#idk still thinking that one through

[richhietozier]

very vaguely working on a buffy the vampire slayer au fic rn (that i think will be centered around steddie) where nancy is the slayer, eddie is a vampire, and steve, robin, and jonathan are nancy’s scooby gang

[ruporas]

drank too much

[ID: Digital Art of Vash and Wolfwood from Trigun Maximum. Vash’s body is turned slightly away from the viewer as he holds a staggering Wolfwood by his shoulder. He has one foot ahead of the other, the foot in the back used to stabilize himself from tipping over. Wolfwood is tethering into Vash, his weight pressed into him with his arms wrapped around Vash’s waist and his face is hidden away as he leans against Vash’s shoulder. Vash’s expression can be seen, his eyes wide and mouth tight-lipped, and his face is flushed red. A speech bubble comes out from Wolfwood, saying a drawled “Spikeyyy...”. The background are desaturated pastels of blue and green, showing night time, as they stand in the middle of an empty street that is also lit by the moon not depicted. Yellow light is seen coming from the inside of a saloon. End ID]

[catkin-morgs-kookaburralover]

if you struggle with mental health, one piece of advice i would genuinely give you is learn to knit.

or crochet: something repetitive to do with your hands, assuming you're capable of it. if you're like me and learnt to knit as a kid but let it lie fallow for a long time, it may be that starting a large, simple project (for me it was a cloak, but a blanket could work too) gets you back into it. or maybe doing something smaller, idk. i personally found socks really hard for a while because they felt smaller than my cloak but weren't getting Done quick enough for me. as i've sped up i find it more interesting to knit socks.

regardless, a repetitive task is great for emotional regulation (also see: autistic stimming), and something that you can look at and go hey i've done something, unlike simply using a fidget toy, can also help to pick your mood up when the brain is being cruel.

it's also useful as a conversation starter or distracter if you don't know what to talk about. if you're wanting to talk to older people also you're more likely to reel them in with knitting (i work better with older people, and 99% of people who ask what i'm knitting are older than me). it also gives you the opportunity to not make eye contact because you're busy knitting, even if you're still carrying on a conversation. if you're absolutely stuck for conversation you can count your stitches and people might stop bothering you.

if you have trouble focusing without doing something with your hands, you can knit! i knit a lot in church, and it helps me to focus on what's being said.

i probably have more reasons you should pick up knitting, but i can't recall them right now, so yeah.

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[snarkspawn]

some KoD/Spirealm sketches

[teddybeartoji]

i think gojo would be TERRIBLE at any type of imposter game. like those mafia games or among us etc etc. HE WOULD SUCKKK. he has never won a single game. ever. he just gets so excited whenever he's The Bad Guy and he gets this glint in his eyes and it just makes it so fucking obvious that he's the one lmao. and then he's soooooo sad when he loses:(((( like c'mon guys how'd you know it was me:(((( BE SERIOUSSSS YOU LITERALLY WENT "MWAHAHAHA" WHEN THE GAME BEGAN???????????????????? he's stupid i can't believe i love him

[camellcat]

just recently rewatched the end of time specials, and I can't stop thinking about the way the master caught the doctor only to let him drop anyway. hey guys. what the fuck? I like had a visceral reaction to that and I don't even know why. that's. what. why'd he do that. do it again

[collophora]

"Let's fix this drawing" *redraw the whole thing*

[skyloftian-nutcase]

TotK DLC idea!

The screen is black. You don’t hear anything for a long time. Then, faintly, in the distance, you can hear it.

Link. Link. Open your eyes.

While the line echoes familiarity, the voice does not.

Or. Well. It does. Because while it isn’t Zelda, it’s a familiar man’s voice speaking gently, so gently you almost don’t recognize it because there’s no way he ever spoke like this in the main game.

But he is now. And instead of a golden light being the first image you see before the screen shows Link awakening… you see gloom floating in the air. The image cuts to a Hylian waking up who… doesn’t look like Link from TotK?? He’s different, still small in stature, with slightly tanner skin, platinum light blonde hair, and red eyes. But… something’s wrong with his forehead. There’s a weird line on it.

This new character you apparently are gonna be playing in the DLC blearily blinks his eyes open, clearly groggy and too weak to really move. But then that line on his forehead moves a hair, it splits apart, and you realize it’s a freaking eye, red and yellow and it’s like the ones on gloom hands and oh gosh what the hell is it doing on his forehead—

Link realizes something is off and his eyes blow wide, his hands reach for his forehead and he screams in agony and terror, only for someone to scoop him into a hug to soothe him.

And suddenly you realize why that voice was eerily familiar.

