#image segment projects

[technology-123s-blog]

Image Segmentation Projects Using MATLAB for Students

Takeoff Edu Group providing Image segmentation Projects using MATLAB is a process of dividing an image into multiple segments or regions, each of which corresponds to a different object or part of the image. It is a crucial step in many image processing and computer vision applications.

MATLAB is a powerful tool for image processing and computer vision, and it provides a wide range of built-in functions and toolboxes for image segmentation. Our team of experts have extensive experience in using MATLAB for image segmentation and are passionate about providing students with hands-on experience in this field.

Latest Image Segment Projects Using MATLAB & Assistance:

A Multi-Stage Framework with Context Information Fusion Structure for Skin Lesion Segmentation

Algorithm of Weed Detection in Crops by Computational Vision

A Survey of Object Co-Segmentation

Optimal segmentation of High-Resolution Remote Sensing Image by Combining Super Pixels with the Minimum Spinning Tree

Are You Looking for Image Segmentation Projects Using MATLAB & Assistance?

All of our image segmentation projects using MATLAB are designed to be both challenging and achievable for students, with a focus on hands-on learning and practical applications. Our projects are suitable for students of all levels, from beginners to advanced.

Our team of experienced professionals will provide guidance and support throughout the project, ensuring that students have the resources they need to succeed. Takeoff Edu Group also provides MATLAB tutorials and resources to help students get started with the software.

If you're a student looking to gain hands-on experience in image segmentation projects using MATLAB, we are the best and perfect project provider for you. More Information Visit: https://takeoffprojects.com/image-segmentation-projects-using-matlab Meta Tags: image segment projects, MATLAB projects, engineering projects, final year projects, academic projects, b tech projects,

[archengazelle]

(didn't finish any of the prompts 😭), but wanted to post something for #dinostarweek, so I'm sharing my dinostar playlist! ✨🎶💞...

[pyrriax]

hi tumblr i. cannot get a thought out of my head so take this little wip thing....

[ Image ID: A sketchy, grey-scale comic, reading from left to right. Zenith, a lanky, thin man with fox ears and a long tail walks toward the right, having an indistinct conversation with another character who isn't visible. His ears are tilted back, and his shoulders are raised; he's nervous about where he's going. A small triangular cut out on the top right shows Zenith's expression as he stops, he's looking down at something, and looks afraid. His ears are pinned completely back, and his mouth is open slightly in shock. There's a small dialogue box between this cut out and the next, reading in shaky text, "what the...". The next cut out is a trapezoid on the bottom right, almost connecting with the top. There's an indistinct person sitting on the ground, half-leaning against the wall with their head down. Their hands are cuffed together, and their legs are splayed. They've been hit in the head. There's blood on the side of their head, dripping down their face and onto their arms, as well as blood smeared on the floor. /End ID. ]

@my-little-versaille (in case you want to reblog it for your own storage purposes :3)

[andranikfakirian]

Project "ML.Satellite": Image Parser

In order to speed up the "manufacturing" of the training dataset as much as possible, extreme automation is necessary. Hence, the next step was to create a semi-automatic satellite multispectral Image Parser.

Firstly, it should carve the smaller pieces from the big picture and adjust them linearly, providing radiometrical rescaling, since spectrometer produces somewhat distorted results compared to the actual radiance of the Earth's surface. These "pieces" will comprise the dataset. It was proposed to "manufacture" about 400 such "pieces" in a 500 by 500 "pixels" format.

P.S.: Below are example images of the procedure described above. (Novaya Zemlya Archipelago)

Secondly, it should calculate some remote sensing indexes. For this task, a list of empirical indexes was taken: NDVI, NDWI, MNDWI, NDSI, ANDWI (alternatively calculated NDWI), WRI and NDTI. Only several of them were useful for the project purposes.

P.S.2: The following are example images of the indexing procedure.

Lastly, it should compute the "labels" for the "pieces" describing a schematic map of the territory on image splitting this territory into several types according to the calculated indexes. To simplify segmentation, in our project, a territory can consist only of the following types: Clouds, Water (seas, oceans, rivers, lakes…), Vegetation (forests, jungles…), Snow and Land (this class includes everything else). And, of course, Parser should save the processed dataset and labels.

P.S.3: Below are sample image of a colored "piece" and a simple map based on the label assigned to this "piece". Map may seem a drop inaccurate and it's not surprising, since as far as I know, indexes are empirical and by definition cannot be precise. As a result, if it is possible to create a sufficiently accurate model that predicts analytical classification, then it may be possible to create a model that classifies optical images better than analytics.

[dollfacefantasy]

SYMPATHY FOR THE DEVIL ♡

pairing: homelander x fem!reader

summary: homelander has taken an interest in you, vought's new intern. no matter how you look at it, as a good or bad thing, it ends the same way: him getting what he wants.

cw: nsfw (18+), smut, dubcon, p in v, oral (m receiving), body worship, sir kink, obsessive behavior, manipulation/coercion, age gap (reader in early 20s)

wc: 7.7k (oops lol)

a/n: hehe. never thought i would write for this man but it was pretty fun :) comm for my sweet beloved @gor3-hound love you so very much mwah mwah <33

At the junction of the V-shaped table, Homelander sat. With his back to the skyline and his gloved hands folded in front of him, he held the posture of a statue. Ashley had been rambling on and on and fucking on for the past five minutes about shit he couldn't care less about. Her nasally voice bounced off the tile floors and painted ceiling, ricocheting around him like a rogue bullet. Only his impregnable skin didn't protect him from the discomfort of this situation.

It was moments like these that really made him regret killing Stillwell.

That woman knew how to handle things. As manipulative as she could be, at least she wasn't absolutely insufferable. How could Stan let Ashley replace her? She was a poor excuse of just about everything. Absolutely spineless, unintelligent, reactionary, and opportunistic. He really couldn't picture any person on this Earth genuinely liking her.

However in the midst of his mental complaints, he realized that the annoying sound of her speaking was directed at him. All the other stares in the room were zeroed in on him too. A-Train observed in cautious silence. Noir's goggles reflected Homelander's own image right back at him. Maeve judged with a sideways glance. And Starlight prepared for the worst.

He tore his own bright blue eyes from the door opposite the table and refocused them on Ashley. They scanned over her thinning ginger locks down to her gaudy outfit - a piss poor attempt at imitating power.

"What?" he asked, his voice cutting through the air with a force similar to one of Maeve's swords.

Ashley blinked in return. Fear swirled in her wide eyes. She tried to maintain that empowered appearance she so desperately wished was real, but he could see the innate urge to cower bubbling within her.

"Was that lineup for the funeral ok with you, Homelander? A-Train and Noir open, Starlight sings, and then you close?" she repeated.

Now it was his turn to blink. Like he could actually give a shit about the order of segments for Translucent's funeral. He swallowed hard. While she projected a mirage of power, he had to do the same with level-headedness.

"That's fine, Ashley. Have those two go first, and Starlight can follow up with Amazing Grace or whatever shitty hymns they teach in that hick town she's from, and then I can finish us out," he responded.

He could see how her knuckles were going white around the edge of her clipboard. She gripped it for comfort, as if that could save her from his potential wrath. It only irritated him more. If he wanted her dead, he would turn her to ashes where she stood. How hard she braced herself in advance wouldn't matter in the slightest. But people could be so foolish in moments of terror.

"Well speaking of that," she said before clearing her throat, an attempt at a natural transition, "We were trying to decide what song she would sing. Maybe one of our originals? Or do you think it would be more tasteful to go with something from an outside source?"

Gritting his teeth, he buried the urge to unleash the bright beams of red from his sockets. His hands slid off one another and pressed down onto the cool table.

"Do you really need me to decide what song is going to send Translucent to the grave?" he replied, "I don't care what you play, and no one else attending will either. They'll be focused on working up some tears for the useless dipshit they never had the displeasure of knowing. Instead of trying to gain their approval, we should be working on finding the next member of the Seven who can replace him. There's no use dwelling on the past. We need to be preparing for the future."

