#i’ll keep this for when we are out

[aimseytv]

i remember this photo being taken and i said to michela if me and guqqie ever come out about our relationship i can show this photo because i loved it so much

[necessarymeanstoanend]

spade represents the tip of a pike; an implement for killing

alex’s

white void of doom

sketch and background element/scribble that isn’t really visible but i’m sharing just in case anybody did notice it.

other details

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

[robyntherav3n]

hey what’s ur favorite guilty gear ship?

me:

[chirpsythismorning]

[justsomeoneunordinary]

Actually, while I’m already on the “Mito doesn’t have a canonical personality, I can write her however I please, and if I wanna make her a barn girl I fucking can” topic:

Hashirama meets Mito in the hustle and bustle of Uzushio’s market while he’s on a diplomatic mission and Mito draws his attention by being the loudest of all, currently arguing with a trader over his prices for the textiles, so close to starting a fist fight with a civilian. This scoundrel, does he think her dumb?! Does he think she doesn’t know the quality ain’t worth shit?! She’s going to bring these textiles she could use to wipe her ass with at most over to his mother and tell her the outrageous prices he tries to sell them, let’s see what his mommy would think when she finds out what a swindler her son in truth is!

Hashirama falls in love immediately. Has the wedding already planned out. It’s going to be a spring wedding, because of course it is. He only needs to talk to her now—which he does. He walks over, hearts in his eyes, and makes a bouquet for her with his mokuton.

Unfortunately for him, she doesn’t realize that’s the Hokage, so she just gives him a lookover once before calling him a fuckin’ hippie and walking away. Hashirama is even more smitten. Luckily, he’s staying for a whole week and Mito just happens to be one of Uzushio’s greatest seal masters, so he gets to see her at the main estate anyway.  

Ultimately, he wins her over by showing her the cool poisonous shit he can create. The Forest of Death in Konoha might or might be a (failed) experiment of Hashirama’s mokuton mixed with Mito’s seals trying to see if she can enhance the effects but that’s a story for another time.

[redhead-reporter]

º ✧ 。 okay okay sheesh, if y'all are gonna be that nice ? maybe i should do a BITE SIZED STARTER CALL !

[hawkinslibrary]

[mattodore]

starting a collection.....

[tragedykery]

the thing about niclays roos is that he is both a little bitch and a massive cunt. and I love him for it

[thefirstpaleontologist]

okay so I’m thinking yknow like vampires. Vampires are undead so if they die then I don’t think they could leave a ghost. But werewolves? Werewolves are just people who got cursed furry style. They still have souls. If a werewolf died I think they could totally play by the usual ghost rules of violent deaths and unfinished business etc. so then I’m wondering, if a werewolf dies and leaves a ghost, is that ghost still a werewolf, or did dying break the curse? Cause like. Imagine. Youre a ghost but you still turn into a wolf every full moon. And your wolf sona is just out there acting an undead fool once a month. So anyway let me set the scene. Old house, next to some woods. The locals say some old loner died out there in mysterious circumstances. A couple moves in, they’re so optimistic. It’s so scenic. What a lovely private piece of land. Only… ah. It’s got a bit of a wolf problem. Oh well it’s the woods they expected some wildlife to come with that. But then,, hmm. The house might be haunted too? Yikes. Now this couple will soon discover that on the bright side, these two big issues are actually only one big issue. Unfortunately that one issue is a werewolf ghost.

[8rujaa]

to anyone dealing with ptsd, has there been anything that has helped relieve some of the symptoms?

[theres-whump-in-that-nebula]

That awkward feeling when a PIMI childhood friend sends you an invite to a party in the summer; but you know you’re going to be out of the cult and shunned by then.

What do I even say? Do I lie and say I’ll be there? Do I just not respond?