#idk I'm having a lot of thoughts

[offshore-brinicle]

Thinking about the three characters we've met who had already found and claimed the Golden Bough before the Sinners, Kromer, Dongbaek and now Ahab it's very interesting to me that they all have in common being women leaders of groups where they are seen as messiahs of sorts, much like how Carmen herself who is the origin of The Light was the one who united the original LobCorp team and had such supernatural charisma that she could convince anyone she wanted to join her cause of "saving humanity".

Kromer is the most blantant and cartoonish example, she's worshipped as a messiah and goddess by her followers to the point they consider basking in her grace a priviledge to the point of genuine insanity beyond what any regular person could comprehend, pure religious fanatism for their savior they believe in who will bring them a "pure, untainted" world, so much that they have cast away their individuality in their adoration, inquisitors being indistinguishable from one another.

Ahab who is a more realistic example of this kind of person even if not as infallible as the seemingly perfect Carmen; she's strong, confident, passionate, revered as a hero and makes convincing cases for herself while having the unnatural ability to appeal to people's desires and cut through them, and in her case the way the Pequod Town have come to bend to her isn't unfounded given their situation. I think that's what makes her significantly scarier and more effective as a villain and character in general; she's not just a comically evil woman in a position of power, you can very easily see why some people would fall for her words and bend to her will. She is paradoxically both the savior of the Pequod and the one who doomed them to the hell inside The Pallid Whale, yet after being isolated from society for so long with no other choices or escape and having their sense of self degraded by the Pallidfication the Pequod crew only came to see the first part.

Dongbaek is an interesting case, unlike the two women described before who are undeniably villains and egomaniacal, she's portrayed as much more sympathetic and even an outright tragic figure, however at the same time unlike them we never directly see the relationship she has with her followers. They never talk about Dongbaek herself and not even mention her in any way, only the ideology she gave them: destroy the current order to create an ideal world free from the shackles of The Wings and technological advancement, and unlike the two before who are always aided by their lackeys, Dongbaek was always seen alone, less like a hero or a goddess but more like a ghost that haunted everyone, much like Carmen's role in LobCorp. This "ghost" motif is doubly emphasized by her sickly dying appearance and how she contantly dissapeared and appeared without a trace, never letting those around her forget about all they have lost or sacrificed trapped in her vendetta.

But ultimately Dongrang, herself and even Yi Sang come to admit her motives were just as self-centered and she was just as manipulative, yet rather from a place of hubris it came from a place of deep despair and yearning.

Like Kromer, the TLA believed she would make a better world, but like Ahab, she was ultimately someone taking advantage of people in despair and giving them false hopes, all while deluding herself further, and much like Carmen, she's associated with trees and vegetation, both expressing the wish to be like one and having a disdain for The Wings, though in Dongbaek's case, she only represents half of Carmen's wish; being the plant blooming across the land, while Yi Sang is the one who would reach the sky.

In the end, all three of these women were false saviors, much like how Carmen's idea of bringing salvation to humanity led to all of the suffering within Lobotomy Corporation, the unleashing of chaos upon The City even her own endless torture as The Well giving birth to Abnormalities...it makes me wonder if all of this was intentional, as a way to parallel Carmen herself. Yet all three of them appear to us clearly untrustworthy while Carmen does not.

Kromer, Dongbaek and Ahab are immediately stablished as dangerous presences; Ahab and Kromer being the sources of Ishmael and Sinclair's suffering and tormenters they have to overcome --the source of their nightmares, and Dongbaek is introduced stabbing Yi Sang and being called "dangerous" yet Carmen is introduced as her best self and all the best memories everyone has of her, it isn't until Ruina, away from Ayin's perspective that she's questioned, it makes me wonder if they will continue to bring these characters contrasting Carmen in further chapters.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[bluehandprint]

Something about misha and jensen being aware of destiel quite early. Something about them joking about it and having discussions later on. Something about the sexual tension in early seasons. Something about jacting joices. Something about the writers putting as much subtext as they could in this story. Something about destiel being in the background since the begining and being the climax in 15x18. Something about gay love can pierce through the veil of death and save the day

[journey-to-the-attic]

one thing about ik is that she will always reach out

[invinciblerodent]

This is going to be very ranty and disjointed, probably borderline incomprehensible post, but with the "return" of Dragon Age Discourse (and really, did it ever go anywhere?) and me repeatedly seeing the complaints and dismissals of DA:I as a "chosen one"-type of a narrative, I just.... I keep finding myself thinking about the relationship of truth and lies within the game.