He paused to let his words permeate the room, giving everyone a chance to absorb the sentiment and adapt accordingly. With his pupils still trained on Ashley, he planned on continuing his tirade, but his train of thought came to an abrupt halt.

Soft pitter-patters of footsteps clacked down the hall outside this room. They sounded in a delicate rhythm, only audible to him. As they grew louder, he caught the scent of the source too. Airy and light. A stark contrast to the brash perfume Ashley doused herself in.

The doors at the front of the room slid apart to reveal you.

You stood there for a moment. The realization that you'd interrupted something was visible in your eyes. The small spheres cast down as you wobbled in like a fawn that sensed wolves watching from nearby.

Ashley turned to face you, a glower already set on her features. The resentment she held for everyone else in this building awoke from its usual dormant slumber because there was finally someone weaker she could take it out on.

Once you reached her, your hand rose and gave her a thin stack of papers. 

"I'm sorry for interrupting. It's a memo from 82. They made it sound urgent," you explained, everything about your temperament meek and timid.

After a brief pause to let you marinate in the few moments before your inevitable humiliation, she snatched the papers from you. Her eyes roamed over the page with disinterest. Even if the information conveyed by the small black letters was important, he doubted she would give it any reaction. She wanted to lash out, and she was going to, whether it was justified or not.

"They couldn't have emailed me this?" she snapped, as if that was something you could control.

"I don't know. I'm sorry. I'll check next time," you offered.

"You better or you'll run out of next times," she threatened, "Incompetence like this won't fly here. You're in the big leagues now, so act like it. Think before you do something instead of taking commands like a lap dog."

"I'm sorry," you replied, ducking your head again.

"Don't be sorry, just do better," she commanded.

"I will," you agreed.

"Good. Just get out of here now. Go pick up my lunch," she told you.

His lips curled into a scowl as he watched the scene play out. It was pathetic - not you, but Ashley. He hated seeing the fucking smirk on her face as you walked away. She had nothing to be smug about. She was nothing more than a feral coyote going after the scraps the other predators didn't take.

To make matters worse, when she returned her attention to the group at the table, she saw the look on his face. She saw the disdain, but instead of striking regret into her, it only deepened her sense of self-satisfaction.

She thought the look was for you. That he was disgusted with your mistake. Annoyed with your intrusion.

He couldn't have that. Not when that assumption was the farthest thing from the truth. Honestly, he didn't know if he was even capable of feeling such ire towards you. Not his precious little fawn.

Rising from his seat, his glare remained on Ashley. She did show a little fear then.

"You know, I don't have all day, Ashley. I'll open Translucent's funeral, Starlight will follow up with a song, and that will be it. A-Train and Noir can have the day off, because let's be honest, nobody will give shit either way," he mocked.

"But, sir-" she said, clearly confused by his sudden impending departure.

"I have more important things to deal with. If you need anything else, I'm sure one of the others can help you," he dismissed.

With that, he stepped back from the table and began heading to the doors. He hoped if he was fast enough he could still catch you. Even in a building as sleek and modern as this one, the elevators could be quite slow.

Walking out into the hall, his head swiveled in the direction you would have gone. For once, his own portrait didn't catch his eye. He didn't even think about stopping by Stillwell's office to reminisce. Instead, he just headed down towards the elevator. His red boots thudded across smooth tile in rapid succession, covering the path you'd just taken.

Finally, after a few feet, he spotted you. Bottom lip pulled between your teeth. Eyes glossy with embarrassment. Tip of your polished shoe tapping against the ground. You startled when his voice boomed across the space, calling out your name. So cute.

You looked at him with fear in your eyes, but disgust didn't fester in the pit of his stomach like it did when others gave him that anxious stare. Another feeling bloomed inside him, one he couldn't really place. It was just that the nervous gleam over your pupils didn't make him hate himself and all the circumstances of his life that put him in his position.

Instead, your wide eyes and pouty lips made him feel strong. You made him feel like a hero. A real one, not the artificial caricature that Vought projected to the world. With you nearby, he felt like the kind of guy who deserved the American flag blowing off his back with a pretty girl cradled in his arms and a dead enemy at his feet. When you gazed up at him, he could only imagine that the pride rushing through his chest and confidence pooling between his hips was the feeling his creators intended for him.

"Did you need something from me, sir?" you asked, reminding him that he actually had to provide a reason to talk to you. Just wanting to stare at you like a psychopath would not suffice unfortunately.

"Oh no," he waved off, "The meeting just finished up. I was heading out too. I saw you, and I realized I haven't really taken the time to get to know you yet, which is unfortunate because I usually like to be familiar with the newer people we have working with us."

A complete lie. Before you, he didn't remember ever giving any of the interns a second glance. They were true nuisances. They were Ashleys.

"Oh... well I'm around whenever you wanna talk. Ashley keeps me busy, but I'm sure I could make an exception for you," you replied.

"You absolutely can make an exception for me," he chuckled, "If Ashley gives you any trouble, just let me know, and I'll make sure she remembers who's really in charge around here."

It wasn't until he heard your heart rate increase that he realized those words probably came off as threatening. Well, they were threatening, but you weren't supposed to see him that way.

"I'm kidding," he forced out with a laugh, "Just joking around like I do... I just don't want you to worry about getting in some kind of trouble for me sniffing around you."

You huffed out an awkward laugh of your own and nodded.  "I'll be sure to make some time for you in the future then and let Ashley know it was at your direction."

"Great," he said with probably too much enthusiasm. 

His jaw clenched into one of his usual tight smiles. He averted his eyes from you and looked towards the numbers on the elevator. Fuck, it was reaching the bottom. He didn't want to let you go, but it wasn't like he could just stroll down the street with you to go get Ashley's lunch. His mind scrambled to come up with a solution.

But like your earlier intrusion into the meeting, your gentle voice cuts through the hurricane forming in his head.

"Are you alright, sir?" you ask, anxious concern written all over your features.

He refocused on you and nodded. His arm extended out behind you, his palm landing against the elevator wall. As he leaned in, he could smell your adrenaline spiking. He could hear the shift of your shoe against the ground. If only he possessed a sixth sense for the mind, so he could know what little thoughts about him were flitting through your head.

"I'm fine. You don't need to worry about me," he answered. He smiled down at you, observing the slight nod you gave him in return.

"Of course not. It probably seems silly coming from me," you said.

His brows raised in amusement. "What's that supposed to mean?" he asked.

He saw the flash of regret in your eyes. The one people always gave him when he asked a question in that tone. The one that came from the panic of realizing they may have said something that offended Homelander.

You suppressed it pretty well though and brought out a smile that gave the impression that you hoped he was messing with you instead.

"Well you know... because you're you," you said and tilted your head in an innocent way that made his chest ache.

He chuckled that charming, prepackaged laugh that had been trained into him. "Even I can appreciate someone taking an interest in checking on me," he replied.

It was maddening, how bad he wanted you. He wasn't even sure when this craving had sprouted inside him. He had been so preoccupied with his affinity for Stillwell that his fixation with you struck him like a glass window in front of a flying bird. But no matter the timeframe in which it blossomed, it had taken root by now and wasn't going to go away on its own.

When he looked at you like this - staring up at him with earnest fascination - his mind drifted to darker places all on its own. He couldn't stop it if he wanted to (and really, he didn't want to). It's just how was he not supposed to be aware of the fact that it would be all too easy to take you back to his room? How could he not think about what it would feel like to have your fragile body beneath his own in private? How could he not wonder what you'd sound like crying out in a sinful mix of pleasure and pain?

Hell, how was he supposed to pretend like he couldn't just bend you over and fuck you dumb right here in the middle of this elevator if he wanted to? No one would be able to stop him. There wouldn't be a thing they could do other than watch. They could stare in horror as he used you like he deserved, as he pounded into your warm, soft, dripping hole like he needed...

