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wlwcatalogue · 8 months

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Chinese GL Webseries & Shorts for the Wuxia-Uninclined

Have you ever wanted to venture into the world of Chinese GL webseries and short films, only to find yourself at a loss about where to begin, or intimidated by the unfamiliar tropes and terms of the wuxia genre?

Well, worry no more! Here's a selection of non-wuxia webseries and short films curated by yours truly. Now you too can enjoy the lavish costumes and location shoots of these Chinese productions, so rarely seen in F/F works outside of feature films and the occasional TV series~

By the way, these are all translated and subbed by the inimitable Douqi (@douqi7s), whose immense contribution to the English-language baihe fandom is surely in breach of anti-monopoly laws. Offer up your thanks at her Tumblr and Twitter!

At-a-glance list

Webseries:

Ye-Mu Season 2 (1 hr 20m total, 2023) - standalone

The Vampires (41m total, 2022)

Ye-Mu Season 1 (27m total, 2022) - standalone

The Lost World (1hr 5m total, 2023)

Short films - order corresponding to the pictures above:

A Tale of Yearning (5 mins, 2022)

"She Brought Colour Into My World" (2.5 mins, 2023)

"I'm Her Weapon" (3 mins, 2022)

Miss Shen and the Woman Warlord (6 mins, 2023)

Women's Script (5 mins, 2023)

The Caged Canary (5 mins, 2023)

The Beauty of the Law (6 mins, 2023)

Flowers Bloom; Flowers Wither (9 mins, 2022)

Commentary under the cut!

FYI, I've opted to link directly to the subtitled versions since they're probably more difficult to find than regular anime, TV series, movies etc. If a link is broken, please refer to Douqi's blog directly.

Important note for the uninitiated:

It’s a bit difficult to talk about canonicity in relation to live-action works made in the PRC, as things which would normally be used as evidence of canonicity all fall under the censorship regulations— explicit references to romantic relationships or queerness, declarations of love, kissing etc. are all off the table. So while these may not look canon in the most traditional sense, they are intended to be read as such and should certainly not be dismissed as queerbaiting or yuribait. Also, the creators can get very imaginative, so this is less of a problem than you may think – see the entries on Ye-Mu Season 2 and The Lost World in particular!

1. Ye-Mu Season 2 / 叶穆 2 (32 episodes / 1hr 20m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Despite the name, Ye-Mu Season 2 is completely unrelated to the first season; the only thing the two share is the cast, crew, and focus on Penthouse-style melodrama.)

Determined to take revenge for her mother's death, Xu Baiqing (Sheng Wei) marries a wealthy and much older businessman in the hope of finding evidence to put him behind bars. But first she must assuage the suspicions of his cheerily hostile second daughter, moody youngest son, and estranged eldest daughter (Ye-Mu Zhixia, played by Wang Laoji), the latter of whom Xu Baiqing dated in university and who is currently seething at the sight of her former girlfriend marrying her father...

If you want to get a sense of the potential breadth of Chinese GL webseries, this is a pretty good place to start. It does a decent job of matching the tone and presentation of a melodrama you might catch on TV (and in fact looks higher-budget than some I can think of), while committing to something that can’t be done on TV yet— namely, featuring an F/F exes-to-stepmother storyline and delivering on the drama inherent in such a premise. Of particular note is how the framing and behaviour of Ye-Mu Zhixia is very much consistent with that of a male romantic lead; thanks to some clever writing, it’s basically impossible to deny the nature of her relationship with the main character. They don’t even lean on the plausible deniability afforded by the label of “friendship”— in fact, in an early scene she is incensed when the protagonist refers to her as “[her] only friend”. There are a few caveats – the main character ends up in a lot of scrapes that her ex-girlfriend has to save her from, the reveals are often rather unsurprising, and the story shifts more to a mystery focus around halfway – but it’s still worth checking out if a Korean-style melodrama with an F/F take on a romantic storyline sounds appealing.

(CW: violence, murder, attempted sexual assault)

Note: See The Lost World (below), from the same creative team, for an even more impressive example of Chinese GL pushing the limits of censorship.

Links: MEGA / Internet Archive (compilation)

2. The Vampires / 吸血鬼鬼盲盒 (7 episodes / 41m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the first 15 minutes or so, because otherwise the summary would be “They end up locked inside with the monsters on board”, which wouldn’t tell you much more than the title already does)

Every night, Tianyue (Ye Miao/夜喵) has been having dreams about the mysterious cruise ship docked at the pier. Convinced that there is treasure hidden inside, she and her exorcist-cultivator girlfriend Xiao Ling (Wei Miao/微渺) sneak on board only to find that they are trapped there until the sun comes up. Things don’t seem too bad at first: although they run into two vampires – the cute, cheeky Xingming (Yang Fuyu) and her elegant mistress Su Tanya (Sheng Wei) – they are able to call a truce, on the condition that the humans help search the ship for the latter’s beloved (Fu Cha, played by Wang Laoji). But when Fu Cha wakes up without her memories, it is clear that something is terribly wrong, and that the ship and its inhabitants harbour more secrets than expected.

For a webseries, The Vampires takes a while to get started— it’s a bit difficult to tell what kind of story or indeed what kind of tone it’s going for just based on the somewhat campy and comedic first section. But after that wobbly beginning, it manages to pull itself together to tell a compelling – and sometimes genuinely tense – tale about a motley band of humans and vampires, and the truths they have to face together. While the ending is no happily-ever-after, I found it satisfying and hopeful, and surprisingly affecting. Also, a bunch of the characters have real polyam energy, and this is reflected in the narrative beyond mere flirting!

(CW: abusive parents)

Links - MEGA / Internet Archive (compilation) / YouTube (compilation)

3. Ye-Mu Season 1 / 叶穆 (12 episodes / 27m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Ye-Mu Seasons 1 and 2 are standalone stories; each season is entirely self-contained and the second season is not a continuation of the first.)

The head of the Ye-Mu family has died, leaving the next generation to squabble over the inheritance. It's a web of secrets, lies, and hidden resentments, as the characters dig out old grievances and fresh accusations in a desperate attempt to one-up each other. They're tangled up together to an almost incestuous degree, and indeed, the F/F subtext here is the ambiguous relationship between eldest daughter Ye-Mu Nanzhu (Sheng Wei) and second daughter Ye-Mu Nanmo (Wang Laoji) (rest assured that they are at least not biologically related).

Those who prefer darker stories and don't mind the pseudo-incest or other content warnings will find a melodrama which makes good use of its short runtime to deliver on twists, turns, and an explosive - if tragic - conclusion. That being said, the story is about the family drama in general, so do note that while the relationship between Nanzhu and Nanmo is narratively important, it is not fleshed out in great detail and certainly not the focus of the series.

(CW: suicide, ableist trope (spoiler – disabled character turns out to have been faking it), ableist language)

Links - MEGA / Internet Archive (compilation)

4. The Lost World / 夏夜知道风的甜 (1hr 5m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the purpose of flagging triggering content, as it’s particularly easy to trip into for this show. Also, some vague spoilers for later episodes in order to highlight in order to highlight the themes etc.)

This webseries feels like two shows smushed into one: apart from the very beginning, the first half is a gritty, bullying-focused take on university life, while the second is a true-blue romantic comedy (aside from one blip – see the note below for details). But even if you’re wary of the bullying, I would still recommend watching the back half – which is basically standalone – as it’s a very funny and heartfelt story about two childhood friends finally getting their act together. Without further ado, here’s two blurbs!

From episode 1 onwards: After saving a classmate from the class bully, popular college student Xia Huaichu (Yang Fuyu) is subjected to a lengthy harassment campaign by the latter. She is suddenly faced with having to protect her reputation in the face of false allegations and fake nudes– despite the fact that all she wants to do is focus on reconciling with another classmate, a high school best friend whom she had previously lost touch with (Mu Qingfeng, played by Wang Laoji). From episode 14 onwards: Childhood friends Xia Huaichu (Yang Fuyu) and Mu Qingfeng (Wang Laoji) are caught in a weird gay purgatory where each has feelings for the other, and suspects that the other has feelings for them too. But both are exceedingly stubborn and want the other one to take the initiative in confessing, leading to ridiculous displays of I-don’t-care-isms and lots and lots of UST. (Does anybody use that term anymore??)

As you may have guessed, I’m not too keen on the first part of this show, nor the decidedly unnecessary attempted rape segment, though that’s partly on me for not checking the content warnings beforehand. And yet I’m very glad to have stuck with it, because the second half is not only hilarious, but also a masterclass in censorship-dodging that needs to be seen to be believed. Not just in terms of the suggestive scenes, of which there are many, either— the story is literally about two women starting a relationship and having to reckon with parental disapproval, homophobia, and other obstacles which platonic friends wouldn’t have to deal with. I honestly don’t know how this ever got approved, and can only applaud. Bravo.

Note: For those who want to avoid the triggering content, I’d recommend starting at episode 14, but make sure to skip episodes 19 and 20 as there is a foiled rape attempt.

(CW for entire series: bullying (incl. violence, fake nudes), sexual harassment, attempted sexual assault, fatphobic language, homophobia

CW for episodes 14-24: attempted sexual assault in episodes 19-20, homophobia)

Links - MEGA / Dropbox

SHORT FILMS

Quick note: Click on the English titles for the subtitled versions, and the Chinese titles (which are really just the video titles) for the originals. And yes, although the majority of these are shampoo commercials, they really do hold up as short films in their own right. Give them a try, you might be surprised!

A Tale of Yearning / 一见误终生，不见终生误 (5 mins, 2022, dir. Liu Yun Rui/流云蕊) – A bittersweet story about a literature-minded young woman (Sheng Wei) and a Chinese opera performer (Ai Ye) who bond over their love of fiction, only to be torn apart by harsh reality. Tragic ending, but I liked the more literary turn of the dialogue. Shampoo ad. (CW: homophobia)

“She Brought Colour Into My World” / “她走后，我的世界又失去了颜色” (2.5 mins, 2023, dir. Zou Hui Qu Le/走回去了) – A very restrained short film (actually, more like a music video) set during the late Qing era, wherein a sheltered young woman (Xiao Yu Za/小宇咂) falls for her female neighbour, recently returned from studying abroad (Sheng Wei). Lovely use of music and visuals to create a dreamlike atmosphere. Tragic ending. Not a shampoo ad.

“I’m Her Weapon” / 我是你手里的一把刀 (3 mins, 2022, dir. Liu Yun Rui/流云蕊) – A moody, interior piece about an assassin (Ai Ye) who yearns for some sign of affection from her handler (Sheng Wei), only to be left devastated by her new assignment. Surprisingly not a shampoo ad.

Miss Shen and the Woman Warlord / 我们是孤独行走的钟，但也要做敲响希望的钟 (6 mins, 2023, dir. Liu Yun Rui/流云蕊) – I’d like to describe this as being inspired by the story of Mai Jia’s novel The Message and the aesthetics of Kawashima Yoshiko (1990), but most Tumblr users would probably find those references deeply unhelpful. Basically, a female spy (Sheng Wei) disguises herself as a male soldier and infiltrates the mansion of a Republican warlord. There, she meets the warlord’s daughter (Ai Ye), who quickly realises that there is more to the promising young officer than meets the eye. Shampoo ad.

Women’s Script / 纵使“科考”无女子，无碍红袖书香，星辰有光 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – While sailing down a river, a girl (Zhi Chun He/至春禾) catches sight of a woman writing poetry on the riverbank (Sheng Wei), and is fascinated by both her beauty and her flaunting of the rules against women’s literacy. Shampoo ad. (CW: domestic violence)

The Caged Canary / 如果这是一场骗局，那我也只愿意输给你 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – The protagonist (Ai Ye) is sent by her parents to beguile a wealthy young man into marriage, but ends up developing feelings for his modern-woman sister (Sheng Wei) instead. Shampoo ad. (CW: attempted sexual assault)

Flowers Bloom; Flowers Wither / 她们一个被铁链禁锢，一个被男装束缚，直到救赎彼此 (9 mins, 2022, dir. Qian Li Min/千里明) – Takes the romance between a cross-dressing noblewoman (Du Ruo/杜若) and her supposedly-mad stepmother (Rou Lian Cheng/肉脸橙) to tell a story about the restrictions placed on women in historical times, and how resistance, even when futile, can still have meaning. Tragic ending, obviously. Not a shampoo ad. (CW: domestic violence, misogyny, accidental misgendering, gender dysphoria)

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sixofcrowdaydreams · 7 months

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Six of Crows Russian Edition

Today I found this gorgeous gem at the bookstore!

So a few years ago I moved overseas to live in a Russian speaking country. I am not in Russia, for the record. The national language here is not Russian, but it is commonly spoken in my city.

Today at the bookstore I looked for a copy of Crooked Kingdom for the cast of Shadow and Bone to sign this May when I go to A Storm of Shadows and Crows convention in Paris. I don't own a copy of SOC or KC in English and there's no chance of finding one where I live. The next best option was getting a book in the local language and calling it a souvenir of my time abroad. To my delight I found this lovely Russian edition of Six of Crows!

More stunning artwork below.

There were multiple versions of the books to choose from. The original art and the Netflix artwork were available too. The most impressive part was finding copies of the original covers WITHOUT the Netflix sticker. (Haha, suck it Netflix.) To the right, not pictured were King of Scars and Rule of Wolves.

I've never seen this cover variation before. It was an exciting find!

The Russian version I bought is illustrated by (I assume Russian?) artist Eva Eller.

I didn't see a copy of Crooked Kingdom with illustrations by the same artist at this bookstore, but it must exist. Mine was the last copy of SOC with the Russian artwork. Maybe it was sold out?

Google Translate titles the book Six of Ravens, lol. But that's just a translation error because a little google-foo showed that ворона (pronounced vorona) means crow. Interestingly, while typing the title, I learned that вор (pronounced vor) means thief. Interesting how similar the words crow and thief are in Russian. Checks out.

Above is the art printed on the side of the pages. Love how it still includes the side of the pages colored, just like the original books.

The hardcover underneath the jacket is a crow. It's not the same as pictured on the original CK cover, but it is similar. Love the messy, broken, bent feathers, yet the crow is still able to fly. Metaphor for our six characters? Absolutely!

The book was wrapped in cellophane so I didn't realize there was even more art inside! Here is the inner cover. IT'S BEAUTIFUL! The back is the same. It captures the foggy haze of Ketterdam so well.

The flaps of the book jacket are images from the inner cover. But there's a cracked texture over them that gives it a gorgeous grittiness.

The candle is the left side of the inner book jacket. Sorry the image isn't flat, I didn't want to damage the jacket by straightening it out.

The right side of the book jacket shows all the Crows!

Let's appreciate how Matthias looks snow pale and serious. Inej is taller than Nina -- she must be standing on a step stool. No clue why both of their eyes are closed, especially when Nina is the one pointing to the paper. They are lovely. Kaz has on his scheming face. Jesper is as handsome as every version of him should be. And Wylan looks bored AF because A.) he's already memorized the map he drew or B.) he can't read whatever document Kaz has in front of them. Wait, no, Wylan is making heart eyes at Jesper. All of the above can be true.

Inside is a small illustration at the beginning of each chapter, which changes with each section.

You can also see the Crow's names written in Cyrillic. Inej, Kaz, Nina, and Matthias translate easily. Jesper uses the д (letter D) and ж (pronounced like zhe) letter combination that makes his name sound like Zhesper since there is no J in Cyrillic. It's worth pointing out (again) that Wylan's name does not translate perfectly. There is no W in the Cyrillic alphabet. (As someone who also has a W in their name, I sympathize with Wylan here.) I'm no expert in Russian, but I'm pretty sure -- with the help of google translate -- that Wylan is pronounced as Oo-ai-len. Poor boy can't catch a break.

Each of the five section of the book use different chapter art. They all do an excellent job capturing the atmosphere.

The paper is so thin that you can easily see the printing on the opposite side. Not ideal for an edition that's otherwise this lovely. Oh well.

Given that Ravka is fantasy Russia, it's not a surprise to find the Grisha Verse books in Russian.

I am so excited to bring this book to Paris for the cast to sign!

#six of crows #crooked kingdom #shadow and bone

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reunionatdawn · 6 months

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A Midsummer Night's Dream: Analyzing the Romantic Subtext of (Japanese) KH 358/2 Days

Day 94 ~Hearts~

Roxas: What are we fighting for? Axel: We're fighting for the greater Kingdom Hearts, didn't you see it today? Roxas: [...] Is Kingdom Hearts really that important? Axel: Hey, what are you talking about now? Roxas: But, since I don't have a heart, I don't really understand. Axel: Roxas... If you had a heart, you'd surely understand. That's why we're seeking hearts, right? Roxas: I see... That's right...

