#isn’t a terrible character and the only

[sleepymoha]

Chilshi death headcannons? Mainly with Senshi’s reaction and coping mechanisms after?

Hmm death headcanons…

Well for starters, we all know by now that Chilchuck is terrible when it comes to expressing and communicating his emotions, but he does exchange letters with Flertom from time to time. I don’t really think this aspect of his character would change after getting together with Senshi, and I think it would be nice of him to ask Marcille to give some of his pre-written letters to Senshi every few years or so.

And well… I honestly don’t really think Senshi would cope particularly well with Chilchuck’s passing, at least in the first few years. He is no stranger to tragedy, but Chilchuck being all old and sickly could remind him of his parents in a way, bedridden and weak and all. But, just like when he was a child, he has a fairly decent sized support group by his side, ready to step in and help out a grieving friend in need.

I think he’d be a honorary member of the small half-foot community on the Island, and an active one at that, especially after Chilchuck’s passing. Having learned and getting first-hand experience of what a half-foot can go through in life thanks to Chilchuck, he’d probably find closure and comfort in trying to make other half-foots’ lives easier.

Lots of ups and downs, good days being washed away by bad ones, seeing Chilchuck’s favorite mug making him smile one day, then pushing him into a deep depression the next. Still, once being offered to move into the castle, or just away from their shared home, he’d adamantly say no. That home is the proof of their love, their past, a life they built together, how could he disrespect it by rejecting it.

I don’t think he’d regret their love, he’d never do that, he’d just mourn the fact they were only given such a short while to spend together.

Despite Chilchuck only being part of his life for such a short while, I think he’d try to live life to the fullest, living for the both of them in a way. Going on adventures to see beautiful places, places they never got to see together because Chilchuck was too busy at his locksmith shop, spending more time with their loved ones - especially after getting reminded once again just how quickly short-lived races’ lives can fly past. He would go on long hikes, discover dungeons when life becomes too mundane to his taste, but he’d never stay away from their home for too long.

I honestly don’t really think he would visit Chilchuck’s grave all too often, but he would probably carry something of Chilchuck’s with him, the way he does with Grillin’s helmet. Maybe Chilchuck’s lockpick tools? They’re small, compact, and full of memories, and despite being in fairly decent shape - he tries to maintain them regularly, even though it isn’t his strongest suit - he’d never dare to use them, in fear of breaking them.

I don’t think his grieving process could turn violent, he respects the order of life too much to do something he might regret later. He has accepted this outcome of Chilchuck dying and him staying for a bit longer when they started their relationship, but it doesn’t mean he was ready to actually experience being alone so soon. Still, living a life full of regrets isn’t a tale worth telling once they reunite, so he aims to live life to the fullest.

[turbulentscrawl]

How Do They Decode?

Just a little question I mused about for the survivors today.

“Gee, these machines don’t seem to be holding up very well. How can we help them along, so we can GET OUT before they GIVE OUT?”

In other words, the way I see it, ciphers could process on their own, but the issue is that they’re in terrible shape. So, to get them working again, we have three options, one for each side of the cipher a character can use!

Front. Decoding Manually. Who Needs a Glorified Typewriter to Calculate for You?

Emily, Freddy, Lucky Guy, Kurt, Tracy, Helena, Fiona, Margaretha, Eli, Aesop, Norton, Patricia, Jose, Victor, Luca, Melly, Edgar, Ada, Orpheus, Memory, Luchino, Frederick, Alice, Evelyn

Side. Adjusting and Fixing. Just Keep This Hunk of Junk from Falling Apart, and Let Electricity Do the Rest!

Emma, Lucky Guy, Servais, Naib, Tracy, Vera, Kevin, Eli, Norton, Jose, Demi, Luca, Anne, Orpheus, Joker, Qi, Charles, Matthias, Florian

Back. Beat the Cipher Like it Stole Your Lunch Money. Why Not?

Andrew, Memory, Kreacher, Lucky Guy, Naib, William, Vera, Kevin, Norton, Murro, Patricia, Mike, Edgar, Ganji, Emil, Luchino, Lily, Matthias, Florian

A few commentaries:

-Memory is just a child, so in practice she doesn’t know much about these ciphers and will resort to just kinda shaking and smacking them. However, she’s also a creation from Orpheus’s mind, so his education and inclinations show up in her too sometimes, and this is when she’ll type and calculate.

-Helena has memorized a keyboard layout, but doesn’t exactly know what each part on the cipher does and isn’t violent enough to be smacking at it, so she only types.

-Aesop isn’t the best typer, but he doesn’t like getting his hands covered in the cipher’s grease nor does he want any bruises from roughhousing it.