Unfortunately, painting that picture in his head had his blood rushing South. He felt the subtle simmer of desire in his pelvis, and he knew in no time his length would be filling out. This suit gave him no way of hiding it either. Clearly, whoever made it hadn't anticipated the Homelander popping a boner on the job.

But luckily for him, the elevator chimed with its arrival at the bottom floor. He straightened out as you looked ahead in preparation of your departure. But before you could go, he grabbed your arm. His touch was tender, holding the same force he'd use when cradling a baby at a photo-op.

"Maybe later tonight you'd like to take me up on one of those talks? After you're done for the day, you could stop by my place. The sooner the better, right?" he asked.

Your eyes widened ever so slightly, but you still nodded. "Um... sure thing. I'll head up once I've finished all my work. It should be around six if that's ok?" you offered.

"Yeah, that works for me. I'll be waiting," he said in an attempt to be playful.

You smiled once more and then headed out of the elevator. His fingertips dragged down your arm to your wrist as you walked away before you finally slipped from his grasp. He could hear your heart pounding faster than your footsteps as you headed towards the exit of the building.

At six o'clock sharp, a knock sounded through his penthouse. And it only took him a few seconds to swing the door open and greet you.

"There she is," he beamed with exaggerated politeness.

You smiled modestly in return, shrugging and smoothing out a crease in your blouse. "I couldn't let the leader of the seven down," you joked.

He scoffed but opened the door wider, beckoning you into his place. You took the invitation and crossed the threshold. Your eyes glanced around the place, taking note of all the things in the apartment that housed the most powerful man on Earth.

The American flag taking up an entire wall almost stopped you in your tracks. It would've been funny if it was someone else, but because it belonged to him, it stood there like a warning. You tried not to show how daunting you found it. Average people could be touchy about that famous piece of cloth. You didn't want to find out if the strongest supe felt the same through means of offending him. 

In place of letting that bother you, you shifted your attention over to all the historical pictures hanging on the walls and the sleek surfaces and drawers filled with things you couldn't begin to imagine. Your eyes casted over the statues accenting the space as well. It was all so very polished. It looked like what you'd expect the Homelander entry in an Ikea catalog to be.

"So what do you think?" he asked. He knew his words came off as stiff. Probably a little stilted sounding. He just couldn't help it. For the first time, he couldn't get a read on how you felt through physical signs alone. And right now, he really really wanted you to like him.

"It's... impressive," you answered.

But he could hear the hesitation in your voice. In each word, there was the same wavering quality to it that you get when Ashley grilled you in front of an audience. It wasn't the precious reverence that he saw in the elevator. The nervous kind of admiration you held for someone above your standing. This was just plain anxiety, and that served no purpose to him. 

Despite your trepidation however, you walked forward to the window at the back of the place. You looked out over the city in awe.

"I would love to live somewhere high up like this," you said.

He came up from behind to stand next to you in front of the glass panes. His eyes landed on your face. You stared out the window, wonder twinkling in your eyes. Your voice sounded almost breathless. It was adorable.

"No fear of heights?" he asked.

"Not when it comes to being inside. Maybe I'd be nervous if we were on a balcony or something," you replied.

"Oh come on. You'd have nothing to worry about if you were with me. I'd never let you fall," he said, dropping his voice a few octaves.

You made that cute little face again when those words hit your ears. Your eyes widened before they fell to look at your shoes. So modest, the way you shied away. He wondered if you were always so timid or if it was only when a god amongst men like himself flirted with you.

He chuckled and reached out, tilting your chin back up to look at him. "You don't need to be nervous," he soothed, "There's no safer place to be than with the Homelander, right?"

You nodded right along. His words left no room for objection.

"Good girl," he smirked and dragged a gloved thumb over your cheek. He pulled his hand back and stepped in the direction of the brown leather sectional that sat in the middle of the room.

"Come over here and sit down. We can talk," he directed.

Following him to the large couch, you took your seat near the corner. You assumed he'd sit at the other end or at least towards the middle of the perpendicular cushions, but no. He sat down in the corner with you. His body was at most a foot away.

He continued to smile at you though he didn't speak. It felt odd, sitting there in silence across from him. He wasn't doing anything overtly threatening, yet you still felt at his mercy.

"So, do you like it here so far? Do you feel like you're fitting into the Vought family?" he asked with a bit of an edge to that second word.

You nodded again. A relieved breath seeped from your lungs as the tense void in conversation came to an end. "Yeah, it's nice here. I feel like I'm learning a lot."

He chuckled and leaned back against the stiff backing of the sofa. His muscular arm draped along the top. Though it wasn't his intention to draw your focus there, he caught the way your eyes dragged over his bicep.

"That's good," he said, "It can be a lot when you're new. I wouldn't want you feeling overwhelmed."

"That's nice of you. I appreciate it, but I'm used to a busy schedule," you replied.

"You're freshly graduated, aren't you?" he checked.

"Yeah," you said, your lips quirking upwards at his guess.

"I thought so. You have that cute, wide-eyed, optimistic thing going for you."

A small laugh leaves your lips. "I know. Ashley said I'll grow out of it by the end of this quarter."

His face dropped, and he almost abandoned the prince charming act he was attempting to pull off for you. The mere mention of Ashley was enough to irk him, but the thought that she was trying to change you? Not only change you but jade you. To strip away the soft and sweet qualities that hooked him on you in the first place. It was criminal. He couldn't hide his disdain.

"You shouldn't listen to her," he said. He wasn't angry, but his cadence held intensity. "Ashley's problem is Ashley. To be honest, I don't even know why they gave her an intern. It's not like she'd be good at teaching anything when she still doesn't understand most things about our business herself."

Your fingers dug into the edge of your seat. It wouldn't have been significant in a normal conversation, but when speaking with a man who could hear a pin drop forty stories down, he noticed.

"You're still nervous," he observed.

In an instant, your hands flew to your lap, like you knew what gave your anxiety away. You fidgeted with the hem of your skirt and shrugged.

"A little," you admitted.

"Are you scared of me?" he asked.

You shook your head without even thinking about the question.

"No, it's not that. I swear," you reassured, "It's just that this is a big deal for me. I'm really honored you want to get to know me, and I just want to make a good impression."

"You don't need to worry about that. I wouldn't have invited you here if I didn't have a good impression of you," he said.

You sighed slightly, letting out a bit of tension, but he could still smell that boosted cortisol running through your blood.

"Come here," he ordered, his voice soft but undeniably firm.

"What?" you asked.

A puff of amused air blew from his nostrils. "Come here," he repeated, "Sit closer."

As if you needed the guidance, he patted the space directly beside his hip. He could see the uncertainty in your eyes even after the gesture. The lack of understanding toward his reasoning persisted. Regardless of your skepticism however, you scooted in his direction and ended up where he wanted you.

"That's better," he said.

With careful fingers, he slipped the glove off his right hand. Your eyes locked on it in subtle awe. You'd seen this man on billboards and commercials for years. His face dominated newscasts. His voice broadcast over the radio on a weekly basis. Still, you had never seen such a human part of him. Five fingers and a palm reaching for your own.

They clasped around your hand. His skin was smooth. The gloves preserved them from any marks of experience.

"Did Ashley warn you about me?" he asked, drawing your eyes back to his own.

Your heart thundered, but you couldn't lie. Never had Vought bragged about Homelander being a human lie detector, but in this moment, you felt like that was the case.

"Yes," you responded.

He clicked his tongue in disapproval. "You didn't believe her, did you?" he asked.

You could tell he already knew the answer. He just wanted to hear it.

"Yes," you whispered again.

"What did she tell you?"

It was hard to remember that conversation you'd had a few weeks ago with Ashley. Feeling like you were two seconds away from having lasers beamed through your skull made minute details fuzzy and distant, but you manage to choke a few out anyways.

"She said that you have a very specific vision for the Seven, and that you'll do anything to make your dreams reality. She was just saying you're ambitious. That you care about the greater good," you summarized.

