#it is the most 2000s looking movie i've seen though

[psygull]

Saw (2004)

"No one has taken your kidneys." "How can you tell from way over there?" "Because you'd need to be in terrible agony or you'd be dead by now, trust me."

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[astoundingbeyondbelief]

Kaiju Week in Review (November 26-December 2, 2023)

I wasn't over the moon when Toho announced that Takashi Yamazaki's Blockbuster Monster Movie was in fact the next Godzilla film. I had seen a few of his works—none bad, but none spectacular either. Well, I've set my sights on watching the rest in the new year, because Godzilla Minus One is an unqualified masterpiece. A tagline from the original Godzilla, King of the Monsters! comes to mind (as it often does when you're me): "Mightiest melodrama of them all!" A lot of the post-Showa films suffer from an abundance of characters who just spout exposition and look at monitors; here, almost everyone in the small cast gets at least one close encounter with Godzilla, and the monster's backstory is conveyed with extreme efficiency. This tale of a war veteran trying to rebuild his life in the ruins of Tokyo, stumbling into a family, finding fulfillment in blowing up leftover mines, and haunted by what he perceives as his cowardice in combat, would have been plenty compelling without Godzilla.

Since it does have Godzilla, it's high on my list of the best movies of the year, and I only need one viewing to call it one of the best installments in the almost-70-year-old series. Yamazaki patiently waited some 15 years after Always: Sunset on Third Street 2 for his shot at a Godzilla feature. You certainly get the sense, watching one of the most brutal, pissed-off incarnations of the monster ever to grace the screen, that he spent every day of it in preparation. Watch it often while it's still in theaters, and watch it big.

Godzilla Minus One will gross about $10 million in its U.S. opening "weekend", a third-place finish that beat expectations. For context, Godzilla 2000, the last Toho Godzilla film to receive a wide release here, made about $10 million during its entire theatrical run here. Ticket prices were cheaper then, of course, and Minus One was helped along further by almost half of attendees going to premium-format screenings. Conversely, it had to overcome Americans' subtitle phobia, and the first weekend of December is usually a slow one. I was pessimistic at the outset, but now I expect larger theaters to carry the film into the new year, especially with near-universal raves from critics and audiences.

Yes, a third section for Godzilla Minus One; it's well-deserved, I promise. MyKaiju is risking life and limb by hosting an English translation of the film's novelization, written by Takashi Yamazaki himself. It appears to be at least partially machine-translated, but the Japanese text is included for comparison. Haven't read it yet, as I want to see the film a second time first, but quite a breakthrough given how mysterious this sort of thing usually is.

Monarch: Legacy of Monsters could never hope to compare with the opening of a stellar new Godzilla film; unfortunately, I also thought this week's episode was the weakest so far. It's bookended by Frost-Vark action, but the rest just drags. All's forgiven if the teacher and the hacker smooch though.

Toho and Legendary used to let each other's live-action Godzilla movies breathe; now the U.S. opening weekend of one is coinciding with the opening marketing push of the other. IGN released a trio of pics from Godzilla x Kong: The New Empire, showing Kong with his axe; Dr. Andrews, Jia, and Trapper (Dan Stevens's character) in uniform; and Godzilla "evolving into a powerful new form." The same article included an interview with director Adam Wingard. Naturally, he didn't give away much... besides the return of Doug.

Earlier in the week, Legendary put out a trio of posters featuring Godzilla, Kong, and the film's antagonist, now christened Skar King. The taglines ("Unite" for our heroes, "Bow to Your King" for SK) sound like kaiju campaign slogans. Makes me wonder if, like Godzilla vs. Megalon before it, the movie will improbably capitalize on the presidential election next year. To steal a joke from Titanollante: Godzilla/Kong unity ticket? They'd have my vote.

Godzilla's new form, meanwhile, has already been spoiled by a T-shirt on Legendary's own site and some dire-looking Playmates figures. It makes sense that Wingard would want to have his own spin on the character after keeping the design from Godzilla: King of the Monsters for Godzilla vs. Kong. Hard to cast judgment without seeing the real design in full, but there's one particular detail I really like.

The film also has a booth at CCXP in Brazil, with a panel later today, so I think a trailer is incoming (the main reason I hammered out this whole post so quickly).

I missed this one last week: Tsuburaya announced an anime project called Ultraman: DARKNESS HEELS. The DARKNESS HEELS branding has been around for a while, spotlighting prominent evil Ultras—and, of course, Jugglus Juggler. No details on the anime yet, but if the Juggleman's there, so am I.

The big toy reveal this weekend was Super7's ULTIMATES! MaiGoji figure. Previous Godzilla figures from this line haven't lived up to the official photos, but hope springs eternal. It's $85 (much less than the MonsterArts); preorders started Friday. Other highlights: a Super7 ReAction figure of the original Godzilla's skeleton, which comes with a little Oxygen Destroyer, and a plush Mothra from Surreal Entertainment that can flip to imago form to a neck pillow-shaped larva.

[helena-thessaloniki]

Just dropping in to say that Silent Night has me in a chokehold I will likely never recover from and that you are awe-spiringly talented!! (new chapter is *chef's kiss*) I believe I speak for the damirae fandom when I say the wait for your updates is sweet torture and reading is an absoLUTE delight 🩷

If you don't mind questions ofc, I am super curious as to how you found damirae and got inspired to write for it! The DCAMU community size has nothing on popular anime fandoms, so I'd love to hear how it started ���� Your grasp on their deep and compelling characters is so immaculate (+ the heartwrenchingly articulate writing style??🩷) 😍😍 ugh love it to the moon and back!!

ahhh hi !! Thank you so much. It's pretty much terrifying posting a new story in a new fandom, so I really appreciate this. 🖤

yes! Always open to questions. :] the various algothirms must have targeted me, because I've always seen such great art for damirae, I didn't realize it was a smaller fandom and something of a rare pair on Ao3. Silent Night definitely draws inspiration from gorgeous artwork by @kasieli.

Looking back, there's a chance that damirae was my first childhood OTP? I grew up watching the early 2000s Teen Titans and shipped Raven and Robin before my little kid brain could properly understand anything about romance. I have not rewatched the show as an adult, but this is such a fantastic edit by @unlikely-alliance. I mean, it's a cartoon but their chemistry and closeness is out of this world.

