#in terms of her fighting ability i feel like it undermines how she uses her smarts to create the weather

[eiilese]

done with whole cake island!!!

[tumblingxelian]

https://www.giantitp.com/comics/oots0657.html

This speech by Xykon about the nature of power to Varsuuvius really does feel like it applies to Ironwood to a T, albeit if Salem was saying a variation of it to him, it'd probably be more faux-compassionate and evil mother-like.

And it's true. Ironwood doesn't truly understand power outside of a very narrow scope of the Atlesian Military or technology, or using brute force to make others obey him.

Ironwood's army is finite and limited by the number of people willing to fight for his cause, his resources available to make his machines of war, and his own ability to properly command. Salem's army is nigh-infinite, and they do not need sleep, rest or need to worry about casualties.

Whatever technology Ironwood has can be undermined by finding their weaknesses, something Salem did by having Watts, and only further undermined by Ironwood's lack of care for Mantle, giving them an easy opening.

But it's not even just from that perspective. It's also a matter of Ironwood having very little power himself.

He knows little to nothing about war outside of skirmishes in an otherwise peaceful era, while Salem has been doing nothing but fighting a war for centuries.

He only has fear/respect from a cult of personality ready made from his society's indoctrination and blind obedience to the powerful, from a society that put him in power as a result of its warped ideals, and can just as easily take that power away from him if it wanted to. He cares nothing for understanding his enemies (he still never sent those scouts like Ozpin pointed out to him in V2), presuming to rule through brute force and treating everyone who isn't him as a replaceable cog, which only ensures that any differences are guaranteed to eventually come into conflict with him.

Salem has fear and respect because of her talent for manipulation and understanding of the underlying roots of her follower's desires, thus allowing her to maintain her hold on them under the illusion of choice even as she pulls their strings. While they are interchangeable and replaceable, she has the benefit of being able to outlast them and simply alter her plans to deal with it, and the skill to manipulate them well enough to get them under control if she deems it necessary. And she makes the serious effort to truly understand her enemies, allowing her to make them destroy themselves with their own flaws without ever needing to put a finger on them.

The simple reality is evident: Ironwood was a damn fool to think he could ever match her power to power, because not only was his understanding of power as shallow as the facade of Atlas being powerful and great, but he was outmatched in every aspect. Salem beat him not just in terms of raw power, but also in terms of her ability to use the variety of powers at her disposal effectively, while Ironwood kept on trying to make all of his power and resources funneled into essentially a club to beat down his weaker critics.

Without her power, Salem would be a gifted manipulator and mediator. Without his power, without Atlas, Ironwood would be nothing.

I honestly cant add anything more here, this is brilliantly put, kudos!

Though speaking of OOTS, I am also reminded of Xykon's other secret insights regarding power:

"Its not about how far you're willing to debase yourself before feeling bad. And me, I ripped off my own living flesh before I would admit to weakness. That, that right there is the difference between Evil with a capital E and your whiny evil but for a good cause crap. One gets to be butch, one gets to be bitch. Bitch."

Though that doesn't seem to be a thing Ironwood had an issue with, which does scan well with Oscar's "Then you're as dangerous as she is James" line.

[oceanbornnomad]

Gaslighting, what it really is and how you can prevent it:

The term gaslighting is a trendy term that many use and know, specially,  across social media platforms. But even though gaslighting is a trendy term, the behavior it’s meant to describe is incredibly toxic. Gaslighting causes a victim to question their own feelings, instincts, and their overall perception of reality. And while many forms of emotional abuse present similar characteristics, pinning the term on just any emotionally unpleasant situation muddles the meaning for those who experience it firsthand, thus creating confusion and misconceptions about what gaslighting actually looks like. So how can you tell if someone is gaslighting you, or if it’s something else entirely? Let’s discuss.

Let us say you being misgendered and you tell someone: “I really feels so sad about this and angry.” And their response is: “You’ll be fine. Don’t be dramatic.” They are suggesting that your reality is inaccurate, that what you are feeling is not actual sadness or anger, you are just being “dramatic”. To label these feelings or concerns as drama explains the gaslighting concept, kicked up a few notches.

“Gaslighting is similar to the concept of invalidation. It’s undermining somebody’s sense of reality and denying the facts, and their feelings, to create what is a blatantly false narrative. It makes someone question their judgment, their perception of reality, their experience, and sometimes their sanity.” Over time, being gaslit breaks down the victim’s self esteem and their own ability to trust their own perspective on things or values. The main goal of the gaslighter is to assume and remain in control of X situation. They are in control because they have eroded the victims trust and perception of facts. In social media, we then experience the pack syndrome, in which people take advantage of the fragility of the victims reputation and try to further invalidated.

What would be the difference between a simple or complicated disagreement on a subject to gaslighting? Let me give you an example: A crime has been committed and the sole witness of such crime is a prostitute. The fact that she is a prostitute should have no bearing in her account of the facts; however the defense lawyer, “intentionally” brings up her sex-worker status to gaslight its validity. The operating word here is “intentionally.” The gaslighter wants and needs to undermine the victims validity. The prostitute’s choice of work doesn’t invalidate what she witnessed. Lying IS NOT always gaslighting, a person may lie or try to when they feel they are in a certain situation; for example: You catch your boyfriend - girlfriend cheating on a social ap. then they try to lie their way out of it by saying things, like I do not know that person or that is a fake conversation; this would be an habitual liars response. However, if the response goes: “You made that up”, “you faked that so you could have a fight” you are a crazy jealous person”, this is gaslighting.

There are several gaslighting techniques an emotionally abusive person can resort to, including countering their victim’s memory, pretending to have forgotten what actually occurred, and trivializing their victim’s needs, feelings and reputation. “This isn’t a big deal; this person is being dramatic”; “You’re so entitled”; “You’re going crazy”; “There you go again, bringing up *insert thing here*”; “No one else will believe you”; “You are toxic.” The real kicker is that most gaslighters have issues like childhood trauma, fears, control issues, power and dominance. In a social environment they want to give the impression of Money, Power and Fame.

For additional support, the person who believes they’re being gaslit should aim to keep proof of everything—texts, photos, actual receipts, recordings, and more. The documented info is helpful, not only to have proof against their gaslighting person, but to have something that grounds them in reality while confronting the person and eventually “the pack”. On social media a victim needs to find a safe place, do not be afraid to block or exclude people that gaslight you. Surround yourself with people that supports you. The most important part for a person that has been or is being gaslighted is not to win an argument or followers and likes; the most important part is to auto validate yourself, your feelings and emotions and moving forward learning that they do not need external validation to be on the right.

[tc-doherty]

Hey friend!

How would your OCs [including Ithea] describe love?

@bloodlessheirbyjacques ✨

@bloodlessheirbyjacques

Hello! Well I can't possibly do all of my OCs but I'll do some Silverwood characters for you.

Ithea: protectiveness. She doesn't really trust other people or open up to them, but if you're willing to fight for someone and put yourself at risk for them, that's certainly a kind of love. Although she probably won't tell you that she's doing it for you haha

People didn't really understand why, if she really hated Seilez so much, she didn't just go challenge him directly which is what Drezhein would more typically do. And part of it was because she was terminally ill but part of it was also the fact that he was very hostile to other Drezhein so if he managed to get any kind of power in Tsime, that would cause problems for those of her children who were Drezein. If he was only in power in Cylli then it wouldn't affect them.

Anthem: normalcy. Knowing someone well enough that you can just be yourself around them, and they accept that too. Passion is great and all but you can get that anywhere, in his eyes. Being around someone consistently enough that they know all of your idiosyncrasies and you know all theirs, and neither one of you feels the need to pretend to be something you're not, that's much rarer. Although he an Ithea fought like cats and dogs, that was also just part of their routine. It was expected, it was normal, it was part of the life that they built together. It was, to them, comforting.

Cyan: weakness. It's something that can be used against you, something that can undermine you, and something that should not be encouraged. When it comes to familial or platonic love, she's more similar to her mom in that it's the ability to protect and provide for people, without requiring anything in return.

Kaite: eagerness. You should be a little eager for everything, from seeing them or spending time together or planning the future or even navigating challenges. Love should make everything at least a little bit more exciting, no matter how rare or mundane. Something that should make happy things happier and unhappy things less unhappy. It should make you willing to try your hardest, and give you motivation to keep going no matter what's happening.

Kier: home. Some people would say that Kier does not love his wife because, like his father before him, he's a proven whore. In fact Kier and Anise love one another, but they don't need one another nor are they drawn to be together constantly. Love is a place to rest, to heal, to recharge, to offer support and be given it. It's something that you know is always waiting for you, no matter how far away you roam, it's always there to return to when you need it.

Dumas: constant. Kind of like his dad honestly. Love is something that grows with time and work but once it's there, it's something that you can rely on being there. Love is found more in small moments of existing together then in flashy demonstrations or fits of passion. It's something that can accompany you long term even if the situation changes. If the love was there once, then it's always there, if you make an effort to maintain it.

Ro: partnership. Love takes two people, after all. It's giving support and receiving support, or giving protection and receiving protection, providing something the other person lacks or having it provided to you. It's going through life with somebody where each person provides what they can, so the two can meet in the middle and proceed together. I think she would also say love should be unconditional. What people need and what they can provide are different, and if you truly love someone you should be able to adapt to that. As long as everyone involved is earnest about it, then love can flourish.

This was a fun question, thank you!

[causeiwanttoandican]

Robert Lacey excerpt

I fully expect them to say William was the one commenting about the baby’s skin color after this. Battle stations! Book excerpt

The Times

Prince William ‘split his household from Prince Harry after Meghan bullying claims’

June 07 2021, 7.00am BST

‘So, are you saying,” asked Oprah Winfrey, talking to Meghan and Harry in their famous interview of March 2021, “that there were hints of jealousy?”

She was inquiring about the Sussexes’s wildly successful tour of Australia and the South Pacific of late October 2018, and the couple shifted uncomfortably in their plush wicker chairs.

“Look,” replied Harry, “I just wish that we would all learn from the past.”

By bringing up “the past”, the prince was venturing into an area that was almost taboo. He was making a sensational comparison between his mother and his wife. Harry was suggesting that Meghan had demonstrated in Australia the same massive star quality as Diana and was now having to face the family envy that went along with that.

“It really changed,” he said, “after the Australia tour, after our South Pacific tour . . . it was . . . the first time that the family got to see how incredible she is at the job. And that brought back memories.”

Memories of what? Again Harry shied away from putting words to the almost unmentionable. But Oprah had prepared and polished this moment, like so many others in the interview, and she had a reference ready to prompt her prince’s revelation. The latest, fourth season of TV’s The Crown had depicted Charles and Diana’s 1983 tour of Australia, showing how Diana had been “bedazzling” in her ability “to connect with people”. Episode six had depicted how the crowds would groan when they realised that Charles, not Diana, was walking down their side of the street — hence the beginnings of the “jealousy” on the family’s part.

“So is that what you’re talking about?” asked Oprah. “It brought back memories of that?”

“Yeah,” Harry finally replied in a fashion that was both dismal and unmistakably aggressive.

What on earth had happened, viewers had to wonder, to the old and once-familiar happy side of Prince Harry?

When trying to define the moment that marked the decisive rift with his brother William — the break-up and actual separation of the joint household they had established together in 2009 — Harry would fix upon his triumphant return with Meghan from their Australian tour at the end of October 2018. But if asked the same question, William would have fixed on a more specific event: the explosive argument he had had with his brother earlier that month.

Both brothers agreed how bitterly they had clashed back in the early days over William’s attempt to slow Harry’s courtship of Meghan — “Don’t feel like you need to rush this . . . ” But both of them had subsequently moved on. Harry’s transparent contentment with Meghan had relaxed the tensions, give or take the odd row over bridesmaids’ dresses. The “no speaks” had eased just a little by the time “best man” William escorted his brother down the aisle in May 2018.

Then five months later came the conclusive and determining rupture — the division that has lasted to the present day — though here the brothers’ retelling of history diverged. As Harry explained it to Oprah, Meghan’s Australian tour success sowed the jealousies that caused feelings to “change”. According to this scenario, William and Kate resented the Diana-like popularity that was generated by Harry’s wife. William had a different recollection.

We now know that Princes William and Harry were no longer on speaking terms before the Sussexes set off for Australia. Feelings had already “changed”, as Harry put it, and drastically so. The brothers had parted on extremely poor terms, with the trouble centring on Meghan’s stringent treatment and alleged bullying of her staff.

Most Kensington Palace courtiers were noted for the comparatively long tenures of their comfortable and prestigious jobs. But it came to look as if employees could not wait to escape service with Harry and Meghan. Those who left formed themselves into an informal fraternity that they titled the “Sussex Survivors’ Club”. They had finally hit back, and their organising agent had been PR man Jason Knauf.

The joint communications secretary for Kensington Palace — who was still, at that date, working on behalf of both of the brothers and their wives — had become concerned by the numerous stories of mistreatment being brought to him by colleagues whom he knew well and trusted.

