#in the spirit of the 'i see no difference love is love' but it's all the same couple post

[paddockletters]

chihiro | trent alexander-arnold

request:Can you please write something for Trent inspired by chihiro something angst when Trent becomes distant toward the reader (gf or wife ) and less attentive . But she still gives him all of her but soon realizes that it breaks her, and it breaks her more because he hasn't realized pairing: trent alexander-arnold x reader summary: You find yourself in a heart-wrenching struggle as Trent pulls away, leaving you to question your worth. Despite your devotion, his distance shatters your spirit. As you confront the painful truth, a life-changing decision awaits, forcing you to choose between love and self-preservation. warnings: angst, gaslighting author's note: i really enjoyed writing this and i hope you liked it, ... Well, as I always say... english is not my first language so sorry me if there are mistakes —feel free to tell me— and my requests are open!👀

I’ve been feeling it for a while now—the distance, the way Trent pulls away without even realizing it. At first, I thought it was just me being too sensitive, that maybe I was expecting too much. But as the days went on, I couldn’t ignore it anymore. He was no longer the person who used to look at me like I was his entire world. Now, it felt like I was just... there.

I remember the early days, the way he used to hold me so tight, like he was afraid I’d disappear. I’d catch him staring at me with that boyish smile of his, and he’d say, "What? Can’t I look at my girl?" I’d laugh and tell him he was ridiculous, but I loved it. I loved the way he made me feel seen, loved, important. That version of Trent feels like a distant memory now.

Now? Now he barely looks at me.

The other night, I tried to talk to him—really talk. I had been holding it in for too long, trying to give him space, hoping he’d notice on his own that something was wrong. But he didn’t. So, I brought it up, carefully, not wanting to start a fight.

"Trent," I said, sitting on the couch while he scrolled through his phone, "I feel like we’re not… us anymore."

He glanced up, brow furrowing for a moment before looking back at his screen. "What do you mean?"

I swallowed the lump in my throat, trying to keep my voice steady. "I just… I miss you. I miss how we used to be. Lately, it feels like you’re a million miles away, even when you’re sitting right next to me."

He sighed, rubbing his eyes. "I’ve been busy. You know that."

"I know, but…" I hesitated. "It’s more than that, Trent. I feel like I’m losing you, and I don’t know how to fix it."

His response was so simple, so dismissive. "You’re overthinking it."

Overthinking it. That’s what he said. And maybe I was, but it didn’t change the fact that I felt like I was pouring everything I had into this relationship while he was barely giving me scraps in return.

I gave him a small, sad smile, hoping it would break through his detachment. "I’m not trying to push you away, I just want… I just want us to be close again."

Trent shifted uncomfortably, clearly not in the mood for a deep conversation. "We’re fine. I don’t know why you’re making a big deal out of this."

The silence that followed his words was suffocating. I remember how my chest tightened, and I had to fight back the tears threatening to spill over. Why couldn’t he see it? Why couldn’t he see that I was breaking right in front of him?

There was a time he would come home, exhausted from training, and still find the energy to cuddle up with me on the couch, kissing my forehead, telling me about his day. I remember one evening after a tough match, he had pulled me into his lap, wrapping his arms around me, and whispered, "You’re the best part of my day, you know that?"

But those days feel like they belong to a different lifetime now.

Another night, I cooked his favorite meal, hoping it would spark something between us—bring him back to me. He came home late, as usual, tired and distracted. He barely glanced at the dinner I’d spent hours preparing.

"Thanks," he muttered, barely looking at the table. He grabbed a plate and sat down, eyes glued to the TV, like I wasn’t even there.

I sat across from him, pushing my food around my plate, trying to find the courage to say something, but the words died in my throat. It wasn’t just that he was distant; it was like I had become invisible to him.

When did it get this bad? I wondered, feeling a heaviness in my chest. The love I had for him was still there, burning painfully bright, but it was slowly killing me to keep holding on when he wasn’t holding on to me.

And then came the night it all fell apart.

I couldn’t sleep. I had spent hours lying next to him, staring at the ceiling, my heart aching with the weight of everything left unsaid. I needed to say something, to make him understand, but I didn’t know how.

I slipped out of bed and went to the living room, sitting in the dark, hugging my knees to my chest. I must have been there for a while because, at some point, Trent came out, rubbing his eyes.

"Why are you out here?" His voice was groggy, but there was no concern in it. Just exhaustion.

I looked up at him, tears already spilling down my cheeks. "I can’t do this anymore, Trent."

He frowned, confused. "Do what?"

"This." I gestured between us. "Us. Whatever this has become. I can’t keep pretending that I’m okay when I’m not. I’m breaking, Trent, and you don’t even see it."

He ran a hand through his hair, clearly frustrated. "What do you want me to say? I’m doing the best I can."

"But your best isn’t enough anymore," I whispered, my voice trembling. "I’ve given you everything—my love, my time, my heart—and I’m still left feeling like I’m not enough. Like I’m the only one fighting for us."

He sat down across from me, sighing heavily. "I don’t know what you want from me."

"I want you to care," I said, my voice breaking. "I want you to look at me the way you used to. I want to feel like I matter to you again."

There was a long silence. I stared at him, hoping—praying—that he would say something, anything, to make me feel like I hadn’t lost him completely. But all he did was look away, rubbing his face in frustration.

And that was it. That was the moment I knew. He didn’t have it in him anymore, and I couldn’t keep pouring my love into someone who wasn’t willing to do the same.

"I love you," I said, my voice barely a whisper. "But I can’t keep hurting like this."

He looked at me, his eyes finally softening, but it was too late. "I don’t want to lose you."

I smiled sadly through my tears. "You already have."

That night, after Trent and I sat in silence, I knew it wasn’t just a phase. It wasn’t going to change overnight or even at all. The weight of it all was too much, and I didn’t know how to carry it anymore. My hands were shaking as I reached for my phone, scrolling through my contacts. I needed to talk to someone—someone who might understand.

My thumb hovered over my best friend's name, Jess. I hadn’t told her much about what had been going on, mainly because I didn’t want to admit how bad things were. But now, it was like the dam had broken, and I needed to get it all out.

I hit call.

She picked up after a couple of rings, her voice groggy. "Hey, what’s up? It’s late, everything okay?"

I swallowed the lump in my throat, trying to steady my voice. "Not really."

Her tone shifted instantly, becoming more alert. "What happened? Is it Trent?"

I nodded, even though she couldn’t see me. "Yeah. I just… I don’t know what to do anymore, Jess. It’s like I don’t exist to him. I love him so much, but I feel like I’m losing myself in the process of holding on to him."

There was a pause on the other end. Jess wasn’t one to sugarcoat things, but she also wasn’t the type to push unless I was ready.

"Has he said anything about how he feels? Have you guys talked?" she asked cautiously.

"We tried. Well, I tried. It’s like he doesn’t even see the problem. He keeps saying I’m overthinking it, that I’m making a big deal out of nothing. But it’s not nothing, Jess. It’s killing me."

There was another silence, and then she let out a deep sigh. "Babe, you deserve someone who sees you, who cares enough to put in the effort. I know you love him, but if he’s not giving you anything to hold on to, what are you supposed to do?"

I leaned back against the couch, staring up at the ceiling. "I don’t know. I don’t know if I can keep doing this. I want to believe things will get better, but he’s so... distant. Like he’s already gone, and I’m the only one holding on."

Jess’s voice softened. "Have you thought about what would happen if you walked away?"

My breath caught in my throat. I had thought about it—many times. But actually doing it? The idea felt like ripping my own heart out. "Yeah. I’ve thought about it. But I don’t know if I’m strong enough to let him go."

“You are. You’re stronger than you think,” she said firmly. “But don’t make any decisions until you’re sure. Give it some time, see if he changes. But if he doesn’t... you deserve better, and you know that.”

The next day, I found myself dialing a number I hadn’t used in a while—Trent’s mom. She and I had always gotten along, and part of me wondered if she could help, if maybe she’d seen this side of him before.

"Hello?" Her warm, familiar voice answered, and for a moment, I felt a little less alone.

"Hey, it’s me," I said quietly.

"Oh, sweetheart, it’s so good to hear from you! How are you?"

I hesitated, my voice catching in my throat. "Not great, to be honest."

She paused, clearly sensing the heaviness in my tone. "Is everything okay with you and Trent?"

I let out a shaky breath, the tears I’d been holding back finally spilling over. "I don’t know. I feel like I’ve lost him. He’s been so distant, and I don’t know how to reach him. I don’t know what to do anymore."

She was silent for a moment, and then she sighed. "I’m so sorry, love. I’ve noticed he’s been a bit off lately, but I didn’t want to interfere. You know how he is—sometimes he gets so wrapped up in his own world that he doesn’t realize how it affects the people around him."

"Yeah," I whispered, wiping my eyes. "But I feel like I’m breaking, and he doesn’t even see it."

“Have you told him this? Really told him?” she asked gently.

"I tried. I told him how I felt, but he just brushes it off, like I’m overreacting."

There was a long pause before she spoke again, her voice soft. "I know he loves you. He may not show it the way you need right now, but I know he does. But if he’s not making you feel loved, if he’s not making you feel like you matter, you have to think about what’s best for you. You can’t keep giving and giving until there’s nothing left of yourself."

Her words hit me like a punch to the chest because they were the truth I hadn’t wanted to face. I couldn’t keep pouring everything I had into Trent if he wasn’t willing to meet me halfway.

"I don’t know what to do," I admitted, my voice breaking. "I don’t want to lose him, but I can’t keep living like this."

"No one can tell you what to do, love. Only you know what’s right for you. But whatever you decide, you deserve to be happy. Don’t settle for less than that."

That night, after talking to Trent’s mom, I lay in bed next to him, staring at the ceiling, feeling the weight of everything pressing down on my chest. The silence between us was louder than ever, and for the first time, I wondered if this was how it was always going to be. If I was going to spend the rest of my life feeling like a ghost in my own relationship.

I thought back to the last time we’d had a real conversation—weeks ago, maybe more. I had asked for space, told him I needed some time to clear my head, to figure things out for myself. I had been so overwhelmed by everything then, but I thought that maybe stepping away, even for a little while, would make me feel better.

"I need to be alone for a bit," I had said quietly, standing in the doorway of our bedroom, my hand still gripping the edge of the doorframe.

He’d looked at me, his face unreadable, but nodded. "Take your time."

It had been a relief at first. I had gone for a long walk, let my thoughts run wild as I tried to make sense of what had been happening between us. I’d told myself that once I came back, we could figure things out, rebuild what had been crumbling.

But when I returned that night, the house had felt different. Colder. Like something essential had disappeared. And Trent… he wasn’t there in the way I needed him to be. Physically, yes, he was there. But emotionally, mentally? It was like he had already checked out. I had walked back into the same room, into the same life, but somehow, I was the one who felt lost.

Now, as I lay beside him, I could still feel that same emptiness between us. I rolled over, my back to him, blinking back tears as I whispered, "I miss you."

He didn’t respond. I don’t even think he heard me.

And that’s when I knew—I had taken a break, hoping to come back to something familiar, something that we could still fix. But instead, I had returned to someone who was already gone.

