#i'm not handling this well at all

[hauntedorpheum]

they probably haven't said anything because the response video still needs some animations and some edits

[queerofthedagger]

i love fingon so much just. he's so good and so reckless and he loves so fiercely it makes him do the most stupid shit, and in turn no one ever quite puts him first. I'm going to eat glass

[svtskneecaps]

i'm still stuck on the purgatories so here's a list of purgatory 2 moments simply off the top of my head that deserve to be remembered:

aimsey ducking all of axolotl team alone in a cave with literally half a heart

goose gang fucking descending on the raccoon base and absolutely wrecking shop

ethan crankgameplays clutching up for team panda during the capture the flag game by being the only one hanging out in the center and periodically checking the chests, earning them a shitton of flags and clutching multiple rounds

crow team's egg taking 0 damage

pac doxxing goose gang's egg in the last second

shelby shubble as the last member of her team online writing a letter to aimsey and sharing the world's most devastating ten minutes before her team was eliminated with one of the eye creatures (coco? i forgot lol)

badboyhalo absolutely fucking DEMOLISHING the battleship event on like 2 hours of sleep and a dream

wuant(?) stealing a tv from the battleship event and then playing portuguese ice age on it for the crows lmfao

tubbo djing for his team while waiting for the time for a goose gambit

theguill CRASHING THROUGH THE FUCKING CEILING of the raccoon team's hidey hole like the fucking kool aid man in a last effort to save his team and 4v1 or 5v1 ing team raccoon; he lost but that was such an epic fucking moment

theguill and etoiles pvping and each hyping the other's skills the entire time

seapeekay escaping cellbit and baghera and then stealing their boats and rocketing past to tease them about it; that shit was iconic

kenny going mad with power collecting sand on literally day 1

the english speaking squirrels taking actual physical notes on portuguese phrases (i think)

lgbtiba

i may add more this is an off the top of my head list but like got DAMN i like these events :D i like them a lot

[brother-emperors]

BALAK, PANGAGAD

uhhh conspiracy. can be a courtship dance. ritual. so to speak. & hosting one in your house is an act of service

[tritoch]

Something that bugs me a lot in Dawntrail discourse is watching people who think they are defending the expansion argue away its best aspect. Because here's the thing: Wuk Lamat isn't like prior FFXIV characters. She takes up way more space than them. That's good!

A common thread you see in defenses is that people are complaining about things they were fine with earlier in the story. "Oh well actually Lyse was also the main character of Stormblood and people didn't hate her as much!" or "Heavensward is the story of Aymeric and Estinien and Ysayle, and the Warrior of Light doesn't do that much!" or "No one complained when Gaia jumped into the Eden raids, or when Emet showed up during Seat of Sacrifice" with the implied conclusion of "Wuk Lamat's not different from any other previous major character, your complaints have more to do with [sexism/transphobia/your crippling insecurity about not being the main character] than the way she's written." First of all people did hate Lyse. I get what you are saying but they very much did hate Lyse.

But Wuk Lamat is different. She's different because Dawntrail is unapologetically, full-throatedly her story. She is there at the start, she is there at the end, she is there basically all the way through except for a brief interlude. She is the character you talk to the most, she is also the character that talks the most. She has more of a complete arc than anyone else in the expansion. The antagonists develop much stronger direct and personal relationships to her than they ever do with you. Several major characters have relationships to you through her more than they do with you directly. At multiple points in the story you explicitly step back and are like "Go right ahead, queen, do the main character stuff." She 100% takes your role in certain ways. She's literally a new WL to your WoL!

and that's awesome! Like, holy shit! If you had traveled back in time and told me after Endwalker, "Hey, the next expansion will be almost solely and entirely focused on the character journey of a young woman, and she'll be nuanced and complex and allowed to fail but also allowed to succeed wildly, and her characterization will be interesting and her ideals will be very directly challenged, and she'll get to do some real classic 'sorry my noble opponent but I must stop you, even though I sympathize' shit, and the way she is framed won't feel excessively male-gazey, and she won't get stuck in the FFXII Ashe Miniskirt, and she won't just be someone you watch and clap for while the real protagonist and narrator is some random guy in her entourage," I would've been like "haha, okay, I like FFXIV as much as the next guy but I don't think it's shaken its baseline sexism off enough to do an expansion entirely about a woman and her personal growth and what makes her a good leader, especially after Stormblood's mixed reception. And CBU3 definitely doesn't have the guts to make her even more of a main character than any other prior NPC, and you didn't mention this part future time traveler, but I also don't believe they'll be willing to cast a trans woman in the role." And I would have been fucking wrong!

Yes, Wuk Lamat is the main character. Yes, she does get more attention than other NPCs, or even your Warrior of Light. And yes, that's totally fine, and even something to praise!!! You don't have to run from it to accommodate people who are looking for something to complain about!

