𝐗𝐋𝐈𝐈. Speculation on Lumine’s guilt and inability to let go of the past.
Growth means different things to different people. Some simply wish to grow up in peace while others pursue loftier goals. As for Collei, she believes that overcoming the past is a necessary step on the long journey to the future she pursues. This is wise. For to overcome is to move forward, not to wallow endlessly in the past. …Pity that my former travel companion, for all their years of rumination, lacks Collei’s clarity on this. …Or perhaps some situations are simply too complex to be resolved by good intentions and honest effort alone…
—Collei miscellany.
Okay, so I almost forgot to comment on the content on this statement Dain makes in Collei’s miscellany, so here I go. It’s interesting the thought that one of the reasons that the Abyss Twin is doing what they’re doing is perhaps out of guilt. Maybe they had something to do with the Calamity in Khaenri’ah (although if they did, I’d say it’s in a quite small extent because Khaenri’ah was already doing things for millennia that amounted to that conclusion if the failure of the Alberich Clan of wanting to make Khaenri’ah better is anything to go by) and as a result, they can’t stop wallowing in the past.
But at the same time, that they genuinely want to help Khaenri’ah however they can (guilt aside to make up for something they did maybe, again, I don’t think it’d be anything major to its destruction all things considered) and their intentions are good, but eventually the Abyss Order took advantage of this and kind of groomed them. It’s no surprise by now that they know what buttons to push in order to get the worst out of someone (we can go as far in time as Dvalin himself in the very beginning of the story) and if there’s anything the Abyss Twin is lamenting themselves for, this would be key to be taken advantage of.
As Dain says though, things are pretty complex and it feels to me that in the event that the Abyss Twin is aware of the manipulation they’re subjected, that they’re too neck deep to go back and abandon everything.
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hate when you find a character whose so infuriatingly Your Type that its embarrassing like yeahg no one is gonna be surprised when i announce this is my new Guy Of The Month
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did this rat just call me a dumbass in my own native language
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I was at a Palestinian solidarity gig last night & the one Palestinian artist who was going to perform had COVID so the organisers asked around to see if there were any Palestinians who'd like to say a few words instead.
A local guy who was born & raised in Gaza offered to speak. He started with "I'm an engineer. i'm not a poet or a politician. I don't... do public speaking… I had no idea what to say when I came up here. So i'm just going to tell you about the street I grew up on."
And then he did! He went down the street building by building. He told us about the ice cream shop on the corner, the grocery shop, the charity that supports people with intellectual disabilities. He told us about the people who he knew growing up, the families who still live in the different houses. He told us about the university buildings and about his friends who quit being accountants to start a band together. All on that street.
All of which is gone now, by the way. Bombed to dust.
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I will forever be obsessing over Laios imaging himself as a wolf (a dangerous animal, and one that is [albeit falsely] associated with loneliness) and Marcille imagining him as a cute dog. It shows how negatively he thinks of himself after his fight with Shuro, and how even if he worries now that he's a nuisance to people/can't fit in, NOBODY PERCEIVES HIM THIS WAY. HE'S JUST A SILLY GUY. MARCILLE ASSOCIATES HIM WITH THE DOG BECAUSE HE'S LOYAL AND LOVEABLE.
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was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.
to sum up kabru's situation via a self-contained modernized metaphor:
kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him
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nobody took my pen away so the hades-crossover-fever continues. i’m ill
others: minthara (bg3), karlach (bg3), shadowheart (bg3), gale (bg3), halsin (bg3), lae'zel (bg3), astarion (bg3), kotallo (horizon)
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why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
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Just reminiscing among friends…….
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Uh-
just found out my cousin (who lives in England) is in the art department of a bunch of shows??? And she worked oN DOCTOR WHO? AND HAD LUNCH WITH DAVID TENNANT???? and she just told me so casually because she's interested in the art, not the show? I mean, excuse me? She worked on SHERLOCK???? FOR A WHOLE SEASON?? She worked on Peaky Blinders and Lord of the Rings and Game of Thrones??? And probably other things because she has a shitty memory and according to her everything is a blur?? AND AT ONE POINT SHE WAS LIKE: "oh and have you ever heard of Neil Gaiman?" And I was trying not to scream, because yes, of course I've heard of Neil, he's only my favorite author, I've only read like all of his books multiple times, and if you say you worked on Good Omens or the Sandman I'm going to lose it completely. So I said "yeah I've read a couple of his books," -you know, like a liar- "what about him?" and she goes "well I worked on one of his shows and he's brilliant i just can't remember which one" and i go "w-what do you mean he's brilliant? You're.. you're talking about his writing... his writing is brilliant, right?" And she cheerfully says "oh no I don't read books, I ment he was really nice and brilliant when I talked to him" and i go "WHAT DID YOU TALK ABOUT WHAT DID YOU TALK ABOUT" and she thinks for a moment and goes "oh! BRICKS" WHAT IN THE WORLD YES NO THAT MAKES SENSE YOU GET TO WORK AND TALK WITH NEIL FUCKING GAIMAN AND YOU TALK ABOUT BRICKS? NO THAT'S TOTALLY NORMAL I'M NOT MAD ".... it was what I was designing at the time, I needed to know what vibe the bricks should have. Anyway want to see the spinning fireplace I made for doctor who" WHAT THE FUCK.
@neil-gaiman do you remember any brick conversations by any chance
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I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
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his first ever call from his dad. have you thought about it
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