"I have a feeling you're saying it a lot nicer than she did," he teased. He could feel the fear rolling off of you in waves, and in a moment, he would rectify that. But for right now, he didn't mind letting his precious little fawn tremble in terror for a few moments more.

"Yeah, she can be kind of blunt," you said with a shaky laugh.

"That's one word for it," he said.

"She's not gonna get in trouble because of what I said, is she?" you asked.

He couldn't help laughing at that. The sound came out low and throaty. You were just so fucking pure. Worried about protecting someone who wouldn't hesitate for a second to sell you out if it meant she could climb up another rung on the corporate ladder.

His exposed thumb rubbed back and forth over your knuckles. "No. Of course not. We're just talking," he said.

He leaned in closer to you, positioning his mouth in close proximity to your ear. His free hand came up to cup your jaw.

"I appreciate your honesty though. Ashley probably couldn't tell you this, but I appreciate a loyal girl like you," he murmured.

On both your hand and through his glove in contact with your chin, he could feel your skin heat up.

"Oh... thank you, sir," you said.

He chuckled. His fingers squished into the flesh of your cheeks, making your lips puff out as though they were seeking a kiss.

"So polite, but I like that. We need more people here who understand their place," he said.

At this point, the gravity of your circumstances began to settle on you. Your fear had worn off a bit, and you realized what a compromising position he had you in. With one tight squeeze, he could crush every bone in your face.

Out of instinct, you tried pulling back a little. You didn't make it obvious, only attempting to gain a few inches of space.

That was a few inches too many though. He tightened his grip and kept you where he wanted you.

"Ah ah," he tutted, "How many times do I have to tell you that you don't need to be scared? I'm not going to hurt you."

You dropped the resistance right then and there. It wasn't worth pursuing. If he didn't want you getting away, you weren't getting away.

He took a few more seconds to study your face, taking in every minutiae of your expressions. Then, his hands dropped to your waist, and he pulled you into his lap. His thighs were firm against your ass, both rigid in how he carried himself and defined from the pure muscle that made them up.

His hands smoothed up and down your sides, coasting over each crease in your blouse. He massaged your soft tissue with gentle squeezes from the beginning of your bra down to the swell of your hips.

"God, you're beautiful," he muttered, "You fit here like you were made for me."

You vibrated in his grasp. He could feel the way you quivered with the urge to pull away.

"Thank you, s-sir," you stammered, "I really appreciate it but-"

"But nothing," he cut you off.

"But I don't think we should be... doing this," you tried to continue anyway.

"Why not?" he asked. Though his tone made it obvious that no matter what reason you provided, it wouldn't change his mind.

"Because you're like my boss, y'know? And I worked really hard to get my spot here, and I don't want people thinking I slept my way to where I am," you explained, "You're really nice, and I admire you a lot, but it wouldn't be right."

He didn't respond immediately. He paused and let your words hang in the air for a few moments.

"You know," he finally spoke, "I don't think you understand how things work around here. It doesn't matter what anyone else in this building thinks. Only me."

You blinked at him, unsure of how to respond to such an assertion. It didn't matter though. He continued without your input.

"What I do with you, how I feel about you - no one else will know about it unless you tell them. But even if you do and even if they care, there isn't a thing they'll do about it. There's not a thing they can do about it," he continued.

"I still don't think it's a good idea," you maintained.

"Good thing this isn't for you to think about then," he mocked, "You're a fast learner. You'll figure it out soon enough. I am God in this tower. And a god doesn't listen to his subjects. He guides them. He knows best."

One of his hands slid up your tummy and over your chest onto your throat. He cupped your jaw and swiped his thumb back and forth across your bottom lip.

"What did Ashley tell you about me?" he asked.

"That no one gets in your way."

"Good. And she was right. No one gets in my way. Nothing stops me from getting what I want. And I've wanted you for too fucking long not to try you out."

That set of fingers on your chin pulled your face towards his and brought you into a kiss. You froze against his lips. It felt as though all of time stopped. This high up, you couldn't hear the sounds of the city outside the penthouse. No one existed in this moment but you and him.

Unlike you, he melted into the exchange. He sighed against your skin and pulled you flush against his toned body. After a second to let you come to terms with what was happening, he kissed you again. His lips sucked on yours gently, attempting to coax you into returning the affection.

The most he got is you puckering them up ever so slightly.

He pulled away with frustration in his eyes and grabbed your face, jerking you a little to look at him.

"Don't act like you don't want this. I know you do," he said, "You're scared, but you don't need to be. Relax and let yourself enjoy this. It's not everyday that the most powerful man on earth wants to fuck you."

Your eyes blew up like little saucers, but before you could really process the directness of what he'd said, he was kissing you again. This time it wasn't as nerve wracking. You softened up a little and kissed back.

You didn't put much effort into it. Your lips responded like this was a juvenile first date. But he didn't let up. He didn't let you give him anything less than your best. His hands roamed across your body. They groped and fondled your breasts and then migrated South to feel up your ass through your pencil skirt.

Your muscles started to loosen up after a minute or so. You told yourself this wasn't so bad. He was being gentle so far, and for someone with his abilities, you wanted it to stay that way. You brought your hand up to his face and cupped his cheek. With that as leverage, you deepened the kiss.

He groaned as soon as you started to give in. His hands fell to your hips and tugged you so that you were straddling him. He smacked your ass, the sound echoing around his apartment. You could tell he held back. A real spank from Homelander could shatter your hip, but this one barely even stung. Maybe he did like you.

His fingers came up and with a sharp tug, he popped the front of your top loose. The column of buttons sprung free. The strips of cloth fell away to each of your sides, exposing a sliver of your skin. He furthered it by pulling off the garment entirely. His eyes trailed along your bare shoulders to your collar bone before finally landing on your breasts. He gave them a firm squeeze, kneading them through the barrier of your bra.

Meanwhile you rolled your hips down on his lap. Immediately, you felt his bulge that had risen to attention between your thighs. You did it again and then again. Each time you ground yourself against him with more pressure.

He grunted, and his eyes fluttered. His hands returned to your waist and gripped you hard, guiding your movements. He seemed transfixed for a few moments, as if he couldn't decide his next move.

After a few seconds though, he got his momentum back. He yanked you off his lap and flipped over so that you were seated on the couch again.

He rose to his feet before you. There your eyes scanned over his body from his tousled blond hair and his kiss-swollen red lips to his sculpted abdomen and his swelling erection. You reached out to touch him, but he stopped your hand mid-air.

Once your arm was limp on the couch again, he removed his other glove. He dropped it to the floor before bringing his right boot to the spot on the sofa next to you. He unzipped the red shoe and then discarded it like he had with the other item. The other boot followed the same routine.

"I don't let just anyone see me like this," he told you as his fingers began to undo his collar, "You should feel lucky."

Lucky wasn't the word you would use to describe your feelings in this situation. Maybe special. Or distinct. Individual. Either way, you continued to watch. Your eyes glided over his figure as he pulled away the tight blue costume that seemed like a second-skin for how much he wore it.

His defined chest came into view. Your reluctance hadn't vanished all together just yet, but at this point, it was fading fast. Pale hair dusted the muscular expanse and trailed down his stomach to the waistband of the bottoms. The waistband he soon hooked his fingers over and peeled down.

He dropped the scaled navy fabric to the ground before kicking it away, leaving himself in just a small pair of boxers. His hand came down and rubbed the swollen tent at the front while his eyes lingered on you.

"Do you want to touch?" he asked.

You nodded. It wasn't a hard decision. This was still a bad idea. You hadn't changed your mind on that. But at this point, what else was there to do? Defying Homelander wasn't an option for anyone on this planet ever. You were no different.

"Ask," he commanded.

"Please can I touch you?" you said.

"Please what?"

"Please, sir. Can I touch you?"

"Good girl," he praised before nodding, "Go for it."

You reached out, this time successfully. Your palm landed flat on his stomach. You held it there for a moment, just feeling his skin. In a way, it was unreal. To feel that someone propped up on the world's pedestal was flesh and blood like you.