Weeks passed after that night. The silence between us only grew, consuming every corner of our relationship. I kept hoping—foolishly—that maybe something would change, that Trent would look at me the way he used to, or that he would finally notice the cracks that had been widening for months. But nothing came. No words, no apologies, no acknowledgment of the distance that had turned us from lovers into strangers.

One morning, I woke up and knew. It was like the weight of everything had finally sunk deep enough for me to let go. I couldn’t do it anymore. I couldn’t keep waiting for him to realize how much this was breaking me. So, I packed my things in silence. The room felt eerily calm, like it knew what was coming before I did.

Trent was at training, and for the first time, I was glad he wasn’t there. I didn’t have the strength to explain myself again, to beg for him to see me, to see us—the version of us that once existed. I left him a note on the bed, my hand trembling as I wrote the words that had been festering inside me for weeks.

"I can’t do this anymore. I gave you everything I had, but somewhere along the way, you stopped giving me anything back. I love you, Trent, but I love myself too much to keep breaking for someone who doesn’t even realize I’m shattered. Take care of yourself. Goodbye."

I walked out the door, my chest tight with pain, but for the first time in months, there was also a small sense of relief. I hadn’t felt this light in ages, even if it was paired with heartbreak. The hardest part was over. I was leaving.

"I guess this is it," I had said, my voice barely a whisper.

Now, weeks later, I sat in my new apartment, staring out the window as the city buzzed below. For the first time in a long time, I felt like I could breathe. The space around me was mine, filled with my own choices, my own life. But the ache in my chest was still there, lingering like a bruise that hadn’t quite healed.

It took time—too much time—but I finally realized something that had been staring me in the face all along. I had been waiting for him to notice me, to care enough to fight for us, but Trent had already made his choice. He’d been gone long before I ever walked out that door.

And now, after everything, I was the one who was finally gone. And for the first time in weeks, I realized… I wasn’t going to come back.

Then, one evening, while scrolling through my phone, I saw a text from a number I almost didn’t recognize anymore. It was Trent.

"I didn’t realize until now. You were gone, and I didn’t even notice. I’m sorry… for everything."

I stared at the message for a long time, feeling the tears pool in my eyes, but I didn’t reply. Because now, it was too late.

He had finally realized. But I was already gone.

[abigail-pent]

Thoughts on HTN Act Five on ??th reread:

- the joke about the Ninth knowing a thousand shades of off-white is absolutely a 50 Shades of Grey reference

- Ianthe wonders what Harrow's face "could have done to it" - ohhhhh yeah she is doing hella cosmetic "surgery" on Corona. this still isn't explicitly canon as far as I'm aware, but that line makes it pretty damn close

- Harrow Nonagesimus breaks into the Tomb and Harrow Nova breaks into the Anastasian. Baby girl is the same in every universe

- Harrow Nova is "the unfulfilled vow" and "the bloody teeth of the unkissed skull" AND THEN ALECTO KISSES HARROW NONAGESIMUS IN FULFILLMENT OF THE VOW AND SHE BLEEDS. I've connected these things, I've connected them

- ok if Harrow is pulling everyone who's dead into her River bubble, then doesn't that mean that in the BARI Star AU she is actually interacting with the actual spirit of Gideon Nav?

- I don't know if we talk enough about how Harrow actually becomes a full Lyctor after she's stabbed and remembers Gideon. It feels kind of weird that her body only gets Lyctoral healing once her soul is gone from it. The construct in her skull is still there, it stays there until Gideon talks to Mercy and hears her name.

I mean, the weirdest thing about it is it implies that John and Gideon the First were right that they could fix Harrow by killing her. And given that the sort of cav Gideon becomes is explicitly and canonically analogous to the sort of cav Pyrrha is - still conscious and able to pilot the body in the absence of the necromancer's soul - that makes me wonder if maybe this happened to Gideon the First too. Like maybe that's why he's described as such a zombie, and maybe that's why John seems to know that killing Harrow would "fix" her, and Gideon agrees.

- Abigail talks about the place over the River the way John talks about the place beyond the stoma - it's an undiscovered country he knows nothing of, where his power is meaningless.

- Mercy says if Gideon Nav were Alecto, she would have "gone for me already" - so yeah, Alecto wasn't just incredibly weird and creepy, she was directing violence at Mercymorn. Pyrrha later says Alecto wasn't so bad (but that absolutely doesn't preclude Alecto being super violent to Lyctors, Pyrrha would respect the shit out of that), and of course it seems like she and Anastasia loved each other. But: John says that anger was Alecto's sin; The Unwanted Guest implies that that anger may have been John's, but in a different body; and it seems like this anger got expressed at Mercymorn and probably other Lyctors too. When Gideon meets Augustine she says he looks at her eyes in Harrow's face like they were the last thing he'd ever see; which suggests she took her anger out on Augustine too. But why was she angry at them? Was it because they ascended?

- "I gave you one damn job, and instead you rolled a rock over me and turned your back!" Harrow IS the Ninth House for real... (this is exactly the problem Silas has with the Ninth)

- in GTN, in the Cytherea fight, when Gideon looks back at Harrow right after she says "Then we're all dead, Nav, but let's bring hell first" 🤝 in HTN, in the Sleeper fight, when Ortus looks back at Harrow who has just followed his lead to recite the Noniad ... the way both of her cavaliers are a little surprised, but very impressed and comforted, by her loyalty to them and trust in them ... I am very fine and normal about this

- when Abigail summons Nonius: blazing like a flare from an alien blue sun! appearing to hold a book made of blue radiation in her hands! soaking wet! everything smells like water and brine and blood! she screams as though there are a multitude of voices in hers! time seems to slow way down! her eyes become dark and liquid and feral! this is both extremely fucking cool and probably meaningful. the smell and wetness are for the River, the many-voiced quality recalls Alecto and her many voices, the time slowing recalls John's ability to stop time, the eyes recall John's (so, Alecto's) as well. SHE IS ABIGAIL FOR HER MOTHERS AND PENT FOR HER PEOPLE AND I LOVE HER

- I love that Nonius canonically fought Gideon the First, and calls him "a rival and ally". I'm not much of a fic reader myself (heresy, I know) but I absolutely want to read a fic about "we met long ago, and I fought him."

- "Genuinely sad, bordering on very funny" legitimately could have been the tagline for this book

- Augustine says that if it's really Wake, then Gideon has proved "yet again" that he's unfit for any job besides making simple gruels and stews. Yet again??

- it's probably Augustine that Mercy tried to kill tbh

- I think Wake recognizes Pyrrha in Gideon's face when no one else does. That's why she looks at her like that.

- the way Gideon Nav has always yearned for her parents vs the way her bio-parents treat her... oof ohh oww... Pyrrha Dve is the only parent I will diplomatically recognize for Gideon Nav

- Alecto's eyes end up in John's genetic code - Lyctorhood doesn't only meld souls, it melds bodies as well.

- John says Mercy and Augustine killed Alecto because he told them the truth about her; and Augustine says he told them that because Alecto also knew the truth. But ... which truth was it? When we hear from Alecto, she seems to have a fuzzy memory.

Also, worth mentioning that this is a different account than what Teacher offers. Teacher says that the Lyctors asked John to kill Alecto after they ascended and "found out the price." If this account is correct - and why wouldn't it be, it comes from Augustine, who was a key player - then the "price" wasn't the death of the eight cavs, the "price" was something to do with the truth about Alecto. And whatever this truth is, it isn't that Alecto was John's cavalier, because Mercy and Augustine are only finding out about this now. I suspect the "price" is the price of creating necromancy - murdering the 10 billion - and then when Mercy and Augustine know that Alecto is the Resurrection Beast of Earth they ask John to kill her. So I was wrong, and he must have basically told them "lol we've been hanging out with an RB this whole time."

- when John reconstitutes himself, the light he emanates leaches all the color from the room and turns everyone into shades of gray. LIKE WHEN SILAS SIPHONS COLUM. It makes sense that he's taking thalergy from somewhere to build himself back up, but where exactly is it coming from? Alecto?

[crimsonstonetranslations]

Shinrei Tantei Yakumo volume 11 - prologue

Shinrei Tantei Yakumo novel translation

Volume 11 - Worth of a Spirit

I’d like to ask those who deem my actions brutal. What are you willing to sacrifice for the sake of your loved ones? I will offer everything— That is all.

prologue

-

1

-

A square shaped hole on the floor.

No, this was no ordinary hole. Though enveloped in darkness, the man could make out a ladder extending underground from the mouth of said hole.

He happened to find this door on the floor by mere coincidence.

Had nothing been there, surely he would’ve just thought that the colour of the floor was slightly different in that area. It wouldn't even cross his mind to approach it.

Yet his ears had caught something strange earlier.

Clunking noises, like metal being hit.

He had gotten closer after following that sound, and when sharpening his vision, he noticed there was a door in the direction of that noise.

He should’ve ignored it, but nevertheless, his curiosity over the door overpowered all else.

By the time he came to his senses, he had already opened the door.

“What’s this?”

“There’s a basement area.”

“Don’t you guys feel creepy?”

The other students that were with him came closer, talking to each other and commenting with enthusiasm.

Just what actually lies underneath here?

Led by overwhelming curiosity, he intended to go down that ladder. But at that moment, something grabbed his arm.

It was a female student from the same seminar as him.

“You’re going in there?”

“I heard a strange noise just now,” he replied before lowering one foot, stepping onto the ladder.

Next, putting a hand in his pants pocket, he took out his phone and descended the ladder one step at a time whilst relying on the small light from his phone.

Reaching the end of the steps, he arrived in an open space.

Even so, the small light from his phone wasn’t enough to look at his surroundings in its entirety.

“What is this place?”

“Feels scary.”

Voices echoed.

While difficult to see because of the darkness, apparently the other students followed after him despite complaining in the process.

Using the light from his phone, he illuminated the room.

It was an old room, with both its walls and floor made out of bricks, and an area roughly the size of a large classroom. On one side of the wall were bookshelves storing a sizable number of books as well as documents that were poorly arranged. On the wall across it were shelves lined with medicine bottles. Then, placed in the middle of the room was an old operating table.

Only thing was—

No one was there.

Perhaps the noise he had heard earlier had merely been his imagination.

However, when he changed his mind and was about to head back, he discovered something strange.

That object resided in one corner of the room.

It appeared to be a box.

“What…is this?” he said as he approached the box.

The box was fairly old and made out of metal. Nearly every part of it had rusted.

Did this box used to store equipment?

No, that would be strange.

Something that looked like a talisman had been pasted on the box, and it wasn’t just one. The darkness made it hard to tell for certain, but there had to be at least thirty of them.

That wasn’t all. Something had been written on top of the lid.

Not with a marker or the like. The letters had been carved directly onto the metal.

He lifted his phone, casting a light over it, and read the letters.

This box shouldn’t be opened.

That was what it said.

Could this be someone’s prank? No, for a prank, this seemed like a lot of effort. Someone had been afraid of something, and had locked whatever it was inside this box.

By reflex, he reached out towards the lid.

“Is it fine to touch it anyhow?” asked one female student.

Under normal circumstances, he would’ve stopped his hand by now. Yet for some reason, he couldn’t resist the force of the box pulling him.

His fingers trembled slightly.

As if led by something, the man placed his palm on the lid of the box.