I will be using my own translations for most of this meta, because nuance is very often lost in the localization process. The mission for this day took place at the Beast's Castle. Roxas was intrigued that the Beast was personally fighting the Heartless even though he had servants. He had an important reason to fight, something to protect.

This only made Roxas question whether he had any good reason to fight Heartless himself. When he used the word "important" he used "大切な" (taisetsuna). It tends to emphasize emotional or sentimental value rather than practical importance. And in Japanese, it was a tiny bit more suggestive that Axel already knew why having a heart was so important. He already had his own reason to fight.

Day 94: The plan is proceeding smoothly, but... (Saïx) Thanks to Roxas and Xion, the wielders of the Keyblade, hearts have converged, and the great Kingdom Hearts has appeared before us. Our objective is being achieved. Every plan is proceeding smoothly. The fact that everything is going so smoothly is cause for concern, but perhaps I am overthinking it.

In both the Japanese and English versions, Saïx expressed paranoia about how smoothly the process of completing Kingdom Hearts was going. The phrase, "The course of true love never did run smooth" is one of the most famous quotes from A Midsummer Night's Dream. Essentially, the quote suggests that real love is not always easy or straightforward; it requires effort, perseverance, and the ability to overcome obstacles. This quote is relevant because there is evidence that the entire game's narrative was inspired by that play. It's similar to how Versus XIII was originally going to be inspired by Hamlet.

Day 96 ~Xion's Keyblade~

Sora: Kairi, you can't come. Kairi: Why not? Sora: I can't risk putting you in any more danger. Kairi: But we've faced danger together before, haven't we? I get more anxious when I'm alone. Sora: Even if you're not with us, Kairi, we're not alone anymore. Right? Kairi: Am I a hindrance? Sora: Well, yeah, kind of. Kairi: I see. Okay then. Take this. It's an important charm, so make sure to give it back!

In both the novel and manga, Xion mentioned that she could still feel the warmth of Roxas's hand on his Keyblade. It was meant to bring to mind several scenes from KH1, such as when Sora regained his ability to use the Keyblade, as well as when Kairi gave Sora her lucky charm. Wherever he went, she'd always be with him in his heart.

Axel: Oh, Roxas, are you going to Beast's Castle? I went to investigate yesterday, but those Heartless seemed pretty tough. He might have a hard time alone~. Saïx: Are you suggesting they both go together? Axel: I'm heading to Agrabah. Is that a problem? Saïx: Can you handle defeating the Heartless in Agrabah? Axel: It's fine. I'm strong enough.

The "~" is often used to indicate a trailing off or unfinished thought, similar to an ellipsis (...) in English. It suggests that the speaker is leaving the sentence open-ended or implying that there is more to say but chooses not to express it explicitly.

Axel: Heartless, why do they move so annoyingly? Thanks to them, I got hit. Roxas: Weren't you supposed to be strong? Axel: That's a separate issue.

I think it's more obvious in Japanese that Axel was trying to convince Saïx to let them go together by reminding him of some past situation when Isa relied on Lea in a similar way, leaving him to face a tough situation all by himself. The idea for Roxas to work twice as hard to make up for Xion's uselessness was Axel's idea, after all.

Xion: It's all thanks to Roxas and Axel. Axel: I didn't do anything. Xion: In the morning, you arranged for us to go on the mission together. Roxas: If it weren't for you, Xion might not have been able to reclaim her Keyblade. Xion: Thanks, Axel.

On Day 72 called "Change," Axel was bothered that Saïx didn't even seem worried about him while he was away at Castle Oblivion. And he did not thank him for doing his dirty work (even at the risk of his own life) when he returned. It was the first thing he mentioned. But Roxas and Xion thanked Axel profusely for his help. And it just seemed to make Axel very depressed.

Axel: How about a sea-salt ice cream? With that, this incident will be water under the bridge.

In English, Day 8 is the day Axel treats Roxas to ice cream and it is called "Icing on the Cake". In Japanese, it's called "ごほうび" (gohoubi). It means "reward" or "prize". It refers to something given in recognition of one's efforts or achievements, often as an incentive or encouragement. It's interesting because Axel didn't like the taste of sea-salt ice cream anymore. In the opening song, he grimaced when he first bit into it. He was only eating it due to its sentimental value.

Roxas: It would be nice if we could always be together like this. Axel: Where did that come from all of a sudden? Roxas: I was thinking it would be nice if every day, after our missions, the three of us could eat ice cream together and watch the sunset. Axel: Well, that's an impossible wish. After all, we're Nobodies.

Axel was pretty blunt here with his cynical outlook.

Pence: I wonder if we can always be together. Olette: I hope so. Hayner: Huh? What's with the sudden talk? Pence: Oh, just thinking. Hayner: Well, realistically, I doubt it. But that's just how it goes when you become an adult, right? What's important isn't how many times we meet, but how many times we think of each other.

Because he was already an adult.

Axel: What's important isn't seeing each other every day. It's more important to always think about each other, even when we can't meet. ...Got it memorized? Roxas: That doesn't suit you. Axel: Shut up.

In the DS version, after his blunt comment, Roxas and Xion lowered their heads. And it was only then that Axel changed his tone. When he used the word "important" he also used "taisetsuna". It would sound quite sentimental, so it's a bit out-of-character for him at this moment in the story. Axel didn't laugh along with Roxas and Xion when they started teasing him. Because his comment wasn't really directed at them. He had only known them a few months and didn't feel particularly sentimental towards them, at least not yet.

Day 96: Friends (Axel) Recently, I feel like I spend more time talking with Roxas and Xion than with my original comrade Saïx. So this is what having friends feels like.

That comment was said with Saïx in mind. On Day 75, Axel told Roxas and Xion that he didn't have a best friend. He used to. But they didn't have the same type of relationship they had as kids anymore. it had been so long since they had spent time hanging out and eating ice cream together that Axel forgot what friendship even felt like.

Day 117 ~Secrets~

(KH2 Novel) Naminé: Do you think Nobodies really don't have hearts? Who told Axel he doesn't have one? The heart—there are secrets that—

There were many "Secrets" being referenced on this day. The first was the secret of the heart, which Naminé alluded to in the KH2 novelization. This day showed how Axel had begun to grow a heart. He was annoyed that Saïx didn't knock, and he wanted him to get out of his room as soon as possible because it hurt to be around him.

Saïx: "The Chamber of Waking," contrasting with the "Chamber of Repose," holds a true purpose that Xemnas has not disclosed to anyone. Clues to this lie within the "Chamber of Waking." If we seize them, we can gain the upper hand, even concerning our objectives.

Saïx's main priority was completing Kingdom Hearts. But he didn't trust Xemnas and suspected that he had a secret agenda, which turned out to be true, as we saw in Dream, Drop, Distance.

Xion: When I sit here and talk with you guys… I get the strangest feeling… that a long time ago, I used to watch the sunset with somebody else. It's the same when I watch the sea. Someplace by the sea…where I hear the sound of the waves… I get the feeling that I was talking with someone. [...] You have memories, don't you, Axel? Axel: Well, sort of. Even if I do have them, they're not of any use at all.

Another secret was related to Xion's birth. Axel wanted to go to Castle Oblivion because he was curious about her origins. Xion remembered Kairi watching the sunset and telling Sora not to change. It was one of Sora's most precious memories and it was why Xion could awaken a heart. And it was also meant to depict Kairi's anxiety and loneliness over how, as we get older, we find a distance growing between us and our close friends. And that's something she had in common with Axel.

Day 118: What's Changed... (Axel) When I talk with Roxas and Xion, I often reminisce about my days as a human. Reflecting on various childhood memories, I find myself feeling inexplicably strange. I should be able to have such conversations with Saïx, but strangely, I don't feel inclined to do so. It's just a strange sense of nostalgia. It's not me who's changed... it's you.

Based on subtext, we can probably assume that Axel began to awaken a heart by spending time with Roxas and Xion because they reminded him of his childhood. Therefore, Axel's memories of the time he spent with Isa were implied to be his most precious.

Day 119 ~Accomplishment~

Day 119: Hearts and Emotion (Xaldin) Observing that foolish beast, one can see clearly how humans are often governed by trivial matters. It was precisely because we did not desire to be ruled by emotions that we chose to become Nobodies. It was much later that we realized the magnitude of that loss. While we understand that there are things that cannot be accomplished without a heart, emotions are still unpleasant.

The above quote from A Midsummer Night's Dream was spoken by the character Helena. It reflects the theme of love's unpredictability and irrationality that runs throughout the play. It suggests that the pursuit of love can often defy logical reasoning and that the dictates of the heart may not always conform to the dictates of reason.

Xaldin: If it's something he treasures, it means his heart is captive to it… When the heart is stolen, that becomes a weakness. Roxas: The heart is stolen…? I don't quite understand.

Once again, the word "大切" (taisetsu) was used, to indicate that the Beast fought so hard to protect the rose because he placed value on it for some emotional reason rather than for its practical utility. Xaldin's goal was to use the Beast's weakness to literally steal his heart and turn him into a Heartless. Idiomatically, to have one's heart stolen refers to intense feelings of romantic attraction or love.

Roxas: I understand what [the Beast] treasures now. Xion: What he treasures...? Roxas: But Xaldin said that could become his weakness. Xion: Can something valuable become a weakness? Roxas: I'm not sure... Xion: I wish Axel would come back soon...

Roxas and Xion figured that Axel would surely understand this concept and explain it to them. And in KH2, Axel was desperate to turn Sora into a Heartless, and he knew the way to do that was by targeting the person who stole his heart, which was Kairi.

Ansem's Report 4 Heartless are born from those who have their hearts stolen, and they proliferate by stealing them from other beings. What's stolen by the Heartless becomes the nourishment for creating new Heartless. While there's no certainty, I am confident in my theory. Let's verify it further by providing a large number of organisms. Furthermore, we must continue researching the behavioral principles of Heartless.

We can probably assume, based on the Ansem's Reports from KH1, that Xaldin and Axel both knew all about this principle because of their involvement in Xehanort's research as apprentices.

Ansem's Report 8 Heartless are naturally born from those who have lost their hearts. If we apply the principle of the heart, could we not synthesize them? Thinking so, I utilized the results of previous research to complete the device. When I tentatively activated it, the Heartless emerged without any problems. If we further improve this device, it may even be possible to generate them from nothing.

The experiment to generate Heartless using the device in the Heartless Manufactory was the topic of Ansem's Report 8 in KH1. During that experiment, the "principle of heart" was used.

Xemnas: The experiment to generate Heartless was an attempt to control the mind and abandon the ego. Even if we made one lose their heart that way, one could still harbor a heart in their body, which serves as a vessel.

And it's clearer in the Japanese version of KH3D that this Heartless-generating experiment was conducted for the purpose of creating a vessel. It's important to note that the word for "mind" is "精神" (seishin). It refers to the mind, spirit, or consciousness of a person.

(KH2 Novel) Saïx: How do you expect to protect anything when you've cloaked yourself in darkness? You sold your soul for power. Was it worth it?

"Seishin" can also mean "soul". While "soul" is a more metaphysical and spiritual concept in English, "seishin" encompasses both the psychological and spiritual dimensions of human consciousness in Japanese. During the experiment, the intended target was most likely Lea. Isa was probably just meant to be his weakness. But Isa probably sold his mind/soul for power in order to protect Lea. And that would most likely be the origin of his beastly berserker state, as well as why Isa became the vessel instead of Lea.

Day 150 ~Fear~

Xion: One more time... please! Saïx: We don't have that much time on our hands. It's clear you were just a failure, after all.

It's important to note that Saïx used the word "失敗作" (shippaisaku) here. It means "failure" or "failed work." Also, there was a slight change in the localization during this conversation. Saïx didn't say they couldn't afford to waste any more chances. He said they couldn't afford to waste any more time. It's subtle, but it's significant.

Xaldin: Ah… If something isn't done before that rose withers, it seems the curse he was placed under won't be lifted. Roxas: Come to think of it, the servant guy said our time left is short. Xaldin: …He did say that… The curse… the Beast's form… the rose… Hehehe… This could be useful.

In English, you miss out on the uncanny similarity between Saïx and the Beast. They're both cursed, they both wish to become human once more, and both are running out of time. The subtext implies that Saïx wanted to complete Kingdom Hearts because he wanted to love and be loved in return. For who could ever love a beast? Saïx even has a weapon called "Werewolf," a beast tied to the full moon.

Day 150: Handling Xion (Saïx) Is it about time the limit of the replica has been reached? I thought the plan was going smoothly, but ultimately, it's just a puppet… So, of course there's been a problem, after all. I completely fail to understand how this puppet can weigh so heavily on Axel and Roxas's minds. Perhaps we should also consider how to deal with Xion going forward.

"The course of true love never did run smooth". Saïx thought the plan was going smoothly, but of course, it's never so easy. Technically, they would be able to complete Kingdom Hearts with just Roxas. As long as they had one Keybalde wielder, Xion wasn't truly needed. Saïx was quite displeased that Axel was treating Xion as protectively as he used to treat him. And due to that, he wanted to dispose of her.

Roxas: Axel, is there something you don't want to lose? Axel: Something I don't want to lose? Why the sudden question? Roxas: I met someone today who has something they don't want to lose. It's something really precious to them. Xaldin said it could become their weakness. I don't have anything like that... Axel: Well, that's obvious since we don't have hearts. Roxas: Do you think so? For example, if we took away Demyx's sitar, he'd probably object. Axel: Well... I suppose that's true. Even without hearts, there are things we don't want to lose. In that case, for us Nobodies, the things we don't want to lose might be our past memories. Past memories create the things we don't want to lose.

The memories Roxas made since joining the Organization were all he had. That's what he couldn't bear to lose. But what Axel couldn't bear to lose were the memories of his past. His human days. On Day 117, he told Xion that his memories were of no use. He used the phrase "役にも" (yaku ni mo). It means "useful" or "helpful." It indicates that something serves a purpose in some practical way.

But again, the word "taisetsuna" was used, which tends to emphasize emotional or sentimental value rather than practical importance. We can probably conclude that what Axel couldn't bear to lose were his memories of Isa. Because Isa was what he was afraid to lose when he was a human. But since Isa changed, memories were all Axel had left.

Day 152 ~The Wrong Button~

"The lunatic, the lover, and the poet are of imagination all compact. One sees more devils than vast hell can hold: That is the madman. The lover, all as frantic." (William Shakespeare, A Midsummer Night's Dream)

There exists a cultural belief that the full moon is tied to mood swings, also known as the "lunar effect" or "lunar influence". "Xion" sounds like "潮" (shio) which is the Japanese word for "tide". And it is the moon's gravitational effect that has an influence on the tides. Symbolically, it was fitting that Saïx was the one who triggered Xion's mood swing and caused her to doubt her purpose for fighting.

The quote from A Midsummer Night's Dream was spoken by Theseus. He suggests that lunatics, lovers, and poets are all deeply influenced by their imaginations. Their thoughts and perceptions are shaped by the creative and often irrational workings of the mind.

The lunatic perceives imaginary demons and threats that aren't present in reality. His mind is consumed by delusions and irrational fears. Similarly, the lover is described as "frantic," indicating that love can also be a state of heightened emotion and irrationality. The lover's imagination may lead them to idealize their beloved or perceive obstacles that aren't actually there.

Axel: ...Girls are complicated, you know. Roxas: How did you know I was thinking about Xion? Axel: Because you're simple, Roxas. Well, all Nobodies are simple, but... Roxas: Are humans complicated? Axel: More complicated than Nobodies, but girls are even more complicated.

Axel obviously thought that Roxas and Xion had a little lovers' spat. And since Roxas had slowly been developing some kind of feelings for Xion due to the influence of Sora's memories of Kairi, that's probably an accurate assumption. Axel just laughed it off because he thought Roxas's infatuation was making him act paranoid. Axel called Roxas "単純" (tanjun). It means "simple". It can be used to describe a person who is straightforward or uncomplicated in their thinking or behavior.

(KH Days Novel) "Is this about the defective thing in our midst?" asked Saïx. "Am I that easy to read?" Axel shrugged. "Yes, because you're completely guileless. You always were." "Excuse me? Were you always such a jerk?" Axel retorted, taking a seat on a shelf across from Saïx.

Axel was always giving Roxas advice on matters of the heart based on his own personal experience. Because this day was about the differences between men and women, it's easy to assume that it wasn't about Saïx. But in the novel, Saïx also calls Axel "単純" (tanjun) after Xion collapsed and he was in a bad mood.

