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postbadbadassqueen · 8 months
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Kallen lost stories recent Banners
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The indian bride, the britannian bride and the chinese waitress. Queen of Cosplay in Code Geass Lost stories, this game is a B L E S S I N G !
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godofsmallthings · 6 months
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tumblrinas what should my roommate and i get for dinner?
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glacialheart · 11 months
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EDA WHO IS THIS SMILEY FACE
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aroonescape · 2 years
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concepts for my main character
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avocadoplug · 1 year
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#asia #asean #horcruxbeats #rap #drill #music
The Asian rap scene has seen a surge in popularity in recent years, with artists from across the continent garnering recognition for their unique styles and perspectives. Asian artists who have gained international recognition include: 
Singaporean rapper Yung Raja, known for his collaborations with artists such as Nasty C and Lil Yachty 
"Indian rapper Divine has amassed a large following with his socially conscious lyrics and smooth flow. In addition to his solo work, Divine has collaborated with a number of notable artists including Dutchavelli, OneFour, KEKRA, and NOIZY, further increasing his reach and expanding his musical style." 
The growth of the Asian rap scene can also be attributed to the increasing global popularity of hip hop and the wider availability of streaming platforms, which have made it easier for Asian artists to reach a broader audience. 
The Asian rap scene is a vibrant and exciting one, with artists from all corners of the continent coming together to create innovative and influential music. 
Avocadoplug, a highly respected artist, has received numerous endorsements and expressions of support from esteemed individuals in the music industry, including Pa Saliue, ChinaTownRunner, OG Bobby, Ben Bizzy, Herra Hnetusmjör, Erpur, Gísli Pálmi, Issi, Jadakiss, and Zaytoven. In addition, respected producers, composers, companies, and engineers have expressed support for Avocadoplug. This level of recognition and support is a testament to Avocadoplug's commitment to achieving the highest level of quality and excellence in all of their endeavors as an artist. 
Thai rap has gained significant traction in recent years, with many talented Thai rappers gaining recognition both in Thailand and internationally. One such artist is OG Bobby, also known as Pongsit Kampee, a Thai rapper and actor who rose to fame in the early 2010s with hit songs "Koy Koy" and "Yaa Baa." Og Bobby has released several successful albums and has won numerous awards for his music, including the "Best Hip-Hop Song" award at the Siam Dara Star Awards in 2013. In addition to his music career, OG Bobby has also acted in several Thai TV dramas and movies, and is known for his smooth flow and catchy lyrics that often touch on themes of love and relationships. 
Other notable Thai rappers include: 
Young Ohm is a rapper and singer known for his energetic performances, catchy lyrics, and melodic songs. He has gained worldwide attention with his powerful vocals and ability to connect with listeners through his music. 
Young Guu is another talented Thai rapper who has gained a large following with his smooth flow, relatable lyrics, and honest storytelling. He is recognized not only for his talent as a rapper, but also for his stage presence and energetic performances." 
Chinatownrunner who is a Karen Thai rapper based in Denver, Colorado. He uses his music to explore themes of identity, cultural pride, and social justice, and has gained a dedicated following for his powerful lyrics and unique style. Chinatownrunner has released a number of tracks and music videos on his YouTube channel and has achieved success through hard work, talent, and effective promotion and marketing efforts." 
Thaitanium, active since the early 2000s and known for their fusion of Thai and English lyrics 
Daboyway, a rapper and producer who has gained a large following with his unique blend of hip hop and electronic music 
The Thai rap scene is diverse and exciting, with many talented artists bringing their own unique styles and perspectives to the genre. 
From a young age, Avocadoplug has invested in necessary equipment and formed connections with multiple artists to further their passion and career. Their drive and hunger for success will not be stopped, and they will continue to push boundaries and strive for excellence. 
In addition to their dedication and hard work, Avocadoplug has also amassed a huge catalog of art, mixes, tracks, and collaborations, cementing their place as a respected and accomplished artist in the industry." 
"The Asian rap scene is a force to be reckoned with and should not be underestimated. Its unique blend of culture and style has gained recognition for its innovative sound and is connecting with listeners around the world. Pushing boundaries and making its mark on the global music scene, the Asian rap scene is not to be overlooked. Don't sleep on this growing beast – it's only going to continue to bring the heat and make waves in the industry." 
