interest

If there was one thing that I could take away from TMNT 2012, it would be the fact that they introduced April not as her own character, but a love interest. The fact that they did this set the stage for what April's character was meant to become.

If they had simply introduced April as her own character, then we would've been able to get a better grip on her personality.

But no.

April had never really been a love interest in the iterations before tmnt 2012, and that was because she usually stood in as an older sister figure for the turtles. Yes, some fans shipped April with the turtles, but it was never implied in any of the previous shows that any of the turtles had a crush on April or vice versa.

I don't know why TMNT 2012 decided to change that, but they did.

Making April the same age as the turtles wasn't the problem, and honestly, neither was shipping Donnie and April in the show.

It was how they did it.

In shipping the two of them, they dumbed April's character down to just a love interest, and made her seem bitchy. They wrote her having romantic moments with both Donnie and Casey, and supposedly turning both of them down at other moments.

A Foot Too Big is one of the most controversial episodes in TMNT 2012 period. The episode consists of Donnie rescuing Bigfoot. Bigfoot then proceeds to follow Donnie around like a lost puppy, invade his personal space, touch him without consent, blah, blah, blah. This causes Donnie to realize that just like how Bigfoot is acting is making him uncomfortable, how he's acting around April is probably making her uncomfortable. He then proceeds to tell April that he was going to try and start leaving her alone, and that he understood he was probably making her uncomfortable.

Then, in one of the most controversial moments ever, April grabs him and kisses him, saying "You're my mutant."

Yeah.

Prettttyyyy bad.

I think this incredibly out of character for April, and I think that the entire reason this scene happened was so that they wouldn't lose their most played gag, well tied with making Mikey look stupid after proving him to be smart time and time again, but that's a post for another time.

An excellent point that I've seen made by others was that the whole love triangle was never planned to have a solution, it was there to be played for laughs, which in turn, made April's character suffer for it.

I do believe that April's character would've thrived if not for the love triangle, and I believe that Donnie and Casey's characters would've been better off as well.

Point 2: April's a Mary Sue

Boy oh boy.

First of all, let's look at the definition of a Mary Sue.

"Unrealistically lacking in flaws or weaknesses."

So...people want to call April bitchy, and then call her a Mary Sue, as if being bitchy isn't a character flaw?

This is argumentatively one of my LEAST favorite arguments against April's character, because usually the argue-r defeats themself when they say the statement.

"She's annoying." That's a character flaw.

"She leads people on." That's a character flaw.

"She let herself get controlled by the stupid crystal." That's a character flaw.

April has a lot of flaws, and that's one of the reasons why I think her character could've been really interesting!

Let's take a look at some of the things that build April's character, and therefore make her not a Mary Sue.

April is shown from the very beginning of the show to be more of an action-oriented person, not always thinking things through.

(i.e. in S1 EP6 Metalhead when she went to go investigate the Kraang warehouse by herself or even in S1 EP1 Rise of the Turtles when she tries to come up with a plan to escape the Kraang's holding her hostage)

This is a character flaw, and it's one that we see a lot throughout the show.

April is also shown to be very empathetic. You can see this in multiple instances, such as when Karai admitted that she believe Splinter was her father, and April believed her.

This isn't necessarily a character flaw, but it has gotten her into trouble a few times. Usually her empathetic attitude helps more than harms.

April stands up for what she thinks is right. This is an important piece of her character that ties into her empathetic attitude.

April is sassy sometimes.

April can hold a serious grudge.

But, she can also be forgiving.

April is stubborn.

So, as I've pointed out, April definitely has a personality. It's just that usually, these elements of her character were ignored in favor of the love triangle, dulling down her character overall, and making her sometimes seem like a Mary Sue.

Speaking of the Mary Sue argument, let's take a gander at another requirement for being a Mary Sue, which is "everyone likes them, and people who don't like them are shown to be wrong for not liking them."

This is NOT true for April.

TMNT 2012 had no problems making Karai and April have serious beef, and Karai was never shown to be in the wrong for disliking her, except for when Karai took it a step too far.

Obviously, most of the other characters (who aren't villains) like April, because the other characters that are shown are her friends, or friends of friends.

Another aspect of the Mary Sue argument was that the character was usually too powerful without a reason, or out of nowhere.

This also ties into point number three:

April got too strong too fast/April's too strong

Okay!

So let's get into this point.

When I was a little younger, I used to think that people who argued this had a point, but again, as I've gotten older and applied my critical thinking skills, I realized that this isn't actually true.