In many cultures, the moon is seen as a symbol of feminine energy and is associated with emotions, intuition, and the subconscious mind. Saïx has a few weapons named "Selene" and "Artemis". The writers chose two lunar goddesses from Greek mythology, even though they could easily have chosen male lunar deities such as Chandra or Thoth. This was to associate him with femininity.

Saïx's default weapon called "Lunatic". He also has a weapon called "Crescent" which is part of the Wild Gear set. It is shaped like the symbol for Black Moon Lilith (⚸). She is associated with primal feminine energy and the shadow self. She embodies the darker aspects of the feminine psyche and represents the shadow side of femininity, including themes of rage, jealousy, and vengefulness.

Day 171 ~Love~

Xaldin: However… the notion of love for a beast…is truly foolish. Roxas: Love? …What is love? Xaldin: It refers to the emotions that are budding between those two. Roxas: Emotions… Xaldin: Hmph… The power of love is nonsense. Roxas: The power of love? Is it some kind of special power?

One of the most famous quotes from A Midsummer Night's Dream is spoken by the character Puck. It reflects his observation of the foolishness and irrational behavior of humans, particularly in matters of love and romance. It has become an iconic quote and is often cited in discussions of human folly and the whims of love.

Roxas: What is love? Axel: Huh? Roxas: How can the power of love be born? Axel: Love is a special power that only humans possess. Roxas: Nobodies don't have it? Axel: Those kinds of things require a heart. Roxas: ... ... ...

Roxas wasn't particularly motivated to complete Kingdom Hearts on Day 94. But on this day, he seemed fascinated with the idea that he could love someone when it was complete. Roxas is simple. It's probably safe to assume that his interest in love had to do with Xion.

Axel: It's born only between beings that are special and more than just friends. That's love. Roxas: More than friends... so like best friends? Axel: It's a bit different from best friends... Roxas: Is there a relationship above best friends? Axel: It's not about above or below. Roxas: I don't really understand... Axel: Well, we don't have hearts, so it's irrelevant to us. Roxas: If we had hearts...would we understand? Axel: Once Kingdom Hearts is completed, you'll understand too.

Axel suggested that once Kingdom Hearts was completed, Roxas would also be able to understand love like humans could. The Japanese wording doesn't explicitly state whether Axel himself already understood or not. But based on the subtext, we can probably assume that he already knew what it was like to feel love. He loved his best friend and wanted to experience that feeling again.

Day 171: Project "No.i" (Saïx) Xion failed her mission. If this state continues in the future, it would be better to eliminate this replica and proceed with copying using the next one, which should result in a replica with higher capabilities. After all, "No.i" is part of the initial batch, so there are concerns about its abilities. The current situation could also be perceived as a malfunction. What on earth is Xemnas thinking?

On this day, Saïx was more determined than ever to dispose of Xion. Of course, as the Shakespeare quotes suggest, he was being entirely irrational and perceiving a threat that wasn't really there.

Day 172 ~Sound of the Surf~

Saïx: Xion is sleeping right now. Even if you go, you won't be able to do anything. Roxas: It's not about whether I can do anything or not! Saïx: Why are you so concerned about such a failure? Roxas: Failure? Are you talking about Xion?

In Carl Jung's psychology, the concept of the mirror is often used metaphorically to represent the relationship between the conscious ego and the unconscious shadow. The shadow encompasses traits, desires, impulses, and emotions that individuals find unacceptable or shameful, and that they may be repressing. That's why Aqua's shadow-self emerged from the magic mirror.

Jung proposed that individuals often project their unconscious shadow qualities onto others, perceiving them as externalized aspects of themselves. Like a mirror, other people and external events reflect back to us aspects of our own psyche that we may not be aware of or are reluctant to acknowledge.

Saïx: Regardless of what happens to it, it's none of your concern. Roxas: Whether it's my concern or not doesn't matter. Saïx: What's the point of worrying about "something that doesn't exist"? Roxas: We're all in the same boat when it comes to things that don't exist.

Xemnas wasn't bothered by Xion's failure to defeat Riku. Saïx simply wanted to dispose of her because he was jealous. So, he projected aspects of himself that he hated onto her. It all gave me the impression that Isa was probably bad at fighting, failed his missions as an apprentice, and relied on Lea to do most of the work for him.

Saïx: Even if Xion were to break, it wouldn't change your position.

Saïx seemed unable to comprehend that Roxas was motivated by emotions and not because of any practical reasons.

Roxas: Saïx called Xion a failure... Axel: ...Xion is less of a failure than I am.

On this day, when Saïx called Xion a "failure", he used the word "出来損ない" (dekisokonai). The literal translation is "poorly made" or "botched," but it is usually used in a figurative sense. It refers to something or someone that is a failure, disappointment, or underachiever. It can be used to describe something that didn't turn out as expected or desired, or someone who hasn't lived up to their potential. Axel would get the sense that Saïx was referring Xion's failure to complete the missions and not necessarily anything more.

(KH Days Novel) "You are to discover the identity of the outsider," he told her. "Those are direct orders from Lord Xemnas. Failure is the same as insubordination. You understand that, don't you?" "Wha…?" Xion had no idea that Xemnas had chosen her for this mission. To the best of her knowledge, Saïx was the one in charge of assigning tasks.

However, in both the novel and manga, Saïx told Xion that Xemnas had personally assigned her the mission and that if she failed, it would be the same as insubordination, which is defined as intentional defiance of authority or refusal to obey orders.

Day 172: The Meaning of Words (Axel) There must be a hidden meaning behind Saïx's words. Why doesn't Xion have the qualifications of an Organization member? Saïx said it is what it looks like. Is he implying that she resembles Naminé in some way? It's hard to believe that there's no connection between Naminé and Xion. But then, whose Nobody is Xion? What is Saïx hiding?

So, there may have been a deeper meaning behind Saïx's usage of the word "failure". It potentially means being a traitor. A recusant. And if Xion were labeled a recusant, she would be punished.

Day 193 ~Memories~

Day 193: Dreams, or Memories? (Xion) I finally wake up, just to pass out again? Why? Because I'm a failure? I dreamt the whole while I was out. It was something nostalgic, but what? Why can't I remember? It could be a key memory from my human life. All I can remember is the sound of waves, gentle, in the distance.

In A Midsummer Night's Dream, Helena reflected on how sleep can sometimes provide temporary relief from feelings of sorrow or sadness. Sleep has the ability to close the metaphorical "eye" of sorrow, offering a brief respite from emotional pain. Xion was constantly dreaming about Sora. She wanted to go back "home".

Saïx: It's better for you not to move yet. [...] Roxas is scheduled to go on today's mission with Axel. Your presence is not planned. Xion: I want to go too. I want to limber up a bit. Axel: How about I go as a guardian? Saïx: ... ... ... ...Understood. Do as you please.

Saïx knew what was going on with Xion absorbing Roxas's memories. He knew she was gonna collapse. He only agreed to let them go when Axel offered to go, too. Because he was trying to hurt Axel.

Saïx: In the end, it collapsed again. The failure. Roxas: Don't say it like that...! Axel: Shut your mouth.

Here, Saïx used the word "shippaisaku" again instead of "dekisokonai". Both words refer to something that is considered a failure or disappointment, but there are subtle differences in nuance. "Dekisokonai" can be used broadly to describe various types of failures or shortcomings, such as Xion failing her missions.

"Shippaisaku" is more commonly used to describe unsuccessful creations or projects. It gives off a dehumanizing feel, like you're talking about a thing rather than a person. Axel was very angry, and not just because Saïx called Xion a bad name. That word was triggering to him. After all, the day was called "Memories".

Subject X and Notes on Mental Experimentation 2 During the initial experiment, several candidates were tested, but they all broke down mentally. I did not want anything to happen to her, my special subject. In the midst of all this, it was revealed to my mentor that I had used numerous subjects for testing and repeated experiments. The results of the tests were severely criticized, the research was terminated, and the results destroyed. Not only that, but she disappeared along with the release of many subjects. Where are the subjects now?

Xehanort used "特別な" (tokubetsu na) to refer to Subject X. It means "special" or "unique." It refers to something or someone that is distinctive, extraordinary, or holds significance beyond the ordinary. It implies a sense of rarity, importance, or exceptional value. Roxas and Xion were both special, too. They were all objectively special.

Axel also used "tokubetsu na" to describe how love is only born between people who are special to each other. Isa was probably not considered special like Subject X was. In an objective sense, he was probably considered to be pretty worthless, actually. He was only "special" in a subjective sense because of Lea's feelings for him.

Saïx: ...You've changed. What happened in Castle Oblivion? Are you ready to discard the past?

That was Saïx's only source of value, and he thought Xion threatened to take that away from him. He thought Axel changed because the past was no longer important to him. But that wasn't the case.

Axel: You passed, Sora. You have the power. The power to walk through Castle Oblivion. Guided by memories burned into your heart and precious memories on the brink of being forgotten, you will encounter precious people. Goofy: Can we meet the king? Axel: Think again about who is the most precious to you. The more precious the feelings, the deeper they are hidden in the heart— unable to be recalled. Sora, you must have such memories too. Sora: Me too? Axel: You've lost sight of the light in the darkness, to the point where you've forgotten that you've lost it. [...] But I'll give you a warning. When sleeping memories awaken, you may not be yourself anymore.

The romantic subtext between Roxas and Xion was quite obvious due to their connections to Sora and Kairi. Xion was precious to Roxas because he possessed Sora's most precious memories, which were those of Kairi, the girl who was special to him.

The romantic subtext between Axel and Saïx was a lot more subtle, but it was still there. Axel's memories of Isa were equivalent to Sora's memories of Kairi. After Castle Oblivion, he remembered his most precious person and he was always projecting those precious memories onto Xion. And that was what caused him to change.

Roxas: ...Are you worried about Xion too? Axel: Of course.

During her dream, Xion was reliving the moment when Sora turned the Keyblade on himself and turned into a Heartless. It was probably the same type of situation with Axel. He seemed to be reminded of something with the sleeping Xion, similar to how the sleeping Roxas reminded Xemnas of when Ventus collapsed. Isa was probably imprisoned in the Chamber of Repose after the failed experiment, similar to Subject X when they first met her.

Roxas: It feels kind of strange. Axel: What do you mean? Roxas: Axel, you hate annoying things, right?

In the localization, Roxas said Axel hates "complications". But I don't think that got the intended message across. Roxas used the word "面倒くさい" (mendokusai). It means "troublesome" or "bothersome". It is often used to describe tasks, situations, or people that are annoying or inconvenient. And that idea fits more with Axel's catchphrase where he always gets stuck with the unpleasant jobs.

Axel: Hey, Roxas... Why do you think we're eating ice cream together every day in that place? Roxas: ...Huh? Axel: I don't have any use for it. If you think about it normally, it's just a hassle, isn't it? [...] Want me to tell you? It's because we're best friends.

Axel used the word "用" (yō). It has several meanings, including "use," "purpose," or "need." He wanted to emphasize that best friends don't value each other for how useful they are in a practical sense. Eating ice cream together has no objective purpose, but that doesn't matter.

Day 255 ~The Longest Day~

"Things base and vile, holding no quantity, love can transpose to form and dignity. Love looks not with the eyes, but with the mind; And therefore is wing'd Cupid painted blind." (William Shakespeare, A Midsummer Night's Dream)

The above A Midsummer Night's Dream quote is also one of the play's most famous and iconic. And it encapsulates one of the biggest themes of the 358/2 Days narrative. Love is a transformative force that transcends physical appearance and superficial qualities. Love depends not on an objective assessment of appearance or value but rather on an individual perception of the beloved.

The third eye (also called the mind's eye) is an invisible eye, located on the forehead, which provides perception beyond ordinary sight. And I thought it was very interesting that Saïx's scar was located over his third eye, and he was the only one unable to "see" Xion. It does suggest that some sort of mental experimentation was performed.

(KH Days Novel) Axel stared at him as if trying to figure something out and then grinned. "Right, that first week you could barely form a sentence."

The game began with a preview of Day 255, which was called "The Longest Day." The summer solstice, also known as midsummer, marks the longest day of the year and the shortest night, with the sun reaching its highest point in the sky. A Midsummer Night's Dream is set around the time of the summer solstice. The themes of love, transformation, and the blurring of reality and fantasy were heightened by the setting of the summer solstice. And those themes were also present in the narrative of 358/2 Days as well.

(KH Days Novel) The sun sank lower and lower as Axel watched, his mind wandering. If he stared for too long, the image would burn itself into his eyes, visible even after his eyes were closed. A phantom sun. Someone had once told him why sunsets were red… Who was that?

On Day 96 of the novelization, Axel closed his eyes until he could only see the illusion of the sunset in his mind. And he remembered that someone else told him about the red sunset. There's really no one else it could have been but Isa. It was one of the most precious memories sleeping deep in the shadows of Axel's heart.

Roxas: I don't remember anything before joining the Organization, so for the first few days, I was just in a daze. After that, I wanted to remember everything properly. Axel: Yeah, for about the first week, you couldn't even talk properly, and you're still kind of out of it. Roxas: That's harsh! Axel: Hey Roxas, do you know why the sunset is red? Light comes in different colors, and among them, red reaches the farthest distance. That's why. Roxas: Why are you so proud of that, Axel?

Axel looked off the side before telling Roxas about the red sunset, indicating it was something he'd just remembered in that moment. And his Japanese voice acting during that scene was so nostalgic and wistful. Again, based on subtext, I suspect it was probably the first thing Isa said to him after he became lucid again after his mental breakdown. Which was why Roxas's comment made him remember.

Roxas: Seriously, where is she?

And in Japanese, the day has another meaning. "長い日" (nagai hi) refers to a day that feels exceptionally long or seems to drag on due to various factors such as boredom, exhaustion, or a heavy workload. In Axel's case, it was because he was dreading telling Roxas the news.

276 ~Disorder~

Xion: Is it that I'm not supposed to exist? Axel: Well, what do you want to do, Xion? Xion: I want…I want to be with you two. Roxas: Then come back with us. Xion: I can't… Not the way I am now. But…what would it take for me to be like you?

In the above quote, Demetrius is addressing Helena, who is convinced that she is awake and experiencing reality. However, Demetrius questions the nature of their current state, suggesting that they might still be asleep and dreaming. This uncertainty reflects the topsy-turvy world created by the interference of the fairies, particularly Puck, who has enchanted the characters with a love potion, causing them to fall in and out of love with each other.

Roxas: I got to go to the beach today for my mission. There was this girl there who looked kind of like Xion…but I couldn't get close enough to tell for sure. I probably imagined it. To be honest, I'm not even sure today's mission really happened. I feel like I just woke up from a dream or something. This is gonna sound crazy, but you know how we promised each other we'd all go to the beach? Well, I think I only saw her there because I wanted her to be there.

Metaphorically, the quote highlights the theme of perception versus reality and the blurred lines between the waking world and the realm of dreams. It suggests that what appears to be real may actually be illusory, and that true understanding can be elusive in a world filled with magical enchantment and shifting emotions.

Day 299 ~Sora~

Saïx: I see. And what about the man in the black coat? Xemnas: Do not allow any further contact with Roxas. He is nothing more than an impurity hindering Xion becoming a more perfect being. Saïx: Then everything will proceed according to the original plan…

"Things base and vile, holding no quantity, love can transpose to form and dignity." Xion was nothing but a blank puppet and an imaginary number with no quantity. She only took on a form to the perceiver because of Sora's most precious memories within Roxas.

(KH Days Novel) I just did what I thought was the best thing at the time. For Roxas, for Xion, for the Organization—and for Isa. But most of all for me.

The idea behind "love is blind" is that love can create a kind of emotional blindness, where individuals are unable to see reality objectively. When someone is deeply in love, they may be unable or unwilling to see any faults or imperfections in their partner, even if those flaws would be apparent to an outside observer. This can sometimes lead to situations where people remain in unhealthy or toxic relationships because they are unable to see the negative consequences or red flags due to their intense feelings of love.

Axel: Was this really the right decision? Saïx: For you to say something like that... between that puppet and Roxas, which one is more important to you? Let me change the question. Between your petty friendship game and Roxas's disappearance, which one is more important to you? Everything has returned to normal. It must be the right decision, right? Even Xemnas is annoyed by the recent change in plans. We need to restore everything to normal. It's for our goal, too, Lea.

This time, when Saïx used the word "important" he used "大事な" (daijina) instead of "大切な" (taisetsuna). Both words mean "important" and are often used interchangeably. However, there are subtle differences. As I've said "taisetsuna" is used to emphasize emotional or sentimental value. And typically, "daijina" conveys the sense of something being important in a practical or utilitarian sense.

