(mgv) au where adam is saved by strahm, who takes him home with him after adam's landlord kicks him out for not paying rent (he has the money from stalking lawrence but never got to pay the landlord... or something idk the landlord sucks). lawrence knows adam is alive but his location is kept secret, and adam has to be talked out of going to find lawrence as well. not for any malicious reason, but because strahm believes letting them both heal separately will keep them from developing a codependency. strahm also siphons what little bit of info adam didn't repress of the incident to use for his investigation.
they aren't friends, they're hardly roommates, but it's definitely much more stable than his apartment. there's always decent enough food, adam gets the spare bedroom, it's for sure not the worst situation he's been in.
when adam notices strahm's rut coming up (he's an alpha. why not.) he even offers his body to try and pay strahm back but strahm refuses with a cringe as that is Never what he wanted. so they just kind of. live totally separate lives. adam recovers and starts getting back on his feet with a less shitty job less likely to have him getting kidnapped. he still wants to see lawrence, but knowing that he didn't keep his promise (not on purpose) and never seemed to seek him out left adam with some hurt feelings over the matter.
so they manage. they stay away from each other during rut/heat barring the incredibly unobtrusive way strahm provides adam with basic heat materials -- snack crackers, water, extra blankets -- and does his best to ignore him for until the end of the cycle. for ruts, strahm just leaves the house to stay at a hotel or ingest suppressors so he can keep working.
it's all well and good until suddenly strahm doesn't come back. so adam waits. he waits until food gets low, paranoia building. the house starts feeling cramped. his shoulder hurts. the smell of grime and iron and blood and the comforting scent of an alpha who wants to help far out of reach--
in his panic, he doesn't remember how it happened. the stone steps covered in frost, maybe. but the next thing he knows, he's outside, his foot's going numb, and the crumpled sock at his ankle is staining with blood.
a concerned bystander calls an ambulance for him, adam's hysteria at its peak.
the closes hospital is st. eustace. lawrence, having transferred himself from angel of mercy after his own recovery, insists on giving helping a hand in the ER when possible, foot be damned, so imagine his shock when he's on the first floor and hears those familiar sobs and shrieks.
they have to sedate him or strap him down but no one manages to even get close enough to him, wild and lashing as he is. so lawrence intervenes, gets the nurses and orderlies to give them some space, all the while adam is mentally back in that bathroom getting to touch lawrence for the first time, sobbing, clutching with both hands, "you said you'd be back, i knew you'd keep your promise, you said you wouldn't lie to me, you came back...." lawrence brings them close enough to touch foreheads. adam doesn't even notice the needle prick.
when he wakes up later, his leg's in a cast. lawrence is in the chair next to him, his doctor's scrawl already on his cast.
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if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
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I've watched Jack's (Jacksepticeye's) playthrough of MyHouse.Wad, and at first, because I only heard of Doom and never played it, I let it play in the background. Until Jack's voice starts reading the attached letter to the game.
My thought immediately went, "This is something, and I feel like I'll like this something." I rewind it and watched it from the very start to the end. But I felt it wasn't all that it was, I bounced from his to the comments, explaining the game and all being recommended to play it for yourself. I don't have the resources to do so, so when I saw a comment about a video explaining it, I looked it up. The video lays out the house and the different ways you can go from point a to point b. I've seen Power Pak's after watching Jack's playthrough. And just now, I've watched Pyrocynical's video and theory on it.
There's two that stood out to me, near the end; he lays out the theories and practically dismisses the queer interpretations of it. Until now, I've always been in the camp of "Thomas and Steve were a couple, but due to the time period, or their families, they kept it hidden." When watching Pyro's video, I started realising, why were there pills on the bathroom floor, why the crib, the ring? And I felt like Pyro was nearly there, he was so close to putting it together.
But he dismisses Thomas perhaps being trans or that Steve and Thomas are gay--calls a "fat stretch" and "Level difficulty: Medium" respectively.
I've prefaced all this, because as someone who's transmasc, it felt invalidating. For months I've seen this game--although I never played it and only watched it--as a queer story of grief and loss, of processing that loss, of going through stages of denial, of reliving memories, of just wanting to reach an end where you feel at peace, of looking back on that journey and thinking to yourself that you've made it--past the hardships to a place where you can feel at peace again.