#asia #asean #thailand #singapore #vietnam #Cambodia #Myanmar #india #china #australia #newzealand #russia #uk #albania #germany #italy #america #usa #worldwide #rap #rapping #rapper #drill #worldwide #delivery #shipping #worldwideshipping #Worldwidedelivery 
#Indian rapper Divine has amassed a large following with his socially conscious lyrics and smooth flow. In addition to his solo work#Divine has collaborated with a number of notable artists including Dutchavelli#OneFour#KEKRA#and NOIZY#further increasing his reach and expanding his musical style.#Chinatownrunner who is a Karen Thai rapper based in Denver#Colorado. He uses his music to explore themes of identity#cultural pride#and social justice#and has gained a dedicated following for his powerful lyrics and unique style. Chinatownrunner has released a number of tracks and music vi#talent#and effective promotion and marketing efforts.#The Asian rap scene has seen a surge in popularity in recent years#with artists from across the continent garnering recognition for their unique styles and perspectives. Asian artists who have gained intern#Singaporean rapper Yung Raja#known for his collaborations with artists such as Nasty C and Lil Yachty#The growth of the Asian rap scene can also be attributed to the increasing global popularity of hip hop and the wider availability of strea#which have made it easier for Asian artists to reach a broader audience.#The Asian rap scene is a vibrant and exciting one#with artists from all corners of the continent coming together to create innovative and influential music.#Avocadoplug#a highly respected artist#has received numerous endorsements and expressions of support from esteemed individuals in the music industry#including Pa Saliue#ChinaTownRunner#OG Bobby#Ben Bizzy#Herra Hnetusmjör#Erpur
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indianhobbytamil · 9 months
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King George VI Emperor One Rupee Coin Value || Indian Hobby Tamil
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newedgeglobal · 2 years
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Permanent Resident Visa (PR visa) from India to Australia
There are many reasons why someone might want to obtain a permanent resident visa (PR visa) from India to Australia. Perhaps they have family in Australia and want to be able to live there permanently, or maybe they want to take advantage of the country's strong economy and excellent job prospects. Regardless of the reason, obtaining a PR visa from India to Australia is a relatively straightforward process.
First, the applicant must meet the basic eligibility requirements, which include being at least 18 years of age, having a valid passport, and having no criminal history. Next, they must submit an application to the Australian Embassy in India, along with any supporting documentation. The application will then be reviewed and, if approved, the applicant will be issued a PR visa.
Once the PR visa has been obtained, the holder can then travel to Australia and begin the process of applying for permanent residency. This typically involves completing a medical examination and providing evidence of their skills and qualifications. Once all the required documentation has been submitted, the applicant will be granted permanent residency status and will be able to live and work in Australia indefinitely.
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opencommunion · 5 months
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"The Arab Jews were perceived in two different paradigmatic contexts by the Zionist consciousness. On the one hand, they were seen as Arabs, and hence as an 'other' of Europe and Zionism, and, on the other, as ancient Jews, hence as exalted, holy objects of the Zionist national-religious dis­course. The dichotomy gave rise to a confused and conflicted perception of reality. From the colonial point of view, for instance, the Arab Jews’ religios­ity was seen as superficial; from a national point of view, it was considered an­cient and authentic. ... 'True religiosity' served as a marker of the depth of the Arab Jews’ Zionist commitment and of the erasure of their Arabness. The Solel Boneh emissaries were engaged si­multaneously both in orientalizing the Arab Jews and in marking the differ­ence between them and the Arabs — that is, with establishing themselves as Western Jews. ... The depth of orientalist identification with European colonialism is seen in remarks made by Yitzhak Gruenbaum, a member of the World Zionist Organization executive, at a meeting with representatives of Solel Boneh held at the headquarters of the Jewish Agency in Jerusalem. There were two types of populations in Palestine, Gruenbaum said: 'We, the Jews, are twen­tieth-century people of Europe, whereas the Arab population is still at the de­velopmental level of the fifteenth and sixteenth centuries.' And, as 'people of Europe, we wish to create a European economy here. We believe that the Mandate government must conduct its affairs based on the point of view that Palestine is a European country like England or its dominions.' Yet, at the same time, as noted, the Arab Jews were perceived as