when people tell me i'm pretty - vent poem
when people tell me i'm pretty i think we're looking at two different people.
when people tell me i'm pretty i think they couldn't possibly mean me. they mean the idea of me in their head. they mean the me that comes out of my mouth, my traits, my personality. i'm funny enough that they find me attractive.
when people tell me i'm pretty i think they're looking at me from a completely different angle. like watching a show on a monitor where the colors are more vibrant than they should be.
even on the days when i feel pretty, i couldn't tell you what features of mine are actually desirable. undesirable, sure. i wish i was in better shape, i wish my hair wasn't a mess all the time, i wish my face didn't just look "wrong" in photos without great lighting and effort.
when i wear skirts i feel the least feminine i've ever been. when i try to do my own makeup i feel like the kid in the movies everyone made fun of for putting on his mom's dresses. i feel like someone trying to do what's expected of them, and failing, miserably.
when people tell me i'm pretty, i want to tell them they're wrong. i want to tell them they don't have to say that, that it's ok for me not to be pretty, that it's fine if i'm average at best. i want to tell them it hurts more to hear that than it would to just not talk about my body ever.
whenever i dress up and try to do my own makeup i feel like the ugliest person alive, and when people tell me i look pretty that way or smile and compliment me on stepping out of my comfort zone i want to cry. why are they so invested in me getting a passing grade in gender expression?
when people tell me i'm pretty, i wonder why it bothers me so much. is there another word that would suit me better? or is it simply my own anxiety and dislike of my body that makes me uncomfortable? is it because growing up i was never remarked on positively, only chastised by my mother for my messy hair and my stretch-marked thighs and my small chest and my stomach that sticks out no matter what i do? is it because nobody my age ever told me i was pretty, only old people who would have said that to me no matter what?
my ex-boyfriend used to call me sexy. we'd be in his bathroom, nude in front of the mirror, and he'd smother me with compliments, and i would stare at myself in the mirror and wonder what he saw that i didn't. it's hard to leave a bad relationship when they're the only one who's ever found you sexy.
when people tell me i'm pretty, i wish for a moment that we could swap. that i could see the girl they think is so pretty, and they could see the me that i think is not. maybe then we would understand each other. maybe then i'd *get it*. maybe i'd think she's pretty, too.
when people tell me i'm pretty, i smile, and i thank them. like you're supposed to do when someone compliments you.
and then i change the subject.
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It tugs, sometimes. Curious and foolish.
That traitorous heart mana of his, reaching out, drawing in, seeking connection in the way that's in their blood, their soul, their nature. Synchronicity.
Rei's not known it, before.
Where other demons might be attuned to family, Rei has no one to claim the spot. So, his heart mana sings, unblemished, its lonely little sonata, the song of his homeland. All there is to him, granted by air and earth and starlight.
He has so much to give, and yet, it isn't good enough. Discordant, they say. Human, they snarl, disgust evident in their tones.
Thus, growing up Rei learns to compose himself. Pushes himself to the brink in order to rewrite his heartbeat's melody. Puts himself out there, gets stronger, richer in experience, whenever he draws back. Over and over and over again.
Until one day, pushing himself past reason, he almost doesn't return.
But while he hasn't been looking, a new melody has taken residence by his side. Soft and steady high notes, barely perceptible.
Morofushi Hiromitsu, faded, yet giving himself so generously.
Rei hears him, takes him in and amplifies the notes he's given, until others may do so, too. Until Hiro may do it himself.
Their hearts mana, separate but inseparable, resonating in response.
And Rei's called back home.
.
Rye is low notes, a deep bass, slow and steady.
He could enrich their harmony, if only he wasn't so gratingly offbeat.
Rye's unrefined and ever-contradicting himself. Cold and uncaring, yet bleeding red like the rest of them. A long-ranged combatant, always too close. The smartest fool Rei ever has had the displeasure of meeting.
He takes Rei's heart mana greedily, gives it back tenfold.
Then he takes Scotch's, and their tentative song, not yet given voice, dissolves into dissonant whispers.
.
When they meet again, Rei doesn't want to feel Akai's heart mana for the longest time.
It's too painfully familiar, echoes of the past still trapped reverberating within. Misery-in-resonance almost dusts Rei.
It's his duty to be here, and so he stays, but there's others to preoccupy himself with.
So, he remains a careful distance away from Akai. Doesn't see the muted melancholy wrapped around him until it's too late, until Akai's almost gone dark and quiet.
When he heals Akai, he pours all of his heart mana into him. Their hearts still sing the same tune, after all these years, discordant notes and all.
.
The journey is too perilous to allow them senseless grudges. Their lives are one. If either falls, the story ends.
