TIRED OF THIS BODY
REPOST CAUSE I FORGOT THE TAGS
happy birthday to my guy ever. horrors time babey
not much process discussion but there’s a sketch and some rambling utc
i struggle a lot with coming up for ideas for him cause there’s so much i wanna convey and so many ideas that i can never put down. i had a concept in mind but i ended up procrastinating and figured i wouldn’t have the time to execute it, plus the images i picture in my mind usually don’t end up being super correct anatomy/perspective wise so it’s hard to recreate what im thinking. it was much more complex than what i ended up going with and im trying to make some of my works simpler as well, as i feel like i tend to crowd a lot of imagery and symbolism together which makes it hard to digest.
i realized i haven’t done any drawings with strong yellow lighting before so i wanted to try it out. i think it turned out well but for some reason when i added the blood all i could think of was minions. its not even close to their kind of yellow idk what’s happening lmao. i’ve been having fun just letting my work be messy and it helps me loosen up and add more motion to the piece. the only problem is messy work = messy sketches and there were a lot of things i completely forgot when i did my flat colours on top of the sketch. like when i drew the hands he only had 4 fingers on each hand??? i even had a photo reference that i took myself LMAO but maybe i was just tired when i drew it. proportions were a real puzzle with this one, especially with the nose. i just couldn’t get the angle right… and dont even get me started on the teeth 😨 never drew those before!!
anyways i wasn’t thinking much on this one i just wanted to draw a gun. i’ve discovered i really enjoy drawing guns (at least revolvers.) so maybe more of those in the future
that’s it!! thank you for reading :]
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He takes his whiskey neat
A/N: Look, I think i was possessed while writing this one /j. It was like 1 am and I was procrastination on college work, I dunno what happened but this is the ungodly spawn of my imagination mixed with sleep deprivation, caffeine and stress. Enjoy and don't question it too much
Contents: Ford Pines x reader, pinning (lots of pining), I pictured reader in their late 40s to early 50s so there is an age gap but nothing extreme. There's some plot in those holes. uhhh lots of tension and no payoff because im pretty sure I passed out before I got to that part.
Word count: 996
There’s this look on his eyes now that you can’t quite figure out.
Ever since Stanford Pines came back from the portal, ever since weirdmageddon and the end of that fateful summer, something about him fundamentally changed. There’s contempt, relief, sure, but there's more to it, something that he keeps deep in that rattling metal-protected brain of his.
And god forbid sometimes you just want to pick him apart entirely, figure out every detail, note it down, absorb it, maybe then his mere presence won’t entice you, mess you, so goddamn much.
It culminates, as all events are bound to do, right before that year’s summer vacation, you blame the heat.
Soos and Melody took a vacation for themselves, entrusting the shack back to Stan’s less than trustworthy hands, just like old times. Ford slips back into the basement so easily you almost follow him; your mind briefly longing for that nostalgia of being freshly out of college, when you and Ford were easily impressed by the oddness of the world.
You were a prodigy; a good ten years younger than him yet still doing your masters while he did his doctorate, and in the same area with similar themes! Back then, you two were just bright-eyed yet very tired academics… Then Gravity Falls presented itself on a silver platter, and Bill followed through.
You were there, on the day of the portal, or at least, almost there, going back for the thousandth time, expecting no answer to your knocks at the door as usual, only to be met with the fallout of something far worse than refusal.
And then he was back, less jittery, less paranoid and less sleep deprived than he was before at least. But there was that thing in his eyes, that inherent distrust, detachment…? You struggled to find the words and if there’s one thing that you as a scientist can’t deal with is a question that goes unresearched.
So it began; your “research” depended on experiment and to experiment, you firstly decided to get close to your unwilling subject. And you go down the rabbit hole.
You find him in the basement, of course. He’s drawing on loose sheets of paper, some of the discarded pieces lay on the floor, and the cd player by his side is playing just loud enough to muffle your footsteps as you approach him by his right side. “Updating the journal?” You ask, nonchalantly, as if you hadn't obsessively turned each page of his journals before, as if your own handwriting wasn’t squeezed in the first ones before his old muse took all the space left.
Ford just hums, raising his chin slightly, but not his eyes, just to acknowledge the question. “Not really, just trying to get some proportion practice. Looking back, some of my work on the first journal was… Not the best.”
A chuckle leaves your mouth; “If you say so…” You hum, picking up one of the filled out pages that were pushed aside in the table and pretending to look it over as he places his pen down and looks up at you.
“Any advice?” He asks, and once again you pretend to be paying attention to anything but him and his every movement.
“Not really… I think you’re good.” You place the paper back at the table, leaning against it. “Thought you’d be going through your abstract phase by now, honestly.” And you smirk down at him.
He leans back, crossing his arms; “I fear I’m too logical to have an abstract phase, even my craziest dreams have math and science behind them.” And you both laugh, and your curiosity itches more and more every millisecond.
The next words that leave your mouth were planned and inwardly rehearsed, but they come out natural as a summer breeze. “Every tortured artist has an abstract phase, get on with the times, sixer!” It comes out as a joke, it's a test. And suddenly you’re too nervous to stay there, staring at him and waiting for a rebuttal. You push yourself off the table and zipline to one of the bookshelves, reaching towards the back of it, you pull the ‘eureka whiskey’ and the two cups.