Rubbing up and down, you continued getting a feel for his body. He smirked at your wonder before guiding you up by the elbow.

"Stand up and do it right," he said.

"Sorry."

The word came from your mouth automatically. You brought your other hand up to his chest and felt the muscles in his chest. Everything was so built. You expected that, but it was still odd to feel beneath your fingertips. He felt like a living ken doll. You almost didn't believe if he dropped his boxers there would be a real cock there.

Your hands traced up to his shoulders with precision. They explored down his biceps and forearms. And then finally, you brought your lips into his chest. He sighed and tilted his head back, relishing the feeling.

You kissed all over, swirling your tongue and tracing shapes onto his skin. It was almost entrancing, to be so focused on someone like this. You barely noticed as he turned the two of you and sat himself down on the couch, lowering you to your knees.

You worked your mouth down his abs, licking and kissing the twitching muscles. Your fingernails scraped up his sides and then down onto his thighs. When your lips reached the waistband of his boxers, your eyes glanced up at him.

"Can I take them off, sir?" you asked.

He smirked at the title. Only one word of correction and he'd trained that phrase into you.

"Yes," he answered. It was a simple answer. All that was required for someone so naturally obedient.

You took it in stride, tucking your fingers over the elastic and tearing them down. His hard cock popped up and slapped against his pelvis. You couldn't have been happier about your earlier ken doll theory being proven wrong. The sight of his dick was enough to make you drool. It was better than any work of art out there.

It rested against his body at the perfect length, the perfect girth. The tip flushed beautiful red and pearly white beads of precum smeared at the top. Your fingers wrapped around it and gave it a few strokes, testing the waters.

His hand came down and petted your head. He watched as you studied the appendage, as you experimented with your own touch. It was so fucking cute he thought he might cum right then and there. Fuck, he thought you were sweet every moment he had eyes on you, but right now, you were darling. You were doing as he said. Accepting your place at the feet of a superior being.

"Put it in your mouth," he said from above, "I want you to taste it."

There was no hesitation on your end this time around.

"Yes sir," you responded before leaning forward and wrapping your lips around his cock.

He groaned and let his chest hollow out with a harsh exhale. Your mouth was so warm and wet, nice and snug around his length. He rocked his hips up, pushing it further into your throat. He expected a small gag or sputter, but instead you moaned. You shut your eyes and flattened your tongue against his shaft before beginning to bob your head.

"Fuck," he hissed. His legs tensed up, and he pressed down on your head. That did get a tiny gag out of you. You gripped his hips to stabilize yourself though and stayed in place. Your nose nestled against the darker curls of hair that sat at the base of his cock.

Spit leaked from your mouth and dribbled onto his skin below. He took a few moments to just enjoy the feeling of his dick down your throat. The sight of his sweet, innocent girl choking on his cock. Then he let you pull off and catch your breath. 

You took a few deep puffs, letting the spots clear from your vision before you dove back in for more. Your hand stroked the lower part of him your mouth didn't cover in its shallow sucks while your other set of fingers caressed his balls tenderly.

He'd never experienced devotion. As much as it pained him to ever acknowledge, his sexual experiences had been lackluster up until now. There were the times with Maeve, but they always left something to be desired for him. Then there was the time with Stillwell that ended before it really started. In either case, no one had ever put all of themselves into pleasuring him like you were doing right now. It drove him wild. He could feel his sac tightening up, and he knew he had to get you off.

Planting one hand on each side of your head, he tugged you back. You looked up at him with glossy, cock-drunk eyes and saliva-coated lips. He swiped some of the mess away before addressing you.

"You're doing so good for me, but I think you're ready for more, don't you?"

"Yes, sir," you agreed.

"My perfect pet," he crooned and pulled you up onto the couch.

He laid you flat on your back and ripped your skirt and panties off in one go. His eyes drank in the sight of your nude lower half, but he didn't spend much time savoring it. He spread you out, slotting himself against your center.

With a few rocks of his hips, he dragged his length through your wetness. He let the sticky fluid coat his shaft, and then he sunk in. His tip bullied its way into your entrance and the rest of him followed. You whined at the stretch. Your walls clamped around him, eager to accept the intrusion.

"Atta girl," he grunted as he worked himself all the way in.

His hips connected with your ass, but he still bucked them, trying to get more. You yelped at the force. He was already buried inside you. Anymore and his tip would be nudging the entrance to your womb.

Fortunately for you, he pulled his hips back, giving you a short break from feeling so full. It was short lived though. Seconds later he snapped back in. That began the quick rhythm he set into. It was desperate and needy, emotions he'd tried to hide until this point.

You whimpered as your body bobbed with the momentum. His thrusts bounced you back and forth. The sounds of his body smacking against yours filled the room. His fingers dug into your waist hard enough to bruise. You didn't complain about the minor pain though because you could tell he was holding back in every other regard. If a few marks on your side kept you from being pulverized by a super cock, then that was a burden you were willing to carry.

Above you, he starts to pant. His breaths leave him raggedly huffing, sucking down what oxygen he can get in the midst of rutting into you. He tilts his head down at you and gazes at your blissed out face with lidded eyes.

"I could have anyone. Any person on this Earth would be mine if I wanted them to be. But the only one I want is you. Doesn't that feel good?" he breathed.

"Yes!" you cried out. Your back arched up off the couch. "Feels so fucking good, sir."

He leaned into you more, squishing your body into the surface below. Your thighs pressed against your tummy as he bent you.

"Yeah, it does," he grunted, "It's all there is. It's all you need to think about. How you're all mine."

"Mhm," you whined with a lazy nod. You were getting closer to cumming and responding to his words was taking a lower priority in your mind.

"And to think you tried to deny yourself of it," he mocked. He clenched his jaw and slammed into you harder.

You shrieked and clutched his shoulders. In the back of your mind, you hoped his penthouse was sound proofed or at least enough distance from the nearest one. Otherwise you wouldn't have to tell anyone about this incident for it to spread throughout the tower.

"I knew better, didn't I? I knew this is what you needed," he said.

Again, you nodded. You felt the heat in your belly reaching the boiling point.

"Say it," he huffed.

You tried to force it out, but your own hiccuped sob of pleasure cut you off. He didn't give you a break though. He stared down at you with expectation, so you continued.

"You know best- uh, fuck- you know best, sir," you whined.

"Good fucking girl," he growled on top of you.

He was already close from the blowjob you'd given him. Only a few strokes more, and he was ready to explode. He swiveled his hips, angling them upwards to pound into that special spot that would make you see stars and stripes.

You mewled when you came. Your body trembled harder than it did when you were scared. Arousal gushed out of you and coated his skin. He huffed and buried his face in your neck before letting go.

Everything faded into the background as you laid underneath him in the haze that came after the absolute high of pleasure. Now you could feel his heartbeat too. The organ thundered against his chest over and over as he came down.

Minutes later he pulled back. His knuckles caressed down your jawline before he climbed off of you entirely. He sat back on the couch and let out a deep breath. You weren't sure whether you were supposed to pick up your stuff and leave or follow along with him and stay close to his side. There was no real indication of what he wanted in this moment, but he turned to smile at you and huffed out a laugh.

"I think I'll keep you with me more often now. Really show you the ropes of fitting in around here."

You sat up and nodded awkwardly. He leaned toward you, cupping your cheek.

"I'll be a much better teacher than Ashley ever was," he said. His arm snaked around you and pulled you to his chest again. "No more errands or coffee runs. I'll show you things you need. Things that you'll enjoy."

He ran his fingers over your face and kissed your temple. The touches were tender against your skin. They would have been romantic if your mind wasn't racing with what this all meant in terms of your job and the grand scheme of your future.

Looking at him though, he wasn't worried at all. He smiled down at you before whispering once more.

"My sweet little pet. All mine now."