[lady-arryn]

LIES OF P (2023)

[pancakehauses]

Happy closing, y'all 😭

[burst-of-iridescent]

not to beat the "sokka's misogyny" disk horse even further into the ground, but while i agree with the take that sokka being sexist logically doesn't make sense, i would go further to say that the water tribes themselves being sexist is both illogical and thematically contradictory.

the flaws of each nation in atla have always been linked to their element, and specifically what those elements represent. fire is the element of power; power, left unchecked, leads to imperialism and authoritarianism. earth is the element of substance and stability; stability, prioritized too highly, creates and justifies the rigid class system and rampant corruption of ba sing se. air is the element of freedom; freedom, taken too far, becomes irresponsibility and abandonment.

meanwhile, water is the element of change... therefore the water tribes cling to antiquated ideas about gender roles instead of adapting with the times (especially when the times involve a fucking war going on).

not only is this unrealistic, it also breaks the thematic pattern of the nations' flaws being virtues taken to extremes, and how this dovetails into the show's overall message about the importance of balance. if we're keeping with the pattern of virtue and vice being two sides of the same coin, then the flaw of the water tribes has to be related to change. and here is where some of the (badly executed) ideas in the comics and legend of korra could have come into play: change, left uncontrolled, can lead to progress... but at the cost of tradition and spirituality.

(imagine a nwt cut off from the world and forced to rely solely on itself, ingenuity and creativity flourishing out of sheer, desperate need. imagine a nwt where waterbending is nothing more than a tool, used to build and defend and maintain a fortress always at risk, its spiritual origins slowly lost to time. imagine a nwt more military than community, whose architecture and technology far exceed anything the world has ever seen, who look down upon their less advanced sister tribe, and see no need for the avatar - after all, where was he when they had no one but themselves for the last 100 years?

when warned that the fire nation is coming, they show no fear; they have held strong on their own for the last century, bolstered by their weapons and wits, and will continue to do so. you need the spirits, aang implores, and is met with derision, for there is no place for spirits in a society always chasing more, greater, better. the spirits have not helped us before, avatar. why would they now? we are all we need.

when the moon spirit falls, unprotected and forgotten in an abandoned, rundown spirit oasis - so do they.)

not only would this fit better thematically, it would also ensure that the nwt's flaw plays a role in its own downfall. where the fire nation's warmongering resulted in the poverty and suffering of its own people, and the earth kingdom's corruption led - at least in part - to the fall of ba sing se, the misogyny of the water tribes is never shown to negatively impact them in any way. the north isn't defeated by the fire nation because they relegated half the population to healing. the south doesn't suffer raids or lose their waterbenders because they (supposedly) didn't let women fight. this lack of narrative punishment means that - outside of a few girlboss moments for katara - the sexism of the nwt isn't significant to the overall story whatsoever.

furthermore, while the ba sing se arc last almosts half a season, and the fire nation's actions drive the entire show, this supposed systemic oppression of women shows up for one episode in the first season before disappearing entirely. pakku is reminded of his lost love, magically turns into a feminist, and somehow the entire tribe follows suit? no one else protests, not even the other students or the chief?

and yet, though there are still no female waterbenders other than katara, or agency for kanna in her relationship, or any indication that women stopped being forcibly betrothed - the entire issue is simply swept under the rug and never brought up ever again in the show. i understand this was a children's cartoon made in 2005, and that even having female characters openly speak about and challenge misogyny was a radical feat for the time and genre, but the reality of patriarchy is that it's structural, sustained and immensely difficult to resist - if the show was going to depict that resistance, it should have done so with greater depth and nuance, as it did for many of the other difficult topics it tackled.

ultimately, handwaving misogyny away like it never existed is far more disrespectful to katara's character, her fight against injustice, and the girls who saw themselves in her, than simply toning it down or removing it could ever be.

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[myfairkatiecat]

hey as someone who struggles with lashing out at people when I'm upset, I'd like to remind everyone that saying that it's out of character for someone to lash out/get really upset/struggle with anger sometimes when the rest of the time they're a super kind and thoughtful person is just as bad as only remembering that one specific characteristic about them and completely forgetting that they're super kind and thoughtful person!

[multiiocular-mushroom]

francis madoka magica crozier

[raziiyah]

i've seen polarizing opinions on this, so i'm curious of the statistics of what people think

1. you believe randall will and/or should be redeemed, there's still potential/good in him

2. you think randall is too far gone, he's too evil to be redeemed and maw will continue to keep him as a villain

3. you hope randall is redeemed, but don't realistically see the show giving him that arc so he'll probably remain as a villain

4. you don't want randall to be redeemed, he's too far gone & it doesn't make sense, but maw will probably make him good in the end

5. if you have an opinion different or more complicated than above feel free to share!

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[arcshuttle]

Opportunist may be our inner negotiator and can, in the right context, be great at talking us out of a pickle, but he also carries so so much of our neurodivergency by being so so tonedeaf in the worst possible situations. I love him.

[collieii]

i love this pic of chronica bc she looks so chill sitting there with her beverage and she doesn't know that she's about to have the worst fucking week of her life