#things are looking pretty bad

[yuurionviktor]

I wanted to do an Alfons Mucha inspired piece since forever

[black-and-yellow]

[cheesecake801]

They're dancing ! 🕺 (close up and alt expression below cut)

Aren't they the cutest ?? ✨️✨️ I used to find Eelektross scary but it's impossible to see him as scary anymore after looking at these two having fun together !

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[suja-janee]

what are your thoughts on Harumi x Kuai Liang (I need to see them in your art style)

To be completely honest with you, I’m still neutral to them- but he looked pretty happy in the recent trailers!

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[faunandfloraas]

Birth date analysis // Seungmin - September 22nd: The Day of Restless Drive.

September 22 - Virgo/Libra

The Day Of Restless Drive

Those born on September 22 have a restless drive. Usually they bring the one they are working on to completion only to immediately set out on a new one without rest. They are also capable of handling several projects at the same time. Those born on this day have a low boredom threshold, and consequently demand challenging people and situations. They can be outgoing and dynamic types at one time, and solitary and unapproachable at another. In either case, their strong character is unmistakable.

Often September 22 people oscillate between an offensive and defensive posture. In one sense, such postures may be one and the same since a good offense is the best defense and vice-versa. Whether in a broad social context or on a personal level, the issues and ideas those born on this day are most often concerned with involve fairness and equality. In general matters pertaining to the delegation and exercise of power. In putting forth their arguments, they can be very ironic, witty and outright funny. Their humor, however, is not for everyone as it is liable to be off-beat, sardonic, perhaps even macabre.

Those born on September 22 can hide a warm heart under a forbidding exterior, but generally will only open up to people whom they deeply trust and value. Even then they may find it difficult to open all the way, principally because their orientation is highly realistic and the ironies of life all too visible to them. This day carries insight and clarity of vision both literal and figurative. September 22 people are excellent judges of character, and capable of sizing people up very quickly. Those few friends whom they allow into their inner sanctum they value most highly, usually for life.

September 22 people can often have a greater effect on those around them than they realize, and indeed can register a high degree of shock value. Because of their often disturbing impact, they should seek to be more aware of their effect on others, both friends and foes alike. True warriors in the battle of life, they must take stock of their armaments and defenses, using them judiciously and effectively, and avoid isolating and alienating themselves.

Strengths:

Individual

Perceptive

Well-directed

Weaknesses:

Guarded

Acerbic

Dark

[fraternum-momentum]

boobs

[aaronwhorechner]

elle greenaway 1.14

[gummi-ships]

Kingdom Hearts 3 - Arendelle

[mumblesplash]

furious that there is ONE hand-drawn frame of wolfwood, and it’s the best his character design looks in the entire show, and it’s right after meryl hit him with a truck

[pleader600]

Quiz time/Trying to figure out a nickname for Ralph

[whetstonefires]

Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?

I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.

So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.

What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.

Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!

But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.

There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.

The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.

Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.

Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.

The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.

Incels, basically.

It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?

So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.

He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.

So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.

But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.

And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.

[heartwrrm]

bride of re-animator, basically

[front-facing-pokemon]