Some people didn't like that the show made April half-Kraang, claiming it was too strange, just a way to make a female character seem like a 'girlboss', and of course a variety of sexist comments.

I am among the lovers of half-Kraang April, mostly because I think it was a really interesting take on the character.

But! A lot of people claimed that her "kraang" powers were too strong, making her unlikeable.

You want to know how the writers remedied this?

By making April get possessed by the Aeon crystal! (In my opinion, this was actually a really interesting writing direction)

Whiiichhh...of course a bunch of people also had a problem with.

Look, I can't make you like the Aeon crystal writing choice, and I'm certainly not about to try, but, by making April get possessed, the writers inadvertently added a flaw to their apparent "flawless" glorified love interest.

Now, it's been a hot minute since I watched any of the later seasons of TMNT 2012 (mostly because paramount plus is my mortal enemy (side note if anyone has seasons 3-5 downloaded feel free to DM me wink wink)), but I think I remember April losing some fights.

It wasn't like the narrative made her invincible, is my point.

So yes, April was strong, but she wasn't insufferably strong to the point where it was annoying.

I often see this argument used against Captain Marvel from the MCU as well, and I loathe it with my entire being so.

Now for the "April got too strong too fast" complaint.

I just gotta ask, did we watch the same show? /hj

April was shown to have something strange going on with her since season 1! Her powers were alluded to multiple times, so it wasn't like this was a last minute writing decision.

Her power grew stronger as the seasons went on, and there were a few episodes in each season that showcased this, such as S3 EP7 Eyes of the Chimera.

Yes she was strong in season 5, but that's because it was the last season!

As for her ninjutsu skills, it's the same thing. She'd been training since season 1! She grew as a ninja over time.

Now, for the last point:

April's just annoying.

Yeah, if this is you, I don't know if I can change your mind. Also if this is you, there a many times per season where I agree with you!

But let me tell you dear reader the same thing I tell myself.

It's not the character, it's the writers.

Unless the very idea of April O'neil makes you mad, my guess is that most of the gripes you have with her character are the writers' fault. The not choosing between Donnie and Casey, the 'character trait swaps', all of that was the writers.

None of those things are April's character.

Conclusion:

If you made it all the way down here, and read all of it, I applaud you.

Overall, I can't make you like April, but I can attempt to analyze her character and give you the finished analysis, that is mostly just me blaming all the problems of her character on the writers.

April had the opportunity to be an amazing character, and that opportunity was poured down the drain.

But, there are still some redeeming things about her character, and those things are the things that made me like her.

So, like most things in life, if you focus on the positives, you'll be okay.

This was CJ and her April O'neil analysis, that accidentally turned into a defense post.

Sorry if none of this post made any sense, I wrote it at midnight after a very long day.

[volchyayagoda]

me being annoying about a fictional man for a minute

i really don't care if ppl like jiang cheng or not but oh my god his haters are fucking annoying. i won't even get into how badly they interpret his rship with wwx EXCEPT 2 SAY that ppl calling jiang cheng an abuser is such an absurd and willfully stupid reading that it makes me scream. so much of it is hardcore projection mixed with ultra woobification of wwx lmfao i wish people could just accept that not every complicated and/or bad relationship is abusive. the text makes it soooo insanely clear that their rship is broken and messy bc of mistakes they both made and things that were also outside of their control like the fucking big bads orchestrating catastrophic events that ruined their fucking lives lmfao

ANYWAY

the thing i saw that made me black out was someone saying they refused to believe jc actually helped raise jin ling and that he was raised mostly by jin guangyao which lol. lmao. jgy himself remarks that jc "loves [jin ling] the most", and it's stated that jin ling spends half the year w jc and half w jgy. jc is protective of jl to a fault, spoils him, and proves several times over that he'd rather die than let anything happen to him, and is the person who protects and looks out for his best interests post-canon. and jin ling Adores him lmao like you can hate jiang cheng all you want, but it's plain text that he's a loving uncle and guardian, and his best rship in the series is with jin ling. i think what kills me about this in particular is that these same people insist that if you "actually read the books", you'll know that jc is an evil abuser, and then apparently get amnesia about all the things in the books that contradict their headass takes.

jc stans can be fucking annoying and pretend that he has no flaws and woobify him and that ALSO sucks and i hate them, too. if people don't stop boiling him down to a stupid one dimensional caricature of himself i am going to start biting.

anyway the point here is that i'm right and everyone else is wrong and they don't know how to fucking read. the end

[theshadowrealmitself]

I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them

People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human

“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”

“The purpose of this event was that every participant brings a food item of sorts, correct?”

