#ideal recordings

[idealrecordings]

[psitrend]

Hampus Lindwall Discusses Brace for Impact and Digital Organ Work

Hampus Lindwall is a Swedish organist and composer based in Paris. His work incorporates elements from classical tradition, experimental music, and electronic culture. Born in 1976 in Stockholm, Lindwall began his musical path through the guitar, influenced early on by metal and virtuoso players such as Yngwie Malmsteen and Steve Vai. His interest in the pipe organ developed during his late teens…

[saetiate]

sae is definitely someone who loves you more and more through every stage of your relationship. he loves you even more when you’re engaged than when you were dating, he loves being married to you and growing old with you. he loves watching you grow as a person. watching smile lines and starlight grey hair settle into your image, sees it as proof that he made you feel happy and loved. loves the thought of knowing he was there before and after it

it’s such a beautiful and honestly rare thing to have someone who’s love only grows for you with every milestone and who feels like knows everything about you by heart whilst simultaneously feeling like he’s rediscovering you over and over again.

[possessable]

sol fusions happened for some reason, Eigong + Ji and Yi + Goumang

[pharahsgf]

deeply amused by the brand of fujoshi that revels in being oh so above the depraved m/f hetship yet turns every single one of their m/m pairings into an exact replica of the heterosexual dynamic, complete with a physically larger top who protects and provides and a more emotional and delicate, recipient-of-care malewife (heavy on the wife)

[rooolt]

the curse of having been very Normal about s2 of dndads is that at any point I can remember real and true facts about the kiddads and feel genuinely sick in my body

[my-name-is-apollo]

Why is Hera so hostile to Leto in a manner that she isn't with the other lovers of Zeus? I can't think of any other woman who was targeted so much by Hera. One could say she didn't want Leto to give birth because her children would be a competition to Hera's children, but why bother her even after she had already given birth? Is it because Leto herself is also a threat to Hera?

Sort of I guess?

I don't think Leto would ever be a threat to Hera's role as the queen of the gods but Hera might see her as a competitor for Zeus' affection, even though I think Zeus would not marry someone else and replace Hera.

The twins are definitely a big reason why Hera begrudged Leto - it is outright stated in the Callimachus Hymn to Delos that the reason Hera especially targeted Leto was because she was told that Apollo would be dearer to Zeus than Ares is. Zeus is very proud of Artemis as well. As he himself puts it, he doesn't mind facing Hera's wrath for children like her.

But the continued hatred even after the birth of the twins (like sending Tityus to rape Leto) could have been for different reasons. This wasn't like one of those affairs Zeus would have with mortal women where he'd leave them behind once the child is conceived. Neither could Hera, despite her many attempts, get rid of Leto like she did with the other lovers. Not only did Leto give Zeus children that he loves dearly, she also stayed on Olympus despite Hera's hatred towards her (which isn't directed to any of Zeus' other divine mistresses, btw). It might have also been because Leto herself is dear to Zeus, if the way she's treated on Olympus is any proof. In the Homeric hymn to Apollo, Leto stands next to Zeus - in the Olympian assembly - to welcome their son. Hera is completely absent from the scene, as if Leto had taken her place even if temporarily. Now you could say this is because Apollo himself is such a powerful and glorious son in a way that no other son of Zeus is, so of course Leto would get such an honor (the hymn itself presents it this way).

But here's another instance - in the Iliad, when Hera goes to seduce Zeus, he is obviously very smitten but before getting into the action, he lists some of his lovers (I believe these were his favorite lovers, as a lot of others are not mentioned):

"for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’ (Book 14, trans. A. T. Murray)

Notice how when talking about most of them, he also mentions the children they bore to him but when Demeter and Leto are mentioned, he doesn't bring up their children at all despite them being some of the most accomplished kids of his. What's more, he takes Leto's name just before Hera's. I mean, this is an interpretation but it looks like not only did Zeus love Leto the most out of all his mistresses - giving her a place second to that of his wife, but also his love for her wasn't necessarily only because she gave him two amazing children.

Nonnus does something similar in the Dionysiaca (but this time Zeus is enamored with Persephone instead of Hera) but more notably, when Typhoeus attacks Olympus and Zeus is discouraged, Nike takes the form of Leto to encourage him and it's pretty telling of what Leto meant to Zeus.

One interesting similarity between Hera and Leto is that they both had a giant try to rape them. Porphyrion tried to violate Hera (Zeus inspired him to do this) and Tityus tried to violate Leto (upon Hera's order). Though both of them were killed, only Tityus got an eternal punishment in Tartarus of having his liver/heart eaten out by vultures so Zeus seems to have taken a greater offense at Tityus trying to assault Leto.

