#i've been wanting to post this guy here for a while

[yanderemommabean]

Hey It's been a while

First, I just want to apologize for being gone as long as I have. Things got to a heated point at home, and I had to postpone my move until August while facing some health concerns.

Im finally out of that god forsaken house. But it wasn't easy. They cornered me, and I cried for six hours trying to just hold on until the next day when I could go.

Im so so so fucking sorry I havent been able to be on here. I know you all must have been worried sick, and I should've at least made some update posts, but Ive been stressed as all hell in my new home trying to get insurance figured out so I can get insulin, trying to get a job for rent and Sammy's meds (he got diagnosed with heart worms, and im devastated at how long it's been going on so we're trying like hell to get him better, ive been up days in a row worried sick about it while waiting on job offers and its killing me).

I got to take Pixie, and she got checked out too and I havent heard anything, so that's good! I've been sick and trying to figure everything out, and was just not able to write like ive been wanting to. I had to leave behind one person i really didn't want to, who unfortunately is stuck with my family, and its also been eating at me.

I'm alive, just stressed and sick and trying to heal from abuse and the shock of not being yelled at for being sick and scared and making mistakes.

Again, Im so sorry you guys. I should have tried to update at all, I've just had so much going on and so much sickness. I am so grateful to have you guys at all, and the sweet messages you sent me made me smile when I finally logged in and read them.

I can't guarantee an everyday post like I usually used to do, but I'm going to try and at least be back more than I have been! I love you beans. I'm so sorry for the radio silence. Everything came to a fever pitch and has been nonstop trying to get settled in since I finally got away, which was the end of August. Before that, I was sick, unable to stand up without passing out, and barely eating because the abuse was so bad that staying in my room and starving was better than any interaction. I wont go into too much detail but the abuse was another large part I didn't want to post. Just bed rotting and hoping time would speed up to get me out of there.

Anyway, this was a terrible ramble, I'll hush, but thank you all so much for your messages, and im happy to be back! Even if just a bit at a time for now until im more settled in <3

Much love!

-Mommabean

[autismswagsummit]

Got a post in my reccomended that reminded me of something I need to make clear, that's gone poorly addressed here until now.

Last year, while you may remember it fondly, the toxicity demonstrated by my voters and fanbase regarding who to vote for (especially during the later rounds) was genuinely atrocious. It moved well beyond the point of lighthearted competition and into genuine vile behavior and often ableism that I cannot let slide as we go further into season 2. This extends to (and is primarily relevant to) Donatello fans. I give you guys a lot of credit for the success and fun of this blog, but it is pertinent that you also remember that Donatello fans in particular were credited with the most cruel attitudes in the wake of Mob's victory. I understand being upset because of a loss, but this is ridiculous.

I am not "calling out" or targeting anyone in particular with this. I am well aware that this behavior does not belong to all of you. The majority of yall are darlings and I couldn't be more grateful for your support. But I let you all off way too easy last time.

Let me make it clear: You are voting on your favorite autistic headcanon/canon character. The metric of "autism swag" does not exist, and should never be used to bully or harass other voters. It's a title that was made up and based off of the names of the other poll bloggers at the time, not a real concept. It is not serious, nobody is winning anything besides a PNG that gets put next to their character if they win.

If I catch wind of any genuine death threats, bigotry, or otherwise unnecessary cruelty sent towards any participants during the course of this season, I will start disqualifying characters. If you cannot keep it civil when polls are live, I see no reason why you should be rewarded with your character's victory.

I deeply apologize to anyone who has been by this cruelty. It is my responsibility as this blog's operator to keep behavior civil, and it's something I've been mishandling up until now. This poll has grown well beyond what I originally thought it would be, it has since day one, and I need to prioritize learning how to handle its reach if it's something I want to continue.

The polls will still run as scheduled, this is not an announcement of a delay or cancelation, simply a firm reminder of where I stand on the harassment demonstrated by people in my follower base.