“Yeah!!”

“And they did not follow this rule while insulting dishes that were brought?”

“Mostly just my dish but yeah >:(“

“How illogical”

“That’s what I’m saying!!!”

[chiquilines]

In honour of mha ending, have some old (and i mean OLD) miryumi scribbles i never got around to posting. They were the main characters in my heart

[thecyancat]

look, i do not interact with marvel fandom, or x-men, or any superhero stuff whatsoever, but

why this imax ad for the deadpool wolverine movie them about to hold hands?

[cassettemoon]

Morning Routine/that villainous color

[freetobeafcknriot]

↳ when the sun sets.

[cold-neon-ocean]

Posting this by itself because :) I just feel like he should have gotten to wear the mech pilot suit at least once..

(my AU black version and the og green)

[hypervoxel]

Referencing one of the fics I talked about here, the "this was supposed to be about Redemption. it isn't." Vox-centric rape aftermath one, which will now be going behind a readmore with that description as your warning

I need to talk about this forever but I am not close to publishing anything yet. But I do have a lot of it plotted out (with no ending in sight though, unfortunately).

Vox, at his core, wants to be liked. Where other Overlords lean into the fear their power inspires, Vox softens himself and puts on a friendly smile. He needs public approval. He yearns for their affection, their eyes, their obsession. He made an AI assistant modeled and named after himself on all of their phones/watches/devices.

But Vox still is an Overlord, and you don't get power in Hell without making people hate you.

The Vees have a hold not just on media, but on drugs, real estate, construction, data centers, manufacturing, the entire electrical grid and fiber optic lines, the list goes on and on. Vox's empire touches every corner of their city; no one is free from his influence unless they shun modernity entirely.

It's the drugs that cause an issue this time.

Valentino has been beefing with The Alchemist since that mutt first made a name for himself. His aesthetic was ancient to match the name, but the Alchemist is a new sinner, some lowlife who thought that because he knew how to make lean in life, he could make a name for himself here and branch out into all sorts of new, hellish drugs. Thing is, addicts are the easiest soul contract you'll ever make. Promise to supply their addiction, and as long as you can, you'll collect souls as quickly as you can make Deals. The Alchemist getting to new Sinners before the Vees get a chance to becomes a problem.

Valentino has plenty of enforcers to take care of uppity wannabe Overlords encroaching on their turf though. The problem should be short-lived.

It isn't.

Vox hasn't been paying much attention to it. These things come and go, as gangsters die and Valentino forces them into submission. Val may focus more on his Porn Studio now, but he got his Overlord status through taking out the old families and cartels, the mobs and mafias running Pentagram City, taking over their drug trafficking and brothels. So Vox didn't worry about it. Val might need direction when dealing with his public persona, didn't know when to tone himself down for polite company, but when the situation called for Val's brand of violence? Vox let him handle it.

He realized, after the drinks at his investor meeting led to him collapsing dizzily to the floor, reaching out blindly for the now non-existent electrical grid and realizing that the building's power had been cut off, that he should have paid more attention to who might have it out for The Vees right now, and which investors weren't in Valentino's pocket.

... He escapes eventually. They may have been smart enough to keep him away from electrical wires, but one finally made the mistake of not putting his phone on airplane mode while recording their captive Overlord, and Vox used it as a jump point.

The damage had already been done.

Val is still ranting about his typical inane drama, and Vox wants nothing more than to look at his phone. He can't do that. Not until his algorithm cleans up any mention of. Himself. In compromising situations. It's being posted faster than the bots can take it down, but at least Vox has turned off any direct messages, blocked the usual pings alerting him every time he's mentioned, and filtered emails to only show what is absolutely and immediately necessary for the continued running of VoxTek. Even that decision has also been posted about online, people making fun of him for not being able to handle the backlash. He used to have a language model AI answering comments and DMs, a personal touch for his fans. It had responded to far too many messages about how good he looked in his latest broadcast with the standard thanks and appreciation for their support, before he disabled it. Vox was sure screenshots of those responses were also still going around.

The Vee's retribution on the other Overlord is to torture him and his inner circle on live video. The Alchemist posted several recordings of Vox's rape online to further humiliate him, so the Vees will pay back like with like, making use of Val's stash of angelic bullets to slowly kill off everyone who touched Vox. Until the Alchemist begs for mercy, tells them he'll give them anything, everything, offering up everything to them, his soul, his territory, all of his Contracts...