Saïx didn't seem particularly threatened by Axel's relationship with Roxas. Probably because Axel wasn't put in the position where he had to worry or be as protective of Roxas, the way he was with Xion. And Saïx also knew that Roxas was important to their shared goal of completing Kingdom Hearts. So, Saïx valued him in a utilitarian sense. In essence, he was telling Axel to choose between Xion or him.

Saïx was telling Axel, the assassin, to do the dirty work of eliminating Xion for him. So that their original plan could get back on its smooth course. "Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind." This cutscene was directed to look like the scene from KH2, when Sora closed his eyes and could see Riku in his mind, looking the way he truly was meant to look.

Day 352 ~Sunset~

(KH Days Novel) "How are you feeling, Roxas?" "…Same as always." Saïx smirked at the reply—and a chill ran through Axel at how vicious it was. "I have an urgent mission especially for you and your Keyblade," said Saïx. "There's a fearsome Heartless that's surfaced in Halloween Town."

In Japanese, Saïx's moniker is "月に舞う" or "Demon Dancing in the Moon". The word used for "demon" was "魔人" (majin). "魔" (ma) means "demon" or "evil spirit," and "人" (jin) means "person". Together, "majin" refers to a person with demonic or supernatural qualities.

Saïx has a pair of same-shaped weapons called "King of the Night" and "Queen of the Night". Dracula is sometimes referred to as "King of the Night," such as in the Castlevania series. Many legends and works of fiction depict vampires as being more powerful and bloodthirsty during the full moon. And while Saïx was always unpleasant, Day 352 is when he showed a truly evil side to his personality. He set Roxas and Xion up to kill each other in Halloween Town underneath the full moon until Axel intervened.

Saïx: Can't you just let things run their course?

"So quick bright things come to confusion." Lysander was reflecting on the transience of happiness and how quickly joyful moments can turn into chaos or confusion. Lysander's observation underscores the theme of instability and unpredictability in matters of love and human relationships, which is a recurring motif throughout the play.

Day 352: What I Must Do (Xion) I love Roxas and Axel. I think that's what I feel, but I bet Saïx would laugh, saying it's just false emotions fabricated from memory. But I loved spending time with Roxas and Axel on top of the clock tower. I wish we could stay like this, the three of us, forever. But it has to end now. I'll never forget today's sunset. Even if Roxas and Axel forget, I won't forget.

Xion used the word "好き" (suki) instead of "愛" (ai), which was the word used on Day 171. She certainly loved Axel and Roxas, which was why she made the decision to disappear at the Beast's Castle. But I think the writers were trying to emphasize that it was different than what she felt for Sora. Xion was the personification of the memories in the shadows of Sora's heart. She was his shadow self. She didn't want to say goodbye to her best friends, but she also yearned to watch the sunset with the person she loved in the "ai" sense.

Xion: A beautiful sunset. Even though it's the same sunset I've always seen, it looks especially beautiful today. I wish we could always be together like this, the three of us. […] Axel: What's important isn't meeting up every day— Xion: —It's thinking about each other even when we're not together, right?

Axel was definitely lying when he said he'd never seen a Winner ice cream stick before. The fact that their time together as a trio was coming to an end is what made him remember it in the first place. And he used the same words from Day 96. Only that time, he did feel sentimental towards Roxas and Xion. But Axel was trying to be the mature realistic adult in the situation.

Axel: If somebody doesn't break it, someday, you will no longer be you. Roxas will no longer be Roxas. Roxas: I am me. Still the best friend of Axel. Xion is also my important best friend! Axel: No, that's not it. It's not about that, Roxas. Roxas: Enough. Axel: That's not it, Roxas.

The theme "love is blind" also pertained to Roxas's relationship with Xion. To some extent, Axel was able to view the situation with Xion more objectively than Roxas. He could tell that she was a puppet that was absorbing his power and was dangerous. So, the next day, he let her run away from the Organization. He tried to explain the situation logically to Roxas, but Roxas couldn't accept it, and ran away too.

Day 355 ~Unsaid, Unheard~

(KH Days Novel) "Because they copied my powers, the Keyblade's power, and then they didn't need me anymore—is that it?" Roxas spat. He couldn't bring himself to confirm it. "I guess you felt the same way, huh, Axel?" At those words, something wrenched in his chest, and he could hardly breathe. No, not me. I wasn't thinking like that. I would never. "That's not true. You—you're my best friend." The words spilled out of him.

More than anything, Axel wanted to emphasize that best friends don't value each other for how useful they are. And that no doubt had some connection to his human memories with Isa.

(KH Days Novel) "We don't need them both. Just one. And pretending won't change it." We, who? Axel wanted to ask, but he held it in, along with a bitter laugh. He wasn't sure if that "we" meant Organization XIII or just Saïx and himself. Axel realized how great the rift was between how he remembered past and what he saw now.

Saïx may very well have been possessed by some soul/mind that had other motivations subconsciously driving him to complete Kingdom Hearts at all costs. But all the subtext indicated that his conscious motivations were very simple. He wanted to complete Kingdom Hearts to get his heart back. He wanted the power of Kingdom Hearts because he wanted the power to love and be loved in return.

Day 356: Unforeseen Circumstances (Saïx) Lea, what did you ultimately want? The plan we decided on, entering the Organization together... No, that's already just wishful thinking. Everything has changed. You, and me too…

It would have been quite a twist if Axel and Saïx's big plan was simply being together forever eating ice cream every single day and watching the sunset. And there is a lot of evidence in the original text to suggest that that was indeed their plan. I also found it interesting that in Axel's Report from Day 118, he denied that he changed. But Saïx acknowledged in his final report that he had changed.

Comparing the Organisation members when they were human to when they were in the Organisation, apart from Xehanort, only Isa and Braig have differently-shaped ears and differently-coloured eyes - why is this? Nomura: It's a question of whether or not they're deeply connected to Xehanort. In Braig's case, comparing the scene where he's injured in his battle with Terra and flares up at Xehanort, his appearance afterwards changes, which hints that something happened with Xehanort in between. (BBS Ultimania, March 2010)

Xion was a puppet made to duplicate Sora's powers. And over time, she began to appear as him instead of Kairi. And the thirteen vessels were puppets made to be duplicates of Xehanort. After being experimented on and turned into a vessel, Isa would have noticed certain physical changes such as the golden eyes and pointy ears.

By the way, Braig's dealings with Master Xehanort in Birth by Sleep make sense, he was to become a vessel. Nomura: There is a certain reason for Braig to proudly exclaim, "As for me, I'm already half Xehanort." Isa (Saix) is included too. I think you'll understand the details about their circumstances eventually. What happens to the hearts of those who have had Master Xehanort's heart planted within them? Nomura: They'll gradually be swallowed by it. As for Master Xehanort, he plans to control them completely. The planted parts of the heart are captured rather than disappear. (Famitsu, May 2012)

And maybe Isa didn't want to lose his identity and become someone else. So, he thought it would be better for him to not exist anymore.

Day 356 ~Role~

(KH Days Novel) "How do you know that?" Axel demanded. "Everyone thinks they're right…" "This is right," Xion said firmly. "It's better this way." Axel hated that argument. Nothing was better any which way. All it came down to was what you wanted to do and what you didn't. He'd learned that lesson back when he had a heart. "So it's better for you to disappear?" he protested.

Because I definitely got the impression that Axel was reliving a situation from his past that was extremely similar to the situation with Xion. And that's what the novelization hinted at, too.

In Japanese, the title for this day is "役目" (yakume). It means "duty" or "role". It refers to a task, responsibility, or function that someone is expected to fulfill or perform. And it's a reference to when Axel says, "The dirty work always seems to fall on me."

Xion: …No holding back now, Axel. Axel: Stop fucking around! Don't underestimate me! I've made up my mind! No matter how many times you guys try to run away, I'll always be there to bring you back!

I don't think the English localization truly captured Axel's anger here. In Japanese, he says, "ふざけんな" (fuzakenna). It's a very direct way of saying "Don't mess with me". Next was "てめーナメてんじゃねーぞ" (teme na meten jane zo). It's a very informal and rather aggressive way of saying "Don't underestimate me" or "Don't look down on me." It's a confrontational expression used to assert oneself and demand respect. The phrase contains strong language (teme), and it comes across as rude. So, swear words are very fitting here.

Xion was a mirror that reflected the memories of those who were bound to Sora in some way. Even Xigbar was able to see her as Ventus at times. When Axel said that he'd bring Xion back, he said "you both". In Japanese, he said "おまえら" (omaera) which means "you guys". It's specifically plural in both languages.

Axel yells at Xion, "I'll bring you back no matter how many times it takes", but why does the word "you" refer to multiple people? Nomura: That's still a secret as well. But Axel's determination here of "bring you back no matter how many times it takes" is connected to when he said he would bring Roxas back in Kingdom Hearts II. (Famitsu, August 2008)

Nomura said that the reason why Axel was referring to multiple people in that scene was a secret. It wasn't referring to Roxas, but the determination Axel felt toward bringing him back in KH2 was related. And Axel said he'd bring Roxas back even if he had to knock him unconscious. During Axel's showdown with Xion, did she actually take on the appearance of Isa to him? Is that why he could only stare down at the ground in that moment?

Lea said the same lines, "Why do I always get the icky jobs," and "I'll always be there to bring you back," to Xion in KH Days when he brought her back. Does he remember that? Nomura: The nature of the being known as Xion and all memories to do with her were erased, but he would remember other things. (KH3D Ultimania, May 2012)

In KH3D, Lea didn't remember Xion. But it was strongly implied that he did remember making that promise to Isa. Isa was probably one of the test subjects taken away by Ansem the Wise. He didn't want to be a puppet of Xehanort, in either a literal or figurative sense. Lea probably had to bring him back to join the Organization by force. That's why Axel always agreed to do any of the dirty work necessary, even though Saïx was certainly capable of doing it himself.

Day 357 ~Tears~

Roxas: Did I...hurt you? Xion: No, I'm the one who's trying to disappear on my own. I didn't want to become what Xemnas wanted, so I will go to Sora's side. I just want to return to where I belong. But I have one request. Please release the captured hearts and Kingdom Hearts. Roxas: Release...Kingdom Hearts? Xion: It seems I can't do it anymore. But you can't fulfill Xemnas's wishes. Goodbye, Roxas. Let's meet again. I'm glad I got to see you and Axel. You two are best friends. Don't forget that. Roxas: No… Let's go eat ice cream together as a trio again, Xion.

The flower tatarian aster is known in Japan as the "紫苑" (shion). In Hanakotoba, the Japanese language of flowers, it means "I'll never forget you." Roxas and Xion's Mystery Gear was called "Aubade". An aubade is a form of poetry or music that focuses on the theme of lovers parting at dawn. It typically depicts a scene where lovers must separate as day breaks, often evoking feelings of longing, melancholy, or anticipation. Day 357 was called "Tears". It referred to Roxas's tears when Xion disappeared leaving only a seashell behind.

Day 357: To My Best Friend (Axel) Roxas is gone... Leaving just the stick labeled "Winner." Typical of him. I bet tomorrow or something we'll get orders to bring him back, but leaving this behind... it really feels like the end, doesn't it? Roxas, are we still the three of us...? Well, no, just two now. Let's get some ice cream again. That's what being best friends is all about.

But it was also referring to Axel when he opened the envelope with the ice cream stick in it. "Queen of the Night" is named after a flower known as "月下美人". It literally means "beauty under the moonlight". The flower's symbolism is derived from its short flowering time. It only blooms one night a year, usually during a full moon. The flower's meaning is to enjoy the small moments because they do not last. In flower language, it represents fleeting beauty and fleeting love.

The word for "beauty" is "美人" (bijin). It means "beautiful person" and usually refers to women. Generally, "bijin" is more commonly associated with feminine beauty in Japanese language and culture. While it can technically be used to describe individuals of any gender who are considered beautiful, the term often carries connotations of traditional or stereotypical feminine beauty standards. "Majin" and "bijin" highlight the vast dichotomy between Saïx and Isa.

Axel: If you want, I'll bring you back too. Saïx: The marks under your eyes are gone, aren't they? Axel: Yeah, I don't need 'em anymore. Saïx: I taught you, who used to be such a crybaby, the charm of inverted tears. Axel: Shut up. Get out of here quickly or I'll kick your ass tomorrow!

In KH3, Saïx noticed that he had a Winner ice cream stick before he brought up the subject of Axel's tear marks. He said that he taught Lea that spell and used the word "おまじない" (omajinai). It means "spell" or "charm." It refers to a ritual or action performed with the belief that it will bring good luck or protect against misfortune.

This subject seemed to embarrass Axel. Lea was his other self, the weak crybaby that he was ashamed of and didn't like to acknowledge. In other words, his shadow. Perhaps back then Isa was trying to be the realistic mature adult, while Lea was the childish one who insisted they would be together forever? And perhaps a Winner ice cream stick was the memento Isa wanted to leave behind so Lea would always keep him in his thoughts?

I don't have a high opinion about the way KH3 handled Axel and Saïx. I understand that there wasn't enough time to show their backstory, so their relationship was sidelined to focus more on other characters. There was still a lot of romantic subtext, but the KH3 team did seem a bit uncomfortable with how utterly gay Saïx was for Axel. So, they tried to retcon his motivations to be entirely about Subject X. Which I think was very disrespectful to the story being told in 358/2 Days.

Day 359 ~The First Day~

"If we shadows have offended, think but this and all is mended: That you have but slumbered here while these visions did appear. And this weak and idle theme, no more yielding but a dream." (William Shakespeare, A Midsummer Night's Dream)

The quote "If we shadows have offended" was spoken by Puck in the final scene of the play. He addresses the audience directly, acknowledging that the events of the play, including the magical transformations, misunderstandings, and romantic entanglements, may have caused offense or confusion.

Xion: Roxas, don't be sad. I came from you and Sora. I am you…the same way that I am Sora. You'll forget me, but the memories themselves will never go away. Memories of you and me will always be together…forever, inside him.

By referring to themselves as "shadows," Puck implies that the characters and events of the play are like fleeting illusions or figments of imagination. The quote also serves as a kind of epilogue or closing statement, in which Puck reassures the audience that all will be "mended," or set right, if they view the play's events as nothing more than a fantastical dream experienced during a slumber.

#long post #kingdom hearts #kingdom hearts 358/2 days #roxas #xion #kh axel #saix #rokushi #akusai #kh isa #leaisa #kh meta

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hurpdurpburps · 3 months

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A Casual Comparison Between The English vs Japanese (and a bit of Chinese) Versions Of Otherside Picnic

Just a ramble on my thoughts as someone who buys and reads both the English and Japanese versions of all the novel and the manga volumes.

Some of my commentary might come across as a bit too pedantic but it's coming from my thoughts as a current formal translator and former manga scanlator.

Spoiler Warning: events up to Vol 8 are mentioned.

Overall thoughts

Generally, I quite like Sean McCann's translations of the novels. I think his style strikes a nice balance between the need for needle-sharp accuracy and smoothness that localisation brings. He seems to have quite a mind-boggling amount of experience under his belt according to Kindle, and also translated Side-By-Side Dreamers (another fantastic read that I will fangirl here about one day!!!), which is a standalone novel by Miyazawa.

On the other hand, the English version of the manga feels rather clunky from time-to-time. Kindle doesn't credit anyone for the English translation of the manga and I don't think it's McCann. Redrawing is also pretty lazy, with English words often simply slapped on next to the original Japanese SFX, which is kinda terrible for an official publication.

Another aspect of the English manga I don't understand is why they chose to flip the reading sequence of the Kozakura POV short stories at the end. After reading through dozens of pages of the manga right-to-left I don't think it's any more difficult to read the story in the same direction. Having to skip to the very last page then resume reading left-to-right in reverse page order is so mindbogglingly tedious and unintuitive.

Dialogue, Nuances and Characterisation

A big issue with translation is the difference in how many words it takes to convey the same sentence in different languages. Extreme cases can call for bolder deviations from the original to maintain some semblance of narrative flow.

Here's a minor example - the following lines are from Vol 3 (File 9 - Yamanoke Presence), when Toriko is slapping the shit out of Sorawo's back:

“Ow! That hurts! [1]” “Suck it up. [2]”

「いった！　痛いって！ [1]」「我慢して [2]」　

The more literal translation of [1] would be "I said that hurts!" but I guess the translator opted for something that's shorter and more natural-sounding.

There's also the issue of characterisation stemming from dialogue style. Sometimes I feel like Toriko comes across as slightly more aggressive in English than the original Japanese version.

[2] in Japanese is simply and most accurately translated as "bear with it."

There's a similar scene in Vol 6 (File 20 - T is for Templeborn), when Toriko sticks her fingers inside Sorawo's right eye:

“Whoa! Hold up! That’s my eye!” “Suck it up.” “You’re kidding me, right?!”