MyHouse.wad being as ambiguous as it is but leaving all these little tidbits is as when it comes to art, hard to piece together. But hearing about how there's also a trans interpretation of made me perk up, thinking, "oh, it's going to be talked about in detail," only to be disappointed.
So, despite being that MyHouse.wad has probably had this interpretation ("tHeOrY") put up already, I still felt compelled to write my own view on it using the pieces that I know of--but, there might be details that I describe vaguely because I don't remember them all that much.
We get tiny little small glimpses of Thomas through Steve's entries, of introduction we get along with the link to download it. And even just from the descriptions of the items in the game like the ring, the die, and whatnot. And the first thought is, "oh, they're gay, but they're not out," which is a sad thought, yes. But I held that interpretation close to me. It's a journey of Steve trying to get through his grief, of plunging in to his thoughts, dismantled and breaking apart as they are. The rawness of everything, of how for him, it probably felt so fresh still and this game, of going through their mod map is his way of processing--never mind how it consumed him, as he said.
And what I consider to be the best ending; the real beach, with a heart on the sand, initials--"S and A, forever". Who's 'A'? Isn't it supposed to be 'T' for Thomas?
I've seen how 'A' could be for "Allord", Thomas' last name, and at the time, yeah, maybe it is A for Allord. But what if it isn't? What if 'A' is the deadname--using that initial, despite it being a deadname, was probably used to protect them, protect him-Thomas. To be seen a heteronormative couple to get away from the hate, the stares, the animosity.
What about the excerpt of their death? Thomas' photo clearly being of a man? Well, that's just it. It's an indication of how the family has accepted Thomas for who he is and to honor him properly, used what a photo of what he looks like now, of who he really is. Proudly too, showing him as Thomas Allord, age 35, in the newspapers. This is their son, brother, and husband.
This is certainly something that will be labeled as a "fat stretch". The crib, then? The pills? And the bloodied bathroom? Perhaps, Thomas had gotten pregnant, experienced a miscarriage in the airport bathroom and had to be rushed to the hospital. As Steve puts in the description of the baby bottle; "It wasn't meant to be." And as he writes in his journal entry, he had a dream, a baby crying in the attic, in the crib, a still born baby.
Perhaps, Thomas was ready to carry the baby--their baby and due to complications, what happened, happened. They'd already bought the crib, but put it away, and we see, maybe both of them had hope that they still had a chance, clinging on.
"If Steve and Thomas are together as you say, then why does Steve refer to Thomas as "my friend" or "my childhood friend"?" Living through life closeted brings habits, unfortunately.
I've grown up without realising that I'm trans, and it was only the past few years where I've realised that the gender I was given and raised to be, isn't who I am. Despite my family knowing, they still call me with feminine pronouns, I get referred to as "sister", or "she/her" a lot of the times. And it's become the biggest norm for me that they just fly by my head without even noticing it, without getting the chance to say "that's not my pronouns".
Is this a "weak" point of the "theory"? No, because I see it as valid. People who aren't out or don't have the chance to express who they are live day to day with being misgendered, seen as someone they're not. I don't want to say, "everybody experiences this" or that there are people who don't go through intense dysphoria that it becomes crippling; I'm just saying, that for me, this is how my day to day is today, what it's like--a sort of cynical indifference to it that boils beneath the surface of my skin.
Or, this is Steve's way to be ambiguous; Thomas was Steve's friend first before they reunited, gotten married, lived together, after all.
Maybe, he wanted to detach himself in his grief and longing. A way to protect himself from the immense loss he's going through and this is his way of doing that. By saying that Thomas was just a childhood friend, it probably eased the pain just a bit.
Or, Power Pak states in his video, isn't it strange how explicit names are never--if ever, rarely-- given. Thomas' name doesn't show up until February of 2023. Steve's name is never used. Maybe, Steve wasn't the one who wrote the journal; a third party who saw the effects of loss on Steve, instead?
In the newspaper clipping of Thomas' life, it's stated how he reconnected with his high school crush, got married and moved in with his partner. The ambiguity could mean that the family simply didn't want bigots to be bigots toward their loved one.
In Steve's clipping detailing his life, he also reconnected with his high school crush. "Soulmate", this person is described as. And like with Thomas', "partner" is used, rather something explicit like, "husband" or "wife."