His fingers were greeted by the rough sensation of the rusty surface combined with the coldness of the metal.

You wouldn’t be able to return after opening it, a voice said to him.

A voice that sounded like it had spoken directly to him from within his eardrums, or from inside his brain. That might have been a sign that he had to stop here.

And yet—

He drew out his strength, attempting to open the lid of the box.

Several talismans ripped in the process and the lid opened alongside the creaking sound of metal rubbing against each other.

A powerful smell invaded his nose and he spontaneously turned his face away.

As he lifted his phone to peek into the box’s contents once more, he felt a piercing gaze from behind.

He turned around to find a man standing there.

Both of the man’s eyes were dyed blood red—

-

2

-

Along the riverside road that was part of her school commute, Sana squeezed the brakes on her bicycle.

Her bicycle came to a stop with a high-pitched squeak.

Still on her bicycle, she turned her face in the direction of the river.

My eyes weren’t deceiving me.

A girl was standing at the edge of the river.

However—

The girl’s condition was unusual.

She gave the impression that she was about to commit suicide by jumping into the river.

Not even Sana knew why she felt that way, even though she had merely seen the girl from the corner of her sight while cycling.

Besides, what should she do if the girl was contemplating suicide?

Even that was something she had no idea about.

It felt strange to call out to her even though the girl wasn’t doing anything in particular. Yet it would be all too late if the girl had already jumped into the river.

What should I do?

While she was thinking, the girl slowly turned her neck to look in her direction.

With her head lowered and her hair hung loosely, Sana couldn’t see her face very well.

Cold breeze blew along the riverside, making a wuthering sound as dusk drew near. On the opposite side of the river, a white heron flapped its wings and flew away.

Was it her own imagination?

Compared to before, the girl’s figure appeared larger—

No, it wasn’t just her feeling. That girl was slowly walking towards her.

As the girl drew closer, Sana noticed something.

The girl’s black hair was sopping wet. And not just her hair. Her uniform blouse and skirt were soaked through as well, almost like she had just come out of the water.

Drip, drip—Sana could almost hear the sound of water droplets falling from the girl’s body.

Before realising, the girl had already closed the distance between them until a mere five metres apart remained.

At this point, Sana noticed another peculiar thing.

The girl was barefoot.

In the middle of winter, had she really been walking around barefoot? No, regardless of the season, it would be unusual to walk outside barefoot.

“A-Are you alright?” she asked, her voice trembling.

Without answering Sana’s question, the girl extended both of her hands.

Her hands were so pale and skinny they felt impossible to belong to a living breathing human. Droplets of water dripped from the tip of her fingers.

“......”

The girl was saying something.

Even so, Sana couldn’t catch what the girl had said over the sound of the wind.

Once again, the drenched girl moved her lips that had turned purple.

This time, Sana was able to hear her clearly.

“I… never wanted that...”

Sana couldn’t understand what the girl wanted to say. Yet her words sounded terrifying, reverberating through her eardrums.

This isn’t normal.

Sana lifted her feet onto the bicycle pedals and rode the two-wheeled device with all her might.

She wanted to get away from the girl as soon as possible.

If she stayed there any longer, she might get dragged into the river by the mysterious girl. Consumed by that thought, Sana pedalled her bicycle using all her strength.

“I never wanted that…” said a voice next to her.

Eh?

She was currently cycling as fast as she could. Catching up on foot would be impossible. And yet, the voice sounded right beside her.

Unable to bear it anymore, Sana screamed—

[linkspooky]

DUEL VS. DUEL: Yubel and Judai vs Ai and Playmaker

If you haven't noticed YGO! often recycles different characters and plot ideas throughout its various spinoffs. There's usually a rival whose ace monster is a dragon, a best friend character to support the main character, there's almost always a guy like Bakura who has several things wrong with him. This isn't a criticism, I actually love the way that each spinoff builds off of all the other series while also remaining its own thing. There's a lot of meaning you can decipher from analyzing the intentional callbacks the authors put in to previous series so that's what we're going to do today.

Both GX and Vrains feature a third season where the protagonist's partner character becomes the main antagonist for the entire season, and manages to pick off the protagonist's friends one by one until they're all alone with the protag for the final duel. Both of these characters, Yubel and Ai aren't motivated by hate but rather a twisted form of love and the parallels between these two duels don't stop there.

Yubel and Yusaku: Love vs. Ai

The partner character appears in almost every YGO! series with the exception of 5DS and Sevens. It began with Yami Yugi, a second personality created inside Yugi who played took over and played games in Yugi's place and cursed everyone who offended him only to eventually build a partnership with Yugi that lasted for most of the series until Atem reclaimed his name and memories and became his own person again.

These partner characters usually assist in duels, and are either another personality existing inside the protagonist, or if they're external like Astral or Ai they still share a special link with the protagonist.

Yubel and Ai are unique because they are both partner characters who turn into major antagonists. They don't just share the role of antagonists there's also several similarities between the two of them, from motivation, their connection to the protagonist, and both characters being built around the concept of love. This is probably intentional because the scenario writer for all of Vrains also worked on large parts of GX and was the main scenario writer for Season 4.

To introduce both characters, Yubel is a Duel Spirit. They were originally a human child named Yubel who was the closest friend of the boy who would eventually grow up to be the Supreme King and reincarnate in the modern day as Judai Yuki. Yubel gave up their humanity and in a painful surgery became a hideous dragon with an impenetrable body in order to protect Judai.

Afterwards the boy who would eventually become the Supreme King swore eternal love to Yubel. Yubel's devotion followed Judai into the next life, where because Yubel gave up their humanity they reincarnated as a card spirit instead that only Judai could see. They used their considerable power to protect Judai from anyone they considered a threat, including other neighborhood kids who beat him in card games. Judai as a result became completely isolated. Which Yubel didn't mind because Judai was their entire world and they believed they should have been enough for Judai.

Judai decided to send Yubel's card away into space in the hopes that the space rays would calm Yubel's troubled soul, but instead Yubel became corrupted by a cosmic force known as THE LIGHT OF DESTRUCTION. Yubel endured ten years of torture and agony all along. At first they called out to Judai in his dreams, but his parents eventually forced Judai to go through a procedure that made him forget all memories of Yubel.

Alone and forgotten Yubel crashes down to earth and is torn to pieces. As an arm they parasitize several people until they gain enough power to reconstitute their body, and then dragon Judai and all his friends into another dimmension all as a part of their grand scheme to finally reunite with Judai and awaken his memories of the Supreme King.

Even though they were hurt by Judai, Yubel isn't motivated by revenge, but by love and a desire to be together with Judai and secure all of Judai's love for themselves. Yubel's twisted definition of love was formed when after crying for help one final time, they snapped and told themselves a lie in order to keep going. That ignoring Yubel, making them suffer, leaving them all alone it was just the way that Judai expressed his love. Yubel then becomes dedicated to showing that love in return and effectively dragging Judai down to their level.

Yubel: I was suffering as you came to forget about me… Yubel: It burns… It hurts…It’s killing me. But why? I love him so much. Why is Judai treating me like this? Yubel: And then it hit me. This is just a form of Judai’s love. Judai is hurting me and making me suffer because of his love for me. But you see, I couldn’t possibly forget about you in the time i’ve suffered. Yubel: So when I solved the riddle that you posed to me, I was delighted. And that fueled my decision. I would try to fill the entire twelve dimmensions with my love for you. Yubel: And once I did you would have to recognize my love for you, wouldn’t you?

Ai is also a character that's connected to Yusaku's childhood. Ai is an ignis, and artificial intelligence that was created by basically torturing six children by forcing them to duel over and over again and then scanning their brains and modeling six different AI off of the data.

The shadow ignis or AI quite literally came from Yusaku's brain, even though they don't meet until much later on in life. From the onset there's a lot of differences between Ai and Yubel's role as partners. Ai is Yusaku's partner for most of the series, and is effectively introduced as a stranger and has to build a bond fo trust with Yusaku over the first two seasons.

Whereas Yubel was Judai's best friend and favorite monster in childhood, but Judai has forgotten about Yubel in the first two seasons and when Yubel finally does appear again it's as an enemy. The bond between Yusaku and Ai forms and then falls apart, whereas both Yubel and Judai start out with their bond completely broken and over the course of season three they reunite and come back together.

Ai is motivated by first his own survival, and second the survival of all the other ignis who are currently being hunted by several human corporations, a group of hackers known as the knights of Hanoi, and one Ignis themselves known as Lightning who turned traitor to the other Ignis. Yusaki and Ai's shared goal is to find a way for the Ignis and Humans to co-exist without one of them trying to pre-emptively wipe out the other because of the danger both of them pose to each other.

Over the course of the story though, as one by one Ai loses his friends in the fellow Ignis who either die or are absorbed, he comes to obsess over Yusaku as his one remaining friend. Yubel and Judai's feelings for one another are a holdover from a previous lifetime they become estranged and reunite again, whereas Ai comes to love and obsess over Yusaku similiarly to Yubel does and it's precisely because of those obsessive and overprotective feelings he decides to terminate their relationship permanently.

Ai enacts a plan similiar to Yubel's to destroy Yusaku's friends one by one all while threatening the entire world. Yubel sought to fuse the dimmensions together, while AI wants to start the inevitable fight between the Ignis and Humanity on his terms.

While their role in the story and characters are similar, they're also contrasting opposites in many ways. Yubel started out as a human and gave up their humanity to become a duel spirit. Ai started out as an artificial intelligence, he thinks as an artificial intelligence who has trouble understanding humans, and while he becomes more humanlike all the time he's eventually hampered by his inability to think like a human. Yubel is also much older than Ai having lived two lifetimes with memories of both, whereas Ai is essentially a child, a fledgling sentient being who still doesn't understand many things about the world.

Their different levels of maturity really show in their understanding of the world around them, or rather Ai's naivete and lack of understanding. Both characters are built around the concept of love, with love for the protagonist as their main motivation but Yubel while twisted demonstrates a deep understanding of love.

Yubel is able to see inside the hearts of people and uses their intimate knowledge of their inner darkness in order to twist people according to their own desires. Yubel's actually a deeply empathic character able to understand people's feelings sometimes better than they understand themselves, they just use that empathic understanding for evil.

While their understanding of love sounds insane at times they're also able to make deep observations about not only people's relationships to each other but the darker nature of love. As much as we shy away from the idea of hurting the ones we love on purpose, there's a seed of truth in the fact that whether intentionally or unintentionally being close to someone means you will hurt them. That pain is a natural part of love. She's also able to suss out the unhealthy love and devotion shared between Amon and Echo quickly.

Yubel: I get it now… You weren’t in love with Echo. Yubel: No. You may have loved her just enough to clear the conditions in place for you to control Exodia. Yubel: But then, you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you would stay unharmed. Yubel: You wouldn’t suffer. You wouldn’t be in pain.

Yubel also ultimately seeks a love between equals. As much as they frame themselves as Judai's protector, what they want is for Judai to be dragged down to their level so Judai will finally understand them.

Their entire plan revolved around isolating Judai until Judai understood the pain of suffering ten years alone in space that Yubel went through. When Judai snaps and becomes the Supreme King taking a similiar dark turn to Yubel, Yubel turns out to be right in the end. By the time they've reunited both Judai and Yubel have done terrible things and hurt the people they loved.