[jasperthehatchet]

Upcycled jewelry time ;) I had this leather zipper piece I harvested from an old purse and turned it into a spike bracelet 🌿⭐️

I used some large sew-on snaps as closures and i added some charms to the zipper. It was a fun project and it helped me out of my art block a little bit :)

[Image ID: an 8 inch long and 2 inch wide black leather bracelet with a black zipper in the middle. The two segments when unzipped are about half and inch wide and each segment has seven half inch cone spikes lining them about an inch apart fron each other. Both the leather segments have white stitching along all the edges from when this zipper piece was attached to a purse. There are large silver snaps on the ends of the bracelet with black embroidery thread attaching them, and on the loop that the leather zipper pull is attached to, there's a large safety pin with beads on it. two black wooden beads and a big green plastic star bead in between them.

End ID]

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[gootarts]

as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)

as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.

the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.

Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.

A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.

The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).

Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.

Segments about the termination on the MBN 7 o' clock news and MBC's morning news

Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.

Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.

A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.

Digging up verified reviews from previous employees regarding the company's poor management practices

Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.

Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.

To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.

[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]

[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]

let me know if anything needs correction or if anything should be added.

[buzzingroyalty]

how to grub your karkat

or you can use this for any other plush or if you wanna make a whole new plush entirely or whatever

disclaimer im not a professional in any sense of the word and theres anything technical im doing wrong or you think you can do it better by all means dont hold back

Things you’ll need

sewing machine unless youre really dedicated but doing it by hand is gonna be an agonizing feat i promise. I just used a straight stitch for everything

Fabrics: for the main body i suggest a minky or something soft, for the inner lining something in the same color as the main body and ideally with some stretch, and anything black for the legs. Less than a yard of each will do

if youre using minky or anything furry get a lint roller. Trust me

stuffing, i used polyfil

threads that match your fabrics

good fabric scissors

sewing needle for hand sewing/fixes

karkat plush (optional)

Heres the pattern i came up with! They are numbered for your convenience and pieces with the same numbers are going to be part of the same row of segments. cut everything out on the black lines (Make sure when you’re printing to fit the image to the page size.) on the left we have the belly pieces, the right is the main body, and we have the foot in between

Im using a relatively thin minky fabric, im sure you can use whatever but something with some fluffiness kinda helps to mask any imperfections in the sewing. When drawing out your patterns keep in mind what direction your fibers settle in and try to keep it consistent

On the wrong side of the fabric measure out at least a half inch seam allowance around each piece of the pattern, i used a centimeter and that worked but had me sweatin a bit.

For the main body pieces fold your fabric in half before you cut so you can have 2 of each segment that are mirrored to each other, i also extended all of the #1 pieces an additional centimeter/half inch at the top so we can fold them over at the very end. I highly suggest numbering the insides of all the cut pieces, especially in a way where you will remember what direction they are each meant to sit

After you’ve numbered all your pieces, set them aside and start making your feet!

Each of the 6 legs is made of two pieces, but i because i only had a swatch of the black minky i made up for the rest with some random black scrap fabric from an old project. Try to keep your fabric consistent if you can lol

I didnt give these pieces any more seam allowance on the fabric but i recommend adding a centimeter or half inch to the base of it to extend the length and have some more wiggle room

like so

Instead of cutting out 12 individual pieces and struggling to stitch them all together i started with 6, then pinning each piece real tight with the right/furry side down onto my secondary fabric, and slowly stitching around the shape real close to the edges- DO NOT CLOSE THE FLAT SIDE as we are going to stuff the feet through here

Now cut the shape out of the fabric and repeat till you have 6 feet

Now flip those bad boys inside out, stuff up, and if you wanna you can match them to their best pairs

now grab a pair of feeties and your #1 pieces and line them up, in this picture my belly #1 piece is shorter bc i forgot to add the extra centimeter and i recut that once i realized. Line those sides up with the right/furry parts touching and with the feet in between, flip it around to make sure everything's sitting the way you want it

Note. i didnt realize until later but i sewed my feet in upside down. save yourself the time it takes to fix it and dont make the same mistake

Straight stitch these layers together and repeat with the next two segments our good friends #2 & #3

Repeat this for the #2 and #3 sections but NOT THE #4, that part doesnt need feet! just line those edges up right/furry sides together and sew

the secret to the squish of the suit is making this inner lining from another fabric and stuffing it! I used what i had leftover from a stretchy red fabric for a kanaya skirt. For this we need to make a new pattern for each section, making sure it follows the curve of the round edge but the piece itself is shorter, almost like youre removing the seam allowance you added. Mine is a centimeter shorter on the top and on the bottom and reaches to the middle

Make one of these for each numbered segment,you only need to make half the pattern and you can fold your fabric in half on a crease and you end up with one symmetrical piece (bars)

Now you need to pin these pieces right on top of the wrong side of your numbered furry sections and line up the straight edges like so (disclaimer for LOTS OF SCARY NEEDLES !!)

Admittedly i didnt estimate how long these pieces needed to be very accurately and overshot it a bit, if you start pinning it from the middle and continue outwards on either side thatll ensure its not too lose and you can cut off any excess after

The only exception is piece #1, if you recall we gave this #1 section extra seam allowance. This is so we can sew down that excess at the neck later and hide any of the inside that might show once its all put together. Do not connect the top edge to the inner lining! Since i added an extra centimeter earlier im gonna leave that hanging and pin + sew down the inner lining a centimeter lower than the top edge. LEAVE THE CURVED EDGES OPEN! DONT SEW THEM TOGETHER! those stay open to stuff

Straight stitch the lined up edges together

Now you have all these skinned pieces of little freak and we need to connect all these segments together making sure to sew UNDER the existing stitches so we dont see those on the outside when its all put together

Inside looks like a bit of a mess but thats fine bc its not the part that matters

Now stuff it! you might need a stick or pencil or something long and thin to get stuffing into the middle bits

Now thats its stuffed you can finally close those curved edges. Try not to sew over a thick mound of stuffing, push it in a little further to give yourself some space and you can fluff it back out after everythings closed. I cut off that excess lining fabric after sewing

Ough… they filleted my boy…

Finally, match up all the edges and lines and HAND SEW them right sides together. You will destroy your machine trying to work around that stuffing i promise. You also have an excuse to get up from your work desk and sew on a couch or smth. I used a standard backstitch for a tight finish and again, make sure you sew under any existing stitches so they arent visible on the outside!

Speaking of the outside, once you stitch everything together you can very gently flip this sucker inside out

This is @hatamonu’s cat Cocaina, aka Coco. Her perfectly square figure made it into my grub files somehow so shes essential to the tutorial

Check the fit and all thats left to do is roughly baste stitch down that excess neck fabric onto the stuffed lining and youre set! I gave the thread slight tugs as i went to tighten the opening a bit put dont tighten it too much

tadaaaaa

It fits pretty snug but starts to slip a bit with motion. Heres a bounce test

 If you do shake your baby make sure to safety pin the plush to the suit so he doesnt prematurely shed his exosekeleton

Now spread that baby fever and show your baby to the world

pics from the ALA 2025 homestuck meetup and supplied by para.dox.cos

Tysm for coming along this ride with me especially if you followed the prototype journey on twitter, much thanks to my more sewing savvy friend for the solution to my grub dilemma and for helping me design and build my dolorosa cosplay <3 much love and hopefully many more homestuck cosplays and meetups to come in the future!

[moosha-mushroom]

Media I imagine different fiction podcasts in instead of the media of being a podcast.

TMA: A selection of volumes, relating to the fears, each with those removable covers. Those covers has a victim or two, and then underneath the cover is a really detailed cover. The paper is decoratively ripped, with a kind of scraggly font, and each has a foreword and ‘author’s note’ from Jonathan Sims.

Malevolent: A really gritty graphic novel with deadly detail in each panel, and very little color. Maybe a trinket on each important character has a color? Like Arthur’s eyes being yellow or Oscar’s collar having a blue sheen to it. The novels are long, dramatic, and intimate in a visceral way.