Velvette takes the deal. "I'll give you anything," was the phrase they agreed on, "my Contracts, yours. Money, apothecaries, everything, please." They shook on those terms, the Alchemist too out of it at this point to realize that he didn't ask for anything in return for all that he just handed over. Vox shoots him.

His death, his defeat, it doesn't fix anything.

It was supposed to. It was supposed to make everyone stop talking about Vox like he's the new most popular porn star - or at least focus on him when he's in control of the situation. Wasn't that hotter? Filmed professionally by Valentino's best director instead of on a handheld shaking cell phone and. It was supposed to show everyone that you can't mess with The Vees. Wins against them are only temporary. They'll come out on top in the end. But everyone was still talking about old news.

Anyway. Many more thoughts but this is long enough lmao. A huge focus of this multi series wip is how other characters react to it, not just Vox. Like: Valentino has so many issues of his own and he is projecting them onto Vox. Valentino escaped victimhood long ago, and he is no longer the kind of person who can be targeted by abusers or bigots. Vox was his equal. Vox was his.

"Hey! Vox!" There's hands on him and he reels back, but there's nowhere to go. His shoulders are wrenched out of place, arms bound by his own bowtie, nowhere to run. This isn't happening. There's something in his mouth— no there's not?— Bite me and I'll knock out your teeth,* a gruff voice is saying. Vox, they mock, Vox, they ask if he likes hearing his name chanted during. No, Vox! He puts his name on everything, should they brand him with his own logo? Would he like that? He screams when they grab his antenna and wrench his head to the side. "Vox! "You're not listening to me!" Val's expression clears as Vox blinks to awareness. His glare melts into a on of concern. "Are you seriously still thinking about that gangbanger?" Val scoffs. Frowns. Thinks of something with a smile growing across his face. One hand is on Vox's chest, another two on his hips, he guides Vox back, gently. Vox stumbles when he hits the arm of the couch, falling, flailing, landing on his back with an oomf Val crawls over top of him. "Stop thinking about them, Voxxy. You know I can show you a much better time." Vox flinches when Val's hand trails lower onto his thigh, trying to wiggle away for the first time, and Val's brows furrow. "I didn't think you were hurt there," he mutters. "Skin graft," Vox squeaks, breathless. He hated feeling breathless. He didn't even need to breathe.

Velvette, well. She was the person Vox teleported to. He manifested out of her phone and knocked them both to the ground, passing out on top of her. She got the first look at him before any of his technicians were called in to fix things. He came to her. And she can't help but feel responsible for him.

In the video, they fucked him like he was a toy. No, not even that. They treated him with less regard than anyone fucked even a FizzBot. It wasn't a good video. These weren't porn directors. They weren't sex workers who had trained to make this art. It was brutal and it was vulgar and it didn't even look good. Bad angles and shaky camera, but shared tens of thousands of times and the number was still growing. The original had been removed. She made sure of that. But that hadn't stopped its spread, couldn't do anything when people downloaded the video as quickly as they could to reupload it, far too many reposts to track down, especially with Vox still. Offline. She couldn't exactly plug herself into his supercomputer. Velvette was the Social Media Queen. She was the Online Overlord. She was meant to be in charge of The Vees' images online, currating how they presented themselves to that hungry audience. This wasn't supposed to get out of her control. —— But she had posted about Vox in the afteraffects of Val's venom, doped to his gills on the thing she had recreated into Love Potion. She had tagged it for a free promo of her own products. Vox was funny when his tongue was loose and his affection and attention freely given. And Vox thought humanizing himself was important, some twisted idea leftover from life about being "robotic" that dictated his body in the afterlife and left him desperate to be understood as a living, albeit no longer breathing human being. He softened himself to be less of a monster to anyone looking, dressed himself like he wasn't a threat, smiled and laughed and and. It was her idea to capitalize on Val and Vox's relationship. Well, Val was the one who first callously posted about breaking Vox's screen, but it was her idea to turn it into a running joke. It was funny when Val punched Vox and threw things at him and broke his fucking face. It was funny, because unlike bruises and bloody noses, Vox's screen was easily replaceable glass. It broke so easily, anyone who managed to get a lucky hit on him while fighting could no longer feel satisfied by that when Vox's boyfriend did more damage than a rival Overlord could ever manage to. Glass was easy to break. Vox didn't like fighting back, but it was funny, was barely even violence. It meant nothing more than rolled eyes and a swiftly scheduled appointment with a technician to switch out screens. No one was supposed to look at the image she created and come to the conclusion that Vox was easy to subdue. It wasn't supposed to make Vox look weak. It was supposed to make him impossible to hurt, because any damage done was so easy to fix that it was no big deal at all. But. His face was so easy to break. He was so loose limbed and pliant on Love Potion. He might have claws, but he preferred not to use them, hiding behind cameras and screens all day. What the fuck were people supposed to take from that?