Although, "wife" can't be correct either since Steve doesn't have a partner listed who outlived him, simply his family.
With MyHouse.wad being as up for interpretation as it is, there's ways of reading into things, one can take it however way they want to, where they want to.
And I, personally, like to think that Steve and Thomas are happy together, with their cat, cuddled up together in their home.
You picked up Die. "Roll for intercourse?"
I feel so helpless, like I can't do anything to bring him back.
I feel so sad and it feels like my heart is heavy. I can't help but think about all of the fun times we had together growing up. All of our adventures, our secrets, and even our arguments. I miss him so much and I can't believe he's gone.
You picked up Ring. "I do."
I attended the funeral of my childhood friend, and I was overwhelmed with grief. As I looked around at everyone else in the room, I could feel the sadness in the air... I never imagined that I would be saying goodbye to my friend so soon.
You picked up Wine Bottle. "Drunk Buddy."
You picked up a Bauble. "Christmas makes me happy."
Happy Valentines day to the only person I ever loved. For a short time, you brought a little happiness to this painful existence called life. I hope we can be together again one day.
You picked up Baby Bottle. "It wasn't meant to be."
You picked up Pill Bottle. "Refill needed."
You picked up Full Pill Bottle. "Feelin' fine."
You picked up Game Controller. "It's my turn."
Somewhere, in another dream, the version of myself that winked back is sitting on the real beach, happy and content, knowing life is finite, there is no afterlife, and happiness is found in the small things around us that we can control. Happiness has to be fought for.
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Artificial Phoenix movie changes
*cracks knuckles* Okay I said I would do this for at least one curious reader, so here we go. I'll eventually drop it under a cut because it is gonna get long haha, if you guys want me to expand on any of these details just let me know !
The opening to the movie is more or less the same, though Leonardo's mistake is less from sheer arrogance and more in eagerness to use his mystic powers. Training with Draxum has proved fruitful, and Leo's just a bit too excited with how good he's getting with his abilities lately.
When they end up with Casey Jr. in their lair, they don't really believe he's from the future until they end up finding the memory locket on his person. Casey tells them he got it from Master Michelangelo, and Mikey and Draxum know it has to be the same locket though the image inside it is different.
There is also a funny add on to this happening in the background where Sho, upon seeing Casey, congratulates Splinter on his grandson. Splinter wants to know where he got that idea, and Atsuko mentions the pair of them do share a lot of features. If this was being animated Splinter would look at her, next to Casey, with a similar expression on his face as the kid and say "I don't see it"
When Casey mentioned the Kraang, both Draxum and Karai recognize the name. April also realizes that's the same things as the creature she found among the empyrean.
The attempt to get the key back also goes just about the same, though Leonardo's desperation to recover it is more out of fear of something else too powerful for them to handle getting into the city and taking something else away from them. But of course, in his attempts to stop that from happening, Raph gets kidnapped.
Donnie's decision to even make all those escape pods also had to do with him wanting to give them an out in case things got too dangerous (and it still only worked so well).
Everyone is desperate to get Raph back, so the boys all go to do this while Draxum, Karai, April and Cassandra all try to find a way to destroy the key. This time it's not just Leo that causes the run through the subway to go to hell. (Leo is constantly asking his grandmother if Raph is still alive).
Casey Jr. has to give all of them a lecture, and is shocked they're even acting like this when Donnie is the one who harshly reminds the kid they aren't their future selves, but they still understand his point and try to collect their feelings so they can save Raph with a more level head.
Also for the record, Casey has met Cassandra during this film, but he has chosen not to reveal how he knows her or why her image is the one coming from his locket (along with another figure who's far too blurry to make out). Cassandra is determined to find out the answer when this ordeal is over.
Raph still gets possessed by the kraang.
Cassandra and Karai are both part of the ground squad, trying to get Casey Jr. to the key so they can close the portal.
The events to seal the kraang are more or less the same, and while Draxum will deny breaking down in front of April, Karai and Cassandra when Leo is trapped on the other side of the portal, April may mention it to Leo later anyway.
Speaking of breakdowns no one is having a good time for the record, but Atsuko tells Mikey that Leo is still alive, and he's not going to give up.
