#im also now thinking very many thoughts about the contrast between these two relationships

[altruistic-meme]

in light of me crying about my fan-fanfic in your DMs, i ask:

🥺 Is there a certain type of moment or common interaction between your characters that never fails to put you in your feels?

in your defense: skdhfkhdfkhd ;;;;;;

a certain TYPE of moment? oh definitely. idk if it's clear by *gestures to "(why is there) joy in this poison" and "I've Got You, Brother"* but i am a very big sucker for sibling relationships.

so really... any moment with Kevin and Nathaniel makes me so emotional bc i know what they've been through, and i know what's happening behind the scenes, and every interaction i've written between them feels like a hidden part of myself. but when they get the rare moment to act like dorks with each other? that's the biggest moment for me. so especially chapters 9 and 10, but also things like when Nathaniel is calming Kevin down from his panic attack and Kevin makes a joke about the tree outside. it's clear that despite everything they've been through, they have a safe space with each other that's still big enough for inside jokes and outward affection. and thinking about that just. ugh. to reference an insanely good story, they have a real home in each other.

and now, i'm only just starting with getting to explore Erik and Wilhelm's relationship, but i feel like it's still those moments when they get to tease each other that get to me most. and they are definitely getting a lot more of these moments than Kevin and Nathaniel do, but they make me smile a lot. for sure, it's partly bc parts of how they interact are pulled from my own siblings. like the way Erik notices that Wilhelm is running a hand through his hair in an anxious manner but is still amused despite knowing that Wilhelm is anxious at that moment. maybe it isn't necessarily kind of him, to laugh at that, but it is something my siblings have done to me, so it feels like a very real moment.

so yeah. dkshfksdhfhsf. siblings.

[weebsinstash]

Since you guys have been digging poly yandere LuciLili do yall wanna hear one of my more fucked up ideas

I keep thinking about scenarios where Lilith is emotionally intelligent enough to kinda, get a read on who you are pretty quickly and, maybe you even help out by being a bit too honest about yourself, and she falls in love with you first and decides almost on his behalf that you would be perfect for Lucifer as well. Like I'm talking this man may know barely more about you than your name but Lilith sees certain similarities or contrasts between you that she's like, INSANELY POSITIVE you two would be perfect together, and she may be totally right, but the ethically dubious part is when Lucifer isssssss not quite as fast to warm up to you and Lilith tries to... expedite that process

I've thought of, the idea i mentioned before with you being pulled into a kind of dream dimension where you're bonding with them in a pseudo-Eden, that maybe Lilith "invites you" into their dream without telling or asking Lucifer first, and then it's in Eden where he falls in love with you, since, you're acting more like your actual true self since you think it's a dream with no consequences. In the waking world, you're nervous, barely making eye contact, maybe even a little scared of him, but in Eden, it's "do you two have nicknames for each other? Like do you ever call each other things like, maybe Lucifer is Lulu or Luci or Ducky and Lilith would be Lili or-- also when you two first met, Lucifer, were you ALSO completely naked or did you accidentally teach her what clothes were and made her self conscious? Since Lilith was naked when you met her, was it hard not to stare at her p--" like, you have so many interests and all this curiosity and they both think it's so cute and once you start talking, you speak in paragraphs not sentences and they just pofe watching you get excited and interested about things

but picture it gets to the point where here's Lucifer, "ok Lili OK I like her alright?! But it's- she's not really ready for a relationship let alone a BABY right now" and Lilith is just pouting and crossing her arms and BANISHES HIM TO THE COUCH. IM SERIOUS. Kicks him out of his own fucking bed and tells him he should be in yours instead. "Well just MAYBE she would be ready for a relationship if she had someone to show her she was safe and cared for LUCIFER >:( don't pretend you haven't been wanting another child LUCIFER >:( don't make me get her pregnant myself LUCIFER >:(" and also she very very well COULD do that so it IS a credible threat

Like Charlie is getting so fucking worried her parents are bickering all the time and she's worried they're gonna get divorced and it's just like, THEM ARGUING OVER GETTING YOU PREGNANT OR NOT. Lilith is over here privately having conversations with you where you're breaking down about dying before you could get a partner and get married and have a wedding and have a baby and she's running back to Lucifer, "cmon Lulu... don't you want to know what your baby would look like? She's just so SAD, Lulu, she wants her baby and her family SoooOoooo badly. You mean you don't want Charlie to have another sibling? You dont want a little baby to put in a little duckie onesie?"

I just. Picture. Lilith inviting you and Lucifer to drink with her and she just. Drugs you both, completely unapologetically slips you both aphrodisiacs. Gets you Hella Hella Drunk and, at some point later in the night, Lucifer thinks he's having sex with his wife, but uh, not wife number 1, that's for sure. He doesn't snap out of it until either the next morning or when he's already, you know, finishing, and you're just slurring and clinging to him like a teddy bear and honestly probably already pregnant

LATER ON DOWN THE LINE AFTER YOU'VE HAD YOUR BABY, you break down crying to Lucifer, "I want to tell you something but I'm worried you'll be mad but I- I don't want my baby to grow up with a lie and get hurt in the future, and, and you're a really good person and a good husband and a good dad and I hate lying to you" AND YOU REVEAL YOU WERE IN ON THE DRUGGING THING THE WHOLE TIME. LILITH APPROACHED YOU AND TALKED YOU INTO IT. But Lucifer still doesn't blame you because you're absolutely perfect in his eyes and, now you two have a beautiful little baby and you're both so so happy together, and here's Lucifer, "hey honey? I'm gonna go talk to Lili for a lil while, ok? Be back later ^^"

Skip to like a month later, here's Lucifer looking quite smug, "big news everyone! Lilith is pregnant! We've got another Morningstar on the way!" and here's Lilith ALSO looking quite smug cause, awwww that's so cute, he thinks he got back at her, but really, she got everything she wanted in the end. Lucifer just puffing out his chest because he's got a new baby and another on the way and Lilith just smirking coyly as she continues to knit little baby socks. If they'll go to your baby or hers or, maybe another future baby of yours, now, who can really say? Honestly the happiest Morningstar is Charlie because now she has her dad, her mom, and her other new mom, and now her new siblings too! And if anything bad ever happened to you or your baby the entirety of the Hotel will go to war for you with unspeakable unspeakable violence :)

[bellehalla]

Ok so i was going to mention this in the ao3 comments but since youre active on tumblr i thought why not just come here!

So ive been re-reading rf again (for the 7th time... sorry) and im not sure if ive already mentioned this or if somebody else did but ive been thinking about kaeyas nickname for reader-dove, and the symbolism behind that because like- DOVE the animal representative of peace and love and FREEDOM, being placed on reader means so much. The story literally deals with the tension between inazuma and mond, reader being from inazuma and having such a great sincere love and sense of protection for mondstat is such a good character out of all to be named dove, especially from kaeya's perspective, he sees her as a symbol of genuineness compared to the other soldiers, someone who has risked their life for freedom when leaving inazuma, for peace when sacrificing themselves for ewald, and love for confessing to kaeya knowing she could have gotten in so much trouble. Reader is unapologetically so caring and delicate with everyone, a blanket of security that kaeya indulges in and lets his walls fall down around, his dove and flash of light in the grittiness of war. Im so sorry i could talk abt them for days😭😭 i love kaeya and reader and cant wait for their comeback, i hope you are doing well and thank you for such a well done fic, i know its not complete but ive read it so many times and genuinely it is better put together than about half of the books on my bookshelf😭 take care!

selkified! You are always the sweetest. ❤️❤️❤️

and ohmygod you made me fall in love with reader all over again. you're right, she's so sweet and genuine, which is what kaeya's character is attracted to the most, especially in the beginning of their relationship.

while writing them, i had to find a common ground for the two to connect. Kaeya seems like the type of character that needs deep and genuine connection for him to...obsess over someone enough that he will do batshit crazy stuff for them. reader's unapologetic perspective in freedom and chasing after what you want are quite contrasting to what we know of Kaeya's lore. he's used to hiding behind deception, despite the fact that he's very much driven by love. he suffered so much ever since his childhood, and reader's outlook in life is like a fresh air to him. but it's sort of unfamiliar to him that it feels scary. if you squint enough, he's not exactly the nicest to reader's feelings either. he doesn't know what to do with her lol he leads her on a lot then squash her feelings last minute

as for his nickname, dove, i didn't originally mean for it to stick. (i was in a Hawks (MHA) high and fanon Hawks uses "dove" a lot so i kind of wanted to implement it.) i did a research and found it to be perfect and now Raging Fires!Kaeya hasn't let go of this nickname since then. since Rin Minamoto isnt really reader's actual name, Kaeya had to use a more personal name for her, and that happened to be an endearment. i'm glad everyone is positively reacting to it too lol

anyway your insights are well appreciated. im also glad you are loving them !!!

[ankhisms]

ok ive finished both eps 42 and 43 of kingoh now so heres my messy thoughts on things

as a disclaimer!!! this is not at all me saying that i dont like kingohger or that i think its a bad sentai show or anything like that! i really have loved kingohger and have had a lot of fun watching it!! i really love the characters and im going to miss them when its over. this is all just my personal opinion and relates to my own tastes in writing and such and im not at all trying to ruin peoples fun or stop people from enjoying the aspects that i dont really like. im not wanting to be mean or anything like that.

ok that out of the way. you would probably expect that as someone who really loves the different sibling relationships in toku shows and is really deeply moved by them to be more emotional about racles and gira but i just... have not. very early on in the show i was hoping so badly that we would get some parallels on the brothers and how they differ and that we could also have some parallels to the other sibling relationships in the show, gira with his little sister and brother and suzume and kaguragi vs gira and racles relationships. i had thought that exploring those parallels could be really interesting and good, and i still think that if they had chosen to explore that early on it wouldve been interesting and couldve also been used to have the reveal later on have more impact.

ive never really been a racles stan, although i do absolutely admire and enjoy his actors performance hes fantastic and has always done a great job in his role- but i dont like the sudden redemption happening. when the twist first happened i thought it was interesting and was thinking maybe it wouldve been motivated by racles being selfish, but i felt like episode 42 was very... idk the word. hollow maybe. we hadnt gotten any kind of hints that racles was actually a double agent or that he was doing things for giras or the peoples sake (so i dont really get people who say they knew it all along im sorry gnmgh) and its like. this again could have worked out better if there was some foreshadowing and hints to what was going on or at least some kind of build up. episode 43 kind of vaguely touches on how many people racles has gotten killed and how he says he wants to go down in history as the worst ruler ever and its like.... idk it feels like a retcon in a way to be like oh yeah btw all these horrible atrocities and war crimes he committed were actually for the good of the people! maybe im just being too much of a bleeding heart commie gmgmy but i do think there would have been more impact if racles actually HADNT been a double agent this whole time and if he actually had to face his actions and have some kind of change of heart while also not being totally 100% nice all of the sudden.

again i really did early on want more development on the brothers and wanted exploration of the contrasts between them as people, and i think both gira and racles actors are wonderful and did a great job in their roles. it makes me sad that i didnt.. really feel emotionally moved seeing the brothers scenes in these last two episodes and i think it just comes down to lack of build up and feeling like things are coming out of nowhere and rushed and like no actions have any real weight or consequences

like for example ive mentioned this before but the whole deal with yanma destroying the laptop and watching it youre going oh shit the whole kingdom is fucked he made this huge sacrifice. and then its totally fine a few episodes later. or how they kill the pink jester and in the moment its presented as this huge deal. and then shes fine. it feels like that just kind of continues to happen and its something that frustrates me because kingohger is really fun and has great concepts but then nothing holds any weight, the stakes you set up are meaningless when nothing actually has any consequences

and to just say it again. i AM enjoying kingohger. im having a lot of fun with it! i like this show and its characters a lot! which is part of why my brain notices these things and why i want to analyse it because i can see how i wish it could be better in certain aspects. i really like this show but i dont really agree when i see people saying that its a masterpiece of sentai writing

also i really wish suzume hadnt become another victim to genre typical misogyny where it feels like her character just revolves around racles and liking him and it feels like we lost so much potential with her character i still love her and her actress but early on i was so excited for her having some kind of depth but well.

and another thing i was thinking of as i was watching ep 43 was... why have all of the kings of shugodom thru history be secretly against dugded. it again feels like something that would have more weight and impact to it if there were some kings who really were on dugdeds side and then giras dad decides that hes not going to fall in line and is going to actually do something to try and save his people.

idk as i finish typing this i kind of feel like im being nitpicky and i really dont want to be a downer or ruin peoples fun 😭 i really do like this show i promise thats why i think about this stuff. thanks if u read this mwah

[exobrasiloficial]

Things i liked in hotd:

Most of the costumes are much better than the ones in GoT. They gave us vibrant fabrics, weird cuts, funny looking heraldry, everything a medieval setting needs. And dont even make me mention the over the top armors looking straight out of the book pages.

Casting was spot on for all the characters. I thought i wouldnt like matt smith as daemon but he does a good job. Highlights for me were paddy, olivia, emma and ewan.

The dragons' designs are amazing, they all look beautiful and unique and COLORFUL and each has a distinct personality. Overall a huge improvement over GoT's copy paste trio. I especially loved the idea of making different breeds, that was something i wasnt expecting.

Im gonna sound like a broken record, but i cant get over aemond's character design, he just looks so cool. Such a refreshing design for the series. Im glad they embraced the over the topness instead of going the euron route like in GoT.

The emotional core of the story is very good. It was gut wrenching to see rhaenyra and alicent go from loving, to falling out, to almost reconciling and now to deeply resenting each other, all bc of wrong decisions and situations beyond their control.

Things i didnt like:

Alicents costumes are beautiful and i live for the headpieces, but some of the fabrics and styling looked a bit too modern to my tastes, to the point of bothering me. There were a couple of dresses of hers that reminded me of cersei's styling in s6 onwards, which i dont like.

Whats up with the foggy, greyish filter they use? Ngl i much prefered the high contrast and warm lighting of the early seasons of GoT. Also, the extremely dark night scenes where i cant see shit is a HUGE no for me, have they learned nothing from the long night fiasco?

Time jumps. Yeah, ik, everyone dooked on them, but it cant be overlooked. The time frame depicted in eps 6 and 7 SHOULD have lasted longer and not just bc of the amazing kid actors. We needed more time to get used to all the new characters and relationships they presented. I would have loved to see more of the politics of the kingdom now that alicent has not one but 3 sons, as well as the dynamics between all the children and their relationship with the adults. What did rhaenyra feel for her siblings? What did they feel for her? Did rhaenyra have more supporters then? Did the population know of the bastard rumors? We DONT KNOW.

Far too many ignored and rushed characters. Laena, laenor and harwin were used as simple plot devices. Halaena and especially baela and rhaena have very little to no personality and we know nothing about how they feel about the events and other characters. That is a direct problem of the nature of the book being adapted. Asoiaf has many characters, but each serves a purpose and makes an impact. F&B doesnt have characters, it has a bunch of names grrm crampled in there so he could make a dragonrider civil war.

I already mentioned it, but we DID need to see rhaenyra and her siblings properly interact. Some will say the wars in asoiaf can be impersonal, like tywin and robb having the biggest rivalry in the first half of the story and never once sharing a scene, but that doesnt work here. The dance of dragons is a family infighting and the show goes out of its way to portray it as an event caused by human relationships getting in the way of politics and vice versa. We needed to know what the two monarchs fighting for the throne think of each other. Think of stannis and renly, for example.

There are more but i'll have to rewatch to properly talk about them

[bunnyywritings]

a shy, goth s/o who goes by they/them pronouns

requested by anon; HIII!! I recently started watching soul eater and i finallyyy found someone who writes for them so im reallllly exited!! So i wanted to request something!! Can you do like how Crona, Kid, Soul and Stein would be like in a relationship with a shy goth s/o who uses they/tem prounons (sometimes she). Also when they talk about the things they like they get superrr extroverted and could talk for hourss about it! Also would it heart to ask if you could make cronas a lil longer, they are my comfort character🤧Also wanted to ask if you did emergency requests! If you dont that’s totally fine!!

[a/n: thank you for this request, my lovely anon! It gave me the way to get back into a writing flow again. I quite enjoyed writing for these characters since I don’t get very many Soul Eater requests, as for emergency requests...go ahead and send them in but I apologize if I don’t get it done quickly, seeing as I’m not quite that active on here like I was before. for now, enjoy! - yours truly, bunnyy -`ღ´-] 

- truthfully, i think he'd be a little confused at first

- about the whole pronouns thing

- despite being friends with Crona

- so, he'd approach Maka, Crona, and Subaki about it

- he'd be a little embarrassed because he mistakenly exposed his HUGE crush on you

- Subaki coos at him and thinks it's sweet

- Crona is glad to help, knowing that using they/them pronouns is still a foreign concept for some people

- Maka would definitely tease him but ultimately, she's glad he had asked for help

- after realizing that it was a rather simple concept to understand

- he'd get SOOO cocky

- he absolutely loves your style

- obviously thinks you're the coolest person to ever exist

- now the only thing in his way??