It’s Ganondorf. He resurrected you from the era of the Imprisoning War. You, who have a history with him and his family. You, who he wants to protect, who he views as his kid, who he calls a prince and says he’ll keep you safe by controlling your body with his dark magic if he has to.

Welcome to Tears of the Kingdom: Hero’s Shadow.

You have to play a long gone Hero who was resurrected. Ganondorf, who is still recovering his strength in preparation for killing the current Hero, tasks you with finding your betrothed, his daughter, as well as his wife. They’re buried somewhere in the Depths like you were. He wants you to find their burial sites so he can use his secret stone to resurrect them like he did you, and control them as well. Which is doubly bad when you realize his wife was the original Sage of Lightning. He gives you free reign to wander once you go through a tutorial (he tests you to see if you’ve recovered enough strength), because he knows you love wandering and collecting things. Your own personal objective, however, is trying to help Hyrule from the Depths, to break free from Ganondorf’s control, because Link would rather set himself on fire than let Ganondorf resurrect and control the love of his life and his mother-in-law. Your best hope is to find shards of the shattered Master Sword to try and stab the eye on Dark Link’s forehead and break the control Ganondorf has on you. Until you can, though, the monsters are your allies, you can teleport across the Depths by manifesting out of the gloom created by gloom hands (just like what Phantom Ganon does), and the world below is your oyster. If you get too close to sword shards when gloom hands are nearby, Ganondorf can see your attempt and immediately takes control of your body, and no matter what button you press Link just walks back to Ganondorf’s location and stays there until you get a chance to try again.

You start with three hearts, all empty looking like when gloom hurts you, and if you get injured they just shatter. Whenever they all shatter, you respawn at Ganondorf’s location because his gloom hands came and rescued you from dying. The only way you can get more hearts is by collecting poes and offering them to the statues in the Depths. You can communicate with the spirits of soldiers, who may give you combat tips or info about the area. If you gain enough of Ganondorf’s trust, he’ll let you command monsters, and he might even let you wander the Surface (under his supervision) during a blood moon.

You learn of Link’s and Ganondorf’s history through discovering ancient relics/texts that trigger memories. This connection between you and Ganondorf stems back to time before the war, well over ten thousand years ago. Link was engaged to Ganondorf’s daughter, but during the Imprisoning War the family fought against the demon king. Ganondorf did love his family, but he loved power more. Link sacrificed himself, letting himself get mortally wounded to save Rauru from a killing blow. Gan held him as he died, and it allowed Link to both beg him to stop and stab him in the heart with a light shard. The shard didn’t kill him, but it was what Rauru connected with when he hit him in the chest, allowing him to seal Ganondorf away. Ganondorf still wants the world, but his love for his family is still present, though now twisted, so he thinks he can control Link and everyone else with his dark magic in order to keep them safe and in line. Once the threat of the current Hero is eliminated, the world will be his, and his family will be safe. As such, he treats you, Link, the player, like a stubborn child, reeling you in, but does so in a horrific way, torturing Link by controlling him.

You have to break free of this and stop him, and the only hope you have is the distant call of a sword spirit…

[puppetmaster13u]

have a very early wip of a tea party :>

This is @phoenixcatch7 's Possessed Doll Au

[oifaaa]

Started watching a new anime and the first episode has me so bewildered basically it's meant to be a cinderella story evil step mom wicked half sister that crack only one of the things they have to show how horrible cinderella girls life is by having the boy who she has feelings for become engaged to the half sister and she is so smug about the whole thing despite this being objectively the worst possible husband choice for her since he's also so in love with cinderella like sweetheart your gonna spend the rest of your life with a man who is more in love with your wet blanket of a sister and honesty he's not even that pretty I get you hate cinderella but she's moving away you've gotta start thinking about your future

[sewageskullz]

fern 2 minutes after hanging out with flame princess

[isogenderskitty]

i think it's interesting how steph is like... the nerds see her as part of the popular group, and sure we see her talking to the cheerleaders a little, but other than that she doesn't really seem to be one of them in the truest sense? i could fully believe that she feels like the tiniest bit of an outcast there, like she's just cool enough for max to give her a pass but she doesn't really click with them that well. she feels to me like the bridge between the popular ones and the nerds, which is appropriate i suppose for her place in the story.