Welcome to Night Vale: Local 58 bullshit. A broadcast on television with low quality images and audio, tacky music, and a kind of 80’s aesthetic. Each episode the words WELCOME TO NIGHT VALE zoom onto the screen, the purple eye behind them. And each weather segment is an animated short by a different artist.

The Penumbra(Juno Steel): A webcomic. Hours spent scrolling downward a comic that has so much color and GEOMETRIC design. Juno and his curvy jaw, brown pie slice eyes, a cartoonishly high collar for his investigator jacket. Nureyev and his sharp square jaw, shimmering jewelry, and stick legs. Characters sticking out of the panels, fonts changing constantly, a little blue Juno that does his narration and *guitar theme plays* each time he appears.

Wolf 359: A classic comic. Issues month by month. Different special covers of the characters in extra dramatic poses or scenes. Even MORE panel breaking than Juno Steel. So MUCH onomatopoeia, even for small things like the clink of a panel or the disapproving hiss of Hilbert in the background. Geometric designs like Juno Steel, but less colorful. Like the superhero art style mixed with a more stylized look.

Midnight Burger: You pull up the Midnight Burger website. They have a hidden page that has a sort of script-comic thing going on, where the art is next to the writing. Small coded in notes from Leif sometimes pop up if you hold your arrow over the art. Links are attached to the parts where Effie and Zebulon play music, linking you to the music so you can listen to it while you read.

Desert Skies: An animated show. Indie, something you’d find on YouTube. The animation is bouncy and incorporates 3D animation alongside the 2D. Maybe the Sphere Movers have 3D models and the staff don’t? The credits are short because it was made by one guy. People are complaining about it on Twitter /j. People are making content farms about it. Everyone is pissed at Corson like they’re pissed at Jax.

The Amelia Project: A sort of simulation video game. You play as Arthur. You listen to their stories and draw pieces of the tale to invent their death. Every once in a while the game transitions to a point and click suspense game where you solve puzzles as Cole and Haines. Maybe there should even be an Operation-esque part of it where you work as Kozlowski.

Ghost Wax: A novel with a lot of pictures spliced in it. The stories are all in a single book, though the book is through Luca’s perspective— so he picks up on the ghost’s body language and Voncid’s reactions. The pictures are tarot cards with each victim as a card. Some are repeat cards— Lorem does not have a card at the end of the story. Nor does Our Home or Evening at the Ardent. The pictures are only white with black line art. No color whatsoever.

Kakos Industries: A company newsletter. Not a broadcast. A newspaper that arrives at your door and has big bold letters with the main story and pictures of the events that happen in the story as it goes. And the Sunday Comic page is full of employee shenanigans. Some innocent… some not.

I am losing my mind.

[jojaxcola]

So I, like a lot of people, love your mockumentary series. And this is a stretch and probably won't get done for ages but could I use your mockumentaries to write a fanfic? It won't be long or complex, more of an extension to the scenes you've drawn. I'll give credits, don't worry but yeah.

But if I do, I'd love if you answered a few characterisation questions.

I know the farmer filmed some but is any of it not farmer filmed?

Why is the farmer doing this?

Are there any fanon or hcs you used to create characters that I should use too?

Expect more soon + updates

Thank you so much!! I had this in my inbox for a while and I've been thinking for a while about how to answer, because I'm not sure how much I want to give away at this point in the series hehe 👀 but I hope these answers are helpful

I consider the farmer/producer to be the project lead and to be present for everything that's being filmed. While they take on some of their own filming, they have a small crew to handle things like camera work and sound. During the talking head segments, the farmer is the one prompting them with questions as needed

The farmer is still a Joja employee like in the beginning of the game, but not with the same office desk job. Their team has been tasked with filming a documentary series highlighting the happenings of a JojaMart location, and the farmer was the one to propose the relatively new Pelican Town location due to their grandfather's love of Stardew Valley. So they're still a newcomer to the town, but they don't have the farm. I might stay a bit quiet about the farmer's ultimate motivations for this project, though... :)

This one's a bit tricky since I'm not totally sure how to narrow it down hehe. One thing I'll say here is that I altered Sam's work schedule to have him appear in the store more often (since in the game he's only there like six hours a week). I'll also say a little bit about how I like to characterize the main players in the series:

Sam is someone whose cheeriness is partly genuine, but also partly because he needs to be the guy who keeps everyone positive in tough times. It's important to him to make sure everyone feels included and not forgotten. Sam isn't dumb—he's actually very creative and resourceful—but he does tend to rush his thinking and follow bizarre trains of logic. He doesn't like to slow himself down, and when he dwells too much on his thoughts he tends to reach uncomfortable conclusions.

Shane has an extremely low opinion of himself, but keeps himself going at work to provide for Jas and to not be a burden to Marnie. He's easily annoyed and has a tendency to push people away, but he's not completely shut off. He'll accept gifts and other gestures of kindness but doesn't totally understand why he's getting them, or why he even deserves them. He needs significant and repetitive convincing to believe any friendship with him is genuine. Shane believes that life is harsh, and he tends to fixate on difficult truths. Sam's optimism frustrates him, and he sees Sam as a naive little boy who will be eaten alive by the cruelty of reality.

I don't like depicting Morris as cartoonishly evil. I think it's more fun to make him "corporate evil", where his villainy comes from a "socially-acceptable" disregard for the little guy. He'll go on about how the JojaMart personnel are one big family, but he can't even call his employees by their names. He thinks he's above his staff, and he's satisfied by the idea of getting to look down on someone; he views higher-ups as having earned their power, and that looking down on others is just part of that package. Morris loves to project the image of human connection, not because he genuinely believes in it, but because that's what appeals to customers. And he'll do everything he can to convince Pelican Town that Joja is the answer to all of their problems.

I also like to pepper little personal headcanons into the different entries (I like to think Sam is left-handed, so I wrote his notes on his right wrist in no. 5) but I think listing them here would bloat this post :o

Please feel free to ask anything else about the series (or individual scenes), this was really fun to write up! And I can't wait to see what you come up with!! :D

===============

Follow ups to this post (I might make a separate FAQs post if needed):

What has become of the community center? (@happycomputertimetravel): It's still dilapidated. I consider the jojamart series to have the town in the same state as it is at the start of the game (so Kent is still overseas, the bus is still broken, etc.) unless depicted otherwise

[pen-and-umbra]

After some thought, it's probably best that SE gave Sephiroth a source of regret that influenced his future life. It is consistent with the events unfolding in Crisis Core and provides more insight into his state of mind following Genesis' desertion.

In Ever Crisis: First Soldier, Sephiroth was faced with a choice: either follow the request to kill someone or allow the people he had grown to care about to die. The decision resulted in a squabble with Glenn and a degree of estrangement. Later, EC Wutai segment shows that the event had left a lasting impact. Not only does Sephiroth appear to be more reluctant to resort to violence first thanks to Glenn, but he is implied to lament the fact that he couldn't save everyone (Rosen).

This contrast is evident in the inner conflict of being praised as a 'hero' (a manufactured image) versus the reality of being one. Sephiroth resolves to embody a true hero, striving to uphold strength and 'save everyone,' avoiding the difficult decisions of choosing who lives or dies as well as the burden of killing or witnessing death under his command. Sephiroth failed to convince Rosen and failed to find another way that brought about no casualties. Even ten years later, he pushes himself to clear a path for cornered grunts, fueled by his insecurity over past failures.

This insecurity also connects nicely to the events of Crisis Core. Sephiroth pushed those missions on Zack because he had a history of failing to persuade someone (Rosen) to change their minds, and the prospect of reliving the same situation while confronted with someone he cared about was unthinkable. It demonstrates that Rosen's case affected Sephiroth, leaving a lasting impression on his actions and decisions.

Even further, the desire to save and prevent casualties is evident in FFVII Rebirth, when the ShinRA squad, led by Zack and Sephiroth, is flung into the mountain stream after the rope bridge collapses. Sephiroth successfully grabs younger Tifa, but is unable to reach another grunt in time. The camera stays on the scene for a while, focusing on his slightly haunted expression.

