#inspiration from film

[the-technocracy]

Dream.ai Series: 012.

Visions Of Metallic Futures.

"You will ride eternal, shiny and chrome."

– Immortan Joe, "Mad Max: Fury Road."

It was the above quotation that lent inspiration for this collection; 'shiny and chrome' was the only prompt I used, as well as the new HDR style, and I just let Dream's AI to figure out the rest. Some of the results were fantastic, as you can see.

There were some other images Dream created using this prompt which weren't exactly what I wanted for this collection, but which I'll post at a later time.

All images created by Dream.ai.

[ihatebrainstorm]

Late night at the ER

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!

[thefutilevisions]

mentally, i’m here

[calitsnow]

[Memory]

[All Alone]

To celebrate the release of one piece red globally! Congratulations !

And also while waiting to see Uta again in the manga...

[paper-starz]

Don’t mind me im crying like a baby

[drrav3nb]

MAKO MORI (森マコ)

[skullingwaydraws]

Pearl 🩸🪓

[pariaritzia]

Ranveer Singh and Tota Roy Choudhury performing kathak, an Indian classical dance form typically performed by women, in ROCKY AUR RANI KII PREM KAHAANI (2023)

[theladyigraine]

The Navy needs Maverick. The kid needs Maverick. That’s why I fought for you. That’s why you’re still here... [insp.]

[firelise]

Film & TV I Think About A Lot » Crooklyn (1994) dir. Spike Lee

At least my hair isn't standing on my head sticking straight out looking all like Topsy. I don't know who Topsy is, but it looks stupid, and I can't stand it. I can't stand you either. Why don't you sit down with your ol' Black self? I'm Black and I'm proud. She got good hair. She got "Peter" Rican hair.

[crystal-mouse]

@gayfour

[writingwithfolklore]

Taking Notes from Editors

I did a post on giving and receiving feedback, but now that I’ve been an editor for a little longer, I’d like to do a follow up on taking feedback specifically from professional editors.

                While ultimately writers are the rulers of their work and can make the final decisions on it, there's a lot of growth in your manuscript to be found by trusting your editor and taking their notes. As an editor, it’s my job to make your work as good as it can possibly be. It’s also my job to maintain your style and voice and make sure everything you do best shines the brightest.

                We’ve studied and practiced this goal. So the biggest thing I want to impart on you is:

1. Trust your editor

Go into the process with the mindset that you'll accept at least 85% of the edits your editor suggests. When another editor works on my writing, I accept about 95% of it, sometimes %100 (for shorter pieces).

Writers sometimes get hung up on the smallest changes an editor tries to make. Be careful not to be too precious, allow your work to be explored from a different perspective and lens.

You can always keep a separate doc that has your original piece, it doesn’t go away or get ruined when an editor works on it. While it's your work in the end, it's helpful to go into it with an open mind. Often feedback you may have never considered is the key to really elevating your piece. Make some room for your editor's opinion and expertise, trust your editor.

2. Choose your battles

If you are going to reject a suggestion, I recommend it be something really worth going to bat for. Choose your battles, and choose only the biggest ones. You ultimately know your work best, so fight only for the stuff you believe is integral to keeping the same.

This will be an easier battle to win if you’ve already accepted the vast majority of other suggestions. Does it really matter if your main character’s name is Jolene or Veronica? Maybe not, so take that suggestion so you can afford to keep her queerness, or the subplot about her mother, etc.

But going back to the trust your editor idea, don’t think about it as a battle. We are not on opposite sides, we’re both fighting for the same thing—to make your work the best it can be. Respectfully acknowledge a suggestion you don’t like, give it a day or two to think on it, and then decide if that’s something you’d really like to advocate for.

As an editor, when a writer has a solid justification for rejecting a suggestion it helps me understand their work better, and builds trust between us.

3. It’s okay you’re not perfect

Sometimes as a writer receiving feedback, my impulse is to be embarrassed I’ve done something ‘wrong’. Then, of course, I go to defend myself or justify it or attack. We don’t like feeling threatened, and it can cause some high tempers and nasty disagreements in the editing world.

It’s really important that you recognize that impulse to defend yourself, and choose not to react to it.