Jews and as an integral element in the Zionist paradigm. As such, they were not considered as 'oth­ers' of Europe but as nearby 'outsiders' of European Zionism. The colonialist and nationalist categories are not mutually exclusive. In the Indian context, for example, as Partha Chatterjee explains, orientalist categories were subordinated to the ideology of nationalism in order to en­hance the glorification of the national past and its ancient lineage. Zionism, too, creates ethnicity within colonial na­tionalism. To constitute the Jewish community as a modern nation, Zionism seeks to reconstruct the community’s 'organic roots,' primordial lineage, and foundational theological narrative. The Arab Jews supplied the tribal and an­cient legitimacy for Jewish nationalism. Thus, for example, Zionism identi­fied the Yemenites as part of the ten lost tribes and as an integral part of the continuity of the nation. At the same time, however, it constituted them as in­ferior culturally, religiously, and nationally. ... In the Zionist context, the question of the encounter between European Jews and Arab Jews becomes complicated, because the encounter, which creates the 'otherness,' does not end there, but seeks also to recruit the 'other' into its ranks. It was here that the European emissaries in Abadan po­sitioned themselves vis-a-vis the Arab Jews and tried to define them as 'other' (Arab) yet also 'one of us' (Jewish, proto-Zionist). It is just here, in the inter­stices between the two categories, that the politics of 'difference' lies. The in­teresting thing is that Zionism (like other colonial enterprises) created a pol­itics of belonging and of difference and spoke in a number of voices, yet, at the same time, declined to acknowledge the cultural ambivalence of its own creation and attempted to enfold it within closed binary distinctions. It was a clear case of Jewish orientalism, where one Jewish group orientalized an­other."
Yehouda Shenhav, The Arab Jews: A Postcolonial Reading of Nationalism, Religion, and Ethnicity (2006)
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godofsmallthings · 1 year
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everyone WHAT should i get for dinner
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txttletale · 1 year
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i mean i can guess at a lot of it - maybe all of it - but could we hear the sid meier's civilization opinions you have so hinted at?
fuck yeah you can. alright so an easy one off the bat is that sometimes it is just manifestly racist in pretty obvious, surface-level ways. like, i think kongo's civ ability in civ vi (that they are preternaturally good at getting religiously converted) is a pretty good example of what i mean--that and a bunch of stuff from the older entries.
but (as ever) that sort of thing is significantly less interesting to me than the broader assumptions about reality baked into the game's core premises. so let's talk about some of those!
first of all, there is (unsurprisingly, it's a pretty loaded term) so much ideology packed into what 'civilization' considers 'a civilization'. like, let's talk about some of the things that are true about 'civilizations' in sid meier's civilization:
they settle cities
they each consist of one culture which is contiguous both geographically and temporally across thousands of years
each of these cultures is represented by one continuous state with complete top-down control
they 'progress' through a linear set of 'eras', with corresponding 'advances' in technological development & aesthetics
over the course of these eras, they expand territorially to exploit natural resources
they have standing armies
they have innate & deterministic competencies (unique units & buildings in earlier games, civ abilities in V onward)
other than the aforementioned unique units, they develop a certain set of universal technologies and institutions (ie, all civilizations will have access to and build a 'bank' or 'library' building)
they have 'hard' (rigidly defined, mutually exclusive, militarily enforced) borders
so--! off the bat, looking at the very first point--what about the mongols? what about the shoshone? what about the scythians? there is a clear normative ideological implication to say that in order for these historically nomadic peoples to be depicted as a 'civilization' they must be depicted as settling urban population centers--and it is the same normative implication that the rest of these points have, which is a very narrow view of what a 'civilization' is, a colonialist (at best) view of what lies outside 'civilization'
#2 and #3 have unfortunate synchrony with a lot of real-world national myths that obscure vast amounts of violence and destruction of culture in order to create a national identity--the idea of one coherent 'ancient greek' culture, for example, would have come as a very great surprise to the spartans and athenians. the idea of 'france' having a shared set of cultural traits would have definitely not been welcome to the bretons, normans, occitans, or any of the other regional identities that were violently suppressed over centuries to create the modern french nation-state.