Then sometime last year I got hit hard with the Marvel fatigue. (DC too, but admittedly, I didn't give the Titans live-action show a chance, too afraid they botched Raven.) The comics, movies, and animated shows were such a quintessential part of my childhood, so it was kind of upsetting to realize I was so tired and uninspired by it all. Trying to reclaim some of that old joy, I guess, led me to start rewatching Justice League and working through the DC catalogue on HBO/Max. Instead of watching in order, though, I went straight for the Teen Titans movies, knowing ahead of time from tumblr that Robin/Raven would be canon this time. 😏

Probably my writing of them is more inspired by the old cartoon, but we only get the complexity of Robin-Damian Wayne because of the DCAMU and I am so grateful for it. The way it makes them make so much sense as the only two people who could properly understand and deeply care for the other creates such a dream pairing.

Thank you again 🥰🖤 this is the most absolutely self-indulgent fic I have ever written and posted, I'm so surprised and grateful for such a positive response.

[elisedonut]

Perciver

all the numbers

1. Which one is the better cook

Percy I know I've seen Oliver used pretty often but I like the idea of Percy helping Molly in the kitchen as a kid and so he's just always known more or less how to cook While Oliver is more focused on making food that's good for Quidditch vs like tasty food so can he cook? yes. will it be bland as hell? also yes

2. What their love letters look like

I think the war fucked them up when it comes to letters so even years later anything they write to each other is very to the point and at times even like coded? Like they still sign as From instead of love even years later

3. Which one outlives the other, and how they cope

dfshgfhsgf I feel like this could go either way. But if i had to pick I think Oliver would die first because if they are together Oliver would make sure Percy's taking care of himself but no one not even Percy could keep Oliver off the Quidditch pitch and that's just one accident away from dying I think regardless of how it went down that Percy would blame himself like crazy over it because he'll always find something that he thinks now that he could have done even when its not true

4.What they do on date night

What do you even do on a date night uh ok I think a normal date for them is staying home and doing their own things but just with company maybe maybe they visit Muggle london occasionally and go shopping or something or go out to eat Not the Movies though the dark space and loud noise mix freaks Percy out even though he tries to hide it

5. How many kids they’ll have

Typically for Any Percy ship when I think about kids I do like four? Molly and Lucy then one from the partners last partner In Oliver's case I typically call him Cypress and one that they either adopt or have together a couple years after getting together Who I typically call Leon regardless of pairing because in most situations he's a Gryffindor because I like giving Percy a full set of Hogwarts house kids and i think its funny

6. How they decorated their bedroom

Cluttered but not like super cluttered like it's not a Lovewater bedroom like two desks that always have something going on on top of them I think Oliver has a whiteboard and they have a rug that's soft enough to sit on for when they need to like spread work on the floor I also think none of the other rooms in the house are as cluttered and they spend more time in there then like the living room

7 Which one is the worse driver

Oliver Unpopular choice I know but every time he drives he just gets annoyed he's not flying and that makes him drive worse

8. What they argue about

Either Weasley Drama or one of them not taking care of themself

9. Which one swears more

Percy but if you asked anyone but Oliver they would say Oliver because Percy mostly swears at home or in the presence of friends

10. What TV shows they watch together, and which ones they hide from the other

I think they listen to Quidditch games together I have no idea what was airing around the 2000s so my brains drawing a blank I like the idea of Percy watching cartoons because their simple to turn his brain off to

11. What their first impression was of each other

I like the idea that they meet later on the first day vs on the train because Bill and Charlie had Percy sit with them so by the time they meet Oliver already knows Charlie Weasley is the Quidditch captain so his first thought is just more about Charlie then Percy Percy thought he was loud

12. What they do for their anniversary

Dinner at home honestly maybe they just don't leave the house all day in an attempt to the other relax typically this fails

13. Which makes a bigger deal of birthdays

about their own? they make more of a deal about one another's Percy doesn't really think much of his own and Oliver loses sight of the date of his pretty much every year

14. What nicknames they call each other

Ollie + Perce it's basic but i love it every time

15. What they would change about each other

I think would both want the other to rest more but would be very >:c no if they heard the other say that

[catbountry]

It's been a year since the premiere of Trigun: Stampede. The series, despite the fears of the fans of the '98 anime, actually turned out really good; Yasuhiro Nightow is a big superhero comics nerd, and wanted to have this new anime adaption be an adaption similar to the adaptions of the MCU, back when those movies were consistently enjoyable, and I daresay a bunch of the people watched Trigun probably were either already anime fans, or they were nomad fans who may have been really into the MCU at one point.

I have a lot of thoughts on an American perspective on Vash the Stampede as a character, with a lot of comparisons to American comic book superheroes. And while Trigun wasn't my first anime, I was hooked on it, as someone who grew up around Batman and Spawn's 90's popularity. During my first Otakon in 2001, I must have seen a dozen Vash's and Wolfwoods. I remember the year there was a Wolfwood cosplayer whose Punisher gun was shaped like the Star of David instead of a cross, making him a rabbi. That shit was amazing. The larger point is that I've loved this character for more than half of my entire time being alive, and I haven't seen a lot of discussion of Trigun viewed from a more political lens, and why it resonates so much with Americans (or at least me, who is an American) in particular

Buckle up, kids, this is gonna be long and rambly.

There was a period of time where I watched nearly every single new MCU movie in the theater. It was exciting seeing adaptions of comic books that would have probably never gotten a movie before the success of The Avengers. And I don't think it's a mistake that the most comic book-y of the movies are usually the best; Guardians of the Galaxy and its sequel remain as probably my favorite MCU movies. Nightow was working directly with the studio making a new Trigun anime and reportedly got the crew to watch a bunch of Marvel movies to set the tone for the anime as an adaption; it's why Vash got a completely new redesign that freaked all us old fans the fuck out. Though it appears that once again, Trigun tried and failed to get that massive Japanese audience that most successful anime have. But boy, oh boy, do us westerners fucking love Trigun, especially us Americans. Nightow's love of superhero comics bled into Trigun, and it just so happened that he was incredibly influenced by Spawn, Hellboy and Batman as much as he was influenced by Akira Toriyama and mechanical art. McFarlane Toys released a Vash figure that is McFarlane'd the fuck up. Nightow loves all superhero comics but especially the Blade trilogy.

Just look at this and imagine being 13 years old and seeing this on a screen for the first time with the instrumental hard rock opening.

Also, I wouldn't actually get around to reading Spawn until I was an adult, but you know what? It's pretty good. The writing is definitely weaker than the art, but holy shit, that art goes hard and I still think that shit's cool as fuck.

As stated before, around the early 2000's Trigun was considered peak anime, though it's been more overlooked in recent years in favor of Cowboy Bebop, an anime that has aged gracefully by comparison. But while Bebop has that sort of timeless cool and level of quality that drew the attention of filmmakers like the Wachoski sisters, Trigun has that very specific kind of adolescent sense of coolness that comic book fans get, especially back in the 90's before this sort of thing would be smothered to death by MCU's Joss Whedoning of superheroes. Spawn, Hellboy and Batman are still cool. And Trigun also has a shitton of guns, obviously, given that Vash being an incredibly OP gunslinger in a world where everybody has guns.