Yubel: So when I solved the riddle that you posed to me, I was delighted. And that fueled my decision. I would try to fill the entire twelve dimmensions with my love for you. Yubel: And once I did you would have to recognize my love for you, wouldn’t you? Yubel: That is why I sought to fill all those linked to you - your world - with both sadness and anguish. Yubel: ANd my line of thinking wasn’t wrong. Yubel: I mean you are right before my eyes, Judai.

Yubel operates on a principle of empathy and understanding through shared suffering. Whereas, I would argue while Ai cares about Yusaku they are not particularly empathic nor do they understand Yusaku. This is because Ai is practically a newborn existence naive to the world, and also as a computer with a computer brain fundamentally thinks differently.

However, I'd also argue that Ai also doesn't really want to try to change their thinking to bridge the gap between humans an AI. In despair they've completely given up on trying to understand humans. They also on some level don't want to change, because they arrogantly assume they know what's best for both them and Yusaku.

Ai has given into despair from losing their loved ones and suffering isolation just like Yubel, but I think a key difference is that everything Yubel does no matter how twisted is a desperate attempt to reunite with Judai, to understand Judai and be understood by them. Whereas, Ai doesn't want to try anymore.

Ai: Back then I would have done anything to save my friends. Yusaku: There's nothing you could have done there was no other way. AI: I know that. [...] Yusaku: Ai, you have the power to change this. Yusaku: As a special ignis you have the power to live with humans. Find a way to backtrack from this. AI: You trying to pull me back? AI: Thank you Playmaker, but you don't understand. I learned when everyone was gone that when you lose friends your heart breaks. AI: My heart was broken back then and I lost all self control. Yusaku: If losing a friend makes your heart break then are you trying to break my heart?

Not only does Ai not want to understand, but they also deliberately ignore Yusaku's feelings and personal autonomy. Yusaku is a kidnapped child who had a lot of their life robbed from them and manipulated they hate anyone who disrespects their free will but Ai walks all over it and disregards all of Yusaku's opinions. They do the one thing Yusaku asks them not to do, because Ai incorrectly assumes they know best.

They also don't really understand Yusaku on a fundamental level and as I said, they don't want to make the effort to bridge the gap either.

It seems kind of silly saying which one is worse, because both Yubel and Ai violate Judai and Yusaku's personal autonomy multiple times. They both act selfish and entitled towards the person they love. They both also intentionally hurt that person and then turn back around and claim it's protecting them. They both act incredibly possessive and try to manipulate their partner into doing what they want.

They both have the gall afterwards to claim they're doing so out of selfless devotion, downplaying any feelings of selfishness on their end. Both consider Yusaku and Judai's other friends to be targets in order to get at their partners. Both will inflict pain on the person they love and are so devoted to in service of getting what they want.

The only real difference is motivation because as I said, as controlling as Yubel is it's out of a desire to reunite and be equals. They're both in too much pain to express their love in any kind of healthy way, but Yubel at least wants things to be better whereas Ai has just given up. The fact that Yubel's themed around sharing pain too also makes them and Judai equals, whereas Ai is trying to have power over Yusaku and take Yusaku's decisions away in order to force Yusaku to do what he assumes is best.

That might be the most important difference between them. Whereas Yubel wanted to live together with Judai, Ai wanted to force Yusaku to kill him in order to avert a potential future where Yusaku dies trying to protect Ai. It's a motivation that turns one story into a love story, and the other into a tragedy.

Judai and Yusaku: Hero vs Anti-Hero

Judai and Yusaku are two characters who could not look to be any more different at first glance. Though they're both themed around heroism Judai starts as the fun loving kid who admires heroes and is always dueling to save others when his friends are in a fix. Yusaku is the loner anti-hero who is on a revenge quest all alone against the Knights of Hanoi.

Yusaku starts out unwilling to make friends and refusing help from others. Judai on the other hand is constantly surrounded by people. Though both of them are forced into the role of always dueling to protect others and carrying the responsibilies of other people on their shoulder. Often times it's forced upon them unwillingly and they have to take on too much responsibility.

Judai forms unhealthy relationships with people that are based on him always needing to clean up their messes and those same friendships eventually unravel. Whereas Yusaku spends three seasons learning to form healthier relationships with people, and the climax of the first season is even Yusaku developing from dueling for revenge to dueling to save his very first friend in Kogami.

Judai loves dueling and even duels exclusively for the fun of it, often in the first two seasons protecting others and facing the villains as an afterthought. Yusaku on the other hand hates dueling because of the trauma he was forced to undergo as a child and despite being the strongest duelist simply views dueling as a means to an end.

Perhaps the most interesting way to compare them is their opposite journeys. They're both commentaries on heroism. They both eventually gain alter egos that are really just emphasizing different traits of their personalities. The Supreme King is the embodiment of Judai's selfishness and his fixation on always winning and dueling for power. Yusaku is a socially withdrawn kid, and Playmaker his internet identity is the way he fights back against his abusers. He's also a strong willed, determined and active where Yusaku is almost entierly passive. They're both ultimately the same guy though, Supreme King is a part of Judai, Playmaker is Yusaku with more freedom to be himself online.

However, Judai starts out as a straightforward hero and goes on to be a dark deconstruction of the pure hearted hero. All of Judai's flaws that go unaddressed because people constantly put him on a pedestal eventually lead to his ruin. The pressure Judai is always under to win turns into an obsession with power.

Judai: Why? What did I do that was so wrong? I… I did the right thing! And yet… everyone keeps leaving me! What… What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don’t have that much power… Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

Judai also exists in a narrative that won't allow him to be a hero. GX deconstructs all kinds of heroism and self-sacrifice. Edo Phoenix's quest for revenge is called out as him being childish, and unwilling to grow up from the trauma he suffered as a child. Johan is the most straightforward hero, but his decision to sacrifice himself to protect Judai and everyone else is what starts Judai's breakdown. When Jim duels against the supreme king he declares he's not sacrificing him to save the world but rather trying to help a friend.

Judai's eventual character growth in choosing to fuse with Yubel isn't a sacrifice, but rather Judai finally growing up and taking responsibility for the way he hurt Yubel.

Yusaku on the other hand is on the journey from going from an anti-hero who fights for himself and his own personal revenge to becoming a more straightforward hero. I wouldn't say Yusaku's arc is more shallow in comparison just because it's not a dark deconstruction, rather it's exploring a different topic the responsibilities of being a hero.

His greatest moment of character growth in the first season is going from caring only about revenge, to dueling the pesron who saved him as a child because he wants to save his very first friend.

You could say Yusaku because he's not allowed to crumble is actually under more pressure than Judai is. He's almost forced into the role of a hero and not allowed to be selfish, while Judai from start to finish is a selfish character even if he grows up quite a bit over the course of the story.

Yusaku is also someone who from start to finish follows his own sense of unbending justice. Where, Judai doesn't have any consistent moral code. He's defined in the first two seasons of only dueling for the fun of it, and by Season 3 he's deeply troubled that he doesn't have a reason to duel like Johan does.

Following his own justice is actually deeply important to Yusaku, probably what he values the most actually. Since his life was thrown off by the Lost Incident he starts out deeply untrusting of others and even when he grows past that he hates people who try to influence him and insist they know what's best for him. It's what led him to not only be deeply offended by Zaizen telling Yusaku to back down and let him handle it, but also him refusing Zaizen's help.

This quality of Yusaku's also dovetails into my next point where we finally get to comparing the two duels.

A LOVE STORY vs. A TRAGEDY

The setup for the duel is identical in both cases. Yubel and Ai have eliminated almost all of Judai and Yusaku's friends and now they are on the endgame of their plans. Yusaku and Judai are both dueling against their former partners to stop them, and both partners refuse any attempts to work things out any other way and force a fight.

However, the motivations of each member going into these duels are so opposite that it makes a neat little foiling square.

Starting with Yubel their motivation for getting into the duel is simultaneously a desire to reunite and express their love for Judai, and a thinly veiled cry for help.

Judai: If you hated how I treated you, then you should have gotten revenge on me. Yubel: Hate? Revenge? What are you talking about? Didn't I tell you? I went to this trouble hoping it would make you happy, Judai. Judai: Make me happy? After my friends suffered by getting hurt and killed. Yubel: But that's love isn't it? Yubel: I wanted to torment you to share the depths of my love.

Yubel's plan is to both awaken Judai's memories of the supreme king by engineering his downfall, and also after taking his friends away one by one to fuse the dimmensions together so Judai and Yubel can be together forever with Yubel by his side protecting him. As Yubel defines their entire existence and worth by being Judai's protector and doesn't understand why Judai would ever reject their protection or need friends other than them.

Yubel: My every waking moment was for you. Yubel: I even got rid of everyone around you who tried to make you cry. Judai: Yubel. By doing that you hurt the friends I had around me. Judai: None of my close firends even wanted to duel with me. Yubel: You had me as a close friend, didn't you? All you had to do was focus only on me.

Yubel frames their actions as selfless while also acting out an entitlement that they're owed Judai's love for all of their devotion to him. They're also willing to hurt his closest friends, isolate him, and basically throw tantrums in order to get it.

When they come to the slow realization that Judai won't return their feelings, it leads to them breaking down slowly over the course of the duel. All of the lies they told themselves about the love between them and Judai slowly starts to unravel along with their mind.

The duel beings with Yubel actively enjoying all the pain Judai is inflicting upon them. When Judai activates the supreme king though, and starts dueling seriously to eliminate Yubel, it chips through Yubel's delusions and Yubel is no longer able to keep pretending that pain is love.

I couldn’t have lived with the heartache unless I felt that I was being loved…

Moving on to Ai, the primary difference between Yubel and Ai's motivation is that Yubel's plans are a thinly veiled cry for help while Ai refuses to accept any help.

Yusaku: Find a way to backtrack, Ai! Ai: I can't. Ai: Sorry, but there's no backtracking. Ai: Let's go, Playmaker!

Their desires are opposite too. Yubel's plan is to continue living with Judai, and Ai's plan amounts to forcing Yusaku to kill them.

Ai: If this attack gets through I lose. AI: Well, make up your mind already. AI: You came to get them back, right? AI: You're everyone's hope so you have to do it, even if I'm the opponent.

Yubel and Ai are both incredibly manipulative characters, and Ai in particular is holding all of Yusaku's friends hostage in order to make him do something he does not want to do and will hurt him beyond repair. He's also inflicting the same trauma the loss of all of his friends and the loss of an important friend the same way that Yubel wishes to make Judai suffer the same way they did by isolating them from all of their friends and pushing them off the edge to bring out their darkest emotions.

However, once again Yubel's manipulations are done with the intent of getting Judai to understand them whereas Ai no longer wants to try understanding Yusaku and presumes he knows best.

Ai: Back then I had to do whatever it takes to save my friends. Yusaku: There's nothing you could have done to save them. Ai: I know there wasn't. Yusaku: Ai, that simulation was lightning's trap. He knew if you saw it while in despair your heart would fall into darkness. So don't worry about it. Ai: I considered that possibility. Because he left it after he fought us. AI: So I redid my own simulation and ran it over and over. But the result wouldn't change.

