#i'm admitting to a lot here

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[mblue-art]

sometimes this is them<3

(og meme) (op)

[roukabi]

I feel like when it comes to the Dusthide debate, a lot of people seem to misinterpret the main point of Ancients as both a game element and a product.

A big part of Flight Rising is dress-up. While users can argue on what the sole draw of FR is (dragons themselves, breeding, the Dominance system, etc), it's generally agreed that the dress-up aspect is one with a lot of care and resources put into it, and is therefore very important to site gameplay. Dress-up keeps getting updated with new apparel, and if there is to be a new dragon breed, it needs every piece of apparel re-drawn on it. This takes time. A lot of time. Gaps between dragons (now known as Moderns) stretch for years at a time.

Ancients were initially created as a way to fill in these time gaps between Moderns, and the easiest way to do that was to release dragons without apparel. However, this is a game that puts a lot of emphasis on dragon dress-up. Imagine if Obelisks were released without any coded apparel. You'd just have a naked dragon missing a huge element of the game, and for most players, there's no fun in that.

This is where the second point of Ancients comes in: because the appeal of clothing is gone, there has to be some kind of compromise. So... if Ancients can't wear apparel, then they are no longer restrained by the requirements for apparel (1 head/4 legs/2 wings)...

which means that they can break the modern mold freely! You can have a dragon with no legs, or six. Or with two heads, or no head. And now that you don't have to worry about apparel clipping, the tertiary genes can go wild! There is room for customization that apparel can't fulfill - you could give it extra wings, or a jellyfish head, or giant tree horns, or you could give it nothing at all as tertiary genes are optional, and it wouldn't matter because there's no apparel to be drawn around it!

Ancients are supposed to be a trade-off. There's no selling point to a dragon without clothing on the Dragons With Clothing Game, but there is a selling point to a dragon with, say, 13 legs, no wings and no tail. It doesn't wear apparel, because it physically can't, and it makes use of this function in creative ways. The inability to wear apparel is justified by the Ancient's unique proportions.

And this is where the criticisms for Dusthides and other 'basic' Ancients stems from: if your Ancient dragon is just the 1 head/4 legs/2 wings setup, then is it really an Ancient or a Modern you can't dress up? You could have the wildest, gaudiest, 15-limb tertiary gene on a Dusthide and it wouldn't matter, because tertiaries are optional and aren't a permanent part of the dragon that would inhibit the usage of apparel.

If a dragon doesn't have a justifiable reason to not wear apparel, then there's no reason for it being an Ancient.

No amount of linebreaking tertiaries will be able to hide the fact that some dragons seem to be created only for the first, initial purpose: just to tide people over until a better, 'real' dragon is created.

And that's just disappointing.

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[solradguy]

Is there a canonical reason why Sol was dripped out in the middle of the Holy War during his greasy trash man era?

Do you think Kliff gave him an allowance and one day and he went into town then came back Riot branded head to toe? Do you think Riot sponsored the Holy War?

I like to imagine Kliff put him in charge of the month’s funds for food and Sol spent it all on his designed Riot Holy Order Uniform. Then Kliff said “Haha Sol you have spent all of our money we will now starve” and then it was a really awkward month that made Sol decide to leave the Order

Post-Begin to post-Crusades Sol basically doesn't have any lore so you can just say whatever and it has just as high odds of maybe being true some day tbh lol

Sol was a bounty hunter before joining the Holy Order though. Probably he rolled up with fat stacks of cash, they showed him the uniform and he was like "fuck OFF I only wear red," and then had his boys over at Riot make him a custom tailored Holy Order uniform with its stupid fingerless-not-fingerless gloves with steel fingernails with RIOT stamped on them

but then Sol didn't have any money left over and ate all the Holy Order's food and Kliff said they will now starve anyway

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[non-un-topo]

My Neekeys over the last two-odd years. I was curious to see the changes 🤔

[all-that-jazz-93]

There are plenty of shows I don't watch because I'm just not interested. But on the other hand, there are also a lot of shows I don't watch because I know I'd get way too into them, and I just don't have the time

[cerise-on-top]

Hello! Are you still writing hcs?

Graves with a spouse(writing this as a husband for him myself 🥰) who loves sewing and knitting, or some something amongst 'cozy hobbies' like embroidery, reading, poetry or baking. Just wondering How a relationship would be between them or how Graves would act.