#4--especially as combined with #7 and #8--really lays bare a lot of the colonialist assumptions at the core of the game. for example, if you play as the inca in any civ game, you'll have to research 'writing' and 'the wheel', technologies that the incan empire never relied upon, in order to 'advance'. this 'advancement' follows (a pop-history version of, obviously) chiefly the technological development of Europe and later the USA--this is falsely universalised out. and the idea of linear progression through levels of technological 'advancement' is very very explicitly a colonialist one--the idea that the peoples of subsaharan africa, the americas, australia, etc. were 'less advanced' than europeans was a key ideological pillar of colonialism!
it also very much plays into the 'Vanishing Indian' myth. for example, the aztecs get their unique unit in vi (the jaguar warrior) at the start of the game, in the 'ancient era'--at the same time that the gauls get theirs, the 'gaesetae'--and replacing the same unit! now in real life, the 'gaesetae' and the aztec triple alliance were well over a thousand years apart -- the jaguar warrior is more contemporaneous with the real-world basis of the 'conquistador' unit than it is with the gaesetae! in civilization vi, the major cultural innovations of 'the aztecs' are over and done with long before the innovations of 'rome' are--which must be a very great surprise to the millions of nahua people living in mexico now--and moreover is part of the mythologization of indigenous peoples as 'of the past', as precursors who vanished to make way for settlement, rather than people who were violently suppressed and still very much exist in the present day!
#5, #6, and #9 all fall under the same umbrella of both backdating and universalizing the model of the Western capitalist nation-state to all of history and the world. 'national borders' as they're currently understood didn't exist for most of human history--standing armies especially were an extreme historical rarity until the last couple of centuries--Western capitalism is certainly not the first social model to result in colonialism and extractionism but the particular attitudes and manifestations of this are certainly, again, unique to a specific part of the world in the last couple centuries. all these things are universalized out to apply to every single civilization in the game from the moment of their existence, something which some of the people depicted in these games have complained about!
ultimately this is all downstream of the concept of 'civilization', developed as it was as an intentional imperial project of 19th-century anthropology and history! and especially as formulated in samuel huntington's very bad and racist book 'the clash of civilization', which seems to have had a pretty major impact on the civ game's outlook on history (see edward said's critique of it)
and of course, once we get out of that, there's a lot to talk about--how the world of civilization is filled with indiscriminately violent 'barbarians' (!) who, unlike your fellow 'civilizations' have no technology or culture of their own, existing only to be massacred--how the game is structured around the assumption that one civilization will eventually 'win'--but this post is already long enough, so i'll leave those deeper critiques as an excercise to the reader.
oh, and--because a lot of people misinterpreted me on my silly little minecraft post and argued against a much stronger and less justified position that i did not in fact take--i do not think that sid meiere's civilization causes colonialism or imperialism!
in fact, i do not even think that 'colonialist ideology' causes colonialism. the order of operations (as it always does) flows down from historical and material conditions: it is economically advantageous to engage in colonial and imperialist exploitation -> ideological justifications are developed; the exploitation is narrativized and mythologized -> these narratives and mythologies embed themselves in the cultural imaginary and are replicated in media objects produced from that culture. i am never making the opposite case--if you argue with me as if i am you are shadowboxing.
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supernova25 · 8 months
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Like the movies
dates with genshin men!
characters . . scaramouche, xiao, kaeya, alhaitham, albedo, childe, baizhu
a/n: added baizhu in here because i can hehe, i also made albedos part longer because i gave him too little in the original one<//3
c/w: maybe ooc for baizhu and childe maybe? i dont know them well :( | wordcount . . 420 | masterlist
scaramouche | nothing too much. he’d prefer something simple. dinner at your place or a picnic. i also feel like he’d prefer having night picnics. he also likes café dates, also arcade dates(is that what you call them?). anything simple.
xiao | another simple dinner enjoyer. if he were to pick it would be something simple, a restaurant maybe, but not too fancy. something cozy. maybe cafe dates here and there.
kaeya | an eye catching restaurant with a romantic aura. he’s also ready with a bouquet of your favorite flowers. every date with him is really memorable. 