-Lucky Guy is highly adaptable and can fill in wherever he’s needed on a cipher. Norton is similar, though he does prefer adjusting from the side to typing.

-Luchino is primarily a typer, but sometimes, when his stress is high enough or he’s used enough of that serum, his instincts take over and he rages on the ciphers a bit. -Andrew, William, Murro, and Emil have no clue what these machines are or how they work, just that they NEED to work. And you know what? Beating the fuckall out of them seems to be doing the trick well enough.

[realchemistry]

About Maddie's reaction to ~the incident

One of the things I think is important to point out, because I haven't seen or read anyone talking about it, is Maddie's reaction when Buck told her the truth about the basketball incident. When Buck first arrived, she was all smiles, probably happy to have Buck there. Then she asked about how Eddie was doing and Buck said he hadn't talked to him because what happened on the basketball court was not an accident.

Buck confessed that he might have meant to hurt Eddie because he was pissed, felt left out, and he guessed he was trying to get Eddie's attention (I’m not gonna go Buddie here, but he legit literally said exactly this which !!!).

Her face started to morph, the change in her whole demeanor, the horror of it all... she was really really mad. I don't think JLH got the proper credit for it. It's truly remarkable, her face spoke volumes about everything that was going through her head at the moment. You could see Maddie thinking about her past, about Doug, about how he hurt her and the terrible ways in which he justified that behavior as she was telling Buck that you do not hurt people to get their attention and not to do it again.

The episode didn't make that connection explicit (they had her babbling about Sarahs instead, more on that in the last paragraph), and I KNOW that if roles were reversed, part of the fandom would've lost their mind, since they love to portray Eddie as violent and abusive towards Buck when there's nothing in canon to back that up, quite the opposite as of this episode actually. Since Eddie was the one who got hurt, it was no big deal, it was pretty much forgotten immediately after. I thought it was a huge deal, I thought tptb didn't really address how problematic that was. I thought the only one who reflected the gravity of the situation was Jen, maybe thanks to her character's past.

BTW, I don't think it's in character for Buck to do this, I think he does know better, and he really isn't and hasn't ever been the type to resort to violence. Having said that, that's what tptb decided to do on screen, maybe as a way to show he was struggling with his identity... But that’s kinda terrible, like, he’s confused at this point about his feelings so his first instinct is to harm his friend out of jealousy? Also, we didn't get to see anything else on the matter after. It was such an odd choice, tbh, cause yes, Buck and Eddie probably talked about it for a second and then made up offscreen, but to have a character be violent towards his friend just to push a storyline forward, a storyline about bisexuality of all things, disregarding everything about said character and then not acknowledging it... Some very bad choices were made. Once again, I think tptb prioritized moving the plot forward over making sense and that's just something I truly hate with my whole heart.

Characters cannot have their choices and actions dictated by the plot or, at least, it can't feel that way to the audience. That's just bad writing through and through. Tptb did this a lot this season, and I understand that time was pressing because of the strike and all, but they need to do better. They are professionals getting paid to do a job, the least they can do is actually make it all make sense for the fans and stay away from toxic portrayals of LGBTQ+ characters (Hen cheating, anyone?).

The whole story about the Sarahs was really kinda ridiculous, honestly, I think they just had to give Jen more to do but a follow up without it would've been much better. Of course, seeing as their intention was to completely ignore the gravity of the situation, they simply couldn't mention Doug at all cause that would've required Buck and Eddie discuss this seriously instead of completely forgetting about it.

[chevelleneech]

Getting mad that a show cut scenes or “filmed too many scenes while knowing their time slot” is pretty naïve. It sucks the Buddie karaoke scene was cut, especially because Oliver clearly had both fun and dreaded doing it since he doesn’t like karaoke, but it’s not the first scene in the history of television to be cut in post production.

I understand the upset, and I do think they’re using Buck and Eddie’s friendship to keep Buddie shippers interested this season due to Buck being canonically bi now, but I can’t say I think the scene being cut was a form of bait. I think and have said it before, season seven was not planned out. I think Tim and co had to wing it a little more than usual to hurry up and get something on air for ABC to keep the show from being cancelled. Therefore, as the episodes are written and filmed and edited, things are ending up on the cutting room floor.

Tommy did gain popularity, they are still trying to figure out what to do with Marisol, and whatever else of happening behind the scenes that we don’t know about, are actively affecting the direction being chosen. There’s no way to know if Tommy will be around for a while, but there’s also no way to know if it was ever planned that he be here and gone within two or so episodes.