「ちょ、ま、そこ目！」「我慢して」「噓でしょ!?」

Personally, I feel that "suck it up" should've only been used if the original text said "我慢しろ", which implies a more callous or harsher, commanding tone. To me at least, "我慢して" is pretty neutral.

Here's another example from Vol 6, when Sorawo begrudgingly compliments Toriko for having a pretty smart idea:

“Why do you always sound so frustrated when you compliment me on that, Sorawo? [1]” “Urgh.” I hadn’t expected her to call me out on that, so I didn’t know how to respond. “Well, I’m nice [2], so I won’t get mad at you for thinking I’m an idiot.”

「その褒め方するとき、いつもなんか悔しそうだよね空魚 [1]」「うっ」　思わぬ指摘をされて言葉に詰まる。「鳥子さんは優しいから [2]、バカだと思われてても怒りませんけど」

[1] is more of an observation and not a question in Japanese. "You always look kind of frustrated when you compliment me like that, Sorawo" feels perfectly serviceable and fits with the line that comes next, so I'm not quite sure about the reason behind this translation decision.

As for [2], Toriko actually referred to herself in third-person ("Toriko-san is kind") in the Japanese version, which is supposed to a convey a sense of satirical self-grandiosity. Without that part, I think Toriko comes off as more direct and less playful in the English translation.

That said, there are also positive examples of localisation in the series. Take a look at this conversation from Vol 5 (File 16 - Pontianak Hotel):

“Why would they go to all the trouble of decking the place out in Balinese style, then go and push honey toast, of all things?” I asked, but Toriko had a simple answer. “It’s honey in Bali [1], right?” “Wait… That’s it?! Because they rhyme?! [2]”

「なんでこんなにバリ島モチーフなのに、フードはハニートースト推しなんだろ」　私が何の気なしに疑問を口にすると、鳥子がさらっと言った。「バリ島でハニトー [1]ってことなんじゃない？」「……えっ、そういうこと!?　駄洒落!? [2]」

[1] actually says "Honey toast in Bali", which can be romanised as "bari-tou de hani-tou". Sorta catchy in Japanese but doesn't swing in English, so the rationale for the change is fairly obvious.

[2] literally means "pun", or I guess it's supposed to be slightly more loosely interpreted as "wordplay" in this context, but that too has to be altered so that the earlier changes to [1] make sense.

We opened all the bottles and had another toast of the not-bread variety [1]; there was a loud clinking of bottles [2].

ビール組の小瓶の栓が全部抜かれて、改めて乾杯した [1]。グラスと瓶の触れ合う音が高らかに鳴り響く [2]。

[1] can be read as "we made a toast for a change", which without alteration can be fairly confusing so the translator seized the opportunity to add a little funny spin to it.

A more literal translation of [2] would be "The sound of glasses and bottles touching rang loudly". I suppose the localisation here could be considered as a minor but factual mistranslation, as cocktail glasses were actually present in this scene, in addition to beer bottles.

For our final example of missing nuance, here's a quick glance at Vol 6 (File 20 - T is for Templeborn), where Sorawo and Toriko went for a quick builder's lunch after a morning of breaking concrete:

Settling on a place that served Western-style dishes, we joined the salarymen and construction workers for a hearty meal.

あんまり気取らない感じの洋食屋を選んで、スーツ姿のサラリーマンや工事の作業員に交ざって、がっつりボリュームのある定食を食べた。

The bolded part roughly translates to "We chose a rather unpretentious Western restaurant...", with "unpretentious" in this context referring to a place that doesn't feel very conscious/fussy about attire/appearances.

I don't think it's a big deal per se, but it's the inclusion of small details like that which adds flourish to Miyazawa's writing, and it's kind of a pity for them to be missing when they don't have to be.

Prose and Structure

Japanese is a high-context language, so writers often take it for granted that their readers can intuitively grasp who's saying what, which is not very helpful for English readers. There are certain parts of the Japanese version that is just a whole dozen lines of uninterrupted dialogue. The text below from Vol 5 (File 16 - Pontianak Hotel) is a very good example:

“Phew… Toriko, did you eat your share?” I asked. “Yeah, I sure did. It was delicious.” “Is that really true…?” “She does seem to be putting on an awfully calm face,” Akari agreed. “I feel like she was just eating the ice cream on top,” Kozakura interjected. “See, I knew it!” “Hey, hey, don’t worry about it,” Toriko tried to mollify us. “You’ve all finished your drinks, right? Let’s have another toast.” “Whose is this one, with the orange and… blackcurrant?” Akari asked. “That’s mine,” said Natsumi. “Pass it here.” “Everyone else ordered beer, huh?” Kozakura noted. “Which’s yours, Toriko?” “The Bintang.” “I had one of those too,” Kozakura said. “Well, I guess these must be for Senpai and me. Bali-hai?” “Yeah, I’ll pass around the bottle-opener,” I said.

Note all the speaker names bolded above... and how they completely don't exist in the Japanese version below:

「ふー……鳥子、ちゃんと食べた？ [1]」「食べた食べた [2]。おいしかったね」「本当かな」「それにしては涼しい顔してますよね [3]」「そいつ [4]、上に乗ってるアイスばっかり食ってた気がするな [4]」「ほらやっぱり！」「まあまあ [2]、いいじゃん。みんなお酒なくなったでしょ。もっかい乾杯しよ [2]」「このオレンジ入ってるやつ、カシスかな？誰のですかー？[3]」「それウチ [5] の。ちょうだい」「ほかみんなビール頼んだんだね」「鳥子のどれ？ [1]」「ビンタンとかいうやつ」「あたし [4] のもそれだ」「じゃあ、センパイと私がこっちですね [3]。バリハイ？」「うん、栓抜き回すね」

You might be wondering how the hell Japanese readers tell apart who's who? Thanks to the Japanese language's rich vocabulary of personal pronouns, 'tiers of politeness' and three different writing systems, personalities are easily demonstrated via dialogue.

For example, the most common personal pronoun, "watashi" (meaning "I" or "me"), can be expressed in kanji (私), hiragana (わたし) or less commonly katakana (ワタシ). The kanji form is considered "true neutral" and also used in formal contexts such as emails, while the hiragana is more cutesy.

In the case of this specific conversation, we can roughly tell the speakers apart using the process of elimination via each person's relationship with the others:

[1] This is clearly Sorawo, as she's the only one apart from Kozakura who addresses Toriko without any honourifics, and her tone soft and casual.

[2] Toriko says "食べた食べた" and "まあまあ", which translates to "I ate it, I ate it" and "Oh well, oh well" respectively. A common speech pattern of Toriko's is to say things twice, representing her casual and chirpy demeanor. Toriko also likes to contract her words. The line "Let’s have another toast" is written in Japanese as "もっかい乾杯しよ" (romaji: mokkai), which is a shortened version of "もう一回" (romaji: mou ikkai).

[3] Akari is the only one who uses polite language (the -masu form) in this group of misfits, and also the only one who addresses Sorawo as "senpai", notably in katakana (センパイ).

[4] Interestingly, Kozakura uses "atashi" (あたし), which is considered less neutral/softer/more feminine than the standard "watashi", but the rest of her speech style is consistently rude and masculine, such as addressing the rest as "お前ら" or Toriko with "そいつ", which has a "top-down" tone.

[5] Natsumi uses the personal pronoun "uchi" (ウチ), which is sorta a gangsta/delinquent stereotype.

Mistranslation

Translation errors are for the most part very rare, minor and always come across as a case of careless misreading rather than a lack of fluency.

Apart from the ones already mentioned in passing above, I'll list two more such examples below (taken from my OP Pilgrimage List Pt. 1):

Example 1: Vol 7 (File 22 - Toilet Paper Moon)

“I hear there’s a lounge on the fourth floor here.” “A lounge…?” “It’s got a night view and you can drink there.”

「ここ、四十五階にラウンジがあるんだって」「……ラウンジ？」「夜景が見えて、お酒が飲めるとこ」

Here, the Japanese text says 45th floor, instead of the 4th floor.

Example 2: Vol 6 (File 20 - T is for Templeborn)

I ordered tonkatsu curry with a black roux and lots of cheese, while Toriko had roasted flounder with ginger.

私は真っ黒なルーにチーズのたっぷりかかったカツカレー、鳥子はヒラメのカツと生姜焼き。

The bolded part states "flounder katsu and shougayaki", which actually means a piece of breaded, deep fried flounder, with pork stir-fried in ginger sauce on the side.

Chinese Censorship

As most would know, censorship is heavy-handed in China, so how does a certified Yuri series get processed over there?

The Gay™ parts get re-written or entirely scrubbed and replaced with something more 'innocuous'.

I don't read OP in Chinese, but I stumbled upon this tweet by a professional Chinese translator complaining about the censorship in the Chinese version of the novels.

In Vol 5 (File 19 - Hasshaku-sama Revival), Toriko gives Sorawo a surprise kiss after they escape Hasshaku-sama:

“With no time for me to close my eyes, our lips touched… then parted again [1]. Freed from her hands [2], I stumbled backwards. As I covered my mouth and stared at her [3], Toriko said, “Let’s call it even with that.”

This is the original Japanese:

目を閉じる間もなく、唇と唇が触れて……離れた [1]。しつこい両手から解放されて [2]、私はよろよろと後ずさった。口を押さえる私と目を合わせたまま [3]、鳥子が言った。「これでチャラにしてあげる」

Translation: "With no time for me to close my eyes, our lips touched... then parted again [1]. Freed from her stubborn arms [2], I stumbled backwards. As I covered my mouth, Toriko's eyes met mine [3], and she said, "Let’s call it even with that.""

Here's the Chinese text:

我甚至来不及闭上眼，只见鸟子弹了下我的额头。 [1] 好痛！[1] 抓紧不放的那双手放开了我 [2]，我趔趄着后退了几步，捂住嘴巴。鸟子依然注视着我的眼睛 [3]，说道：“这样就一笔勾销了。”

Translation: "With no time for to close my eyes, Toriko flicked me on the forehead. That hurt! [1] Her arms that were gripping strongly released me [2], and I staggered back a few steps, covering my mouth. Still looking into my eyes [3], Toriko said, "Let's call it even with that.""

As you can tell from [1], the Chinese version replaces the kiss with a flick on the forehead, but keeps the part where Sorawo covers her mouth. You can think of it as the translator screaming "it's NOT her forehead and it's NOT a flick" with their mouth taped and their hands tied behind their back.

Honestly... I can't wait for the Chinese translation of Vol 8 to come out, if it ever does. I'd buy a copy just to see how they deal with censoring the entire book LOL.

I also bolded [2] and [3] so you can compare/contrast how the same scene is written across three languages. Apart from the censored kiss, the Chinese translation actually follows the Japanese text more closely than the English version.

Classification

A pet-peeve of mine is people calling the books light novels. OP is not LN!!! It's a bona fide novel series under the banner of a respected major publishing house which is also the largest sci-fi publisher in Japan. Don't let the illustrations on the cover fool you.

#otherside picnic #urasekai picnic #裏世界ピクニック

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sinful-lanterns · 1 month

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Oooofff, I'm so sorry to break it to you and MAJOR SPOILER for the ending of insatiable fiesta npc but

I'm 99% sure the person on the far right is a man, or they indentify as one.. at the end of the event we see them crying and yelling at chief and macchiato, saying something along the lines of "What? You've never seen a man dress like this?" In a relatively deep voice. At the end though, it makes sense, especially because of the description the disgusting chef and Cabernet give them. And the fact that another npc threatened to reveal their secret. Very sad, overall. I feel really bad:(

I am aware of this, anon. However, I am pretty sure Carol identifies as a woman because with the way I interpreted Carol’s story, it aligned much more with her being a trans woman, rather than being a cross dresser like the English version said (in my personal opinion I feel like it was a translation error)

Nothing wrong with cross dressers either and there is a big difference between trans people and cross dressers, but in my opinion I believe Carol is a trans woman and that statement at the end of the event was just her breaking down, because it’s understandable with what kind of trauma she’s been through at the event. She was literally exposed by McGrath in front of everyone about her identity. It’s why her food outfit theme was an oyster, because she was literally ripped open by McGrath and had her vulnerable “insides” (her secret) being exposed to everyone, like an oyster.

Whether or not you think Carol is a trans woman or a cross dresser is up to you, though. You are free to interpret Carol as however you wish, but in my interpretations she is a trans woman and identifies as a woman! :)

#⛓️ interrogation complete #either way #carol is beautiful

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givemea-dam-break · 1 year

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Hey, I love how you write! I wanted to ask a Lockwood x reader where reader is an orphan, and the agency accepts a case where the ghost is y/n's mother, and after the case Lockwood comforts her. Sorry if it's weirdly specific, feel free to change something. Thank you!!! (Sorry for grammatical errors, English is not my first language, I'm using google translate)

a/n: don’t worry about grammar or anything pahaha, i’m here to write the things you like not criticise you about something that isn’t your first language 😭 and i’d be more than happy to write this! i hope you enjoy (and i hope it’s alright to read my love <3)

warnings: mentions of death, blood, mild description of panic attacks words: 2.2K gn reader taglist: @wellgoslowly @waitingforthesunrise @irisesforyoureyes @aayeroace @neewtmas @ettadear @mirrorballdickinson @gotlostinfiction @locklylemybeloved @mischiefmanaged71 (let me know if you want added to my taglist <3)

My Flower - Anthony Lockwood

There are creepier houses in London, but somehow this one feels worse.

As you scan the contents of the living room, there’s an odd feeling in your chest, tugging and squeezing and flooding your stomach with nausea. It’s a pretty minimalistic house, probably because there’s only a small space to work with, but something in it has made your throat dry.

This isn’t the first time you’ve come on a case to deal with a woman murdered by her husband, as horrid as it is. It’s not even the first time you’ve worked on a case where the victim, and number one suspect for the Visitor, has been killed within the last two decades. Fifteen years ago, George had told you. Slit throat. The thought makes you shiver.

Maybe it’s because it was this very room where the murder happened, and where their young child had been left beside an aging corpse, wailing, for two days. No one helped, not until the neighbour grew sick of the crying.

The case was in the newspaper for months as DEPRAC and police forces tried to find the husband, but to no avail. Reading them in the kitchen back at 35 Portland Row had made you feel ill. This is worse.

“How’s it going through there?” Lockwood calls from the kitchen.

“No sign of her yet,” you say, glancing down at the iron circle around you. “But I can feel her.”

Creaking floorboards sound, and then Lockwood is in the doorway, glancing around the room. He’s wearing those stupid-looking sunglasses of his to block out the deathglow in the room – one that is horribly strong, apparently. You wouldn’t know. Your sight is terrible. With a swish of his coat, he’s standing beside you, too close to be considered appropriate for colleagues but too far to satiate the twitch of your fingers.

“You want to use your Touch?” he asks. “Try getting a sense for what the source could be? For all we know, it’s one of these creaky floorboards.”

You huff a laugh, but it feels rather strained. “Where do you suggest I start?”

“Wherever your heart takes you.”

“What are you, a poet, now? Wheesht.”

He snorts as you step out of the iron circle. A chill passes over you, and looking down at your temperature reader, you can see it’s fallen three degrees since your last check five minutes ago. If not for the gum you’re chewing, you’re sure you’d be able to taste the bitter miasma on your tongue.

“Watch my back.”

You can practically hear his grin when he says, “When don’t I?”

“That time in Soho. That other time in that house in Hackney. Oh, or that park in Greenwich –“

“Right. I get it. But I’m watching your back now.”

A smile tugs the corners of your lips upwards, but you have to set the words aside. With a deep breath, you place your hand on the wall in front of you, just short of the window facing the front garden, and close your eyes.

The world rushes away, taking with it the creeping fear in your soul and the chill on your skin. Warmth floods your bones as you open your eyes, greeted with an older version of the living room you stand in. There’s no sign of Lockwood or your equipment. The minimalistic décor has been replaced with clutter: children’s toys; blooming plants; photos along all of the walls; a comfy-looking sofa draped with a fluffy blanket. Even with your moderate Talent in Listening, you can hear soft music playing, followed by laughter and a child’s voice.

A figure crosses into the room, a beautiful woman in her twenties, and in her arms is her child, no older than two and babbling incessantly. The woman laughs, pinching the child’s cheeks before setting them down on a plush rug and handing them one of their dozens of toys. She looks at them fondly, perched on the sofa’s arm, and you have a clearer view of her.

She looks just like she did in the photos in the newspapers – young and beautiful and hauntingly familiar. Something in the way she smiles, how she laughs, has an odd feeling sparking in your chest.

There’s a moment where it’s almost like a photograph. Nobody moves, not the woman, not the child, and not you. But then the woman stands and crosses the living room until she is standing beside you, peering out of the window cautiously. Her fingers fiddle with something at the windowsill.