alhaitham | it really depends. if its just a regular date then he’ll prefer something simple, if you two are going out for something special, like your birthday, anniversary, etc.. then he’d make it as memorable as possible, keeping your likes and dislikes in mind. 
albedo | i feel like i didn't do albedo justice in the last one since his part was so short. albedo prefers having you choose the dates, but if you make him decide then something so simple but super cute. movie nights, simple dinner at your place or at his place. if you like drawing then he’d just stay at home with you and draw. maybe even do that thing where you two exchange drawings every few minutes. it also depends on what you like, he puts that into consideration. if you like going out to eat then he’ll pick a restaurant, somewhere you haven't been to yet but somewhere you’ll enjoy. you like a romantic aura? then he’ll pick somewhere with a romantic aura. 
childe | ugh, dont get me started with this stupidly rich man. saying that he loves spoiling you is an understatement. he also takes every thing you like into consideration. whats your favorite type of food? italian? indian? chinese? do you want it to be really romantic? or do you want it simple? do you have a favorite restaurant? (jollibee) if so, then he’ll take you to a restaurant similar to your favorite, if theres none then he’ll take you to your favorite restaurant.
baizhu | i dont know much about baizhu so please bear with me. i asked baizhus spouse(vi) to describe his personality, so based on what she said i feel like he’ll take you somewhere new. ive also heard from vi that he’s poetic, with that being said i can see him making you some poems as a gift. (i can see him working on the poem during his break jksjsjs)
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reveriedraffs · 2 months
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I think i know why Christian was set to Marry Devi... (My theory i uploaded on reddit was removed by the admin idk why?)
It was bugging me from the moment when Christian said that he wanted to marry Devi from the very beginning although dozens hid this fact from her to spar her to get married to Christian. But why he wanted to marry her? Christian didn't know Devi and the latter came way before Devi met Ian. so what was he insisted to marry on marrying and devi only. also if it was because he show her portrait then he could've remember her when they meet for the first time.
After thinking about it so much i couldn't come to theory or connect the dots that not until i was sitting with my dad watching the news (I am Indian btw) and suddenly the news was talking about the most famous and precious jewel of india "Kohinoor" i am not sure how many of you know about this but this diamond it very "precious", "Priceless" and "CURSED" yes this diamond is "cursed" it was called cursed because of that soley diamond in the past war has fought for 500 years or more. and it has killed everyone who tried to posses that diamond the biggest empire has collapsed because of this mere diamond although it's not a mere diamond. because in reality, this diamond belongs to the gods.
The Koh-i-Noor Diamond isa a 186-caratt diamond with a curse affecting only men. According to folklore, a Hindu description of the diamond warns that “he who owns this diamond will own the world, but will also know all its misfortunes. Only God or woman can wear it with impunity.” Throughout history, the gem traded hands among various Hindu, Mongolian, Persian, Afghan and Sikh rulers, who fought bitter and bloody conflicts to own it. Every prince whohadf the diamond would ultimately lose his power if not his life. For over 500 years the stone changed hands in gruesome battles and vicious coups.
The kingdom of Golconda(current day state of Telengana,India), The khilji Empire,The Tughlaq Empire,The Lodhi Empire,The Mughal Empire,The Maratha Empire,The kingdom of Persia,The Durrani Empire,The Afghan Khanate,The Sikh Empire all collapsed one behind the other while owning the Koh-i-noor Diamond.The height of the curse can be seen in the fact that even World level Empires crumbled below the weight of the curse.The British East India company owned the Jewel since the Annexation and Disbandment of the Sikh Empire. But only 7–8 years following the looting of the jewel,the revolt of 1857 literally destroyed the east IndiaCompanyy from its roots.
Historical records indicate the diamond was acquired by the British in 1849 and given to Queen Victoria in 1850. To heed its legend, the diamond has since only been worn by women, including Queen Alexandra of Denmark, Queen Mary of Teck and the late Queen Elizabeth, The Queen Mother, wife of King George VI.