And America loves guns.

I think the contrast of Vash's pacifism while still wielding a gun is extremely interesting because it's not something you see very much (I bet if I watched more westerns, I'd have a better idea if this is a trope in them at all). Batman does not use guns and doesn't kill people, which is why there's still discourse around Tim Burton's Batman films to this day still; I don't think Kevin Smith has budged on this. Other more morally grey superheroes will use guns (by this definition I'm counting The Punisher even if he doesn't have any superpowers, unless you count severe PTSD as a superpower). And a lot of them had huge surges in popularity in the 90's around the time Nightow was making Trigun. Vash posed like Batman or Spider-Man looking brooding (like the gif above) happens a lot in the earlier issues even though that's not really his character.

Several years ago, there was an attempt by a conservative thinktank to discredit a bunch of Hollywood actors saying that gun violence in America is a serious issue and contrasted their statements scenes of them shooting guns in movies, but if we're being real here, gunplay in movies can be really fucking cool. Again I invoke The Matrix, or movies by Robert Rodriguez and John Woo. Look at video games, and compare the decline in violent crime that's been happening here since the 70's and 80's, as culture warriors bemoan movies and video games for becoming more violent. Remember when Wayne LaPierre, vice president of the NRA, brought up fucking Splatterhouse as a reason why Sandy Hook happened? Do you know what Splatterhouse looks like?

It looks like this.

You know how these guys constantly say the only way to counter a bad guy with a gun is a good guy with a gun? Usually, the inference is that if the "good guy" with a gun shoots, he's shooting to kill. Deadpool and the Punisher would shoot to kill. But Vash is constantly trying to avoid it. And I remember as a teenager finding that really cool? And the manga and anime don't shy away from how impractical Vash's pacifism is. It's a bit more realistic than Steven Universe's ending, but also Steven Universe was made for children.

I know Avatar: The Last Airbender is often invoked when criticizing Steven Universe's philosophy, but I haven't really seen Vash's similar philosophy criticized in the same way, and I think a lot of that has to do with the presence of Wolfwood, who is the "I think we're gonna have to kill this guy" guy. I'm honestly surprised I haven't seen art of this yet. I may have to get on that. I already drew Vash horrified at the Trolley Problem.

Vash is a character designed with maximum coolness in mind, but also an overpowered being who is capable of killing millions, and in the anime, he somehow destroys July City without killing anyone directly, but the destruction of the city led to a bunch of people dying. He's so deeply committed to not wanting to kill anyone that he's probably killed more people than he would have if he just shot Knives. The best Batman stories acknowledge that Batman's refusal to kill Joker has similarly results in the deaths of people Batman could have prevented if he killed one guy, and this could also apply to Vash's relationship with his brother Knives, who was kind of destined to be a mass murderer with a name like that, let's be real.

Online, we tend to joke about bringing out the guillotines, or justify not feeling an sympathy for billionaires who die in a sub trying to view the Titanic. But if you were given a gun and a real human person begging for their life, what would you actually do? Do you honestly think that you would be the ethical Death Note user?

Vash has guns but he chooses not to kill people; he prefers to not even use them unless he has to, instead opting to run away and look cool doing it somehow.

He really, really doesn't want to kill people. He doesn't become numb to people dying. It hurts him every single time he watches someone get killed. In reality, most of us that aren't sociopaths would be distressed at the thought of killing someone. The only reason armies in real life work is that they become inoculated to the idea of violence and dehumanize the enemy. Vash is no soldier. He is idealistic, he is empathetic, and he sees every human being as a person worthy of life. Batman refuses to use guns, as that's how his parents were killed in front of him. Vash has to use guns in order to protect people from getting killed. He has the ethics of Superman but the tools of a comic book antihero. He's the logical conclusion of an shonen anime protagonist in a world that chews up anyone with that kind of optimism and hope and spits them out. And yet... he still keeps going. He remains committed. He's still cheery, goofy, lovable Vash.

Batman used to kill people, in the earliest comics. With the Comics Code Authority, no superheroes could kill people. In the 80's, comics were getting darker and edgier, taken more seriously. While Alan Moore's Watchmen delved into the moral complexities in a world with superheroes that was similar to ours, Frank Miller was keeping Batman consistent, even as Gotham got darker and uglier.

Batman is a vigilante. The police can be helpful or they can fuck up everything, depending on what's needed for the story. In Batman Year One, there's a scene where Batman crashes a party attended by the elites of Gotham, politicians and mobsters mingling.

Seeing this during the Bush presidency blew my mind. I don't want to get into just how perfectly the members of his administration seemed to resemble a rogue's gallery of sorts with the shared goals of making a lot of money and bombing the shit out of Iraq and Afghanistan. I was extremely anti-war even before the 2000 election as a very opinionated 14 year-old watching, Jon Stewart on The Daily Show and feeling relieved that a grown-up was able to see through all the bullshit; it helps when the guy who's against the war and killing people is funny. I remember writing in my diary at 12 years old after Columbine happened that I wanted to take all of the guns and melt them down in a pot, similarly to that scene in Superman IV where he throws the entire world's nuclear arsenal into the sun. But also that same year I would fall in love with The Matrix... and not long after that, Trigun.