- your shyness

- he's only interacted with you a few times but because he tends to be a bit abrasive, you usually keep your distance

- the few times that Stein had called on you in class to answer a question was the most he's really heard you talk

- you were good friends with Kid though

- so you ended up hanging out with the group a lot

- he's seen how passionate you could get whilst talking about your hobbies or about things you liked to Kid or Liz

and Patty

- it made him a gajillion times more attracted to you

- after FINALLY gaining the courage to ask you out (you can thank Black Star for telling him that it wasn't cool to be such

a wimp)

- he'd be on cloud nine

- being in a relationship with Soul would be fun

- he'd be a little awkward at first but he'd soon ease into it

- he's really good at respecting your pronouns

- in the case that he slips up, which i don't really think he would, but if he does he'd feel absolutely terrible

- like he'd beat himself up so hard

- he would do anything to make it up to you

- 100% would cook you a super nice dinner as an apology

- if anybody ever made fun of your style or your pronouns, it's over for that person

- they'd have, not only Soul and Maka on their ass, but they'd have Black Star and Tsubaki, AND the literal son of the grim

reaper and his twin pistols

- overall, Soul would be such a sweetheart

- you make him so, so soft

- gosh i love him so much

- okay

- Kid is definitely somebody who would be up front with his feelings

- he knows about your use of different pronouns and he really admires your bravery to be so open about it

- i feel like he's definitely thought about going by he/they pronouns

- thinks it's absolutely adorable how shy you are

- despite being shy and closed off, he never overlooked you like some students or other staff

- he knows how clever you are

- don't even get me started on your style

- he love love loves your goth style

- especially when you wear anything with skulls on it

- when it comes to his feelings, Liz gets fed up with how ridiculous he's being

- she's watched him break down crying because the stripes on his head aren't symmetrical and someone as precious as you

would think he's trash

- which obviously isn't true

- he sees you out on the balcony, sat on the ledge and book in hand

- he's noticed you with it a lot but it's only the 1st book of a series

- he figures that maybe you just haven't had the chance to find the rest of them

- after some research, he finds that the series had been completed but because of the lack of readers, it was put out of

production and copies were pulled out of libraries and bookstores

- but alas, he had found one of the only complete series in existence in somewhat excellent condition

- it was quite expensive but that was really no problem

- he had wrapped up the set and had gifted them to you with a note and as you read the note, your cheeks burned

- he confessed his feelings

- the next day, you had approached him and thanked him for the gift as well as confessing your own feelings for him

- he thought the stuttering and flushed cheeks was adorable

- 100% the power couple at the DWMA

- sorry i don't make the rules

- Liz and Patty are definitely in love with you, especially with how versatile your fashion is

- Patty has definitely volunteered to paint your nails before

- MATCHING RINGS

- Kid definitely gets you a et of skull rings, just like his

- will go beast mode on anyone who makes fun of your style and/or use of pronouns

he's be such a gentleman and he practically worships the ground you walk on

- as he should  

- Stein would be quite used to the use of they/them pronouns since he has students who go by them

- when there's word of a new teacher at DWMA who goes by they/them, he's quite intrigued

- so much so that he would volunteer to show you around the enormous school

- 10/10 falls in love with you instantly

- your shy demeanor is such a contrast to your style

- definitely lives for teasing you

- anything to make you stutter

- but he'd be very blunt about his feelings

- he makes sure that you're being respected by students and staff alike

- threatens anybody who doesn't

- he gets you some screw earrings or a necklace (if you don't have piercings)

- it's his way of making sure people know that you're his

- Stein would be an excellent significant other

- he's a bit more on the playful side so just always be prepared for cheeky remarks

- he doesn't mind your shyness at all

- since he doesn't really favor going out too much so most of your dates are in doors, his place or yours

- probably with a cup of coffee and a book

- he can be sweet when he wants to

- isn't really into pda but i wouldn't be too surprised if he had a moment of spontaneity and pull you into his arms and

kiss you passionately  

- some students think it's romantic and others definitely tease the both of you

- since your social battery probably runs out pretty quick, he loves that it gives him an out from tiring staff get

togethers

- Death Scythe thinks it's absolutely HYSTERICAL to make fun of Stein's moments of softness

- but ultimately, he thinks the way Stein looks at you is sweet and makes him happy that his friend has found someone like

you

- cause you're the best

- duh

- his wardrobe has infinitely improved since the both of you got together

- all thanks to you

- overall 15/10 a good significant other

- ahh Crona, sweet sweet Crona

- they're the freaking cutest

- now i know that in the anime and manga, it's written that he uses he/him pronouns but it seem like on tumblr everyone has

just settled on using they/them instead because of Crona's androgynous style and frankly it's a bit of an unclear area

- so uhhh yeah, let's get started

- Crona would have trouble admitting that they had feelings for you, so they tries to hide it but alas, Maka had caught on

- it took Soul a bit longer to realize but he eventually did

- the group had caught on and thought it was adorable

- all of them had tried to help in any way they could

- but Crona just couldn't muster up the courage to tell you

- the both of you were quite shy so it was nearly impossible to get some type of interaction between the two of you

- Crona also really loved your style

- the both of you were similar in so many ways

- Black Star had actually been the one to let it slip that Crona had harbored some kind of affection for you

- Tsubaki had smacked him upside the head and chastised him since it wasn't his place to say anything

- but now that it was out in the open, it had given you the slight confidence boost you needed to confess

- but when you did, Crona just stood frozen, almost mortified by your words

- you took it as rejection and ran off into the woods surrounding the school campus

- Ragnarok had then made an appearance and started tugging at Crona's cheeks and telling them that they should go after you

- but of course, they hadn't

- instead, turning to Maka and Tsubaki for help

- the two had taken it upon themselves to look for you and clear up any misunderstandings

- the next day, Crona had approached you and apologized

- even though they're words were stuttered, you appreciated the gesture and asked Crona on a proper date

- they accepted before panicking because it had dawned on them that they had never been on a date before

- overall, Crona is such a sweet partner

- sure, a bit unexperienced but sweet nonetheless

- they try their best

- both of you have similar styles and everyone thinks the both of you are just the most adorable couple on campus

- Crona loved hearing you talk about the things you loved

- your eyes would sparkle and you'd move your hands so animatedly

- it's almost like you're a different person in that moment

- they just adored you

- they'd get upset if someone had disrespected your pronouns

- Ragnorak would definitely rage if someone disrespected you

- as much as he hated to admit it, he really really liked you

- mainly because you always carried sweets around for him

- ugh I just love Crona

[royalequeenofships]

HSMTMTS Season 3 Predictions and Character Analysis

Ricky & Nini:

Ricky and Nini have a complicated relationship. I feel like they have the whole dynamic of “right person, wrong timing” vibe. They have chemistry and a bond with each other. However, for them to grow as a couple, they really need to have character development first. Nini really needs to figure herself out and who she truly wants to be and figure out her dreams and how she wants to pursue them. We had the whole YAC arc in season 2, where she goes there because she thought it was something that she wanted, but she realized that YAC was not truly what she wanted and isn’t what makes her happy. So, she’s slowly trying to figure herself out with independence and not relying on anyone except herself. In Season 1, most of her moments were with Ricky, with only the YAC arc really showcasing her independence, but her reliance on others in season 1 and parts of season 2. For example, Kourtney was the one who submitted her application to YAC, and partially her reasons for coming back to East High were also her relationship with her friends and Miss Jenn. Also, the fact that Carlos posted her song online, and she asked Ashlyn for help to write “Ain’t see nothing.” However, in episode 11 and 12, really starts showcasing her independence and stop relying on others for her journey. She BECOMES the one other people rely on, she hypes everyone up for their performances and is really figuring herself out and blossoming like the Rose. It is a great metaphor for Nini’s journey, and the fact that she herself calls Jamie’s brother instead of other people doing it for her, really makes it more special. Gina could’ve easily called her brother and be like “Oh yeah I have this friend who’s a great songwriter, yadda yadda.” But she does it herself, which is really great. Now with Ricky. Many people would agree with the fact that he truly does need therapy. He needs to learn how to handle change, and dare I say, realizing that other people are more important in his life. Personally, I felt like Ricky was very selfish this season. Last season, he was being selfish as he broke up with Nini because he couldn’t say I love you, and once school started again, he wanted Nini back so badly, but he proved himself worthy at the final episode when he stops being Troy to give Nini a chance to perform for YAC. However, this season once he and Nini are back together again, he was being selfish and thinking of himself again. When Nini goes to YAC, all he could really think about was how HER leaving was affecting him and his relationship with her.

For example, he would ask Gina for help on HIS own relationship, and sending Nini the message of how much he missed her and wishes she would be there because HE misses her so much. And thinking that Nini came home for him and him only. Plus, he thinks that the rose song that she wrote was SPECIFICALLY related to him, and then the whole situation with Miss Jenn and his dad, in which he was only thinking about himself and his feelings, with no regards to theirs. However, in episode 10, he finally stops being selfish and really opened his eyes to his surroundings, as he helped Carlos with his song for Seb. I hope this development continues, and once he realizes that he needs to stop being selfish, and is able to handle change and mature as a person, then maybe the Rini ship can happen once again. Another thing I’ve noticed about their “angst” in season 2 was the long-distance relationship, especially in episode 3. Although, Ricky and Nini were in the same city, throughout the episode, it still felt like they were going long-distance, which was probably foreshadowing their breakup. They only communicated through their phones that episode, and even at the end, their songs for each other wasn’t sang in person, but through the phone. As for predictions on the Rini relationship, I think that if Tim only plans on 3 seasons, then Rini will probably get back together at the end of Season 3, but if he has 4 seasons planned (which I am hoping for), then Rini will probably get back together then. Now we also have to take into consideration the career of Olivia Rodrigo. We do not know if she wants to continue with HSM, and even she herself is not sure. What I think will happen is, if Olivia decides she wants to take her music career to the next level, I think a really easy way to write her out without breaking the contract, would be to have her travel to L.A. to work on her music for the summer, so that there will be reason as to why she is absent for most of the season. This will probably take 1 episode to do and Olivia can spend the rest of her time focusing on her music. However, if Olivia decides she still wants to work full time in this season, then she might stay in Salt Lake and do the musical and write some songs for Jamie, etc but personally I think Olivia would want to focus on her music more than the show, as she posts about it more on social media than the show, and even with interviews. Nini might return for the final episode when summer ends and the new school year starts, so Olivia might just be in like 2 episodes. That’s my take on Rini for now, we get back to Ricky later.

E.J. & Gina:

Portwell is literally my favourite ship of the series, and it is just amazing. I personally would not like to see any angst in their relationship next season, but honestly it is probably going to happen and here’s why. Their relationship was built really steadily and took a long time to flourish. With other couples, like Seblos, Redlyn and Kowie, they got together awfully fast, taking 2-3 episodes to truly get together. So, the angst that those couples go through gets resolved rather quickly. Seblos with their relationship gets solved within 1-2 episodes, for the whole “does he like me because im the only gay one” storyline. Redlyn has the whole “Antoine” situation (which I will get back to later) and the “Red’s future” which again, took 1 episode to resolve. And Kourtney and Howie took 1-2 episodes to resolve the whole “Howie is from North high” and “Why Howie seems weird”. The reason is because those couples got together really quickly, and therefore their angst can be easily resolved through that, and wouldn’t really take time to fix. As you can see, Rini took a while to really get together. They were childhood friends off screen and we get to see their past relationship through flashbacks in season 1, but technically they took around 10 episodes to fully get back together. They have their cute., fluffy episodes for the first 4-5 episodes of season 2, but then their angst slowly starts to build at episode 5-6. It drags on until episode 8 where they fully break up, and counting episode 9 with their take on how they’re handling the breakup, so that’s around 5 episodes worth of angst for the couple that took 10 episodes to get together. So, with Portwell, they’ve technically been building them up at the end of season 1, but we’ll truly count the buildup starting from the Quincenero episode, which is episode 5, and they had 7 episodes worth of relationship buildup. So, I think, for the first 4 episodes, we’ll see some fluff and cute moments between the two when summer starts (and hopefully some kisses cuz like please I need to see at least one), but the angst will probably start in the middle of the season. It might take like around 4-5 episodes to fix, but I truly believe that they will not break up, and it will get resolved either near the final episode or the final episode of the season. Now for the REASON of their angst. I truly think the only “angst” worthy storyline is about EJ going off the college. As I can’t think of anything else that can topple their relationship. Firstly, EJ knows about the chocolates, which makes me think that he probably knows about Gina’s past crush on Ricky. Secondly, they resolved the whole “Big Brother” situation, and EJ knows that Gina doesn’t see her in that way. And the character development of E.J. and Gina. Back in season 1, they were arrogant and straight up ambitious people, who really don’t care about how others feel, but they truly changed as people in season 1 and 2, and had their character development moments. The contrast with them and Rini is that Season 1 focused on rini’s relationship development and season 2 and maybe 3 will really focused on their CHARACTER development. For Portwell, I think that would be flipped as they already had their Character development in season 1 and 2, so we probably will see their RELATIONSHIP development in season 3. So, since they already had their character development, I think it would be pointless to have unnecessary drama about their personalities or jealousy or whatnot, since they truly developed as people. So, the only thing I can possibly think of for their angst is EJ college arc. I know that they will probably fix it, but still I’m dreading to see it as I don’t want Portwell angst anymore. ☹ (ALSO PLEASE GIVE ME A PORTWELL DUET!! I NEED IT! Also, an EJ solo)

Ricky & Gina:

Personally, I do not ship Rina. I don’t think they would make a good couple; however, I think they would be really good friends. Someone they could confide in about their issues like Gina said “Sometimes I tell you things I don’t tell anyone else” and Ricky being like “I think we do that for each other.” We didn’t really get to see Ricky and Gina resolve their issues in season 2, partly because of Ricky’s character development. I am hoping to see in season 3, Ricky working on himself and fixing up his friendship with Gina. I think something that might happen is when Gina is going through her angst with EJ, and Ricky going through his own angst with Lily, they might be able to give each other advice and on how to handle it. However, PLEASE for the love of God, do not drag the whole love triangle back, because we do not need it. Gina has truly gotten over Ricky, and Ricky never seeing Gina as someone for his romantic relationship anyways, and he really needs to work on himself more, they should not be together as a couple. However, I do hope that they amend their friendship and is able to confide in each other once more, which I think will be cool and really help with Ricky’s character development.

Ricky & Lily:

Now this one. We know they will not be endgame, and I am 90% sure of the fact that Lily does not have romantic feelings for Ricky. Sure, she might find him attractive (and I mean who can blame her, Joshua Bassett is gorgeous), but she definitely does not like him in that way. We can see it when she “confesses” to him, she said to him “I like your brown hair and brown eyes” which are all physical descriptions of him, nothing about his personality which makes sense because she barely knows him, so how could she develop feelings for someone she doesn’t know. She has also stolen the harness, so we know that there would be no way that she likes him, and at the end of season 2, we don’t even get to see her feeling guilty about doing it, because she likes him. So that definitely setting in stone on how she’s only using him and manipulating him. Now for Ricky, yes you might be thinking “oh he’s calling her, why?” But Ricky does not know what we know. He was not there when Lily was talking to Gina about their roles as Belle, he was not there when Lily was laughing at Big Red, he was not there when she had a conversation with Miss Jenn, and he was not there when she planned with Antoine and when she stole the harness. In Ricky’s eyes, the reason that she was so mean to them is because of the Menkies, and their schools were enemies and rivals for it. He doesn’t know about Lily’s evil and ambitious side, and he believes that the Menkies might have made her that way. For example, he knows that the Menkies has turned Miss Jenn into someone different and a little bit mean, so he assumed the same for Lily, and when she asked for a second chance, Ricky gave it to her as he didn’t know. I feel like for the first couple of episodes, it will show Lily and Ricky “bonding” or getting to know each other, but Lily lying about the whole situation and really planning something behind his back, but we don’t know what yet. Maybe Ricky will be like “Huh, she’s a cool person, I’m starting to like her.” But then figuring out her plan, and finding out that she stole the harness. He then will be very upset and kind of heartbroken as he gave her a chance and she was only manipulating him the whole time. Maybe then, his character development will continue to grow and he will realize that he does not need to be in a relationship right now, and that he needs to work on himself and mature as a person. And I think him and Lily’s “relationship” will be a strong pushing point that he needs.

Seb & Carlos:

Now Seblos is one of my favourite ships in the show, and I love them to bits and pieces. However, as regarding their relationship, I feel like they have already resolved all their angst in season 2, it will be hard to make up angst for them in season 3, if they ever have one. I would like to say this though, I knew there was going to be angst for them in season 2, but the way they built it up, I thought the angst would be about how Carlos’ family is really rich, and Seb can’t compare because he lives on a farm, and it might make him self-conscious. Cause that’s where it seemed to be leading in the first few episodes of Season 2 (the sled, cashmere etc.). However, they brought a completely different angst to them which I thought was pretty surprising. Personally, I think they should’ve done the “class/money” difference in season 2, and then maybe the whole “why are you with me” angst for season 3, but maybe they MIGHT switch it around for season 3, and have the whole “class/money” difference then. Although, that’s probably the only “issue” I see for them ever, cause they’re a power couple and like what other angst could there be? Maybe they’ll introduce a new love interest but I highly doubt it because they already resolved the “I choose you always” in season 2. So, hoping there’s no Seblos angst, but if they do decide to throw in one, that might be the one they’ll do.

Big Red & Ashlyn:

Again, Redlyn is one of my favourite ships and they’re just so amazing. However, their storyline is hopefully again, all fluff for season 3, but one thing I realised that they didn’t really resolve in season 2 was the whole “Antoine” storyline. After episode 7, they never really talked about it again and introduced the new angst next episode with the whole “Career” thing. I feel like Antoine will be a more recurring character in season 3, as he only got like what? 10 minutes worth of screentime this season? (Maybe even less) and especially at the end as he joined Natalie in the final scene. So maybe there will be more of him in the next season, and slowly moving in on Ashlyn and making Big Red feeling like he’s not good enough, and then maybe Redlyn will FINALLY get their “I love you” confession then, because WE NEED IT! I’m manifesting for Redlyn “I love you” next season, and I think the whole situation with Antoine would be a nice way for Ashlyn to TRULY confirm to Big Red how much she loves him and how grateful she is for him, and vice versa. (Also manifesting for more EJ and Big Red friendship moments, like maybe Big Red goes for EJ for advice for his relationship with Ashlyn, and maybe EJ confiding in Big Red for Gina as well)

Kourtney & Howie:

As for Kourtney and Howie, they’re probably still going to work at the pizza shop together and continue to bond. A plot point that I think will be very interesting is maybe Kourtney trying to convince Howie to move to East High, but Howie kind of not wanting to, because he spent like 3 years there and it’s kind of his home. That might be a nice storyline to do, or it can be the opposite, where Howie is trying to transfer to North High, but Kourtney being worried like “Is he going to North High for me? I don’t want that, what if he hates it here”, but Howie confirming that he’s going to North High because the environment for him is better there and less competitive and toxic than North High. That might be a storyline that can happen for these two. I would also like for them to have a duet as well; I think Dara’s strong voice goes well with Roman’s soft voice and it would mesh well together.

Miss Jenn & Mr. Mazarra:

Now this one is a toughie, but I have some theories. Now we know that Ricky has given Miss Jenn permission to date his dad, which is another great character development for him, as he’s handling change and seeing other people’s happiness. However, as soon as he gave her permission, Mr. Mazarra confesses his feelings for Miss Jenn, which seemingly makes her happy, as we did get to see a little smile on her face when he did. Throughout Season 2, Benjamin was really the one comforting her, and giving her courage for the Menkies. We see it through episode 8, when he helped Miss Jenn film the commercial and how he put so much effort into making her coffee and setting up a table, just so she could relax. Same goes for episode 10, when she confides in him, and he acting like a therapist to her and accepting her anxious feelings, and helping her feel calmer and better. They are both opening up to each other. And I believe Miss Jenn truly appreciates him as a colleague and a friend. Now another moment is when Ricky’s dad comes to the show with flowers, and she was talking with Mr. Mazarra at the moment. When he called out her name, she smiles awkwardly and immediate turns to Mr. Mazarra saying something along the lines up “Why we always running into him?” and very awkwardly makes his way to him and you could tell she was slightly uncomfortable, with her awkward smiles and everything. This really contrasts from episode 3, where she herself walks up to Ricky’s dad and starts up a conversation, and how now, it is the other way around. Now, the whole problem of Mr. Mazarra leaving for Caltech. He confesses his romantic feelings to Miss Jenn, and really emphasizes on how she’s the only one who is stopping him from running off the California, which I believe that she is a big part of why, but also not fully. We really get to see Mr. Mazarra bonding with a lot of the students this season as well, E.J., Ricky, etc. I feel like he truly cares for his students, and in season 3, maybe he is thinking about if he really wants to stay in Utah for his students and of course, his budding relationship with Miss Jenn. Now, there was a scene in episode 4, where he was confiding to EJ about his rejection from Caltech. And he admits to EJ how he doesn’t think about Caltech very much anymore. He’s made his peace with it. This kind of mirrors EJ’s situation about Duke. EJ didn’t get into Duke from his own accord, but rather his dad got him in. Same can be said for Mr. Mazarra, EJ’s dad made the call for him for Caltech, and he didn’t really get in from his own as well, as he said previously, He was rejected many, many times. So maybe next season will really show him and his decision of staying at East High back in the fall, or leaving for Caltech. Now moving back to Miss Jenn. Next season, I feel like will focus on her and the students more, as this season, she was a really crappy teacher, and kept pushing them due to stress and wanting them to beat her ex at the Menkies. This season, I believe that she will return to the teacher that she was in season 1, and really focusing and hyping up the kids’ talents. I would love to see that Miss Jenn come back, and really help her students. Of course, the whole love triangle debacle will probably be fixed, I can maybe see Miss Jenn going out on a date with Ricky’s dad but thinking of Mr. Mazarra the whole time, and Ricky’s dad is a good man, so he might notice something is different about her, and tells her to go for it, her relationship with Mr. Mazarra before he moves or something. Also, since in season 2, we got to see Mr. Mazarra comfort Miss Jenn a lot, maybe this season will have Miss Jenn comforting Mr. Mazarra about Caltech, and if he truly wants to leave his students. Another thing I’d like to maybe see is Mr. Mazarra singing a song for Miss Jenn. We know that Mark St. Cyr has a good voice, as we saw from the Christmas special. So, him singing to Miss Jenn even though he doesn’t like musicals that much and all that, would show a lot of character development from Season 1.