[carnivalcarriondiscarded]

Not sure if this theory makes any sense at all but I'm starting to believe that there's no time skip between Wally's phone calls and what we see/hear in the show's Media/Merchandise. If we see the Toyland call being made before the Homewarming episode then it would make sense that Wally's expecting Barnaby to come over soon. As well as the Homewarming sketch from the prior update. (I don't know, still kind of brainstorming this perspective)

that theory Does make sense and i've been considering it! the "timeline" is such a nebulous thing right now because we still... don't really know! there are too many variables and too many Maybes for any solid answer.

maybe the reality that the neighbors live in exists outside of time like you say, and like half of me suspects. there's so much reality fuckery already present, but I'm also... unsure of how much merit this holds given what we know / can infer about how time passes in Home. i'm putting this theory on a low shelf to look at but not prioritize

maybe it really has been 50 years, and Barnaby is either still around / Wally is still in contact with him, or Barnaby... isn't there. who knows, maybe Wally was just verbalizing some Wishful Thinking. i mean, Wally is a bit of an unreliable narrator, isn't he? we can't assume that everything he says is entirely accurate or truthful. and i mean, if it's been 50 years it makes sense that Wally would be pushing for connection / to revive WH. who knows how long he's been trying.

hm... i mean. it could be a mix of that and the Outside Of Time theory. who knows, maybe W is receiving calls from different points in the timeline - Wally may have started out just calling, and has just graduated to invading the WH website / getting pushy with the envelopes and media that's been sent to the WHRP. maybe Wally got tired of waiting for W to respond before W was even born. who's to say!

[tradingjack]

These were the concept pages I drew for my original writer in the @vashwoodbigbang event! Unfortunately they have disappeared on me 😅 and also bc god hates me I guess, the day I was supposed to post these, yesterday, saw me dealing with first a wifi outage and then a whole electricity outage so. That was fun lmao

Details about the drawings below since. I don't know if my writer will ever post the story, unfortunately 😔

So this was originally coined as a stardust au! I believe it was primarily based on the movie that came out in the 2000s (?), though I believe my writer was familiar with both the movie and the book it was based on. Honestly, it doesn't pull much at all from the story itself, just the general concepts of stars.

In this version, Vash is a star, and he decides to try and find his long-lost siblings (Knives and Tessla). In his search, he comes across a planet he hasn't visited before, and while he's descending to it, he's shot down by something mysterious that causes him rather permanent injury (not new; I believe he'd already lost his arm previously and he has all his scarring from travels to previous planets, this specific technology is just new to him).

He manages to crawl some distance from the resulting crater and is rescued by the odd pair of anthropologist Milly and journalist Meryl, who are tracking fallen stars on their planet in order to research them. Vash is horrified to learn that stars on this planet are rather brutally searched for and used for their power, so he tries his best to keep his real identity as a star secret.

In the next town, he learns about Star Cultists, who are the leading experts on stars. Our dear Wolfwood is one of them, and though he's a priest under the head of Chapel, he seems pretty jaded about the whole thing. He also spends some time poking fun at their visitor Vash when he stumbles on the doorstep of the church.

Unbeknownst to all, Chapel is the one who shot Vash down, and he suspects Vash is his target. When Vash, Milly, and Meryl skip town, Wolfwood is ordered to tag along with them against his will, and he begrudgingly forces himself into the group with his usual grace lol.

Through some shenanigans, including an interesting fight with Livio/Razlo who is a martyr (a human who ate at least part of a star and became consumed by it), the group all grows closer to each other. Naturally, Wolfwood and Vash hit it off with their usual ideology clashing and homoerotic team fighting. The tension comes to a head when both of the boys are drunk and attempting to stumble somewhere after getting kicked out of the bar, and with the help of liquid courage, Wolfwood admits to Vash that he's what's known as a "Star Eater:" a human that has consumed part of a star, and by some genetic luck, isn't consumed by it and instead gains some superhuman abilities so long as the magical tattoo (i forget what it's called off the top of my head fuck) that forms around the presenting star isn't broken.

Vash is understandably horrified. Wolfwood is confused by Vash's rejection bc he isn't aware Vash is a star; he's under the impression Vash is just some very talented guy Chapel really wants to feed a star shard in the hopes he becomes part of their superhuman cult.

Vash sobers up and manages to drag a very drunk and eepy Wolfwood to their hotel.

The next day is the turning point; the star cultists, including Chapel, catch up to them and confront Vash. Wolfwood has to learn very quickly that he'd been Wrong and Vash, in his panic, flies to where it feels most safe; the city's Star (storage area?? Idk). He ends up cornered there and, in his panic, accidentally goes nuclear trying to escape and blows up half the city in a column of flame. While he's barreling across the desert in an attempt to get away, he's trapped by a net the star cultists set up, made of the same shit used to shoot him down at the start, and he can't escape it on his own.

Luckily he's found by Wolfwood first, who's decided he owes it to Vash to try and fix his fuck up, and using his superhuman healing, he manages to free Vash. Both are exhausted and ultimately rescued by LR, who's been tailing them.