Ai also chooses to trust simulations and the words of his enemy Lightning over the words of his own partner and the urging of Yusaku that they can try to take a third way out together. His basic inability to trust is what damns him, relying on controlling manipulation instead to coerce and eventually force Yusaku to do what he wants and what he has decided is best.

It shows in his plan to, Ai's conditions for the duel is that he'll either copy himself and spread the copies into all of the mass manufactured robots or Yusaku will have to stop him with his own hands at which point Ai's programming is terminated. Either way Ai dies. The only real way for Yusaku to save Ai is to convince him to stop the duel which Ai won't do.

Ai: Oh I didn't tell you. When my copies are created, as the final trigger my free will will be divided and given to them. Yusaku: What will happen to you? AI: My free will will be broken apart. AI: I'll be no more. If you win you'll retrieve everything I took and I'll be no more. Either way, I'll be no more. Yusaku: Ai, you're making me choose how you die?

He's stripped away all of Yusaku's choices. Yubel is stripping away Judai's choices to but once again it's out of a desire to be together with Judai while Ai is doing the opposite forcing Yusaku to be an enemy and end him with his own two hands.

Moving onto the process of the duel itself, the duel begins with both Yusaku and Judai trying to talk their partners down from dueling and finding some other way to settle this.

They fail but for opposite reasons. Judai because his pleas with Yubel are half hearted and done more in the spirit of lip-service. Judai fails because Yubel sees through his half hearted attempts. In their previous duel Yubel calls out the fact that Judai went to the ends of the earth to save Johan, but after subjecting Yubel to years of torture barely lifted a finger to reach out to them.

While Yusaku genuinely shows a desire to solve things with Ai with anything other than dueling, but Ai is the reason they have to fight. Ai is the one who forces Yusaku's hand. While Judai does not understand Yubel and does not empathize, Ai is the one who fails to understand Yusaku and how much pain forcing this conflict on him causes Yusaku. He also doesn't want to understand, while Yubel is at least self-aware of the fact that they are intentionally hurting Judai.

Yusaku's sincerity can be seen in how much he refuses to victim blame Ai, starting right away and continuing through the duel. Repeatedly over and over again Yusaku tries to reassure Ai that the guilt he's experiencing isn't his fault. Whereas, Judai victim blames Yubel continually. Yusaku is a character who values responsibility above all else, while Judai is avoiding personal responsibiltiy even though they're the ones who put Yubel in a situation where they were tortured.

Ai: As you know I got rid of my friends and ended up alone. There were only six of us but we foolishly hated each other. Yusaku: AI that's not your fault. AI: I know but it doesn't matter who's fault it is. I'm earth's last surviving human. And that fact won't change. Playmaker I sort of understand how you felt. Being alone is very painful. Yusaku: [...] I understand your sadness but don't let this fate sweep you away.

Whereas, Judai quickly resorts to victim blaming Yubel pretty quickly.

I made a lot of friends… And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

There's also a distinct difference in both Yusaku and Judai's behavior throughout the duel. Most of the time it's Yubel iniating conversation with Judai because as I said by the time their second duel has started Judai has given up on understanding Yubel and dismisses them as crazy and beyond comprehension. Whereas Yusaku is the one who initiates most of the conversation with Ai.

Moving onto the duel part of duel it's interesting to note how different Yubel and Ai's dueling styles are. Yubel dominates almost any duel they're in. They toy with the likes of Ryo and Amon. Even when Judai duels them to a draw, the duel went exactly as Yubel planned because their true objective was to snatch away super polymerization from Judai's graveyard.

Yubel's boss monster is also unbeatable. It never takes damage, in fact most of the cards in Yubel's various decks don't take damage. Their ace monster for the sacred beast deck is a card that inflicts 10,000 damage once a turn. Advanced Darkness crystal beasts allows them to negate all damage done by sending a card to the graveyard. Even when judai manages to get Yubel off the field it simply upgrades into a stronger form.

Ai on the other hand duels on the ropes and duels very defensively, Yusaku at several points is about to go for game and end the duel in one hit and Ai only manages to barely avoid ending the duel early with a trap card or the like.

Yubel's main strategy is to prolong the duel until Judai is forced to pick Super Polymerization with spell chronicle. They want Judai to choose them and choose staying together with them by spell chronicle. Whereas at multiple points Ai continues to encourage Yusaku to crush them with everything they have.

Once again, one wants empathy, the other disregards Yusaku's will.

Yubel: My suffering becomes your suffering. Yubel: Such empathy... Yubel: Nightmare pain. It has us wrapped in the same anguish, and the same love.

Ai is forcing Yusaku's hand because once again, no matter the result Yusaku kills Ai. On the other hand, Yubel grows increasingly disturbed by Judai's lack of mercy.

Yubel: Oh my, you shouldn't be so heartless my dear judai. Judai: We can't protect what matters to us just by being kind. I'm prepared to fight for the friends I love to the end even if it becomes becoming a demon or the devil.

Judai also quickly abandons heroism for the power of the supreme king, whereas Ai practically forces Yusaku to choose being a hero and saving his friends. Judai prioritizes Johan and then the rest of his friends over Yubel, Yusaku doesn't want to choose and a horrible choice is forced upon him.

Yubel for their part is aware of Judai's hypocrisy, once again they demonstrate a deep understanding of Judai. Whereas, Ai doesn't understand Yusaku one bit, while at the same time claiming to know better.

AI: When it comes to memory and calculations we're far superior to humans. We can figure out humans' faults and contradictions. AI: That's why it's easy to become arrogant. With Ai's with free will it's in their nature. AI: Something awakened within me. They're not evil thoughts. But I wonder, in order for me to live why do I have to adapt to humans. AI: I feel differently from humans.

Ai continually urges Yusaku to choose his friends over him. He forces the choice where there should be done. On the other hand Yubel wants to be chosen over Judai's friends. Out of a sense of entitlement but also a fear of being abandoned again.

Yubel: The camraderie of yours with the neo-spacians will be of no use to you. And my love alone is much stronger. Yet even so you're saying that you'll choose friendships with the neo-spacians over my love. [...] Yubel: Judai so you want to drive me away at any cost. Do you and the neo-spacians find my love to be such a hindrance.

Once again, Ai remarks frequently that the loss of their friends made them give up all hope on continuing. Yubel on the other hand is capable of enduring almost anything. They're defined by their endurance and determination to hold on. When they burn up on re-entry they slowly piece themselves back together. When they're disintegrated after Johan's sacrifice, they take Johan's body and then slowly restore themselves once more. Judai duels them to a draw, that's yubel's plan all along and they take super poly. Judai destroys their boss monster, they just summon another one.

Ai on the other hand fundamentally believes free will in Ai's will lead to conflict and that future is inescapable, so they force Yusaku's hand in ending their existence.

AI: You said humans don't want sudden changes. AI: But I can't help my own changes. I may become someone like Bohman or Lightning so I want to vanish before that happens.

Ai has already reached their breaking point, whereas Yubel is slowly driven to their breaking point by Judai's lack of empathy throughout the duel. Yubel similiarly becomes suicidal like AI, but only after Judai continually insists that they're only dueling to destroy Yubel. Once again, while Ai's plan is to self-terminate for Yusaku's "sake" choosing to die while Judai lives on without them is something Yubel would never do.

At least, they might take a bullet for Judai, but they don't want to be alone and abandoned while Judai goes back to live on happily with all his other friends. Yubel wants to be chosen, Ai wants Yusaku to choose his friends. In fact, it's the idea that Yusaku wouldn't abandon him even if the war against Ai and Humans did happen that drives Ai's decision to die rather than let that happen.

AI: When I lived in the simulation I saw it. What my existence will lead to. You get dragged into it and perish. I can't choose that future.

Once again though, it's a decision Ai makes out of an inability to trust Yusaku. Also, if Yusaku wants to stay by Ai's side in spite of the danger it poses to him, that's Yusaku's choice. Ai may perceive himself as protecting Yusaku, but he's also disrespecting his autonomy.

It's also driven by a lack of understanding of what love and trust are. That's not entirely Ai's fault, he is in fact a newborn who recently lost every single one of his friends due to the conflict between humans and AI. It makes sense he'd have trouble trusting humans even the one that's been by his side all this time.

Whereas, Yubel wants Judai's understanding and breaks down when Judai continually denies it to them.

Yubel: Do you hate me that much? Yubel: I thought of this twelve-dimmension universe as a space for us together... so I tried to fill the universe with my love. But if you're calling on your friends and going to such lengths to get rid of me I no longer need to fill this universe with love. No, I no longer need this world. Let me put an end to this universe, to the void as well, and to our time together. Yubel: It was fun Judai, even those who helped lure you to me had dark, dark hearts. I feasted upon their hearts and waited for the reunion with you, my beloved. Yubel: I even invited you to that first dimmension. Well, I enjoyed that duel as well. Until he interfered. But I suppose you just weren't ready to accept my love back then. Yubel: I mean, the darkness in your heart, the supreme king was lying dormant. Yubel: Though I did have your friends help me. Which pulled out the darkness in your heart and ushered you this far. Yubel: I didn't think you were so hardheaded. You're the one at fault. If you can't grasp my love I don't need you. Or this universe. You can all just vanish into dust.

Judai needs to accept responsibility for both what he did to Yubel, and his own actions for the supreme king and how both him and Yubel can be pushed to do terrible things when they're alone and in pain. Part of the motivation for Judai's demonization of Yubel is he wants to keep playing the hero because the guilt of everything he did as the supreme king is crushing him and making him borderline suicidal.

On the other hand Ai is the one who's given up on trying to understand others. Yusaku is doing the best he can to both balance his feelings for Ai and desire to save him against his responsibility to save his other friends but he can't really be held personally responsible for Ai's actions. Whereas Judai on some level is responsible for Yubel's actions since he created the situation in the first place and continually chooses to abandon Yubel instead of trying to reach out to them.

Yubel is right to an extent that this situation is his fault and he never made any attempts to save them. Whereas, Ai is being manipulative when he forces Yusaku to make the choice to kill him putting all the responsibility on Yusaku's shoulders.

Which is why when the duels end in completely opposite fashions. Judai's way of taking responsibility is to fuse together with Yubel, whereas Yusaku refuses to fuse with Ai.

In Yusaku's case the refusal to fuse isn't turning down Ai's proposed third option, or a peaceful solution to the duel. After all, if Ai called off the duel right there Yusaku would accept it and work to forgive Ai for what he did to his friends. Even if they continue on as individuals it's not like Yusaku would leave Ai's side. In fact his reason for refusing Ai's offer to fuse is that he wants them to remain together as two individuals.

Fusion means two entirely different things in this context. Judai acknowledges there's a risk he may no longer exist after fusing with Yubel but like, they keep going on as two seperate individuals and consciousnesses even when they share the same body. Whereas in Ai's case, fusing with Yusaku would destroy both of them and give birth to a completely new being. Ai is using fusion as yet another method of self destruction, because he doesn't want to change himself and doesn't believe in the capacity to change himself.

Yusaku: Even if we become one, that's not the solution you're seeking. We only have one life. One consciousness. Yusaku: If I fuse, I won't be me and you won't be you.