And Oliver can say all day that Tim Minear writes what he wants and doesn’t let anyone tell him how to build his show, but that’s not 100% true. Anyone who knows a tiny bit about the industry knows that, and even if ABC gave him more room to stretch his wings, the execs still have the ultimate say.

So I while I don’t yet think Buddie has been axed by the network, it’s possible whatever the original idea or direction for this episode was, might have been altered in some way. We also don’t know all of what has been cut, for any of the characters. Meaning, it’s ignorant to claim they only cut Buddie to bait the ship, when no one knows what else we were supposed to see this season anyway, that didn’t make it in the first five episodes.

[ickypuppi3]

“billy is evil incarnate” “billy is the worst guy in the world” “billy likes to run kids over” “billy is the real villain” “billy hates the gays” “b-”

billy hargrove stepping out of his car in 2x01:

[lovecoredeity]

fun scene idea that I’ll probably never get around to drawing: someone grabbing a wanted poster from a board or wall only to reveal a missing persons poster featuring the same person as on the wanted poster underneath it (also the reward for them as a wanted person is higher than the reward for returning them when they were missing)

[elendsessor]

actually the worst takes for any sega owned property come from yakuza.

there’s a ton of themes surrounding how you can always make steps to improve yourself and atone for past actions, start over, and find reasons to live no matter how difficult life gets.

but if your take away from any of the games is organized crime is cool or that the series is about romanticizing crime or just plain using it to fuel the fetishization of japan/japanese culture please don’t play any game about morally questionable things or anything from japan ever again.

[girlmadeofclockwork]

I do find the, well maybe not historical revisionism, but perhaps profoundly misremembering and or just changes in tastes that has gone down when it comes to Zevran and dragon age: origins to be quite interesting, like now that he’s very openly being compared to the newest hotness of Astarion, people talk about him as if he is/was the most popular because people love broody elves (even though Zev is the farthest from broody in his demeanor, and which kinda go hand in hand with people comparing him to Fenris, which isn’t new mind mind you, but it was fucking rare I saw anyone make that comparison 9 years ago) but I was there mind you, I was there 8-9 years ago. I remember clearly Zevran being the least popular romance option in origins when it came to the fandom.

[lichtecht]

i need to know about uli and matz in the new movie

How are they?are they good?did they get sidelined? I need to know!!!

well, basically all characters were kind of underdeveloped, so uli and matz are no exception.

matz got a bit of an extra backstory/storyline about him only doing boxing bc of his father, but that is mentioned in like. maybe three sentences total.

the fight scene was frankly embarrassing, he’s literally knocked out with one single hit 💀

ulis portrayal was fine imo. i expected him to get more of sebastian’s character traits since he’s „The Smart One“, but that wasn’t really the case.

one thing that is kind of a change in dynamics is that the externs are also the ones who bully him, when in the book, the guys who pick on uli are part of „their group“. (which is another reason why i think the interne vs externe thing doesn’t work as well)

i found the aftermath of his accident kind of disappointing tbh. we don’t even see if it had any impact on the other kids at all. i’m assuming not really?? 

he climbs onto the city wall because of a legend that says whoever achieves this rules the whole town. and he does actually make it, but everyone else starts arguing about wether that counts bc he used equipment and then uli slips and falls down.

the only impact his accident had (that i can tell, at least) is that the kids are suddenly like „whoa he had to go to the hospital,,, this rivalry has gone too far“ despite the fact that it didn’t really have much to do with the rivalry at all??

and the legend was made up too, so it was all for nothing apparently?? i don’t even know if ulis stunt helped to show the others that he’s not a coward. it’s not shown 

but like i said, this isn’t exclusive to uli and matz. none of the characters feel well rounded or developed to me. that’s probably because they decided to spend that time on drawing out the conflict between internet and externe (which i could also complain about, but that’s not what you asked)

[fancylala4]

I’m really convinced that Disney fans don’t actually watch these movies. They just close their eyes and just make up random head canons about the movies…

[el-im]

personally it's hard to feel excited for snw when it just feels so hollow? im not sure if it's the pacing or what but it feels ungenuine? and beyond that people's characters feel rushed? like i know hemmer had to be replaced but like we could've spent way more time on his character! he was interesting! (i might be biased bc i love the andorians) and not even touching whatevers going on with spock. or chapel. this is the least of my grievances but when they put that black undershirt on pikes green wraparound...hate crime.

yeah, I mean. whatever. I watched it in a single sitting when I was sick and it beat laying in bed looking up at the whitewashed ceiling.