Again, we come back to the idea of someone using a gun, a weapon designed to kill people, and using it in pursuit of the exact opposite. That resonated with me. I myself was very idealistic, and the political climate of my teenage years seemed to do almost everything to stamp that out of me. Things feel just as fraught two decades later, but in slightly different ways. Pacifism is looked down upon, as indicated by the backlash to the ending of Steven Universe, and how one crazy lady called Rebecca Sugar, a Jewish person, a Nazi for writing it that way. But for Steven, things worked out. For Vash? Well, he still has hope somehow, despite everything. I think the fact that he strives to protect human life, even when someone is a complete monster, is admirable in that it cuts to the very basic desire to not see people hurt. But we're also selfish, and scared, and sometimes it's hard to conceive of a solution to a problem that doesn't involve violence. Seeing dead bodies on TV or the internet upsets us, but we're often paralyzed by feeling like we can't do anything, and even if we tried, we'd likely perish in the attempt. We desire revenge, punishment for those who transgress by inflicting violence, and we can rationalize using it against the right targets. Vash the Stampede would have a fucking breakdown dealing with the state-backed violence that's been a part of geopolitics pretty much as long as there have been states and geopolitics. Vash would try and solve the bombings of Gaza with an impassioned plea for both sides to stop fighting before he would somehow wind up making things worse and it would eat away at him inside, no matter how brave a face he puts on as he tries to find some kind of hope in a hopeless situation. And... you know what? I kind of wish more people would be like that. Maybe if there were enough people like that, these sorts of things wouldn't happen in the first place. I wish more people could look at human suffering and feel compelled to try and stop it, not discriminating against one side or the other, trying to understand why people are doing what they do. Seeing anti-war protestors in Tel Aviv brings back memories of protests against the start of the War on Terror, and how hated America was internationally during those years, even when most Americans approved of the war. Michael Moore was booed at the Oscars for condemning George W. Bush and the War on Terror. It's terrifying that those in power want us killing each other and have conditioned us to support it. I want so badly for human beings to come together to just stop the violence, but it feels impossible, like we're destined for failure, like we might somehow make things worse or become worse versions of ourselves full of hatred and ugliness. But we should want to try, even if it's hard or unprofitable or we have no idea how to even do it. Somebody actually dedicating themselves to trying to fight our violent impulses out of love is appealing, and if they're more powerful than use, and can do more... well, I want the biblically accurate angel with every mental illness willing to martyr himself over and over again. But it is more fun when he's Bugs Bunny about it.

[suddenly-frankenstein]

Hello! Fellow Frankenstein freak here! I have to ask, what's your favorite Frankenstein movie you've seen? Not necessarily the best one, but your favorite one. I made myself watch about 25 last year for reasons (that's as many as I could watch in one week for free, dating from 1910 to the early 2000s) and they're all so bizarre. I love talking about them so much, I love watching peoples faces when I tell them that one time Sting played Frankenstein, and in that same movie The Creature and his buddy are targeted by the Circus Mafia. Or how at least one version of Victor Frankenstein has an alligator pit. Or how Kenneth Branagh made Robert De Niro be birthed out of instapot and then they spend like 30 seconds slipping in Mysterious Science Goop before the plot continues.

TLDR; I don't know anyone else who is as obsessed with this stuff as I am and would love to hear your thoughts lmao

damn, my biggest problem is that I've watched so many of then few years ago, that I mostly don't remember anything :")

but I definitely have some that I still think about constantly!! maybe the first one and the most special in my eyes is "Frankenstein: The True Story" (1973), because in this movie Victor REALLY cared about the Creature and TOOK THE RESPONSIBILITY. he taught him things, he spent time with him – and when the Creature started to decay and lose temper, yeah, he decided to lock him, but Victor was going to lock himself as well so the Creature wouldn't be dying alone. and they even had a hug!! (still everything ended up terribly, but it was interesting to see this responsible version of Victor, not canonical book version, but also not usual movie mad scientist either).

well, speaking of classics and mad scientists – I love first two movies of UNIVERSAL's franchise, rewatch them from time to time. And within the Hammer's franchise I like the third (if I remember right) movie – "The Evil of Frankenstein", even though it mostly is called the worst of them all lmao. I just think it was funny and not annoying like the other. and I also LOVE the first several minutes of the first movie – "The Curse of Frankenstein" with the young Victor played by Melvyn Hayes, because OH HE WAS DEFINITELY SERVING. for me this young Victor was the closest to the book from all of the versions of him.

(I even did a funny edit of him once, here, lmao)

the most controversial version but I can't NOT TO THINK ABOUT IT – it's "Flesh for Frankenstein" of course (not even speaking about the plot, but god how I hate color correction in most of the 70's movies, these colors usually make me sick almost physically).

but well, uh, how the hell I was surprised when Udo Kier's Frankenstein turned out to look SO DAMN CLOSE to like I always draw him (I mean just give him another nose shape and he will look exactly how I imagine Victor) :") just hello??? DAMN

also want to mention "Terror of Frankenstein" (1977) movie, because they have an interesting design of the Creature here (finally black lips yaaay!) and sweet sweet Clerval (I hate that most of the movies are throwing him and Justine out of the plot :(( )

AND ALSO!! not movies, but I LOVE LOVE LOVE these adaptations – Frankenstein: the Metal Opera, 2014 (you can find its official record for free on youtube) and Frankenstein, the Royal Ballet, 2017!! I, personally, enjoyed them both very much

well, these ones are some of the movies I think the most about, I guess :")

really thank you for your question!!

[scope-dogg]

What mecha shows did you enjoy but would not recommend to people (flawed personal favourites, shows with high entry barrier, etc.)?

Several come to mind.

Blue SPT Layzner: TV run got shitcanned prematurely and has probably the mast slapdash ending of any mecha show save maybe the TV run of Ideon. OVA adaptation opens with rushed compilation of first half of TV series that's dull to watch and not especially coherent on its own before it gets to the altered and much improved ending. Feels like there's no right way to watch it, you have to do both and piece it together in your head. Definitely one to check out after you've seen Takahashi's better work like Votoms and Dougram, though it's infuriating because the series has banger music and mecha design, and the hypothetical ideal version of the plot that you don't have to basically kitbash together in your head is really good.

Dancouga: Production values are amazing in first episodes and then turn to complete dogshit shortly thereafter, like they literally spent their whole budget up front and then had to pay their animators in loose change and leftover fast food. Very strange pacing. However I've always really liked the main protagonist Shinobu Fujiwara whose voice actor honestly carries the show on his back, and I've had a soft spot for Dancouga the mecha itself for a long time - but it doesn't actually show up until half way in. Yet somehow I can't deny the charm of the show despite how slapdash it is thanks to its interesting approach to the super robot formula, and it leads into Requiem for Victims which is the true ending for the TV plot and a followup called God Bless Dancouga, both of which are banger OVAs (and then another kinda shitty one after that but who cares.) Unfortunately they all make no sense without watching the TV run. It's a franchise for hardcore mecha fans only, though IIRC the 2000s sequel Dancouga Nova is basically disconnected and stands on its own, for better or worse. I've yet to watch it.

Tryder G7: 80s super robot show that's kind of like a part slice-of-life anime, honestly ahead of its time in a lot of ways. Would be my go-to recommendation for 80s super robot shows if there was a decent fansub. The one that exists is a Russian translation of the official Italian subs that then got translated into English and it's as disastrous as you might expect. Not only is it incoherent but even as a non-Japanese speaker I can tell it's often inaccurate. Frustrating because I can tell it's a good show that deserves a proper English sub for fans.

Cross Ange: Notorious show by the Gundam Seed creators. The concept and lore of this show is batshit insane, the mecha are cool, the main character turns out to be interesting and likable despite very negative first impressions, however there's no denying that it's buried under a thick vaneer of shallow coombait and it runs itself off the rails with zany plot at points. Honestly better than its reputation suggests but hard to recommend without looking like a pervert.