Texas-born and New Zealand-educated, Knauf, 34, was a popular character in Kensington Palace, widely noted for his friendliness and loyalty towards his colleagues. He had been considered a real “catch” when the brothers snared him from the Royal Bank of Scotland in 2015, and one of his concerns was that professional management practices should be more effectively enforced inside the traditional British palace. Knauf’s American sensibilities caused him to see the Meghan situation as raising principles of human resources management in the palace system that needed to be formally addressed.

Knauf’s first priority was to set down the facts, as he saw them, for the record: “I’m very concerned,” he emailed to William’s private secretary Simon Case, in a document he drafted in October 2018, “that the duchess was able to bully two PAs out of the household in the past year.”

Knauf described Meghan’s treatment of one aide as “totally unacceptable . . . the duchess seems intent”, he wrote, “on always having someone in her sights”. Specifying another staff member, Knauf alleged Meghan had been bullying her as well, “seeking to undermine her confidence”. His office had received “report after report”, he wrote, from people who had witnessed “unacceptable behaviour” by Meghan towards this member of staff.

“Meghan governed by fear,” claimed one courtier. “So many people said it. Nothing was ever good enough for her. [She] humiliated staff in meetings, [would] shout at them, [would] cut them off email chains — and then demand to know why they hadn’t done anything.”

As early as 2017, around the time of the couple’s engagement, according to a subsequent report in The Times, a senior aide had spoken to the couple about the difficulties caused by their treatment of staff. “It’s not my job to coddle people,” Meghan was said to have replied.

“Americans can be much more direct,” wrote the authors Omid Scobie and Carolyn Durand in defence of the duchess, “and that often doesn’t sit well in the much more refined institution of the monarchy.”

A Brit might have raised an eyebrow at Meghan’s alleged behaviour, then looked the other way. The Yank decided to act. Knauf was actually one of Meghan’s most senior advisers — her chief adviser, in fact, when it came to public relations. Earlier that year she had gone to Knauf for help when drafting the disputed letter of severance that she sent to her father. She valued his PR expertise.

Before that, Knauf had helped Harry to word the fierce anti-media statements that he had framed to try to protect Meghan from press harassment, both as his girlfriend and then as his fiancée. The PR man had taken considerable stick from some of his non-royal contacts who criticised him as being overprotective in fighting the newcomer’s corner. Like so many people in all the palaces, Knauf had started off on Meghan’s side.

But as the months went by the American’s feelings became more ambiguous, as numerous colleagues — women whom he greatly respected — continued to bring him stories of what they said they had suffered at Meghan’s hands.

“I can’t stop shaking,” one aide had told a colleague in anticipation of an encounter with Meghan. Another reported that the prospect of confrontation with the duchess had made her “feel sick”. “Emotional cruelty and manipulation”, were the words of a third, “which I guess could also be called bullying.”

The b-word featured prominently in the accounts of several, along with an even more sinister set of initials: PTSD. Post-traumatic stress disorder was a deeply serious condition to allege — flashbacks, nightmares and feelings of deep anxiety — but that was how one complainant said that they had felt.

Several people maintained they had been “humiliated” by the duchess, and that criticism extended to Harry as well.

“I overheard a conversation between Harry and one of his top aides,” recalled one Kensington Palace courtier. “Harry was screaming and screaming down the phone. Team Sussex was a really toxic environment. People shouting and screaming in each other’s faces.”

Shouting and screaming? PTSD? Making people feel sick? Prince William went ballistic when he heard the “dossier of distress” that Knauf had gathered. We do not know whether the communications secretary brought his allegations directly to his boss or submitted them via Simon Case. What we do know is that the prince was astonished and horrified. He was instantly furious at what he heard.

“I remember Christian Jones [William’s press secretary and later private secretary] explaining to me how the Cams [the Duke and Duchess of Cambridge] are paternalistic with their staff,” recalls one royal correspondent. “They copy the Queen in that respect with all her Christmas parties and Christmas presents to her people. They’re proud to treat their staff like family. They recognise that they don’t get paid loads of money, so they are just really nice to them. So this was a very deep clash of philosophies, with Meghan being used to a Hollywood service culture — getting exactly what she wanted whenever she wanted in that famous way that Harry said.”

William personally knew and liked all the individuals whom Knauf had named in his dossier. The prince regarded them as assets to his household — colleagues to be cherished and for whom he was responsible. Human beings. Like Knauf, the prince was appalled that his respected staff may have been put in this position.

For William, Knauf’s allegations also clarified something that the prince had long believed — that Meghan was fundamentally hostile towards the royal system, which she failed to understand as an outsider. William wondered if she had not wanted to leave from the very start — even dreaming, perhaps, that she could whisk Harry back with her to North America.

But Meghan’s lawyers and PR representatives said this was quite the wrong interpretation of their client’s thinking and behaviour in a statement that they issued to The Times early in March 2021. They denied all allegations of bullying as inaccurate and the product of what they described as a “smear campaign”. The duchess wished to fit in and be accepted, they insisted. She had left her life in North America to commit herself to her new role.

I have never met Jason Knauf. What you have just read is based upon the published accusations that Knauf set down on paper — refuted as “defamatory”, it must be stressed again, and “based on misleading and harmful information” in the view of the Duchess of Sussex’s lawyers. It also relies upon William’s personal account of these events to one of his friends who then spoke to this author.

The moment the prince heard the bullying allegations, he related to this friend, he got straight on the phone to talk to Harry — and when Harry flared up in furious defence of his wife, the elder brother persisted. Harry shut off his phone angrily, so William went to speak to him personally. The prince was horrified by what he had just been told about Meghan’s alleged behaviour, and he wanted to hear what Harry had to say.

The showdown between the two siblings was fierce and bitter. William’s pre-engagement questioning of Meghan’s suitability had been quite reasonable, in William’s opinion. His fraternal doubts had been provisional, based upon how the new recruit appeared to be. The elder brother did not really know Meghan in those early days.

But now William had seen enough of his sister-in-law to feel sure that, sadly, he did know her and that many of his reservations linked unhappily with what Knauf’s colleagues had alleged. William believed Meghan was following a plan — “agenda” was the word he used to his friend — and the accusations he had just heard were alarming. Kate, he said, had been wary of her from the start.

Meghan was undermining some precious principles of the monarchy, if she really was treating her staff in this way, and William was upset that she seemed to be stealing his beloved brother away from him. Later courtiers would coin a hashtag — #freeHarry. It was only half a joke.

“Meghan portrayed herself as the victim,” recalled one Kensington Palace staffer, “but she was the bully. People felt run over by her. They didn’t know how to handle this woman. They thought she was a complete narcissist and sociopath — basically unhinged. Which was why the pair of them were drawn to each other in the first place — both damaged goods.”

William felt deeply wounded. “Hurt” and “betrayed” were the two feelings that he described to his friend. The elder brother had always felt so protective. He had seen it as his job to look out for Harry but this was the moment the protection had to stop. At the end of the day the British crown and all it stood for with its ancient traditions, styles and values — the mission of the monarchy — had to matter more to William than his brother did.

Harry, for his part, was equally furious that William should give credence to the accusations against Meghan, and he was fiercely combative in his wife’s defence. Some sources maintain that in the heat of the argument Harry actually accused someone in the family of concepts that were “racist”. But it must be stressed that neither brother has ever confirmed that the hateful r-word was used face to face.

Only William and Harry can know what they said to each other and they have respectfully maintained their silence on that. But Harry made clear to the world in his interview with Oprah that he considered his family’s response to Meghan to have been essentially racist — using the heavily freighted code words “unconscious bias” to provide an intellectual framework for his analysis.

Where could the two brothers go after such painful and damning notions had been thrown into their debate?

We have reached the crux of the drama. What painfully unforgettable and surely unforgivable things have been said? These are not passing differences. They are two core sets of values in conflict — love versus duty — going to the very heart and deriving from the deepest beliefs and loyalties of each man. Two opposing identities butting heads. In the months following the tragic and not-obviously bridgeable rift of October 2018 between William and Harry, the younger brother solidified his belief that his family were suffering from “unconscious bias”.

William, for his part, felt just as strongly about Meghan and the need for her subversive “agenda” to be removed from the operations of the British monarchy, which she did not appear to understand or respect. He certainly wanted Meghan removed, for a start, from the hitherto harmonious joint household that he and his brother had operated together for the best part of a decade. William simply did not want her or Harry around any more.

When accounts of the rift started seeping out through the winter months that followed, it was generally assumed that the volatile Harry must have set the pace in the splitting up of the joint Kensington Palace household. He was the brother who visibly departed, stalking off to set up a new home in Windsor, with offices for himself and Meghan in Buckingham Palace.

But the reverse was the case. It was William who made the decisive move. Following his furious confrontation with his younger brother in the autumn of 2018, the prince instructed Simon Case to start the process of dividing their two households immediately. William wished to be separated from Meghan on a day-to-day basis — and that meant being separated from his brother as well.

“William,” says a friend, “threw Harry out.”

©Robert Lacey 2021 Extracted from Battle of Brothers: William, Harry and the Inside Story of a Family in Tumult by Robert Lacey, to be published by William Collins on June 24 at £9.99

[nothing-more-than-hot-leaf-juice]

Zutara. My otp since I first watched as a 10 year old in 2005. Hopefully you'll be kind to them 😉 I'm convinced they'll be cannon in the live action 😅

Alright... *starts digging grave*, I think Katara and Zuko have a wonderful platonic relationship and for them to have a romantic relationship would (1) undermine Zuko’s redemption arc and (2) undermine the found family aspect of their friendship. I don’t have an issue with anyone who ships Zutara and I do not engage in shipping drama, but I think their platonic relationship is too damn important to favor a romantic relationship I don't really think has chemistry. 

Personally, I have never gotten romantic vibes from them like... at all? I think the progression of their friendship was important in terms of the show’s themes of forgiving those who deserve it and finding support in people you least expect, but I just don’t get chemistry from them. I’ve always been a Kataang fan but how I feel about Zutara has nothing to do with that. Avatar is one of those shows where I would have been totally fine with it ending with no romantic pairings because the found family aspect of it is so much more powerful. 

If anyone has spent 5 seconds on my blog, you know that Zuko is my favorite character and I think he deserves nothing but love and support after all the shit he went through. But a big aspect of why I care about him as a character is that he put the work in to make amends. He didn’t just show up one day saying “I’ve seen the error of my ways, sorry for all the stuff I did, I’m good now” and that was that. He had to work for forgiveness and he did it because he realized the fire nation was wrong, his father was wrong, and he was wrong. His decision to switch sides had nothing to do with any connection with the gaang because he didn’t really know them. His decision to switch sides stemmed from 3 very important things: 

(1) He felt guilty not for betraying Aang and Katara in Ba Sing Se, but Iroh. He realized his uncle was the person who had given him unconditional love while Azula and Ozai’s “love” for him was entirely dependent on his ability to provide them results. From this guilt, he was able to realize that his uncle had made the right decision in siding with the Avatar and more importantly, that Ozai was wrong and that all the abuse he endured under him was undeserved. 

(2) His experiences in the Earth Kingdom as a refugee. This post explains it really well, but Zuko’s realization that everything he’s believed about the Fire Nation has been wrong is rooted in his moment of empathy with Song and her matching burn scar, his empathy with Lee who lost his brother like Zuko lost Lu Ten, his empathy with Jet who lost his way going to extremes for a cause, and, yes, his empathy with Katara who’s mother was taken from her by the Fire Nation like his was. The reason he switches sides is because after all of those experiences, he can no longer be callous or unfeeling towards the Earth Kingdom like his father or sister. The people of the Earth Kingdom either empathized with him for the pain he went through and appreciated him for his desire to help the helpless (Song, Lee, Jet) or feared and hated him for being part of a country that caused their suffering (Lee, Lee’s mom, Jet, Katara). Throughout season 2, Zuko realized the extent of what the war meant for the other side. 

(3) The realization of the extents his father would go to and the truth about Ozai’s amorality. This point is kind of just the culmination of everything in the last two points, but all that set up comes to fruition when Zuko attends the war meeting where Ozai decides to use Sozin’s Comet to commit genocide. By this point he’s racked with guilt over what he did to Iroh, he’s empathized with people who have suffered and is coming to terms with the fact that it’s not only the people of the earth kingdom that have unnecessarily suffered because of Ozai, but him as well. In that meeting, he expresses adoration for the Earth Kingdom being proud and strong and Ozai’s response is to burn it to the ground. It’s the same treatment he gave Zuko at the Agni Kai when he stuck to his morals and refused to fight and was met with abject cruelty. At that meeting, Zuko realizes that his father is wrong and that he was always wrong. He realizes that millions of people will suffer at the hands of this man who is so incredibly wrong and lacking in empathy. 

SO, keeping all that in mind. His redemption arc doesn’t stop when he switches sides, it keeps going as he makes individual amends with Aang, Sokka, and Katara. It keeps going as he learns from the dragons, as he chooses what he believes in over his girlfriend, as he risks his life to protect the gaang from Azula, and as he tries to help Aang, Sokka, and Katara find emotional closure in different aspects. He helps Aang overcome his fear of firebending. He helps Sokka regain his honor. And he helps Katara address her grief regarding her mother’s death. These four episodes are some of the best in the series because it’s not just Zuko working to make amends because he wants them to trust him, but it’s him empathizing with their trauma, their guilt, and their fear of failure because he’s been there. 

