why is wroef the best thing to write for like I thought about it for like 40 minutes today and I had like 3 fic ideas wtf??
13 notes
·
View notes
one day. one day i'm going to completely snap and drop a whole analysis on arctic monkeys songs and lyrics that match soukoku and why they do. (which is literally every single song.)
14 notes
·
View notes
what are your favorite sakura ships? Do you ship kakasaku?
hello anon,
InoSaku, KakaSaku (same age au/ adult sakura), and SasuSaku :)
16 notes
·
View notes
Formerly Titled "The Chicken and The Snake"
.
For all intents and purposes, Kyoko Mogami was a chicken.
Which wasn’t to say that she was a literal chicken--though depending on who you asked--perhaps she was. She was as much of a girl as any other girl on the planet, but when she was born, the fates had looked at her soul and decided: chicken. And, so, her skin was marked with the elegant swoop of a hen.
Sho hated his animal soul. He had been marked with the diminutive mark of a chihuahua. He always said that he could have had any other dog, and of course, he got the least threatening of them all.
He never told people about his soul-kin, opted to wear long sleeves to cover every inch of his skin, and instead saved all his money from a young age for tattoos. Every lie, every joke he made about the animals that shared his soul, he tattooed across his skin until he was an everyday menagerie. The only people who knew the truth were Kyoko and his family, and the earliest tattoo artists. Everybody else bought into the myth of the boy with a hundred souls. In any case, it made for a hell of a stage persona.
When Kyoko moved with Sho to Tokyo, she realized a lot of people were like him. Hiding their soul-kin. With other tattoos. Well-placed scarves and clothing choices. Though it wasn’t always out of shame. A lot of the times it was always out of some sort of ill-placed prejudice. Tokyo, she found, was a lot louder about the prejudices associated with the soul tattoos.
She saw a lot of people turned away from jobs because the managers didn’t want to deal with certain animals. Kyoko knew she was lucky because a chicken was at least neutral to most people. She was a dedicated worker. Occasionally loud. But reliable to get her job done. It was easy for her to secure the jobs she needed to support her and Sho through their move.
Unlike Kyoko, Sho remained jobless until he secured his manager and contract. Because if Tokyo was prejudiced against certain animals, it wasn’t kind to those who tried to hide, either. Nobody in the city knew which of Sho’s tattoos were real, which ones they could trust. So, they didn’t trust him at all. Not that this bothered Sho.
He thought of the whole situation as some sort of elaborate game and let it fuel his songwriting. Which eventually turned into his first single. “Trust,” he called it.
Ironic, given Kyoko learned with the release of the album that single was on that Sho Fuwa could not be trusted at all. Sho was cheating on her--though in the end, maybe it wasn’t cheating if they weren’t technically dating, so much as roommates with history--and Kyoko remembered that Sho’s bravado was just that. Bravado.
(Want to read the rest? Click the above linky-link!)
5 notes
·
View notes
good god i want to do a deep dive into the house of black and all the characters and the legacy and all the fucked up shit they got going on
2 notes
·
View notes
Do you write Thor?
Haven't gone down that rabithole yet. I haven't even watched the Thor movies yet. All I know of Thor as a character is his Avengers movies presence. I love him though and want to watch more source material featuring him so that I can play with him too. And that's also true for Hawkeye. I so so so want to write him more. He has a great vibe as a character.
0 notes