Overall Plot:

Now, I have a few theories about summer. I’ve seen a lot of people saying they will go to a camp like “Camp Rock” which I think will be very likely to happen, and they put up a musical. What I can also see happening, is like High School Musical 2, where they go to a resort for work, and then putting up a musical there for the audience as well. Or they could just stay in Utah, and just relax for the summer, and not have any musical but just a lot of original songs about their summer in general and the stuff they’re going through. If they do a musical, I don’t think that they’ll do a musical from a movie or theatre, but rather write their own musical. I think it would be a really interesting concept, it can show us more imaginative and creative concept for a musical and have more original songs for the season. I would truly love to see that.

So that’s all for the character analysis and predictions I have for Season 3, sorry if it’s long lol

[wincore]

vixen | nakamoto yuta

pairing: kitsune!yuta x female!reader

words: 5.1k 

summary: every year, you visit the fox who claims to know everything about you. 

genre: fantasy/folklore, fluff, angst(?)

warnings: suggestive, mention of past bullying, one excessively flirty nakamoto yuta

song rec(s): clear and sunny - sou (cover)

a/n: this is for all you furries who aren’t quite furries yet muah (im joking) but aaaa love exploring folklore and also i should put in a disclaimer that not every aspect adheres to the original tales of the kitsune <3 i did not proofread btw and i am very sorry

Some things never change.

Examples: boys, shitty friends, death, and the scent of nostalgia. To you, that very scent happens to be the earthy smell of chrysanthemums and a faint waft of spices from the kitchen in your parents’ house. To you, October is not just another month. To you, there is one more thing that never changes and it is not your belief in old ghost stories. 

Around this time of the year, the autumn festival begins in a flurry of vibrant red smudges and a whiff of excitement, in streets suddenly brought alive. The skies are candied orange, and it’s the only time you aren’t tired of home. This time is also when you find yourself right in the clutches of the one demon you swore you’d avoid for the rest of your life. You swore. It’s not your fault that said demon is a little, let’s say, tempting. 

Tempting in the most vexing, infuriating way possible. Bewitching, cruel, seducing—all that foxes are and all that you’ve heard of them could not have prepared you for an encounter. Folklore runs deep through you. The memories of a certain fox-boy run deeper. 

It is not the festival you are here for. 

You yawn, leaning against the wooden door frame of the shop. It would be inappropriate to fall asleep on the job, especially since there are a bunch of children staring idly at you. You close your mouth quickly, resting the back of your hand against your lips. Late afternoon is an easy time to fall asleep. You have half the mind to snarl at the kids to scare them off, their gaze getting on your nerves and when you think you will, you turn the other way. Manners come first to you, no matter how temperamental you get. 

The procession has gathered a crowd. Some shouts and squeals from the children make you slump further. At least they’re having fun with whatever stupid game they’re playing. You breathe in the autumn air. A part of you wonders if you simply let your feet lead you down the stairs, you’d be free of this entire ordeal. You shake your head. Temptation has always been hard to resist—never meant to be resisted but you’re much older now. There is dignity to be answered.

October is mild—your grandmother’s shop is still on the verge of collapse, your mother still yells at you for misplacing kitchen utensils and your old friends from school still gossip about who you’re dating. It’s like the script never changes; people change the meaning, twist their words in the same old pattern. If you were a little less behaved, you would have poured your drink over their heads yesterday. 

You clench your jaw. It’s always an ‘Oh, you’re so attractive’ and an ‘I wish I could date as many men as you do but I’m loyal to my boyfriend’, or even a ‘Must be nice being surrounded by boys all the time’. You know what they mean. It’s not the first time you’ve been called a fox, and you don’t think it’ll be the last—at least until you decide to stop letting your hometown suffocate you. Maybe you’ll accept what they say. You have heard of what hatred left unchecked can do.

If you’re honest, you haven’t been with too many men. If you’re a little more honest, none of them have ever made your heart race.

You watch the children play with a keen eye, their painted masks ridiculously large for their faces and in brightly coloured clothes contrasting well with the town. You might not be allowed to fall asleep, but there’s nothing against closing your eyes for a second or two.

The image of glinting yellow eyes and a fanged smile pop up and you quickly open your eyes. You don’t know why your heart beats so loud at the mere thought of him, thoughts in which his lips are full and painted red, and his bright smile is stretched upon them. Sometimes, the thought of him is in gentle washes, his hand fixing your hair, or a flirty smile when you dare stumble upon him on a particularly sleepless night. You shake your head to get rid of the thought. That is not love. Some sort of embarrassing attraction, maybe. However, the friendship you have is worse.

“I see you’re a slacker as always.”

Your grandmother’s voice breaks you out of your cycle of thoughts and you’re almost grateful.

“I sold approximately zero sweets,” you snort. “Why can’t we just do away with the shop?”

“You’re starting to sound like your mother,” your grandma calls from behind one of the counters, distaste ringing clear in her voice. 

You sigh. “Fine, but… you work way too hard to make these for them to not sell.”

“Maybe they would sell if a certain little lady would stay and help.”

You groan, leaning your head back. “You know I have work in the city.”

Your grandmother waves her hand about, dismissing your reasoning. She fiddles around in the shadows for a bit before coming forward with more boxes than she should be able to hold.

“You don’t have to feel too guilty. Yuta’s been helping out,” your grandmother informs fondly. “You could learn a thing or two from him.”

You’re not the superstitious sort and yet still, your heart beats faster. For him, or for the bad omens foxes bring to a household—you don’t know.

You scoff instead. “He’s not as great a guy as you think, grandma. He can be really mean too!”

“Oh, I doubt that. Have you seen his smile? Impossible.” Your grandmother waves it off before drawing nearer, voice hushed without reason. “Have you thought about it then? He is handsome, isn’t he?”

“Grandma.”

You’re not sure what old women go through in their youth that makes them something of a matchmaker in their later years. You think the whole ordeal is messed up. There is no way you’re going to stick your nose into your grandchildren’s love life; it’s gross.

“These should be enough for the children, no?” Your grandmother asks and you look up.

“You’re giving them away for free?” you question, furrowing your eyebrows. “And you talk about bad business.”

She places her hand on her hip, pointing an accusatory finger. “You’re going to lecture your grandmother?”

You raise your hands up in defeat, standing up to help her with the red boxes of acorn candy and paper wraps of roasted chestnuts. You end up with the entire load in your arms, your grandmother happily shuffling about as she locks up the store.

You turn sharply at the surprised sound behind you. The evening has settled in and glowing lanterns bring forward the evidence, the darkening streets flooding with round droplets of light.

But it is not the festival you are looking at.

Yuta looks somewhat serene, your cheeks heating up despite yourself. You look at him with bated breath, hoping the boxes obscure your face enough to make the vaguely positive emotions less evident. The dark red jacket draped over his shoulder does not look out of place—in fact, he fits in so well you would’ve mistaken him for another face in the crowd if he weren’t stupidly gorgeous. He looks at you with no strong emotion in the eyes before breaking into a smile; and when his hand strokes the top of your head as a greeting, he seems fond. He always does.

“Grandma,” he calls with his best smile, turning to the old woman.

Your grandmother doesn’t need any more convincing of his character. 

“Oh, there you are! Did I tell you (name)’s back? I wanted to break the news to you earlier. Ah…I must have forgotten.”

You glance from Yuta to her. Is this another one of her tricks and tests?

“She’s always here this time of the year,” he responds, laughing politely.

“Ah, you remembered,” she says, eyes crescent as she smiles back. “Help her with the boxes. The city has made her so frail.”

“I’m good,” you choke on the words, hurriedly moving away and almost dropping one of the boxes.

You slip on your sandals and scurry off faster, wishing he’d just stay behind. He always has. The air makes you shiver but you’re adamant; and it’s not the only trait of yours to make relationships fail.

“You know, you should be nicer to old friends.”

You try not to react when Yuta takes the boxes from you, matching your pace almost effortlessly.

“I thought foxes ran away once they’re found out,” you snap, reluctantly letting him take the packages.

Yuta rolls his eyes. “I see you still aren’t very fond of me.”

“Not when you’re tricking my grandmother like this,” you hiss.

“You call helping trickery?” he retaliates.

“Foxes bring bad business,” you mutter.

“I’m the reason your grandmother’s business is somewhat above the water.”

You sigh, exasperated. There’s no point in wasting your breath. You look away, crossing your arms as you walk, the silence between the two of you suddenly awkward. Even so, you’re not going to open your mouth for him.

“Would you two slow down?” your grandmother calls, voice weary. “We’re already there.”

The two of you halt in your tracks immediately, taking mellow steps back to her. She looks over the two of you with furrowed eyebrows and you try to think of an explanation when she starts laughing.

“Oh, I don’t mind the two of you flirting,” she says, littered with slow laughter. “Just make sure the food is where it’s supposed to be.”

You’re about to refute when Yuta laughs, the sound still boyish and lively. “Of course. (name) missed me so much this year, she couldn’t help herself.”

You give him a pointed look which he ignores, deliberately or not. “We- I wasn’t—”

“Grandmother, if you’ll give us permission,” he interrupts, settling the packages on the table by the food stall and smiling wide. “We’ll go enjoy the festival now.”

She bobs her head in affirmation and Yuta grabs your hand to pull you into the bustling street, your silent plea for help ignored by your smug grandmother.

“What are you doing?” you ask, slipping your hand from his. “You aren’t- You aren’t trying to eat my liver, are you?”

“Why the liver? Can’t I have the rest of you too?”

It’s not like you were particularly alarmed but his response makes you feel a flush of embarrassment.

“It’s been a year since I last saw you,” he says before his voice turns a shade cooler. “Have you thought about my proposal?”

You fall silent. The overthinking started last year too. Your thoughts and dreams, so easily pervaded by him and all it took was one sentence. 

“We should get married.”

“Why did you even think I’d agree to that?” You try not to get too flustered. He knows all your petty weaknesses and you’d rather not have them on display for him to stare and pick at. “What the fuck would I get out of marrying you?”

Yuta whistles. “I like your tongue. But—yes, to answer your question, you’d get a very handsome and capable husband. Your bed will always be warm and oh, speaking of beds—”

You clamp your hand over his mouth at the suggestive look he sends, worried about being spotted by one of your school friends. Ah, right—friends, the very same people that smell of jealousy and won’t miss any opportunity to throw a jab your way. Friends. You can’t believe you’re still afraid of their judgement.

“And why do you want to get married to me?” you ask, looking into his eyes.

There’s a pause, filled with the chatter of the crowd.

“You look like you’re afraid of finding someone,” he speaks finally, ignoring your question. “Or is it the other way around?”

You roll your eyes, ready to walk off when he grabs your wrist to pull you closer to his chest. It draws some looks from nearby people, your eyes darting from face to face in fear. You take a deep breath and look at Yuta again, almond eyes distracting. 

“People will think we’re lovers,” you whisper, almost a hiss.

“What’s wrong with that?”

You breathe out in disbelief. “You’re really something.”

“What? Why did you always come to meet me then? Behind the keyaki tree?”

“It wasn’t for you,” you lie quickly. “I had nothing better to do.”

Pining after a fox? You could never have feelings for him. Even so, your answer comes off childish and silly, and somehow he’s the only one to be able to draw that side of you—the you that is messy and unprepared.

Yuta smiles in return. “You think people can’t fall in love with us the same way they fall in love with most everything.”

It’s a statement, not a question.

“How conservative of you,” he leaves with an airy remark, but not before urging you to follow him.

The sizzling sound of food being fried and the knocking, clicking sound of children playing games, all these forgotten sounds grow louder and for a second, if only you let yourself, you could close your eyes and it would be just like your first date. 

No. It’s different. You look up, eyes trailing over Yuta’s back, his golden hair, how his figure moves with ease and confidence.

It is different.

You raise an eyebrow at the box of takoyaki Yuta shoves towards you, an expecting look across his face.

“You like this, don’t you?” he asks, an uncharacteristic hesitation in his voice.

You hum in response, taking the box from him and saving yourself the trouble of asking whether he paid for it or simply charmed his way through. 

“Eh, no thank you?” he complains. “How polite.”

You scrunch your nose to accompany an exaggerated smile and he laughs, the two of wandering over the asphalt streets. Your hands are close enough to brush—and if a twenty-something year-old woman can feel jittery because of it, hands truly are meant to share warmth. The smell of candy and caramel fills the air, making you smile. You’ve saved enough for the taste of home, you think. 

The taste of home. 

Inevitably, the thought of kissing your companion crosses your mind and you stop in your tracks. Whatever. It must be natural when someone as attractive is beside you. Those aren’t feelings. You curse yourself for feeling like a teenager again.

The festival grounds aren’t as shabby as you expect them to be. The city,—if you could call this one—stops here and the earth spreads out to the forest behind. The crowd also thins, and you take a fresh breath. They’re selling old books in the corner, but no one seems to be there.

“The raccoon dogs,” Yuta whispers in your ear, with an arcane smile. “Want to visit those rascals?”

You roll your eyes. He knows you’ve heard one too many folktales for a lifetime, seen one too many. It’s time to go home, especially now that the thought of thanking him crosses your mind. You’re about to turn when your shoulder crashes into someone else’s. A surprised, syrupy smile greets you, which you cannot return for the first few moments. Yui’s smile wavers and you flash her a quick smile. A friend. Her arm is looped through her lover’s, the one she never shuts up about and suddenly the urge to pour water over her head returns.

Yuta glances from you to her before pressing his lips together, as if suppressing laughter. You’re almost offended when Yui laughs flippantly.

“You’re on a date too? I knew you couldn’t stand spending the festival alone,” she says, tugging her lover closer. 

People have always told you who you are and what you do. As if they know better.

You smile awkwardly. “It’s… actually not—”

“Oh, don’t be shy.” She gently pats your shoulder before leaning in. “He’s a real catch. As expected from you. You can never leave the boys alone.”

You know what she really means. You’ve heard the same words in high school when she was shoving you into a wall behind the school. The sickening smile is still on her face.

You gulp, feeling sixteen again. The lack of people around somehow makes it more awkward and you’re about to excuse yourself when suddenly, Yuta bumps into Yui and his warm drink spills over her left shoulder. Your eyes widen, more in confusion. When did he leave? You don’t doubt his ability to sneak past people, but surely you couldn’t have been so enraptured in your own feelings that you barely noticed.

“I’m so sorry,” Yuta says, voice honeyed with surprise.

Yui looks like she’s about to explode when she looks at him, her expression dropping to a calmer one almost immediately.

It’s an easy look to recognize. They always have it when they first meet Yuta, whether it’s the smile that’s too dazzling or the pretty round eyes. 

How persuasive, those eyes.

“Ah… I must have not seen you,” she says faintly, and Yuta’s smile widens.

Before he can stir up more trouble, you slip your arm into his and pull him away, not caring for another polite apology to an old, almost nameless face.

“I was having fun,” Yuta complains, voice still smug and calm.

You glare at him and it only seems to add fuel to the fire, to whatever cold fire dances at his fingertips. 

“You’re happy, right? Don’t look at me like that. You should reward me.”

You don’t respond, looking away and hoping to get at least a word in about how troublesome he is every single time you visit. Yuta has other plans, however. Leaning his head to look you in the eye, he maintains a distance which looks perfectly decent but feels less than so.

“How about a kiss? I deserve one, don’t I?” He moves his head closer to yours, making you shy away.

You grab him by the belt and pretend to not catch a glimpse of the pleased look on his face as you drag him into a secluded part by the forest.

It’s quieter here, so much that you can almost hear your own heart drumming in your chest, and the faint light of the distant festival grounds doesn’t help much at all. It’s dark as dusk, and you can only make out Yuta’s jawline and a faint smirk over his lips. You think that if a fox ever wanted to eat your liver, this would be the perfect spot.

“You did something,” you finally utter the words. “You did something to me.”

“Why do you think I did something? Do you mean love?” he responds with a cheeky smile. “This means you’ve been thinking about me? How cute—”

“Yuta, stop it,” you warn. 

“Or what? You should stop me yourself.”

You grab the lapels of his jacket, the cloth bunching as your knuckles turn white. The anger you feel isn’t the first of its kind—it’s just a little funny how it’s always Yuta every time, making you remember the burning feeling time and time again. You find yourself unable to respond. 

“Oh, don’t hold back,” he provokes, leaning in.

You push at his chest in exasperation, but he grabs your wrists before you can retract your hands.

“Scared?” he whispers.

You pull apart anyway, a scowl over your lips. “You’re as annoying as ever. Don’t you have anyone else to bother?”

“Ooh! Sharp claws. You’d be lovely as my fox-bride.” he teases. 

Your face flares with heat. “I’m not your… I’m not a fox.”

“I didn’t say a fox, I said—”

“I know what you said,” you snap, massaging your wrist so you don’t have to look at him.

Yuta falls quiet for a moment, voice lower when he speaks again.

“Is it so nasty to be called a fox? There are worse things, you know.”

You scoff, growing increasingly annoyed. “Of course you’d say that. I hate it. I hate this town. I hate foxes and I hate you.”

Yuta places a hand over his chest, gasping with no emotion. Your eyes linger over his long, painted nails a little longer before you meet his eyes. A part of you regrets saying the words but you couldn’t help it. The shroud choking your hometown makes you want to scream at the top of your lungs every time you’re here. You hate this place.

But you don’t hate him, after all. 

You try to clear yourself of the thought. A gentle gust of wind brings you back to the present, Yuta still glancing at you with no giveaway to what he’s feeling.

“You wouldn’t make a terrible fox though,” he says, eyes sharp. “Don’t they know you’re a vixen already? How many livers will you eat?”

You suck in a breath, tears stinging at your eyes. However, it’s not like you to get so easily affected by him. No. No, somehow that doesn’t make sense either. Those words do hurt from Yuta and you’re not sure if it’s just because he's the only one you didn’t expect them from.

“You…”

“What? Aren’t you going to lash at me again? You’re so predictable.”

His voice is calm despite your obvious annoyance and you feel flames lick at your heart. Your hand moves before you can think, about to meet his cheek when he grabs your wrist. You struggle, trying to pull free but to no avail and you use the other hand to hit him in the chest. Unsurprisingly, it doesn’t bother him and that same feline smile curves up his lips.

You feel something you haven’t before, a warm growl at the pit of your stomach.

You push with all your strength, catching Yuta off guard and he stumbles backward but not before pulling you into him. Consequently, either of you lose footing and land on the grass with a sudden thud, Yuta’s side pressed against yours. His hands still clutch your wrist, and he shifts to hover over you.

“We used to wrestle like this as a litter,” he says, erupting into full laughter. “Ah, memories. I don’t even know if they’re alive or dead now.”

Yuta is much stronger than he looks, and he’s taken your tantrum as a source of amusement much to your infuriation. He has your hands pinned back, eyes unaffected as he scans over your face. You try to shift but there’s just too much weight on you. You breathe slowly, chest rising and falling in time with his. His earrings sway gently in the wind, dangling a few inches above you—he’s pretty, so pretty. Admitting defeat has never been your forte but now that your senses are gathering again, you feel a flush of embarrassment for losing your temper. 

Or perhaps, it is something else when you register the lack of distance between your noses.

“Playtime’s over,” Yuta coos. “You’re kinda cute when you’re losing.”

He tilts his head, an adoring smile over his lips. For a moment, they’re all you see.

Can a fox comfort you? Can a fox make you feel loved on the darkest of nights? Your mind races with questions your heart does not want to answer. 