Alright, that’s a whole essay regarding why Zuko’s redemption arc works, now what does this have to do with Zutara? Here’s the deal: if any aspect of Zuko’s decisions for his redemption were influenced by romantic attraction to Katara, it would undermine the meaning of his choices for him. He made the choices to be better because he empathized with a nation of people who needlessly suffered. He made the choices to be better because he learned to cut himself off from the need to please his abusive father and accept the unconditional love of his uncle. His choice to help Katara find her mother’s murderer stemmed from empathy and his desire to be better than the people who hurt him and hurt others. The reason Katara’s resentment towards him hurt him so much was because he was trying so hard to be better than the people that were feared and hated. Katara treated him like Lee’s mom and Jet did when they realized he was a firebender (that being said, Katara was justified since Zuko’s decision to side with Azula resulted in the fall of Ba Sing Se and nearly resulted in Aang’s death), and he didn’t want to be that person. He didn’t want to be hated or feared anymore and he was willing to do anything to move past being viewed like that. So Katara’s decision to finally forgive him? It’s the point where she realizes he’s able to empathize with her over his mother’s death where her mother’s killer could not. She realized that he was different and had changed because he put the work in. And that’s huge for his redemption, not for any kind of forming relationship because that’s not the point. 

Now, concerning the whole found-family aspect I love so much? Zutara as a romantic pairing would undermine the beauty of Zuko’s ability to find a loving, supportive group of people that he was missing his entire life. Katara does not work as a romantic partner for Zuko because she works as his replacement sister. The fact is that Zuko’s actual family experience was founded on fear and not love, but the idea of “usefulness”. Zuko and Azula were only valued by Ozai so much as they were useful to him, which is why he favored (not loved) Azula, she was useful to him and Zuko wasn’t until he “slayed the Avatar”. Iroh (and Ursa for a time) was the only person who showed him unconditional love and support, but that wasn’t enough to snap him out of the need to please Ozai. Zuko rooted his entire self worth in what his family thought of him and engaged in very self-destructive behavior throughout season 1 to prove himself because he “didn’t want [his] father to think [he was] worthless”. Even throughout season 3, he still thinks that his uncle’s love for him is conditional (”my uncle hates me I I know it”) until he’s proven otherwise because that’s what he’s been taught. So him joining the gaang, that’s the first time in his life he’s really met with the concept of people liking him for himself, not for his ability to be useful (his family, Jet) or because they think he’s someone he’s not (Song, Lee, Jin). He’s met with friendship: people making fun of him in a playful way instead of tearing down his insecurities and vulnerabilities (”mind if I watch you too jerks do your jerkbending?” “so all we need to do is make Zuko angry, that should be easy enough”, “look, it’s baby Zuko!”, “actually I think [the play portrayal] is pretty spot-on”), people trying to help him fix his problems (”you need to go back to the original source”) instead of making him feel weak for not being able to solve those problems in the first place, and showing him express appreciation and encouragement (”you’re pretty smart”, “to Zuko, who knew after all the times he tried to snuff us out, today he’d be our hero”, “I’m going with Zuko!”). And that’s so. Damn. Important for his ability to heal after how he was treated for his entire life. He’s introduced to the idea that people want him to be around and they want to include him in their circle for being him. Up until the finale, he doesn’t know if he’ll be able to reconcile with Iroh or if Iroh will accept his forgiveness, but these people have given him a home in their group and he’s not afraid or insecure around a group of people for the first time in his life. 

And that’s why Katara has to be the one to defeat Azula: because Azula couldn’t be the sister Zuko had and Katara could be. It’s a tragedy that Zuko and Azula were driven apart by Ozai pitting them against each other, the corruption of firebending throughout the ages so it’s regarded for its power rather than its energy, and Azula’s own insecurities and fears of losing power because, like Zuko once did, she only considers herself to be worth anything so long as she’s better than him. The abuse he endured had an effect on her to because so long as she saw that Ozai’s “love” for Zuko was conditional, that meant that his “love” for her was conditional as well (”you can’t treat me like Zuko!”). Zuko and Azula could never support each other and they could never trust each other in the way that Sokka and Katara could. They wouldn’t sacrifice anything for each other because they were conditioned to survive, to leave behind the lesser sibling in order to get ahead. But at the Agni Kai, Zuko jumps in front of the lighting for Katara because unlike Azula, she has supported him since she forgave him and is there to back him up. She thinks he can be Firelord and she thought his uncle could forgive him in a way that Azula just never could. And that’s why Katara has to be the one to defeat Azula. Not because of any romantic attraction for Zuko, but because he’s protected Aang and Sokka and her and Toph and their little found family. It’s because he’s one of them. So in that moment where Azula is defeated, screaming and sobbing because she’s lost and that means that she’s the weaker sibling, she’s gone and it’s tragic. Zuko looks upon her and he wishes it didn’t have to be like this, but it is and it’s tragic. It didn’t have to be how it was but it did and it was awful and Azula is left broken, hating her brother with murderous fury. But he’s not alone.

He has a new sister who will protect him and fight for him when he’s lost his own. 

(addition: I want to make it clear that this does not mean I think Azula is irredeemable. Her actions and outlook are 100% a product of Ozai’s abuse, as I explained. I do not think that’s she’s beyond redemption, but by the finale she was still a villain and her goal was still to kill her brother so she could be Firelord. That’s not to say that she couldn’t have eventually healed and been able to reconcile with him, but by the final Agni Kai that’s not where their relationship was. The fact that she and Zuko had a toxic relationship was not her fault, but they still had a toxic relationship built on distrust and competition where Zuko and Katara’s friendship was built on support and protection. I am entirely sympathetic towards Azula, but just because she was redeemable doesn’t mean she was redeemed and just because there was potential for her and Zuko to eventually have a better relationship doesn’t mean that they did by the end of the series.) 

[bookwyrminspiration]

is it still council-hating hours? even if not, this is something that's been bothering me for....so long. and i am going to explode if i don't say it right now. (In fact i actually have a doc titled "council incompetence rant" that is. getting a little long.)

One of the things that annoys me the most in Keeper is how utterly incompetent the Council is. They are shit at their jobs! They don't make sense! And that would be fine if that was something that was explored and talked about in the story, but it's not?

Like, sure, it's brushed on a little, but Keeper never goes in-depth in order to explain just how flawed and corrupt the system is! We have no idea how far the rot goes because we haven't been given a chance to see how far it goes, and despite the earlier books being really great setup for all kinds of plots and discussions surrounding the Council, it feels like Messenger is completely dropping that in favor of..."Neverseen Bad, Council + Black Swan Good". Which I call fucking bullshit on, by the way, because this series has gone to pretty decent lengths before to show that it's not the case! So WHY are we getting to that now?

Well, I think all of this is the symptom of a bigger problem.

Note: I don't want to be mean, and please tell me if I'm being too critical here, but this series has some serious problems actually delivering on what it's saying.

Like, it's trying to tell us that Sophie shouldn't be doing all this because she's a kid, but then it treats her very own existence as a project as background information when that should absolutely be at the forefront (like it was in earlier books)!

It's trying to tell us that discrimination against the Talentless is bad, but then every single member of it's cast has an ability, has a strong ability, and regularly uses their ability! Even Dex, who could have easily been talentless and good with tech, gets to be a Super Good Gadget Person thanks to his ability as opposed to his own creativity and ingenuity.

It's trying to tell us that maybe banishing children is bad, but also tells us that Exillium is now """fixed""" because Oralie gave them...better tents? Food? And never touches on the fact that children are still. getting. banished. It doesn't explore Tam's anger in detail, Linh is only there to be the token asian girl, it does nothing to fully dispel any thought of the Council being alright.

And it's trying to tell us that the Council fucks up, it's showing us that Councillors have no problem being incredibly selfish and violent and so many other terrible things, but that never changes. Nothing in Keeper is changing. It is only maintaining the status quo!

I'm confused as to what Messenger is trying to tell her readers! Are the Council good or bad? Is working with the Council good or bad? Are the Black Swan and Neverseen actually morally grey? Should I be angry at what's happening in these books? Am I meant to look at all the rot and shrug because "that's just how it is"?

And like...I wouldn't be mad if Keeper was just...bad! I mean, I would, but I wouldn't be as distraught! What really grinds my gears is that Keeper has the chance to be good. It has the chance to do great things - and at times it absolutely does! - but it keeps reinforcing belief in a deeply flawed and broken system that is regularly hurting people. And those examples were just off the top of my head!

And again, if this was explored within the series, that would be amazing, but the problem is that it's...not. And that's just...a real fuckin' shame, honestly.

- pyro

(sorry if this was like...too angry? i started and then kinda just...couldn't stop. i should probably get a hobby that's not tearing a middle grade series apart. oops.)

it may have been over a week since you sent this (thank you for being patient with me!!), but fuck yes it is still council hating hours. it is always council hating hours in this household that is not actually a house. (also that incompetence rant sounds intriguing)

yes! you are right! they are so bad at what they're supposed to be doing it's like they're just figures for people to look to and say "yea they'll take care of it" to keep everyone else from acting out! but it's really interesting to see a government so awful and incompetent be such an integral and influential part of the story...without acknowledging that they're actually really bad? I know in Unlocked there's a line where Shannon says something like "Sophie had to figure out who the bad guys were: the black swan? the council? someone else entirely?" but then it's never touched on again that I can remember. Thinking through the series, I honestly can't think of a situation that the council, of their own volition, saw was an issue and corrected in a way that was beneficial to those who needed it. Like yea, Oralie gave money to Exillium, but that was after Sophie chewed her out about it. I think i've said it before but in case not: it feels like they've taken the "for the good of the many over the good of the few" ideology too far in a society that doesn't work for. If someone threatens the majority (and often that's just in appearance only) they get rid of them to preserve the image of the rest. It doesn't care about their people, it cares about the majority of people feeling undisturbed.

considering Sophie is part of a huge organization created literally because their society, led by that system, isn't working for a lot of people, they (the Black Swan) sure do go along with the council a whole lot. I think one of the linked posts in one of my masterposts is specifically about how making the Black Swan work so closely with the council screwed them over and completely undermined everything they were working towards. I'm going to make a very vague comparison here, but the Black Swan feel like "we need to fix the system" while the Neverseen are "the system is broken lets start over" (except the Neverseen added a lot more violence into the mix). It's absolutely infuriating to have them working side by side: one, because the Black Swan aren't accomplishing any of their goals and should cut their losses and go back to being mysterious underground groups with more freedom to move (in my opinion), but two, because it makes the council seem like it's trying to fix things when really it feels like a publicity thing to make the public think they're addressing the rebel issue while they're really just showing up in places and causing problems. And!! that's another thing! it feels like their collaboration with the Black Swan is to address the problem of having rebels, not the problems these rebels have identified and are trying to fix. Unfortunately, it seems the council is getting their way more than the Black Swan, getting them to act more legally and work closer with less room for working outside the system. if that makes sense.

considering it's literally stated in unlocked that there is no "good" and "bad," there does seem to be a lot of focus on associating the Black Swan with being Right, and the Neverseen with being Wrong. I can hope that it's the outward reactions to the Black Swan realizing they've done some fucked up stuff (Sophie) and are now overcompensating and trying to make sure their every move is the correct one. But I do think it will be interesting to see if Sophie makes the connection in canon (as she's already started to) that there isn't always a right option, there's just the best you can do with a situation and the Black Swan's insistence that she was "in the wrong" (a summary) helps her realize her own values and think through their decisions with her own perspective instead of just trusting them

response to your note: you're fine! you bring up a good point that this book sounds like it wanted to be a unique perspective (by having the "good guys" also be questionable and give the "bad guys" reasonable motives) but the execution misses the mark for a lot of us. so you're qualms and observations are entirely valid and I don't think you're being mean at all! I think you're expressing a frustration you have with something, which I support and encourage.

at times it feels like Shannon bit off more than she could chew in terms of all the complicated things she could get into when it comes to this series. not saying she's doing a bad job or a horrible author or anything, just that there are some things she introduced that kind of get left behind or unexplored because there's so much else going on. I think we can see that in the whole being experiment part of Sophie life. we saw sophie was uncomfortable with it in the first few books and would sometimes bring it up, but I personally would've been more satisfied if she'd either taken the time to process it (opposed to her think about that later strategy) or come to the realization that no, she isn't okay with it and she deserves to have her thoughts on the matter heard. she was literally created to serve someone elses purpose, and brought into the fight too early at that. and yet it's treated like an "oopsie, guess we just gotta go with it" thing, like this minor part of her story when I bet her thinking about it for more than a minute at a time would absolutely wreck her. but I'm getting caught up in this, so moving on!