Thank you for your time and understanding. I hope going forward we can all be kinder to eachother, and understand that at the end of the day, we are here to show love towards our favorites, not hatred towards strangers that have done nothing to you.

[bengiyo]

Hello 👋

All of your favorite horniest sex scenes?

Hello! I've been busy, so this has taken forever to get to!

I don't always need the guys to bounce around on each other and gyrate enthusiastically for it to out as horny. Oftentimes, I find myself more drawn in by the building desire between the characters, and the explicit acknowledgement of release. I like when the sex feels like it's also revealing something to us about the characters. I've highlighted many of these before, but it's fun to revisit.

Ghost Host, Ghost House Episode 4 Couch Scene

I will never get over this scene, and especially the director's cut of it. These guys knew they liked each other almost instantly, and it was so rewarding to see them reach a place where they could express that. Bonus points for discussing the logistics of gay sex.

This show has been on Gaga and YouTube for a while, but it's also now available on Viki!

La Pluie Episode 6 Floor Scene and Episode 7 Bed Scene

I liked this scene so much that I wrote about it. Again, there's a lot of anticipation between these two, and you can tell how far it's built up because Patts has to dial it back down when Saengtai wants to stop. It's especially important to me because Saengtai does blow Patts in the next episode. If you're on iQIYI, there's an extended cut of that at the end of the video lists.

Mood Indigo: The Post-Funeral Scene

These two are so horrible for each other, but damn are their sex scenes compelling. Theirs are the kinds of scenes only possible between two people you know can never work long term. I was so glad that we got back to Haruhiko in Playback, and the first thing he did was blow Rio in a car. If you haven't seen the Novelist, and you're itching for hornier BL, it's right there.

The End of the World With You "You're Soaked"

From the same team as The Novelsit, we got to experience baby's first fuckboy in this incredible show. Again, I love when we get scenes with couples who aren't ready to work, because they're allowed to have raunchier sex. They get to amp the intensity of the physicality because they need to give a reason why someone was so caught up and missed the warning signs. I actually love the car scene later as a more romantic intimacy scene, but we're focusing on horny here.

Jack o' Frost Birthday Sex

A common theme here with the Japanese offerings is that people are allowed to have more interesting sex scenes right before they split. This is true even in Jack o' Frost. We get a really great oner from the leads that precedes their breakup and Ritsu's accident. I think this might be my favorite of this list because the actors have to build the entire scene together since there aren't any cuts.

Gameboys 2 Bed Scene

Cairo and Gav are one of my favorite pandemic couples we got on screen, and I was quite relieved for them when they finally got to have this moment. We also confirmed they switch, and I love that.

Wedding Plan: Namnuea Showing Off His Stamina

No list for me would be complete without including them. I really loved seeing two gay men go at it after clearing out all of their misunderstandings. They had already had sad goodbye sex. It was thrilling to see them having enthusiastic, athletic sex. This also leads directly to one of my favorite emotional payoffs for a closeted character of all time.

Kiseki: Dear to Me Reunion

The second couple stole this show, but damn if I didn't love the way these two played out sex across multiple years between their characters. These two really suffered, and I really love the way Taro Lin and Hsu Kai captured the changes between these two as Bai Zong Yi grew and matured. This really was a solid sex scene.

Love Class 2: Sungmin and Joo Hyuk

I just really wanna thank them for reassuring me that if Korea wanted to, they could deliver.

Sleep With Me Jeans Scene

I am not a lesbian, but I share their beliefs. This scene was so good. I loved that these two, who have different kinds of disabilities, were able to have a very fun sex scene. I really like when it's clear both characters want to be there.

Only Friends: Boston and Top in the Car

Despite my eventual disdain for this show, I was impressed with Neo and Force for giving this incredibly selfish sex scene between their characters. This entire scene is about injured egos, and it's a standout scene from this show. We won't discuss the rest of the show here.

