Viable Ships in Dick Francis’s Proof, based on my ~70% complete rereading:
TONY X GERARD MCGREGOR
high-class private detective
instantly obsessed with Tony
hunts him down to offer him a consultant job even though Tony doesn’t think he’s good and special enough because he knows Tony is good and special enough and so so great at knowing about wines and remembering things and deductive reasoning, the best of anyone
gets shot trying to save him from burglars but doesn’t even mind
the Only One who is sympathetic in Exactly The Right Way to unlock Tony’s tragic Dead Wife backstory
they love eating Chinese food together and admiring each other’s skills at detecting
“'Come any time,’ I said. I didn’t mean to sound lonely, but maybe that’s what he heard."
"'I enjoy your company.’
He seemed almost surprised. ‘Do you? Why?’
‘You don’t expect too much.’
‘Like what?’
‘Like… er… Chinese takeaway on your knees.’ It wasn’t what I truly meant, but it would do.
He made an untranslatable noise low in his throat, hearing the evasion and not agreeing with it. ‘I expect more than you think. You underestimate yourself.'"
TONY x MRS. ALEXIS
Owns a pub Tony is investigating for wine fraud, but likes him anyway just because
No Truck With Cops, But Especially Not The Stodgy And Puritanical One Tony Is Working With, Compared To How Cool Tony Obviously Is
“Smiles with reckless mischief” before using a shotgun to clear out a fireplace
All of this:
"Her gaze slid past me to rest on Ridger and still without any change of expression she said, ‘Give me a man who’ll swing from a chandelier. Give me a goddamn man.’ Her glance came back to my face, the mockery bold and strong. ‘The world’s a bloody bore.’
Her abundant hair was a dark reddish brown gleaming with good health and hair dye, and her nails were hard and long like talons. A woman of vibrating appetite who reminded me forcibly of all the species where the female crunched her husband for breakfast."
"As the high spot of the morning [being slightly shortchanged by the bartender] didn’t rate much, but one couldn’t expect a Mrs Alexis every day of the week."
"Mrs Alexis stood there, larger than life, bringing out her own sun on a wet afternoon. I shut my mouth slowly, readjusted it to a smile, and said, ‘I was coming to see you again at the first opportunity.’
‘Were you now?’ she said, mockery in full swing. ‘So this is where our little wine merchant dwells.’ She peered about her good-humouredly, oblivious to the fact that her ‘little’ wine merchant stood a fraction under six feet himself and could at least look her levelly in the eyes. Nearly all men, I guessed, were ‘little’ to her."
"‘No, I bloody well wasn’t,’ she amended explosively. ‘I came here on purpose.’ She lifted her chin almost defiantly. ‘Does that surprise you?’
‘Yes,’ I said truthfully.
‘I liked the look of you.’
‘That surprises me too.’"
"She grinned, showing teeth like a shark."
"She eyed me assessingly. ‘You’re young enough to be my bloody son.’
‘Just about.’"
"Her face lightened back into its accustomed lines. ‘Any time you’re passing, my little wine merchant, call in for dinner.’
She came with me into the storeroom to collect her trophy which she bore easily away under her arm, diving out into the drizzle with the teeth and eyes gleaming."
Not included here: every other mention of her sharp and piercing “hawk’s eyes”
Non-Viable Ships:
TONY X HIS DEAD WIFE
No personality mentioned or implied. Named traits are as follows:
Blonde
Was preferable to being alone
Warm, like all humans
Slept in a bed
Wanted kids
Named Emma
Planned house with Tony specifically for good kid bedrooms
Loved him
Fun to have sex with, though not in any specific or distinctive way, except that she was hotter before she got pregnant
Liked a candid photo from their wedding
Died tragically from wanting kids too much
Where’s the hawk-like eyes? Where’s the deep understanding of his emotional needs? Where is even one goddamned independent hobby or personal quality not present in literally any generically pleasant Wife Character? Absolutely not a viable ship, presumably ‘dies offscreen’ as a device by an unreliable narrator to conceal that she never even existed in the first place, since she alone of all characters ever mentioned in this book has no distinguishing qualities whatsoever
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