They rely on each other's mana like air, sharing desperate breaths like drowning men in a land that wants to drag them under.
What even is left of their individual songs? It doesn't matter, anymore. They've shared so much it really is one and the same, disjointed notes smoothed out through time and touch and trial, into an elegy for Scotch.
.
As they finally reach tentative harmony, they rip themselves apart.
.
There is dissonance in Demon Lord Furuya’s heart. A furious ache that even Hiro's return can't soothe.
But he has a duty, to his land and his people. He can't stop to rest. Besides, the one to replenish his heart mana, he who's grown so good at it over the years, has left, exiled by Rei's own hand.
Akai is a fool, but so is Rei.
He clings to the thrum of Akai's low warm notes, barely an echo within himself.
.
Da capo al coda, the cyclical rhythm of life remains the same.
Rei's still not good enough.
He's bested their best. He's saved the realms. And all that matters, in the end, is that they see his heart mana, and find it lacking.
But he's no longer the lonely manaspawn he once was. His song no longer just his own.
He's holding the position through skill and strategy, through force of personality. With the help of friends and allies gathered on his journey.
They'll have to listen to his tune, this time.
.
The key, of course, is an argument.
Their feverish crescendo crashes into mellow adagio - along with their lips.
Rei knows, then: if no one else accepted him, the boundless love in Akai's heart would be enough to supply his heart mana for as long as he lives.
It's exhilarating, to share every last bit of himself, to accept all of Shuuichi in turn. Synchronized in full, for now and as long as they live.
Pulsating, between them, the potential to compose a new melody, together. Point and counterpoint. Bright and warm and vibrant and home.
.
When he takes Akai's hand, leads him to the dancefloor, the festive joy of friends and family soaking the ambient mana with joyous ringing, it's enough to put pressure even on Rei's heart mana.
He can't help thinking that this should've been so much easier. But theirs has never been the easy way.
And it's not the conclusion, but the overture to their new life, together.
The waltz of their future, a thunderous symphony.
.
@floofiestboy's Demon King Furuya AkAm AU is giving me too many feelings. Go read it here.
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Your stance on the Dunmeshi queerbait stuff is a bit selfish. Wanting this one manga to go exactly the way you want is a dangerous path - the way you phrase it is so entitled, making it clear it's not about consuming media about lesbians, but making one specific work suit exactly what you want. So many yuri mangas are written by sapphic women. It's a shame your stance is how it is.
And bastardizing the term queerbaiting does no good, either. Neither does the japanese manga market. You should research more before making such hurtful posts.
Hope you have a great day anyway.
[Anon is referring to this post, I believe.]
I mean, one of us certainly IS acting very entitled and weird about the media they like, and it ain't me. Like, I think you just have associated this piece of media with your own identity in an unhealthy way that makes you react to criticism of it with intense defensiveness. You don't own Dungeon Meshi. You aren't Marcille. Dungeon Meshi is NOT a yuri manga; it's a beautiful manga with either sapphic queerbait or a woefully underdeveloped queer relationship at its center.
Maybe if you had an argument besides "it does no good" to criticize it, but you don't. So.
Smh, it's a "dangerous path" - I'm screenshotting that bc I know it'll make my wife laugh. Like, friendo, wanting a piece of media to be better isn't dangerous. But calling someone selfish and hurtful for criticizing media while offering no clarifications as to who I've hurt or how (any fellow sapphics bleeding out in here? Or is it just me with my bonkers-heavy period??)... it's overstepping a social boundary in a bizarre way.
Like, I'm sorry that I'm better at media analysis than you (not actually sorry - I am being petty! :D), but I actually have studied queerbaiting!! I am willing to bet I have done more research than you! (Are you from twitter? You have that vibe. - Again, pettiness.)
... and I spend every day with my wife (the best writer I know; I'm so honored to share stories with her), talking of nothing but our shared special interest all day - i.e. media analysis. (I honestly don't know what neurotypical couples talk about lol)
And I've done enough research to know that one of the side effects of queerbaiting is that fans are often in denial about it and then get REAL MAD when someone points it out. I was there for the Sherlock/Supernatural fandom. Shit was crazy. (Not saying Super-who-lock bc my man Russell Davies was like MAKE THOSE BOYS SMOOCH! 😎)
Also like, my apologies to Ryoko Kui - I really do love Dungeon Meshi - but like, I'm just better at writing and illustrating queer rep than she is. I make real gay protagonists who do gay shit and are gay, and I will never queerbait my audience. Womp womp.
Also, honestly, even if I turn out to be wrong about the queerbaiting by the end of the series, this message was still rude and entitled and weird. We have a lot of issues facing our queer community that endanger real people; someone calling a story queerbaiting mistakenly is not one of them.
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