I think we can see it in the talentless too, as it's treated like a "that doesn't affect me" thing for Sophie. because she doesn't have any friends that are talentless right now--the closest she's got is Marella, who I think is still legally considered talentless with her pyrokinesis. it's been acknowledged that she doesn't think the way talentless are treated is right, but it doesn't impact her right now so she's not really doing anything about it. maybe if this was brought back later with someone like Jensi, then that would be a satisfying conclusion to this issue (not a conclusion, but it wouldn't be left hanging, if that makes sense). And I can understand the benefit of leaving things open to go back and explore later from a writers perspective, but at a certain point it becomes more of a hindrance to the story than anything else.

and exillium! I have so many thoughts on Exillium that I actually started talking about it earlier in this post. They're not doing anything unless prompted and what they do is the bare minimum. With the tents and the food, they aren't fixing Exillium, they're making it into what it should've been at the very least were they going to actually go down that route. So I can't praise them for it when it's just basic decency to provide literal children with food and shelter when you force them to be somewhere they don't want to. But all this doesn't fix Exillium, because the problem is that it exists in the first place. The problem is that the council saw children who were struggling, and decided the best thing to do with them was to just get them out of the way for everyone else. Three coaches total for leadership? yeah, there's no way that place was ever supposed to be "alternate learning" or however Oralie phrased it, that was just so you could say you hadn't completely abandoned them in the middle of nowhere.

you're so right about the council fucks up bit--I think the most obvious example of this is with Sophie's ability restrictor. Yea, she's not wearing it anymore, but that's not because the council changed their minds. It's because she broke the law and the didn't punish her for it. this is a great example of how things keep trying to move forward, but the council isn't doing anything to stay up with it. "they are selfish and violent[...] but that never changes." yes!! this!! you put it so well! the council is still the same old council that we saw in book one, concerned with their own interests and their own views, just trying to mitigate the damage Sophie and her friends are capable of doing to their system. Note: the fact that a handful of teenagers who haven't even graduated can do this much damage might be telling of the structural integrity of their system. Bronte and Terik did a little flip, and Alina replaced the Now Crispy Kenric, but aside from that nothing has changed.

I will say, I personally don't want it to be clear who the good guys and bad guys are. (not saying that's what you're asking for! just piggybacking off your comment on the confusion). I'm glad that the characters make me think and I'm grateful there isn't just the "we're good and they're bad" element you see in other stories. not that that's bad, i just think realistically they'd be more complex and their simplicity grows repetitive after a while. But like I said, at times it feels like there's too much going on for there to be a clear message, which in and of itself could be the message. i could be seeing something where there's nothing, though. I think part of it might be Shannon trying to take on all these complex narratives and perspectives with a limited perspective (as in she only has Sophie to tell the story through), while also needing to make it enjoyable and palletable to a young audience.

and I agree with you! I think it's a lot of the potential we see not being used that makes us so infuriated (or me at least). Because there are some stories yo uread where you're like "ah. it's just one of those stories. cool." and you move past it. Because you know it's going to have a set perspective and you know it's going to accomplish what it wants, but Keeper seems to have so many possibilities and Shannon's getting stuck in this rut of good and bad after so long. maybe we'll get out of it in the next book with sophie thinking the Black Swan was in the wrong, but I also wouldn't be surprised if that Didn't Happen.

it's just like what i was saying about Ro! There's all these opportunities for these characters and this world to be really explored and fleshed out and complex, but we've gotten stuck in this romance drama and loosing fights again and again with little progress. All their actions are undoing the Neverseen's actions and counting it a victory because no one is dead. I just think there could be so much more that we're not getting because the story tried to go too broad when it wasn't ready for it.

this response got very long but in essence: I agree with your assessment of the story. is frustrating to see so many of the details and paths we'd like to see explored that often aren't in fiction just pass us by.

there is a special place for keeper in my heart and I will always appreciate it for that, but I also mourn what it could've been.

(also: you are not too angry! you have genuine thoughts about this series and they deserve to be heard! we are allowed to have complaints, even about the things we like. we don't have to appreciate every single aspect and we're allowed to be mad at the things we don't like.)

[thewillowbends]

I completely agree with you regarding S&B. Alina’s character was wasted and I still have no idea why she was a main character when she ended up doing nothing important or really changing things in any meaningful way. I don’t know if you’ve already read it but I highly recommend reading Demon in the Woods. It’s the only story where we really see from Aleksander’s POV(until the trash duology)and it’s really heartbreaking what he does through as a child. If I’m not wrong the show planned to also adapt it but they didn’t for budget reasons but imagine if they had shown his traumatic childhood+creation of the Fold...

My whole thing is that I'm fine with Aleksander being a villain because how one wields is definitely important, regardless of what kind of trauma they've got going on in their history, but I am just absolutely baffled by the thematic intent of this series. It's entirely fair for Alina to be furious and upset about her enslavement, but for her to have absolutely no empathy for what drove him to where he is now or what's happened to the other Grisha and to stay that way over the course of her entire journey is just...well, it begs the question why is she the heroine? There's nothing really heroic or moral about her journey if she's going to wind up right back where she started, running away from power and responsibility. That can be a protagonist's journey, sure, but it's not a heroic one.

Saying "power makes monsters" is fine as a theme if the characters in question are people who have always wielded power in a society. It becomes a lot more complicated when you're dealing with an oppressed minority, and especially when you show repeatedly that they're still suffering state violence at both the hands of enemy countries and their own people. Having a fancy palace with nice clothes and food and military training is not a privilege that replaces your ability to move about a society safely or wield real political power, which they explicitly do not.

If she wanted to write a story warning women about falling for men with tragic backstories who have no intention of doing the work of improving what their trauma did to them, that's fine, but then you actually have to make her empathetic. The point of connection has to be her feelings of sympathy for what he's been through. Alina isn't empathetic. Her attraction to Aleksander in the book is based on power and mystery, and in the show it's based on emerging confidence and a boldness that he inspires in her. It's not wholly based on the tragedy of his heritage or a sympathetic connection nor do we see him actively playing on that much beyond the first scene where he claims to be the descendant. Moreover, after he's revealed to be the Black Heretic, he doesn't weaponize the pain and grief associated with that history, either, even though that would mirror a common abuse tactic and be an underhanded way to undermine her confidence and make her second-guess her own ethical intent. It doesn't work here because the writing is so focused on making her tough and independent, it doesn't let her be weak or make mistakes in a meaningful way that resonates with the reader.

(Want to see a villain who does this well to a woman? See Billy Russo in Season 1 of The Punisher. Also played by Ben Barnes, ironically enough!)

If she wanted to do a story about radicalization of victims of state violence, then she needed to go more ethically complicated in the narrative. Her protagonists needed to have real conversations with themselves and others about what the resolution of this problem with the Grisha is and how the current situation created a monster in the first place. There needed to be a real dialogue back and forth examining both sides of it, whether violence against the state is ever acceptable if the state persistently insists on actively attacking a minority or outright neglecting them. In this case, it's unsurprising an Israeli-American author doesn't want to ask the serious question, "Does every participant in a society hold responsibility for the atrocities of the powerful if they aren't actively fighting it?" Disappointing, but I'm not surprised, since that's a more direct moral interrogation than most people prefer for themselves.

Which leads into the other part that a story like that also requires a serious moral evolution on the part of the protagonist. They have to be changed by the villain, empathize with them, grow to have a sense of responsibility to changing what created the conditions that bred this evil in the first place. She can still have Alina struggle with the power high she gets from the amplifiers, but make it more complicated than hurr hurr lady bad for wanting power. Ask us to empathize with how Alina has felt in her past as a helpless victim of prejudice. Show us how power gave her the ability to change things she couldn't before.

In other words, it can't leave things at status quo. It acknowledges that status quo is what created the problem in the first place. The problem is that Alina's fate in the books doesn't do that. It actually reflects a moral cowardice to some extent if you want to be brutally honest about it.

(Want to see where this is done well? See Kilmonger in Black Panther. The Star Wars prequels, while less elegantly accomplished, are a good example of how to create a story where the moral decay of a society creates evil.)

Lastly...she could have done a story about the nature of heroism, about whether it's fair to ask one person to carry the burden of saving the world. That could have also been a thoughtful back and forth on the nature of power and whether it breeds responsibility along with it in terms of how its wielded. Does Alina have a right to walk away? Does she have the right to say, "I don't want this destiny?"

(Want to see this done well? See Peter Parker in the Spiderman films featuring Toby Maguire. Yes, even the last one, which is trash, but is still thematically and morally consistent with the other two films.)

Etc, etc. These are all three different moral journeys her protagonists could have on, but it feels like she tried to do variations on all three and just kind of hit a wall because they're all inconsistent with each other. "Power = bad" isn't really a meaningful theme, not when your story hinges on people needing power to create change and when your villain is somebody who had to claw his way to the top to get it after years of suffering genocide and prejudice.

[couragehopelovefaith]

Unexpected bonding

(The short fanfic based on the first proper meeting between Musa and Riven on “Fate: The Winx Saga”. English is not my first language, so apologies for the possible grammar- and spelling-mistakes.)

Musa walked across the yard, among training and chatting students, trying to calm her twirling thoughts by firmly holding the combat stick. Usually, she enjoyed the lessons and this place felt like a second home to her. But in all honesty, these last few days could've gone a lot better. For some reason, this complicated mix of excitement, worry and determination around her was harder to take than usual. Everyone was restlessly and impatiently waiting for something to happen, even though they didn't fully know what it was. But it was there, hiding in the plain sight. This was the time her help would be needed the most, but she had never felt herself so...damn useless. How she wished she could've already been in her room, put her headphones on, focused on the music and let the rest of the world keep turning by itself for a while.

The sudden flash of obvious arrogance and more hidden anger was an oddly welcoming change in the common atmosphere and attracted her attention. It didn't take long for her to figure out its source: one of specialists was training with a battle rope a few long steps away from her, clearly apart from the others. His technique appeared to be nearly flawless, but she didn't need her powers to notice that behind it there was a deep need to let his frustrations out.

Musa didn't actually know much about Riven. Of course, everybody had heard of him - other than being close with Sky, he had gotten quite a bad reputation in Alfea, and his questionable habits with drugs didn't exactly help on the matter. These "stormy and unbalanced"-kind of energy auras were often too much for an empath like her, and that fact alone put him among the people she had usually been avoiding. 

Still walking forward, she answered his sharp glance nonchalantly – a neutral, silent hello, that didn't expect any kind of discussion. However, hearing quiet, out of the blue chuckle made her stop reflexively, full of doubt. They hadn't changed more than a few words with each other before and she had had no reason to believe it would change now. He stopped his training too and looked at her, estimating.

"You like holding that big stick?"

His slightly amused, undermining and suggesting tone after a long and exhausting day made Musa react quickly; with secure grasp, she rotated the stick swiftly and bent into an attack-position, holding the stick very close to his face – staying still, half waiting for some kind of anger or offended surrendering-movement. However, her intuition was wrong again: instead, the youngster touched the head of the stick lightly and lowered It, raising his eyebrows and smirking almost flirtatiously. "I'll take that as a yes."

Young fairy repressed her will to roll her eyes: sadly, Riven was also well-known for his narrow-minded, obnoxious and somewhat prejudiced comments and opinions. This year Terra and Dane  had seemed to have gotten the worst blows of them. Even though Terra hadn't admitted it to anyone, Musa had lived with her long enough to know that some of the remarks had really gotten under her skin. And that was saying a lot, when it came to a generally happy person like her. Some people just couldn't take a hint of crossing the line, and the boy standing in front of her was definitely one of them.

To show him that she really wasn't in a mood for such behavior today, she partly leaned on her stick and titled her head. "I think I just threw up."

In spite of the loathing tone in her answer, Riven couldn't help feeling a tad impressed: this tiny fairy seemed to have more fierceness and spunk in her than the most of the well-trained Specialists. After the lackey-like, avoiding or somewhat fearful reactions he had faced lately, this strictness from someone else than his best friend or mentor – especially a girl - certainly was something new. There was no denying that Beatrix had offered him quite a portion of that as well in her own, seductive and slightly twisted way, but this lass had some exceptional gentleness, vision and different kind of honesty in her that Beatrix just... had not. 

Still a hint of smile on his face, he came a little closer to her, unwilling to change the subject. "I saw you on the support rounds with Miss Dowling  at training." His tone was trying to pursue neutrality, but even the fool could've seen that he wanted to prove his point.

Musa tried to separate her own feelings from all the other auras around her to process his new, startling attentiveness. Was she honored or bothered – and more importantly, which one was the right way to react? At the moment, even the Expert of Emotions herself couldn't tell. What was the catch here? It would've made more sense for him to keep an eye on assertive and strong people like Stella or Aisha. She stayed quiet, letting a little patient smile crack her poker face, wondering where he was going with this.

Being wise enough not to test her patience any longer, Riven decided to answer the unspoken question himself. Without fully meeting her eye, he let his gaze linger at her feet. "I wouldn't have expected a mind fairy to have such good moves."

Without an invitation or permission, Mrs. Dowling's task-orientated but friendly voice echoed in her ears again.

 "Not all fairy magic is suited to combat roles. Support is equally, if not more, important. Your magic can help us assess the fragile states of minds and uncover hidden enemies."