Your writing is very lovely btw! I fell in love with it, very beautiful!

Hello! I am still writing HCs, it'll probably be a little bit longer until I take a proper break! That was a really cute request, I liked that one! Domestic and sweet stuff like that is always the best, so thank you for bestowing a request like that upon me! (❀❛ ֊ ❛„)♡

Graves with a Spouse with Cozy Hobbies

As mentioned already, Graves loves feeling like the big, strong, useful man in the relationship, so he’d absolutely love you even more if you have “soft and cozy” hobbies like the ones you mentioned. While he is very much a talker, something like knitting can be done while holding a conversation, so he’ll definitely talk to you as you work on your next project. He thinks it’s really awesome, the way your hands move so quickly to create something like a sweater, a scarf, or even a plushie. You don’t really look at him, way too absorbed in your project and not wanting to make even a single mistake, but you still spend time with him. It’s ideal, he can tell you the newest, juiciest gossip among his Shadows while you make him the coziest sweater he’s ever seen. Lets you measure him, if you need and want to, because he really wants that sweater. You wanna put a cute little motif, like a cup of coffee on it as well? He’ll fall in love even more than before.

But even when he’s tired, he wants to spend his time with you. Instead of talking, he’ll lean against you and watch you crochet a bit before nodding off ever so slowly. It’s nice, it’s repetitive, for the most part, and it’s also quiet. By the time he wakes up he gets to see more of your beautiful creation, so that’s a big plus. And when he isn’t dozing off against you, he’s more than happy to hold your yarn and make it a bit longer when you need it. There’s something magical about watching you crochet. He had to crochet in elementary school, but, since he didn’t want to sit down for something like that, he wasn’t very good at it. His strengths always lied elsewhere, so it’s fascinating to him that you can sit in the same position for hours on end, barely moving, and still having fun. The only time he has to do that is when he’s filing reports, and afterwards he needs something to take his mind off of those.

Graves, every time he’s about to go out without you, will always ask you if you need anything from the arts and crafts stores, willing to buy you the loveliest fleece for felting if you ask him for it. Hell, if you want to sell your plushies, or your creations in general, he’s probably the best man to have on your side. Especially when it comes to plushies. Some of his Shadows have families with children, so he knows some of them would love your creations. Might sometimes ask you if you could knit or crochet a baby wooly hat for one of them, if you have the time, since his Shadows know you can be trusted with a task like that. You will always be reimbursed, either by his Shadows or by Graves himself. Sometimes he does like to gift his Shadows something you made and pretend they bought it. You’ll always get your money, but it might sometimes be out of Graves’ pocket.

He definitely likes the domesticity of it. He can go about his day, certain you won’t get hurt, unless you’re sewing or embroidering. But he’d never stop you from pursuing a craft like that. In fact, he’ll actively encourage you, always asking about your projects and wanting to know if he can help you in any way. He wants to see your embroidery, your crocheting, your sewing, as well, so he might gently pick it up from time to time, view it from every angle and give you feedback a la Graves, praising you like only he could.

When you’re a baker you can be sure he’ll taste test your stuff every single time. He has a bit of a sweet tooth, not too much, but he loves you, so he’s willing to eat everything you make. If you’re up making cookies, then he’ll help you by either buying you the best, most reliable hand mixer he can find, or by stirring the dough himself so your arms won’t get too tired. This he does under the condition that he gets to be the first person to try your cookies, your cake, your cobbler. He may not be the worst baker, but he can still learn a lot from you. That he does with all the love in the world, looking at you with an adoring expression as you put the baked goods in the oven, waiting for them to finish. Always has a big smile on his face when he watches you be this content with your life. While you wait for it to properly bake, he’d sometimes ask you to play card games with him. Always lets you win on purpose during those times since you always look so happy when you win. Afterwards he rewards you with a kiss.

While he may be everything but a fan of poetry, he can respect you being one. Will listen to everything you have to say about them, from your analyses to you reading one out loud. If you have a few poets you like especially well then Graves will bend his back trying to find beautiful anthologies of their works. Maybe some books with a few gold engravings that would look well on a shelf. He wants you to know that, despite him not being interested, he still supports you. While you’re reading a book, he might sneak up on you, startle you and then take you into his arms, trying to get you comfortable so you can continue to read. Might glance at your book from time to time to get a feeling for what you’re reading. If it’s something especially cheesy he might chuckle a bit and call you out on being a hopeless romantic, giving you a kiss to your nose afterwards.