Shinkon Gattai Godannar: Basically the same thing, coombait super robot series, fun action, not a bad story. At the same time if you've ever seen a gif of absurd breast physics in anime from the 2000s there's a decent chance it's from Godannar. Good show at the end of the day, better than it has a right to be, artstyle is gonna be a big turnoff for many people and I don't necessarily blame them.

Gundam Build Divers Re:Rise: Probably the weirdest of the build series, also IMO the best. Downside: you have to suffer through the profoundly mediocre original Build Divers to get the most out of it and I'm not sure that price is worth it.

Probably more that I could add. Honourable mention has to go Gundam Seed Stargazer because you have to suffer through Gundam Seed Destiny to get to it, but I hear that the new Gundam Seed movie that's also set after Destiny is good so perhaps the cost-to-benefit ratio of suffering through Destiny has changed.

[quitealotofsodapop]

In the Wukongverse, who are the bigger Disney fans??

(asking since I've been on a metal Disney kick)

Smokey would rock Poor Unfortunate Souls by Jonathan Young but would get so into it he needs his Macaque cuddles afterwards to right his head (self demon issues, he is a hero but he also tricked people in the past and is on his journey to change and be good)

While Cherry on the other hand would hands down have fun singing Peyton Parrish's version of I'll make a man out of you since he just started his journey and his pilgrim brothers could use the advice.

The LMK Wukongs love themselves some animation goodness! Mostly to chill after a rough day. Wrap up in a blanket, stick on a film he's seen a million times, Eat some peach chips; he's a happy monkey.

LMK Macaques get distracted by the animation!! Cus? "Peaches look! They're using layered paintings to simulate movement!!" Their faves are Fantasia ( Original and 2000) naturally cus of the high animation quality set to classical music. Dawn/Peach walk in one day and find their Dusk/Plum on the ground crying while watching the cut Dali "Destino" segment.

MK's fave is "Treasure Planet". Try not to ask why or he will change the subject and switch on "Princess and the Frog".

Dasheng doesn't really care, but he watches them anyway cus Liuer and the rest of the kids really like them. He's embarassed to admit that he can sing every line of "Beauty and the Beast" perfectly. Also good date night movies - Zhanshi's fave are the fairytale romances. <3

Smokey don't care about the cartoons, but he does get down to the villain songs. Blasting "Poor Unfortunate Souls" and "Hellfire" so hard that his LEM has to step in to calm him down. Liang is more interested in the technical side of the works, but he just beams with joy whenever the babies chirp/bark excitedly at that opening logo. Shared fave is "The Little Mermaid" naturally (though Sandy argues that it's not an accurate depiction of sea fish demons).

Ace and Joker pretend that they don't care, but you know these goobers take the kids and grandkids to Disneyland whenever they have the excuse. Lots of the classics (since they just got made in their universe) and shared infodumping. Ace will send the other SWK's classic Donald Ducks and Goofy cartoons in the group chat without context.

Cherry and Olive are equally super excited cus "Moving paintings!! Heck yeah!". Cherry's faves are the og animated "Mulan" and "Lilo and Stitch" without question. The latter caught him by surprise cus it made him remember who he's always felt like "a weird little alien" on earth, and Lilo and Nani remind him of Lin. ;_; Olive is just delighted to watch anything Cherry is super-hyped about, and they both hoot happily at the tv together.

Shihou and Mihou are kids and they love cartoons no question. Shihou likes the Milt Kahl-era ones like "Sword in the Stone" and "The Jungle Book" cus he vibes with the themes of growing up, but he finds the romantic ones boring. Mihou in contrast secretly adores the classic "princess" movies like "Sleeping Beauty" and "Cinderella" cus of the sweet stories and music. Shihou will watch Mihou's "boring" films with him without complaint cus he knows how much his opal love them.

Sugar likes the "roadtrip" movies the most; "Atlantis", "Treasure Planet" etc. He's still technically on his Journey, and he loves hearing/seeing tales of others. Spice is pretty shy to voice his opinions but... he likes "Pinocchio" the best - the concept of being created and having to adapt to the world mostly-made tickles his brain in a good way.

Starfruit don't care. Why should he? He knows the real guys! He sees Peter Pan on the regular in the Library! Lilac is the complete opposite, they hold streaming parties with associated Legends to watch their "adaptations" and critique them based on accuracy vs execution. Starfruit joins in, only because he, Goldie, and Peter get to read the movies to filth in the group chat XD

Two movies that hold a place in all their hearts are:

Hercules: Themes of obtaining godhood, heroism, an unclear purpose, goth gf, and weird horses.

Moana: Island life, wanting to explore farther, doing what you can for your people, the inherit tragedy of demi-gods, the whole Te Kā situation...

[bwaldorf]

ramasha do you have any bollywood movie recs?? 🎤

omgggg em im so honored you thought of me!! 🫶🏼🩷

tbh i've sorta been on a journey of watching more bollywood (and south asian cinema in general), since there was a huge chunk of my life where i just never really kept up with releases and was sorta discouraged from watching it so my taste isn't the Most diverse (in terms of genres and years) but i'm working on it 😭 that said, here's my attempt at giving you a lot of different options, so hopefully there's something here that strikes your fancy hehe :3

lots will be under the cut bc im a huge YAPPER.... sorry. also, some of these haven't really aged that well and are sometimes more of just a nostalgic fav and/or ones i think are iconic so... take some of these recs with a grain of salt

some of my bigger personal faves:

om shanti om (2007) — it may hit more if you have a bit more exposure to bollywood cinema and its industry bc it references it a lot, but i still think it's an enjoyable movie regardless! (yes i am biased bc this is one of my fav bollywood movies ever + a huge nostalgic fav. plus SRK and deepika padukone.. can't go wrong there!)

haider (2014) — this movie is SOOOO good! i highly rec it 💞 it's an adaptation of hamlet, set within the backdrop of the 1995 kashmir conflicts. this is actually a part of trilogy of shakespeare adaptations by the director: the other two are maqbool (2003) which is macbeth and omkara (2006) which is othello

main hoon na (2004) — another SRK nostalgic fav

ghajini (2008) — it rips off christopher nolan's memento but i think it adds a lot of its own stuff too and i have a soft spot for it 😭

andhadhun (2018)

kahaani (2012)

tumbbad (2018)

amar singh chamkila (2024)