Thanks for the ask!

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[ficoandleo]

Leo posted a Tiktok! The description says "I've gotten a few of these again, so here's a reminder lol"

The video appears to take place in an apartment, so clearly from sometime before he came to Darkwick. The quality is a little lower too, perhaps filmed on a slightly older phone. The camera follows Leo's socked feet as he walks across the floor, then pans up to Sho's back where he's sorting some ingredients. Leo starts to speak while walking up to him.

"Sho~chan!"

"What is it." Sho doesn't even look up.

"What'cha makin'?" That makes Sho look up, eyebrow raised.

"Did you forget what you asked me to--" It takes him a moment to process the way Leo's holding his phone. "What're you doing?"

"I was gonna record you making me lunch for a video!"

"The hell you are." Sho returns to the food, beginning to wash vegetables. "You're not gonna be in here while I'm cooking, we've been over this."

"Aw, c'mon, my kitchen's bigger than the one at your house!"

"Space ain't the problem. Outta my kitchen."

"Uh, this is my apartment?"

"Yeah. And while I'm cooking your meals this is my kitchen. Out." Sho glowers over his shoulder and the camera flips back to Leo pouting, then turning and leaving. Over his shoulder the sight of Sho beginning to prep gets smaller.

"He's so mean. He's not gonna let me do it, guys."

The video cuts into another, a reply to the previous one imposed over the upper left. "Have you tried offering to help?"

"Sho~chan!"

"What." A different day, but the same kitchen. A different set of ingredients on the counter, this time with Sho's phone propped up for him to look at. Until the soft sound of Leo's slippered feet on wood becomes tile, alerting him to Leo entering the kitchen, he doesn't even look up from his phone screen, which appears to have Nashville hot chicken on it. "I told you to stay out while I'm cooking, dude."

"But I wanna help!"

"No you don't." Sho doesn't even hesitate or consider the offer. "You never wanna help me. You just wanna film a video."

"No, I'm not filming this time!" Leo insists with a laugh, moving the phone so the camera's no longer pointing at Sho, as though this will be enough to convince him. The view becomes dark, perhaps from Leo covering the camera in some way, so the screen looks darker. "I actually wanna help--"

"You don't wanna help because if I ask you to touch raw chicken you're gonna get grossed out. And if I ask you to touch any kind of herbs or seasoning or spices, you're gonna get annoyed when it gets on you and your hands. And if I ask you to chop or mix something you're gonna complain about how you don't like the sounds. And if I ask you to clean up you're gonna get grossed out. You want me to keep going?"

". . ." Leo whines a little in protest, audibly pouting.

"Out."

"Chat, he is so mean. . . ." The camera goes front-facing and Leo looks sadly into it, leaving the kitchen while Sho rolls his eyes and goes back to cooking.

The video cuts into yet another, this time in a different location, probably Sho's apartment or family home. "Please try asking Sho-san to let you stream him cooking again." There's additional text near the bottom of the screen from Leo that simply says 'Sho-chan's kind of like a spider, it's scary 🕸️' that disappears along with the reply after just enough time to read it.

"Sho~cha--"

"No."

". . .I didn't even say anything yet."

"We ain't doing this here." Sho doesn't look up from what he's mixing on the stove. "Don't even start."

Leo doesn't say anything for a moment, panning the camera down from Sho's back to the junction between where the kitchen arch starts and the previous room's floor ends. The tip of his socked foot is in view. He pans back up to Sho, too busy to mind him. Leo tilts his phone so the view is of the floor again and takes a single step just barely into the kitchen--the shot quickly and sharply snaps up to just barely catch Sho turning around and advancing on Leo in annoyance. Leo starts to backpedal, laughing. "I'm not! I'm not!! I'm not!!!"

"C'mere." Sho, given Leo isn't actually trying to retreat, catches up quickly, and reaches out for Leo, pulling him and the camera shot closer. Then, based on Leo's little cry of alarm and the view lifting, Sho appears to have picked Leo up.