Overall, he likes it. It’s nice, not having to worry about you going god knows where and ending up injured. Besides, he always has something nice to come home to, whether that be some beautiful embroidery of violets or a Sachertorte you made from scratch. Will always praise you for doing well, will always make sure you have the means to keep creating, baking and reading. Does his best to keep it that way as well, you’re his precious little darlin’ and you deserve the world and so much more in his eyes.

[multifandom-nerds-blog]

Not Klaus getting buried alive wtf.

No. Actually. I'm surprised this wasn't done sooner. What better way to torment an immortal character with trauma induced claustrophobia who can see ghosts than to burrie him alive on a cemetery.

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[vulpinesaint]

listen i am geralt of rivia hater number one but one thing i actually CANNOT stand is when the fandom mischaracterizes him. took one look at this man who speaks very straight-forwardly and matter-of-fact and is a little recalcitrant with his words sometimes and went "haha he communicates in grunts! man who only says 'hm'!" and then won't even write him to speak in full fucking sentences. hello???? hello???????? yes the netflix show was a bad influence on everybody because they were trying too hard to depict geralt as a stoic manly badass but we CANNOT let that distract us from the REAL thing to make fun of geralt for. which are his Constant Unprovoked Monologues

[idontwanttospoiltheparty]

I found a transcript of the Jan 98 Q interview but it won’t let me post a link

https:// groups.google .com/g/rec.music.beatles/c/7clhNbsz3jE/m/stFmXJnzJSMJ

Maybe see if you can view it by removing the space between google and .com. If not I can screenshot and send you pictures

Oh wow, amazing!! thank you so much! this is an old usenet post from December 1997 and the user named Alison Fiddler kindly typed it up 27 years ago :)

I'll post the full transcript (and a bit reformated for legibility) below the cut for everyone.

Paul McCartney Interview for Q Magazine, January 1998 edition

Q. When you first wrote a song with John Lennon, did you realise you would play one of the biggest parts in rock 'n' roll?

(Michael McConnell, Crawley, West Sussex)

Q. If John Lennon could come back for a day, how would you spend it with him?

A. Obviously not. But even with all the so-called "historical" events that followed, you're just too inside it all, too busy doing it to realise anything's "historical". You just get on with it. I'm not a great ponderer. Some people would say that's a mistake but it's just the way I am. It's quite cool not to always get the overall picture because it leaves something to be found out. The musicologists get paid to discover the differences between me and John. I'm only just beginning to see it now, based probably on their analysis. So John is often one note, I'm often more melodic. (McCartney is thinking especially of Ian McDonald's book Revolution in the Head, where he describes the ace partnership in contrasts: Lennon's method is "harmonic, dissonant", McCartney's that of the "natural melodist".) It might sound amazing but we never spotted that when we were writing. We just did our thing. But it is kind of apparent when you bother to analyse it.

(Mark Wilson, Deeside, Flintshire)

A. In bed.

Q. Were you ever envious that Brian Epstein didn't fancy you?

(Nick Gibson, London)

Q. What were the last records you bought?

A. No, I didn't mind. We just used to go to these clubs at night and wonder why there were so many men. It was OK. Brian was very cool about his side to things. I think the nearest any of us got to it was the John-going-to-Spain thing (it inspired the movie, The Hours And The Times) and I'm not sure what the strength of all that was. I think it was power play on John's part. But Brian kept his private life aside. He kept it out of our faces (pause, possibly for effect). He kept it out of mine, anyway.

(Chris Timms, Harrogate)

A. The Prodigy's The Fat Of The Land, Radiohead's OK Computer and Chopin's Nocturnes.

Q. How do you feel about all the animosity between you and Oasis right now?

(Christina Vellano, Syracuse, New York, USA)

A. There is none as far as I'm concerned. What happened was I'd said, Good group, good singer, good songwriters. But people asked me about it so much that one time I decided to take it further and say that they don't mean anything to me. I am not related to Oasis. I wish them good luck and everything. But my kids mean something to me, John Lennon means something to me, but Oasis ....

Q. Who would you pick to play with in your dream six-piece band?

(Alan Thatcher, Essex)

A. Dream? So we're into fantasy, aren't we? Ringo, John, George, that's three. Me. Jimi Hendrix. That makes lots of guitarists, so Little Richard on keyboards.