Throughout the course of DA:I, the idea of a malleable, flexible personal identity, and a painful confrontation with an uncomfortable truth replacing a soothing falsehood, follows pretty much every character throughout their respective arcs.

There are some more obvious ones, Solas, Blackwall, The Iron Bull, their identities and deceptions (of both those around them and themselves) are clearly front and center in the stories told about them, but this theme of deception (both of the self- and the outside world) is clearly present in the stories of the others as well.

Like, for example, ones that come immediately to mind are stories like that of Cullen, who presents an image of a composed and disciplined military man, a commander- all to hide the desperate and traumatized addict that he sees himself as.

Dorian grappled with the expectations of presenting the image of the perfect heir to his father's legacy, the prideful scion of his house, his entire life (he even introduces himself as the result of "careful breeding", like one might speak about a prized horse)- all while knowing that his family would rather see him lobotomized and obedient, than anything even just resembling his vibrant and passionate self.

Cassandra calls herself a Seeker of Truth, and takes pride in that identity- only to learn that in reality, she has been made a liar, a keeper of secrets, without her knowledge or consent, and it is up to her to either uproot the entire organization and painfully cut out the abscess it is to build it back from the ground up into something respectable, or let the information she had revealed sit, and continue to fester.

And this theme continues and reframes itself in, among others, things like Sera's own inner conflict between her elven heritage and her human upbringing, or in Cole being caught in this unconscionable space in-between human and spirit, between person and concept, etc.

The Inquisitor isn't exempt from this either.

I feel like this is where the core of the many misunderstandings of this plot come from, why so many people continue to believe that Inquisition is a "chosen one" or "divinely appointed" type of story, because I think many might just... not realize, that the protagonist's identity is also malleable, and what they are told in the setup/first act of the game is not necessarily the truth.

The tale of the Inquisitor is the exact opposite of that of a "chosen one" story: it's an examination and reflection of the trope, in that it is the story of an assumption that all wrongly believe to be the truth, and thrust upon you, even if you protest. The very point is that no matter who you choose to say that you are, you will be known as the Herald of a prophet you don't even necessarily believe in, and then that belief will be proven wrong, leaving you to cope with either a devastating disappointment if you believed it, or a bitter kind of vindication if you didn't.

There's a moment just after Here Lies the Abyss (when you learn of the lie you've been fed your entire journey in the game) that I don't often see mentioned, but I think it's one of the most emotionally impactful character moments, if you are playing an Andrastian Inquisitor who had actually believed themselves chosen (which I realize is a rather unpopular pick, lol): it's when Ser Ruth, a Grey Warden, realizes what she had done and is horrified by her own deeds, and turns herself in asking to be tried for the murder of another of her order. As far as she is concerned, she had spilled blood for power, and regardless of whether she was acting of her own volition at the time, whether she had agency in the moment, is irrelevant to her: she seeks no absolution, but willingly submits to any punishment you see fit.

And only if you play as an Inquisitor who, through prior dialogue choices, had established themselves as a devout Andrastian, can you offer her forgiveness, for a deed that was objectively not her fault- not really.

You can, in Andraste's name, forgive her- even though you, at that point, know that you have no real right to do so. That you're not Andraste's Herald, that Andraste may or may not even exist, and that you can't grant anyone "divine forgiveness", because you, yourself, don't have a drop of divinity within you. You know that you were no more than an unlucky idiot who stumbled their way into meddling with forces beyond their ken.

You know you're a fraud. You know. The game forces you to realize, as it slowly drip-drip-drips the memories knocked loose by the blast back into your head, that what all have been telling you that you are up to this point, is false. And yet, you can still choose to keep up the lie, and tell this woman who stands in front of you with blood on her hands and tears in her eyes, that you, with authority you don't have, grant her forgiveness for a crime that wasn't hers to commit.