Ai makes his choice out of his inability to face the future. He wants to self terminate, either by distributing his free will among copies or fusing with Yusaku to become someone else because he doesn't trust in his ability to grow and change. In fact he's avoiding having to change and grow up.

Yusaku: So living is a series of bonds! That's what life is. AI: So I have to do that forever? Yusaku: Yes. AI: That's a lot of work. And you can't do that unless you're strong. Yusaku: That's why people become stronger. And that occasionally leads to conflicts. But even if that happens we have to keep fighting. Keep searching for bonds even if there's no solution. AI: I was thinking too logically like an AI. Yusaku: You can't rush living. AI: But I don't want to keep fighting if there's no solution. Since I've lost the desire to fight I'll just vanish.

You could say that Yusaku's unbending nature and his responsibity as a hero made it so he couldn't fuse with Ai or throw the duel but like, there's only so much Yusaku could have done. He didn't give up trying to convince Ai at any point and it's not fair to put Ai's refusal to give up on their suicide plan on Yusaku.

It's also Ai's decision to activate TA.I. that made them lose the duel, so in the end Ai did self terminate. Even in the Yuma vs. Shark duel where Yuma is a character who will never sacrifice anyone even if the whole world is at stake, and kept throwing the duel and prolonging it to try to convince Shark, Yuma was unable to reach him in time. In both cases it's also Shark's decision to go all out for a final attack, and Yuma's decision to negate his own attack and not attack in the hopes fo reaching Shark that loses Shark the duel.

On the other hand, Judai's decision to fuse is him finally taking responsibility. Ai gave up on trying to change the future and himself whereas Judai's decision to fuse is him growing up from a child to an adult.

I also want to state I don't want to victim blame Ai for being suicidal, and not having the strength to go on. Not everyone does in that kind of situation, it's perfectly human (even though he's a robot).

Ai's story is also meant to be a tragedy. In tragedies characters succumb to their flaws instead of overcoming them. GX and VRAINS' third season are two entirely different genres of story, one is a love story where two traumatized people finally reunite and heal and Vrains is a tragedy where Yusaku can't save Ai.

Even then Vrains doesn't state that Ai doesn't deserve salvation, even if he chose to refuse help and didn't want to be saved. Yusaku's very last actions in the series are diving into the net to search for some remnant of Ai and it's implied after months of searching he's not stopping anytime soon. Even if Ai gave up on himself, Yusaku hasn't given up on Ai.

That's another thing even if Yusaku refused fusion with Ai, he still would have stayed by Ai's side. Ai literally simulated a thousand futures and Yusaku in every one of them stayed by Ai's side even if it led to his death. Yusaku still wishes to be with Ai and searches the net for Ai in the end of Vrains. He calls Ai the best partner even when Ai's in the process of breaking his heart.

So while both of these duels have very different endings, I'd say they both still advocate for forgiveness and love. Both duels are true to the message of YGO! that bonds are the most important thing and what give our life meaning - which I think is beautiful. People cannot live on their own and make bad choices when they're alone, but in the end it's bonds that save us.

"If there's no absolutes then what's left?"

"Bonds. Bonds between individuals. Bonds between one another. That's all there is. That also changes with time. A huge trigger can cause a huge change. Bonds may be severed but new bonds can also be formed. So living is a series of bonds. That's what life is."

Also as a final note on this post I'd like to thank @talaofthevalley their takes on Yusaku are all great and talking about Vrains meta with them really helped writing a lot of this post.

[nevermorgue]

Hayley! I hope you're well! I come into your inbox to ask about your thoughts and opinions on each spectre, and your favorite ones! Love your blog! :D

HIIII!! I’m so fantastic thank YOU for coming in here. I love your art and your rambles.

My favorite spectres currently are Will’s and Duke’s. But I really love them all. I’ll go into the opinions now

Annabel’s Lady in White - I think she’s beautiful. I love her abilities and the whole bride thing she has going on. I at first wished her dress was more detailed but it’s fine to grow on me. I love the petals, and the hole in her chest is agonizing. Such a pretty spectre. kiss of death is just sooooo. idk her abilities are definitely one of my top favorites.

Morella’s Guardian Spirit - Plain-ish compared to the others, but still fantastic. I feel like her and Annabel are slept on because of how early they were revealed. I love how long her hair gets and the whole celtic vibe. and that she’s mainly defense with the healing and stuff! it’s very unique and it says sooo much about her past. if it were me i’d make her look a little less human wirh maybe more glowing or something but she’s still fabulous :)

Pluto’s Cryptid - im so so so interested in this because apparently domesticated cryptids are super rare? I wanna know more about the other cryptids poppet mentioned so badly. its so fucked that he has a collar too!!! he wanted to escape society but even in death it's like he's bound by the neck. I'm dying for info on that dumb coat too. He's so silly looking. I really wanna see his other abilities. I'll have a stronger opinion when that comes. Ada's Banshee

- I am dying to know what "Mark of the Grave" is so bad. And I love her confusing ass torso. Is she a shadow. is it a dress. I want to know. also LOVE how her limbs being detachable/having the stitch marks implies she was chopped up and buried like that. and her hat. thats a very "southern belle lady" sort of hat. she gets to be the lady she always wanted, just ugly and hideous!! love her and i love her spectre. "fear itself" is one of my favorite abilities and i hope she utilizes it more cough cough on will-

Prospero's Shadow Man - i am dying to know if he can take the mask off. imagine he's like. a sickly corpse looking kind of thing. like himself but rotting or weak as hell. i LOVE his abilities i just wish he had more detaaaailing. hes so cool and handsome though. i also think its super weird/cool how he has to activate his abilities with the stopwatch. i havent seen any other spectres have a "trigger point" like that. would he be rendered useless without it? Montresor's Dybbuk - nipple rings. sorry anyways - i love the chains. because it's not like he's using them, he's the one chained. and the whole. goat legs thing. bc goats are associated with the devil for some reason. I wonder why that is. idk i just love the whole demon thing. because he's been seen as such since like. his birth. and he cant even escape it in death. love it love his shit. his ability to force his way into peoples' memories is CRAZY too i cannot WAIT to see more of that. Eulalie's Chimera - SOOOO pretty. So aesthetically pleasing. I love how she can make stuff with her dreams!!! and the fact that its implied she can yank malevolent spectres back into their regular forms is soooo cool. and just the fact that she can neutralize other spectres in general is such a unique power. shes like defense similar to morella, just in a different way minus healing. i love her. i really dont dislike any spectre i just love them all. Berenice's Strigoi - I will forever be mad that her teeth count as an ability but WHATEVER. She's still badass. I can only imagine how it must feel to basically lose your hands. I'm really excited to see what "Bloodlust" as an ability does. like there are so many cool spectre abilities we havent seen in action yet. The bite that makes you drunk will forever be iconic too. I love her look and i love how her whole outfit is directly correlated to her time period. also love how like each mouth on her is like. its own being. she cant control it. Duke's Poltergeist - I need to like control myself because I will yap nonstop about this one. The NEONS the colors are just fantastic and I LOOOOVE HIS EYES. THE EYES. all of his abilities fuck so hard and i love how like. his "hypnosis" isnt really like full hypnosis its more like a very powerful suggestion? and he couldnt even figure out how to get ada out of it? like he didnt TELL her to use her ability on montresor, he just kinda planted the idea in her head. i also noticed that one of his abilities IS levitation despite us seeing other spectres float on multiple occasion. so the key difference here is the telekinesis portion of the power. just thought that was silly. love him. i love duke. he's my 2nd fave. Will's Doppelganger - i physically have to stop myself from writing a page's worth of bs here. He has DIRT IN HIS JOINTS. like he's DIRTY. like buried and forgotten!! and if he's dust bowl era like so many of us think, perhaps its that same dust. he was left buried in it...forgotten. unidentified. And and and he's SO OP. everyone IC is underestimating how he has one of the most powerful spectres. He was able to almost fool the misfits as duke, he honestly did a fantastic job. He has to memorize so much. like its genuinely impressive. and then his ribbons. notice how they wrap around HIM before/during use. like he's fucking tangled in in them too, not just his victims. i dont think he's ever been free. he's never not been wrapped up in someone else's shit. he's never been "william". i- i need to stop. hes the best. best spectre- and i pray that the characters realize how much POWER he really has.

[feathered-mushrooms]

I like creative mind projects. This became one of them.

Alright let’s set the basics of this ‘show’. The Xavier Institute, situated in Salem, Westchester, is run by Charles Xavier. A professor, doctor, and world renowned author and scientist. However he possesses a secret, a discovery he made on his travels abroad: mutants. He has returned home and opened a school for those said mutants, and we follow his ‘first class’.

Our main characters, at least for season one, would be the og five. Scott, Jean, Warren, Bobby, and Hank. And guess what? The school actually is a school. They take classes taught by Charles, and do superhero stuff on the side. Here is their everyday clothes:

Think the vibes of X-men Evolution. The show would focus on the dual life of the kids, but would also focus on them being kids. The trouble they get into, the antics they get up to. The drama that comes with being a teenager. Additional clothes(on colder days)

So what is everyone’s backstory?

Scott Summers Scott has a very similar life to the one we know. Parents dead in a plane ‘accident’ and him being separated from his brother in the foster care system. He goes from house to house until his mutation manifests. In which he is thrown into a few bad situations regarding his foster parent using him for his powers, before being found by Charles. Scott was the first student to live on campus, but by far not the first student, however he sees Scott as a father(even if Charles doesn’t see him as his son). He is a mix of the cautious and rather reserved. He’s malnourished body earned him the nickname Slim, but don’t let the meek act fool you. He is sarcastic as you could imagine and has a very strong moral code. He will make a good leader.

Jean Grey Jean’s telekinesis came to her when she was young. Charles has been a constant figure in her life since then, almost taking on what she might call an ‘uncle’ role. He has been working with her for years, and was the first to know when her telepathy manifested, at the death of her best friend. To Charles, she was his first student, and the closest thing he feels he has to a kid. She joins the team last, the premier episode being about her moving into the mansion. She is feisty and spirited. The most reckless of the five, but also oddly balanced in responsibly. She knows she’s powerful and she fears it.

Warren Worthington III Warren’s wings did not grow in until he was away at boarding school. Lucky for him, he could hide them well at first by dropping all the sports he played. Warren used to play the part of an upstuck rich kid very well, but that never was him. When his wings fully came in, he spent the nights saving people from muggers and robbers. He realized it felt good to do something his parents would never do. When Charles offered him a place at the school he toke it, and has been learning to move past his rich ego, however some habits are hard to break. Warren still loves posh language and loves the fact that he is the richest among his friends, but also has a genuine want to help others.

Bobby Drake Bobby always knew he was different. He was gay. Something he found very hard to hide. That was until he found out he was a mutant, something he could hide behind. Bobby’s manifestion consisted of him freezing his entire room and himself, in a very Elsa manner. His parents were outraged, which caused Bobby to realize he could never come out to his parents. Charles came and wiped his parents mind, making everything easier, but Bobby still has the secret he has told no one. A secret he still hasn’t fully realized himself. Bobby hides his self loathing and anxieties behind bad jokes that he hops will be funny. As the youngest on the team, he often deals with the need to prove himself.