It was a common knowledge that the Headmistress was encouraging to the core, cared for her students, and meant well. Still, Musa's speculative mind constantly found hidden subtexts in her words, which started with "too theoretic" and ended up at something like: "Insufficient" or "powerless when things actually go wrong."

"I used to be a dancer." The words escaped her lips, before she managed to stop them. Whether it was because of Mrs. Dowling, her own defense mechanisms against Riven's prejudices, his infuriating abilities to give compliments and offend at the same time, or just pure tiredness, she was surprised by her own transparency. She had told about this only to her very few close people in her life. Not even her roommates knew. And now she had blabbered it in front of a basically complete stranger! But on the other hand, it was really refreshing to talk to someone, who didn't pry or force their curiosity on her out of duty or responsibility. Unable to help herself, she admitted: "I kinda miss being physical."

When she had been younger, her mother had taught her to dance and they had made it something they shared. It had been wonderful to dive deep into music and focus on the movements and the different worlds, in which melodies had transferred her into. But when her mother had passed away, she hadn't been able to bring herself in that flow anymore. No matter how persistently she had tried, it hadn't felt the same. Now it only reminded her of everything she had lost.

Abruptly, she returned back to reality and noticed that Riven's gaze had found its way in her eyes again and his posture had returned to its natural defensiveness.

"Yeah, well, too bad", he spat out in a slightly husky voice. "You're a fairy. They don't care what you wanna be in this place, only what they want you to be."

Quite a nice reward for being honest! It would've been so easy and rightful for Musa to get mad at him. But her mother had always used to say that no one's story and melody should be shut out, and she had chosen to live through that code. Even with the douchebag like Riven.

Now that she looked closer, with a little help of her own, she was able to see the dark circles under his eyes – eyes that were actually really observant and sincere, like they were trying to convey her an important message. Under the arrogance and "know it all"-attitude, there was buried bitterness and sadness. This wasn't just a cocky boy fighting for his territory. It was a sincere warning, born by his own, long-term experiences.

When one really stopped to think about it, this guy had gone through quite a rough year. The first more hidden emotion Musa sensed – perhaps because it had been also her friend for the last couple of days – was the fear of not being enough. Mr. Silva had always been righteous and fair leader and mentor who wanted to treat everyone equally, but still there was a little...guess it could be called conflict of interest. Even though Sky’s bloodline had guaranteed him the place in this school, he had been motivated and trained himself to the top and hadn't expected any special treatment. But after his father, Andreas of Eraklyon, had passed away in a battle, Silva, as Andreas' best friend, had taken him under his wing and now saw him basically as his own son. Due to this fact and his carefree and rebellious stoner-history, Riven must have felt overshadowed and the need to prove everyone that he belonged here.

Obviously, there was also worry and complicated feelings about Beatrix on his mind. Despite her... interesting personality – kindly expressed – and her shady and threatening motives that were becoming clearer by the moment, they had been close. She had been one of the few people who didn't judge him in one way or another. And now she was imprisoned and not many people knew what the faculty was planning to do to her. He probably also wondered how big role he had played in causing the danger – partly by being nasty to Dane – that was now hanging above everyone. He clearly tried to act like it didn't have an effect on him, but Musa and Aisha had witnessed his lousily finished training this morning. All of this would've a lot to bear to anyone, and Musa couldn't help feeling a little sorry for him.

"You really hate being here, don't you?"

She hadn't even acknowledged she had used her powers on full force until she saw the look on Riven's face: it was disoriented, almost blank, and there was a hint of surprise in his eyes. Musa was fully aware of what her powers awoke in others: being mentally and emotionally exposed without their own control could be terrifying.

Suddenly, Riven snapped out of his slumber, obviously startled, and pointed his finger at her accusingly. "Stay the fuck out of my head!" His voice was loaded with as much poison as possible, but a tiny, unintended smile screwed his cover up.

Snorting, he shook his head a little and turned around, away from the control of her bright eyes. "Mind fairies..." Still somewhat confused, he started to walk away, mumbling something like: "Walking red flags..." Nosey even at their best, thinking of being know-it-alls because of their abilities... He had been a careless idiot for letting his guard down. There was no doubt that the girl would go straight to Dowling, perhaps Silva, too, to report that the school's unstable rebel should be watched under this big threat...

Annoyed, he lifted his gaze off the ground just in time to see Sam, Musa's boyfriend, approaching them. Personally, he had nothing against the lad: if anything, despite being a loner, Terra's brother always seemed to be nice to everyone. Truth to be told, there was nothing to complain about his fighting skills, either. Perhaps those traits ran in the family. Passing him by, he tapped Sam's shoulder heavily. "Good luck with that one, mate!"

Without his own will, the fairy had awoken something in him, something he both feared, wanted to forget and also secretly missed...things from last year, that almost seemed like another life... Needing his own space, he sped up his steps and headed inside, the image of deep purple eyes oddly and fascinatingly haunting him.

Musa couldn't help smirking to the different auras of these two boys: one reminded of the serene, sunny summer day, while the other one was pretty more like an autumn storm.

For a moment, Sam looked after Riven and then turned his confused gaze to his girlfriend. "What was that about?"

Musa came closer to him, smiling and enjoying his calming and innocent presence. "Nothing." Technically, she wasn't lying. She had no room in her heart to be offended; over the years, she had become quite familiar with those kinds of hostile reactions to her powers. Whatever that had been, she didn't have energy to analyze it now. Besides, she had more pressing, romantic and distracting matters on her mind right now. "Wanna head back to the suite?"

[itsclydebitches]

Godddddd I'm so upset that I dislike yen this much, doing main quests in skellige and Freyas ppl were doing stuff and she again disrespected other cultures with Geraly being against, "I may be inhumanly beautiful" I know she's meant to be confident but wowww. She's not confident and worried for Ciri she just comes off arrogant and selfish and vain. Like, fuck.

The ultimate mood, anon. My Witcher fandom life would be so much easier if I enjoyed Yen ... but I just do not lol. Remember how I mentioned that things were going to get even worse than her stealing and using a potentially dangerous artifact? Yeeeaah. She also resurrects Ciri's friend to torture him for information, all while destroying another sacred garden to get the power to do it! It's not even a "She's so evil and I love it 😏" situation for me because the game tries so hard to convince us that she's still The Best. Geralt's sexy soulmate, Ciri's adoring mother, the baddest bitch around who gets things done and does it with an effortless confidence... all while ignoring how horrific her actions and attitude are. Oh sure, other characters speak ill of her at times, but considering how much Geralt is written to adore her, no matter what you choose, that's all undermined. I love morally gray/evil characters, but I've never enjoyed them when the text refuses to appropriately acknowledge that side of them. Nothing is more frustrating to me than a story that frames disliking a character as the unambiguously wrong thing to do, especially when the text is piling up reasons to dislike them and, as a result, ignoring or shrugging them off their actions as not that bad. Yen is a rather extreme example of that for me. Despite her attitude, her choices, and other characters outright going, "Why do you like her?" the story as a whole works under the assumption that it's correct to like her anyway because Geralt loves her. And he loves her for... reasons.

They do meet before the wish, but only just. Major "The Last Wish" spoilers in this paragraph, so feel free to skip. Basically, Geralt and Dandelion run into trouble with a djinn, he goes to Yen for help since she's a sorceress (first time meeting her), he instantly falls for her because she's gorgeous and such (there's an elf there who is also madly in love with Yen. Men just... fall for her, instinctually), she heals Dandelion, Geralt agrees to pay her, but Yen has already decided on the payment she wants. She takes control of Geralt's mind and forces him to attack the town to seek revenge on those who have insulted her, resulting in him waking up in prison awaiting execution for "his" crimes. Meanwhile, Yen has gone after the djinn for herself because power/trying to regain her ability to have a kid. Geralt escapes, finds her failing to master the djinn (an attempt which btw has endangered the whole town) and despite what she's done to him, Geralt tries to get Yen to escape with him. She refuses, set on capturing the djinn even though it's obvious she can't. So as a last resort he uses the final wish to bind their fates together, saving Yen from the djinn in the process. Aaaaaand then they have sex.

So yeah, their rocky relationship is one of the main reasons why I can't enjoy Yen. For some their tumultuous history is evidence of realism, for me it's evidence that they're not actually very compatible and they're only together because a) that's the fantasy trope: protagonist men get together with the hot sorceress and b) because the magic is literally ensuring that they can't escape one another. I mean, canonically their fates are tied together by magic and canonically they spend about 20 years swinging between passionate love and fearsome fights... but there's supposedly no connection between these two things? No chance at all that they keep coming together because magic is drawing them rather than because they actually want/should be together? I wrote a meta a while back about the short story where they meet, which includes a present day scene where Geralt is criticized by another character — Nenneke — for running out on Yen. Thing is, he tries to explain that he left because she was "too possessive" and this is... flat out ignored. By both Nenneke and the fandom. There's a strong trend of ignoring Geralt's words in favor of a pro-Yen interpretation of events. He says he left because she was too possessive and she treated him like ____ — he's not allowed to finish the sentence and say what she treated him like because Nenneke interrupts him, saying she doesn't care about his version of events. Major yikes imo! She turns a claim of being possessive into Geralt not being man enough to stick around. The fandom likewise turns this into a case of Geralt getting cold feet and running out because he's a bastard who hates commitment. Likewise, Nenneke and the fandom claim Geralt is trying to get Yen money as a way of appeasing his guilt for leaving, he claims he's doing it simply because he still cares for her — even if he doesn't want to be with her — and knows she needs it. Geralt's words are frequently dismissed, in the same way others characters' opinions of Yen are dismissed. Any mark against her is treated as either a lie, or a convoluted claim that they don't really know her... never mind that an understanding of why she may act this way doesn't excuse the behavior itself. (Plus, the whole "Yen had a horrible upbringing, so of course she struggles being kind" perspective always fell flat to me when so many, including witchers, had horrendous upbringings too. The whole point is this world is a mess and most everyone suffers). It's supposedly true love, yet if someone came up to me and went, "I magically tied my fate to this woman to keep her from getting herself killed and we've spent the last couple decades having what many would term a rocky relationship, to put it kindly. I left once because she was too controlling. She once cheated on me. I likewise hooked up with others during our frequent breakups. A mutual friend used magic to get me to have sex with her — also while my lover and I were broken up — and though I view it as a dumb decision I'm happy to forgive her for, my lover is ready to commit murder because again: possessive. A lot of the time we're only a family because of our daughter. I once thought she'd horrifically betrayed us both. She didn't, but it says something that I was so ready to believe it, huh? Hmm? Permanently separated? Of course not! I love her. We're destined to be together after all :)" I'd be like, "Uh... you sure about that, dude?"

Not that Geralt doesn't make his fair share of mistakes in the relationship — he absolutely does — but I don't think it helps his case that he's immature in other ways and, frankly, that he's a very strong, badass witcher. It's easy to turn the hints we get about their relationship into a simplistic "emotionally naive man can't give the poor woman the commitment she wants" situation. Given Geralt's status as the badass fighter of the tale, it's likewise easy to dismiss his admissions of her being "possessive" and his general discomfort. He's the man. He's the witcher. If he's making any claims about how Yen isn't treating him well, they must be excuses, or exaggerations, because real men, especially physically powerful men, would do something about that — a something that's not sneaking out in the middle of the night. A lot of people read Geralt leaving as the ultimate proof that he's an immature bastard who doesn't deserve her. I read him leaving and think, "What were you trying to get away from? What was going on that made you think you could only leave by sneaking out without a word?" To me, that doesn't read as someone who felt safe, comfortable, and respected enough to do anything but slip away and try to wash his hands of things. And I'm not just pulling this "Geralt is at least somewhat afraid of Yen and isn't comfortable establishing boundaries with her" reading out of my ass. When Yen wants Geralt to kill the golden dragon for her and he refuses, saying he doesn't care anymore, his thoughts are:

He expected the worst: a cascade of flames, flashes of lightning, blows raining down on his face, insults and curses. There was nothing. He saw, with astonishment, only the subtle trembling of her lips. Yennefer turned around slowly. Geralt regretted his words.

And everyone is like, "See! Yen has improved so much. Geralt nearly made her cry, but she's supposed to be the bad guy here?" Meanwhile, I'm going, "Uh... anyone want to unpack why he expects fire, lightning, insults, curses, and blows to his face for telling her no? Why he's astonished that she wouldn't use her magic against him? Anyone think that Yen refraining from attacking Geralt when he refuses to murder on her command is a pretty low bar? No? Just me?"