"You can watch. . .," he begins, walking them, view from just overhead showing Sho using only one arm to carry his little friend. He only walks a short distance before depositing Leo, from the soft sound of his body hitting the surface, onto a nearby couch. "From over here. Got it?"

Leo continues to laugh, but probably nods. Sho sighs, the corner of his mouth twitching as he tries not to laugh with him.

"Good. Sit." With that, Sho walks back into the kitchen, the camera following his back.

One last cut in to another reply. "I NEED another POV of Sho carrying us and telling us to sit--I mean! Please try and get Sho-sama to let you in the kitchen one more time!! Please!!!"

"Sho~." Leo whines, sounding a little tired. The camera looks into another, different kitchen, smaller than the first one, although still likely in an apartment.

"What~." Sho imitates Leo's tone, though it's unclear if he's mocking it. He cooks, seemingly unaware of the camera on him, although it's hard to see what he's doing with the camera pointed at his back.

"I want a juice~." Sho sighs and steps away from where he's cooking, exposing what's likely the beginnings of some sort of salad. He opens the fridge and squats down to look through what's in there, then grabs something and holds up a bottle of lemonade behind him. "Yeah, that's good!" Sho closes the fridge and sits the bottle in front of Leo, just within frame of the camera. He frowns, and Leo takes the bottle closer to himself and out of frame. "Thanks, Sho~"

"Stop trying to record me cooking."

"But I'm not even in the kitchen. . . ." He follows Sho as he rounds the counter. "I just wanna watch, Sho. . .can you open this for me?"

Sho stops in front of Leo, looking down at him and the camera with an unamused expression. He reaches over and opens the bottle, removing the protective seal, and putting it aside. Before Leo can properly coo his thanks in his sleepy, pathetic voice, Sho reaches an arm out towards him. He starts to laugh, jumping up out of the stool and backing away quickly. "Wait, wait, wait--"

He gasps and laughs as Sho runs at him with a grin and snatches him up, once again with one arm, still holding his lemonade as he begins to carry him away from the counter. Leo whines and laughs, not resisting being carried and only protesting the potential spill of his drink. Finally, Leo is dropped onto a couch a ways away from the kitchen area. "You can watch from here. Stay away from my kitchen."

Leo laughs. "Can I have my drink, though? I'm thirsty, you jerk."

Sho offers it to him, then pulls it away before he can take it. "Hey. Hey. Listen to me."

Sho puts the bottle behind him, then pushes his hand against Leo's chest, his other hand resting somewhere past Leo and the camera, probably the back of the couch. The camera view moves backwards with Leo being shoved, but Sho leans in close regardless, camera tilted back to still see most of his face as he glowers down at Leo. "Stay. Okay?"

Leo lets out a giggly 'mmhm' and reaches a hand out for the lemonade. Sho sucks his teeth and gives it to him. "Good."

The camera stays on for a bit and Sho glares down at Leo for a few more seconds before returning to the kitchen.

. . .understandably, the comments are full of suggestions that he simply keep trying, wondering what else Sho would do to get him to stop, and people questioning the nature of Sho and Leo's relationship(as well as others insisting they're not together and professing to Leo's single status or that they believe him to be in a relationship with others--other content creators, other friends he's had on stream, Romeo, and of course the Inspector.)

"So noisy." Leo says to himself while watching the rising engagment with some amusement. "These are reposts. . .you guys are so basic. . . ."

[giraffesvoice-whalesear]

Crap. Sora is here first. Rahu pretends to be uninterested, but looks like he wants to say something. Sora breaks the awkward silence with a single word.

"You're LATE" "Oh- That much!? " "If you had exchanged contact information with him back then, you could have gotten the information more efficiently." "You’re persistent! Because his voice really made me sleepy. I couldn't resist it, seriously." "(not convinced) You often fall asleep in every lecture... Well, whatever, I feel like we'll meet him in orbit anyway."