Hank McCoy Hank was good at hiding. His physical mutation made him very ape like in appearance, but if he stood the right way, played his card rights, and knew the right people, he could make everyone look past it. He was a genius, but hid behind a football jock exterior, an explanation for his body that made people look past him. Hank joined the school under the belief that he would not need to pretend anymore, and so he let go of his football alter ego. He prefers his academic side and is interested in pursuing the world of knowledge. He has a very academic way of speaking, but oddly really understands human emotion. He pushes himself hard and loves any and every form of learning.

In this show, the X-men was created by Charles as a way to get the public ready for the announcement of mutants, but they become so much more. Charles originally thinks that if the public can see super-powered people helping the world, they will be less likely to attack those people. He designs his perfect team, and even designs their suits.

The team….likes them….kinda

Within the first season, mutants would be exposed to the public and the X-men’s fight focus on the fight of oppression and proving they can be good. Teased in the final moments of season one, Scott will reveal the x-costumes he has designed for everyone. These would be the suits worn from then on forward, representing a switch from being Xavier’s X-men to the X-men that fight for mutant kind.

Additionally we would have lots of very weird love triangles!! Hank is not apart of it, because he very easily finds Vera who becomes his girlfriend. Bobby has a crush on Scott however. He plans to go to the grave with this fact. Warren and Scott both like Jean. Maybe they like each other….who knows? Jean on the other hand has no care in the world for romance at the moment and misses every interaction.

Some of the prominent names that would show up in the first season is of course Magneto. Magneto would be the battle for the first episode, and then there for the reveal of mutants, and then the final battle. He is the big overarching ‘villian’. Other villains would consist of classic 60’s villains such as Vanisher and the rest of the brotherhood. However Scarlet Witch and QuickSilver would not appear till season 2.

Additionally Xavier has a divorcee(that’s not Erik shocker) that is Moria McTaggert. I love the idea of them being bitter exes that have tea with each other and talk shit. Moria is mainly a doctor in Scotland, but would make appearances when one of the kids get to injured. Additionally she has ties to the CIA and aides Charles that way.

Some Pjs and fancy references

Nonetheless, let me know if you want more. I have lots of ideas regarding this and would love to drill on and on again

[miquella-everywhere]

The way they try to characterize Miq in the DLC is just all over the place omg. He's wise enough to see the problem at its root, but not enough to realize that godhood isn't worth it and that he'd perpetuate the cycle. He's also not wise enough to pick a lord based on anything other than??? A childhood crush? Strong and kind, yup.

He's smart enough to have figured out where the Gate of Divinity is and how to use it, but not enough to know the Tarnished, whose whole thing is becoming Lord, would come after him. He has blinding strength, but had to send the twin he loved, and didn't want to succumb to the rot, to potentially do exactly that in facing against Radahn.

His bewitching is ultra powerful and he's cool with using it to achieve his goals, but couldn't have bewitched Radahn and baited him off a cliff or something to snatch his soul.

He's desperate to become a god, but he's fine sitting with this plan that hinges on someone killing Mohg and Radahn, or wait for the rot to kill him. He has enough follow through to become a god and make good on a vow from ??? ago, despite the nascency curse, but not enough to follow through for whatever purpose he gave us Torrent and the Spirit Tuning Bell, or do literally anything else.

Also, Ranni says she was "once" an empyrean, at a stage where the only thing she did in her plan was slay her "empyrean flesh". So it sounds like having empyrean flesh is an important part of being an empyrean? Because otherwise, there would have been no point in killing Godwyn's soul and her body? Or all the other demigods? So how is Miquella able to abandon his empyrean flesh in the cocoon, and then whatever the other flesh in the Land of Shadows is, and still become a god? Does being an empyrean just mean nothing?

Of all the too many cookbooks we got, I wish we got one for the Tonic of Forgetfulness. Time for DS1 I guess. At least the DLC final boss isn't Capra Demon, consort of Artorias.

Yes to all of this 👏

Miquella's character writing, thanks to the, is all over the damn place and I hate it. Miquella the Unalloyed and Miquella the Kind are genuinely two different characters and it's infuriating.

And Imo the thing that frustrates me the most is how in the base game Miquella was portrayed as this unparalleled genius, but in the DLC his "plan" is just so stupid, especially the Mohg part, because it's left so intentionally vague(about the circumstance of the kidnapping) but also in your face about Miq using Mohgs body for the Promised Retcon.

This whole thing literally makes no fucking sense and is frankly far too risky of a plan in general, like fuck, if we all remember that in the base game even Gideon had no fucking clue who Mohg even was or where he was hiding.

And you're trying to tell me that Miquella was seriously riding on a plan that quite literally hinged on the rare fucking chance and pure dumb luck that someone would come along and kill Mohg????

Miquella sending Malenia to kill Radahn to free the stars and cause the Eclipse to revive Godwyn made more sense and has more base game basis than this shit 😒

Absolutely horrendous writing, I will never forgive how they dumbed down Miquella the Unalloyed.

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[buffyfan145]

I keep going back to the two little elf girls in Annatar-Sauron's vision and how they looked like Haladriel's future daughters. The blonde looked like how we imagine Celebrian would look like as a child. The (younger?) redhead elfing had hair similar to what Halbrand's auburn hair looked like in the Post-Reveal Raft Scene and the ginger hair of Sauron before Adar killed him. They were also both wearing dresses in different shades of green. I think Sauron strongly associates that color with Galadriel. She wore an emerald/teal dress the last time he saw her; Mirdania always wears green and he sees her as discount version of the woman he truly wants; Also, in Medieval History, we know that brides usually wore green wedding dresses because the color represented fertility.

I think it's interesting that Sauron specifically wants daughters with Gal. He doesn't dream of having sons like many men do. Instead, he wants two beautiful and spirited little girls that will probably be much Little Galadriel was as a child. I also wonder if have two Half-Maiar daughters wouldn't be a dig at Melian? We tend to see them as being brother and sister with a big rivalry. I can just see Sauron feeling immense pride over the fact he had not one, but TWO, lovely and powerful Half-Maiar daughters, and she only had Luthien.

I really loved all of that too and those girls do looks like they could be their daughters!!! 😀 Love the green dresses repeating too not just for what you said, but also since Arwen's wedding dress was green in the movies and that's my favorite color too. And I thought about him wanting daughters and again at that rivalry he seems to have with Melian, which fits that theory about them being siblings (and that old song "Anything you can do I can do better" LOL), and having 2 half-Maiar children would one up her having one. LOL It just seems to fit with him being like that, and also both of the siblings falling for elves.

[fanonical]

I see your point about June (and June is my favorite too). And I've definitely seen people headcanoning trans boy John out of really blatant spite, and complaining about June in a way that felt extremely pointed, like her mere existence is an insult and a source of hurt.

Buuuut on the other hand, many people loved transfem Roxy for a long time before the Epilogues, and I think it's fine and fair for them (... okay, us) to feel fleetingly disappointed that Roxy is transmasc in the Epilogues. I also think it's fine and fair to continue headcanoning Roxy as transfem, because the Epilogues were very explicitly in-text framed as one possible continuation out of many. I won't lie, I just love that t4t f/f Roxygen.

So my line of thinking is, it's probably still fine and fair to also love trans guy John, if people are inclined that way. It's more about the way that they do it? If you're finding yourself framing June as some kind of invasion on your holy safe space by the mean and terrible new writers of Homestuck, you need to take a step back and reexamine the transmisogynist bias there, and most importantly you need to stop being so goddamn rude to the people making art that just isn't for you. But on the other hand, I think simply ignoring the Epilogues and doing your own thing with trans boy John and his shaving cream trauma, that to me is perfectly in line with - and in fact respectful of - the spirit of the Epilogues.

(Similarly, I don't think it'd be bad to do a reading of the TUA comics where Vanya is a trans girl; I don't even think it'd be bad to write an AU genderswap of the TUA show universe where Viktor is a trans girl, though I'd greatly prefer if other characters' gender was changed too in that case.) (For example, I'd enjoy a full swap where A and V Hargreeves were the only "boys" growing up, and then V transitions and A is left all alone with his masculinity and he lets it steep into resentment. Also, sometimes you want trans girls with violins blowing up the world.)

Right, I hear what you’re saying but I think there’s a couple of key differences here

First of all, we know for a fact that Roxy being transmasc was prompted by a transmasc writer who was repeatedly & horribly transmisogynistic about transfem headcanons, so I don’t think it’s too much of a stretch to assume that he really did specifically hate transfem Roxy headcanons out of spite so much that he made it an impossible reading in both timelines. But even then — I do think that if somebody specifically just decided Roxy is transfem and everything else from the Epilogues is the same (or magically headcanoned away as making sense somehow) then they would be intentionally misunderstanding & rejecting the text too. Like, that’s ok, that’s literally what a large part of fandom is, but the reasons for doing this are not neutral, and they reflect hegemonies & wider values.

In the case of transfem Roxy the point is to pointedly reject something we think is transmisogynistic — we have been teased with transfem Roxy for years, it’s an obvious & clear reading of her relationship to Callie in Act 6, and so I think it’s a legitimate criticism of the Epilogues. Meanwhile, there straight has not been years of hints for transmasc John, in fact, to headcanon June as transmasc you have to pointedly ignore her already extant queer narrative.

I also think you either misunderstand or are intentionally misunderstanding how alternate realities work in The Homestuck Epilogues & Homestuck Beyond Canon. They are not just one continuation out of many — there is only the two as far as I’m aware. I’m not up to date with HSBC but it’s my understanding that reality was cleft in two.

i agree with you on the Umbrella Academy! because this is something that has been like rebooted to switch things up, those characters are gonna get remixed. i’d love to see a transfem Vanya somewhere down the line. but if i only blogged about the tv show and i was constantly & loudly explaining how i prefer transfem Vanya and how she should be transfem in the show then I think that would obviously be in poor taste.

i think what bothers me is the boldness of so many men to be like “idk i just prefer this as a man character” right in the replies of posts where transfems are gushing about/sharing their transfem headcanons. I can’t even talk about June being trans without a few people saying that, and that’s actually confirmed as 100% happening, so it’s even more impossible to escape with like transfem Link headcanons etc.

i think all in all, transmascs, trans boys & trans men should try and leave more space for their sisters in the community. it is not subversive to wish every character was a man. just misogynistic. leave room for transfems, trans girls & trans women in fandom and beyond, folks.

[candidateofloyalty]

Haruhi comes out as agender and Tamaki goes "well fine, I will simply have to be the boyfriend and the girlfriend in this relationship." It still takes him several years to realize he's also not cis.

[kateis-cakeis]

Thinking about the structure of the Old Religion.

From what we know there's the Nine which refers to the High Priestesses of the Triple Goddess - powerful sorcerers who obtained immortality (unless killed by some form of magic), and performed important rituals of the Old Religion.

It is unknown if there was a High Priest equivalent, but Gaius in S1Ep13 does tell Merlin that "the High Priests have the power to mirror life and death". This suggests that perhaps there were High Priests of the Triple Goddess, and that they also had a Nine.

There's the Bendrui, women who failed to become part of the Nine. Just like those who eventually became High Priestesses of the Triple Goddess, they were chosen at birth for the priesthood - taken from their families and raised as initiates of the Old Religion. Despite their failure, Bendrui are practiced in potent magic, and appear to have above average gifts.