Yuta leans in to close the distance and despite every nerve in your body, you turn your head away. You can hear him gulp, the following moments painfully quiet before he gets up. Your breath is soft and shallow, lying on the ground till you get enough courage to sit up. 

You almost gasp. His tails are clearer under the dim moonlight, all nine of them golden and luxurious. The light hitting his face isn’t any less flattering and once again you are reminded of how handsome he is, fairytale or not. 

Yuta looks uncomfortable, and that’s a first for you.

“I’m sorry,” you say, though you don’t know why.

He waves his hand dismissively, annoyed.

“Yuta,” you take a step forward.

“I see the way you look at me,” he says quietly, “Is it not want?”

You fall silent, biting your lip so you don’t retort violently. He doesn’t look particularly malicious when he says that but you do not want to give him the satisfaction of an answer yet.

He quietens for a moment before a look of curiosity flashes across his features.

“What is it then?” he asks. “Is it a secret? Foxes love secrets. Tell me.”

Despite every bone in your body burning up, you find it in yourself to laugh.

“I don’t think I could keep a secret from you if I tried,” you finally say, before bursting into soft laughter again.

Yuta looks at you puzzled, lips parted while he stands frozen as if he were a painting. A daunting, reckless, heavenly painting.

“It’s not want,” you answer quietly. “It’s more than that. Even if I hated it. I like you.”

Yuta’s ears perk up at your confession. “So- so you admit, then? You are interested?”

“I could blame you for this, you know?” You shrug, hugging yourself once the night starts to feel cold again. Yuta begins to take off his jacket when you stop him, gently pressing your palm against his chest. 

“You’re a fox, after all,” you whisper. “Like me. What they think of me.”

Yuta purses his lips. “Does it really hurt you? No, wait. Did they- did they—”

“Now, you tell me,” you cut him off. “Why do you insist on getting married—to me?”

There’s a pause. The crickets chirp a merry tune despite the leisurely darkness of the night.

“You’re not terrible,” he says, nonchalantly.

You glare at him and he raises his hands in defeat. He looks wearier the more you look at him.

“I want to grow old,” he mumbles after a long pause. “Properly.”

You hold your breath.

“And you want to do it with me?”

Another flower blooms in your chest, as if he hasn’t planted a garden in there already. The lights from the festival flicker down, the lanterns burning brighter in the distance. He glances at them for a moment, your eyes still fixated on him. 

The tails glow even brighter in the dark, as if gold in broad daylight. You’ve always been curious about him and his kind, all the stories; but he says he’s too old to remember if you ask.

You reach out to touch one of the tails, wondering if the fur is as warm as it looks. They’re pale and captivating, but they look so soft—they shouldn’t belong to an animal so vicious. Is he, though? Is he all that you think he is or have all these years failed you? If anything, he’s quite probably not as much a fox as you are, you think bitterly.

The fur is warm, but the realization is short-lived.

A short growl leaves the corner of his mouth. Yuta glares at you like he was stolen from and yet, you do not move your hand. Some part of you wants to aggravate him further.

“I’m not a pet,” he snaps. “Stop that.”

“You should stop me yourself,” you mimic his voice.

Yuta’s shoulders relax, and he looks down but you can still see the trembling smile on his face. It’s the way he looks at you, you think to yourself, maybe that's the reason after all.

“Don’t look at me like that,” you say, feeling warmer than the autumn night should allow.

“Like what?” he asks, still smiling.

You look away. 

“You’re not too fox-like, you know?” you mumble. “You’re just annoying. And flirty. And annoying.”

Yuta chuckles, before pressing his palm to the top of your head. 

“And you’re lovely.”

You give in to the gesture of affection, leaning your head to press against his shoulder.

“Why do you even do all this? What do you get out of it?” you say, voice muffled. He hears you clearly, however.

“Because I love you,” he responds, as if coming to terms with it himself. “More than you think.”

There is no joke, no flirtation to his tone, no decoration upon his words. It’s plain, and laid bare. And sometimes, simplicity is scariest. 

You pull back, lips pulled into a frown. The air is cold once more; the longing for warmth flowing into you. The silence is worse.

“You don't believe foxes can fall in love,” he states softly upon a wavering smile. “I knew that. Of course.”

A part of him believes it too.

“I…” you begin, and for the first time, you are afraid of promises in the name of love. You are the one making them now.

“I’ll believe you,” you whisper, “I’ll believe you so please… please take care of me.”

You place your palm against his cheek, his skin bewitchingly warm. 

“Only if you take care of me,” he whispers back, leaning in.

This time, you do not move.

The lovers’ kiss you’d been searching for—lovers’ warmth, lovers’ comfort—all of it comes crashing down once Yuta tightens his arm around your waist, the other hand resting gently at the base of your neck. He kisses with the right amount of pressure, the vague taste of sweet berries in his mouth.

You used to fear his touch, like he would eat you whole; even if they have been gentle, always. This time, you might as well let him. He presses his lips from your cheek to jaw to neck, lingering at each spot enough to make you clutch at his shirt tighter, taking in short gasps of breath. You kiss for a little longer, like time means nothing.

“We should go back,” you whisper, pulling apart.

Yuta kisses you again, the distance unacceptable. 

“Yuta—”

He kisses you once more, your calls falling on deaf ears.

Finally, after another long kiss, he pulls apart enough to rest his forehead against yours, eyes still closed.

“It must have been hard for you,” he mumbles.

“You don’t have to worry about that,” you scoff.

“Foxes are faithful lovers, you know?” he insists.

You laugh. “What do you mean?”

“It means I’ll follow you everywhere.”

He stands up straight, his thumb stroking your cheek as he bites back a smile.

“I don’t think we should get back tonight,” he suggests all of a sudden. “We could book a hotel. That’s the place you use these days, right? I’m sure your grandmother will understand your absence—”

You groan, resting your forehead against his shoulder and he presents a delighted laugh in return. It is warm by his side; he is warm. You find it easy to forget the failures in love, the loneliness of a lover that isn’t meant to be yours. Folktales are just long tales, after all. You smile to yourself. 

You should’ve known—it was the fox all along.��

[galacticlamps]

im sorry im sorry im sorry i know it’s been well over a year but i accidentally thought about Short Trips: Deleted Scenes (again) and it’s killing me (again) so i think im just gonna go ahead and post all these stupid thoughts that have been plaguing me about it since i first heard it & maybe that’ll help clear up some space in my head for like, real life things.

Spoilers I guess? It’s like a year and a half old but also high key the most recent 2nd doctor content i believe we’ve gotten which is like, the only negative thing I can say about it

The TLDR version is this:

I literally cant believe how sweet it is? Painful, but sweet. Like. I don’t honestly know what’s more likely - did they set out to write Jamie a nice little straight love interest and just fail miserably at it by constantly likening her to the Doctor AND paralleling the Doctor’s perspective with her ex’s AND putting Jamie’s relationships with both of them in direct tension with each other while constantly letting his with the Doctor win out?

OR - did they do a very 1960s thing and say hey we’re gonna write what’s essentially a story about how much Jamie and the Doctor love each other and release it on Valentine’s Day thinly disguised as a one-off romance with a french lady?

Now, as a general rule, my attitude toward questions like that is usually “don’t know, don’t care, doesn’t matter” - and while I 100% stand by that, I also have to admit that this particular audio seems to pay enough attention to detail that I’d kind of think I was selling it short if I assumed too many of these things were just meaningless coincidences, you know?

Anyway, that’s the most coherent/overarching thought. And here’s a disorganized list of things I absolutely cannot get over about it (they don’t form any kind of argument, mind, they just all happen to live rent free in my head):

- Celine is first taken in by Jamie being an idiot (specifically him claiming not to speak French, in perfect French); likewise, her entrance in the scene where they actually kiss is marked with a little anecdote about her hat getting stuck on a doornail and her scolding it as she attempts to fix her un-tameable appearance, and the narration says Celine “would often clown for Jamie like this” - all of which, while undeniably adorable, don’t exactly strike me as entirely original traits to have been assigned to Jamie’s love-interest (but also Celine is so cool and her perspective on film/media/time is an excellent addition to the long list of dr who characters)

- When they’re in the present, describing Jamie’s relationship with Celine in 1908, they call him her “companion” and highlight his going nearly everywhere with her, which earns a laugh from the 4th doctor (and me as well, though probably for slightly different reasons - but like, is that really all it takes to have a fling with someone in 60′s era who? bc if so...)

- Celine’s ex-fiance is still in love with her and is jealously watching when she kisses Jamie ... and then the Doctor appears beside him, evidently doing the exact. same. thing. They have the following conversation:

“You know, it’s not prudent to spy on people. But then, people in pain can’t be expected to act prudently.”

“Pain, monsieur? You mistake me.”

“Ah, do I? Good, because I rather thought you’d lost something.”

“What would you know about loss monsieur?”

- I’m sorry doc but who do you think you are, saying stuff like that and smiling sadly at the floor to boot? I 100% had to pause it here the first time I listened, just to not throw my laptop across the room. 

- Then when I recovered continued, the Doctor closes the door so they can’t watch anymore and explains “Possessing things comes so terribly easily to some men that losing them can feel cruel, intolerably cruel. In my experience, only the very best of men cannot be tempted to answer that cruelty with more - I do sincerely hope that you are the best of men.” (guess who gets described as the best of men by the end of the audio?)

- Jamie and the Doctor apparently develop a habit of walking along the river in Paris in silence

- During one such walk, Jamie suggests Celine come with them since she already figured out about the Tardis - and when the Doctor’s worried by this, he says he only allowed Jamie & Celine to grow closer “because of Victoria.” Jamie takes offense at the ‘allowing it’ comment and also refuses to admit he knows what the Doctor means about Victoria, which leads the Doctor to say that he knows how fond Jamie was of her - he was too, of course, but with him, “it was different, wasn’t it?” Jamie only says maybe that’s true and maybe that’s not, but his voice catches until he changes the subject

- Jamie doesn’t see Celine for days both times that she’s recovering from the shock and depression of her work being destroyed. In contrast, when the Doctor’s not well, Jamie’s "afraid” and “guilty” and hardly seems to leave his side at all, if his being there “rushing to embrace him” the second he wakes up - after a period Jamie describes as “at least a week” - is anything to go by, anyway. so either bf writers need to learn how to write a committed straight relationship or admit that’s not what they ever intended in the first place

- Oh yeah, and the Doctor spends that week "asleep” in Jamie’s bedroom - no, there’s no explanation as to if that’s where he was when he first collapsed or if it’s where Jamie decided to take him bc why would they feel the need to explain him being there? why was it even relevant to tell us it was Jamie’s room in the first place?

- The Doctor somehow manages to control the Tardis enough to take Celine on one trip to an alien planet and then return to the correct time & place for her to use the footage she recorded there in her new film - and while the audio doesn’t do very much to explain how that was possible, it does treat this as A Pretty Big Deal, and immediately afterward the Doctor has to spend a week communing with his past self (and/or the Tardis?) debating how likely it is that the Time Lords could use this to trace him. When he decides it’s not worth the risk and they have to stop the film from ever being shown to the public, Jamie asks why he agreed to it in the first place, and all he can say is “Because, Jamie, you asked me to!” earning awkward stares from the crowd.

- Oh, but, lest we forget, that little outburst is also immediately followed by him putting his arm around Jamie’s shoulders, and, shockingly, apparently beginning to actually explain the truth about the danger from the Time Lords - until they’re interrupted, of course idk why exactly but the idea of a 60s dr wanting to come clean with a companion but not being allowed to bc the show demands the war games be something of a reveal hurts me in a very good way

- The mental image of “the Doctor and Jamie, resplendent in borrowed evening wear”

- The audio admitting that Jamie’s not very good at subterfuge, and the Doctor asking if he’s going to be alright with them having to steal the film back from Celine - and Jamie’s little “Aye, Doctor” as he feels a ‘glass arrow piercing his chest’ glad to see bf is reading all my letters about exactly how i feel any time something sad happens to james robert mccrimmon

- The Doctor’s anxious to get out of there for obvious reasons, but he hangs around bc Jamie wants to see Celine again - which doesn’t happen, because of her aforementioned shock & depression, but she does leave Jamie a note that ends “you and that Doctor of yours - look after him Jamie, he loves you dearly, as do I.” yeah, if you didn’t want people to draw a parallel there, you could’ve picked, like, any other wording in the world.

- In case you weren’t fully convinced I’ve been reading too much into this whole audio already, consider this: Celine dies in Long Island in 1968, three days before her birthday - 1968 is when this story would’ve taken place in the show’s history (between Fury & Wheel), and dying three days before/after a birthday in America seems a bit... well I had some deja vu from it, anyway

- Four of all people being the one to bring back the film - I know he does it bc Sarah Jane makes him, but personally, I often feel like despite the length of his run, 4 is the Doctor with which we might’ve gotten the fewest glimpses into his interiority, so the fact that it’s him and not one of the more overtly sentimental Doctors makes it feel like it carries even more weight somehow, to me anyway. I think I wrote a post saying roughly the same thing about 4 & Fate of Krelos/Return to Telos but maybe I only did that inside my own head lol. Still, I’m all for any opportunities for Jamie to be one of the few characters to draw some noticeable emotion out of Four, but in fairness I haven’t touched too much of his EU stuff to really be able to compare the frequency with which this happens with other past companions

- Is Four referring to Two or Jamie when he says he got the film from “an old family friend”? Two did the actual stealing, but he probably means Jamie’s involvement - either way, it’s an interesting way of describing old companions - or selves?

- When Jemima goes to call Jamie a thief, Four is “roused” to defend him: “he really was the very best of men” again, any time four freely shows he cares about someone, im over the moon about it

- Oh ha ha, there’s an audio called “Deleted Scenes” featuring the Doctor who’s most affected by junked episodes. And at the end of it, a character who’s spent her life researching and lecturing about a lost film gets to watch it be ‘rediscovered’ after it’s gone unseen for decades. I feel marginally less stupid for reading into the other details of a story like this when it ends up deciding to be to be clever & slightly meta like that

But yeah

all in all, it’s kind of amazing to me that this genuinely reads like they sat down and said okay boys it’s valentines day, let’s write an audio where jamie kisses a girl, since that hasn’t happened except as a plot device in one story in 1967 - but then when they got down to business they accidentally(?) wrote a story all about how important his bond with the Doctor is and how easily that can be compared to a legitimate love interest (even if the love interest in question is a one off character & the extent of the relationship appears to be like one kiss & then having Jamie spend most of his time around the Doctor instead)

I realize there’s something slightly illogical about writing the words “shipping aside” after a post like this but seriously - no matter how many categories you’re able to see two & jamie’s relationship fitting into, this is 40 minutes of big finish just hitting you over the head with how powerful/special/important that relationship is, and with them being two of my favorite characters, i really haven’t been able to stop thinking about it since

[arhvste]

hc for kenma and fem reader, that’s been friends w hinata since middle school and goes to karasuno, like how would they meet, how would they confess, first date etc. can the reader also be a first year. but doesn’t play volleyball she just watched hinata sorry if that doesn’t make sense

we’re all soft for kenma hours 🙈

also there's a lot to consider and include here so this is going to be a little longer than my usual hcs posts 

-

KENMA WITH A FIRST YEAR S/O HE MEETS THROUGH HINATA

you’ve been friends with hinata since your first day of middle school when you got sat next to the excitable volleyballer 

you both ended up attending karasuno high much to his delight

when he’s not with his volleyball team he’s with you telling you everything about it since you don’t play the sport yourself 

you know all the rules and basics by now by attending enough of his practices and games

so hinata has just come back from the training camp that he attended in tokyo

he is telling you all about the new techniques and he’s worked on and all the new people he’s met

“there was this biiiggg third year! he’s captain of fukurodani and one of the top 4 aces in japan!!”

“uh huh”

“and his friend was captain of the rival team we want to play in nationals, another big third year with weird bed hair!”

“sounds like you met a lot of new friends”

“yup! but one of my new favourite friends is the setter of the team we want to play in nationals, his name is kenma, he’s a second year and he’s super quiet but he’s a real good player!”

hinata shows you a picture he took with this kenma 

there next to one of your closest friends stood a boy with long blonde hair, his dark roots showing but somehow it made his whole look all the more attractive, golden feline eyes and a gentle shy smile as he looked up at the camera.

now, while you’re thinking about how cute kenma is, hinata is actually watching you

you see, unbeknownst to you, the little middle blocker had mentioned you on several occasions to his new friend

something about kenma made hinata think of you while he was in tokyo

so he felt the need to talk all about you to him to which kenma listened to intently 

so there’s a practice match against nekoma coming up

obviously you go because you want to support your friend

you literally forget all about kenma and how he plays for nekoma

honestly hinata tells you all about every single new friend he meets wherever he goes

so it’s hard to keep track of who is who and where everyone comes from

but the picture of kenma comes flashing back when you see him out on the court

hinata wasn’t lying

he was a good player

he seems like he isn’t that into it but you can tell he’s calculating his moves to be precise 

very much a contrasting character compared to the rest of his outgoing team

nekoma end up winning by one set but it’s only a friendly practice match so all is well

you go down to congratulate hinata and the rest of the team

and hinata is there with kenma chatting happily while the shy setter is smiling and nodding slightly 

you make your way over to hinata and he notices you and his smile beams even brighter

“kenma look! this is y/n the friend i told you all about! isn’t she pretty?!”

you’re blushing and so is kenma 

brief introductions are done between the two of you and before you know it hinata is off to go and annoy kageyama 

you’re left there standing with the rivalling team’s setter

at first the atmosphere is awkward but kenma actually speaks up first

“so... you’re friends with shoyo he's told me a lot about you”

“all good things i hope”

kenma lets out a small smile and your heart flutters slightly

“all good things”

you and kenma actually have a pretty good conversation from there and end up exchanging social handles

from there your friendship begins properly 

tagging each other in memes

late night texting 

kenma even convinces you to indulge in a few games he himself plays

kuroo notices kenma has been smiling at his phone more lately

“new game?”

“no”

“ohoho? no game? is it a girl?~”

“y/n from karasuno”

kenma is so blunt dhfshdfgsdugsdfu

kuroo is sitting there like 👁💧👄💧👁

“you didn't tell me you had a girlfriend i thought we were best friends”

“she isn’t my girlfriend”

“do you want her to be though?”

kenma is silent 

you are the first girl he has actually felt comfortable with 

you guys have been friends for a good 3 months now 

maybe he did want you to be his girlfriend but he isn’t sure how to go about confessing 

one night the two of you are up playing animal crossing together 

it’s 2am and neither of you feel like sleeping 

you’re ready to go catch some fish but you check your mail box first and see a letter from kenma 

it says ‘come over to my island i have something to show you’

you notice kenma is online

when is he not online?

his gates are usually open around these hours for people selling turnips or whatever 

so you make your way over to kenma’s island and his little character is waiting fro you outside the airport

then he calls you over the phone to which you answer

the two of you are just casually talking and gently laughing with each other until kenma speaks up

“follow me”

he says quietly through the phone 

so your little animal crossing characters and running around the screen until kenma leads you to a patch of gold roses

gOLD ROSES hufgugfegbfgu rich boy tings 

“KENMA YOU DIDN’T TELL ME YOU GOT GOLD ROSES WTF??”

and in the middle of the patches of roses you see a personalised sign 

you guys know the ones im talking about right? the little boards you can make and decorate around your island 

n e ways 

‘y/n, will you be the cyrus to my reese’

that’s so fuckin cute ily kenma fhjdfd

so after you read it you have the biggest smile on your face

“of course i will kenma!”

he is smiling so hard rn 

ugh you’re official now yes bitches

hinata is e c s t a t i c when he find out 

kuroo is so mf smug but he’s so proud of kenma 

the first chance you get you go to visit tokyo to see your new boyfriend 

the two of you go to a cat cafe 

and then you guys are strolling through a park and feed the ducks 

and then you guys go back to kenma’s house for take out 

you’re both playing animal crossing, smash bros, mario kart etc 

at the start of the day kenma is so nervous  

but you make him feel so comfortable the nerves wash away

but anyways y’all are thriving playing your games 

kenma isn't huge on pda but he does acknowledge the fact you don’t get to see each other too often so he will be open to cuddling 

you’re resting your head on his shoulder while you play though

nothing to crazy you guys are taking it slow after all

your aunt lives in tokyo so you’ll be staying with her for the night

so neither of you have to worry about weirdos on the train at night 

so it gets to about 10:45 and you and kenma decide to call it a night 

this shy baby gives u a soft kiss before you go

he is so soft fjahfk

after that date there are many more to come 

as well as hinata’s matches you also some to watch kenma play whenever you can

the nekoma team love you

they’re so happy their precious kenma has finally found someone outside of volleyball who makes him happy 

you’re basically shared between both teams now 

nationals who are you gonna cheer for tho lmao 

i honestly think when kenma finds the right one he’ll stay with her 

like he doesn’t open up easily so when he knows he’s found the one he will absolutely feel more comfortable in opening up and being more vulnerable 

kenma wasn’t really bothered about love and relationships before 

but thanks to you he’s glad he stepped out his comfort zone

because besides the family he’s got in volleyball 

he also has you know 

and you’ve taught him a new form of love 

-

requests are open!!