"(clears throat) You guys treat my shop like a library or a museum, and on top of that, you're using it as a meeting room today? Why don't you help me out once in a while?"

"Eh! Unfortunately, I'm tight on money this month…" "(shrugs) Have you ever heard of a mineral called Volucite, you stone nerds?" "Volucite…?" "(rolls eyes) You don't know… (mutters) That's because sages of the Crystals Realm have monopolized and concealed information… (suddenly smiling) Why don't you stop chasing after vague things like artificial planets and take an interest in Volucite? I WANT information about Volucite, however small."

"(sniff) I try to decide for myself what I like and what I'm interested in." "You're quite something. But what if, while you think you are making your own choice, the choice itself is actually being guided by someone else? (smirk)" "(surprised) Huh? Hey, Sora, say something too!" Sora stares at Rahf's earrings and doesn't move_

"(chuckle)Well, whatever. Get out of here right now. I feel like being mean today because of the runny egg." "Okay okay, Next time I will listen to you about that ore called Volucite. See you later! So-ra-? Let's go!" "(Returning to his senses) Ah, yeah, that's right. I want to get to the abandoned railway line before it gets dark. Goodbye-"

Ao and Sora started to walk out of the store, but suddenly they both turned around at the same time.

"Don't sell that green ore to Ao/Sora!" "No waay! I found that first." "That's the ore I've been putting aside for me!" Ao and Sora leave while arguing. "Please come again… (sigh)"

“On the orbit” 💫 11/? Orbital node

🪐Beginning / Previous / Next 🚪

Special Thanks: Pose @freezerbnuuy @sunflowercontent @simmerika @samssims @ｍoc / Glowing Crystal Rocks @bakiegaming / Thank you all creators for amazing CC!

And to YOU who scrolled through this long nonsense, Much appreciated.🐳🌈The story continues so please bear with me for a little longer :p

※There is a separate list of CAS for the characters (or I will post it soon)

[honeybee2807]

Unpopular opinion number 3

The misunderstanding of Albus being a pessimist and Scorpius being an optimist

I've seen a lot of posts here on YouTube, TikTok, discord, etc, that Albus is a pessimist while Scorp is a huge optimist.

And ummmmm.... It's the opposite guys. And here are my reasons.

Scorp being a pessimist

1.

AMOS: Your information was obvious but the confirmation is useful. Your father did lie. Now leave. The pair of you. And stop wasting my time.

ALBUS (with power and strength): No, you need to listen to me, you said it yourself — how much blood is on my father’s hands. Let me help you change that. Let me help correct one of his mistakes. Trust me.

AMOS (his voice raised): Did you not hear me, boy? I see no reason to trust you. So go. Now. Before I make you leave.

He raises his wand ominously. ALBUS looks at the wand — he deflates — AMOS has crushed him.

SCORPIUS: Come on, mate, if there’s one thing we’re good at it’s knowing where we’re not wanted.

ALBUS is reluctant to leave. SCORPIUS pulls him by the arm. He turns and they walk away.

2.

ALBUS: Things need fixing, Scorpius. Cedric still needs saving. Rose needs bringing back. We’ll be more careful. Whatever Croaker says, trust me, trust us. We’ll get it right this time.

SCORPIUS: No. We won’t. Give it back, Albus! Give it back!

ALBUS: I can’t. This is too important.

SCORPIUS: Yes, it’s too important — for us. We’re not good at this stuff. We’ll get it wrong.

ALBUS: Who’s saying that we’ll get it wrong?

SCORPIUS: I say. Because that’s what we do. We mess things up. We lose. We’re losers, true and total losers. Haven’t you realized that yet?

3. All the dialogue about the time travel plan and how are you sure that's gonna work?(but I would say that was more realism than pessimism)

I would say that Scorp became more confident after the dark Timeline mess. I believe his pessimism came from his insecurities and his fear.