Following the cut, Sephiroth spends hours looking for his washed-away squadmate. Allow it to sink. After two hours, the rest of the company was still recovering from a dip in a harsh stream, but he was up and about, scouting the cross-country area and going out of his way to find the missing rank-and-file. It's a testament to more than just physical endurance. It strikes a stark contrast to how the episode concluded in the original game, where Sephiroth chose not to search for the missing person, leaving them potentially stranded or deceased. In the remake, it was clear he disliked losing people.

And yet, despite the efforts, it just kept happening. He couldn't save Angeal, he couldn't sway Genesis. By the time he arrives at the Nibelheim reactor, his confidence in his ability to save the day must have plummeted.

It oddly echoes what Cloud goes through at the beginning of Advent Children. And, chillingly, an illusory Sephiroth in Sector 8 in the first part of the remake delivers a biting remark to Cloud:

“You are too weak to save anyone. Not even yourself”.

Which sounds almost projection-like in the context of a broader compilation.

@pen-and-umbra

[officialcreepypastareheated]

IF WE CAN GET THIS POST TO 40 NOTES I WILL MAKE A FULL ANIMATIC OF JEFF HARRISON DOING A WENDYS MUKBANG

DEADLINE IS AFTER NEXT SATURDAY

THIS IS NOT A JOKE

original image by stainedge you should go check him out

MILESTONES

40 Notes - Jeff Harrison Wendys Mukbang

50 Notes - I find someone to voice him

60 Notes - I do a Wendy's Mukbang in Jeff Cosplay

70 Notes - I try to animate a segment of the animatic

80 Notes - I post a sneak peek of some of the Jeff Harrison comic

90 Notes - I post a whole page preview

100 Notes - I post a whole written segment of the story

Anything past that - I cry /pos

BTW while i have you here

Also, check out my commissions and other projects!

[fatuismooches]

Idk if this had been done yet but Dadtorre having a son that looks exactly like him that people mistake his son for a segment?

His lover finds it hilarious, they had their suspicions when their son first came to the world, which grew stronger the moment the infant could open his eyes, showing that red they so loved. Surely, the kid wouldn't be the spitting image of his father—

But then he reaches toddler age and he has the same hair. He's literally Zandy 2.0

His lover would be giggling at him, especially when Dottore has a faint hue of pink embarrassment dusting his cheeks. Damn it, who knew his genetics would be this strong?! Now everyone thinks he'd made a second child segment!

He's not getting 'Congratulations!' He's getting: 'Doctor, why have you made a second segment of your youth...?' from his colleagues!

Things get especially awkward when their son reaches around Alpha's age, people start mistaking him for the segment and give him reports unprompted.

A researcher could spout at him about his father's latest project, and the son would go: "Okay, I'll be sure to tell my father that :D" cue in the horrified look of that poor researcher. Does this count as dissemination?!

While their son inherits his father's face, he did not inherit the personality. Which means they now have a boy who looks exactly like Dottore, but has his spouse's personality running around the place. So people mistake him for this particularly bubbly and chatty segment (he definitely got his father's intelligence though so him tinkering with stuff in the lab doesn't help)

Oh, and for a tinge of angst :3

He inherits the illness.

There would be days when he can't get out of bed at all, pain shooting up all through his aching joints, making every twitch agonising.

This fuels Dottore to find the cure even more, for a memory haunts him. That night where he found his spouse comforting their child all those years ago, cradling his little body close to their chest, on their lap as the child sobbed, begging for this terrifying persistent ache to stop. Dottore could only stand by the doorway of his son's room as his spouse gently hushes him, false reassurances falling in abundance from their lips, promising that they will teach him how to deal with the pain for they have it too.

Dottore swears that he will save them.

Before your son was born, you had always teased your husband about the possibility, to which he scoffed at. (Perhaps a part of him wasn't sure what he'd do, knowing they'd bear such a resemblance to him, a monster.) Of course, you end up being right and you have laughed about it multiple times, much to his dismay. (Despite his kid's resemblance to him, his ever-observant eye still manages to pick out your features that had passed along to his son. The more his kid grows, the more he notices them both physically and in his personality, and he notes them all down, not wanting a single one to slip by him.)

Although the comments he gets are a nuisance, he supposes they aren't unwarranted. After all, it's still probably more believable that he made another segment rather than him having a child. A lot of times he brushes these questions off and said colleague doesn't find out until you break the news to them. They go so pale you think they may collapse in that instant (flashbacks to the time they provided him information, and wondered why he seemed much sweeter than he usually did.) It's probably so unnatural for others to see - the poor agents are getting whiplash from dealing with their boss's coldness and then being greeted by the child smiling widely at them. They watch as his son and you tease the Harbinger in front of them with no remorse. It's a bit scary, to be honest.

Your son inheriting your illness is no doubt your worst nightmare. You would think that Celestia punishing you would be enough, but no, they have to hurt your child too. You have to watch as he relives everything you did, watch as he's robbed of his childhood and so many memories and experiences. You resort to sleeping with him in case he's woken up from his pains and cannot sleep, your only remedy being to hold him and usher him back to sleep. Ignoring how your own body shakes as he cries. Promising that he's going to be okay (even though you're still not.) You can only look at Dottore with an exhausted smile before tucking your son in again.

You believe in him, if only for your son.

[andranikfakirian]

Project "ML.Satellite": Launch

The new semester brings to me a new ML project. A prerequisite for getting a good grade for a mandatory data analysis course is to create the beneficial neural network of medium complexity. Thus, I started a project "Machine learning model for the terrain segmentation".

The idea of project is to train a model which could divide the multispectral satellite images into parts by type of terrain (to mark where land and water are in the image, where forest and snow are, etc.) An analytical solution for this task does exist, but it appears to be empirical in nature. And it would be really nice to devise a model independent of this solution. But I haven't been able to find a useful dataset for such a task, therefore this task is getting more and more difficult since I need to create such a dataset. First of all, this dataset will be created using an analytical solution, so the goal changes from trying to beat the analytical solution to trying to catch up with the existing solution. The resulting dataset will be published by the end of the project.

The dataset will be "manufactured" using the data from the Landsat 8 satellite. It provides the images of 11 bands with an aspect size of about 5000-10000 "pixels", excluding the 8th band of doubled size.

P.S.: Below is an example of an image band reduced in size by 10 times.

[moononmyfloor]

Riverside Code at Qingming Festival ( 清明上河图密码 ) : Qīngmíng shànghé tú mìmǎ Cultural Meta Masterpost

All the images are taken from show's official Weibo

Riverside Code at Qingming Festival is our newest Big Chinese Period Drama, as in actual proper historical drama. The premise is a series of mysterious murder cases that happen alongside the Bian river that flows across the capital of Nothern Song Dynasty, Bianliang, during the time of Qingming Festival, at the same time as the painter Zhang Zeduan happened to be drawing the world-renowned painting Along the River During the Qingming Festival.

In other words, the show's based on a novel that was inspired by the said artwork and the possible intrigues that the hundreds of people captured in that painting must've undergone during that time, long long ago.

The show was officially announced on 2023. 10. 18, and had been relentlessly promoting its content, how much research and historical reproduction and replications and all that went into the project. The episodes themselves (which you can watch here for free with Eng subs) have an ending segment called Song Dynasty Encyclopedia, to educate the viewer on the significance of the painting and other Song Dynasty trivia.

And rightfully so, if you watch this short BTS video you'll realise what a MASSIVE project and labor of love this was and they should be proud of it and boast about and promote their work to heaven and back.

And as always, I dove headfirst into all the meta crumbs I could get my hands on and am gonna compile them here and share with whomever else is interested! 😁

Mind, the translations might not be super smooth, my Chinese is but elementary but I'll try to provide more external links to supplement the posts so you can read from people who know better!

.

1. Nuo Opera

2. Restoration of Bianjing City based on Zhang Zeduan's Painting

3. Nightlife at Bianjing City

4. Food

5. Posters

6. Fashion

7. Miscellaneous

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