3 idiots (2009) — the most likely one that non regular bollywood watchers will know and deservedly so imo

gully boy (2019)

hum saath saath hain (1999) — okay not objectively the best movie.. but its a hugely nostalgic and comfort movie for me and i think its great if you wanna watch something that's heartfelt and doesn't have a ton of high stakes conflict

maine pyar kiya (1989) — same as above ☝🏼 i watched this one a lot as a kid

jab we met (2007)

devdas (2002) — worth it for at least the beautiful cinematography, costumes, and gorgeous talented cast

fanaa (2006) — plot is kinda messy at times but it was a real angst machine for me as a kid 😭

photograph (2019)

sir (2018)

bulbbul (2020) — tw for a rape scene though. sorry for the spoiler but it was genuinely really harrowing for me to watch so i think its important to mention

misc other movies i've seen:

qala (2022)

dil bole hadippa! (2009) — admittedly, i haven't rewatched this one in a long time so i can't totally say it holds up. it's a rip-off of she's the man, but … better….. TO ME. yes im speaking from nostalgia bc this is the one i saw first

badhaai do (2022) — this is technically a 'sequel' to the similarly titled movie badhaai ho (2018) but they're actually total standalones

gangubai kathiawadi (2022) — i have such mixed feelings about this one but it's a movie that really stuck with me ever since i watched it soooo yeah

raees (2017) — SRK looks unbelievably fine in that movie. need i say more?

koi mil gaya (2003) — it's a mix of both ET and close encounters of the third kind... but in my very biased, nostalgic opinion: better 🫣 there's also a few sequels, but i only really remember seeing krrish (2006)

josh (2000) — another entry to the SRK looks super gorgeous in this movie 😭 this is basically a desi west side story

go goa gone (2013) — not the best to me, but its a bollywood zombie movie! which was a very new concept to me in that industry so ofc i had to throw it in there

chennai express (2013)

mohabbatein (2000)

dilwale dulhania le jayenge (1995) — had to include this for SRK reasons and also bc it's a massively impactful movie in the industry so i'd be remiss not to

andaz apna apna (1994)

ek ladki ko dekha toh aisa laga (2019)

jaane tu.. ya jaane na (2008)

aaja nachle (2007)

munna bhai mbbs (2003)

gangs of wasseypur - part 1 (2012) — i've only seen the first one in this series but if you want a somewhat slower, meditative, gangster movie this one def fits the bill

what's your raashee? (2009) — can't remember how well this ages (i think it was pretty mid?) but the concept is fun! priyanka chopra plays 12 girls: each personifying a different zodiac sign as the main guy tries to find his soulmate 😭

taare zameen par (2007) — you'll also see this listed as 'like stars on earth' sometimes

amar akbar anthony (1977)

don (2006) — villainous SRK? sign me up! he actually has multiple movies where he's this sorta antihero/"antivillain" type character. and even a few where he's a straight-up villain. i've been trying to get through all of those bc i just love his range

anjaam (1993) — an example of the aforementioned thing ☝🏼 SRK plays a genuinely terrible guy here, and i love how it actually challenges a lot of the tropes that bollywood tends to use in its romances and shows how creepy and stalkerish they actually are (despite it being typically framed in the narrative otherwise)

partner (2007) — i recently found out it was basically ripping will smith's hitch 😭 i haven't seen that one so i can't say which is better, but if you enjoyed that one, you'll probably be into this one too. it's very unserious and not the Best. but i watched it a lot as a kid

aaja nachle (2007)

roadside romeo (2008) — okay this is a very unserious, low budget animated movie rec. it's soooo so silly and dumb but if you're in the market for smth like that, this is an amusing one for that

welcome (2007) — i gotta rewatch this one bc i don't remember a lot but it seems like a lot of tomfoolery and shenanigans

my name is khan (2010) — another one i gotta rewatch for its politics but i figured i'd throw it in regardless

black (2005)

kal ho naa ho (2003)

kuch kuch hota hai (1998)

sholay (1975)

hungama (2003)

some from my watchlist that i haven't seen yet:

(as if this list needed to be any longer.... but anyways! including these bc i think they seem promising/interesting and i think they introduce More variety of genres/time periods than the ones before)

ijaazat (1987)

thappad (2020)

udaan (2010)

merry christmas (2024)

chhoti si baat (1976)

hindi medium (2017)

the lunchbox (2013) — heard LOTS of good things about this one!

lipstick under my burkha (2017)

neerja (2016)

queen (2014)

rajnigandha (1974)

kaagaz ke phool (1959)

anand (1971)

paheli (2005) — it's a mainstream bollywood remake of duvidha (1973)

baadshah (1999)

monica, o my darling (2022)

madhumati (1958)

raaz (2002)

satya (1998)

highway (2014)

oh darling! yeh hai india! (1995)

pyaasa (1957)

sardar udham (2021)

awaara (1951)

shree 420 (1957)

kaminey (2009)

mahal (1949)

chandigarh kare aashiqui (2021)

bunty aur babli (2005)

talvar (2015)

duplicate (1998)

lootera (2013)

mughal-e-azam (1960)

baazigar (1993)

trapped (2017)

fire (1996) — a hugely significant movie in explicitly showing a wlw relationship in bollywood. i believe it was the first in that regard?

stree (2018)

piku (2015)

english vinglish (2012)

umrao jaan (2006) — there's also an earlier version of this movie with the same title that came out in 1981! i haven't seen either yet so i can't say which is better

jodhaa akbar (2008)

darr (1993) — big movie for villain SRK enthusiasts if that interests you too like it does me 🤭

zindagi na milegi dobara (2011)

dil dhadakne do (2015)

dear zindagi (2016)

special 26 (2013)

badla (2019)

mardaani (2014)

raman raghav 2.0 (2016)

peepli live (2010)

drishyam (2015)

[boltlightning]

What things have you watched for more Davenport stuff, and what did you think about it?

I'm considering buying a DVD set of Smash, and see if I can watch 10 percent, The Wedding Date and Next of Kin online.