In 1936, the stone was set into the crown of the wife of King George VI, Queen Elizabeth (later known as the Queen Mother). The British Royal family was aware of the Curse of the Koh-i-Noor, and from the reign of Queen Victoria the Kohinoor diamond has always gone to the wife of the male heir to the British throne
Currently, it is set as one of the jewels within a British monarchy crown that is kept at the Tower of London Jewel House.
I am telling you the whole story because?
here is the dots to this theory:
Sharma owns the mines for gemstones, diamonds, and crystals not only in Bengal but in very different places on all over India.
Devi's brother died while trying to save the bride.
Those who came to kill people talked about letting "Women alive and killing all the men" A simple person may think they said it to use them later on. if so then why was Rati killed?
Devi becomes the heir of the Sharma household, and Kamal insists on making Devi the heir why? i understand that is because Kairas was his best friend but he could've easily let Devi's uncle become the heir.
For some reason Kamal agreed to marry off Devi to Ian suddenly? like that man fought for 5 years against everyone then why did he turn his back suddenly?
Also I personally thin Ian chose devi for specific reasons too, like right now she is the head of Sharma's house but even when she wasn't he wanted to marry her and only her.
The Koh-i-noor might be found on devi's mine. as it holds the power of god and specifically it is cursed. As it said that "Only God or Woman can wear it with IMPUNITY" where Impunity simply means exemption from punishment or freedom from the injurious consequences of an action.
Or Devi personally is or is the koh-i-noor itself. Or Maybe British knew about the diamond and it's real power. They have stole diamonds from Taj Mahal too but they knew that the diamond who belongs to god holds its own power so they might need someone for that. Devi. Not only she is related to Maa Kali, she is girl and if they choose Devi and then found diamond form her mine then they can ask her to give it to them as in original i mean in reality that's how the koh-i-noor to the queen, they manipulate the royal family livin' in the England making them into thinking it was a simple diamond was given to the queen but in reality it was more then that!
I think they knew about the mines or something similar related to it.
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Although by 1350 the Mongol Empire had disintegrated into a number of rivalling khanates, the continuing nomadic threat to China’s inner Asian land frontier persisted. The strategic dilemma posed by the nomads is often cited as a key reason for the Ming dynasty’s retreat from the sea, represented by their famous decision not to follow up Admiral Zheng He’s naval expeditions in the Indian Ocean. The inward turn of the Ming Empire, though often exaggerated, nonetheless did signal the abandonment of seaborne expansion, and as an indirect result, the eventual weakening of the Empire vis-à-vis its soon to be Western competitors. The very withdrawal of powerful Chinese fleets from commercially and strategically important nodes of the Indian Ocean littoral meant that the Portuguese and Dutch had a considerably freer rein during their later, 16th-century penetration into the region, assisting their success in capturing ‘vital emporia and crucial strategic locations’ throughout the Ocean. ‘In this sense, “Chinese abdication was Europe’s gain”’. Had it not been for China’s central strategic problem, the nomadic threat, we could speculate that it might well have reached the Americas first.
Alexander Anievas and Kerem Nişancıoğlu, How the West Came to Rule: The Geopolitical Origins of Capitalism
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skzhera · 2 months
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Hera Instagram VI!!
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cant believe we made it.
family is what i call us and i wouldnt trade it for the world. dont wanna believe its been 6 damn years?
still feels like yesterday! Thank you stayss
Boys, I owe it to yall
P. S. Happy Holi my Indian Stayyyss :))
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Hera's Masterlist!
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waitmyturtles · 7 months
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Your post about your upcoming Bad Buddy meta got me thinking about Bad Buddy (again), and I remembered one particular thing that had an impact. Apologies if this is long and rather incoherent, I wrote this past midnight.
In the final episode, the part where we see Ming and Dissaya turn a blind eye to Pat Pran's shenanigans really struck a chord with me.
[I'm an Indian, born and raised, and queer, but it's well worth mentioning that my experiences are not universal- in fact, they may be the exception rather than the rule; I'm not quite sure.]
What it reminded me of was, that asian parents tend to come around eventually- in particular mothers. We've seen time and time again in series' that deal with difficult/not accepting family members; Bad Buddy, GAP, Wedding Plan, maybe even Double Savage (haven't watched this one but I believe the dad feels bad in the end?), that even if the parental figure(s) doesn't agree with their children's choices, they learn to compromise. Because the difference in opinions isn't worth losing their children over. Obviously, for every parental figure that comes around there's one that the children cut ties with (Wedding Plan remains a good example), but I think it's something worth seeing.