Geralt and Yen's relationship makes me uncomfortable and a great deal of that discomfort derives from how much of the Witcher fandom shrugs off the fictional warning signs. I mean, I post primarily about RWBY. We watched a man in that show try to sneak away with his kids when his villainous wife planned to use them for a eugenics plan... and the fandom still blames him for that, refusing to admit that he was in an abusive relationship. Because that doesn't happen to men, right? I'm not saying it's the same for Geralt and Yen, simply because they are written to be soulmates. An abusive relationship was, quite obviously, never the authorial intent. However, I am saying that the a "This isn't a healthy relationship" reading is there, it exists as an interpretation, and both the story and fandom's tendency to dismiss it is something that hasn't helped me enjoy Yen's status as an otherwise well written, complex character. Their equality supposedly stems in part because they're both so flawed, yet each time I see a list of Geralt's supposedly equal faults they're... lacking imo. "Geralt bound himself to Yen without her consent." Yeah, to save her from dying from the djinn she was trying to enslave, after she refused to leave, while her actions threatened a whole town. "Geralt ran off without a word." Mmm hmm, anyone care about why? And my personal favorite is a scene you may not have gotten to yet (or may not get depending on your choices), but suffice to say, Yen is supposedly justified in physically attacking Geralt if he dares to challenge her in any way. That's the main takeaway across the fandom: If Yen is pissed off, you must have done something to deserve it which, in the relationship deliberately written to be "stormy," is something that sets all the alarm bells in my head off. Honestly, it kinda makes my skin crawl to go, "Geralt didn't deserve that" and get responses back of, "Yeah he did because he [insert basic human action here]." The Witcher world is hard and cruel, absolutely, but that doesn't mean I personally enjoy seeing an equally messed up relationship presented as something that's enviable in its flaws. "That's actually true love because the magically bound man who often expresses discomfort with his lover, written by a male author with a very iffy perspective on women, says it's true love." Crazy theory here, but... maybe it's not?

Idk, lots of rambling on my end tonight! For me, Geralt/Yen reads as something rather tragic which, in a canon that unironically upholds the relationship, and in a Yen-adoring fandom, doesn't make enjoying her character any easier. I keep coming back to Witcher 3, the comics, the show, even the books going, "Maybe I'll like her this time?" but nope, still trying lol.

[ethansmorgans]

What would you have liked to see in s3 if we ever got one?

oh that's a loaded question...prepare for a long answer

so, i think the 3rd season would've been less episodic and really have continuous storylines, they have been kind of teasing in s2 and the last two episodes. it would still have its funny moments but be a little more serious and dark in the storytelling, just have a good balance of drama, comedy and action a la buffy.

i would've loved to see more of ethan's new powers and what exactly it entails. they were building it up in the s2 finale and see having them use his abilities like going inside someone's mind in future episodes when they face future threats. they always relied on ethan and his visions but now he's become even more of an assset. it's definitely a very powerful thing to do, to be able to make the enemy vulnerable and manipulate their mind. i can see him not being able to fully control it in the beginning and unwillingly falls into the minds of his friends or family and realizes how much power he has with this new ability and it would make him a bit uncomfortable

i wanna see benny become better at magic, they can't rely on his grandmother as much anymore who isn't as strong as she used to be and they have to fight their own messes without her help (which was kind of foreshadowed in the finale). i just want benny to be taken a bit more seriously and his magic to help more instead of causing problems. he's got the potential to be a powerful spellcaster and unlike ethan who feels uncomfortable with having so much power, benny loves it as we know. maybe a little too much...but good thing ethan is there for benny not to be corrupted by it

i also would've liked to see more of sarah's, erica's and rory's home life. we don't even know sarah's and erica's parents, where are they? do they realize their daughters have changed? do they even live at home? i mean erica just has a blood fridge in her home and sarah just disappeared for months after she became a full vampire, they seem to be very independent but i would love to just know something about them. we've seen rory's mum so my guess is, it's only the two of them and they seem to have a good relationship, just that his mum is oblivious to what happened to her son. it's actually a little sad bc sooner or later they're gonna realize their kids are not getting older... i'd like to see a conflict between any of them and their parents, they find out their child is a vampire somehow, are obviously freaked out and have to come to terms with it or not, could be some nice drama

other than that, i would like to see sarah and ethan's relationship develop further (which was obviously the plan of the writers). i already said it in an ask but i want them to get together and i want it to be sweet and nice for a while and them finding their way through this new dynamic. it's difficult being a multi shipper, bc i do want bethan to be endgame but i find ethan and sarah cute too and i don't want to undermine their relationship. i probably just want ethan to realize he's bi and has always had a crush on benny without even realising it (he's a dumbass while also being the smartest, it's called duality)

jesse could also become kind of an ally, he's still a bastard and definitely not a good guy but he's not an enemy to the gang and sometimes they team up, kind of like spike (i have been watching buffy the vampire slayer recently as you can tell, sorry lol)

oh and also find out what the hell is going on with benny's parents. basically get to know all of their families except ethan's, the only ones we know lmao

[danwhobrowses]

Why Tashigi Deserves More Respect

I really gotta remember these other things I plan on writing XD Often I get reminded though by people around me criticizing something I realise ‘that’s a little misunderstood’ and then get compelled to write about it. For today we’re looking at the female Marine of One Piece, Tashigi. Now before we start, I want to make a point that Tashigi is still an underused character brimming with potential that Oda seems to shy a lot from. Oda can still sincerely do a lot more with her and I for one have been disappointed by her lack of use in Stampede and lack of appearance in Wano. However, I get a lot of people who feel that Tashigi is ‘useless’, and I’m going to say that this isn’t really the case.

Argument 1: Her Battles

Of course, a lot of strength regarding a character comes with their ability to come out victorious. It can harm any character in a show to constantly be on the losing side of a fight and it does hurt Tashigi (and Smoker) a lot that they do end up that way. While I would love Tashigi to have her first clean win since those guys in Loguetown I’d like to remind you that Tashigi’s fights do have a bit of defense to them, let’s look at all of Tashigi’s named opponents

Zoro (Loguetown) - We always knew that Zoro was winning this, while she was bested by Zoro the purpose of the story wasn’t ever going to be Tashigi being stronger, instead this was Zoro having to confront her similarities with Kuina in personality rather than skill.

Nico Robin/Miss All Sunday (Alabasta) - While Tashigi was unable to even strike Robin back in Alabasta, Robin’s devil fruit allowed her to be perfect for such a situation. A trained and deadly assassin, Tashigi’s physical confrontation was never going to succeed, but what was key to this battle was Tashigi’s realization in regards to the failure of Justice. In the end she had to rely on Luffy to defeat the Pirates the WG had assigned to maintain the balance.

Luffy (Marineford/Punk Hazard) - Luffy and Tashigi briefly crossed paths in Marineford, Luffy swiftly dodged her but again, Tashigi was never going to defeat Luffy and was merely a doorway to put Smoker and Luffy into a fight. It’s also worth reminding that Tashigi must’ve been capable enough to hold her own against Whitebeard’s lesser forces, since she was uninjured from Marineford. They also crossed at Punk Hazard, but then they were both weakened by being in unfamiliar bodies, something which Luffy even acknowledges.

Trafalgar Law (Punk Hazard) - as pictured above, Tashigi’s defeat to Law was another gateway for Smoker to enter the fight, but this one had more purpose in showing Tashigi’s willpower, which we will get to. As you can tell, there’s a theme: Tashigi would never have beaten Law in terms of the narrative, why do we hold it against Tashigi that she lost to the guy who later did this?

Ceasar Clown (Punk Hazard) - while listed as a fight, she fell the same way as Robin and Franky due to his DF being unrevealed, again this being a gateway to sell that Ceasar had a danger to him, I wouldn’t actually count it as a fight.

Vergo (Punk Hazard) - the Donquixote spy is one of Doflamingo’s deadliest subordinates. The original Corazon, Tashigi’s conflict with Vergo brought Sanji into the fight and once again highlighted to Tashigi the corruption within the Marines themselves. Like Law (and the next), we can’t be too harsh on Tashigi losing to Vergo, the guy easily fended off Sanji to the point of almost breaking Sanji’s leg, he also was able to beat Smoker

Monet (Punk Hazard) - Monet is a mixed one, because Zoro quickly defeats her she was quickly overshadowed by the fact that she struggled to even get on the offensive, broadening the gap between them. But, I’d like to remind everyone that Monet was able to force Luffy into fleeing their battle and was handling Robin, Nami and Chopper at once. Tashigi hadn’t completely lost either, I would bet that she’d fight without an arm, maybe not successfully but she would, and she got the finishing blow on Monet - her second offensive attack against Monet put her away and while technically this doesn’t count as a W for Tashigi she did not technically lose in this fight either

As you can see, while it’s easy to say that ‘Tashigi never wins her fights, so she’s weak’ it really undermines the opposition she willingly puts herself against. Narratively there’d be no reason for Tashigi to win these fights, doing so would lead to confusion and disbelief (for instance, would you have seen Luffy beating Kaido solo back in Bakura Town? No, obviously). Tashigi is still strong, she’s able to survive the Grand Line, easily deflect cannon fire with her sword and use Haki, the latter cannot be said for Main Characters like Nami, Chopper, Franky, Carrot and somehow Robin (like girl you spent 2 years with the Revolutionaries, where’s your Haki?). While we would love a win to validate this, Oda always puts her against an opponent that would be difficult for her to win against, and we thus mistake her inability to win as weakness. So that leads to another argument. Argument 2: Tashigi always punches above her weight While this is very much true, One Piece has often told us that being the strongest doesn’t always mean that you will win. Consider 90% of Nami and Usopp’s wins, Luffy’s wins over Crocodile, Enel, Lucci, Magellan, Cracker and Katakuri, the weak may not be able to choose how they die but that doesn’t mean that the strong can either.  I’d also like to argue that Tashigi’s motive on fighting strong opponents is not because she feels that she is stronger, she fights them because they are the enemy that needs to be stopped, her motives are pure in her pursuit of justice just as the Straw Hats fight stronger opponents because it fulfills a just cause such as saving Alabasta, their crewmates, people who had their shadows stolen, Camie, Fishman Island, the Punk Hazard children, Dressrosa, Zou or Wano. Tashigi really gets criticized for it because it doesn’t yield the results it does for major characters, often needing help to get the victory. In that I wanna point out a harsh truth as well; Goku - the people many anime fans will compare power scales against - almost never beats the main villain on his own in DBZ or DBS. Freeza - required damage from Krillin, Gohan, Vegeta and Piccolo before the win, and he didn’t finish him off, Cell - tags out to Gohan, who also needs Vegeta’s help to win, Buu - needs Vegeta’s help via fusion and a full power recharge by the Dragon Balls, Beerus - he lost, Golden Freeza - he got jumped by Sorbet and needed Whis’ rewind, Hit - he gave up, Fused Zamasu - lost, and needed Zeno to wipe him out, Jiren - needed Freeza and 17′s help and Vegeta’s energy and finally Broly - needed fusion. So maybe, if even Son Goku cannot win on his own, we can cut Tashigi a little bit of slack given that she’s not even a main character.

Argument 3: ‘She does nothing’ I don’t really like this insinuation. Often Smoker and Tashigi are the ones that pick up the mess after all the enemies are defeated, but for some reason that equates to ‘doing nothing’. I think because people see Tashigi as interchangeable with any other character she is thus useless because she is not mandatory. However, Tashigi’s role is much more complex than that.

Even if she’s not strong enough to fight the biggest fishes in the pond, she still manages to grow and prove her worth. If Tashigi was replaced with any generic marine captain a lot of what happened would be different. It was Tashigi who identified Wado Ichimonji and Sandai Kitetsu for Zoro, Tashigi who (albeit reluctantly) directed Luffy to Crocodile, Tashigi who kept the Straw Hats safe from arrest in Alabasta, Tashigi who convinced Smoker that he needed to swallow his pride and side with Law and Luffy to stop Ceasar and it was Tashigi who convinced Nami to entrust the Punk Hazard children to them. Through her experiences she also cultivates her own unique sense of Justice. While she follows Smoker’s doctrine of ‘A Pirate will always be a Pirate’ and that the Shichibukai system and the World Government as a whole is flawed, she has also learned for herself that there are times that pride must be set aside, in a way Tashigi’s sense of Justice has become a combination of Smoker’s and Fujitora’s: in order to rebuild justice, the navy itself must become strong enough to not depend on pirates, but pride cannot supersede the greater good. In addition, implying she does nothing also implies that she doesn’t practice her own sense of justice either. She stepped in on Zoro twice to protect her men from harm, before even arriving at Punk Hazard we learned that she had a good relationship with the parents who had their children kidnapped as they asked specifically for her which in turn led her to personally strive to reunite the children with their parents and she even protected the truth of Vergo from G-5 so that they didn’t feel betrayed and demoralized. Of the things Tashigi does, nothing is not one of them, she displays compassion, fairness and determination in definitive moments. Argument 3: She’s too hung up on her Feminism

So, one of the major dynamics of Tashigi and Zoro is her misconception that Zoro wouldn’t cut her because she was a woman, a belief that women have to prove themselves more to be seen as strong against men being one of the beliefs she shares with Zoro’s childhood rival Kuina. While it can be a tad irksome that she’d hang onto this with Zoro, until Monet Zoro never actually demonstrated the contrary to her. This is mainly a complaint by hindsight, we only dislike the opinion because we’ve seen Zoro more than Tashigi has, and she’s not 100% wrong, Zoro himself has been a bit of a traditionalist, in Skypeia he angrily chastised Enel for attacking Robin since she was a woman, and he only does step in on Monet to save Tashigi - not even finishing her off despite being very capable of doing so. Outside of Zoro, Tashigi’s feelings that she gets treated differently due to her gender is proven and reflected in how G-5 treat her with little authority, only really listening to her because she’s pretty. You can’t be too hard on Tashigi given that she is constantly faced with this truth on a daily basis, and her desire to be seen for her strength and skills are still an amicable one, it’s worth noting that even Law recognized that her mentality and warrior’s spirit was far greater than he swordsmanship, but he only thought this internally. In Tashigi’s case it would help her confidence to be given validation, and not in the condescending way Zoro usually talks to people.  While it can be annoying that she immediately thinks that she’s being treated differently because she’s a woman, this also shows that she wants to be treated as an equal; if she is defeated in combat she wants to be cut to preserve her honour, it is the mentality all Great Samurai have, including Zoro. Oda does something with Tashigi he rarely does with any woman in One Piece in making her less sexualised and body-confident to reflect her goal of being recognized by her spirit and actions rather than her appearance, but he also makes that complex for the character which in a way this is most important for.