Tbh my memory's kinda foggy... my writer only managed to share up to that first LR fight, so I don't remember exactly what's supposed to happen between here and the fight at the orphanage?? I remember Vash somehow finds out what happened to his siblings (a hella long time ago, Tessla was consumed by the people of the planet and Knives, in his rage, fuckin just annihilated everything, turning it into a desert planet, and has been laying dormant for the most part since then) and also we learn that martyrs gain better control of themselves, and the crystal growth consuming them stops, when in proximity to enough additional star power. Vash, as a star himself, allows LR to easily think as they did before they ate a star shard when in close enough proximity.

Anyway, fight for the orphanage, Vash shows up in time to see Wolfwood getting his shit rocked and his magical tattoo (I'm so annoyed I can't remember what it's called. My mind is supplying sharingan and i know that aint it) shattered by Chapel, who accomplishes this by running Wolfwood through with his cane. Vash, believing Wolfwood's dead (bc like. Lmao it's pretty hard to live getting impaled, like, fully), loses his temper and basically obliterates Chapel. He moves on from Wolfwood's body to try and dismantle the entire Star church so Wolfwood's orphanage can stay safe. In this process, he confronts a Doctor Conrad, who was behind the whole thing, the remains of Tessla, and somehow Knives?? I think Knives, sensing Vash's anguish, just tried to fuckin nuke everyone, and Vash stops that. I feel like Knives dies in this process somehow... I think it was by saving Vash from something Conrad made??

By the end of it, Vash is wounded and exhausted, and ends up being saved by Milly and Meryl, I think.

When he recovers, it's to find he's lost his ability to leave the planet; while still functionally a star, his power has greatly diminished, his hair is black, and he can't even hide his wings anymore. Last I knew, my writer was actually merciful and let Wolfwood live! Albeit as a martyr (thus the wolf form with the uncontrolled star shard bursting out of the hole in his chest you can see on Wolfwood's page lol). Luckily he's got Vash around, so he gets to keep his mind, if not his human form.

With Knives dead and the star cultists mostly dispersed and no longer able to fuck with the planet, the story ends with our characters getting to experience rainfall on the planet for the first time in centuries.

.......

I like the story :P I imagine it'd be a lot better written out in actual novel form by the person who'd actually thought it up than my shitass, too-long summary lol.

Honestly my writer was communicating up until like, a month ago?? And then they just.... disappeared :/ which is weird bc I checked with my mod for this event (shout out to mod sana, @pushclouds, you're an amazing mod and I appreciate the heck out of you) and they submitted literally every check-in. Honestly I'm more worried for them than anything, if anyone knows what happened to @lohikaar I'd appreciate anything you can tell me. I hope they'll publish this story whenever they can, I'd still love to read it in its entirety.

Additional shout-out to @priellan for beta-ing the story they shared with us, and for overall being a super supportive team member :D

Also they did assign me a pinch hitter writer since we have no idea wtf happened to my original writer, so I'll be doing more drawings :D priellan agreed to beta for them too, which I'm super happy about! And thanks again to mod sana for your hard work and arranging that so quickly!

An admittedly strange first big bang experience, but I don't think it was overall bad, and I'm excited to work on more stuff with my new writer :D if you read this far goddamn. Thanks lol. See you again for sure on January 1st! (I'll try to post other shit between then and now hopefully)

[genericpuff]

And with that, 2000 years of history and 10+ years of an animated adaption later, Attack on Titan is over.

I wasn't planning on making an essay post about this but like all of my essay posts, it got crazy out of hand, so here we are. I have a lot to say on it and the more I wrote, the more I realized exactly what the Attack on Titan finale was about. It's cathartic. It's also kind of a big shitpost but not for the reasons you might think.

Spoilers for the Attack on Titan finale ahead! CW: DISCUSSION OF WAR AND GENOCIDE AHEAD!

Now for anyone who knows what I'm about to talk about (and anyone who follows my stuff here), I'm sure you're wondering , what side do I fall on in regards to Attack on Titan's ending? Am I about to talk shit about it? It's very divisive and somewhat inconclusive. It followed the exact ending in the manga which, while expected, was still disappointing to many who had hoped the anime would take some other path.

But I have to ask, could there have been any other way?

Eren committed mass genocide, bordering on extinction of the entire human race. There was no way that he was gonna come out of it redeemed or as a hero, and he knew it. He went straight up Walter White core here and like Walter White, he is not a hero.