I've already seen Kingsman (not just for him), The Journey of Mary Bryant but have yet to watch The Talented Mr. Ripley.

lmao. the amount of time i have spent on this dude...i'm gonna put this below a cut on the off-chance this won't show up in the tags, but here, in an orderly categorized list, is what i've watched for this dude

i would recommend:

p.irates of the caribbean — lmao

the t.alented mr ripley — this movie is not scary but it is haunting. it will stick with you like carrion to bones. highly recommend

why w.omen kill — he and lucy liu steal the show in season 1, which is very good, and he's the narrator in season 2, which is less good, but still entertaining. this show is so so good. please watch it

the incredible journey of m.ary bryant — it's probably a whole hour longer than it needs to be but everyone is putting their whole hearts into their performances

haven't we met before? this extremely cute commercial with f.elicity jones — it's five minutes long. it's adorable. it's even a little saucy. he's got the smash-era hair without being in smash. very good.

the m.oth 1997 — this was very early in his career and you can really tell, but he is adorable, and the writing itself perfectly embodies that hokey, melodramatic period drama bullshit that i so love

e.roica 2003 — 🔥🔥🔥🔥🔥 THE 19TH CENTURY FIIIIIIIIIIIIIIIIIT 🔥🔥🔥🔥🔥

i wouldn't recommend, and he's not in them very much, but they're alright:

the m.orning show — check for triggers. he's only in the first season but he's great. and it turns into a soap opera in the second season on and not in a good way

k.ingsmen — justice for my guy. RIP

p.irate radio — b.ill nighy is great in this! jdav is in a gorgeous longcoat. but then there is the misogyny

a u.nited kingdom — gorgeous film, killer cast, oversimplification of history but very good for what it is. jdav leans into the sneering brit archetype so hard it makes you realize he definitely could sound more sinister than he already does, he just rarely drops his voice to the bottom of his register

i wouldn't recommend, but you may like them if you go in with more information:

s.mash — given all the talent on this show, it is baffling that it's so bad. jdav plays a genuinely awful man who is by far the most interesting character in the show, which means every conflict centers around him, and not always in a good way. watch this show to see jdav handsomely draped across furniture serving cunt alongside c.hristian borle and a.njelica houston and m.egan hilty and enjoy some of the the greatest musical performances ever conceived. ignore everything else. it is not worth your brain cells

the w.edding date — maybe the worst romcom i've ever seen? jdav is adorable and playing an atypical idiot. he has more chemistry with the romantic interest then the actual lead, to the point where i thought they'd end up together

f.lashforward — i enjoyed this show and will be thinking about it for a long time. it's a nostalgic 2000s 24-alike, but it won't be for everyone. his character is very sweet, which is a rarity and a boon.

g.uernica — i would rate this movie a c- but jdav's accent in this needs to be heard to be believed. also burn gorman is there. burn my beloved

you should not watch:

he was in a netflix western set in australia that was so bad i'm not going to bother looking up the name. it is GORGEOUS but you should watch this movie muted and with the captions off and you will inevitably come up with a better plot. listen to a little bit of his accent though.

don't watch smash. please god. don't do it. i know what category i put it in but don't do it. listen to me. i'm begging you.

i have heard good things about w.hy women kill and g.uernica though! and i've been trying to track down the m.oth, they've been on my list forever. definitely let me know about 10 percent, i have no way of finding that as an american lol

july 2024 edit: list has been updated. still haven't tracked down 10 percent <3

[harveyguilleniconodelamoda]

Costume Spotlight: Andy Leonard from Cursed Friends

I am so excited about this one! I've been researching it since I started this blog, thinking it would be a relatively fun-and-easy post to make. Hoo boy, was that incorrect! Though the outfit looks deceptively simple, and the process of researching was certainly fun, it has some specific details that it took me forever to confirm from the few photos and production stills I had access to.

That being said, I did find the final piece just yesterday! I was so over the moon, I may have spiked my phone like a football in my excitement. So strap in as I break down and over-analyze ever piece of this outfit from a Comedy Central made-for-TV horror movie (and if you haven't seen it, warning: there will be some mild spoilers for Andy's arc).

The Outfit

The outfit Andy wears for the majority of the film is a oversized, millennial pink sweatshirt with a ribbed collar and sleeve cuffs over a pair of fitted black bike shorts. It's simple and comfy--which makes sense, because he first wears it while at his job as a personal trainer to one of his influencer clients. It's similar in style to this sweatshirt from Gymshark, but it's also the kind of thing you could find almost anywhere activewear is sold (style-wise; the color is not so easy to find, which is wild for reasons I'll get into in a moment). Key notable features are the thickness of that ribbed crewneck collar and sleeve cuffs, and the slight blouson shape of the sleeves themselves, a bit puffier than your average sweatshirt.

But it's the color that I find most interesting. Millennial pink--which is any of several shades of warm-to-neutral pale pink that were ubiquitous in fashion and design trends throughout the 2010s--is a color rife with sociopolitical implications. Which sounds like an insane thing to say, but hear me out.

When everyone in my generation was trying our hardest to navigate capitalism in our own ironic, detached, thoughtful ways (for the purpose of changing the system from the inside, of course!), millennial pink became the color emblematic of that mindset. It was softer, less threatening than the more saturated hot pink that ruled throughout the early 2000s. It was also, at least initially, a symbol of my generation's attempts to push back against the harsh expectations of society and "the real world."

See, for our entire childhood and adolescence, millennials heard our elders smugly declare that we'd see how right they were about everything once we encountered the real world. And then we did...and said "yeah, no, this sucks, I don't accept this!" And boy, they hated that. But I digress.

The color is also sometimes called tumblr pink, and what was tumblr in the mid-2010s if not a digitally-created "softer world" where "everything is gay and nothing hurts"...a world where aesthetics, earnestness, and attempts at social consciousness were married in a way that wasn't seen anywhere else within the social media landscape? Tumblr was where you came to be among like-minded people who may not agree with you on exactly how the world needed to be different and better, but at least agreed that it absolutely did need to be different and better. And the soft warmth of millennial pink was like carrying a bit of that into the real world, at least until corporations grabbed hold of it.

For your enjoyment: some of the most millennial selfies I've ever seen (affectionate, relatable) from Harvey's Instagram.

Millennial pink and its sisters--rose gold, rose quartz, dusty rose, and the like--formed the color pallet of my 20s. They were in everything, from home design to album art to magazines to technology. Girlbosses became the mainstream portrait of popular feminism, with millennial pink as their shade. Sparkling rosé became the official drink of the girlbosses and wine moms alike. It was in everything from fashion to makeup to hair to phones--the rose gold iPhone and hair trends come to mind--and could not be escaped. I did in fact dye my hair Millennial pink at one point (or try to--it came out more of an electric peach, unfortunately).

A moment of silence for my roots. Also sorry rose gold iPhone, you will never be the raspberry pink Motorola Razr.