[kanohivolitakk]

Have you done Krekka for the ask game? I know you're a huge Nidhiki fan, curious if you have any thoughts on his partner?

I haven't gotten Krekka yet actually. So far I only done Toa Ignika and Axonn for the Bionicle ask game (which Im still accepting). That being said great choice. Krekka isn't necessarily a big favorite of mine (partially because I'm not that fond of the "dumb brute" archetype barring a few exceptions), but I have to admit I do have a soft spot for the big guy. Krekka is a relatively simple character when it comes to characterization/backstory/role in the story (especially when compared to Nidhiki), but that doesn't mean I don't have any "deeper" thoughts regarding him or that there isnt stuff worth discussing.

Anyways some thoughts/headcanons/general musings:

This is a weird thing to start with but... Krekka is kinda adorable for me. I think its kinda this ...overgrown puppy (bulldog??) vibe due to his loyalty and dumbness. I admit BOADH is a big reason for me feeling this way since it gave him a few moments that made me go "AWWW he's so cute". Just..love his loyalty so much.

His undying loyalty makes him stand out for me across the other dark hunters. While many dark hunters we ha e are opportunistic and schemy, Krekka is just...very loyal. Maybe too much so. But I love that he is loyal. Feels refreshing tbh.

And now I cant help but feel that TSO is just "guys stupid but at least he wont double cross me and is easy to keep in check" when it comes to him.

Not to go woobifying villains but I genuinely dont think the guys that bad. Hes just really stupid, overly loyal and doing his job. Its kinda like w Lariska being a decent person despite being a knife happy murder girl although to a much lesser extent since guys a literalminded fool and also just smashy boy.

I do like his backstory of being a former guard who lost his job and started wreck havoc until one day a dark hunter found and hired him. It isnt anything too complex but it works well for his character and explains why he is so loyal to Dark Hunters. It also helps bringing a bit more light to his homeland and I love when we get more info of places through character backstories, makes the world feel more real that way.

Also can Gorast please stop hurting charaxters I like. This is the reason shes my least favorite character in the 2001-2008 storyline that isnt just a glorified extra or a plot device.

When it comes to Krekka, one scene I always think of when I think of him is in BOADH where he temporarily forgot to fly and Nidhiki was just "WAIT A MOMENT LARISKA TOLD ME YOU CAN FLY????" and Krekka just goes "whoops I forgot". That was adorable honestly. You dumb idiot, forgot you could fly.

Also, I know he's kinda "the idiot character", and while I am NOT saying he isn't, I do think its worth pointing out that he's basically literal minded. In BOADH (again) when Nidhiki tried to do that training scenario Krekka basically was like "wait I’m here, there’s nothing there why should I move there". This is

Another thing I really like about Krekka is that how, despite being an absolute idiot and tool, he still is willing to sometimes not take Nidhikis bullshit, see preventing him from getting the Zamor launchers (geez BOADH did a lot for this guys characterization lmao)

I sometimes call him truck boy because his name is one letter off my languages word for truck.

Also unless canon/word of Greg says otherwise I don't think every member of his species is as stupid as him. Like possibly on similar level but still.

It is made pretty clear that Nidhiki couldn't stand Krekka at all, but I do genuinely wonder how Krekka feels about Nidhiki. Based on the little we have I'd say he liked him to some extent or at the very least, didn't hate him to the same degree. I also have to wonder how aware he was about Nidhikis haterd towards him.

I also love the idea that when Nidhiki was mutated, Krekka just...wasnt afraid of him at slightest, no fear in this dumb boy. (I also like the idea he didnt recognize him at first and Nidhiki just, had to explain to his thick skull who he was. It took a while but eventually he got it.)

On a related note, I find it interesting how the LOMN website describes him working with Nidhiki because guy knows where to get the good jobs or something rather than being his goverment (read TSO) assigned partner The way the twos relationship were described makes it feel that by this point the staff hadnt figured out what they wanted to do with Dark Hunters , or if it even was an organization or just these two tools.

Its really interesting for me how Krekkas characterization not only varies between the books/comics (where hes more intimidating and him being a simpleton isnt as pronounced) and the movie (where hes more of a dumbass) but also how his characterization evolved. Like, his loyalty wasn't that pronounced trait but now I feel its just as important part of him as him being a dumbass (which is to say, very interesting)

I remember how the aftoermentoined Metru Nui movie website described that Krekka hated toa to the point wouldve hunted them for free if Nidhiki didnt make sure the two would get paid. I feel this is somewhat early installment weirdness as it isnt mentioned anywhere else but at the same time Krekka being willing to fight without payment sounds 1000% in character if you ask me

Something I have been confused over: when exactly was Krekka recruited to the dark hunters??? The timeline is very vague about this and I wish we knew.

It's been AGES since I watched my home countrys dub of LOMN but what I recall I really liked Krekka's voice in that dub. He sounded more badass and I loved it, the VA had a pretty unique sound. Sadly dont think there is any clips of the LOMN dub, which is a shame. UPDATE: I rewatched the dub and I love the voice itself but felt the voice direction made him sound kinda inconsistent

This is more a "Nidhiki and Krekka related thought" rather than just Krekka related but one thing I really like about Krekka and Nidhiki is that how they are like a more serious and competent take of "those two evil henchmen with contrasting personalities" trope. Often these types of villains are rather goofy, but these two could be rather dangerous as well and I really like that. I also like their dynamic of just doing Nidhiki being done with Krekkas bullshit. One of the main reasons I wish LOMN was a miniseries rather than a movie is because I really wanted more screentime with the two.

On a related note can I JUST SAY I LOVE the way the two compliment/pararell each other. From design (Krekka being bulky mostly blue colored, Nidhiki being slender and monstrous, mostly green colored) to personality (Krekka being foolish and simpleminded but loyal Nidhiki being cunning and ambitious but treacherous) to powersets (Krekka being strong physical attacker, Nidhiki being weaker(??) but faster and more special attacker).Heck, even their backstories have similarities as they both lost their orginal purpose in one way or another and didnt have anywhere to go but Dark Hunters (the main difference being that Nidhiki inflicted his fate upon himself by betraying the toa while Krekka didnt really do anything iirc)

Now for something crossovery, Krekkas and Nidhikis dynamic reminds me a lot of Kronk and Yzma from Emperors New Groove. Yes I have drawn a parody of the "pull the lever kronk" meme, yes I intend to make more screencap redraws. They also remind me a lot of Mummymon and Archenemon from Digimon 02, partially due to the dynamic (smug spider that tries to be cunning and intimidating but gets outclassed by most other villains in that + loyal blue dumb boy) partially due to their ultimate fate being rather similar.

I don't know how familiar you are with the franchise, but Krekka reminds me a fair bit of Gamel, one of the four villain generals in Kamen Rider OOOs, mainly because "the dumb brute major villain that's kinda cuteish and loyal a f while everyone else is an asshole".

I remember reading a p good oneshot fic that was just him accidentally killing a civilian when all he wanted was a hug and...honestly that is p much what I imagine him being like. Guy may be strong, reckless and a fool but like I said I dont think hes all that bad and just a puppy. An overgrown, moronic puppy but a puppy nontheless

For AUs, I remember I have thought once of "What if Krekka survived but Nidhiki died" and just ...guy wouldve been very lost and confused and unsure what to do tbh. He would most likely returned to Dark Hunters but Mata Nui knows how say TSO wouldve felt about that. Its not too complex au yet but I am thinking of developing it further one day.

Thank you for asking.

Sorry this took longer than expected. I had too many thoughts and half of them were deleted so. I hope its worth the wait tho. I do have a lot of Krekka thoughts and tbh wasnt sure if I was even able to get them all here.

(I am still doing the ask game so if anyone wants to send me a bonkle I will try to give thoughts, meta and headcanons on them)

[morwensteelsheen]

WIP wednesday thoughts:

willow cabin is utterly fucked because i changed my intended ~moral~ halfway through and now im stuck trying to integrate this shitty political intrigue plot into what should’ve been a more interesting story about éowyn adapting to life in gondor. hugely fucking annoyed by it and just totally unsure how to proceed. i could significantly increase the chapter count, but im worried that because the initial framing device was this bandits shit that closing out that plot and then still going for ages afterwards would be really shitty? i honestly don’t know, it’s so difficult. really i just need someone to read my outline and tell me if im being a dumb twat about it lol

meanwhile I know exactly where I want to go with AFTA but for some unaccountable reason im stressed that my ass is gonna get roasted for the direction i want to take it in. it’s all based in both tolkien’s personal politics and (some) historical precedent, but im worried people are gonna see it as a marysue-ification? but also im hoping to do sthg of a sequel to afta to practice the political intrigue writing so i don’t make the same mistakes i did in wc, and to do that it would require this specific set up in AFTA. im gonna put my AFTA thing under the cut so don’t click read more unless you’re gucci with potential AFTA spoilers!!

this royal affair au is definitely gonna get published at some point but im trying to decide if i want to do ~tasteful~ smut that drives a longer narrative or if im really just gonna do a whole 3,000 word build up to some run of the mill, old fashioned PWP lmao

okay so i have spent a Lot of time thinking about what impact i think éowyn and faramir would have on each other in a pre-ring war setting, and the honest to god conclusion ive come to is that they would somewhat inadvertently egg on each other’s (wildly divergent) idealism.

faramir’s an idealist politically in ways that, as Big D rightly points out, are not super productive in a wartime scenario. but so far as im concerned, the war doesn’t feel as warlike until they have to blow the bridge at osgiliath. until that point, there’s not really anything to say that faramir’s whole throwback optimism isn’t a perfectly justifiable position to have.

but what that idealism is and how it manifests are two really important considerations. the crux of his idealistic politics is that he looks at númenor and sees something valuable in it, and looks at gondor and sees a lot that he thinks is fucked up. outside of articulating a general angst towards the glory hunting, it’s not like he’s spending time talking about his specific policy prescriptions. however, we do know a few things that can guide us to a more coherent reconstruction of his politics:

he’s pretty rigidly hierarchical (when it’s convenient for him). as seen in: him basically telling sam to fuck off and stay in his lane in WOTW, and in how and when he chooses to refer to his father as ‘father’ vs ‘my lord’ or ‘lord of the city’ in the aftermath of the osgiliath retreat and then before he gets his ass sent back there. i don’t want to go into too much detail here but if i go with this i’ll definitely justify it more thoroughly in the footnotes.

so we’ve got faramir’s emphasis on hierarchy and his occasional (when convenient) belief that the upper echelons of a hierarchy are there because they’re intellectually and/or morally better. or, maybe to remove the causation from that instance, because they are in those upper echelons, they have an obligation to be more morally/intellectually upstanding, and the people in the structure below them have an obligation to show deference. unless you’re faramir and you’re dealing with denethor in which case that all goes out the window. classic.

we know there is some sort of nascent pseudo-democratic tradition of popular sovereignty in gondor. we know this because faramir asks the masses at aragorn’s coronation if they’ll accept him as king. faramir is a lot of things, but he is certainly not a progressive political radical, and i cannot imagine any situation in which he cooked up that rigmarole himself. that then implies to me that it’s building on some sort of political/cultural expectation in gondor. so: some sort of relationship to popular legitimacy. the people of gondor are subjects, but perhaps not as totally passive and unconsidered in the power structure as we might assume given the comparability to feudal europe/asia.

given those two things, i want to use AFTA to argue:

that faramir, in looking to assign blame for the faults he sees in gondor, would not directly assign blame to the lower classes, but rather to the aristocracy, because he will have seen them as failing in their moral obligations to the people they rule over. this is not to say that he isn’t fucked off about The People™ valorising war, but i think he’d take the position that they couldn’t possibly be expected to form those values and opinions of their own volition, and the fault lies in their rules. faramir: not gramscian.

faramir lacks any power that is non-military, and even that is of questionable worth because the rangers seem to be fairly distinct to the general structure of the army, and are not exactly a huge force.

faramir lacking any political power isn’t necessarily a huge concern for him (as in, he’s not actively trying to change that), because he knows he’s not going to lead a moral revolution and isn’t interested in taking up the responsibilities having political capital would engender because he’s stuck dealing with this war, that he fucking hates btw has he mentioned that he hates it?

however, given that he is apparently eminently versed in lore and scholarship, he is probably keenly aware that there is this incipient notion of popular legitimacy somewhere in gondor’s culture. it’s not, for most of his life, knowledge that actually does anything for him, but it is there.

éowyn, meanwhile, doesn’t really have many strong political convictions (yet). not because she’s a dumbass or whatever, but because she looks at court politics as kind of a farce, and doesn’t believe that power legitimately emanates from anywhere that isn’t a Big Fucking Army. and why, strictly speaking, would she not think that? the event that brought about the creation of her kingdom was not careful, soft spoken negotiation, it was her ancestors being in the right place at the right time with a Big Fucking Army.

and the internal politics of the Riddermark actually seem to be fairly stable, all things considered. i sincerely doubt that Théoden or Théodred are having to negotiate complex politicking in the way Denethor and Boromir are. so where, then, would éowyn see that kind of political behaviour outside gondor? with gríma.

éowyn, then, will see the immediate contrast between gríma (backroom dealer, manipulator extraordinaire) and théoden (owner of Big Fucking Army). and gríma goes and fucking wins that fight. that forces éowyn to confront the fact that, jesus christ, maybe there are different types of power.

at the same time, she’s going to be in minas tirith and needing to cover for théoden letting his shit get wrecked. not just because she’s prideful, which of course she is, but because if denethor/gondor think that théoden is too weak to hold up his end of the bargain, why would they ever go help the Mark? éowyn, seeing that théoden’s f-f-fucked, knows that there’s a very very good chance the Mark will need help.

against her feelings about courtly politics, she starts to accept that she’s going to need to do something to get power in gondor. not anything substantial, it’s not like she’s trying to overthrow anybody, but enough that when push comes to shove she can force denethor to help out the Mark (if he doesn’t do so willingly).

but, as ive sort of already shown in AFTA, she’s a bit of a dogshit diplomat. good for a little big-brawny-enforcer stuff, but not exactly brimming with cultural sensitivity. by the time she realises théoden + the Mark are fucked, she’ll have burnt quite a few bridges with the gondorrim nobles, and it’s not like she’s the sort of person to go running cap-in-hand begging for mercy.

so: she has to look elsewhere. and wow! a chance for faramir to do his favourite thing — talk about his opinions! and by god, his weird idealistic politics are… actually kind of helpful? because he’s like, look, you’re never gonna be a diplomat, but there are other ways of consolidating power. and one of those ways is by appealing to The People™. so why not work that angle?

and actually, we know that this is a viable route for éowyn because hama, in arguing for her to take up the mantle of théoden’s heir when théoden and éomer fuck off to helm’s deep, basically says that The People™ love her and would have willingly chosen her to lead them.

we also know, based on faramir’s middle men speech, that the people of gondor and the mark have grown alike in nature. not totally unreasonable to then think that the people of gondor would take to her like the people of the mark did.

éowyn, then, in various ways begins to try to win over the people of minas tirith. i need to do a little more research on this bc what ive got on the practicalities of that so far are a bit, uhhh, sketchy, but the least jargony way to describe this is to point to when natalie dormer’s character in GOT gets out of the carriage to go hug and kiss some babies. (marc bloch, eat your heart out)

this would later segue into a potential sequel where, while trying to secure the way for aragorn’s coronation, éowyn actually plays an interesting role because she’s fallen into this incidental Diana, People’s Princess™ role and so is better positioned than almost anyone to go advocate on his behalf. wow! cool! éowyn getting to be politically useful in more ways than just getting hitched!

so yeah. that’s how i am thinking it might play out. this would obviously have a rolling impact on the remainder of AFTA and how certain (🔥) events pan out later, but i think that building up part has to begin pretty much now, narratively. also this lets me get in a reference to “and then her heart changed, or else at last she understood it” and have it not be almost entirely about wanting to shag faramir, but actually about her gradual evolution from valorising war above all else to being like, hmm, maybe there are other ways of being powerful. which i think still largely captures the “no longer I will vie with the great riders” stuff, but more subtly and without feeling quite so… deferential, I guess? Like it’s not that she’s swapping one form of power (violence) for nothing (gardening?? healing?? tolkien accidental articulation of necropolitics??) but swapping violence for a different type of more sustainable power.

yeah. that’s the take, basically. who fucking knows.