Again, I don't think Zeus would ever take anyone other than Hera as his permanent wife - she is irreplaceable to him. There's an entire myth about Hera leaving him and Zeus winning her back. Their relationship is obviously complex and involves all kinds of emotions including love and hate. But Leto is continually dear to him as well and that's something Hera can't do much about.

[anthropologist-on-the-loose]

Me age 8 listening to Les Miserables for the first time: wow I totally get what Jarvert does for the story and why he kills himself once he realizes that his entire worldview that he has devoted his whole life to is based on a faulty premise and is a overall complex character, but it is kinda ironically funny that he kills himself because someone saved his life

Me listening to Les Miserables now 2 decades later: lmao man's what, at least 55 years old and hasn't figured out yet that people can be capable of change? That one person can do both good and bad things and the world can't just be divided into "good people" and "bad people"? It's actually hilarious that a "bad person" saving his life drives him throw himself off a bridge, get wrecked old man.

[cuchufletapl]

Sero asks Kaminari and Jiro if they're dating and Jiro says no, that he's got it all wrong, while leaning on Yaoyorozu. MomoJiro nation stay winning.

[circeswhore]

Oh no! The toy witch has turned you into a living toy!

Spin this wheel to find out what toy you’ve been turned into.

[snail-speed]

Hey so recently a glitch has gotten really popular.

The way it works is that it's able to neutralize almost all twisteds (except passive ones and Dandy) by having a player with a low stealth toon use a specific trinket combination and lag switching. Twisteds remain perfectly still and passive after trying to attack the glitched person.

⚠️The glitch is incredibly funny, but if you see it happen in a public or a BlushCrunch run, LEAVE IMMEDIATELY!⚠️

The glitch isn't harmful to your data, but what can actually threaten your account is if someone performing the glitch records the run and attempts to report everyone in the run with the video evidence.

The BlushCrunch staff is dumb as all fuck and they've gone on the record multiple times to state that they treat anyone in a run where a glitch is used and/or an exploiter is present that doesn't immediately leave as an accomplice and punishes them accordingly.

They don't have a warning system. The best outcome if you do get reported is being issued a ban that's only a few days/weeks worth.

Despite what they claim, there's been multiple cases where people have successfully used their draconian moderation as a harassment/trolling tactic by submitting a malicious report, and several of said cases have still not been corrected. A glitch of this magnitude is an opportunity to get people banned en masse presented to bad faith actors on a silver platter.

[cottoncandylesbo]

maybe i don't have to kill myself

[luckyemo]

ok i do really hate the danganronpa fanon category of "antagonists" (ie. komaeda, togami, + ouma as a group). in part because its just the wrong term for these characters and it can be confusing whos being referred to, like i saw a post saying like 'danganronpa is wild the antag will tell the protag they want them carnally and just move on no explanation' and i was like ???????????? when does junko say that to naegi?????? tsumugi said something like that????? kamukura????????????????

and my bigger issue with it, is its really hard to not see this as like a direct symptom of people ignoring women characters and over-valuing male characters. i know this accusation gets brought up a lot in fandom spaces, and then it just becomes a circular argument of misogynistic writing leads to fans favouring male characters which reinforces the demand for male focused stories etc etc or ppl being like 'im gay of course im going to have a preference for male/male stuff over things with women', but it really really does feel like women get completely pushed to the side to center two men. using the dr1 characters as an example, its not even like how kirigiri and fukawa are "pushed to the side" as romantic interests so togami and naegi can be together, its over crediting togamis character to be at an "antagonist" level when junko (and mukuro and even sakura if u want to generalize her role as 'the traitor') is Right There. it also isnt lost on me how out of the main three actual antagonists kamukura is included in fanworks/written out the least (though the 'ultimate evil abuser' kamukura vs 'totally innocent' hinata that happens frequently isnt great either...... but like at least hes there vs junko and tsumugi who are forgotten.)

but idk, i know languages changes and a group of ppl being like 'hey to our group this term means this even if is not the original definition' happens all the time. sometimes these shifts are useful, especially for the in-group doing the re-defining, but it can also be confusing and frustrating for the fandom at large when the words have other agreed upon meanings and when women are being ignored/erased

[disarmd]

i've fucked up my insta algorithm by hate watching people make the most insane martinis/cocktails on earth. crimes i've witnessed includes people adding blue cheese, olive oil, salad dressing, anchovy oil, a whole jar's worth of olive brine (WITH NO FUCKING OLIVES???), a whole jar's worth of pepperoni brine, a whole jar's worth of pickle brine, like such a larger quantity of brine than alcohol, bitches these days just yearn to drink the ocean with some floating hunks of mold for texture.