He just watches you for a second, then accepts the cup as you pour him one, then one for yourself.
And it’s truly the eureka whiskey, because goddamn you just found something in those eyes.
He takes a sip; “Yeah I guess those portal days would do for some good surrealist pieces at least.”
“I can’t even imagine.” You say.
He smirks, lips inches from his cup. “You can’t…” He takes a sip. “That’s the point of surrealist.” You want his brain under a microscope, you want his breath mixing with yours, you want to never see him again, you want to wake up near him every day.
The curse of science is that in the endeavor to figure out the world, the scientist often loses sight of themselves.
The witty remarks, the planned lines, the psychological strategies, all fly out of you head and you lean back against his desk. He’s leaned further back now and his chair is turned diagonally towards you and he watches with a smile and those eyes. “What did you see?” It’s almost a whisper, because you think he might actually tell you, and that scares you more than anything.
“Too much…” He swallows, sighs, takes a swing of whiskey and rests the empty cup on the desk. “It was very chaotic, honestly that’s all I want to say…” You sigh, pushing yourself up to sit at his desk, and his head tilts as he watches you.
“I’m glad you’re back.” You settle, even though it doesn’t even come near to all the things you want to express. He smiles, and his eyes travel down, landing on your hands, holding your barely touched whiskey glass. You follow his gaze, and chuckle. “I’m more of a whine person.”
“I know…”
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Thank you for getting me to finally try pixel art! I‘ve always wanted to get into pixel art but I never knew what to start with and always ended up procrastinating. Your blog and the post you made on learning pixel art were what finally pushed me to give it a go. It was really helpful and I managed this little animation in Libresprite.
I definitely want to improve and your art is like the ultimate goal lol. Do you have any tips or instructions for how to get better or on what to focus on in the future? I‘d appreciate any kind of criticism/input you are willing to give! How do you manage to make such gigantic and beautiful landscapes?
thank you!! and i'm so happy you decided to give it a real go, you're doing great already!! the rendering on the body and the pink shading is really nice.
i can help a little with animation stuff but i'm not an expert, ill write something out about backgrounds at the end
i hope you don't mind but i edited the sprite a little, just to illustrate some stuff
🤺Animation stuff
i added an extra frame near the top of the arc so it slows down. this is called ease or slow in/out and usually happens at the beginning and end of movements. u can do even more slow but this is just a quick version
i also removed the middle frame (where the tail is straight down) to make the swing appear a bit more powerful. this could be the principle of timing in the same video. you can exaggerate smears if you do this, its up to you!! lately i tend to exaggerate stuff a lot, things arent super noticable in motion
i also got a good bit of advice from nickwoz that helped me, basically when you begin to animate, it really puts the rest of the sprite being still into focus. try to think of how you could animate other parts of the body, even subtly. and sometimes if individual pixels stay still they can catch the eye in an unintended way as well, just keep it in mind!!
if you want to learn animation more, you could take a look at duelyst sprites, they have incredible idle and ability animations, i study them a lot
heres one i downloaded a long time ago. i recommend just downloading stuff you like and looking at it!! i have a huge collection of pixel inspo. slowing animations down can really help you understand whats going on. its just a bunch of simple elements put together that makes it look so good.
IF U WANT MORE RESOURCES/ARTISTS I REOCMMEND TO GO AND STUDY LMK!!! IM LIKE A WIKIPEDIA, I AM A BIG FAN of pixel art and love to share
🌿 OK lets talk about landscape stuff
it looks like you have art experience already, but im gonna talk as if youre a complete noob cos it might help some other people who read this!! ur doing great 👍
❓ how to learn: study (and practise a lot)
what i mean by study: draw it, copy it, try to understand it. you can try to change characteristics about it. changing the angle or lighting can help u understand how something works in 3 dimensions.
sometimes it takes time, dont worry, you will figure out your own style through doing studies, its all a process
❓ how to draw landscape details?
study pixel artists and how they do it
recommendations: fool, slym, jubilee, deceiver
also please look at real world references!! you got to build that visual library
❓ how to learn composition?
study traditional artists or animation. i did a ton of studies of ghibli backgrounds which i think helped my growth a lot
recommendations: arcane, studio ghibli, traditional painters
im gonna break down a piece as well and maybe that will help. this is one from 2022 but its still one of my most popular and its pretty simple too!!
if we remove all the fancy stuff what we have is actually really simple. just a few large, overlapping shapes that all point towards our focal point. it's the brightest area with the most contrast and many edges point into it.
go to pinterest or google and just search "pretty landscape" or "mountains" or something and you can see what i'm doing is nothing special or unique!! break it down into bigger shapes to begin with, its just different areas of material mostly.
and heres how you can make any landscape from any colours. purple sky or mountain? orange grass? ok !! it all works, it doesnt matter. i just blend the colours.
when parts of the landscape are in the distance they become closer to the sky colour as there is more "sky" in between you and it. its called atmospheric perspective. so if the sky was red, the clouds would fade towards red.
OKKK i dont know what else to say so i hope that helps!! honestly 90% of what i do is intuitive and hard for me to really explain, so you dont have to know The Rules, you just kind of pick up stuff as you go.
GL and thanks so much for showing me your art!! please keep going!! 💕💕💕💕
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