[wavesmp3]

directors cut: oasis

[doing this entirely for myself, out of pure self indulgence lol] [this will be very messy/poorly organized and there will be spoilers]

okay so where to even begin omg..... we will start with the origins of oasis:

its actually, techinically a spin off of the world from this drabble with dino from svt. which the world in this drabble is what the world from oasis would look like very far in the future. but i changed a lot between writing that drabble and creating oasis. but there should be a scene in the drabble that is very similar to a part in oasis (hint: the first vision they got from saskila was not just a random vision with no meaning.......hehe)

but that drabble (its titled dreamscapes) was inspired by a mix of this post on tumblr about how nuclear waste warning signs sounded very cool and the book that i was reading called the children of blood and bone by tomi adeyemi

and then after i had made that drabble i saw dee’s (@/atbzkingdom’s) post about the time capsule collab, and i had a couple ideas of what i could do for it but i ultimately decided on what would eventually become oasis !! so i guess we really have dee and that collab to thank for this piece lol

now for the timeline of me writing:

so i started outlining this piece in the first couple days of january, and normally outlines take me a while to come up with just because i struggle in coming up with plot, but i knew that my spring semester of classes would be starting soon and that I didn’t have a lot of time so i just sort of grinded an outline out as well several paragraphs of pure worldbuilding. 

and then i started writing

and wow i was Really writing!! at my peak productivity i was easily getting down like 2k a day which for me is insane (for reference, i wrote 1k a day for tsiytt and i struggled my way through that) 

but then life happens classes had begun and my writing for oasis slowly become nothing... 

i really only found the time to work on the piece every other weekend, so i was really nervous that i wouldn’t finish in time (which technically i didn’t cause it was supposed to come out march 1st) but luckily i did

and at some point in february, i had lost so much of my momentum and motivation for this piece that i almost gave up on it. (at this point i was writing the scenes after they find the seat of wisdom destroyed) but again luckily i did not, but i personally can definitely see a decline in the quality of my writing towards the end (i mean maybe its in my head, but its sort of like i can see the loss of love for the wip in my writing at the end of it)

but don’t misunderstand, i still love oasis!! and in all honesty, i’m already considering starting a second draft to it, which is way sooner than i thought i would lol

also when i started writing this piece, i began writing it in the order that it would be read, but then halfway i switched to writing chronologically

anyways, something i learned while writing this piece, is that writing is a marathon. whereas, even with my longer pieces, i always viewed writing as a sprint. so as i start venturing into original works and more lengthy pieces of writing, i think this was a very valuable lesson for me to have learned.

okay now to the good stuff lol: [the first word of the bullet about the next chapter (?) is bolded for some crumbs of an organized commentary]

so this is jumping to the first past bit... but when i first wrote farah i had a very different plan for her character than who she ended up being. i had imagined that she’d be a lot more cold and a tough love sort of person. so that’s who i was writing when she’s first introduced in the flashback, but she very quickly become a much kinder full of love sort of person. but anyways i mention this because whenever i read that first part and the introduction of her character, i’m always a bit taken aback by how like mean here character is to crown then lol

also zoar !!!! its a terrible place, but i love that underground city

i also wrote the first flashback after i had written the scene where crown and chanhee are talking at his place in andhor, so the whole “fearless” connection was done very purposefully here since i knew how it’d be referenced in the next scene. someone mentioned this small connection in their reblog but i cant remember who 

also rashi is my favorite character xD

i personally think how crown and chanhee became friends (the running thing) is so cute 

this first bit of conversation between crown and chanhee when it switches back to the present and chanhee is giving them a tour of andhor is actually quite important to me, in the sense that its the first glimpse of how their actual relationship works and how they act together and just like their dynamic despite the fact that they havent seen each other in so long 

and yeah i think kyu mentioned this and a few others, but i love how awkward it is when chanhee and crown are in his home in andhor, cause one: they havent seen each other in years! but also: anyone else find going to someone’s place for the first time oddly intimate, like wow you’re opening up your home to me and now suddenly idk how to sit or stand or what to do with my arms... maybe just me LMAO

DUDE i struggled so hard with making it so that chanhee knew how impossible this whole mission was going to be without actually revealing that he knows about the mirror. it was so hard for me, hopefully it came out alright though. if anyone is reading this, did the twist(s) come as a shock to you? did you see it coming? or did it feel like it came out of absolutely no where and not in a good way?

yes i did name the desert after the department store kohls .....

i was so excited to explain all the mage types, i had so much fun writing this whole chapter 

fun fact: there was originally another sub group of psyche mages called dream mages who had like powers with dreams and stuff, but it ended up being irrelevant and really underdeveloped so it took it out

if anyone else was raised catholic or is catholic then i’d hope you recognize the names of all the relics.... i stole them from a prayer in the rosary whoops

it took me very long time to figure out exactly how the whole soul for the relic business would work, and idk if im a 100% satisfied with what it is/how it works/how it plays into rashi giving chanhee the locket

the note new gives crown.... the first slice of their friendship blooming, bro i eat that shit up 

this part where crown and rashi are talking after the lesson is actually one of my favorites. (like i said i love rashi, but i just really love her interreacting with crown, i think they have such an interesting dynamic and one that i’ve seen irl a lot between students and teachers, where the student adores the teacher... i’ll get more into this later) but moving on, i like it for a number of reasons. one: it’s the first time we as readers get to see rashi talk outside of her role as lesson master. two: i love crown getting this validation from rashi. it’s not really expanded on a lot, but crown’s magic is definitely a bit of an insecurity for them, in the way that they don’t feel like it belongs to them. but here rashi comes, this person that crown looks up to so much, and telling crown that they’re a bit similar when it comes to having magic. and surprising crown by comforting them. and... idk i just really love this moment for crown.

okay this line: “You call your mom Rashi?” is a lowkey reference to game plan,, if anyone knows what i’m talking about then please come clown me for nearly having the entire movie memorized 

oh, i also find the capital really cool. in my head the capital was always one huge building that contains an entire city but i realized while editing that i never really explained that, so idk if i successfully described the capital as cool as it is to me 

also the five friends part.....CUTE

when chanhee says “i know. i remember.” !!! girl i felt that line with my entire chest. idk why

okay wait this part: “But that knowledge seems to fall flat right now. Because despite everything, curiosity won the war.” i love it so much, its that tiny of sliver of hope that gets me personally

i think this part where crown’s pride is so hurt by no one telling them about chanhee’s healing magic is quite important because its a glimpse of how stubborn and prideful and headstrong of a character they can be 

also this : “ ‘and do you believe everything rashi says’ / without hesitation, you answer, ‘yes, of course’ “ this is another example of how highly crown thinks of rashi while growing up, almost to a fault. to the point where crown thought rashi could do no wrong. which i think is so interesting to think about when contrasted with the fight crown and chanhee have in the jungle where crown is the one discussing how rashi was wrong. i just like how much growth crown has had between all these years. and their opinion / perspective on rashi is one of the largest indicators of that growth. 

I also just really like that paragraph where shadow vs healing is explained... I think chanhee’s magic is so sick

oh also the names thing.... I can’t remember where I got the idea to do that from but im so glad I did. its one of my favorite aspects to this world, and it looks like a lot of other people enjoyed it as well. but apart from the intimacy of it, i love how the use of names affects one’s magic. and that paragraph where they go through all that a mage could do with a name. it gives me chills. just cause.... the possibilities

so many people have mentioned this line.... but I must too, so this part: “magic always comes with a price. this is new’s” ..... crazy

saskila scares me omg

again the first vision they see is not a random scene.... the easter eggs I planted with that mwahaha

yeah that scene where they’re outside the tent discussing who should give their name to saskila..... I love that scene chanhee’s “I don’t have anyone but you” and crown deflecting all that tension with the pinky promise and the saskila calling them lovers.... mwah

this random scene about the hot summer and laying with Farah and new in the gardens is another one of my favorite, it’s just so sweet

but this next scene makes me so sad

like I know what happens and I know that everything turns out okay but I get so scared for crown

yeah just that entire part after Rashi gets to them and when they’re going to the infirmary and before crown passes out... I love that whole part. i think i did an effective job of writing the gravity of that whole moment. cause it makes me a little stunned every time I read it. and I was pretty nervous about not being able to do that scene and that moment justice so I’m glad it turned out like it did

and again this line: magic always comes with a price, and in your case, it comes with several.

okay this part after they jump out of the ship and crown is talking to Chanhee but that other dude is talking too... I hope it’s not too confusing. I really wanted to show through the writing that this was all happening at the same time, but idk it came out well. like in my mind I have such a clear picture of this scene, but I have no clue if I did effective job of showing you guys what I’m seeing through the writing

oh yeah, crowns thing about dual wielding and engulfing the blades in flames.... I find that so cool. they’re so sick for that

yeah also the part where crowns hurt and they give Chanhee their name and they use it.... great moment, but I feel like my writing is a bit lacking here. i just know it could be better.

I think at this point of writing my classes had started, and again the disparity in writing quality is so obvious to me 

but the line where chanhee is describing how it all feels, and it says “chanhee feels golden” was inspired by daylight by taylor swift, theres a line in that song that goes “i used to think love would be burning red, but its golden” and like hello the parallels between that and crown’s fire magic.... something to think about 

so this next part where it’s back to the past and crown is getting in trouble (as crown does) but the part where crown is like asking but not directly asking for rashi’s name.... that part is so crazy to me cause it’s feels so out of place. but it was purposeful. i was trying to show that crown’s growing and that they’re at this weird age where they feel invincible. and also i wanted to put more emphasis on how being royal and the heir to the throne kind of effects the relationships crown has

and the last line of this part when rashi says “never abuse it” it gives me chills whew

the next part ... another part that i had high hopes for in the outlining stages of writing, but when it came to actually writing, this scene totally flopped, i’m gonna try not to dwell on this part too much cause i just know most of my comments will be about how much i don’t like it. but just overall, this scene could have been SO MUCH BETTER !

omg this little interaction: ““Look!” Chanhee deadpans, shooting you a glare. “The match is about to begin.” / “Wish me luck.” /  “I hope you lose.”” i think its so funny and cute

“ Your eyes immediately got to Rashi “ another example of how highly crown regards rashi 

“In Wurltan.” hmmmmmm sus.... *laughs in i love mentioning things that won’t make sense to reader until later*

okay this: “Yes, but not just any mage. I…” your voice trails off, pulling at your fingers and looking anywhere but at him. “I wanted you to know.” i cannot stand these two omg 

okay this part: “Chanhee thinks and overthinks the words spoken between you both. His mind drifts off to last night as well, that moment in the tent where you shared your warmth. He doesn’t even realize he’s staring at you until you give him a funny look. He quickly looks away and wonders if you’re overthinking everything as relentlessly as he is.” this part makes me think about what ina said about how chanhee shows his love by keeping you in his thoughts and YEAH chanhee’s love language in this piece is thinking about you and staring LOL

i hate this next part, not cause i don’t like it or anything it just makes me sad 

but this line: “Like if someone shoved you from behind right now, you wouldn’t push back; you’d let yourself fall straight to the ground.” i actually love that line

also this next entire bit i see SO clearly in mind, i hope i wrote it well enough so that you all saw it clearly too

when chanhee wipes the dirt.... girl i’m wiping my tears 

this line : “We’ll lean on each other.” mini love declaration sighhhhhh

yeah that whole part i love so much 

the seat of wisdom :(((( no!!!!!

so about this line: “He stares at his palms, at all the lies buried under each nail and at all the secrets shoved in every crack. He watches as they all blow up in front of his face.” >> i had like ten different versions of it before i settled on this one lol

okay so the first part of the last past flashback with crown realizing their true feelings... so soft 

news gone, rashis’s dead, :((( it makes me so sad

gosh okay this paragraph..... “I’ve always wondered why the gods blessed me and you the way that they have. They entrusted you with such great power. The only person to be both a healing and shadow mage in centuries. And then,” a tear falls from her eye, “they entrusted you to me.” Chanhee thinks this might be the first time he’s seen Rashi cry. “But now I have reason to believe that this was no accident. I’m beginning to think that the gods have always known it would come to this. And I’m starting,” she falters there, “I’m starting to spite them for it.”  it hurts so bad im sorry 

the first confrontation with harlan took me so long to write, and i’m still not sure if i actually like it, so again i will refrain from commenting lol

but the part where crown screams : “YOU LOST THE MIRROR OF JUSTICE!”  I think i told kyu this but this line makes me laugh because in my head its said the same way bella says: “you nicknamed my daughter after the lochness monster” whenever i see that line i smile lol

honestly this argument scene..... one of my absolute faves,,, everything lina said about it in that reblog just yes!yes!yes!! i can’t even comment about a particular part because all of it i love so much. its another part that leaves me slightly speechless.

but my favorite part of it might be how it ends hehe

these next couple parts were a bit diffucult to write because obviously the air between crown and chanhee is not very light right now so it was just hard to navigate their dynamic at these moments until they apologize but hopefully it turned out alright

i really like this line: “But this moment—with the scent of Harlan’s wine under his nose and the chill of Harlan’s blade against his neck—this moment feels nothing like those. It feels empty.” 

“ Chanhee just stares at you.“ -- staring as a love language exhibit b 

this whole part... chills bro 

“Chanhee exhales because for the first time since this afternoon he looks at your face and sees you.” -- exhibit c ....

okay wait another one of my favorite parts here: the spilled glass metaphor!! again please reference lina’s rb on this because everything said there... could not have said better myself. inspired by this writing advice by ocean vuong and yeah i just think the metaphor speaks for itself, one of my favorite lines (well paragraph) from the entire piece, actually from ALL of my works 

it was so hard to think up all of yumi’s different names, i was struggling

them talking about how farah will be happy to see chanhee...... how do i break it to you crown.....she’s dead...... awkward

red streak q! yesss. also i’m so sorry for killing off farah 

also kyunyu bestiessss

tbh this whole paragraph: “I get this overwhelming burst of honesty. As if what you both speak of is more than just a simple truth, as if it’s a commandant you blindly follow. What’s even odder is that I only feel that burst when you speak of each other.” Q stops walking and turns so that he faces Chanhee directly. “You speak of Crown constantly. And last night, when I met Crown, your title never left from the tip of their tongue. Humans are so simple really. We mention what we love.” Q pauses for a moment, bringing a hand under his chin. “Do you love Crown?” --i wrote it for myself no regrets

oh wait this bit too : “Quietly, Chanhee says, “I know.” / “Have you been watching?” / “I’ve been waiting.” / “For what?” / He meets your eyes. “For you.”” -- sometimes i do things that live rent free in my own mind

okay im so sorry for just quoting myself but this too : “ He sits back slightly. Shocked. Not by his love for you, but rather by how easily love walked into his heart and settled between his lungs “

lol the part where they try fooling q... why are crown and chanhee like this

the running !!!

yeah also every part after that... tears okay

yumi’s magic !!! its so cool to me, i love it so much 

i surprisingly don’t have much to say about the end... i mean i like it, but i just don’t have any comments. the last line tho... good one shawna

okay im done for you sake i hope no one read this lmao 

[veryvincible]

Do you think you could share some of your Tony Ty youth/relationship days hcs? hehe

Yours truly,

Tys obsessed fan

Oh boy! I have been sitting on this for a few days now, because there is, uh, a lot. Also, I adore you, and I love every Ty ask I receive.

I think this post would end up far too long if I responded the way I desire to in my heart, so I’ll keep it relatively simple (edit: it did not stay relatively simple, and also it branched out slightly into other topics. This is so very long. Be warned.)

Content warnings here for psychological/emotional abuse/domestic abuse/child abuse!

I like to think they didn’t really have a “let’s get together!” moment. I think they ended up becoming close, they were casual with each other, and it just kind of... became what it became. I think they probably ended up using labels at some point, but I don’t think there was ever an official, “Would you like to go out on a date with me?” or “Would you want to be, like, boyfriends?” moment. 

I think Tony was a generally isolated kid (obviously, he gained acquaintances like Bruce and potentially Reed as he grew older, but you know) and Ty was... probably also a generally isolated kid. Ty may have had a few other “friends” around, given what we know about him; he’s certainly charismatic. I don’t think Ty would have really developed close friendships with many people, though, given that his personality seems more rotten the closer you get to him.

We don’t see a lot of their childhood together at all, so this is almost entirely shit I’ve come up with for the sake of fic writing and general note-taking for the sake of coherency with how I write Ty, but.

One thing I tend to lean toward is the idea that Ty had kind of an awful home life. This isn’t really an, “Aw, boo, so sad, what a tragic man,” sort of thing so much as it is that... I think Ty and Tony are at their most interesting when they’re contrasting forces, and the idea of Tony (a victim of abuse who broke the cycle) becoming friends with Ty (a victim of abuse who perpetuates the cycle) at a young age, not in spite of their differences but because of them, is something I really like to think about.

We don’t actually get much of Ty’s parents in canon-- they’re kind of implied to be, like, Fine Parents. They’re contrasted with Howard Stark, who pulls the shark-eat-shark business motherfucker thing and basically causes Mr. Stone’s business to, like. Drown, or whatever. You know. The contrast there is implied, and I respect that for what it is. That being said, that’s not what interesting for me to write, and as such, I’ve chosen to tweak these little details for the sake of my more personalized (and slightly more self-indulgent) fic writing experience.

I think there’s a lot of potential in considering the differences between how they act at home as opposed to how they act with each other, too. I think Home Tony is generally apprehensive and subdued, but more uncertain and anxious than outright fearful 24/7. In IM Vol. 1, Howard was shown to be unpredictable; we got to see a lot of bad, but there were also sparkling moments wherein they seemed to be bonding as a father-son duo, and Tony would actually get to work with his father and learn from his father. I think that very well could have exacerbated the anxiety he felt, because he’s not being taught to never touch anything ever-- he’s being taught that there are very specific circumstances under which he’s able to explore as he’d like to, and those circumstances are 1) virtually impossible to accurately predict and 2) subject to change at the drop of a hat. So, Tony has been shown to be at least a little bit capable of testing the waters with what he’s allowed to do in the house and what he’s not allowed to do. That doesn’t make it any less anxiety-inducing, it just makes him a tiny, tiny bit of a more active child than one who’s constantly paralyzed.

Home Ty, to me, would be the opposite-- he is fearful 24/7, and as such, his behavior as a child is kind of... flawless, at least in the eyes of parents who think that children should be seen, not heard (and sometimes not even seen). I think both of his parents were abusive-- his father more so than his mother, but certainly both of them, if only because I think it would be yet another nice contrast between him and Tony, whose mother wasn’t perfect but certainly tried harder and felt more for Tony than Howard did. I like to think Ty was kept on a very short leash at home; boundaries were predictable, there were no “glimmering moments” he could grasp onto in order to make him feel like there was ever a chance of having normal family dynamics, and he was too afraid to really... do anything about it.

In contrast, I think Boarding School Ty was probably a lot pushier, a lot more risk-taking, and generally just... took up more space. I think he was still pretty fearful of authority and nervous about punishment, but he was well aware of the fact that this was distinctly different from being at home and that most people at school didn’t give a flying fuck about him. It likely could have been both liberating and anxiety inducing for someone so used to being around people who found it important to control him. I think he was probably pretty manipulative at this point, but I don’t think it was at the point where you would point to him and go, “Oh, what a fucked up, toxic person!”, especially since he was, like... a little fucking dude. Like, a fucking young’un. But I think the seeds were sort of planted here, and given that he had no healthy relationships to model himself after, he worked off of the assumption that in order to have control as opposed to being controlled, he needed to 1) possess things, 2) protect them aggressively, and 3) make sure his authority wasn’t threatened.

Boarding School Tony (from what little we’ve seen of him, though we can imagine he was probably similar to pre-boarding school Tony for a while, just with more Issues now) was probably the opposite-- less willing to take up space and less willing to take risks. It’s not unimaginable to assume that he might have thought his (extremely) mild exploratory tendencies might have had something to do with the abandonment, and he very well could have adjusted accordingly; if him causing trouble for people was what pushed his parents to leave him, he would very simply not cause trouble. A lot of this is nabbed from Adult Tony tendencies, wherein pretty much everyone else is prioritized over himself and he’s practically incapable of finding himself worthy of anything at all.

It’s the classic “extrovert friend-adopts an introvert” trope, except... it’s a severely damaged child feeling gutsy enough to finally, finally take up space and find something to possess and control for his own for once... friend-adopting a severely damaged child who very likely feels like the best way to proceed in relationships is to very clearly identify boundaries, figure out what it is the other person wants from him, and try to adhere to those desires as much as he’s able.

Of course, canon portrays the relationship as a “friendly rivalry” that Ty takes much more seriously than Tony does. From what we’ve seen of Tony, though, Tony doesn’t actually want to be better than anyone. In fact, he tries his best to make it seem like the opposite. He treats everyone like they’re on the same level, he tries to simplify the concepts he’s explaining so no one feels inferior to him, and, generally, he just... isn’t much of a braggart. That isn’t to say competitive/proud people can’t be kind and gentle and want to level the playing field often, but in Tony’s case, it seems that competition is best for two things: 1) having two intelligent, capable people trying to outdo each other and, in the process, creating better and better technology for the betterment of society at large, and 2) lighthearted fun.

For Ty, it very clearly wasn’t just lighthearted fun, and I think most of their childhood rivalry would have become formulaic at a point: Tony would put a good amount of effort into their competitions, but if it seemed that Ty was lagging behind too much, Tony would simply back off and let things even out. I don’t think Ty was predictably a sore loser; in fact, I think he was unpredictable, and I think a part of Tony that had only known life to be unpredictable found some level of sick comfort in that.