[librarisxng]

If NCT 127 were to start re-recording their music, besides their title tracks, which tracks do you want them to re-record?

[campbyler]

ik part of it is that life and work just Be Like That sometimes, but every time i check back on your blog it seems yall are going through chronic ao3 author syndrome. sending love and good vibes your way i hope all three of you are doing ok and can catch a break soon!! (ik suni and thea yall are the ones writing the rest of it but sending love to andi as well)

also any tips on writing longer chapters without them sounding like they’re dragging on? i’m a (more casual) fic writer and my chapters always end up a little shorter than i usually hope they’d be

awake at 3am in a fit of jet lag and laughed aloud upon reading this bc you’re not wrong 😭 i feel like part of it is just timing, like thea’s work has a big busy season during the fall every year and her schedule also varies week by week and even day to day so i know some stretches are more difficult than others by default (rn she has been having to work from home on her weekend or after she clocks out which has been extra rough). my work tends to have bursts of insane work days every few weeks or so, and i just have a shitty daily commute on top of that and will sometimes get home like 12 hours after i left in the morning or something. so honestly there is a nonzero chance one of us is having a subpar time on any given workday i fear, and that schedule is pretty unpredictable given the nature of our very full time jobs. i also think it’s just statistically more likely that when we are active there is a reason for our Grievances to be brought up, either organically because we are coming out of a slump and are complaining about the Horrors or because someone checked in on us in a period of absence and we are giving a quick update, but either way, thank you so much for your wishesssss! thea will be getting a break soon (thank god) and i’m actually entering a bit of a busy stretch at work for the next week or so because we have a grant deadline to meet, which always means 10000 last minute experiments that i have to work into my schedule in the middle of the week and it’s really fun and lovely and great. woo hoo. 🙂

as for chapter lengths, i wish i had more solid advice but my problem is genuinely that i can’t for the life of me seem to trim them down 😭 i guess a part of it is largely how your chapters are structured — i only have a couple chaptered fics outside of acswy, but all of them are planned so that each chapter is quite meaty in terms of content or what i want each scene to accomplish. i will say that the singular thing that consistently drives up my word count is DIALOGUEEEEE!!! a blessing when i’m in a rut or have writers block and am trying to get something down on the page, a menace when im editing a scene transition i left to fill in for later and my wc is right at 29k and im sweating watching the number tick up. i find there’s absolutely nothing wrong with shorter chapters if it’s accomplishing what you hope for and i honestly am working really hard on trying to be more concise, but i do find dialogue to be a good way to slow down a scene that’s maybe rushing or is paced a little quicker than you intended. real conversations often stray off topic, people ramble or get sidetracked or get interrupted by things they’re doing — i love describing people talking while doing chores or eating or whatever because you can break up the dialogue with bits of action — and at least for me, it’s a lot easier to work in some narration or description in with dialogue than it is to just write a couple paragraphs of it straight up, which also sometimes feels a little more blunt and Quick than i intend it to be. one thing we both do a Lot is script out dialogue between characters and then go back in to fill in things like speech tags, action descriptions, inner monologues and thoughts, etc. literally just like:

character 1: ___ character 2: _______ 1, (note on how it’s meant to be said or what they’re thinking/intending to say to cue us in later): _____ 2: _____________ (small description of them moving around/something happening in the background to give a visual for describing later)

so on and so forth. it helps a lot either when we want to establish the setup of a dialogue heavy scene before we forget our inspiration, or we’re feeling a bit too blocked to be able to write more descriptively at the moment, etc etc. it’s a really natural way to focus on the flow of conversation without getting caught up in transitions and repetition of dialogue tags and stuff, and usually is the culprit for a scene taking way longer to finish than expected for me.

all that being said, the times i have actually felt like a chapter is paced too quickly is usually either when the dialogue exchange is too fast and feels like the conversation could be more fleshed out, or maybe likeeee a transition happens a little too immediately and it reads a little bit like one thing happening after the next after the next without much of a pause for expansion. if you’ve managed to get your point across in fewer words and your main concern is driving up the word count, i really wouldn’t worry about it! you could always have someone look at it with a fresh pair of eyes and ask for places they feel could use more explanation or detail (maybe describing a setting more vividly? or giving more insight to some of their thoughts at a certain point?) but genuinely — conciseness is a Skill, and seeing how i have once again accidentally answered an ask with one million words, i’ll actually just trade you some of my internal word vomit right now. here you go -> 🎁