It made me think of how I was never scared of coming out to my mother, because I knew that, despite the difference in views, and her prejudice, she'd accept me, no matter whether she thought it was a phase or not.
Do I know what the point of this ask is? Not really, I was rather nervous sending this ask, especially not on anon, but I'd love to know what you think of this, since I've come to really enjoy reading the thoughts you have on these shows.
Ohhhh, wow. @starryalpacasstuff, come 'ere for a big mom hug! HUGE HUGS!
I'm gonna unwind a little randomly; I hope this is coherent. A ton of what I write about on my blog vis à vis Asian dramas are the unique characteristics of Asian families and an Asian upbringing. Parental conditional love, competitiveness, our unique experiences with intergenerational trauma. I write a lot about how Asians, in our cultural expectations of life, accept pain and suffering as an assumed part of our existences. The reason why I watch Asian dramas exclusively is that, as I'm Asian-American, I just connect far more easily to the Asian cultural experience of growing from a child into an Asian adult, than I do the experience of white Western folks growing into their adulthood. I grew up intimately with Asian cultural practices and expectations; but I also grew up with racism in my external American world, and came to my adulthood in a society that still values white Americans above all other demographics.
But one thing I'm cognizant of, that I don't think I write about enough, is that many of these characteristics of the Asian cultural scopes of life are indeed similar to those that a fully American person (for example) might experience. It's not like intergenerational trauma doesn't exist in the West. It's not like homophobia in families against a child doesn't exist in the West.
However. As an Asian-American, one thing I note about many (not all, of course) Western families and family systems is that very often: Western adults will give up their agency to be loyal to what I might call a "higher power" -- a philosophy, a political preference, a religion. If a queer person wants to come out in a conservative American family, that queer person may very well be risking cutting permanent ties with their family.
That, of course, also happens in our Asian family systems. But I think you're onto something, @starryalpacasstuff. While divorce rates are sky-high in the West -- there is also a paradigm of family systems being and looking different in the West than they do in Asia. Asian family systems still don't accommodate for divorce and blended or chosen families as they do in the West.
The Asian family systems and paradigms that you and I grew up with as Indians absolutely still value a heterosexual two-parent household -- and I'd posit that our past generations, our grandparents and great-grandparents, put HUGE, HUGE pressure on our parents to keep the two-parent family systems together and whole. And to keep the children close. It's a huge value in our Asian cultures to have whole and complete families. The West has become far more accommodating, culturally, on this issue.
And, so. I totally agree with you, @starryalpacasstuff. I think we do see the beginning of a coming-around on the parts of Ming and Dissaya. And that coming-around is certainly something we can relate to. Our parents will likely accept us for our differences. I fucked a lot of shit up with my folks when I decided to live independently of their desires -- and I don't think things really healed (and I still carry tremendous traumatic baggage) until after I had my own kids, and expanded all of our families. Because in the end, the value in our Asian cultures is that keeping the family complete and close still matters more than any one's individual biases or desires.
Ming and Dissaya are remarkably traumatized people. Ming was traumatized by the expectations of his father. He screwed Dissaya over, and literally handed his trauma to Pat on a silver platter, for Pat to embody for most of his life. And Pat flipped that platter over in his father's face and ran away. Ming, at the end of the series, is passive-aggressive with Pat, despite Pat's efforts to try to work with him. And yet -- Ming still sips Pran's scotch.
To your point -- does time heal everything? I'm not so sure in the West, with the Western predilection for Christian/Puritanical/conservative values to supersede reasonable family resolutions. But I think, because of the value that Asian systems put on having complete families, that you are right -- that there may be more room in Asian family systems for eventual acceptance of a child's "differences," despite us living in collectivist societies. This is definitely not an absolute. There are environments in which it's still dangerous to come out. But the value that Asians put on family does indeed give us a tiny bit of comfort that our cultures can move the needle on acceptance in different ways over time.
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indianhobbytamil · 2 years
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