I agree the exposition of characters seem very rushed. It kind of violated the “show, don’t tell” rule, particularly w la’an, who was kind of put in a position that needed her to air her dirty laundry in front of the whole crew. I wish they’d had time to create narratives around past experiences, kind of like they did with Kirk/Tarsus in TOS, in which his participation in a historical event was made relevant by whatever was going on in the ep. (This was kind of(?) done in the Jurassic Park Knockoff Ep they did but not super successfully). I do believe it’s a pacing issue.

That said, I will say that I appreciate it being (more, at least, than the other new treks I’ve seen… which is… only Picard) episodic. I love that they’ve got some new task to handle, some new planet to explore in each ep. In that sense, it’s much more similar to TOS than I could have hoped for, general relationship arcs aside. (But wrt pacing, sometimes I think this works against them bc of how the show is written. They could do a self contained so w a lot of backstory in TOS, but bc of how this show is written, it’s more difficult to accomplish all that in a single ep. Like M’Benga’s daughter? In that specific instance I wish they’d shown him talking about her in previous episodes, and people asking if she was back on earth w his partner or… and him going quiet. Or Hemmer trying to fix the medical transporter in an earlier ep and him freaking out, but not having that immediately resolved… the same goes for discovering Una is… whatever species she is. Would have LOVED to see some xenophobia first—the crew making jokes when they come across some anomaly that it must have been caused by them, or something, and her looking uncomfortable/chastising them/whatever. Or the demonstrated persecution of them broadcast from some federation planet… if we had more context for these stories, if their roots were better established, they’d land harder. But they don’t). So sometimes that episodic formula kind of works against them, but ! like I said. whatever.

frankly, I was ambivalent abt the whole enterprise (la de da) to begin with, so wasn’t expecting much and was pleasantly surprised by it, on the whole. A friend of mine has seen Disco and didn’t think I’d enjoy it, so I haven’t seen that, and I’m not inclined toward watching animation if I can help it so haven’t seen LWD or prodigy, the second of which is literally made for babies but. Yanno. I liked SNW. I didn’t love it, I don’t agree with a lot of decisions they made, but I can see their intentions/where they’re coming from. I LOVE this spock, though think you have to see him as separate from the Spock we see in TOS (like in AOS, you kind of have to appreciate their differences as characters, and learn to love them not as the same person, but as branching extensions from a stem). I also LOVE Pike. I had a lot of hopes about him going into it because I thought the original storyline for him in TOS was done so well in that two part ep that included the original footage from “The Cage”, and I think they did an excellent job tailoring Mount’s Pike to the character laid out there, all the while fleshing him out into a fully fledged captain.

further, I’ve gotta say, I love the antics/shenanigans, and how much everyone seems to like each other. I don’t get the point of rough and tumble, cynical sci fi 24/7. (I do—it has its place, but it shouldn’t be in Star Trek). Even DS9, which as we all know tackled huge narratives abt power dynamics and prejudice and genocide… had episodes where they played baseball. And fishing mini games. Picard, which I’m comparing it to bc, again, it’s the only other trek I’ve seen that’s been produced since AOS (I think), seems similarly jam-packed with shit. Ohh the Borg and here and so are the romulans and Deanna’s son died somehow and the Android suppression as a weird metaphor for ?? Revolution? Workers rights? Idfk? And there’s time travel and fascism and section 31 and corruption at the highest levels of Starfleet which only peepaw and his dog, tintin, can root out. And there’s his mother, for some fucking reason, and-

And it’s all horrible. Everyone’s cynical and mean and/or gratingly stupid/infantile (AGNES!!!!!!). It was refreshing to see something that… wasn’t… that.

[ehhlien]

I feel like everyone on Tumblr is pro Lestat and anti Louis and everyone on Twitter is pro Louis (and Claudia) and anti Lestat 🤕

And I know that’s not necessarily true but god it definitely feels this way.. can’t praise Lestat on Twitter without getting called a white supremacist, and I can’t go three minutes on Tumblr without seeing someone downplay Louis’s trauma… it’s sad for me!

[gothlovingoth]

not to swing a bat at a hornets nest but maybe the popularization of the gaslight gatekeep female manipulator unhinged crazy girlblogger who manipulates and pegs men because she hates men and is taking her sexuality into her own hands by playing guys and has no remorse has not been very #feminist and maybe hindered the metoo mouvement by giving many terminally online isolated people the impression that this manic pixie dream girl revenge wet dream is literally how mentally unstable women are and act

[automatic-midnight]

My biased, really unpopular take is that I think rit/su/maya is an objectively boring ship.

[yuttikkele]

i can understand why people dislike velma in the velma show so much now

[ziracona]

My hot take is jj k is worse Naruto w the serial numbers filed off, not better