By that I mean, if you feel yourself getting defensive over a piece of feedback—take a deep breath, don’t answer it right away. You don’t need to explain yourself. Think on it for a bit, just try it out. See what happens when you make that change. If you still hate it, think about why. If you’re just rejecting it on impulse, you’re probably in that “defend” state.

                You’re not being attacked, and you’re not a bad writer. It’s okay if you’ve made a decision that didn’t land, or a mistake that’s kind of embarrassing.

                As an editor, I can assure you that I don’t judge my writers. Ever. When I make suggestions, it’s from a pure ‘just trying to help’ standpoint, and I really appreciate when my writers are open to my suggestions and ideas and accept or reject my suggestions with friendliness and grace.

                I’m not a super experienced editor in any way, but if anyone has any questions about the editing process, the job, or anything else about it, I will do my best to answer!

Next post we're going to talk about when to reject a suggestion or feedback because the editor/reader isn't always right. Follow to catch that when it's out!

[rh0mbus0fruin]

my crystalline design woahhhhh

[nohoney]

I have an idea, can we get siren (merman) Hawks and can it be smut/fluffy...please

-👁

i’ve never been one to be able to write about any fantasy creatures whatsoever but this was actually kind of fun (๑˃ᴗ˂)

warnings: oral sex (receiving), fingering (receiving), some dirty talk (imagined by the reader), a little bittersweet at the end sorry

The air is warm, sunlight peeks through the breaks of the trees, and you walk further down the path to the lake that you’ve been visiting since the beginning of spring last year. A picnic basket is carried by your side, it’s contents slightly rattling as you walk the paved dirt path. The straps of your dress fall down your shoulder every once in a while and you think that once you stop to rest that you should tighten the bows a little bit so that you’re not always adjusting them.

You break into a little jog once you see the end of the path despite your flip flops not being meant for more than a leisurely walk.

A small pond with a little waterfall is your destination. There’s a wooden dock that you can tell has been standing strong and shows no sign of giving way anytime soon. Perhaps in another fifty years it will start to show some wear but right now, it’s sturdy.

You sit at the very end of the dock, making sure to take your flip flops off first and setting your basket aside next to you. The water level has risen; you know this because last year the water only reached your ankle when you dipped your feet in and this year, the water is up last your calves. There was a lot of rain and while you’re grateful for it, you also don’t want it to submerge the dock either.

Kicking your feet in the water, it creates ripples and disturbs the water lilies nearby.

A head of blond hair pops out from the surface of the water, yellow eyes trained on you swimming beneath the surface to approach. “There you are,” you greet to your friend, “I brought a picnic for us today.”

The head disappears beneath the surface, leaving you alone for a few seconds, the splash of water and wet hands grip onto your calves. When you look down, you see the handsome face of man but beneath the surface of the water, he’s mythical.

Last year, you discovered him.

You moved to town two years ago in the winter and hadn’t made any friends yet. Loneliness settled heavily on you as you struggled to connect with the folks of this town but it’s hard to break into the inner circles of a place where the population is only used to knowing each other. In trying to make conversation with the townsfolk, you heard a lot of talk of avoiding the lake in the middle of the forest. That apparently some parents tried to drown their child in the lake and it came back as a ghastly creature to haunt the water and the surrounding shores of it as well.

You took their little fairytale as a bunch of hooey and decided to walk to that lake.

When you walked the path, it was no different than any trail you had been to before. However coming closer to the break in the trees, you saw a dock and someone swimming in the water. There was some wariness from you when you saw it was a man. Only his head popped up from the water and he seemed very focused on something in the tree branches that reached over the water.

You peered quietly at first, following his line of vision to see a hawk just perched on a tree branch.

When you called out, it startled both the bird and the young man. The hawk took flight and the man in the water was frightened by your presence. He was quick to look back at you before going into the water. You ran to the dock, shouting that you were friendly and your eyes were searching for air bubbles to find him. Your immediate action was to jump in after him.

It was the day you discovered that mermaids… or rather a merman was real.

He had a beautiful tail of red scales that shimmered underneath the sunlight and he seemed to have a liking for the hawk that circled the lake.

So you named him Hawks.

Unusual name for a sea creature but he responded to it once he had gotten used to your presence.