The fact that the Marlayans have been constantly going to war with other countries using Eldians as their personal soldiers goes to show that for countries that seek out conquest, there's no target too small or insignificant that can't be marked as an "enemy", and we see that reflected in Eren as well, in his pursuing of "freedom", an ever-moving goalpost that can never truly be satisfied.

The Jaegerists were hellbent on creating a new empire on the bloodshed of Marley - 'an eye for an eye', so to speak.

Nothing was ever going to truly satisfy either 'side' in the conflict of humanity vs. Eldians because such conflicts' origins have been obfuscated in hundreds of years of history, propaganda, and generational trauma that has repeated itself for so long that many don't even know what they're fighting for anymore, aside from one thing - that they don't want to suffer, that they shouldn't have to suffer for the actions of their ancestors, that they want peace and happiness but don't know where to start with taking the first step.

I think people are disappointed in this ending because, let's face it, it's anime, and it's an anime adaption that took years to finish. We always want to see some kind of vindication from stories like these, but I think in having vindication, it ultimately removes the point altogether of what's being said.

As much as we may try to fight it, try to deny it, the course of human history travels in a circle. Conflict will always arise. History is written by the victors, and those victors will be seen as heroes by whichever side they're fighting for regardless of what heinous acts they may have committed to justify their salvation. And after all of that conflict, regardless of the result - time goes on, and new conflicts arise.

But I don't think that means we have to succumb to grief and suffering and that's a point that I'm seeing missed in a lot of the discussion around the finale. There's a very powerful scene between Armin and Zeke, in which Armin talks about how he was born to run up the hill with Mikasa and Eren. He recognizes fully that if his life isn't meant to be long, he can still cherish those small moments that he thinks back on fondly, the moments that defined his life with the people he cared about.

And that's really all life is. Small moments and experiences that stick with us until the end. The very act of being born in and of itself is a cosmic miracle that gives us the chance to experience things that bring us joy and stay with us forever - however short or long that 'forever' may be. We take these small moments for granted when we're comfortable, but we look for them the most when we're suffering.

If I can relate all this to another piece of media that says the same thing - albeit with a much brighter ending - FF XIV: Endwalker also asks a similar question to Attack on Titan - is the only meaning in life to suffer and die? Of course, by its end, we learn that while death and suffering is an inevitable part of life - not something that should be avoided - it shouldn't persuade us to give in to fear and despair as a constant state of being. And I think Attack on Titan goes for a very similar approach, albeit slightly more as a cautionary tale - a nihilistic reminder that ultimately, the losses and victories we find in our current point of history are still just that, a single point, a blip that will be forgotten until it's ultimately repeated, and there's no escaping that.

It cautions us that freedom cannot exist without constant vigilance for war and conflict. It cautions us that our values and core beliefs for attaining freedom, love and happiness can be twisted into a weapon to cause harm, vindication gained at the cost of another. It cautions us that when left in the wrong hands, power can and will be abused by the ignorant while propagandizing itself as "the greater good".

So why not just find the joy that we can? The friendships, the little moments, the things that bring us happiness even if only temporary. Conflict is inevitable, suffering is inevitable, but that doesn't mean life isn't worth living. "Happiness" is not a tangible end point - it's the side effect of living a meaningful life that's true to yourself.

Attack on Titan is over. Some will argue the ending was the only way, others will argue that there could have been another way and that the anime adaption had the chance to change it but still didn't for reasons beyond their comprehension.

But isn't that the whole point? We'll argue. We'll bargain. Many of the arguments made will reinforce our own beliefs further rather than sway us. Many of us will insist there had to be another way, just as Armin insisted that this couldn't have been the only way, that humanity must have had another option. Meanwhile, many of us will acknowledge that at the end of the day, this is the story Isayama wanted to tell, and regardless of whether or not it makes him an idiot toying with his audience and admitting defeat by lampshading it in the penultimate scene of Eren admitting to his own idiocy, this was the power given to him and he used it in the best way he knew how.

Much like in any conflict, there's one thing that unites both sides - the human need for joy, connection, and freedom.

We might not agree on how Attack on Titan ended, but we can agree that it was a hell of a ride, and I hope we can all agree that it was worth riding, even if it wasn't satisfying for everyone in the end. It brought many people together regardless of their backgrounds, experiences, and differences, and connected them through something they all loved for over ten years. And despite how big a part of our lives it was, life will still go on, and we'll move on to other things to watch, enjoy, and argue over. Isayama will move on to whatever awaits him next, knowing fully well that his choice was his own, that he created the series he wanted to create regardless of how people feel about it. We'll all look for our own forms of joy and happiness as life moves on around us, as conflicts come and go.

Isn't that really what freedom is at the end of the day?