Q. With Wings, did you feel pressurised to live up to The Beatles?

(Andrew Williams, Neath)

A. Yes, it was a case of "follow that!". Impossible to do. Looking back on it, it's a lot better than I thought, though some of it is just not PLAYED as well as The Beatles. My son (James, co-worker on McCartney's last pop album, Flaming Pie) plays a lot of Wings, so I'm re-listening, and there's good shit that I'd forgotten about. A lot of the lyrics were off the wall, drug stimulated. Things like "Soily - the cat in the satin trousers says its oily". What was I on? I think the answer is stimulants.

Q. Do you still support the legislation of cannabis?

(Grahame Woods, Northwood, Middlesex)

A. I would make a distinction between legalising and decriminalising. I'm in favour of the latter. The problem is that jails are stuffed full of kids doing what a lot of people do. Why stuff the jails with young kids? Plus it's one of the best places to score. I remember when I got busted in Japan, nobody made the slightest effort to rehabilitate me (laughs). Just stuck me in a box for nine days. Obviously you come out and you are fairly resentful.

Q. Do you roll a wicked joint?

(Steve Kline, Bury)

A. I have nothing to say in answer to that question, m'lud. I wasn't even at the venue.

Q. The critics have been harsh on your solo work. Did this ever

discourageyou?

(Robert Hemauer, Madison, Wisconsin, USA)

A. Yeah, sure, but you don't let it kill you. It's a difficult one, because it's never cool for someone to tell you you're shit. Many people through history were damned by the critics of their own time - Cezanne, Van Gogh, Stravinsky, all great painters! Ha ha!

Q. We'd like to see your paintings but can't get to the exhibition in

Germany (McCartney unveils his work for the first time in Siegen, Germany, next year). Any thoughts about putting your paintings on "tour", or publishing a book of them?

(Kathy Goodman, San Diego, CA, USA)

Q. You've done so many things - classical, films, music, art, drugs - is there anything left you might have a go at?

A. A difficult one. If you're a so-called celebrity - like Bowie, Anthony Quinn, Tony Curtis - and you exhibit any art, inevitably, people are not going to think of you as a real painter. Gallery owners come up to me and offer to give me exhibitions. I say, You haven't seen my pictures, and they say, It doesn't matter. Well, it does to me. Otherwise, it's just trading on the name. However, this guy from Germany came over, looked at all my paintings, seems to like them. He's telling me what they're all about.

(Tim Bowler, Swansea)

A. The thing is how reluctant I've often been to have a go. I think we were brought up pretty repressed. Brought up to be seen and not heard, to stay in your place, particularly a working class thing. And I think - I hope - with The Beatles, we got rid of a lot of that. With the painting, for instance, it was Willem de Kooning who liberated me. I used to go to his studio, took in one of my paintings, said, Hey Bill, I hope you don't mind but can you tell me what it is? (Affects American drawl) "Oh, looks "like a couch." Well it looked like a purple mountain to me. And he says, "Well, whatever." Here's one of the greats, his works go for one million, and it was great to see how little bullshit he was bringing to it all. It's really important to explode these myths that surround the arts, music, painting. It's Wizard of Oz time - so many myths, and it's often just a little man behind the screen. The paraphernalia that surrounds them gets in the way. Often you meet leaders in their field and they have none of that. I remember asking a great painter - Peter Blake, maybe - for some advice once, and he said "Just paint a lot". Similar to my approach to music.

Q. How do you know when a song's finished?

(Joyce Slavik, Palatine, Illinois)

A. It's full up. You've answered all of your questions. Normally, I start following a thread: "Eleanor Rigby picks up the rice ... " The thread might come out of nowhere, and I follow it and complete it, like crossword puzzle. When the crossword is full up, the song is finished.

Q. What's more embarrassing: writing Hi Hi Hi or Say Say Say?

(Tien Vu, Costa Mesa, California)

A. (Weighs up pros and cons). Say Say Say.

Q. Why did you give such extensive interviews for an authorised biography (Paul McCartney: Many Years From Now) instead of writing an autobiography?