Because it's the right thing to do. Because to lie to Ser Ruth is far kinder than anything else you could possibly do to her, short of refusing to make a decision altogether.

There are any number of criticisms of this game that I can accept (I may or may not agree depending on what it is, but I'm from the school of thought that any interpretation can be equally valid as long as there's text that supports it, and no text that contradicts it), but I will always continue to uphold that the Inquisitor is absolutely not- and never was a "chosen one".

They're just as small, and sad, and lost, as all the other protagonists- the only difference is that they didn't need to fight for their mantle, because instead of a symbol of honor, it acted as a straitjacket.

[keferon]

Day one of me trying to make better Drift figure than Hasbro ',:)

Okay okay so. I found this (checks the box) Gundam Aerial Model Kit? Look at this thing. It is basically already Drift. It has really similar type of figure and even finals:D I still need to find a way to make his massive shoulder plates though.

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[deoidesign]

Please for the Love of God let me tell you about my gay time traveling vampires

[sunnymainecoonx]

And errr whatever this guy is

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]

[sergle]

I think I'm going to make a temperature blanket this year

[lazylittledragon]

detransition is something that should Absolutely be talked about but the idea of going into this tag terrifies me beyond belief

[vaguely-concerned]

...the 'almond room' thing in the unwanted guest IS a reference to/play on words on amygdala, right? (amygdala comes from the greek word for almond!) I didn't read that wrong? it is stupid sexy Ianthe coyly inviting Palamedes into a different chamber of her brain, as it were?

(also the pieces of meat -- the feeding or kissing, it's hard to say which of it all -- being present right from the beginning... ianthe DOES know exactly what has happened to her, doesn't she. palamedes is just cutting his way through her layers of denial and repression all merciless and scalpel-like to get her to admit it. or, she knows subconsciously at least -- each person comes in and feeds her something that she's helpless to stop from becoming a part of her even in her coffin, with bloody kisses. oh baby love is feeding me bad meat and I have no choice but to swallow it down. like yeah I suspect that is how human contact can feel when your sense of self and boundaries developed to be a specific kind of Fucked Up lol. that shit could make a person dream of being a diamond in a glass of wine; perfect, inviolable, untouchable, eternally separate and safe. In the words of Andrea Gibson in Prism:

They say the womb is where we learn love is knowing the cord that feeds you could at any moment wrap around your neck

that is quite literally ianthe's first introduction to love -- her sister, a cord around her neck. Corona is Ianthe's other self, a second soul running around outside of her body, and she seems to consider herself as responsible for (and entitled to) the preservation of Corona's soul as her own. the way this mirrors that growing up, Ianthe had to be two necromancers in one body to let them stay together. (twins and ghosts all the way down I guess.) she's still just trying to do the same thing, I think, she's simply put on some bigger boots about it. the central problem of lyctorhood, self vs. connection/love, rears its head once again -- Ianthe existentially wants total self-contained self-sufficiency, perfect control, sovereign sway and masterdom over her soul... but she wants that at the same time as being in uninterrupted (uninterruptible!), eternal and indelible intimacy with her sister, whose soul also cannot be allowed to change. which, you know. freedom and love don't coexist the way you want them to, Ianthe, no matter how clever you are there won't be a way to get what you want. (especially not with a sister whose idea of what love is seems to go more towards being consumed, made one, by whatever violence necessary -- 'she could have taken me'.) man. Ianthe is a spectacular and ongoing piece of work, but sometimes it's hard to see how she could ever have turned out otherwise considering the conditions she was born and raised under haha.

the two-way street of the horror of digestion, whether you're the devourer or the devouree. part of you in me, part of me in you, whether either of us likes it or not we're both changed by this. bad news: you can't get out of interconnectedness by finding the cleverest loophole around it, ianthe. nice try, though)

[partysnake]

okay i developed 'give everyone fursonas disease' which is mingling with my epic disease. have penelope shes a raven :)

[sysig]

Puts the “plates” in “Fellplates” (Patreon)

[fridgrave2-0]