Meanwhile in the prison dimension, Leo is about to give up, but then an incoming hit never connects, because his father's spirit appeared (I have been tempted to write this scene up at the very least).
Get the shit kicked out of you by a ghost Kraang leader.
Well, not that hard, just enough to keep him busy while Leo makes a run for it and eventually reaches Mikey's portal.
Draxum does not stop pestering the boys for weeks while they recover, and when Leo starts calling him Dad on purpose he pretends he's been doing it all this time.
Cassandra eventually gets the truth from Casey, but Mikey's still curious about why Casey's locket plays the same song that his does (Casey isn't sure why)
Uuuuh I think that's about it ! Let me know if you have further questions
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#dang it do i have a new oc now
Sounds like!! I'd love to hear more if you've got it!
(referring to my tags on this post)
You will meet a stranger, sometimes, if you make a habit to frequent taverns, inns, halls for game, or even the one tree where the young Bracegirdle cousins sneak off to play marbles. Well, you will like as not meet many strangers, except in the last case, but this one will be different. Or perhaps you get lucky, and don't frequent such places, but find yourself in one unexpectedly, and meet them regardless.
Everyone in Gondor knows someone who knows someone who met Lady Luck, no one has met her themself. If you do, starry-eyed romantics say, you'll be blessed with good fortune for all your days. The pragmatists tell you you'll be blessed with the good sense to discern a scam.
He may smirk at you after winning a bet, some dark-haired man, using his earnings to buy a round for the bar. It's always a different man, but it always goes to Alwed's tab. It keeps the crowd from getting too rowdy, even if the more superstitious get on edge.
No one remembers meeting them the first time, but dwarves with common sense avoid Audr's shell games and silver-toothed smile- you always win, but it's never worth it.
A woman with greying-gold hair and stiff fingers might call herself Eadrun, and challenge you to a game of dice. Few decline, and far fewer win.
For as few elves remain in Middle Earth, the one who calls himself Herendil and laughs as though his name is a joke should be recognizable. He seems young and lighthearted in a way most have lost, but he will play you cards, win just as much as he loses, and disappear, never recognized.
A hobbit-lass may giggle, red curls gleaming in the sun, and introduce herself as Peony Sandheaver, her family is visiting from Bree, and she wants to see how Shire-hobbits play Jacks.
Sometimes an orc prays over a set of knucklebones, knowing that at least one god will hear one prayer. Orcs have little luck in battle, but uncanny luck with dice.
There are countless stories, just as many true as not. Countless names, far more unnamed figures, always just out of place enough wherever they are to be interesting and promise new tales, never enough to provoke suspicion, not at first.
Even those in the Blessed Realm may find this dark-eyed stranger. Always dark-eyed, like bottles of dark glass. They stop by Aulë's workshop on occasion, to learn and suggest and play new games. They never win the first round, but most have the sense not to bet anything they aren't willing to lose on the second.
Oromë's people call them Umbarnica with a laugh and a toast in welcome. They thrive in the drunken revels after a successful hunt, sharp as ever as they dance from game to game, cackling at ill-advised propositions offered as collateral for or against a bet. Usually this means them winning to avoid it, a frequent enough occurrence as-is, but every now and then they'll decide to let someone get lucky. The bragging rights are the real reward.
And there are no guarantees with this stranger. No way to ensure their favor, though many ways to get their attention, few good. They like irony, take pleasure in hubris reaching its fall. They love superstition, even if they don't always honor it, and they love stories. There are gods that can be mistaken for kind, they are not one of them, created to serve the king the Dark Lord could have been. Their favorites are fickle, their grudges subtle but long-held. They love cheaters, unless they're at the end of the attempt. They will always catch you, and you will always regret it. They slink through candle-shadows and pipe-smoke, grinning, dance in town squares turned to faire grounds, curl up on comfy chairs indoors on rainy days.
But sometimes, in these days, you won't meet a stranger at all. Sometimes your storyteller will get a bright-dark glint in their eyes, and some dice will roll strangely high and some dice will roll strangely low and either way the story will be better for it. And if the next time the group meets you need to take a moment to remind the storyteller exactly what happened last session, well. That's why you take notes.
So pray to the dice-god, card-master, quick-sighted. It might do you no good, but they love superstition, and they love stories. And when you play a dark-eyed stranger, don't cheat at cards.
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