(Deena Hochberg, Southampton, Pennsylvania)

Q. I'd like to know if Sir Paul sings in the shower, and if so, what does he sing?

A. I don't think I'm a writer. I've never been moved to do it. You have to have a pretty big fire in the belly to do something as big as that. I fancy music more. I'm happier writing in songs rather than in prose, or poetry. Though I wrote something that was never published about the time I got busted in Japan - for my kids. Because I knew one day they'd say, "Hey dad, what was it like, nine days in a Tokyo jail?". So I had a mate of mind, who did all our printing, knock up a few copies, one for each of the kids.

(Jennifer Nash, Bursville, Minnesota)

Q. As a kid you used to play pranks at school by throwing balloons filled with something "worse than water". If you had one of those balloons right now who would you like to hit with it?

A. It's normally the bath. I prefer a good bath. And the answer's Firestarter - "I'm a firestarter, de-de-de-de-dera."

(Brett Yuskiewicz, Leipzig, Germany)

A. Jonathan King. He's a prat from way back.

Q. Which football team did/does each Beatle support?

(WC Chan, Maryland, USA)

A. None of us were big footie types. We weren't very sporty, unlike other groups who were always having knock-arounds. My dad was an Everton fan, which I was most of my life. But then Liverpool started playing well, and Everton didn't, so I took the unprecedented move of supporting them both. It's not allowed, I know, but there you go.

Q. For years, you've claimed it's you in the Walrus costume in the Magical Mystery Tour film. But watching the footage shows that for it to be you, you and John would have had to exchange all your clothes. Are you winding us up, or have you not watched the film in 30 years?

(Dorothy Northcutt, Tucker, Georgia)

Q. What is the quality of each of the other Beatles that you like(d) the best about?

A. The big one. Very good question. I tell you what it was. In the stills we had taken, I was the one with the Walrus head on – in the film it's different. So John then immortalised it in Glass Onion, "I've got news for you all, the walrus was Paul". Obviously at the time you don't care, it's just a Walrus head. You don't realise years later people like our friend from Georgia will analyse it.

(S. Breggles, Richmond)

A. All of them – musical talent. All of them – honesty. Ringo – funny, and kind-hearted. George – straightforward and open. John – witty with a soft centre, or maybe hard with a soft centre.

Q. Do the copulating beetles on the sleeve of Ram (1970) stand for F**k The Beatles?

(Luc Van de Wiele, Wemmel, Belgium)

A. It happened to be a picture Linda had taken. We couldn't resist it just because of the way it looked. She'd caught these two beetles f**king, and then the significance hit us. We saw that pun, yeah, thought why not?

Q. Was there ever a third Lennon song for Anthology 3?

(Jake Lennington, Rush City, MN, USA)

A. There was, but George didn't like it. The Beatles being a democracy, we didn't do it.

Q. I have a Beatles t-shirt which I bought from The Grapes (celebrated Liverpool pub). I was told the band are pictured in their favourite seats - adjacent to the Ladies where you would often catch a glimpse of the girls changing for an evening at The Cavern. True?

(Alan Tomkins, Goring, West Sussex)

A. I hope so. It SOUNDS true. Had there been an opportunity to spot the girls changing, I'm sure we would have sat there.

Q. If you hadn't been a musician, what do you think you would have been?

(Tony Carter, Manchester)

A. The only thing I could have probably qualified for was teaching. So I might have been an English teacher.

Q. Does it do your head in - stuff like the handwritten lyrics to Getting Better selling for $249,000 at Sothebys?

(Peggy Robinson, Trinant, Gwent)

A. It's the price of fame - literally. You scribble them on the back of an envelope, and it gets to be famous. People want it, so it becomes a desirable object. Like Mozart's bog paper, which is another highly desirable object, apparently. More valuable obviously if it's been used.

Q. What is the inscription on the ID bracelet you wear?

(Rachel Hyland, West Harford, Connecticut)

A. It says Paul - for when I forget who I am.

Q. How does it feel to have a star named after you (the christening courtesy of American astronomy fans)?

(John Sales, Barry, Glamorgan)

A. Really cool. The good thing is that as you get on, your fans get on too. And some of them are pretty swotty. Like the people who started Apple, they were just Beatles fans, hence the name. You don't sit around looking at the sky, trying to find it, but it's like getting a very nice birthday present. I'm not religious, I don't believe in any one system - I sort fo think the universe is basically benevolent and we f**k it up - but I am spiritual. I saw Stephen Hawking on TV the other night, and he was saying that we are made of the same stuff as the stars. Which is great. We are all stardust, luv.