Argument 4: She’s not a good Rival for Zoro

I think one of the biggest misconceptions about Tashigi’s character is that she is meant to be Zoro’s rival, in a similar manner to how Smoker and Luffy are embroiled in a Garp/Roger-esque cat and mouse chase. Because of this, people expect Tashigi to advance at a similar scale to Zoro to keep him on his toes, to make sure that he doesn’t end up complacent in his strive to become the World’s Greatest Swordsman. Her former likeness to Kuina also adds to this misconception, since because Kuina was Zoro’s rival with the same goal and always stronger than Zoro himself, Tashigi must be similar.

But this is not why Tashigi and Zoro are always put together. Tashigi is not Zoro’s rival, no other character we’ve met has the same goal as Zoro, and this keeps his story free to develop with different challenges. Tashigi’s pursuit of strength is not for the same reasons as Zoro, she doesn’t want to be the World’s Greatest Swordsperson, she only wants to protect the sanctity of the Meito and keep them out of unworthy hands. Her pursuit of Zoro was both because he dishonoured her in their fight and so she could claim Wado Ichimonji. In the New World however we don’t see that as much from Tashigi, even when she sees Shusui she doesn’t make a point to declare taking it from him because he’s unworthy (like Kin’emon would later do), this is because she does acknowledge his strength and worthiness of using these Meito, her personal conflict now though is to be seen as worthy to him as a swordsperson rather than a pirate to a marine.  In reality, Tashigi is instead Zoro’s and Kuina’s foil. She is similar in looks and perspective to Kuina but different in everything else from clumsiness, skill and ambition, the fact that Zoro struggles to handle this leads to the two becoming entwined in their respective journeys. No person gets under Zoro’s skin like Tashigi does, even to a point where he was reluctant to even be in eyeshot of her - how many people have you seen Roronoa Zoro hide from? They are each other’s foil because they are both stubborn people out to prove something but put on two different sides that conflict. That is the true purpose of their dynamic, their confrontations expose one another and show places where they can still grow and I still feel that we haven’t scratched the surface of this relationship.

Argument 5: She’s not Important

A combination of the earlier arguments, Tashigi gets a lot of flack because people think she’s not important enough as a character to have the screentime she gets. While it’s not hard to see why people feel that, it usually comes with people giving up on the idea that there’s a greater plan for her. It may just be me, but I am reluctant to believe that Tashigi appears in several forms of merchandise including calendars, games (as NPCs, Bosses, Supports or playable characters) and even figurines and not have a purpose in the greater scope of the story, do we really expect that from Oda? I doubt that very much! Granted, Wano would’ve been a perfect placement for her to push herself given the views on women in the country and it being the homeland of famous Meito. And yes, she could’ve had a much greater role in Stampede given how well they managed Smoker in it. We are allowed to be disappointed by this, but the fact that Tashigi has remained as consistent in presence as she has been in the show does hint at a bigger role, even if it’s being that wave of revolutionizing the Marines with Coby and Fujitora, her own origins or finally proving herself to the audience and to Zoro, Tashigi is not done and thus she is still important. “Just because they say a bird cannot fly, doesn’t mean that it never will” - Oda SBS 17 on Tashigi and Kuina’s names being named after flightless birds So, Why does Tashigi deserve more Respect? Tashigi as a character is one of Oda’s more subtle progressions. In contrast to Zoro who we see grow, we don’t see how Tashigi gets from A to B, we can also contrast to Coby whose rise becomes as magnificent as his puberty that Tashigi’s growth is much less abrupt and more steady, we see her struggles more than we do Coby where his successes are only heard in passing. Tashigi can also act as the ‘normal person’ in the marines, we compare her to Zoro in strength because she uses a sword but we never give her the benefit of the doubt that Roronoa Zoro is a bloody superhuman, plus not everyone has the great luxury of being trained by Dracule Mihawk for 2 years...furthermore, her challenges against Devil Fruit users are always filled with good intentions and strong willpower, but still self-doubt and shame, if anything Tashigi is one of the most human characters of One Piece for this reason; she learns, she suffers, she grows and she does it all without the luxury of Shonen perks such as superhuman power or endurance. Also she is a good person, she has a strong sense of morality and will, an altruistic desire and even in the situation she gets put in she makes a step that leads to the plot going in a positive direction. And for a character that has been in as many arcs as she has, there is still so much potential left to be untapped that fans are still after 2 decades eager to see from her.

Tashigi is a strong, valiant and just person, who is still really powerful if people stop trying to compare her to the likes of Luffy, Law and Zoro. Even when she fails she picks herself up and can still come out with a small victory from protecting innocents, arresting criminals and escorting children to get help. She is a lot stronger than people give her credit for and it’s for that she deserves respect.

[dereksmcgrath]

Nosu Koshu’s return combines the Black Mercy from Superman with a Dragon Quest isekai plot that doesn’t really deliver much in the way of innovative gags and, in terms of plot, only perpetuates vague hints at larger schemes by Uneras. But maybe Ren’s sister Rin is going to get to be more relevant, so that’s good.

“Nosu Koshu of Illusions,” Magu-chan: God of Destruction, Chapter 56

By Kei Kamiki, translation by Christine Dashiell, lettering by Erika Terriquez

Available from Viz

Spoiler Warning for the Dragon Quest animated film.

Nosu Koshu, the dream god, is like the Black Mercy from Superman mythos. First appearing in the comic “For the Man Who Has Everything” by Alan Moore and Dave Gibbons, then adapted for Justice League Unlimited and Supergirl, it is an alien being that lets you dream of your most ardent desires–but usually with some catch, not just that, to remove the Mercy from yourself is to lose that perfect dream, but because even within that dream, like any utopia, there is always some dark side behind it. When Nosu Koshu popped up first in Magu-chan, she gave Ruru the dream of being reunited with her dead father, at the cost of being with Magu and living a healthier life of coping with loss and finding new opportunities despite that loss.

Nosu Koshu gave Magu-chan the best arc it has had up to this point–so bringing her back now for a parody of Dragon Quest and isekai storylines is tiresome. Hell, I hated that Dragon Quest animated film for its twist at the end regarding isekai stuff, so unfortunately that example tainted my appreciation for where this chapter was going.

I’m not being entirely fair to this chapter: there were details I liked. I admit some of those details were gags that I should have seen coming: Magu being reduced to a Dragon Quest Slime monster, or Uneras being shown as the final boss (which, as I’ll talk about in a moment, is potential foreshadowing to her being the Big Bad all along for this series). And I laugh heartedly when Ruru said they’ll just skip the maze level and thanks Muscar for the warning; as repetitive as their dynamic is, I do like the groove the series has set, Muscar struggling to be fearsome and intimidating and Ruru, not out of simpleness but kindheartedness, looking on the bright side and taking Muscar’s remarks as helpful rather than intimidating.

But isekai storylines have been done to death. “Magic technology goes out of wack” like Uneras putting Izuma to sleep, then having magic eyemasks to put the others into Izuma’s dream, are plot details I expect from some of the worst manga that repeatedly persist with that trope. If I want the mad scientist who keeps making magic-like objects that cause wacky hijinks, I’d get back to writing Mei Hatsume fanfiction, not sitting through G-rated To Love-Ru.

I’m trying to judge the series by its own previous examples: if you’re going to invoke a certain type of video game, even if it is an RPG, I am stuck comparing how this same series handled the fighting game tropes, offering a funny version of Smash Bros while also having more clever gags that invoke the invitation envelope from that franchise as well as even designing a bulkier headband-wearing Magu to look like Ryu from Street Fighter.

But even still, I think how another series would handle this kind of plotline about Dragon Quest-style RPGs and isekai plotlines–because I’ve seen Gintama do it, not only to parody the same content but to do the exact same plot, that being to get into someone’s body (more specifically for Magu-chan, someone’s mind) to help them through a health-related problem. And when there are so many isekai stories out there, it is ripe for parody–and there have been enough of such parodies in other series, or even isekai that are parodying their own genre and undermining their own narrative conventions.

The gags in this chapter also felt less impressive than those in previous chapters. The problem the series has had since depowering Muscar has been Uneras, and I hate saying that when she is, for better or worse, a character who resonates for manga and anime fans like us, someone portrayed as ostensibly a Western fan whose fixation on the tropes of Japanese comics and animation shows an outsider’s perspective that just gets details wrong and invokes cringe. Maybe it is naive for me to think this is all innocent: as a fan in the United States, who is going to misread cultural aspects of works that are created in cultural contexts outside of where I am, I really try to be aware and not make claims I cannot support.

So, maybe Uneras is a warning for people who think they are being reasonable and having good intentions but whose misreadings are doing actual harm. It’s not that difficult a way to measure her, given her other problematic behavior: her reaction in this chapter of thinking “hawt” upon seeing Izuma oppose her, after the series has already presented Uneras as a pseudo-maternal figure to Izuma, is all kinds of Oedipal squick that, no, ew, stop, please.

When you keep making Uneras’s behavior the instigation for the plot–creating the problems for the characters to solve–her role as the trouble-maker, as the troll, lacks the same complexities we saw earlier. When she first appeared, her antics inadvertently caused problems: if she had told Ruru that the cookies she ate would make her too powerful, then Ruru would not have accidentally blasted Izuma and Magu. In her subsequent appearances, she was carefully placed in alternative positions, sometimes purposefully trolling the characters, sometimes unintentionally causing problems that thankfully were harmless enough to be corrected by story’s end with minimal ramifications and no malice. Then she depowered Muscar, bringing the story back to square one in terms of giving him a potential redemption arc, and invoking colonialist imagery that shows her cultural ignorance is not necessarily amusing but dangerous.

If we don’t want to read something deeper behind Uneras’s behavior, within the plot of the manga itself, there is an easier understanding for why she is trolling people, tricking them, and now pulling such a dangerous Black Mercy god like Nosu Koshu into her ranks–and it’s been obvious since Uneras’s first introduction. When she premiered in unlucky Chapter 13, she made it clear that she is playing the humans and gods against each other, that she sided with the humans against her own kind to keep the gods in check. She is not the traditional notion of a hero, she is not a good-hearted cliche like Ruru: she is a puppetmaster, and that opens up more potential for what to do with her in this manga, and I tense up either because she will emerge as an antagonist in this story or because I am now attached to this idea and will feel disappointed if my prediction does not pan out that way (which, seeing as I am wanting to see every tiny cute creature as a potential villain–e.g., Nezu in My Hero Academia–may be my problem and not that of the stories’: “When you’re a hammer, and everything looks like a nail…”).

That leaves us with what the story does with Nosu Koshu. Since her introduction, she has been a passive character, fitting for a god whose ability puts people to sleep in the dream that best serves the reality they want to enter. That power gave Magu-chan the kind of storyline even the goofiest gag manga needs, one that showed how Ruru has mourned her father’s death and gave joke characters like Naputaaku a chance to rise to the occasion. But now that Nosu Koshu’s threat has been diminished, the manga is trying to figure out where to position her–and the conclusion they reach is to give Ren another god to look after. I had enjoyed how Magu-chan added more gods but made sure to give those gods their own human Pokemon trainer, so introducing Nosu Koshu but not giving her her own unique human is retreading whatever characterization we could get from Ren without developing a currently present human or a new human character we could add. It’s like when Transformers Prime introduced Smokescreen and gave him Jack as his human partner: Jack already has Arcee, and that choice diminished opportunities to give Arcee the spotlight, as her storyline faded more and more into the background while Smokescreen’s role got larger and larger. Diminishing the only woman-coded Autobot to the background didn’t help either.

But speaking of sidelining women characters, if we are going to have Nosu Koshu at the Fujisawa restaurant–and, as they do have a beach stand, it does make sense to apply this god’s talents there after Mother Fujisawa exhausted herself in an earlier chapter–pair Nosu Koshu with Ren’s sister Rin. While I have enjoyed Rin’s dynamic with Naputaaku, he is already Ren’s god partner, and Rin’s schtick has been rather stale: in the beach stand chapter, we did learn she desires to rise to the occasion to run the family business, belying her slacker demeanor. But if we’re going to move beyond the tiresome slacker schtick, having her be the partner to a literal sleepyhead like Nosu Koshu makes sense and could help both characters, contrasting how Rin’s passivity differs from Nosu Koshu’s, and showing that Rin has actual dreams she is trying to reach in her own way while Nosu Koshu has been content to force other people to literally dream without having any goal of her own. Like I just said, I tend to write ideas that I hope a story will take, then I feel disappointed when they don’t go there, and that unfairly influences my reviews. But I hope I got this one right, because after the previous chapter and now this one, it feels like Magu-chan needs an emotionally impactful chapter to give more direction to where the gags should go.