“My flower,” she says, glancing back at the child, “I do love you so. Remember that.”

You frown, and though you know how the story turns out, you still jump when footsteps shake the house. It all happens too quickly. The husband storming in, furious at God knows what, shouting at his wife, shoving the child away when they toddle over for a hug. When he reaches the woman, it feels as if all the air has been sucked from your lungs, and you can only watch as he berates her, blames her for problems that were of no cause of hers. You feel like you’re going to be sick when he grabs a glinting letter opener. It shouldn’t be sharp enough to harm, not really, but it is. And he kills her.

There’s so much screaming, even with your muted Talent, and it’s deafening. It tears you from the vision, and with a feeling similar to whiplash, you become aware of the real world’s surroundings; of someone’s hands holding you up and their voice asking you if you’re okay.

But you can barely focus on that.

A few feet in front of you, there she stands. She’s beautiful, even as a ghost, even with the blood on her throat and lips and the hollow cheekbones. You can’t breathe, fixed on the sight of her alone. And her words. The few, raspy words she speaks have got you by the throat.

“My flower,” she rasps, and there’s a horrible gargling sound like blood in her throat. “(name).”

You stumble back into Lockwood, who uses one arm to hold you close and the other to point his rapier at the ghost. His heartbeat is pounding furiously against your back, the only sign of his nerves.

“I’ll hold her off,” he says. “You get the source. Do you know where it is?”

“Yeah,” you manage, grasping his arm. “But…”

“But what?”

He swipes with his rapier as the ghost nears, and for a moment she disappears, only to return. Repeating, repeating, repeating. My flower. (name). My flower. (name).

“Lockwood, don’t hurt her.”

“She’s a ghost! She’ll hurt us.”

Your grip on his arm loosens. “Do you trust me?”

“Usually. I’m not sure I do right now.”

Regardless, you pry his arm off you and take a step forward.

The woman’s ghost makes no attempt to attack you. She simply hovers in place, watching you with careful, curious eyes as you step closer to the window. Your hand slides onto the sill, shocked by the sharp cold, and it could very well be a figment of your imagination, but you swear there’s a glimpse of a smile as she repeats your name.

With a trembling hand, you find that the edge of the windowsill is loose. Carefully, you pull it upwards and try not to jerk your hand away as a spider rushes out, climbing over your fingers and down onto the wall. The wood, old and weathered, cracks and snaps upwards.

“Why’s she not moving?” Lockwood is still in a defensive position, now slowly moving to stand between you and the ghost.

And there it is. The source. You pluck it out from a hastily-made hole beneath the wooden windowsill, as if it had been formed solely for the purpose of hiding this very thing – a small box, one with your name written carefully on the top.

A sigh of relief. Your name repeated.

Slowly, so as to not startle her, you pull a silver net from your belt and gently wrap the source in it. And with a wink of light and once more, My flower. (name), she disappears.

The chill immediately lifts from the room, and warmth creeps its way back into your bones. Cautiously, Lockwood sheaths his rapier and turns to you. He looks a little bewildered, apparently unused to a ghost not wanting to kill him. His eyes are a little wild, but they soften when they find yours.

“What just happened?”

“I think…” The sentence goes unfinished as you stare at the source.

Keeping it mostly wrapped up in the net, you peel away the top to reveal the lid of the box, brushing a finger over the faded cursive. Lockwood’s there in an instant, looking between you and the box as you open it warily.

The box isn’t big by any means, but it’s large enough to hold some little polaroid photographs, each with a date and little notes written in the same handwriting that dons the top. There are photos of a baby dressed in silly outfits, ones of the woman with her child on her knee, grinning. The one at the very bottom shows a newborn, wrapped snug in a blanket, with a birthdate and name written below that has your heart ceasing all actions.

Lockwood’s fingers brush the pictures. “I thought… I thought your mother was dead.”

“She is. We just met her.”

You’re not sure why it didn’t click sooner. After years of living in foster care, you always clung onto your surname, knowing it was the last thing you had of your family. You never knew who your mother was, or your father for that matter, and had never known the first names. But why the surname didn’t give you a hint… You’re not sure.

Part of you feels relieved to have that clarity now. To know who your mother was, and that she loved you, but at what cost? Having to watch her brutal death as her child – you – sat and cried? To have only seen her again in the form of a ghost-hunter with the intent of destroying a ghost? To know that your father was a murderer who abandoned you?

All at once, the emotions hit you like a tsunami. It’s hard to breathe, so damn hard to breathe, and your head is swimming. Bile rises in your throat as you fall back against the wall, dropping the photos and their box to the ground. Your legs shake, giving out, and you slide down the wall until you reach the ground trembling.

But Lockwood’s there. He’s always there. He gathers up the photos into the silver net, wrapping it tight before shoving it away to the side and kneeling beside you as you reach for his hand. It’s warm, familiar, and it makes you feel tied down to the world, but, god, it’s still so hard to breathe. It feels as if your throat has closed up, unwilling to let anything pass but horror and grief and a strange piece of relief.

Lockwood doesn’t say anything. Instead, he gently moves your hand from his until it rests against his chest atop his steady, strong heartbeat.

It feels like years before the ability to breathe without feeling like you’re dying returns. But Lockwood stays, calm and collected, holding your hand to his chest and acting as your lifeline. He doesn’t tell you to breathe. He doesn’t tell you that you’re okay. He tells you you’re safe. That he’s there.

Shakily, you take a deep breath and rest your head back against the wall. Your face feels sticky with tears, and you can taste salt on your lips, but Lockwood doesn’t care. No, he brushes the hair off your sweaty forehead, his hand lingering for a few moments.

“I can’t believe…” You can’t even say the words.

“I know,” he murmurs. “I can’t even begin to imagine how you feel.”

“It didn’t even click. I should’ve guessed when –“

His hand on your cheek stills yours words. “Should’ve nothing. It’s not your fault you didn’t realise. If it’s anyone’s, it’s mine, but, as horrible as I feel right now for bringing you on this case, I think you needed this.”

You want to scoff at the words, to shout at him for even suggesting that seeing your mother’s ghost after fifteen years of not knowing her is good for you, but you can’t help but agree with him. If George or Lucy had come instead of you, you never would’ve known who she was. What she looked like. How she sounded when she laughed. How beautiful her smile was. What your nickname was. My flower.

When you lean forward slightly, your forehead finds Lockwood’s, and you rest against him for a few moments, finding solace in the evenness of his breaths and the familiar scent of bitter tea and cheap shampoo. After a moment, he pulls away and presses a feather-light kiss against your forehead, and you find yourself leaning, now, against his shoulder, breathing in the comfort of him.

“I’m here if you need to talk,” he says quietly into your hair. “Or if you just need someone. I’m always here.”

It’s not until he brushes his lips against your head again that you can move.

And he holds you the whole way home, fingers entwined, so that you know the words are true.

#anthony lockwood x reader #lockwood x reader #lockwood and co x reader #lockwood and co fanfiction #lockwood and co #lockwood and co netflix #anthony lockwood #george karim #lucy carlyle #fanfiction #x reader #givemea-dam-break

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thoseyoulove · 1 month

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Reacting to The Vampire Lestat - Part V (with a bit of spoilers and maybe important quotes?)

Armand!

YAY!

Okay, what the hell is happening?

??????

Seriously, WHAT THE HELL IS HAPPENING?

Am I lost because I'm reading the Brazilian Portuguese version and maybe it's not properly translated?

*Downloads an English PDF copy* Yeah, this isn't much better and it looks like it was poorly transcript.

I'm still not sure I'm following...

Well

Whatever

I still like this anyway?

Also, I can see I'll have to read at least this book twice anyway. Maybe more or even the whole chronicles.

Because since Armand showed up I'm DEVOURING this and I can see myself maybe missing a few details... I'll need to read it slower and savor it in the future. I also assume that knowing more of the lore will give me perspective on a future read.

Armand is never boring.

Still my favorite character. :) Let's hope nothing ever ruins that. :) /hj

Not one Lesmand/Armandstat interaction is wasted tbh, I don't care if they're vibing or hating each other's guts, they're always A MOMENT™.

Let's hope nothing ever ruins that. :) /hj

They also have some pretty valid and intriguing conversations, really.

The impression I get is that they want to stay close, but deep down know it's better not to because they're so messed-up and would be even more messed-up as friends or else (and maybe it's the or at least one of the reasons why they attract each other?), but there's some frustration in that acknowledgement too. Like, doing something because you should is not the same as doing it because you want to and... Well.

I mean, there's more I could say, but this is the short version of how I generally feel about them lol.

Can't wait to see all of this on season 3.

Assad is right, I want Armand to be unhinged too. So glad we're on the same page about all thigs Armand ever and that the spirit of Armand posses Assad on a daily basis so he can play him 100% the way I imagine him. SMILING THROUGH IT ALL, CAN'T BELIEVE THIS IS MY LIFE RN!!!!!!!!!!!!!!!!!!!!!!!!!!

I'm also ready for more Lestat (Armand's version) and finally some Armand (Lestat's version). Let the battle begin. I wonder who will be more insufferable.

Little bit of Armand's back story. :/ I wanna put him in a bubble.

I don't really think I'll be interested in Marius, tbh.

Anyway... He's not here yet.

Gabrielle jumps from roofs like Cat Woman and Armand quickly and silently vanishes from places like Batman. I hope we keep the Gotham-esque vibes of these scenes. I think it's super cool tbh.

I also love seeing Armand talking to people telepathically? Feels so much deeper and kind of poetic, idk. Not to mention is such a cool concept. I hope the show explores more of that.

Also, when he stops blocking his thoughts and let's someone peek at his thoughts it feels intimate? And not necessarily romantic or anything like that, but just like, "hey, this is a little piece of my soul, I'm sharing it with you". Or maybe I'm too romantic and trying to find the beauty in everything lol.

But then he finally speaks out loud and it feels deeper and more meaningful as well? I don't know. Maybe I'm becoming insane.

Lestat went like 3 pages without mentioning Armand's beauty. I'm proud of him.

Nevermind, now he is mentioning it 50 times per sentence. Even more than he did before. It's like he regretted it and it's making up for lost time lmao.

Some of the words Lestat has used to describe Armand so far: beautiful, sublime, ethereal, exquisite, perfect, soft, saint, angel (there's more, but it's been so many synonyms for beautiful I can't remember... still, you get the point). Not to mention comparing him to a Caravaggio and Da Vinci paintings.

I feel like he'll run out of words to describe him pretty soon.

I guess we all feel pretty (not) normal about Armand.

This is also ruining it for me, because if someone doesn't describe me as "irresistibly beautiful" then what is even the point, really...

And it's not like they're a couple or anything, SO??? STOP!!!

They're not lovers, they're not friends, they're not enemies, they're a fourth and more sinister thing that not even them can classify, let alone my mere mortal self.

Anyway, I hope Lestat will be even more annoying describing Louis. He set the bar too high now.

I wonder if Louis appears (for a significant amount of time) on this book.

I hope so, but I don't know.

"But I was so glad it was finished. So glad that we could go on. Yet I held to the bars for a long time just looking at the distant woods, and the dim glow far beyond that the city made upon the lowering clouds. And the grief I felt was not only for the loss of him, it was for Nicki, and for Paris, and for myself." This is sad...

"So let him be your patron saint if you need it" LMFAOOOOOO.

Is Gabrielle wrong, though?

NO, SHE ISN'T!

Just have fun with your immortality instead of going on an uncertain quest to find Marius? Stop being stupid???

You'll probably just find danger or disappointment. Or both.

LISTEN TO THE VOICE OF REASON, LESTAT!

"And the sense of grief came back to me, the realization that we were really going, that it was finished with Nicolas and finished with the Children of Darkness and their leader, and I wouldn't see Paris again, or anything familiar to me, for years and years. And for all my desire to be free, I wanted to weep." So, he finally starts making a life for himself away from his abusive family. Then, he is forcefully turned into a vampire, has to live this double life with mortals, without ever being able to be completely open, honest and have real, deep relationships with them. Later, he turns Gabrielle, Nicki, meets Armand and the other of his kind, but they're all so troubled or with completely different interests... And it's clear as a day that they can't stay together anymore, he's slowly coming to the realization he's losing everything and everyone he knows and will soon be alone again... I'm (not) fine.

Also, this is so BPD-coded of him. He's had these pretty sad and traumatic moments, but he never allowed himself to feel those emotions for too long, he always found stuff to distract himself with, tried to see the "the good side" of things, embrace them, be positive instead etc, but you can only ignore it so much until it becomes such a big problem you can't possibly avoid anymore. And then the emotion hits 9483958345x harder than it would have if you processed things properly and had better coping mechanisms. Like, I get him, but OMG. Get him some vampire therapist.

Btw, Armand feels pretty BPD-coded too.

I also heard somewhere that Armand is a Scorpio?

And Lestat is another BPD Scorpio...

That would explain A LOT actually lmao.

End of "The Vampire Armand" chapter and they're parting ways.

So I guess I'll just rot and die, then?

Or...

...Armand will return in the worst possible way lmao.

I tried to find a gif of 2x05 saying "everything is fine!" to represent how I'm feeling right now, but failed, so consider it done anyway. Everything is (not) fine!

#interview with the vampire #lesmand #armandstat #not sure if this is good btw but i did it once and people interacted with the post so now i feel like i need to keep doing it?#i'm kind of serious about following patterns and hate breaking them so i have to keep this going now but hopefully it's still fun to people

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humankk · 3 months

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I see there's In Stars and Time crossover thing going on so I want to join

...Also it's Let Papyrus Say Fuck day and I see this post from @entryn17 and I think... hmm, well why not just, do both of that actually

Read more for... it's not really Isat's spoiler or anything it's just general worldbuilding thing but I'm doing this anyway in case people want to like, experience it blind or something (please do that actually, play it, or even look at playthrough, just not summary or something like that it's much better that way, I say this like how you eat a specific type of food)

(Chara no)

...I speedrun drawing this, kinda... I don't think I'm that good at drawing Siffrin... he's just standing there... oh well, I can improve later

(technically this isn't him teaching swear to a child but it's him teaching swear... and maybe learning some more in the process, even if those're like... crab, and gems)

(...I probably could just use my own language but like I don't feel like making ocs...)

(I also could use like the one thing I want to do where Frisk is Thai but it would be very long and I don't feel like making all that in comics)

(and if it's a fic it would just be a very long infodumping on what I think the word come from and when it might be appropriate... and I have no idea the appropriateness of the English ones for Papyrus to teach it back so I don't think I could do that)

...

Anyway the infodumping anyway, I'm going to use the pinyin/chinese tone indicator for this because I don't know any other one (other than that just say it like English word I guess)

Did you know that one of the Thai swears is just แม่ง (màng) that means your mom. (said really fast it merge the word... also rudely, you pronoun rudely, we have rude pronouns... or really informal, depend on your relationship)

It's used in the middle of a sentence like 'fucking' and things.

there's also a dad version, พ่อง (pòng) the longer version that's used as a curse to kill the opponent's parents... (maybe don't do that) the middle version where you cut the death part and it's a come back like how english use your mom... แม่มึง/พ่อมึง (màe mūng/pòre mūng, maybe add a at the end)

There's also the one for insulting specifically (including the table that you stub your toes on) that means a type of monitor lizard. เหี้ย (hèar) ...it has another name that sounds a lot better that just, means money/silver-gold creature, which is. weird, so do we like it or not??? (money and silver is the same word)

mmmmmm another one that is used in the situation you would say 'oh shit' ชิบหาย (chib hái) direct translation is uhhh... chip-lost????? (I have no idea where it come from, also we don't have past tense verb it's all the same) maybe it's like 'lost your marble' or something I don't even know

there's also one that is pronounced like animal/สัตว์ (sǔt) (pronounced like cut/shut) in Thai but I'm pretty sure it's not the same word, noone knows exactly how to spell it. it's... some kind of insult, not as severe as the lizard monitor though

and uhh, the lower one which is the watered down monitor lizard, เชี่ย where you just change from hèar to chèar

#Undertale #Papyrus #Chara #In Stars and Time #Siffrin #utdr #isat #LetPapyrusSayFuck #advisor swap #swearing #wow the tags are... intertwined...#or something like that I just- yea #my art

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periwinkla · 5 months

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AAI 1-3 dialogue comparison

Disclaimer : I only studied Japanese for a little while. AA dialogue is pretty simple though. Also English isn't my native language either. Feel free to correct me on anything wrong here. Also note that I'm not trying to make the translations sound natural, I'm mostly trying to explain what the words are saying, sometimes I'll be more literal than others. Translation =/= localization. Paups そうね。ヒメコったら‥‥テヘッ☆ Sou ne. Himekotara... tehe☆ I suppose… If they were me, then… blush

Edgeworth キミはヒカルくんのガールフレンドだと聞いているが。 Kimi wa Hikaru-kun no gaarufurendo da to kiite iru ga. I believe you said that you are Lance's girlfriend when we first met, correct?