“Here, I brought you an egg today. Hard boiled this time.” You offered to Hawks, already having peeled the shell off. Last time you tried to give him soft boiled but he hated it. He looks reluctantly at it and shakes his head, a gesture that you had taught him since you found he had very little communication. “Oh don’t worry, it’s not runny like last time.”

To prove it, you bite into the top half of the bed. The yolk is firm and a little dry as you chew, but it’s for your friend and not yourself.

Hawks is still reluctant.

“If you don’t want it, that’s okay. But it just means that you won’t get your favorite,” you sing the last word and watch how he perks up, “chicken.”

Hawks grunts and pats his hand at your knee, almost as if he were a child. His hand reaches towards you, eager at the mention of his favorite food. You place the half eaten egg in his palm before pushing his hand back to him. You giggle when he pouts at the egg and looks back up at you; you can tell he feels a little betrayed.

“Just try it, okay? You know how to show me if you don’t like something right?”

You taught him small ways to communicate, often with simple hand gestures. If he doesn’t like something, he’s supposed to cover his mouth with his hand. If he does, he taps his lips twice and then points to what he likes.

Again, like a child, he takes the egg and chews with puffed up cheeks. As you wait for his evaluation, you reach for the plastic container inside the picnic basket but you don’t quite bring it out just yet. He needs to properly tell you whether he likes something or not.

Hawks seems to mull it over before putting his hand over his mouth.

“Okay, I won’t bring you eggs anymore then.” You say with a little confirming nod. The container from the picnic basket is brought out and Hawks bounces in the water in excitement. The little, excited grunts he makes make you shake your head with a smile. You hand him a hearty piece of cooked chicken and it’s practically snatched from you.

Nothing that you haven’t been used to for a good while now.

You give him pieces of chicken with one hand and feed yourself with a sandwich the the other. The sun is warm on your skin, the water is cool, and Hawks is nuzzling your shins as you finish feeding yourself once all the chicken was gone.

Slowly you start to pack up everything inside your picnic basket. You wished that you didn’t have to go, truthfully you hated leaving him by himself, but you still had a life to attend to. Plus also needing to cook his favorite foods as well. “Okay Hawks, I’ll try to see if I can stop by in a few days?”

You start to lift your legs out the water but Hawks hugs your legs to keep you in place.

When he does that, you know it’s because he’s feeling a little lonely.

“I’m sorry Hawks, I know you’re sad that I have to go. I’ll try to come the soonest I can, okay?” You apologize to him, reaching down cup his cheek. He leans into your palm, affectionately humming but whines sadly when you retreat your hand back. He taps his lips twice and points to you. “I like you too Hawks.”

Slowly, he parts your legs and pushes the skirt of your dress up. Again he taps his lips twice and points to in between your legs, this time sticking his tongue out.

“Oh… I don’t know about today.”

Aside from keeping his actual presence a secret, this of course stays strictly between the two of you. Not that Hawks had the capability of saying anything or anyone knew of his presence. Sometimes you laid in bed at night thinking about him, reminiscing how curious he is about your body and how you let him explore his curiosity.

Hawks repeats his action, his brows furrowing and insisting with a pout that is working its magic on you.

He ends up getting what he wants when he presses a kiss to your knee, looking at you through his eyelashes and humming.

“… Okay.”

You discard your dress and fold it neatly before setting it aside. Hawks has a smile on his face that you pretend to not see as you slip your underwear off your body. Your calves are used to the temperature of the water but you still let out a little squeal as you join him in the water.

Hawks swims up to you and shows how happy he is by giving you a hug, affectionately nuzzling your cheek. Even though you hadn’t necessarily planned to have this type of visit with him, a part of you is flattered that he has these kinds of feelings for you and wants to act on them.

He pulls back, only to give you a quick kiss on the lips, smiling at you before sinking beneath the water’s surface. His lips kiss at your tummy before sinking lower, his hands carefully holding your hips and pats your butt as a signal.

I’m going to start now.

You gasp when he shyly licks at you as just a little tease, focusing on the view ahead of you and at a water lily floating on the water. “Oh…” you whisper quietly as closes his mouth over your cunt, licking away at you with the same eagerness he was displaying before. “H-Hawks… oh fuck.”

If only there was some way for you to be able to breathe underwater with him. To see his face and what kind of expressions as he eats you out. He’s beautiful so you know that if you were to see him look up at you as he ate you out, he’d set the butterflies in your tummy fluttering.