Other characters have thoughts too. Alastor isn't online, doesn't know the backstory, but Vox makes his picture shows impossible to miss with displays all over the city. Vox has become unrecognizable. Alastor is disgusted that they used to be acquaintances.

Cherri gleefully sends Angel every vindictive meme about Vox she sees. She wishes it had happened to Valentino instead, but Vox is also profiting off of her bestie's abuse, so he absolutely deserves everything that happened to him and more.

Angel laughed about it at first, but... It doesn't feel right to celebrate anyone's rape. And some of Cherri's comments... Angel has been used to sell this lifestyle to the new talent Valentino wants to make Deals with. He's responsible for ruining so many lives, hanging off Val's arm and telling people how great it is to work for him. And long before that, Angel was involved in the Mafia and, well, like Val himself, they didn't just make money on drugs, did they? Angel wonders if his best friend would be so supportive of him if she knew all this. He wonders of she'd think he deserves his fate too.

Carmilla, like Alastor, is not very online. She hears from her daughters that there's a reason The Vees are doing this, but the girls aren't sharing any details, and don't stay to watch the broadcast Vox has forced onto their TV. She watches The Vees make a Deal with a Sinner and immediately turn around and kill him with one of her weapons. Overlords are meant to protect the Souls that have been entrusted to them. Souls are valuable, the most valuable thing you have to offer anyone. What message is Vox spreading, making mockery of Deals this way, acting like Souls are worthless and can be thrown away. The Vees are just making Sinners less likely to sell themselves to anyone.

Carmilla had scheduled a meeting for fellow Overlords to talk about saving as many Sinners as possible in the upcoming Exterminations. The Vees were meant to attend, but obviously, they are uninterested in keeping the Sinners entrusted to their care alive. She uninvites them. (Vox is still filtering out his emails. He doesn't get this one. The Vees show up anyway.)

Charlie thinks about violence a lot. It's inescapable. She doesn't use her phone much, but she learns what happened to Vox and nearly cries. She makes a post about how violence shouldn't be celebrated and wishes Vox well in his recovery. Days later, she watches Vox take over the television and the three Vees torture the people who tortured him, and she thinks about what will happen when she has the opportunity to reach out to two Sinners who hurt each other. She wants to think they can all be redeemed, that her hotel should be open to anyone. She watches the screen through her fingers, unable to look away as Vox kills the Sinner on his knees before him, cackling. She watches The Vees kiss each other over the dead body, tender and loving, the broadcast ending as Vox rests his screen against Velvette's hair and Valentino wraps all of his arms around the two. And she thinks about forgiveness, and she wonders what she would do if someone hurt Vaggie.

[angelonasher]

mmm sending the co.. author? writer? person?? co-person of an au of mine my worldbuilding rambles and its 1172 words now and i haven't even gotten to piglins yet

(@ajthepeach if you're reading this. fear)

[fategoflatass]

Dumb question incoming:

Has Milidiana ever been referenced to do anything related to paperwork? Maybe helping her husband with it/in reunions? Because if so, I can't remember for the life of me.

[things-methinks]

FilmCooper should actually stop making videos on serious topics. He has a lot of shit takes on sensitive matters. There's this intense "guy who paints his nails to seem progressive" energy. I don't think he is a horrible person per se, but he is not as nuanced as he tries to come off as. Saying Justin Baldoni should have just "sucked it up" because he asked an important question to keep himself safe from injuries? Man, you should sit this one out. And the comments about Chappell Roan releasing statements telling people to stop stalking her as "statements after statements" "like 30 posts" is very weird from someone who bends over backwards to defend women because he is the only doing "some research" and looking at stuff from a different angle. Honestly, if being wrong multiple times in the expanse of one video was a tournament, his video would be the top contender.

[timesskip]

ok Im back

[potatoesandsunshine]

obviously the tranquil are one of those dragon age things that are (in classic da fashion) perpetually poorly handled and used to represent way too many things. honestly i think a lot of what we get regarding them is pretty bad. that said if there is no movement on the tranquility cure i am going to hunt down cassandra pentaghast myself and she will not be walking away from it