Paups ええ。そうですけど‥‥。あの！けっして恋人同士ってワケじゃ！ Ee. Sou desu kedo... Ano! Kesshite koibito doushi tte wake ja! Yes, I am, but… Oh! It's not like we both think of each other as lovers! でも、この指輪のブレゼントは、ただのトモダチじゃないから‥‥？ Demo, kono yubiwa no purezento wa, tada no tomodachi ja nai kara...? But he DID give me this ring, so I guess we're not just "friends" either…?

だって、これ！ただの指輪じゃないの！ Datte, kore! Tada no yubiwa ja nai no! I mean, because! This isn't just any ordinary ring!

なめるとアマいんです！ああ！　なんてステキなの！ Nameru to amain desu! Aa! Nante suteki na no! It tastes so sweet when you lick it! Ah! It's so wonderful!

Edgeworth （それは、宝石ではなく　キャンディーなのでは？） (Sore wa, houseki dewa naku kyandii na no dewa?) (You mean to tell me that he gave you a lollypop ring…?) That, that is not a jewel it's candy isn't it?

Kay 片思いなのか恋人同士なのか、設定がハッキリしませんねー。 Kataomoi na no ka koibito doushi na no ka, settei ga hakkiri shimasen nee. So which is it!? Have you guys not decided if you're going out, or is it just one-sided?

Lit: Unrequired love, lovers, you haven't made an establishment clearly uh. Comprehensible: (whether it's) Unrequired love, (or whether you're) lovers, you haven't established it clearly uh. Edgeworth 設定‥‥？ Settei...? "Decided"…? Shouldn't the parties involved naturally just know…? Established...? (lt: Establishment...?) A lot is added in the ENG. Quite honestly, the first time I experienced this dialogue (in English), I didn't think much of it. I saw it as Edgeworth thinking something like 'How in tarnation don't you know whether you're together ot not?' Shouldn't you know?' That was my own reaction in the first place. I thought it was saying more about Paups' lovesick character than anything else. But the JP with its brevity made me question if that was the original meaning. He sounds confused. Still, I'm not quite sure. I would say in general though, it makes sense that in his mind, you don't have to actually communicate by talking about your feelings. He is pretty bad at it in the first place... communicating what he feels, I mean. He tends to talk around things, he's a bit roundabout. He tries to say 'thank you' to express his gratefulness, doesn't really work, and is far more successful at showing appreciation when he says stuff like 'A man appeared and stood fast against that selfish me' (ending of 2-4), such a thing just works better for him. He's stating the facts, but not his feelings themselves. That man appeared and stood fast -> it's a simple fact. He doesn't say anything about how that made him feel. When he tries, he feels awkward, foolish. Something that doesn't suit him.

Paups お父さんが、天野河さんの会社で働いていたから‥‥ Otousan ga, Amanogawa-san no kaisha de hatte ita kara... My father used to work for Mr. Amano.

ヒカルくんとは、幼なじみなんです。 ‥‥キャッ！　言っちゃった！ Hikaru-kun to wa, osananajimi nan desu. ...Kyaa! Icchatta! And so, Lance and I grew up together. …gasp! I said it out loud! Lance and I, we were childhood friends. ....Ahhh! I said it! Note that 'osananajimi', 'childhood friends', is the term used for Edgeworth and Phoenix's relationship in the JP version.

Edgeworth （そんなに、　恥ずかしがることだろうか？） (Sonna ni, hazukashigaru koto darou ka?) (I don't see how that's anything to be embarrassed about…) Such a thing, is it something to be embarassed about? 'Darou ka' can be translated in many ways. 'I wonder if...' 'is it so', for example. Basically it expresses something akin to uncertainty. EDIT - a correction: 'sonna ni' actually means 'like that, to that extent, so much, to that point, to such a degree' So it can be translated in many ways: (To that point), is it something to be (so) embarassed about? Is it something to be embarassed about to that extent? Is it something to be so embarassed about? This last part is the most hilarious to me. He doesn't think it's something someone should be embarassed about, but he's also kind of uncertain. 'Wait, is it? Is it though? Am I missing something?' Kinda seems like Edgeworth is very confused. 'Should you be embarassed for such a thing? Is it supposed to be embarassing? I wonder if it's an embarassing thing?' And the maybe inner : 'Should I be embarassed about such a thing?' It's probably insignificant beyond showing Edgeworth's apparent obliviousness to other people's feelings and general misunderstanding of how some people perceive and experience romantic relationships, but it did earn a chuckle from me. So I thought I'd share.

#ace attorney #narumitsu #miles edgeworth #musings #aa musings #aa localization #aai1 #aai

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dailydemonspotlight · 2 days

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Senri - Day 111

Race: Holy

Arcana: Empress

Alignment: Light-Neutral

September 23rd, 2024

Among the differing forms of cat-based Yokai in the SMT series, as well as in general Japanese mythology, the Nekomata only stands toe-to-toe with the Bakeneko in terms of infamy- but, lo, what about our more forgotten feline friends? One of these more curious beings actually seems to have been the origin for the Nekomata, after all, being a Chinese tale that shares many a similarity- that being, of course, is Senri, today's Demon of the Day. What may be less obvious, however, is how and why Senri is depicted as a different figure in SMT, and I intend to explore that today.

Senri, also called Xian Li, are a rather obscure proponent of Chinese mythology that seem to have been carried over to Japanese mythology in a similar way that Shiisaa may have been, as gone over in the Shiisaa analysis. By obscure, I mean obscure, by the way- I've gone searching for articles who mention Xian Li or Senri by name and can barely find any, so this little introduction is based on encyclopedias, the most unreliable form of source. Naturally, it has far more sources in the native Chinese, where its name is spelled as '仙狸,' meaning, from what I can tell, "Fairy Raccoon" (the raccoon term in question may stem from a wonky translation, as it seems to mean more 'wild cat?') but language barriers damn me again and I can barely make sense of what is Google Translate's doing and what is the actual information. Even funnier, one of the only sources I can work off of for this is a compendium OF SHIN MEGAMI TENSEI DEMONS. I AM NOT JOKING.

Needless to say, English sources are scarce, and Chinese sources are only somewhat better, mostly seeming to be encyclopedias of world monsters. From what I can glean, however, Senri are more than their Japanese counterparts in several ways- Senri are originally wild cats who end up absorbing spiritual powers, likely through communing with magic in some way or another (perhaps by speaking with humans,) and they adopt the ability to take the physique of a human to transform into said humans in order to absorb their essence. Senri can take the form of handsome men or beautiful women, and use said forms to seduce humans so they can then drain their life away to feed off of.

Claims of Senri are somewhat similar in some ways to claims of the Nekomata, which leads to people commonly connecting the two- granted, I can barely wrap my head around why, given that Google Translate seems to have an aneurysm whenever a word can mean two things at once in another language, but it seems to be connected to how the 'raccoon' term it refers to is similar to the term for a fox, which may also connect to a term for a cat? Again, I'm not sure. I'm just a westerner who can't read a lick of Japanese or Chinese, so take this with a truckload of salt. Still, it seems like Senri are, in effect, the Chinese version of the Nekomata, and perhaps are the origins of the stories of said kitty cats.

In SMT, the design of Senri is a rather simple one, though it ties the leopard theming of the Senri (of which I think the wild cat term refers to in regards to the shitty translations) to a humanoid design, combining the aspects of the double life a Senri leads, one being a human and the other a wild cat. A pretty simple, yet effective design. I'm not sure where the hat comes in, but maybe it's just to add a bit of stereotyping flair.

#smt #shin megami tensei #megaten #persona #daily #i'm sick rn so this one is pretty spotty lol #i just wanted to write another dds

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outofcontextbokumono · 2 years

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In your Allen post you mentioned Natsume is notorious for bad translations. That's super interesting, I had no idea! Is it more of spelling error stuff or just straight up mistranslations?

first of all great question anon!! it's kind of a mix of both, and it varies from game to game. most natsume dialogue just generally reads very clunky and robotic in the english versions, especially when compared to the newer games, where everyone has their own unique way of speaking, and you can usually tell who's talking just based on their mannerisms.

there's more general info on this topic + natsume's involvement with marvelous games in my masterpost here.

xseed's newer games obviously aren't immune to forgetting a few punctuation marks here and there, but natsume's was bad. like, "something about the games just feel Off and uncanny and there's no other way to explain it" bad.

i'm pretty sure it's just because the translators weren't native english speakers, so everything is translated super literally, but if you are one yourself it becomes blatantly obvious simply by looking at the dialogue for more than 5 minutes. this ranges anywhere from minor miswordings to lines that just don't make any sense at all no matter how many times you read them.

and then there's stuff that's so messed up we don't even KNOW how it got there. like some of this shit i would 100% believe you if you just said the game got corrupted because if it isn't that then i can only assume the employees did a large dose of crack cocaine before translating these games. i'm talking like... entire lines that didn't even get translated. text so butchered its straight up unreadable. that one time they misspelled their own NAME in the startup screen. TWICE.

and, last but not least, probably one of my all time favorite errors in a natsume game but one i'll never be able to post here because it's funny purely in context- and it is the singular line in harvest moon: friends of mineral town where the priest, carter, just speaks to you in fucking German

this. this is the error i don't have even the SLIGHTEST explanation for. and, correct me if i'm wrong, but i'm 99.9% sure nobody else does either.

this was....just one line. just the one line of dialogue. where he speaks german. in a japanese farming game that was being localized into english.

at least with the untranslated kanji you have some general sense of how that happened. like, yeah, okay, they just missed a line, whatever. but this isn't even remotely close to the same situation. there should be NO german in this equation whatsoever. it's like if you did 2 + 2 and somehow got 17. and nobody looked over your paper and went, "hey, that doesn't look quite right, man, maybe you should fix that", so you just turned it in and for some reason not even the TEACHER questioned it, they gave you a full grade and a gold star and put your paper on the whiteboard clear as day for all your classmates to see. that's what this feels like.

I. do not think the natsume employees are okay can someone check on them for me

#bokumono #bokujou monogatari #mod speaks #harvest moon #story of seasons #hmanb #harvest moon a new beginning #hm fomt #harvest moon fomt #harvest moon anb #harvest moon friends of mineral town

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shihalyfie · 6 months

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Hi! I wasn't able to see 02TB in theaters and with it coming out on english blu-ray soon I was wondering how was the official translation? I'm nervous about it after seeing your post talking about the Kizuna translation and how messy thst was.

I've also heard the subbed version was using dubtitles is this true?

The dubtitles thing is true, unfortunately. The good news is, even with it using dubtitles, the translation doesn't seem to be nearly as bad as Kizuna's was!

In the case of Kizuna, it seems that the movie was translated to English using the messed up translation that was in the official subs, then the dub was written based on that messed up translation, making it two tiers of disaster. (A more detailed breakdown is in the post the OP mentioned.) In the case of 02TB, whatever translation was used as a base seems to have been generally accurate, and although "dubtitles" usually is an inherent recipe for disaster, it seems like the dub was written with the knowledge that the script would be made into subs later. So unlike...pretty much every other American English Digimon dub...there's no added jokes, no extra lines, everything sticks pretty closely to the Japanese script, and the furthest they went was just playing with the phrasing and making minor changes so things would lip-sync. Pretty surprising, honestly.

That doesn't mean I don't still have some quibbles with it. In particular, I'm guessing whoever did the base translation wasn't familiar with Adventure lore or what lore points are kind of die-on-a-hill level for the fandom (especially "is this epilogue-compliant or not?"), so there was some loss in nuance regarding the discussion of partnerships and such that made the issue way more confusing than it needed to be. But that's not something I can entirely blame the translator for, and besides, I'm not sure that's something that would be any different if the subs weren't dubtitles; it's a recurring problem that goes beyond just this movie, and it was a problem in tri. and Kizuna too (and I'd argue it was much worse there, since unlike them, 02TB doesn't really reference the original series that much).

To put it simply, in the case of Kizuna, the subs were messy enough to ruin much of the meaning of the plot itself, and if someone were to ask me about Kizuna having only seen it with the official subs or dub, I would probably strongly suggest that they go over it again with a properly done translation (a fansub or a translation of one of the novels or whatnot). But for 02TB, if someone's only seen the official subs (dubtitles) or dub, I wouldn't really see any reason to worry about anything, especially since the movie itself was refreshingly easy-to-understand and straightforward. I don't think the minor little quibbles I had were enough to significantly change the overall plot or anything, so while I'll probably still make a post to clarify the aforementioned lore translation issues once the Blu-ray comes out, it's not something I think would matter too much if you're not a hardcore fanfic/meta writer or whatnot.

#shiha's ask box #digimon adventure 02 the beginning #digimon adventure last evolution kizuna #fancyobservation1

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anonymous-dentist · 1 year

Note

Do you have any fics for qsmp you enjoy reading? Like your personal favs? Or ones you think have potential?

YES OKAY!

1. Along Came a Spider

If you aren't reading this one, you're wrong because it's super good? Basically, Roier gets bit by a radioactive spider, Quackity is I think Norman Osborn, and Cellbit is a Very Normal Person who definitely isn't a literal cat burglar. It's super well written, all the characters are fun, there's a lot of intrigue going on, and the fandom needs more superhero aus, and what better character to use than the literal Spider-Man?

2. Divided Soul

I think everyone's been keeping up with this one, but I still recommend it!! It's some cool high fantasy shit starring Vegetta as a prince being haunted by his ex boyfriend (/pos) and Foolish as the Literal Most Traumatized Man On Earth. If you like angst and hurt/comfort, this is the one for you.

3. eternally, forever.

Another Fooligetta fic, this one's another popular one, but for good reason! It's heartbreaking in the amount of love you can feel coming off of Foolish the entire time, and then? Yeah. Read it, it's definitely worth it.

4. The Reason (English version linked here, but definitely check out the Portuguese or Spanish ones if that language works better for you!!

Where do I even begin. F!Cell never escaped from prison, and he is making it everybody's problem, including the new guy on the (cell) block, Roier, who is definitely supposed to be there. Definitely. This one's darker so only check it out if you're into like. Dark shit. But also it's super good, so yeah!!

5. partners (in crime)

This one is an Ordem Paranormal au and it's only one chapter rn but I think there will be more? Unsure! But, as it is, it's cute! I don't know a ton about OP, but Cellbit gets teased, and everyone is cute, and I hope there's more because I'm already invested. It is in Portuguese, but translating it is so worth it.

6. Red Gunpowder

This one's a newer one, only one chapter so far, but I'm super into it already I think? Basically, Cellbit is a Traumatized Cop and Roier is... not in the fic yet, but he sounds fun just from the description. The first chapter was pretty cool, and I can't wait to see where it goes!

7. Icarus is Flying Too Close to the Sun & This is How It Feels to Take a Fall (series linked)

Two fics in one bullet point because they're both just that good! All three of Bobby's parents try and get Bobby back, and it's super heartfelt and I felt Emotions and it's sweet :( Definitely read it!

8. your palms; a home for my soul

This one is so SWEET!! Basically, Roier's heart is broken, and he goes to a heart fixer to... fix it. (It's magic, don't question it.) It's a twoshot, but it's sooooo cute, the metaphor is INSANE and I went AAAA

9. Breaking Dawn

So this one's pretty popular as well, but it's for good reason! Basically, Cellbit is a wannabe paranormal investigator and Roier is a werewolf. I think it was supposed to just be a romcom from the author's description, but there's so much more? There's this whole sideplot with Felps being kidnapped and Roier being real shady about everything and Cellbit being the densest man on the planet, and it's super worth a read if you've got a couple hours to spare!

10. The Red Means I Love You!!

Okay so you know me by now, you know I love fucked up little guys finding love, and this one sure does have a fucked up little guy! Basically, q!Cellbit accidentally summons c!Roier to possess his husband when he was trying to summon Romero Richas to interrogate it, and things sure do happen. The characterization is killer, and so is c!Roier, who is so desperate for love that he'd kill for it. (Unfortunately for him, he's kinda met his match in the form of someone who'd kill to get his love back.)

11. Bad Romance

This is the direct sequel to the last fic, and normally I'm not too into that? But this one's worth it imo. Picking up after the end of the last fic, c!Roier breaks f!Cell out of prison and f!Cell definitely doesn't manipulate Roier into agreeing to help him murder Pac e Mike over them leaving him behind in prison. I'm not too into toxic relationships, but I have hope for these two tbh, who else could love them but each other?