Do you think Calhoun and Felix are endgame or Felix and Turbo? For example, if there was any kind of possibility Turbo could come back, would they get back together because of unresolved feelings or would or be an aggressive side eye situation? lol

if we take a situation where turbo is mostly forgiven by others and goes through his therapy arc, then actually think of poly

turbo would hate the idea of being around felix 'cause he still has to process the whole "he turned me into a boogeyman" thing, so he always reminds himself that he shouldn't be jealous bc of calhoun, he doesn't want this fixing piece of shit anymore (he does, but he lived with this anger on felix for 25 years so he can't just let go). turbo actually tries to interact with calhoun when felix isn't around and very soon he understands that she's actually very cool. he's been through some shit between roadblasters and sugar rush period, still feels a lot of regret and pain about turbo twins and can relate to calhoun's loss more than anyone else in the group. and, well, the whole cybug thing also adds to it. as much candybug felt excited about becoming this mutant, it was a lot from the bug perspective, and when turbo got the full control over his mind and body the terror did hit him like a bus. tamora was able to give him the understanding of cybugs, and he shared how he felt when he was eaten. "it wasn't painful or anything, at least i don't remember the pain. but i didn't feel like myself anymore, like i was under players control again, and any attempt of taking the control back just felt so wrong." it was something tamora needed, many years she lived with doubt. did her fiance even had a chance of being the man she loved after being eaten, or it would just be a monster with a familiar face. now this burden fell off her shoulders. she wasn't the one who killed him, the cybug was

turbo saw a lot of himself in calhoun. this need to keep the front all the time, to stay in control, to hide most of the emotions and do not look weak. and just like with him, she began to open up because of felix. turbo wanted to warn her, say that he already got burned by felix's light, got too close and paid for it. but keeping the distance with fix-it actually helped turbo see the whole picture, and felix seemed different now. and it shouldn't be surprising, people can change in 15 years of which he didn't see felix. maybe it was calhoun's job, or an experience of almost being unplugged, but fix-it looked almost sad everytime turbo was coming up with an excuse to avoid him. turbo learned his lesson. why did he felt so bad seeing an unspoken remorse in felix's eyes?

tamora was the one, who made them talk after too much time of walking around and playing hide and seek. in last months turbo taught himself to apologize and be genuine about it, and he was ready to do it, but with felix everything goes wrong, as always. this was exactly what fix-it wanted, it has always been like this. when turbo apologized, that was making felix in the right, no matter what was the reason. he knew felix saw the world in black in white, and that means always there's the one who's right, and the one who's wrong. and my any means turbo never was a perfect or even a decent person before, and he doesn't think so of himself now just because he realized his bad actions and said sorry couple of hundreds times. being eaten by a bug and burn in lava makes you reconsider a lot of things. but he knew he wasn't the only one who was wrong, and the idea hearing it again from felix was the worst. so turbo bit his tongue and kept his apologies

...only to hear felix saying "i'm sorry" for the first time in 30 long years. turbo didn't think it was possible, but here he was, sitting in niceland with silent but proud looking calhoun by his side while felix was pouring out his soul. apologies mixed up with tears - turbo knew that felix always cries when he gets too emotional - and felix just talked and talked for ten minutes straight, not seeing how the tension was leaving turbo's body. he relaxed, listening to felix not with a sense of triumph, but with a bit of fun. couple of times he turned to look at tamora only to see her sharing this look with him, and suddenly everything just became so simple and trivial that turbo made felix stop talking by pulling him into a hug. he wished for his apologies for 30 years, and now when he got them he didn't want to listen to it. because what was the point? turbo got the point in first two minutes, he knew felix was feeling sorry, and to list all their mistakes and bad choices would take too much of the time they had already lost

"i got the jist, big idiot, you didn't have to write a whole essay about how sorry you are", turbo said with a grin and heard felix chuckle. then he sighed and hid his face in felix's shoulder, still uncomfortable with being so open. "but thanks... i'm sorry too, y'know?"

turbo felt how felix relaxed in his arms

"yeah, i know, little idiot", felix replied, and for the first time in decades turbo felt like home. while he was keeping his face in felix's shoulder and breathing the familiar smell of pie and brick dust, felix looked at his wife, who seemed unusually soft, and uttered without a sound small "thank you". after all, without her they wouldn't ever try