Albus being a true optimist(or just plain delusional)

1.

ALBUS: Things need fixing, Scorpius. Cedric still needs saving. Rose needs bringing back. We’ll be more careful. Whatever Croaker says, trust me, trust us. We’ll get it right this time.

SCORPIUS: No. We won’t. Give it back, Albus! Give it back!

ALBUS: I can’t. This is too important.

SCORPIUS: Yes, it’s too important — for us. We’re not good at this stuff. We’ll get it wrong.

ALBUS: Who’s saying that we’ll get it wrong?

2.

ALBUS: But I’m pleased we had this argument because it’s given me a really good idea.

SCORPIUS: About what?

ALBUS: It involves the second task. And humiliation.

SCORPIUS: You’re still talking about going back in time? Have we been having the same conversation?

ALBUS: You’re right — we are losers. We’re brilliant at losing and so we should be using our own knowledge here. Our own powers. Losers are taught to be losers. And there’s only one way to teach a loser — and we know that better than anyone — humiliation. We need to humiliate him. So in the second task that's what we'll do.

(Brilliant at losing? Losing as a power? Clearly this boy ain't a pessimist. First he's in denial and now he's trying to spin this to be a positive thing)

3. All his dialogue regarding time travel and how this plan is clearly going to work blah blah blah(ok he's more delusional than optimistic I admit)

There are a lot more examples but these are the major ones showcasing the way they view things. Both of their personailities really complement each other in a way. Hopefully Scorp becomes more optimistic and Albus becomes more realistic after the whole ordeal.

[edenkyubiko]

BIRTHDAY APPRECIATION POST ‼️‼️🎂

Let me @ the lovely people first before I get sappy!

@tw1nkee28 @doodling-doodle @sw11ft @imakosideas @olibird @pampanope

IF I'M FORGETTING/DON'T HAVE YOUR @ PLEASE LET ME KNOW!

AUGH, I CAN'T ADD THEM ALL BUT I TRIED MY BEST

now for the sappy mushy lovey dovey part

I just want to start by saying how incredibly thankful I am to Pam for creating this amazing server. It came into my life at a time when I really needed it. I had been feeling out of place and alone, even in some of the other groups I was part of. But when I joined here, I immediately felt surrounded by people who share the same interests and hobbies as me. And what makes it even better is that we can talk about anything!

I've met some truly wonderful people, and you all have helped me grow so much as an artist. For the longest time, I struggled with developing my character and writing, but being around all of you, watching everyone create and seeing how we lift each other up with love and support — even for the silliest things — has made my heart swell. It’s something I wasn’t used to before. I’ve never received such kind words or encouragement for my work, and hearing them from you all genuinely makes my day every single time.

Just being able to talk or text with you guys while I’m working on something or playing a game means more to me than I can put into words. You have no idea how much those little moments matter to me. I honestly wish I could give you all the biggest hug.

And the fact that you all went out of your way to create these masterpieces for me... I’m honestly baffled. I’m not used to receiving gifts, so it’s been hard for me to learn how to accept them, but I was genuinely getting teary-eyed when people stayed up until midnight just to wish me a happy birthday. Birthdays have never been a big deal to me — I always treated them like any other day — but you all made this one truly unforgettable!

I'm glad that my 21st will forever be a core memory!

Now....just you wait :3

I have many things in store for everyone

[ruvviks]

it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!

The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.

Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.

During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.

All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.

One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.

By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.

Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.

Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.

Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.

This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”

Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.

While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.

Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.

Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.

After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:

Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane

Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person

Urban Dynamite starts performing at the club regularly, and it becomes their home base

Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go

Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times

Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested

Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)

Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]

Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation

On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:

This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida

Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)

Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer

Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected

Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa

[blueberryjim]

I felt like drawing my oc

So uhh yeah this is my botw oc Striker who totally has not taken over my brain these last couple days

[poorly-drawn-mdzs]

Horse Yaoi trotted so Horsegirl Yuri could fly.