And that's my fic rec list! It's just off the top of my head tbh, so sorry about that!

#asks!#anon!#:D

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harbo-urr · 1 year

Text

Alhaitham's and Kaveh's relationship in the Sumeru arhon quest: new perspective (for me, maybe for you too!).

Oh it will be long...

It started with my short thoughts about their first on-screen dialog and how it feels different now compared to a year ago, but then spiralled into me re-watching the entire Sumeru archon quest to properly analyse Alhaitham's hidden struggles during it and Kaveh's (not big but) actual plot relevance.

Disclaimer: I'm aware that English VAs were way more emotional then Chinese, especially in 3.2, but, for the sake of having the information to analyse, lets believe that at least the official eng text of their interactions is more or less correct... (I'm sorry I only know English and other languages most likely have translation errors as well anyway).

I'm also assuming that you've read their character stories and know their more deep personalities, not just "cold smart guy and artsy broke guy".

Anyway, I hope someone will find the analyses below as entertaining as I do.

1. Kaveh and Alhaitham: what we see during their first on-screen interaction.

Now, let's all time travel into the day when the last part of Sumeru's quest dropped. These sweet days... Version 3.2, two versions before we got Alhaitham as a playable character and four versions before Kaveh. By this point we've already known a little information about Alhaitham, mostly from the archon quest itself, and next to nothing about Kaveh.

Well, we knew some info, but it was mostly leaks and speculations, nothing more than "a genius architect who lives with Alhaitham because he is broke".

Now, if you didn't read the leaks and just carefully played the quest, you could actually catch some phrases here and there that implied that Alhaitham lives with someone before it was openly confirmed, but again, it's not specific at all. That is why our first meeting with a brand new sexy blond boy was so extreme in all ways. It was beautiful, emotional, entertaining and... extremely toxic. Both Alhaitham and Kaveh behaved surprisingly aggressive (calmer in Chinese but still more negative then what we usually see now). It was fun to watch, and made a lot of people including me really interested in those two from the get go.

But re-watching this dialog now after almost a year felt... Weird. Yes sure, they bicker, it's their thing, but if you compare any other scene with them later it's not nearly as intense... especially on Alhaitham's side (yes, even if you don't listen to va and just read the lines).

So it got me thinking. Why did Alhaitham behave like that? Was it a random writing decision for the drama effect? Or was there something more going on that I didn't understand?

After going through everything from start to finish I believe that yes, there was. But I'll need go through a lot of content recap to fully explain what I mean.

2. First aka "the first on-screen" aka "Where were you when Sumeru needed you most!?" dialog

It is essentially our first glimpse of Kaveh, which we catch in the library on the search for Alhaitham.

Kaveh has just returned to the city so he has no idea what is going on. The shown interaction starts with Kaveh demanding Alhaitham to put his book away and explain what is happening at the Academia. The fact that Kaveh is already pretty irritated when we first see him tricks us into thinking that he's a short-tempered overly dramatic guy, which is...

Well, partly true, but having already experienced how sweet Kaveh actually is we can see through that and realize that Alhaitham most likely was ignoring Kaveh's questions for some time now, and that's why our Kaveh was already on edge when we started. Already weird and we're just at the first line.

After that they bicker a little, Kaveh again asks about the Academia, on which Alhaitham answers: "Oh? I thought you would already knew the inside story."

Then they bicker again (2) and Alhaitham goes hard on Kaveh here. He even agrees with Kaveh that he doesn't say anything nice about him, because "anyone who knows you as well as I do would do the same". DAMN, Alhaitham, that's brutal even for you, why are you so mad, is something bothering you? Oh well..

Then they bicker again (3) and Alhaitham proposes Kaveh to move out of his house, but Kaveh ignores it and tries asking about the Academia again. Alhaitham ignores it as well and says "Forget what's going on with the Academia, haven't you been busy with your construction project?".

Kaveh doesn't want to answer this question and says that he's "getting angry just thinking about it" (worth noting). Kaveh then wants to change the subject again, but Alhaitham doesn't give up and asks about Kaveh's project again ("Where were you when Sumeru needed you most?").

Then they bicker again (4) and Kaveh leaves to ask around.

Huh, that was heated...

Lets do a little bit of unpacking.

So, Kaveh wanted to know more about the Academia and Alhaitham was constantly changing the subject. It can be read as Alhaitham mocking Kaveh just for the sake of it, but if we pay a little more attention to what Alhaitham is saying every time he interrupts Kaveh, it becomes more interesting.

1) "Oh? I thought you would already knew the inside story."

2) "Forget what's going on with the Academia, haven't you been busy with your construction project?"

3) "Where were you when Sumeru needed you most?"

Each time Alhaitham changes the subject, he talks about Kaveh being away for the time of the quest. Let's remember the golden rule of miscommunication conflicts: to understand what actually bothers your opponent you need to spot a repetitive theme in their words. And Alhaitham has a pretty clear pattern. Interesting.

But let's move on to the next dialog.

3. Second aka "second on-screen" aka "WHAT HAVE YOU DONE!?" dialog

Kaveh returns after asking around and confronts Alhaitham about it ("WHAT HAVE YOU DONE!?") (just a funny line). After some bickering (5) Alhaitham agrees to finally tell him what happened. He mentions that Kshahrewar sage was a part of conspiracy as well on which Kaveh reacts surprised and says "...could this be why they sent me out on a project?". However Alhaitham replies that it's just a coincidence and proceeds to suddenly go hard on Kaveh again, saying "whatever you were doing won't have any significant impact now or in times to come" (auch, Alhaitham, auch). Then they bicker again (6) and the dialog ends.

This interaction is more relevant to the "Kaveh plot relevance" section, but the important things for now are:

Kaveh: "...could this be why they sent me out on a project?"

Alhaitham: "I think its just a coincidence ... whatever you were doing won't have any significant impact now or in times to come."

And why is it important?

I find the flow of this whole conversation to be very weird, since it goes "confrontation - agreement - information share - speculation - confrontation". In other words, first Alhaitham doesn't want to talk, but Kaveh persuades him, learns about the sage, brings up his mission in the desert, and Alhaitham returns to the confrontation mode again.

It can be interpreted as Alhaitham just using every opportunity to disagree with Kaveh just cause, but at the same time his words sours exactly after Kaveh talks about him being missing from the quest. Coincidence? I don't think so.

All these little things got me thinking. Why is Kaveh's absence so triggering for Alhaitham? Sure they're close or whatever, but they both value their freedom very highly and it's probably not too rare for them to disappear for a day or two for work. Why is it such a big deal now?

But then I also remembered that Kaveh, basically the only family Alhaitham has (yes I call people you willingly live with a family, its my life experience), went missing from home exactly when the fishy stuff at the Academia started resurfacing. And he was gone for a long time, at least for the duration of the quest, which is about two in game weeks.

Even if Alhaitham is not a very emotional person, he still values family, home, routine and comfort very highly. So, in theory, the sudden empty house should have affected him in some way, right? That's how I decided to check Alhaitham's behaviour during the archon quest and it was.. interesting.

4. Alhaitham's side of the Sumeru quest, with me fillng in the gaps.

Let's think about all these quest days from his perspective.

You're simple logical guy who already for quite some time lives with an annoying but kind of endearing roommate, who you drink coffee with in the morning and often discuss intellectual or not really stuff. Sometimes you argue but he's perspective on life fascinates you as a scholar, so you don't mind it too much. Ultimately you're just used to him in your life.

Then one day you go to your work, which brings you just enough money to feel completely comfortable, but you start feeling that something fishy is going on behind the scenes. Some sages disappear, your archon is treated like a power source and there are weird rumours about the divine knowledge capsules. Then you get a sudden assignment - investigate a blond traveller with a talking fairy. And sages propose to pay you with the divine knowledge capsule.

Suspicious. If it's such a big deal, why would they promise you it as a present for a simple spy work?

You decide to get to the bottom of this and for this you need to buy the capsule yourself. You're sure that the infamous merchant Dori has some, but you're definitely in the black list as the Academia's scribe... Ah, how lucky is it. Your roommate just so happen to have a strong connection to Dori. If you give him money and an excuse why he needs the capsule so much she would definitely sell it to him. It settled then.

You come home. But you're roommate isn't there. You wait. He doesn't come back. You're confused and decide to check using you're connections at the Academia, and... he suddenly was requested to the desert? And just left? Why would he leave exactly when everything was going to get weird? Did he know something? Did Academia want to temporarily move him out of the picture? Maybe they did something worse than that? Was it all a coincidence?

You don't know and you have no time. You need to spy on Traveller. You need to buy a capsule. It seems that you're alone in it.

Dori didn't sell you a capsule. That wasn't unexpected but still worth the try. You decide to make the mysterious traveller to buy it for you. It went great. You find out more about capsules, you steal one yourself. You realise that the divine knowledge offered by the sages was a trap to dispose of you. Your roommate still didn't come back. It's been what, almost a week? Whatever. It's nice and quiet at your home.

You meet Traveller again on your way to the desert to investigate the source of the capsules. You run into Cyno and a bunch of other people and you seem to finally get the lead to answers that you wanted. You find out that the capsules were extracted from the brains of scholars who were send to the desert by the Academia and then abducted. You're roommate was also sent to the desert by the Academia. Uh. He's fine. You have your problems to deal with.

You and your unexpected but quite pleasant team find out that sages want to create a God. It seems it's time to rescue your archon. You came up with a pretty good plan. Noe you need to return to the city after these couple of days in the desert. When you come home, your roommate still isn't there.

The next day your team is preparing for the plan and Cyno says that you all need to go home and have a good rest.

"...Thankfully I had my place to myself recently. It's been nice and quiet."

"...Huh?"

Dehya stares at you confused.

You didn't realise that you said it out loud and you're not sure how other people deal with situations when they say something without thinking.

"Oh, nothing"

You went home and slept alright.

The plan worked, Nahida was saved, sages punished, akasha destroyed, your comfortable routine is safe again. It's still nice and quite at home, so you go to the library to read some books.

"Alhaitham, what happened in the Academia?!"

You hear a familiar voice. After all this time he returns like nothing happened.

5. And this was a recap of Alhaitham's side of the archon quest!

Interpretations can vary of course, but the way I see it, Alhaitham was very bothered by Kaveh's sudden disappearance. He clearly expresses that he wishes Kaveh was in the team during the quest ("Where were you when Sumeru needed you most?"). From this we can guess that Kaveh really left without any warning and had Alhaitham known about it, he would most likely stopped him.

I think Alhaitham quickly found out where Kaveh was (connections) but he had no means of contacting him quickly and maybe didn't even know the exact location. At first it was a minor inconvenience because of the Dori situation, but he probably wasn't bothered to much by it. But after he found out that sages actively tried to dispose of him by making him insane, he probably realised that the situation was way worse that he initially thought. And Kaveh still was somewhere in the desert with no means to contact him.

So what Alhaitham does next? He goes to the desert. Yes, it was for the plot reasons, but let's agree, he at least considered a possibility that he could run into Kaveh there. But he never did. And what's more, he found out that the Academia was abducting scholars and sucking their brains out. Let's be real, the theory that Kaveh was send to the desert for the reasons connected to knowledge capsules, most likely was on Alhaitham's mind, and in a bad universe it could've been correct.

Well, Kaveh did return home after all. But by that point Alhaitham's supressed stress about this whole situation was so great, that it resulted in him being genuinely salty at Kaveh during their first on-screen dialog and even saying "Well, maybe then you should move out of my house" - which, at least from my point of view, is way worse then his usual teasing about Kaveh being broke and homeless or whatever.

6. About Kaveh's role in the archon quest besides making Alhaitham sad

Ag, that's a very fun topic. I don't know how I totally missed it the first time, maybe it was the lack of respect for Kaveh, idk, but he was 100% purposefully sent away for the time of the quest.

Sages wanted to move him out of the picture just like they wanted to do with Alhaitham using knowledge capsule. Except they knew that Kaveh would not be too interested in the capsules. So they needed something else to remove him... Like a sudden very urgent request to build a children's hospital somewhere very deep in the desert for people who are literally dying without it! Huh, well, I just made it up, but I believe that sages came up with something very similar.

Kaveh is the type of person to jump straight into any charity he sees and ask next to none questions about it, so it would be the easiest way to send him away for good. Plus I believe that it could've been the reason why he didn't talk with Alhaitham about it and disappeared so sudden. Children are dying! No time for talking! But then he arrived to the said place in the desert and it was just a mess. Maybe a fake project, maybe literally nothing, maybe a trap. In other words - not the project he was told he is needed for.

It's something that we don't get spelled out for us (Alhaitham even denies it cause he's angry at that moment), but timings are just too perfect to be a coincidence. And that's not the only proof - Kaveh himself heavily implies that there was something very fishy about this mission.

He straight up avoids answering Alhaitham's questions about it, and says "Thinking about it makes me angry". Why would he say this about the Academia project? It's not like he had a specific annoying client. Kaveh was sent as a representative from the Academia to be the head of some "construction project" after all, he presumably was the boss there. So it can only mean that there was something wrong with the project itself.

Plus immediately after he finds out that his sage was a part of the conspiracy, he says "So that's why they sent me there", which further implies that whatever was happening on that mission in desert – it was either absurd (if the sages just wanted to keep Kaveh away for some time) or very dangerous (if they wanted him dead). Unfortunately Kaveh's the last person who would tell us about the danger to his life, so we can forget about learning what the hell was that mysterious mission.

Ah, and about why would sages want Kaveh away. Sure it can be because of his connections to Alhaitham, but…

I think anyone who knows Kaveh more then 10 minutes would know that if he found out what sages are planning to do with a literal child and what they do to other scholars, he would die but not let them continue all of it. And he is quite popular among students and citizens alike, so he could've been a potential threat for the sages.

Makes me wonder how many other potential dangers did sages eliminate in some way for their plan. Probably not too many, but still interesting behind the scenes of their actions.

AND NOW, AFTER ALL THIS THINKING, I FINNALY, FINALLY, WAS ABLE TO UNDERSTAND ALHAITHAM'S FINAL LINES IN THE ARCHON QUEST.

Let's return to the end of the act 5. After we had a feast at the Grand Bazar, we were able to one last time talk to each member of our Sumeru-rescue team.

Alhaitham said this:

Which was always bothering me, because:

One: He suddenly becomes quite sentimental and talks about happiness, which is cool to see, but at the same time... He very rarely talks about subjective emotions. And what's more, he seems genuinely enjoying the thought of it. He isn't really the kind of person who gets his sense of satisfaction out of someone else's happiness (it's one of the things he parallels Kaveh in), so what's this all about?

Two: He extremely abruptly switches the topic to point out that he "seems to have taken both keys when he left the house" (tbh I thought that I accidentally clicked on him the second time and it's the new dialog, but no, it is all specifically a one long dialog).

Well well well. What do we have here.

When I first read these lines I decided that's it's just a weird writing without normal conversation flow. First Alhaitham is satisfied that he's plan worked and his daily life is safe, but says it through pointing out that other people are happy rather then explicitly stating that he's happy. Then he yaoi baiting us with "haha, harassing Kaveh is so much fun" and that's all there is to it.

But.

Now that we know more about Alhaitham's daily life during the archon quest, let's think about the keys some more.

He was able to take both keys because Kaveh was at home and his keys were there either. On his way out to meet us, Alhaitham saw Kaveh's keys on their usual place and took them as well, ultimately making Kaveh unable to leave the house. Which also means...

Kaveh will definitely be at home when Alhaitham returns after the feast.

So if we flip everything based on this logic, Alhaitham tells us: "This is a great evening. This gathering is special. People are finally happy. They feel happiness from the bottom of their hearts. And when I return home there will be someone waiting for".

Which is. So. PRECIOUS!.. Something clicked in my brain when I first realized this meaning and these lines are finally making a lot of sense!

It's the perfect final words for his little character journey in this quest. He protected the life he had and loved, everything and everyone were back to normal again and for him it is a true happiness felt from the bottom of his heart. Just precious.

Final words

Anyway, yes, that's why I believe that during the archon quest Alhaitham was actually constantly worrying about Kaveh at the back of his mind and maybe even feeling lonely, which resulted in his great boom of toxicity during their first on-screen dialog, but after some time he cooled down and slipped into his usual happy comfortable and not "nice and quiet" life again.

And fuck the sages for sending away our boy Kaveh (who actually knows a lot about desert since he works there often) and making our rescue-Nahida-group one competent person shorter.

Thanks for your time and tears, you, the person who read this!

#you can read it both as platonic or romantic #haikaveh #alhaitham #kaveh #kavehaitham #sumeru archon quest #character study #sort of?#my text

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