When you first let him explore his curiosity, he was just as shy as you were. You could tell by his touches and he could tell by the way you’d jerk whenever you were unprepared to receive his touch. But at this point of your bond, the two of you were definitely used to each other.

Not to say that he didn’t make you flustered sometimes.

Hawks seemed to be able to express himself just fine without words and without difficulty. Something in his nature or perhaps you happened to sync well with him, the two of you were able to understand one another clearly. How was it the best communication you had in a relationship, it was with someone that couldn’t speak any discernible words at all?

“Oh god!” You gasp again before you let out a small moan. Hawks licks you enthusiastically, carefully pushing a finger into your pussy, something that he learned after observing you in the early stages of the two of you showing interest in one another. You remembered how you shyly opened your legs while sitting at the dock one day and confessing to him that you dreamt of him. You remember his curious eyes watching your fingers dip into your dripping cunt and just how fascinated he became.

Your head falls back and you dip one hand beneath the water to grasp at Hawks’ hair. You bite your bottom lip to try to keep your noises in even though you were more than sure that no one else except him would hear you.

Sometimes you wonder what he’d sound like if he was able to speak. You imagine his voice would be smooth, pleasing to your ears and that he could make you laugh. In your selfish little mind, he says all the right things that make your heart race.

You’re a good girl, my wonderful girl…

The tip of his tongue prods against your clit and you let out an audible moan into the air.

The way you sound is so sexy, I fucking love it!

Your hips rock into his mouth, almost like you’re riding his face. His hands are secure on holding your waist to help keep you afloat. Sparks of pleasure go up and down your body, your thighs slightly shaky as your orgasm starts build higher.

Sweet, precious thing… I adore you.

Your hand clenches into a fist and grabs a fistful of Hawks’ hair while your mouth drops into a silent ‘oh’. Your eyes flutter as you experience your high, still caught off guard over how well Hawks has learned how to make you cum. He was intelligent enough to discern that you were experiencing pleasure, smart enough to see if you were sad over something, and he always seemed to be looking into you just as you were looking into him.

He always looked like he was in wonder whenever he stared at you too long.

Hawks comes up from the water and you loop your arms around him in a hug, pressing a kiss to his cheek and just hanging onto him like a sloth. You were wanting to catch your breath. He doesn’t seem to be done with you just yet, sliding his hand between your bodies and pushes two fingers into your pussy. “Oh… you’re not done?” You ask but have difficulty keeping conversation when you’re still sensitive from an orgasm and he keeps curling his fingers into you.

Your body shudders as you let him finger you, a part of you wondering if he liked the feel of his fingers inside your warm cunt. More than a few times he’d point to in between your legs and hold up his middle and index finger up as a signal and pointing at himself. Eventually you had learned that it was his way of saying that he wanted to finger you.

“H-Hawks… are you done? I have to go back soon.” You whimper as he continues to tease his fingers against that spongy spot that makes you see heaven. Your cunt squeezes around his fingers and a big part of you wishes that he had a cock so that you could know what it was like to fuck him.

You could see him being a little whiny as he cums in you, lying back to let you take control as you ride him. You’d milk him dry and make a creamy mess on his dick, wanting to make him just as over sensitive in the same way he does it to you.

You wished that you could fuck Hawks.

Cumming a second time by his fingers, you pat at his shoulder and he retreats from you. This time, he returns your hug and holds you close. Your legs cross around his waist and you stay for a small moment just holding one another.

A kiss is pressed to your forehead.

I miss you already.

In return, you do the same to him.

I always miss you.

You wished that he could come with you.

You try hard to not look at him as you begin to get ready to leave because of the sad look in his eye. There are days that he seems to be okay as you head home, but others he makes it very known when he’s sad. And you know that the more time you spend together, each goodbye will get harder and more forlorn.

“Okay Hawks, I’m going to go now. I’ll try to visit soon.”

He nods his head, watching from the water as you take your picnic basket and the straps of your dress fall off your shoulder. You walk ahead and make sure to keep looking forward, eventually hearing when he dives under the water and you can let out the sad sigh you were holding in.

“I’ll visit you again soon.”

[dandeyrain]

i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.

because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.

while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.

a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.

anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist