on this tully tuesday, fuck you ryan condal, i see what you're doing. merging kermit and oscar tully and killing off their dad elmo without even naming him, you're trying to hide the muppet-naming pattern by only including the more mundane names. people may have heard of the name grover elsewhere like nonconsective us president grover cleveland, and certainly would with oscar like oscar mayar, the baloney/weiner man, but if you hear the names elmo and/or kermit you're thinking muppets right away. smdh, if you can embrace the gothic horror of harrenhal, you should be able to embrace the whimsy of grrm naming his dance-era tullys after sesame street muppets.
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happy bingge for gibsonrae1's donation to svsssaction! instead of amassing a harem, bingge becomes a cat dad bc happy cats make happy people! (even though the event is no longer accepting donations, perhaps consider donating to fundraisers vetted by gaza funds / gaza esims as supplies are very low!)
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So @lesmismignon wrote a delightfully quirky Hellsing-in-One Piece-universe oneshot that I thought would be really fun to draw (I was right).
What a lovely crew they would make :')
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NPMD Tarot - The Star
Others from the series: The Hierophant, The Lovers, The Devil, Strength, The World
A bit of symbolism under the cut, but I'm curious of other interpretations 👀✨
I matched The Star with Ruth based mostly on visuals and the reverse meaning (which among other things mentions feeling like everything is against you, which I thought fit her well).
Elements that represent hope, opportunities and shining bright from the original card are turned into foreshadowing of her death here.
Light - Her Moment, chance, ambitions and wants. The second she enters it, she's dead.
Background - theater seats, empty.
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There was something about not coming until you said so that made GALE hold out until the last minute. His nails biting crescents into your skin. His breathing heavy and heart racing as he rutted into your creamy cunt. Gods, you'd come more than enough times but Gale never let up. He never could, he could never get enough of you. You were divine. Better than air or the sea or breathing and blood pumping. All the mountains and trees and the beauty of nature and poetry. Better than the weave and all he'd learned in his studies. You'd always loved coming together with him. It was transcendent. It was magic. "Gale- Gale-" grabbing his attention with just his name, merely your voice enough to break the reverie he found himself drowning in. A sharp tug to his hair and his bleary eyes, all big and brown and blown out to the hells watching you. "Come. Please." He'd lose his control and composure the second he felt that clench. Oh, gods, he knew he was a goner. He was so in love with you, those sounds you'd make. How you'd say his name? Gooseflesh and shivers all down his spin. An open eyed kiss or foreheads pressed, all tangled in the sheets. A sweaty mess of limbs that seemed to fit so delightfully well. His hands holding yours, fingers laced and pressed to the mattress. His head tilted back, a low groan ripped from his throat, starting deep in his chest. "Oh, by the hells and all things good and holy-" his arms shook, knees weak as his back arched. He kept himself buried to the hilt in you as he came. He always considered it a waste if his came anywhere but inside your warm pussy. His body would give out, toes uncurling as he caught his breath against your neck. Your hands would brush through his hair and he'd laugh. A soft chuckle, one of just pure bliss. "I love you, most ardently. All you give me, all I can take and have.."
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bad stutter days be so manageable until u get Stuck on that one fucking word yes this litearlly happened in vc w me
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Visual Language Things in Improbable Cause/The Die Is Cast that are driving me INSANE
the stuff they do with light and shadow in these episodes is just. someone went 'I know artists who use subtlety and they're all cowards' and they were so right for that
are you telling me... that this man is caught between light and dark in this moment and hasn't yet decided which side his soul is going to come down on in the end. hm. interesting. (especially cool that when the shadows of his face are lit up in the runabout at the end, that's when you see the damage underneath. he's partially made that choice and he's illuminated, but not by a comforting light yet, those are danger colours. odo and garak bonding on a day trip to hell; the episode)
I think this shot is ultimately my touchpoint for the visual language set up in this episode -- julian bashir standing there in 'wherever you have to go, come home to this afterwards' light as garak walks into the shadows (and towards tain). where does the light in his life come from currently? we may have a clue before us folks
(This one is literally just because his expression here makes my chest feel weird and aching. oof. I feel like this is one of the rare times he lets himself be really openly soft because he must know there's a decent chance he's not coming back)
aaaand what's the very first thing that greets him once he 'returns to the light' so to speak? :) little bit of a moral and emotional horror show in the middle there admittedly but thanks to odo he did come home and no one like. died or anything. well. many many people died but that honestly wasn't his fault or responsibility. we'll call it a victory
some really cool odo shots too in this ep. I love you constable this was so fucking extra for no reason
fun little detail: when the defiant starts shaking upon taking fire, Julian immediately puts his hand on Garak's shoulder -- the same way and on the same side as Garak did to Tain minutes before, when Odo had to fucking. knock him out to make him let go. (again: odo I love you. a direct and decisive thinker above all)
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