For Tiberius Stone specifically, I tend to read more into the unintended consequences/implications of his character based on one-off lines that... weren’t really intended to say much. The story canon gives us isn’t incohesive, exactly! It’s a pretty good story, especially if you’re not hellbent on analyzing character motivations. There’s just a lot about Ty that doesn’t seem very stable. Obviously, he’s not a stable person, given that he, uh, freaked the fuck out and tried to take over the world. But when I say Ty doesn’t seem very stable, I mean his character doesn’t seem the most stable at a second glance; we’re given conflicting accounts about his motivations, his intentions, his past, and even what he’s trying to do in the moment. And some of these inconsistences can be found in dialogue from Ty’s own mouth.

Now, if you read into it from a point of view that’s canon-adjacent as opposed to canon-compliant (i.e., assuming there’s much more of a story there than canon offers, and canon’s “case closed!” for the timeline of Ty’s life isn’t actually a closed case), you can gauge not only some level of dysregulation, but also... a level of delusion, almost. Ty seems disconnected from reality, but it’s not like there’s one single alternate timeline of events that’s cohesive in his head. It feels like his view of the world and, most importantly, himself (and this is excluding dialogue wherein he’s explicitly lying to Tony in order to manipulate him).

Most notably, we can kind of gauge fluctuations in his own views of his self worth. He engages in constant competition with Tony, he refuses to come back to America after leaving until he’s more successful than Tony, and pretty much everything he does is to prove he’s better than Tony. So, he thinks he’s better than Tony, right?

Well, not really. Because so much of his life was spent with the understanding that he wasn’t better than Tony. That was the whole reason he was gone for so long. He said he’d come back once he’d beat Tony, and... he still hadn’t beaten Tony. The beginning of the narrative leads you to assume that he thinks his big victory was being richer somehow, but it was all a set-up to bait Tony into Dreamvision. He comes across like he wants to kill Tony at first, and when that doesn’t work, he wants to... keep Tony. Like a pet, almost. But he also wants Tony to... kill him?

It’s a lot. It’s messy. It’s inconsistent. And that’s kind of what’s interesting about it. It (unintentionally, probably) suggests that Ty doesn’t have consistent motivations, which is something you do see often in people who are in survival mode in environments that don’t necessarily warrant it. It suggests a psychological wound that’s easy to poke at.

Essentially, Ty just comes across as very... hurt. Which, y’know, doesn’t justify shit and doesn’t make him any better of a person, but it provides the opportunity for some interesting narratives to sprout. Figuring out all the ways that Tony could unintentionally pick at this psychological wound of his and all the ways Ty could poorly respond is neat, I think, and I feel like these kinds of narratives tend to be very... raw, I guess, is the word I’m looking for. They just kind of hit hard, especially for those who have experienced similar situations.

It’s just something that’s terribly common in abusive relationships-- any implication that the traumatized abuser is doing something wrong can be a trigger for a borderline nervous breakdown, which makes communication practically impossible and, if the victim of the abuse feels obligated to stick around or take on the role of caretaker, turns the relationship into a cycle of insecurity and misery on all fronts. That’s not to say the abuser and the victim are suffering equally or are equally justified/valid, but it is a kind of relationship dynamic that can be incredibly cathartic to both write and read, and it’s also just... I don’t know. It just, as the kids say, hits different.

So, rewinding about four paragraphs there (whoops, this is getting long), I think most of my feelings about youth/relationship days Ty/Tony kind of center around this concept of two suffering people handling their trauma in totally opposite ways. I think it’s especially interesting to look at it from the point of view of them as younger adults (or teenagers, or children) who aren’t so set in their ways quite yet. You see these redemptive qualities and you see these children and these teenagers who are so, so ready to be helped and saved and cared for, but with the knowledge that they just... don’t get that. Not for a long time, at least.

It can feel fatalistic from a narrative standpoint, and... I mean, it kind of is. There are very few circumstances under which I could see Ty getting a redemption arc of any kind, and that’s kind of what makes a younger Ty so tragic. Everything he does is born of insecurity and anger, and everything Tony does is born of insecurity and love.

I think (for a short period of time, at least), they molded each other. Ty’s anger and competitiveness only solidified Tony’s inferiority complex and Tony’s inability to really, genuinely stand up against Ty in a way that would make any lasting meaningful changes only cemented the idea in Ty’s head that this was an acceptable way to be.

Now that that’s out of the way, here are some more simple and concise headcanons, because you asked for them and I’m sorry this became so terribly long and broke off in so many different directions:

- I think Tony and Ty bickered a lot as they got older. I don’t think Tony was totally incapable of standing up for himself, but I do think Tony probably had a tendency to call Ty out in the moment, and when Ty became too agitated and too unreasonable, Tony just left it alone and let it settle. 

- I think Ty can play house extremely well. He probably remembers all of Tony’s favorite foods, favorite songs, favorite fabrics, favorite... I don’t know what other favorite things you could have, but you get my point. I don’t think he always used this information, but I think it would be incredibly important for him to know how to make someone feel loved, even if he didn’t always employ these methods (and in some cases, may have actively withheld certain kindnesses as acts of pettiness). I think it was also incredibly important for him to know Tony’s dislikes, for... obvious reasons.

- As I said before, I think Ty had a tendency to become terribly dysregulated; I think he was more than capable of both premeditated manipulation and unintentional manipulation. I think he very likely could have fallen into a spiral of thoughts that could make it pretty clear just how easily his self worth and his view of Tony’s worth fluctuated. 

- Tony’s just... a stronger person than Ty. That’s a given. That’s been proven. And I think a lot of Tony’s willingness to put up with Ty would have come from this idea that he was more resilient and Ty was more fragile and volatile, so if Ty needed to take shit out on him every so often, that was fair enough.

- Another factor that may have played into Tony’s tolerance of Ty’s behavior in their youth (which, again, wasn’t nearly as awful as what Ty did as a grown ass man, given how Tony responded to Ty post-Dreamvision and how he pretty much immediately broke things off-- though, I very much enjoy the concept of Tony making some effort to make amends and Ty failing to meet him in the middle yet again) could have been the fact that it feels like Ty probably didn’t have a lot of other friends at all, especially not close friends. I think Tony would very much carry the weight of this “Maybe I’m the only person in the world who loves him” mindset. He values human life quite a bit, and I believe that even on a less intimate scale, if Tony tried to view the situation through the perspective of an outsider, he would still feel terribly, terribly saddened by the very human tragedy of being forced to take more than you can reasonably handle and becoming difficult to redeem as a result of this-- not because there’s no good left in you, but because you’re so frightened by the idea of even touching the trauma that you can’t force yourself to acknowledge you have a problem to begin with.

- I don’t think Ty feels the same comfort and warmth from physical contact that most people do, not because of anything innate (i.e. a natural preference), but because the only physical contact he received for a long, long time was, uh... Awful! That being said, I think he enjoys physical contact on the basis of being the center of attention, and he probably initiated physical contact quite a bit. I think Tony’s very big on physical contact, and Ty would very much play into Tony’s preferences here, too. Just to make himself seem like a better, more attentive boyf.

- This one is less tragic-- I think Ty and Tony get pretentious together! While I adore in-canon comparisons between Tony and the rest of high society, I also think a long-forgotten part of Tony’s character in fanon is the fact that he really does fit in with a more yacht-having crowd just as much as he fits in with your average Joes. He was raised by them and with them, after all, and his education was shaped by this. Of course he doesn’t love a lot of the culture around it, but with regards to the more harmless aspects of being a privileged kid in the environment he was in (the experiences one might have that aren’t inherently negative, that is, like having certain extracurriculars or being exposed to certain educational content), I think Ty and Tony really mesh here. Tony’s sense of humor with Ty would be totally different from his sense of humor with someone like Steve, which would also be totally different from his sense of humor with someone like Rumiko. Tony’s incredibly well-rounded, and I think he could match Ty’s Classics-loving, borderline classical theater kid tendencies very well.

- This one is 100% headcanon, based on virtually nothing other than, like, one comic panel... that isn’t even awesome evidence. It’s just a personal hc. I think Ty’s gay. Like, obviously, he’s gay for Tony, w/e. But I think Ty’s gay as in, Ty is exclusively attracted to men. The only women he ever had eyes for (or showed interest in) were the women that Tony had shown interest in/dated first, implying that there’s more of a possessive/competitive aspect than anything really... genuine. Of course, that doesn’t mean he can’t be bi, pan, or anything else (or straight, obviously, but this whole post is about him and a guy he likes to fuck, so that doesn’t really fit into the theme, here), but I prefer to write him as someone who’s only really interested in men (Tony specifically), and I prefer to write Tony as a bisexual man with a preference for women. This wasn’t really intended to be a big contrast between them; I had the headcanon for Tony already set in stone (haha), and for a long while I wrote Ty as a bi man, but recently I’ve kind of shifted things around to better accommodate my feelings about these characters.

- I love, love, love tattooed Ty. Get this man a quote in Latin on the base of his neck. Get this man some symbolic tattoos. Let this man be a poet who simultaneously wants to appear profound for appearances and wants to have these symbols on his body just because he likes them, and he likes to look at them, and they feel reflective of who he is. I have very specific Ty tattoo thoughts that I do not remember at all, but this is the gist of it.

- I think Ty handles the “normal” adventurous stuff, but he’s far more of a, uh... I don’t know, a pussy? than Tony is. Tony deals with actual threats; Ty deals with fake, stupid threats. Ty is the guy who rids the dorms of cockroaches when Tony’s too afraid to and Tony is the guy who handles home invasions.

- I think the vast majority of Ty’s abuse is emotional/psychological, not only because this is what comes most naturally to him and it’s easy for him to fall into these manipulative tendencies without necessarily thinking about it, but also because physical abuse would cross a line for him in his head that would be very difficult to ignore. I think, if you take into consideration how volatile he seems, his flip-flopping back and forth between how he feels about both himself and Tony could become more exaggerated and more severe, possibly leading to an irreversible breakdown of his psyche. I think there could very well be an, “Oh, I’ve become my father” moment if that were to happen, which is exactly why it doesn’t happen. Ty’s too wrapped up in this idea that, so long as he doesn’t cross that line, everything he does can still be justified. Which is garbage.

- Tiberius did not like Sunset Bain. Sunset Bain did not like Tiberius. 

There’s a lot more that comes to mind, but this is already upwards of 30 paragraphs, and I, uh. Do not want to make this longer than it already is! So, do with that what you will.

Again, obligatory note here that this is canon-adjacent and canon-inspired, but not an analysis of canon material in the sense that I’m attempting to pick apart what the intents of the writers were. What canon provides is much more straightforward. These are headcanons, this is for funsies, and a lot of less important background details have been tweaked for the sake of the narratives that I, as a fanfic writer, would like to write and see written.

Thank you so much for the ask! This was legitimately so nice to write. I rarely ever get to spam about this, which is very likely why there’s just so much text every time I receive an ask like this, but. Again, it was very nice and I’m very grateful for you, anon.

[ryttu3k]

Part 2 of my season 12 reaction posts! Find part 1 (Resolution of the Daleks to Fugitive of the Judoon) here!

Praxeus

Thoughts on Doctor Who - Praxeus!

OKAY FIRST. THANK YOU, SHOW, FOR FIXING A BIG ISSUE I HAD WITH THE FIRST SEASON. So they were doing a thing where they’d introduce incidentally queer characters, have a female character mention her wife, stuff like that, only for them to die. This episode had Jake and Adam, married/separated/it’s complicated couple, who face huge amounts of danger, who both come close to dying, but who survive! And have a Big Damn Kiss! And walk off together holding hands! They survived!!

Plotwise, I enjoyed it a ton while watching, although in retrospect it did feel a bit free of danger. The companions were never in true peril because the Doctor can home in on them automatically, and we never got the true scale of the risk of infection, since the only people we saw get infected were in isolated areas. I would have liked to see, for instance, the threat of Praxeus spreading beyond just the very Hitchcockian birds; all of the peril was on an individual level.

Good message, if unsubtle. Mind you, that’s kind of Doctor Who’s thing, and it pisses off conservatives, so all for it, really XD (They must have loved the core relationship in this episode, too!) Like. Subtle doesn’t work. There are literally climate change deniers that exist. Sometimes you actually do have to tell a message with all the finesse of a sledgehammer because .

(Side note, I was deeply concerned when I saw the cowriter was the guy who did the hot mess that was Kerblam!, so at least this was just an unsubtle and kind of questionably written story instead of an actively harmful one.)

The companions: Ryan seems a fair bit more confident on his own? His initial scenes with Gabriela showed that he’s starting to work well even without backup, and picking up the bird proved to be a damn good call. Yaz and Graham were a fun pair, and Yaz got a lot to do when she and Gabriela (again!) got to explore, and I can definitely understand the conflict between curiosity/doing what’s right and safety when it came to the teleport scene. She does seem to be bordering on the reckless. Intriguing!

Minor plot snag - Graham knows how to set up an IV, presumably because of the shitload of time he spent in hospital! …And yet he doesn’t know what a pathogen is?

Friend note!

“fun fact about graham seemingly not knowing what a pathogen is! in my reading of the scene, i saw it as graham knowing what one was. with "Well, I’m glad you asked that…!” he seems like he’s actually sort of pleased with himself, like he’s about to launch into an explanation, and then IIRC there’s a very brief shot at Ryan giving him a Look and Graham immediately changes tone to “…cause I didn’t want to look stupid.” he immediately changes from boosting his own ego to bolstering ryans and im love"

In which case, good shit gooood shit.

SFX - the infection was creepy as shit. The very obviously puppet bird near the lab was hilariously bad.

Apparently the filming was tricky because it was super windy so all the shorts of Thirteen with her hair Like That weren’t planned, it just kind of happened. Love a fluffy ruffled Thirteen.

So anyway. People calling for more plot focus - literally this is the Doctor trying to distract herself and not focus on the plot! This is her avoidance tactic! Emotional honesty? Who’s she? She’ll get back to it eventually, but for now she needs a distraction after being punched in the emotions. Give her that for one episode, c'mon.

Ryan: “…I do a lot of running.”

Graham: “Whatever is giving off those weird readings… is on the other side of that wall!” Yaz: *silently turns scanner around* Graham, not skipping a beat: “…is on the other side of that door!”

Yaz: “I don’t want you to panic, but… we followed one of those things through a teleport and now I think we’re on an alien planet.” Thirteen: “…well, you don’t do things by halves!”

Thirteen: “That’s why you smell of dead bird! I thought you’d changed your shower gel.”

Thirteen: “I’m having half a thought. Ooh, this one tickles!”

Thirteen: “What can I say? I’m a romantic~”

In conclusion, Doctor Who said gay rights.

-

Can You Hear Me?

Thoughts on Doctor Who - Can You Hear Me?

Trigger warning for discussion of depression and suicide.

You know you're in for a wild ride when iView warns for horror themes instead of science fiction themes.

Overall: at first impression, it felt sort of mashed together? There's 14th century Aleppo, and there's 21st century Sheffield, and there's a deep space station, and there's creepy monsters and dream villains; I do kind of wonder why Zellin targeted a random girl in Aleppo as source for his pet monster, although targeting people like Ryan's best friend makes sense if he's deliberately trying to lure the Doctor to him.

The theme, on the other hand, of mental health resiliance and reaching out, was done incredibly well. Oh yeah there'll be more comments about it - the Guardian described it as 'adventures in Wokeness' - but damn, sometimes you need to hear it. I loved getting more of Yaz' backstory, about being a desperate teenage runaway at the point of being suicidal, and her reunion with the older woman legitimately made me tear up.

But like, goddamn. Her nightmare - she's still hearing that. She's still hearing her sister saying that she should "do it right this time" and that this time she won't call and that no one is coming and holy fuck. God this makes so many of Yaz' scenes incredibly painful in retrospect, knowing that she was at that point only three years before and that she's still dreaming that shit! It makes her recklessness terrifying!

Ryan's nightmare, and his experience with Tibo - it's quite reflective of the Doctor, too. She wasn't there, and Gallifrey burnt. And Ryan is realising this now, and really thinking about the potential future in Orphan 55. I think this is absolutely foreshadowing Ryan leaving at the end of the season (there's been a lot of speculation given Tosin's new TV role), and I think Ryan and Yaz' discussion at the end of the episode was a definite hint in the direction of Ryan choosing to going back to Earth.

Would have really liked Graham, during his talk with the Doctor, to gently remind her that she can talk about her own problems, although I can understand the narrative choice on why she didn't (although, yeah, would have been good for Graham to ask). Because, yeah, if anyone needs a sympathetic ear (...sans fingers) or a shoulder to lean on, it's her!! The entire theme of this episode was like... reaching out. Conquering your fears with the help of others. Sharing your fears to lessen them. Getting help. And the Doctor deliberately... not doing that makes it into an actual Thing that I think is going to seriously be addressed by the end of the season.

It's been such an ongoing theme. A bunch of episodes have started with an obviously depressed Doctor. The Fam has tried to raise the issue multiple times and have discussed it amongst themselves even more. Scenes like Yaz' reaction after being abducted in Spyfall (...which makes her, "I thought I was dead" part even more worrying) and being comforted by Ryan, not the Doctor... her whole reaction to Graham being like, "I'm glad you talked to me but I literally can't do the same in return" - if it's not addressed by the end of this season, it's at least going to have to be an ongoing theme, because it's becoming very deliberate now.

An interesting note: the actor who played Zellin (an immortal manipulator of nightmares) also voiced the Remnants (who were the first to mention the Timeless Child in The Ghost Monument). Coincidence or deliberate?

Assorted thoughts:

"I'm still quite socially awkward." There's socially awkward and there's emotionally repressed... (I saw a description of it on Tumblr as 'weaponised dissociation' and... yeah. And also yikes.) Also the way she was so closed in on herself, basically hugging her arms to her body! On a semi-related note, talking to herself in Aleppo was a bit depressing. Like it's continuing the theme of The Doctor Does Not Like Being Alone.

The finger thing - ew ew ew ew it's in their EARS ewww D:

Stylistic comment: the traditionally-styled animation for the Immortals' game was gorgeous.

"Try not freak out, yeah, but you're on a floating space platform trapped in a gravitational pull between two colliding planets."

"Thanks for lending a helping hand!" Companions just being, "...Doctor p l s."

On an old lore note, loved the callback to Eternals, Guardians, and the Toymaker! On a concerning note, man, the Doctor has so many issues with immortals. They abandoned Jack, there was the punishment they gave the Family of Blood, they had those Issues with Ashildr (from what I've read), now this, an eternal punishment with no chance of redemption, perhaps because she knows what immortality does? Parallels with the Doctor as quasi-immortal too, which Zellin even pointed out.

"You're wrong about humans. They're not pathetic. They're magnificent. They live with their fears, doubts, guilt. They face them down everyday and they prevail. That's not weakness. That's strength. That's what humanity is."

(Contrast: "That's what humanity is." The Doctor isn't human. She's not prevailing against her fears, doubts, and guilt.)

In conclusion, literally everyone but the creepy immortals needs a hug.

-

The Haunting of Villa Diodati

Thoughts on Doctor Who - The Haunting Of Villa Diodati!

tfw you think you're just going to get a nice spoopy historical and instead get major plot?

Overall impression: Well, Jack is going to be pretty miffed, given that the Doctor had to do precisely what he didn't want to happen - giving the Lone Cyberman what it wanted. To save Shelley, and also to save the future, although that does bring up the question on if the death of one person can rewrite the future, why doesn't that apply to literally everyone? Fletcher the valet and Elise the nurse died too, do their deaths have the same impact? Either way, the Doctor takes the Cyberium for herself - then realises that the Cybermen are inevitable, and returns it. And now she's trying to go and stop them. So... a bit conflicting in the message there, I think.