[kinetic-elaboration]

August 4: Orphan Black 1x08

Very long, hard, emotionally draining day today. Everything at work pissed me off and I think I... I think I blew things out of proportion in my own head because I was too tired and hadn’t slept enough, anyway. On the other hand, it was also the kind of day where my computer straight up did a random, mandatory restart at, like, 11:30 in the morning when I had 50 programs open was and was right in the middle of a task, which is, like, comically stupid in terms of annoying things that might happen when you’re already pissed off.

But also, my parents unexpectedly adopted two kittens yesterday and I saw the pics in the morning and couldn’t stop thinking of them all day. It’s... kind of a complicated emotional situation so I’m like.. excited and I want to pet the animals, but also... a little sad, a little mixed up about it all.

Anyway I wasn’t going to talk about ANY of that; I watched Orphan Black tonight and was going to write about that.

This was a good episode--there was a lot going on, though, so it’s hard to give one general impression.

The outfits were A++ today. I feel like costuming really outdid themselves. I loved all the sweaters. I love that Sarah is dressing more like Beth now, which is very funny, and I think Cosima and Delphine, though still obnoxious as characters, looked particularly stunning. I loved Cosima’s long sweater! And Delphine’s perfectly proportioned outfit.

Also I can’t believe Cosima went out to get ice cream, in December, in the Midwest (?) wearing nothing but underwear and a long coat. The gall.

I feel like the first time I watched this, I didn’t really like DiAngelo much, but I’ll be honest, she’s growing on me!! I don’t know why. I guess the first time I saw her as a Beth/Sarah antagonist but this time I kinda see her as just a really gung-ho detective/bulldog who likes morgues and... Idk I appreciate her as a character.

I loved that we got so much Alison today. Is she ever not perfect? The arguments about figure skating coaching. How she just stands outside of Chad’s car and stares at him and blinks in this really intense way. “This is the first hit I’ve had since Godspell in college.” “You want me to coach you? You’re in the end zone! Coach me coach me!” The fight in the middle of the street in suburbia. “Bad things have happened to me.” And let us not ever forget I’M A BITCH I’M A LOVER I’M A CHILD I’M A MOTHER. My queen.

I can’t believe Sarah just walks into Mrs. S’s house like “Hey sorry to wake you up, I’m a clone.” But I’m glad Alison got to meet Mrs. S because, not knowing Alison’s mom at all, I feel like Mrs. S is the mom she needs. I also love seeing Mrs. S be a little softer. You can see why she would foster kids.

It’s interesting that most of the clones are in vitro births, not adoptees... I kinda forgot that.

Back to Alison again... I think Aynsley is very interesting. She’s definitely not Alison’s monitor--that is of course Donnie--but because Alison thinks she is, and because there really is some average, normal person drama between them, their feud becomes this perfect mash of genres: the sci fi and the suburban satire. I can’t entirely decide what Aynsley thinks is happening: does she think of herself as Alison’s friend or more her frenemy? Is she trying to undermine Alison or doing it accidentally? I lean toward the actual friend interpretation... she’s a little catty, a little oblivious, a little condescending, and a lot nosy, but she does mean to be helpful. She isn’t trying to hurt Alison by taking over skating, and she doesn’t realize how snobby she sounds when she talks about Alison’s plans to divorce. But her intentions are good. I think. That’s where I’m leaning.

RIP Olivier but not really. No wonder I only remembered the tail.

I know I’ve said it before but I really think the casting of Kira was perfect. She’s so good at being very slightly creepy but also perfectly angelic, and she has this... aura of just... knowing everything, being very aware to an almost psychic degree. Like how she’s not afraid of Helena because she sees the hurt person inside--and perhaps sees the connection to her own mother? I like how they wrote Kira having these very subtle special powers or abilities--not so strong or obvious that they seem out of place for the genre, but just obvious enough to be undeniable. Like the super healing ability she shows in the next ep. I also love how she just walks out with Helena, then talks to her a little, and then just... leaves to walk back home. “Oh, you thought you were kidnapping me? No.”

Well, only two more eps left...!

[cantfoolajoker]

the investigation team as dnd classes

after sees and the thieves, we’re here now for the final part of this dumb series. thank god the i-team has the smallest cast size so this isn’t as lengthy as the other two, but it’s still going under the read more for reading sake. enjoy!

lets start off with our main lad souji/yu who i vote is a knowledge domain cleric. alternatively, could also be a tempest cleric if you want more zappy zappy, but i’m focusing on his pursuit of knowledge here. as the name implies, these clerics worship gods of knowledge and their temples are typically libraries. they get things such as read thoughts (using their channel divinity to read the thoughts of creatures at a surface level if they fail a saving throw) and visions of the past, which lets them see what happened in the past to a specific item or area. their domain spell list also includes speak with the dead (yikes) and scrying (so he can talk to nanako whenever :) ).

yosuke is 100% a drunken master monk and here’s why: drunken master monks fighting style is entirely based around being agile and essentially moving as if you had the unsteady feet of someone drunk, making yourself light and able to effectively dodge moves while making your opponent undermine you. while yosuke isn’t That ahead of the game in terms of how he tries to portray himself, his actual fighting style of being very acrobatic and airy fits into drunken master nicely especially considering the hit and run tactic the class utilizes. also, since we all now know yosuke is the fastest character in the p4 arena games, here’s some extra tidbit info: monks get extra movement speed every few levels and if you were to make him a wood elf, he’d have the highest speed of anyone, including a certain warforged monk. have fun with that.

so this may be a bit of a controversial take but chie as way of long death monk because of how much she wants to protect other people. their fighting style focuses on understanding how death functions and essentially ensuring they are able to accurately take down opponents by examining the different aspects and fundamentals of death. they can expand ki points to avoid death with “mastery of death” and can frighten enemies with “hour of reaping” due to their skill set. also, they get the main staple of monks which is a normal hit die for using an unarmed strike, so chie can kick as much as she wants.

i feel like yukiko is an evocation wizard since she is both a magic user and also like does put in some dps, as well as it makes sense her highest stat would be intelligence. school of evocation as a subclass is basically the dps subclass for wizard that focuses on blasting spells of most elemental affiliations but it is very commonly associated with fire since that is the most explosive (and also fireball is a very fun spell). you also get the sculpt spells feature which allows you to redirect your spells mid casting them which no other wizard subclass can do, and potent cantrip, which basically forces the enemy to take half the damage of the cantrip even if it succeeded on the saving throw. also yukiko Would threaten to hit people with her giant magic tome she keeps her spells in, don’t lie to me.

kanji’s a paladin because he’s a tanky boy and i felt that giving him barbarian would be a cop out. oath of ancients paladin i feel is the best fit for him since they’re first and foremost considered one of the oldest subclasses as they date around to druids, their essential full class cousin, who are considered ancient divine magic, and this fits as a reminder that kanji comes from an equally traditional family. their tenets essentially stand for protecting the inherent light and creativity of the world rather than a sense of morality; they uphold art and song and the general beauty of life, meaning kanji’s sewing also takes a very important role as they typically don their armor with decorations relating to this concept as a reminder that they are protecting light and life. most of their attacks center around a nature theme, and they even get a new form at 20th level due to elder champion that is almost akin to an ancient force of nature. also, they get speak with animals as an oath spell, i feel like that’s the best selling point.

alright rise’s a bard. we all knew that one. i feel like she’s a valor bard especially given her ability to fight in p4au, since valor bards aren’t exactly melee like their swords cousins but they still can pack a punch and assist their dps in combat. they can provide inspiration mid fight and also use their music to heal some hit points. flavor wise, they’re known for singing about heroes to inspire other heroes and can be considered very classic bards, and since those are typically the most popular kinds of bards, it does parallel nicely to her idol status.

teddie’s an eladrin first and foremost, potentially one that’s sort of mixed between all of the seasons to match his primary color self as well as encapsulate on the fact he would essentially be an off color fey adjacent figure like his harmless-yet-potential-to-be-harmful shadow origins in source. because of this, i think leaning into that would be good and druid circle of dreams may be the best fit for him; these druids pull their power from the feywilds and specifically the dream like state it has since generally being in the feywilds feels unreal to most people not naturally originating from it. they invoke the power of both the summer and the gloaming courts in order to act as essentially a poster child for the hopefully peaceful relations between the feywilds and the material plain, and as such they get “walker in dreams” which allows them to plain hop much like teddie can do between the shadow world and the normal world. also, like all druids can do, he can shapeshift into animals, and he can keep being his beary best self.

okay so like, i know gunslingers are a thing, but also naoto strikes me as an inquisitive rogue because they’re basically the actual detective class and subclass combo of dnd. the big take away is they have a very keen eye and basically amp up their insight and perception skills to the max, with unerring eye even allowing them to see through illusions or other magic designed to deceive one’s senses. naoto can Also have a gun still while in this class regardless and even get bonus damage on it if they get sneak attack, which is pretty neat.

bonus: adachi is a gunslinger fighter bc he literally made a model gun have a functional barrel cause he wanted a gun that badly. alternatively, he could be a fiend warlock or even the artillerist artificer bc he almost definitely has the int stat for it.

[house-bound]

Rank the classes best to worst

That’s a tall order but sure.

In order Best-to-Worst

The ones that are p good

Maids, those are great, they are tough, rebellious, and even though they always suffer with being taken for granted, once they break free they manage to become happier and more fulfilled than anyone else. Aradia managed to fully imerse herself on her interests and sorta never even frowned again, good for her! Also, they are healers by nature, but all can put up a fight, they are a combat medic!

Witches are also quite optimistic! Or at least pretty good at repressing their negative feelings, but they manage to be honest with themselves, they are genuinely nice people, they don’t have to pretend that, and they are very upfront about who they are and what they want. Jade always says what she wants, and Megido is the most direct as she can, good for them. Plus their powers are really God-like.

The ones that are kinda good

Knights are buried under layers of emotional constipation, but they do manage to come off as nice people who others like to be around. They also manage to be competent at taking care of people, and are pretty swell overall. They also manage to have control over their aspects, which is great.

Rogues have great abilities, and are pleasant people, but will most likely be undermined by others of their group, they sort of tend to be too attached to those around them, and mistreated, which sucks for them, but their set of abilities sort of works better for a team game like SBURB, so they have that going for them.

Thieves are less good for that reason, SBURB is a team effort, and thieves suck at that, unless they manage to be in good enough terms with their team to be a leader, they’ll most likely go off the rails on their own bullshit, or be hated by the group. Plus, they have less control over their aspect than other classes, and like, imagine being a thief of doom, that would suck.

Seers, I’m not sure abt, they are nice people, if a bit self-centered, and they are really useful on the game, but they have trouble standing out. It’s also frustrating to forsee and understand without being able to *change* so yeah.

Pretty neutral ones

Sylphs are pretty neat, one thing they have is that they are genuinely involved with their aspect, which means that they are happy with the things they r into, that’s way better than classes that are burdened by their aspects like Pages and Princes. But still, they have trouble becoming the focus, and are often taken for granted. So as far as classes go, they r neat

Heirs are sort of like, if Pages were good. They take their aspect for granted and just need to tap into whatever they have going on. But as far as classes go, they are pretty tame. Nothing too wild, but nothing too mellow, they r ok.

Mages are a mystery in HS, but like, their theme seems to be Inherent Understanding, they know because they know and that’s it. Which seems to imply they know less than seers, like they don’t fully get the bigger picture around their aspect. So yeah.

The ones that r not having a good time

It kinda sucks being a Prince, but they sort of have more control over their situations than Pages, they take antagonistic roles, they fuck shit up, but also deeply care about those around them, and need to understand that others like them back too! They can manage tbh.

Pages, being a Page is suffering, it’s straight up not fun. But what they do have going for them is like, cuteness for one, beauty for another, ideally a Page would fully embrace and take control of that, sorta like Jake in the Credits, and in literally nothing else. Point is, slow paced adventure sucks, but it does pay off eventually, like Tavros’ army, Jake’s credits moment, and they are really valued players.

Bard

They are sort of the most dictated by the narrative as it gets. Their actions are hard to understand, they are chaotic figures all around, and that awful cod piece, so yeah, they kinda suck. Plus being Gamzee is not fun, his dubious amount of autonomy during the story sort of give the impression not even he understands what is happening, which even if he does, being him still sucks.

I didn’t put Lord and Muse here, but assume they r neutral, with Lord slightly higher, since Caliborn had more fun with his journey than either Calliope.

I tried to think how good they are playing in a team, how happy they r in their positions and classes, and how cool their abilities are. 

Thank u so much for asking! Feel free to ask whenever