Q. What do you want written on your gravestone?

(Tom Mangold, Exeter)

A. Here lies Gracie Fields. Anything to keep people away.

[charlesemersonwinchesteriii]

Ignore all logistical considerations of "would they ever meet each other under these circumstances". If you don't think Jules Bashir would have chosen to join Starfleet, imagine he is on the station for some other reason, or they meet in some other location.

I wanted to make this poll because I've seen various fics where Garak reassures Julian that far from being upset over him being augmented, Garak is grateful for it, either explicitly because (he thinks) they wouldn't be able to have their usual conversations if it weren't for the augmentations, or simply because he likes Julian "just the way he is" and wouldn't want him to be "different". I disagree that Garak would think like this (or at the very least, I think Julian would react negatively if he did, rather than be reassured), so I wanted to hear everyone else's thoughts.

[amethystina]

A health update (and a general explanation of my long Covid)

So while I've been pretty open about living with long Covid, I realise I've never taken the time to explain what that actually means for me and my quality of living. It's a phrase I toss around but I can imagine it doesn't feel all that substantial to a lot of you.

So I figured that now that I'm feeling a bit better (more on that later) I should do so. Partly because I figure it will make it easier to understand why I sometimes have to disappear for weeks on end.

So, if you're interested, feel free to keep reading under the cut :)

But be warned: It's long and kind of whiny. But also ends on a high note! So there's that.

The first time I caught Covid was around Easter 2020, long before there were any vaccines, which meant that I was hit hard. But no matter how bad I felt during the illness itself, the aftermath has been ten times worse. I've been living with my long Covid symptoms ever since, so for four years now. They worsened for a couple of months when I caught Covid a second time in February 2021, but have otherwise held pretty steady during those four years.

A lot of people experience different symptoms with their long Covid and, sometimes, they'll change as the weeks and months go by. I actually had a very interesting couple of months during 2022 when my sense of smell just went completely whack and everything suddenly smelled differently than it should. Like, I could be smelling an apple but it did not smell like an apple. It was a weird time in my life.

Anyway. My most common symptoms are fatigue, fevers, joint pain, brain fog, memory issues, incoherent speech, and lowered blood circulation.

(The latter actually kickstarted the Raynaud's syndrome I have on my mother's side so now I struggle with fingers and feet that will occasionally go white, bloodless, and completely numb at random intervals. Fun times)

The fatigue and fevers are the worst by far. For the past four years, I have had exhaustion fevers between two to five times a week. Or every single day if I'm unlucky. It's very much tied to how much sleep I'm getting, how well I'm eating, and how many taxing things I do each day. I need eight hours of sleep to be functional and anything less than that will most likely mean I'll end up having a fever before the day is over.

Unfortunately, I've always had issues with my sleep so, on most nights, I don't get eight hours even if I try my absolute best. Sometimes it's because I wake up too early and can't fall back asleep and, sometimes — because my life sucks — it's because my fever is so high that I can't fall asleep. Cue the endless cycle of too little sleep and fevers.

Because one of the main issues with these exhaustion fevers — and what makes them so difficult to manage — is that there's no way to lower them. Medicine has no effect whatsoever. Once I have it, I just have to suffer through however many hours are left until I can sleep and hope that it'll be gone in the morning. Sometimes it is, sometimes it isn't.

And every day my energy level gets just a little bit lower and the fever a little bit higher. Some days, all I can do when I get home from work is to lie on the couch and stare at the wall because I'm too tired and in too much pain to even watch something. And, again, no amount of medicine helps.

It continues on like this for a while and, every third or fourth month or so, the strain eventually becomes too much and I fall ill. My body simply shuts down from the continued stress and exhaustion, to the point where I can barely get out of bed. And, usually, I can feel it coming. On top of the fevers, I start coughing, then get a headache, and then my nose gets stuffy. And, by that time, I know I have about two to four days before I get sick. It's so accurate that my coworkers have learned that when I give the sign, they have to tell me whatever tasks they need to be finished within the near future since I'll probably be out of commission for one to two weeks.

But I eventually recover, go back to work, and so the cycle starts again. And again. And again. And again.

For four years.

All of this has, unsurprisingly, affected my quality of life to a pretty significant degree. I can barely work, let alone spend time doing any of my hobbies. I can't really travel anymore and, if I do, I'll get sick from the exhaustion. Even the 50-minute commute to the office (which I have to do three times a week) usually results in a fever before the day is over.