Yeah. Bit of a Trolley Problem there.

The characters were really fun. I did enjoy seeing Mary's sense of morbidness, but also her kindness and sympathy towards the Cyberman; you can see the foundations of Frankenstein there. I'm seeing some criticism of how Byron was portrayed as a coward, but eh. Nice little callback to Ada. Also I love how one of the rules was 'no one snog Byron'. Put that dirty boy back, you don't know where he's been! Glad Claire realised that too, although historically, she was already pregnant with his daughter at that point (and that didn't go well at all)... Either way. Good display of all these bright young reckless things.

(And yes, they were young. Byron was the eldest at 28. Shelley was 23, Polidori was 20, Mary and Claire were just 18. And while Claire lived to 80 and Mary to her 50s, the three men all died young, too - Byron at 36, Shelley at 29 - yes, from drowning, Polidori at just 25. Also wasn't mentioned that Polidori also created something on that Dark And Stormy Night along with Mary's Frankenstein - he wrote The Vampyre, the first modern vampire story!)

The Lone Cyberman (and I am deliberately using that instead of 'Ashad') - creepy as shit. Not just the whole Frankenstein look, but the way he acted! Not emotionless and blank, but actively manipulative and sadistic! Mary showed empathy and he actively threw it back in her face! I mean, yikes.

House was terrific and also spooky as hell. (Am lowkey miffed that no one went "VIBE CHECK!") The jumbled layout was quite Castrovalva, and I actually really dig that Graham got to see some actual ghosts. Ghostly sandwiches!

I think we got actual confirmation here that Yaz does have feelings for the Doctor? (Bleeding Cool News is pretty sure that it was for Ryan, but... lmao no.) BBCA twitter certainly thinks so!

Claire: "His answers only increase the enigma." Yaz: "I know someone like that." Claire: "This enigmatic person of yours... would you trade them for reliable and dull?" Yaz: "My person's a bit different..."

I MEAN.

(It got deleted. So. There is that.)

Thirteen: "Hmm. Fourteenth... no. Fifteenth century... touch more umami." (Doctor, have you been playing Detroit: Become Human again?)

Mary: "I don't think they're really from the colonies!" Byron: "No, she... is from somewhere much, much stranger." Polidori: "The North."

Thirteen: "YOU HAD ONE JOB."

Cyberman: "You appear courageous. But your vital signs betray a heightened state of anxiety." Thirteen: "Or as I like to call it... Tuesday."

Thirteen: "Yeah, 'cause sometimes this team structure isn't flat. It's mountainous, with me at the summit, in the stratosphere, alone. Left to choose. Save the poet, save the universe. Watch people burn now, or tomorrow. Sometimes even I can't win."

Claire: "You pursued Mrs Doctor without a care for my presence, belittled my thoughts and opinions... and then proceeded to use my person as a human shield." Byron: "...And?" Claire: "And the spell is broken... my lord." Polidori's face: "haha you fucked up dude"

Next week: Shit Hits The Fan.

-

Ascension of the Cybermen

In lieu of a proper post for Ascension of the Cybermen, here are a list of questions we need an answer for.

Will Graham and Yaz survive, on a giant carrier full of Cybermen?

Who is Brendan, and what is his relevance to the story?

What is the Boundary?

How is Gallifrey in the Boundary?

How was the Master in Gallifrey, and not trapped by the Kasaavin?

Who is Ko Sharmus and why am I getting Yana vibes?

Who is Ashad and what is his story? (And why is his theme such a literal banger?)

Is he an actual Cyberman? Because I'm totally getting this impression he's human in armour?

How did Brendan survive being shot, and why did his non-ageing father and mentor do that?

Why did it look like a chameleon arch?

Is Ethan's tech-savvy just warzone familiarity or something more sinister?

Are there any other large human populations left?

Was I detecting a hint of romantic tension between Graham and Ravio?

What's up with Yaz?

Why did the Cyberium get sent to that time period?

Who or what is this alliance Jack is a part of?

How do the Time Lords and the lie of the Timeless Child come into it?

WHO THE FUCK IS BRENDAN?

-

The Timeless Children

WELL THEN.

While I gather proper thoughts on The Timeless Children, here are the questions I had from Ascension of the Cybermen, now with answers!

Will Graham and Yaz survive, on a giant carrier full of Cybermen?

Yup! Disguises for the win!

Who is Brendan, and what is his relevance to the story?

Brendan is a filtered overlay memory of one of the Doctor's former lives.

What is the Boundary?

An anomaly, as far as I can tell.

How is Gallifrey in the Boundary?

No idea!

How was the Master in Gallifrey, and not trapped by the Kasaavin?

No idea!

Who is Ko Sharmus and why am I getting Yana vibes?

A big damn hero.

Who is Ashad and what is his story? (And why is his theme such a literal banger?)

We're still not actually sure. Either way, he's an action figure now.

Is he an actual Cyberman? Because I'm totally getting this impression he's human in armour?

Yeah, sort of.

How did Brendan survive being shot, and why did his non-ageing father and mentor do that?

Because Time Lords.

Why did it look like a chameleon arch?

It's probably related technology! If the chameleon arch rewrites memories, this one just wipes them.

Is Ethan's tech-savvy just warzone familiarity or something more sinister?

Just warzone familiarity. Poor li'l bean.

Are there any other large human populations left?

Possibly! If the Boundary really did send them to random places, there still could be surviving pockets elsewhere in the universe.

Was I detecting a hint of romantic tension between Graham and Ravio?

Maybe a bit XD And now they're all on Earth, who knows?

What's up with Yaz?

Who knows?

Why did the Cyberium get sent to that time period?

Ko Sharmus sent it. Didn't send it far enough.

Who or what is this alliance Jack is a part of?

Same organisation Ko Sharmus is part of. Also, young!Ko Sharmus/Jack please.

How do the Time Lords and the lie of the Timeless Child come into it?

In so many ways.

WHO THE FUCK IS BRENDAN?

The Doctor!

More thoughts later!

-

Thoughts on Doctor Who - The Timeless Children.

...Actually, first thought is the title. Timeless Children? Hmm.

Anyway. That is... sure a literally mind-blowing revelation for the Doctor, yes! Like, damn, the discovery that you're not even the species you thought you were, that your adoptive parent spent lifetimes abusing and experimenting on you, that your memories were routinely erased by people you thought you could trust (including your adoptive parent), that you're literally the progenitor for your entire species, that you've lost who knows how much time and who knows how many memories... yeah. Damn.

What's an appropriate birthday present for someone turning ten million?

Also, huh. Amidst all the old lore and casual mentions (like Borusa!) that got mentioned - were they taking hints from the Cartmel master plan? About the Doctor being some kind of founding figure for Gallifrey? Not exactly written as Cartmel had it, but that big main concept of the Doctor as a sort of... foundation piece of Time Lord culture was still actually there.

Brain of Morbius Doctors confirmed, I guess. I guess even Four was going, "...the fuck?"

Cybermen = still scary. Regenerating Cybermen = felt somehow obscene. Like, no, that's just fundamentally not right. Like the TARDIS responding to Jack by noping the fuck out kind of not right. God. And the Master was completely and utterly magnificently batshit, like, more than usual, come on, dude, you know they'd kill or convert you the second you turned your back.

Still. Deeply, deeply entertaining to watch just from a villain perspective, completely Chaotic, and like... I do understand where he was coming from? His entire life is a lie. His entire life is because of the Doctor, who, I think it's fair to say, he has Complicated Feelings regarding. (Their entire interaction this episode was a giant power play. Like damn guys just get into BDSM and leave the would-be genocide and universal takeover.)

Tecteun = Rassilon, I'm assuming. Goddamn. Like they were a pompous abusive asshole from the outset, this just kind of makes it worse. I also wonder if Rassilon chose the Master specifically to get the drums because he was friends with the Doctor? That actually may have been something the Master worked out himself, too. I mean, I'd be pissed off as well :-\

Also, how many people know about this? I assume Gat knew, since she was implied to be responsible for the mind wipes, but was it like... a super tightly-held secret or was it something a lot of higher-ups knew? Because that's fucked up tbh

Thought on the Master. Okay, he's hugely furious that he's been lied to, that the entire origin of his people is based on a lie, that his greatest friendrivalloveenemy is incredibly special and that a part of her is in him and not in the fun way, but like... I'm also wondering if he's looking at the Time Lords, the way they turned him into their puppet, how they drove him insane for their own purposes, then looked at the Doctor - someone who has also been used, abused, experimented on, manipulated, controlled, and went, "No. This is an injustice and the Time Lords need to be punished for it."

Oh, saw a nice theory regarding the TARDISes - Ruth!Doctor had the original busted police box TARDIS. When she was eventually taken in to be mind-erased, they sent the TARDIS off to storage to be eventually repaired. The Doctor manages to steal that one, goes to Earth, and it immediately gets stuck again because it's still broken. Explains how Ruth!Doctor can have the police box while also being pre-everything.

I really want the Doctor and Jack to sit down and have a nice chat about being timeless undying constants of the universe. Also for Jack to get one of the spare TARDISes around. Be kinda funny if he got the Master's old one, given the Year That Never Was, but it really is just sitting there. (Poor TARDIS stuck as a tree on a random wartorn planet in the far future, though!)

Also, Jodie was fucking magnificent in this episode. The hurt, the absolute fury, the almost glee when she's telling the Master he can't break her, her refusal to press the button at the end (so much like Nine's "coward or killer?" moment!)... just... so good.

Beautiful post I saw here on Tumblr - the Doctor as the Timeless Child, making the choice to help.

Amazing post here on Tumblr about abuse and repressed memories. Even if the Doctor doesn't remember it all, the abuse they underwent at the hands of a beloved parent figure still informs a hell of a lot of their behaviour, but it doesn't define them. The Doctor's need to run = informed by abuse. The Doctor's desire to help crying children = informed by abuse. The Doctor being an inherently good person = being their own person, no matter what their upbringing, no matter what their past was. They made the choice to be the Doctor, and that's a hell of an important thing.

Extremely painful post I saw on Tumblr about the Doctor being 'hip with the kids' by calling her companions her Fam but hell if they're not more family to her than her actual adoptive mother ow my heart.

Also, the scene between Yaz and Graham was so sweet <3 I do want to see Yaz, at some point, admit that sometimes she's so terrified she can barely move, and to tell him what she came so close to doing when she was sixteen, and Graham to just go, "Yeah, but you keep going." Also I'm trying not to think about how Yaz would respond to the Doctor going off on a suicide mission when Yaz was suicidal just three years earlier because ow my heart. She knows that Ko Sharmus went after her, she knows the Doctor might be alive, but either way, she's just seen someone she loves leave with the intention of dying (and Ko Sharmus too, actually). Someone please give her a hug. Actually please just let the Fam have a big group hug in general.

"Have you ever been limited by who you were before?" "Huh. Now that does sound like me talking."

So, remaining questions to be answered next season!

What actually is the Doctor? Since they were found near the Boundary, they could be from anywhere. It's fair to say they now are recognised genetically as a Time Lord, but what were they originally, why were they abandoned in the first place, and are there any more of their original people out there?

How do the Remnants know about the Timeless Child, or were they just picking up on that unconscious knowledge from the Doctor's own mind?

Like... we're generally under agreement that the Master, the eternal cockroach, survived, right? Despite definitely being lowkey suicidal like oh, was hoping the Death Particle would kill me? Like the Death Particle was made by the Cyberium, it could have gone, "Nah, keeping this one."

What's going on with the Kasaavin? Remember them? Still out there, stationed all through time and space? And are we going to see Daniel Barton again?

Is something going on with Yaz?

Will the Fam stay on? (I personally think Ryan will elect to stay on Earth to account for Tosin Cole's new TV role, and if Graham and Ravio enter a relationship, he might too.)

When will we see Jack again? If he was connected to the Lone Cyberman arc, that seems... pretty conclusively finished, unless we're going to learn more about it?

Is it Christmas yet?

............so the Christmas/NY special is going to start with Jack using his vortex manipulator to bust the Doctor out of prison and get back to the Fam and it'll never be mentioned again, right.

"At least buy me diNNER!!"

[gayregis]

in voice of reason do you think Geralt was justified in calling Yennefer “too possessive”? what did you think of nennekes response?

ok im splitting this into two parts for the two questions!!

PART ONE: do you think Geralt was justified in calling Yennefer “too possessive”?

well, i think that sapkowski didn’t really have the lore of every single detail down-pat yet. he changes much later on - for example, in a question of price, geralt is referred to as a child surprise, but in the sword of destiny in something more, geralt clarifies to calanthe that mousesack got his facts wrong... this is sapkowski is behind the scenes retconning it.

other things also are changed, like i think it’s weird how vereena is just referred to as vereena when mr emiel regis rohellec terzieff godefroy pops up later in baptism of fire and says his name is in accordance with vampire tradition, and also vereena can turn into a bat and fly even though it’s midday (iirc... the time isn’t specified, but it’s assumedly midday?) when regis states that he can only turn into a bat and fly during the full moon, and not before midnight at that. of course vampires are such an irrelevant little detail, a footnote in the actual story, but it’s something to keep in mind that sometimes sapkowski loses consistency in his own lore inbetween books. 

i think he also stated that geralt and yennefer spent 6 months together in vengerberg, but this was later changed to a year, and then to four years... so i’m not sure how much he had conceptualized of yennefer as a character and yennefer and geralt’s relationship by this time of writing and publishing the last wish. he might have just had geralt say that yennefer was too posessive because he needed a reason for them to be broken up at this moment.

but for the sake of simplicity, let’s say that this is fully what sapkowski intended to write and convey about yennefer - it’s on the page, after all. firstly, i think that geralt is a whiny pissbaby. he just is. especially at this point in the books. he complains about everything, nothing is ever right, the entire world is out to get him and mock him. so i am inclined to not exactly believe him 100% when he complains about things being too anything, of course he would find everything too anything, he’s so sensitive, he’s geralt of rivia.

i need to analyze what it means to be called “posessive” in a relationship. and i don’t know what the original word used was, perhaps it was something more specific, as is sometimes the case with the translation. does it mean that yennefer didn’t want geralt to be looking at other women, that she wanted him to remain monogamous, and he didn’t want to be monogamous? does it mean that she was controlling of his actions? i think these are kind of both in character, i wouldn’t agree with geralt in calling her “posessive” due to the actual look at yennefer’s character that we get later on, but canonically, yennefer did want monogamy from geralt. and canonically, she did influence his behavior a lot, at least in style of manner and dress, for example she taught him how to eat chicken with a knife and fork and also dresses him for the event on thanedd. i don’t think these are necessarily negative things, it depends on how the level of willingness of geralt to be treated like this, it just depends on if he likes it or not. 

but let’s actually look at instances in which yennefer could be called “posessive” - for me, specific scenes in blood of elves and lady of the lake pop up. the first thing that comes to my mind is that triss betrayed her and used magic on geralt to sleep with him... which, obviously, is dubious consent, which means possibly no consent at all... and so, yes, yennefer has the right to be upset at triss and, depending on the context (it’s vague if geralt consented or not) possible geralt. i don’t think this is her being possessive, saying “geralt belongs to ME,” but rather, why would my best friend and my boyfriend go behind my back to sleep together? it's just one of those things you don’t do, as a best friend. it’s disrespectful. and this tension between yennefer and triss continues throughout the series, the last hostility between them in the series is yennefer threatening to snatch her by her ginger locks if she goes after her man - which i find to be just sort of a catfight sapkowski wrote in, owing to his personal biases and view of how women interact with one another. but also, in context, yennefer has just been through hell to get ciri and geralt back and safe, and triss has already gone after ciri to steal her with the lodge, and since yennefer and geralt are actually sincerely in a commited relationship by this point, i think it’s justified for yennefer to be upset at the thought of triss trying to get geralt to cheat on her again. and also, it’s sort of humorous because of how insanely much yennefer has just been through, but sapkowski allows her to have this sort of petty drama throwaway line, it contrasts with her deep character development that she just received in these last two books, and due to that, it’s funny.

speaking of best friends... the next scene that pops into my head relating to yennefer being “posessive” is when she speaks with dandelion at the beginning of blood of elves. i think a “posessive” lover would be one to try and ruin the relationships that their lover has with other individuals: friendships, family, etc. but in this scene, she’s so nice to dandelion! she’s very respectful, even when she’s hurt. and she tells him she respects him and thanks him for being there for geralt. that’s not posessive, that’s entirely the opposite - accepting that even if you don’t really like your significant other’s friends, that they like their friends, and you have to respect that relationship. yennefer could literally just threaten or kill dandelion if she was posessive and wanted him out of geralt’s life, but instead she is grateful to him for being there for geralt when she couldn’t / in a way that she couldn’t. and, in this same scene, she says that she has gone to kaer morhen as a a guest many times, never uninvited, so that confirms that she also has a good relaitonship with the other witchers of kaer morhen, geralt’s family, and doesn’t try to limit geralt’s interactions with them. she’s quite supportive of geralt’s relationships beyond her.

and finally, let’s go to the end of blood of elves, in the scenes where she becomes a teacher and mother to ciri... in the beginning, she is actually upset because she is being possessive of geralt - she resents ciri because she feels that geralt’s attention has been divided between the two of them, that because geralt has this kid now, he’s forgotten about her... but nenneke rebukes her for this, and then she realizes that that’s an incredibly immature way to behave. and she becomes a better person, she changes from her initial petty behavior and becomes a wonderful, selfless mother to ciri. in the end, she wasn’t possessive at all.

so, i don’t think that yennefer is actually “possessive,” she kind of just wants to be respected as a human being and also as geralt’s lover. geralt, in a little sacrifice, realizes that he hasn’t exactly respected yennefer, because of his own insecurities, he believed that she didn’t really fall so deeply in love with him, and that he couldn’t love her back, but she did, and he did. so his perspective changes in this moment... but of course, the voice of reason occurs way before this, when he is still acting immaturely. yennefer and geralt as characters develop together and sometimes as a result from one another. in the beginning, they’re both incredibly insecure people and that insecurity has made them act immature. but over the course of the series, they learn and grow.

in this moment, i don’t think geralt was justified to call yennefer “posessive,” because over the course of the series we see that she isn’t, but it is in character for him to say so.

PART TWO: what did you think of nennekes response?

nenneke responds to geralt by saying she’s not his mom and he shouldn’t be voicing his relationship complaints to her, and that if he has something to say or give to yennefer, he needs to do it himself.

i like this response, primarily because she urges geralt to act responsibly and maturely. geralt is, as i said, immature at this point in the books, and also is not quite experienced in love and relationships... so he is acting indirectly, almost cowardly - like breaking up over text message, or asking someone else to ask the girl in class if she likes you. it’s just like, do it yourself! have some confidence! but this is the edge to how much geralt respects yennefer and values her... he doesn’t want to do the wrong thing and offend her, so that he does the cowardly thing instead, and ends up offending her after all - i mean, leaving a flower on the nightstand? come on, dude...

geralt NEEDS someone to be the voice of reason and tell him to snap out of it, yennefer is just another person like anyone else, and you need to be direct with her. if you’re sorry, then say sorry! don’t try to give her vague presents to make up for it. that’s not how relationships work.

what i find funny and ironic is that as nenneke urges geralt to act mature and respectably, she tells him she’s not his mother in the same breath - even though this is exactly what a mother does. i think this was intentional on sapkowski’s part, since nenneke is so obviously a mother figure to geralt, having her say “i’m not your mother” aloud is something that needed to be said, because even though he sees her as one and they have this kind of mother-child relationship, she’s not. or, on the other hand, she is, and by her denying it, it’s just meant to be ironic to the audience, who understands that she is geralt’s mother but can never admit that to him.