There's the Bloodguard, warrior priests who swore to protect the High Priestesses. They, like the High Priestesses, were the only people to ever set eyes upon the staff carved from the Rowan tree that grows at the very heart of the Isle of the Blessed.

It could be suggested that like the Bendrui, the Bloodguard could have been failed High Priests, but there is no evidence (other than the existence of the Bendrui, and the mention of High Priests) to truly suggest this.

It is also unknown if the Bloodguard served the Triple Goddess. It is possible that the priests served various different gods of the Old Religion, but due to their relation to the Nine specifically, it is likely these warrior priests served the Triple Goddess.

There's the Catha, which contains priests. (Alator is referred to being "of the Catha, warrior and priest", he also says "I'm a Catha priest").

It is unknown if they served the Triple Goddess, or a different god of the Old Religion (and we know they are priests of the Old Religion because Morgana says, "He's a Catha...priest of the Old Religion.").

They have their own language, however, suggesting that they are a unique culture, and perhaps even an ethnic group. (This is further supported by Alator saying Catha are trained from birth to master all physical pain, it is also said that they guard their ancient knowledge - which leans towards them being a people rather than just initiates of the Old Religion)

There's the Disir, the highest court of the Old Religion, made up of three women chosen at birth to be trained as seers and soothsayers. They are the mouthpiece of the Triple Goddess, and interpret her word. As Gaius says, "When they sat in judgement, their word was final". They pass on the runemark, which is both judgement and fate - it contains a person's guilt, as well as the path the gods have chosen for them.

There's the Druids, a peaceful people who worship the Old Religion and often possess magic. It's a part of their beliefs to help people in need of care, and therefore, those who weren't born a Druid can find a home amongst them (Morgana is one such example).

Moreover, the Druids look for children with the gift of telepathy to serve as apprentices (perhaps to keep them safe? perhaps to encourage their magic in childhood?). The Druids also have a tattoo of a triskelion somewhere on their body, perhaps as a part of a ritual (to indicate someone has become a Druid?).

While the Druids have an intimate knowledge of prophecy and destiny, especially regarding Emrys and the Once and Future King, they do not appear to be priests or priestesses in any form. Just like the Catha, they have their own language (called the Druid tongue and Druidic Runes by Gaius), therefore, it is possible that they too are a unique culture and/or an ethnic group.

There's the Isle of the Blessed, a sacred location of the Old Religion, said to be the centre of it, and the focus of its power - it is also where the power of the ancients can still be felt after the Great Purge. Artifacts such as the Rowan staff, the Cup of Life, and the Horn of Cathbhadh were kept there under the care of the High Priestesses. Furthermore, Morgana's healing bracelet was forged on Isle - suggesting that its power allowed for the creation of powerful artifacts (this is further supported by the Rowan staff which was carved from the tree that grows there).

In a deleted scene for S4Ep1, Morgause says when she was first brought to the Isle, the hallways were teeming with women - High Priestesses. Although it is said often within the fandom, canon never establishes if the initiates were trained on the Isle. This deleted scene, however, heavily suggests it.

There's the Caerlanrigh, a sacred spring within the Grove of Brineved. There, the Disir reside within a cave, where the spring feeds into an ancient pool - in which the Disir divine from. The old ways are at their strongest there, and it's at the very centre of their powers (whether Gaius meant the old ways or the Disir here is unclear).

There's the Cauldron of Arianrhod, a sacred site of the Old Religion. The lake contains the power of the White Goddess, who can be summoned to heal those affected by the Teine Diaga ritual. However, if such a person is tricked into entering the cauldron, their soul would be lost forever.

There's the Crystal Cave, said to be the birthplace of magic. It is filled to the brim with scrying crystals that show the past, present, and future. Taliesin used the cave as the source of his prophecies for the kings of old. And as much as the crystals can be controlled, they can force visions upon powerful sorcerers too.

The cave can also hold spirits within it, seen with both Balinor and Taliesin.

While this may have been the case for Merlin alone, the cave can restore a person's magic.

There are celebrations important to the Old Religion too, such as:

Samhain, a time of year where the people feel closest to the spirits of their ancestors, in which they celebrate their passing.

During Samhain it was traditional for the High Priestesses to gather on the Isle of the Blessed and perform a blood sacrifice to release the Dorocha. This was done on the stroke of midnight, when the veil between the worlds is at its thinnest.

Since the Dorocha do not roam free in the world throughout the series, it is suggested that a second blood sacrifice was done by the High Priestesses - perhaps before the night was through - to close the veil once more.

In Camelot, a feast is held as part of the celebrations. (This suggests that while the Old Religion and its practices were abandoned during and after the Purge, the heart of the religion and its holidays were never replaced).

Beltane, a time of year where the High Priestesses would gather at the Great Stones of Nemeton and summon the spirits of their ancestors with the Horn of Cathbhadh. It opens the door to the Spirit World and allows the person who blew the horn to see and speak with their ancestor of choice.

In Camelot a feast is held as part of the celebrations (which much like Samhain seems indicate that the Old Religion has been around for so long that it cannot be removed from society entirely - that the people clung onto some traditions, including the royal family).

There's the Gods of the Old Religion, the Triple Goddess, the White Goddess, and Nemaine. It could be implied that the White Goddess, and the Earth Mother Nemaine are part of the Triple Goddess, but it is just as likely for them to be separate gods.

If so, the Triple Goddess is heavily associated with the Nine, destiny and fate, and the immortality of certain sorcerers. Perhaps she is also associated with the balance of the world, due to the power over life and death being tied to the High Priestesses and supposed High Priests.

The White Goddess, however, appears to be associated with one's soul and healing. It was only her power that could heal and retain Gwen's soul after Teine Diaga ritual.

The Earth Mother Nemaine is related to Gean Canach, as it is said her tears forged the creature. The book Gaius reads from has more information, and from what can be deciphered, it says that Nemaine first wept at the slaughter of war, resulting in the Gean Canach crawling out of the Earth's belly (there is more written on the page, but it is impossible to tell what it says). This suggests that Nemaine lives within the Earth's core, and that she is indeed associated with nature and living beings as her name implies.

Furthermore, since she wept at the slaughter of war, she is perhaps the god of life itself, but not of the entire cycle. And due to the Gean Canach's abilities, to devour and drain a sorcerer of their magic, it is likely that this war's slaughter was brought about by magic.

It is possible that The Earth Mother Nemaine could be related to the Pool of Nemhain. Despite having different spellings in the show (the subtitles), they have extremely similar pronunciations (even if it is a bit different). Perhaps they are unrelated, but if they are one and the same, it could be suggested that the Earth Mother is connected to death as well as life, due to the pool being the last of the Five Gateways to the Spirit World. (This contradicts what is analysed in the above paragraph, but this post is meant to speculate multiple possibilities.)

Honourable mentions:

It could be suggested that the Quest Ritual was once part of the Old Religion. It includes the heir to the throne of Camelot transcending their body in order to receive a vision of a quest. This quest is meant to prove their worth to the people, and their worthiness of the throne. The heir prepares themself by cleansing their body and dressing in white robes. They spend an entire night kneeling on the floor, barefoot, with their eyes closed.

Due to how Arthur reacts in the morning when Uther pulls him out of it, and how sacred the entire process appears to be, it is as if the heir is actually gifted with a vision of a quest. This is supported by his reaction, as he looks dazed when relays what he has seen. Therefore, it seems as if the ritual includes some form of magic due to the preparation, and if so, then it's likely it was a practice of the Old Religion (specifically for the heirs of Camelot? Due to Camelot's association with the very heart of magic?)

It has been around for hundreds of years, so it is not outside the realm of possibility that the Quest Ritual is so old that the general consensus has forgotten its ties to the Old Religion, or much like Samhain and Beltane, it is perhaps so baked into society that it couldn't be abandoned.

--

In S1Ep13, Merlin says that the "Old Religion died out centuries ago". Even in Series 1 this is far from true, but later seasons make this remark seem entirely ignorant. If anything, this sentiment comes from a post-Purge society, where the structures of the Old Religion no longer exist. Perhaps it is even propaganda that Uther pushed forward as people became more fearful over the years, turning away from the old ways despite once practicing such beliefs (and for the people of Camelot, still practicing some of those beliefs).

It is possible this was a retcon but if so then it's directly retconned in S1Ep13 when it's revealed that Nimueh is a High Priestess.

Anyhow, in response to Merlin's ignorance, Kilgharrah says, "The Old Religion is the magic of the Earth itself. It is the essence which binds all things together. It will last long beyond the time of men".

This shows that the Old Religion doesn't just refer to the religion and the gods, but rather it is the very magic that makes up the fabric of the world, and as Balinor says in S2Ep13 it's either a part of you or it isn't. This suggests that it is indeed not just a religion, but the very world, the Earth, magic.

He also goes on to say that Merlin must "find those who still serve it", which shows that Uther very much didn't succeed in eradicating the structure of the Old Religion entirely, at least at that point in the show. And perhaps that anyone could serve it, even after the very structure collapsed.

All this is to say that the Old Religion is extremely pagan. The structure itself is vague perhaps because Old Religion is personal, it is vague. The differences between the High Priestesses, the Catha, and the Druids make this clear. Following the Old Religion's beliefs, traditions, and holidays is personal and spiritual because it varies, because there is no wrong way. Because there are no set rules or a real structure at all. The High Priestesses had power, yes, but this seems to come directly from the Triple Goddess herself, rather than a societal standing.

Nimueh was at court, and she was Uther's friend, but she was also very quickly thrown from the court after Ygraine died. And yes, the High Priestesses went to war with the Ancient Kings, but that appears to be a difference in factions, rather than let's say the Christian church and its power over the centuries.

Therefore, I propose that the Old Religion as a religion was loose in its structure, that it never died out like Merlin said (which does seem to be a post-Purge sentiment), but instead simply changed and evolved, and continued to exist even after the Purge, with its holidays in Camelot, and with the Druids and their practices/beliefs.

-----

Overall, the information we have on the structure of the Old Religion is vague and patchy. This was perhaps intentional so the writers could work around existing canon to introduce new concepts without being constricted by their past worldbuilding. But that's getting into the Intentional Fallacy, so I'll leave that there.

It appears that the High Priestesses had the most power in society, due to their past wars with the Ancient Kings, and their sheer power and knowledge. Not to mention their artifacts and control over creatures like the Fomorroh.

But there are different beliefs and structures to the Old Religion, like with the Catha and the Druids, suggesting that there are multiple ways to worship and follow the Old Religion.

The many sacred sites show that there are different powers and sources to the Old Religion that have different purposes. Like how the path to the Cauldron of Arianrhod was lined with banners for pilgrims, not to necessarily summon the White Goddess, but to visit the site. Or how the Isle of the Blessed is a powerful religious site, while the Crystal Cave is a fairly legendary and unknown place that few ever get to see.

In conclusion, the Old Religion is vast and has many facets to it. There is some structure, but it doesn't seem entirely necessary in order to follow the Old Religion. And in reality, it is inherent to the Earth, it is magic itself.

[bayofwolves]

i've been thinking ab abeke x worthy for the last 12 hours... do y'all feel me. could i convince y'all to get on board this ship

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20′s Neverafter episode 4

[fitpacs]

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