This inability to travel was how I ended up missing my maternal granddad's funeral. My shitty relatives didn't tell us the date for when he would be buried until there were only two days left and even if I could have put myself on an overnight train to get there, I knew I would be in no shape to actually be at the funeral if I did. So I couldn't go.

I did go to sit with my paternal grandmother as she was dying but, as expected, I got sick and couldn't return to work for a couple of days afterwards.

I also have to skip most birthday celebrations and any events happening on weekdays since I'm usually too feverish or won't manage the required trip to get there. My life has shrunk so much I barely recognise it anymore. I don't recognise myself. I used to be one of those people who could do a million things at the same time and somehow complete all of them. I was firm, organised, and efficient.

And now I'm not.

(... or, well, technically I am — at least compared to many others — but not compared to how I used to be xD)

Point being, a lot of things have changed and I don't like it. But, with that said, I'm also well aware that I'm lucky to be alive and I'm fortunate enough to have a stable job and a roof over my head. So, all things considered, I'm still doing pretty well.

But I also can't lie and say that this hasn't affected me in a deep and fundamental way. My life has changed and, right now, I don't know if it'll ever return to what I used to consider normal. And dealing with that knowledge — and the grief and fear that comes with it — hasn't been easy. I have cried ugly, self-pitying tears over this many, many times. It's frustrating to have no control over what my body does and to constantly have to be careful of what I do so I don't exhaust myself. I am furious that this happened to me.

But, after four years, there's also a certain amount of acceptance. And while I'm annoyed by my new limitations, I try my best not to feel too sorry for myself. Instead, I try to adapt as best I can, even if I might not always do it gracefully.

That does mean that I sometimes push myself more than I should, though. Because, if I didn't, I wouldn't never produce anything. As depressing as it is to admit, everything I've given you in the past four years has been while I was sick. I don't think a single chapter I've written or drawing I've made has been untouched by this. I've become an expert at writing, editing, and drawing even with a fever.

That doesn't mean I regret it, though — quite the opposite. I think that if I hadn't had a reason to write and draw, I would have felt even worse. A lof of the time, the excitement I feel when I'm able to post a chapter or show off a drawing I've made has been the highlight of my week. It's an accomplishment.

But, that said, it's still hard. Writing in particular. It requires a level of brainpower I can't reach when the fevers are too bad. And so, sometimes, I just can't. I literally just can't.

And, back in January, as I was trying to edit chapter 39 of Who Holds the Devil, I honestly pushed myself too hard. I was so determined to finish it that I didn't let myself see just how bad I was feeling — not at all helped by how emotionally draining the content of the chapter was.

It was only once I finished the chapter and posted it that I realised how absolutely wretched I felt. Not because of the chapter itself, but my lack of compassion for myself, I guess? Because the fevers were bad, I was barely sleeping, and I was both mentally and physically exhausted. And, what was worse, I realised that I was displaying depression symptoms I hadn't seen in over ten years.

All of a sudden, I got annoyed as soon as a minor inconvenience appeared. Everything people said to me was dissected into its tiniest component. I feared that people were secretly hating me. I couldn't meet people's eyes anymore when I was talking to them. I didn't realise I was just sitting there, staring at a wall, until several minutes had already passed.

And, as the final nail in the coffin, I stopped talking about how I was feeling.

And that, right there, is my last warning that I need to do something — always has been, ever since I was a teenager. When I clam up completely, refusing to admit to the people around me that I'm feeling bad, that's when I'm about to spiral.

So, the very next day, I went to my boss and told her that I'm getting burnt out and I need to do something NOW or this was going to turn ugly real soon. Thankfully, my boss is amazing and, after a doctor's visit, I was put on partial sick leave. Right now, I'm working six hours a day instead of eight and, let me tell you, I'm thriving.

Or, well, as much as I can while still having long Covid.

I'm almost angry at how much better I feel because, if I had known, I would have done this a lot sooner. I actually have energy now! I've only had a fever about four times in a little over a month! That's insane! It used to be four a week!