[loppiopio]

just some 🥥 related sillies i've made for that fic we all know.

[ninja-knox-ur-sox-off]

Greetings I play cookie run

[deoidesign]

HI I think I sent an ask a while back about having recently found TaTA and a) if it came off as trying to rush/guilt you. I am so sorry because that was NOT my intent, and b) I can hugely guarantee you have at least one person who will eat up any return, no matter when it happens, because I care about the guys so much 🥺 really looking forward to whatever comes next!!

Oh, I appreciate this a lot thank you!

Tbh it's a stress I would have regardless of anyone asking me about it, I'm probably the biggest one rushing and guilting myself on it. Which might contribute to some of the burnout I had...

My complaints are more about people who are demanding "more content daddy" or asking me if I'm dead or asking on every single post I make where it is... Wondering when it's coming back is completely reasonable, it's been a long time! but there's definitely a line haha

my editor also keeps randomly scheduling me and then saying "oh, btw you're scheduled to return in 3 weeks. Is that alright?" And I have to keep saying no, that's not alright??? And then dealing with that process...

I could write an essay about all the reasons it's not back yet, but that doesn't help me feel any less pressured, and it doesn't help you all get the rest of the comic any faster...

As of right now I'm scheduled to and trying to return october 21. No official announcement yet cause I have to do a lot of work in that time, but it's my official goal at least. When we get closer I'll be able to say for sure whether it's coming back on that date!

[isatoru]

ok bro so i don't know how to make this post SDJFHSH and say hi hello i missed everyone without being awkward and facing cricket noises since it's been over a year since i’ve logged in LMFAO and ppl still following r gonna be like ??? but .... ASKDUSDL HELLO!!!!! 🙂‍↕️ to everyone that is still here ... <3

I MISSED YA'LL SM OMG ;---; i hope some of you still remember me so this won’t be too awkward 🙂‍↕️🙏

on that note!!!! i have returned because i have really bad gojo and isagi brainrot since rewatching/rereading jjk + getting into bllk fr this time LMAOO (also getou and rin... among others but currently mostly those!!) I AM ALSO CURRENTLY REWATCHING BNHA TOO AFTER SO SO LONG AND </3 getting back into that fs... shouto is currently hitting and i have not once thought abt him like that lmfaoo

+ i have so many fics i have completed that i want to post !!! i have been cooking in isolation and after much needed self growth and love in writing <3 ;v; (gojo, isagi, and nanami ones mostly lmaoo AND ALSO A SUKUNA SERIES I WANT TO POST) AND IDK WHAT TO POST FIRST LOL

also bro i want to yap about characters and arcs analysis sm lmao... i've gotten into just. writing analysis of stuff i read and get into -- i might even make a separate blog for that since i'm like heavily into berserk (like really bad bro, i willingly sat and wrote essays for fun during finals week just bc of berserk KJSDFH) and souls games too rn LMAOOO (bg3 as well perhaps if anyone is into that too!! i love shadowheart a lot... 500+ hours... and ow <3 1k+ yikes) i mostly just rlly wanna yap about blue lock and jjk and bnha somewhere even if it's to the void on here lmfaooo

also to the mutuals (that remain... <3) please do not be alarmed if u see me in ur notifs reblogging fics for my current faves and yapping in ur tags 🙂‍↔️ like in the next few days LMFAO i have been deprived of reading good fic for soooo long bruh and now im like. I NEED TO READ FOR GOJO AND ISAGI SO BAD…. i missed fic so bad...

would ya'll be chill if i posted writing out of the blue here lmao and changed my username ??... it wouldn't be too awkward ?? 🙂‍↔️ (for the username i will change it in a few days despite my impatience so i give everybody like a chance to get used to me being on their dash so it won't be too alarming LMAOO)