So yeah. I'm feeling better than I have in a long time. The downside is that the partial sick leave is still only temporary and there are no guarantees that I'll be able to keep it. Though, if need be, I'll just have to ask my boss to rewrite my contract and change the amount of hours I work because, man, I don't ever want to go back considering how much better and happier I feel. I'm not exaggerating when I say that I feel like I've gotten my life back. It's not quite the same as before, but close enough to it that I kind of want to cry again — but happy tears this time.

And so I've spent the past couple of weeks just... living? When, before that, it felt like I was merely existing. I've been drawing a lot since that helps with the depression symptoms (which are almost completely gone, thank god) but writing has been harder. Possibly because I forced myself to do it during a time when I felt really, really bad and now I'm instinctively trying to shy away from it. But, since I know that's just my mind playing tricks on me, I'm going to give it another try this weekend. I want to write and I miss the stories I'm working on. And, hopefully, since I'm feeling a bit better, I can maybe get back to a more structured uploading schedule. But we'll see. As always, I can't make any promises.

But that's about it, I guess? I'm feeling better and, since I am, I've been doing a lot of things that I wasn't able to before (like taking walks — I take a lot of walks). And I'm still trying to figure out my new routine now that I work less. And while I still get sick sometimes (I am right now, in fact, due to lack of sleep on Tuesday night) I always find my way back eventually.

So yeah. If you've read this far, thank you so much for your patience 💜 I admit that I don't really enjoy writing things like these since it feels like I'm whining — I was very much raised not to take up space or complain when things are difficult (an unfortunate side effect to being the middle child with two disabled, high-maintenance siblings) — but I also prefer honesty and transparency. And I feel a little guilty since there are times when I've given pretty harsh responses when people question why I'm sick all the time or why I don't upload chapters as often as I used to, but without actually explaining why. So I guess it's time to be honest?

And the truth is that I've been constantly sick for the past four years. Not only due to my long Covid, but also the emotional and psychological toll of all the loss, grief, and pain I've been through. These past four years have been rough.

But I'm not saying that to gain pity or make excuses. I actually think I've done pretty well considering just how hindered I've been. I've improved my drawings so much and have written... god knows how many words. I'm honestly kind of scared to check xD But it has to be over 600k by now, maybe closer to 700k.

I think my only regret is that I haven't been able to engage with you all to the extent I would want. I wish I could be a more active and enthusiastic participant in fandom — to seek you out, hold conversations, and give you all even a fraction of the attention you've given me. I feel like I don't offer you nearly enough.

But I also know that I have to accept my own limitations. So, for now, we'll have to settle for whatever I can give, even if it's less than I would want. But I will keep on creating, trust me on that, because I'm stubborn as fuck and even if my pace is slower, I'm still determined to finish what I start.

And that's the note I want to end this on. I have suffered, yes — more so than I may have expressed to you all — but I've still managed to create some beautiful things. And while I mourn who I used to be and the fact that some of you have never known me at my best, I don't think the me I am right now is all that terrible. Do I want things to change? Yes, definitely. But do I want to change the choices I've made and the things I've accomplished in the past four years? No, I can't say that I do. I'm proud of what I've done, especially considering my limitations.

And, if you're reading this, thank you so, so much for your kindness, compassion, and support. Some of you are old friends while others of you are new, but I am grateful to every single one of you. You have made these past four years more bearable. You have made it easier to keep fighting. You have made it worth it.

Thank you 💜

[zlobonessa]

one aspect that always fascinates me about the witch cult is how much they are used-to-be humans-but-now-not-really-are. they were just people who sometimes were good in the way people are and sometimes were bad in the way people are. and then their lifes had been altered by powers so fundamentally that they just. lost touch with any humanity that they had. how do you comprehend being a hundreds years old? how do you comprehend being able to kill a human as simply as a mosquito? how do you comprehend being beyond time, beyond aging, beyond life and death, beyond your own body, beyond your own memories? it's a horror scenario accepted willingly, horror where instead of running from monster you shake its hand and convince yourself that that's all you ever wanted, because the alternative? the alternative is the existence so miserable you'd rather die than go back. the existence that may ask you to take responsibility for your actions, navigate your own life, change who you are as a person.

they cannot do that. they never could do that. they live for years and years, having powers to do literally anything and yet led by instructions in the book, further and further conservating in the state they were from a start, the moment they took a deal.

doomed from the beginning. never having a chance to escape. never wanting to escape, instead allowing your humanity to slowly seep away as a price for not bearing the weight of that it means to be human. damn.