These soft pinks were linked to coolness, chicness, realness, and even wellness--specifically the wellness rebranding of diet culture in the mid-2010s. "Clean girl" cosmetics companies like Glossier adopted the color as part of their branding. Pantone named it one of the colors of the year, and their VP explicitly linked it to "the rosy glow that comes along with good health." (Source)

It has also been described as a warmer, more "gender-neutral" shade that spoke to the more fluid and egalitarian approach Millennials have to gender roles and relationships (at least when compared to our parents and grandparents). Famous and famously desirable (at least at the time) men--such as Harry Styles and Drake--adopted it for their album covers. It was also ubiquitous in men's spring and summer fashions, with pink button-ups and shorts being all the rage. Given the warmth of the shade, it was almost like a greatly-desaturated Nantucket red, which fit it neatly into the overall preppy fashion repertoire. (Source)

The Guardian described this color as representing "a kind of ironic prettiness, or post-prettiness. It’s a way to be pretty while retaining your intellectual detachment. It’s a wish that prettiness could [be] de-problematised." (Source)

All of this to say, millennial pink is inextricable from the fashion of the 2010s, the ramped-up consumerism permeating society and culture at the time, and from Millennials' early 20s and the progression from optimism to exploitation to burnout and cynicism we all experienced to some degree. For Andy, who embodies the anxieties that created for our generation, it's both perfect and ironic that he's covered in this shade, given how hard he's trying to pretend he's not a Millennial for the majority of the film.

The Accessories

Andy's two accessories were the real reason this post took so long. They're so distinctive, which made settling for close enough impossible for my weird little brain. And yet by their very nature as accessories, they're small on the screen and hard to get great images of! But at last I managed it, and can confirm that Andy's bag is the Chanel 20A “Rainbow” Reissue wallet on chain in metallic goatskin.

The bag has a really interesting history as a variation on the Chanel 2.55, which was first released in 1955 and popularized the shoulder strap bag for women. It was considered revolutionary in part because it allowed women to keep their hands free while carrying it. The design was re-released in 2005 as the Chanel 2.55 Reissue, and has remained a popular Chanel mainstay since. (Source)

Bragmybag describes this style as an "addiction" and touts its popularity among the fashionistas of Instagram.

This particular color is from the Chanel Pre-Fall Metiers d’Art 2020 collection, and is considered a highly sought-after collector's item among Chanel enthusiasts. It originally retailed for $2,900, but is now priced at over $4,000 pre-owned on sites such as ThredUp, eBay, or Depop. It's a classic bag style in a quirky and gorgeous limited edition color. It reminds me of the foil wrappers on chocolate eggs at Easter, or the opal hair trend of 2017-2018. A bag like this definitely plays into the girlboss/influencer vibe. To the fad-beholden type of person Andy is trying to appeal to, it would project an air of effortless coolness and means, someone who is both up on the latest trends and able to drop several thousand dollars on a wallet.

After the Chanel bag, the platform sneakers were even harder to find. Their shape is so distinctive, but every search for "platform sneakers" came up short the first few times. Then I tried an image search on a zoomed-in, blurry version of the photo above, and that led me to Buffalo. Buffalo's platform boots and sneakers definitely approached the vibe of Andy's shoes, but weren't quite there.

Then, in the similar image search under a picture of the Buffalo Aspha NC Mid platform sneaker, I saw a photo that looked remarkably similar to the shoe Andy is wearing, including the plastic snap buckles...and I clicked...

And there they were:

The Demonia Slacker-50 platform sneakers in white holographic patent and baby pink multi glitter.

These shoes...listen. I love fashion, but I'm not a big shoe person. I live most of my life going back and forth between the same two pairs of Tevas. That being said, there is not a single era of my life so far in which I wouldn't have been dying to wear these.

The combination of the millennial shade of pink but with the early 2000s "new millennium" iridescence and multi-colored glitter, the totally 90s lace-up hi-top closure and side snap buckles, the platforms? It's like every era of my childhood, teen years, and young adulthood were somehow distilled into a single shoe design. Xenon Girl of the 21st Century would wear these shoes. Lizzie McGuire would get into some hilarious mishap trying to walk in them. Pepper Ann would have a whole storyline about coveting these shoes and trying to make enough money to buy them. I'm eyeing my bank account as we speak and trying to convince myself I don't need these shoes just to cosplay Andy (but also I do need these shoes, like, spiritually).

Demonia, is an alternative fashion and footwear brand based in Southern California and founded in 1999. Their footwear is sold at Dolls Kill and other popular alternative fashion retailers, but they also sell direct from their own website, DemoniaCult.com. They're not quite a nostalgia brand, but they're definitely nostalgic and a brand your average small-town, fashion-minded emo/goth kid in the early 2000s would have lusted after fruitlessly when it came time for back-to-school shoe shopping (not that I speak from experience or anything).

The Makeup

Though obviously actors are always wearing makeup on screen, it's often meant to be understated enough on men to pass as "no makeup they're just that pretty." But this is a role where we're really meant to notice the makeup.

The heavily filled in brows, the black eyeliner tight-lined all the way around the eye, matte foundation, black mascara on the top and bottom lashes...the wash of brown shadow above the crease, heavy-handed bronze contour, and pink lip. It all calls back to makeup trends that would have been popular at earlier points in Andy's life--the brows, matte base, and contour in particular screamed 2016 to me--the kind of thing you might keep wearing even though it's no longer on trend because it feels good and you think it makes your features pop (and to be fair, they do pop!). Ironically, this choice of makeup also makes Andy, who is chronically attempting to fit in with and pass as Gen Z, look his age more than Harvey ever does.

Andy's Characterization

Andy, like the other characters, really struggles with holding onto the past. For him specifically, however, there's a dimension of being terrified of aging out of his dreams and becoming irrelevant. He wants to be an influencer, he wants to be the person other people take their cues from, he wants to be seen and adored by millions...and that's a possibility he feels slipping away as he hears more and more from people like Candace Nicaragua about how his generation is no longer cool.

Every aspect of Andy's outfit seems meant to underscore the ways in which he lives in the past, whether it's the farther-off past of his childhood when he was still truly close with his besties, or the somewhat more recent past of his 20s, when he was part of the age group that sets trends and that consumerist culture seems to cater to.

In a way, he embodies the exact type of anxieties we're seeing every day from Millennials on Tiktok and other social media. We're not aging gracefully, y'all, at least not in an emotional sense! Where the intergenerational discourse between older generations and Millennials focused far more on our differences in approach to work and the economy, the discourse between Millennials and Gen Z seems fixated on who's cooler, who's more relevant, whose trends or music reign supreme. It seems entirely frivolous, but it hides a deep fear of being pushed aside and forgotten that has followed us since the 2008 housing crash made all our parents' "you can be anything" and "go to college and you'll have a good, comfortable life" talk into lies.

And while the movie definitely plays into that intergenerational conflict, it focuses more on the friends' inability to be honest with themselves and each other about the way they, their lives, and their friendships have evolved since they were kids. So it's great that Andy's big climactic character moment comes when he realizes that it's just silly for him to be seeking approval from these younger people who aren't actually any cooler than him, don't have anything more figured out, and most importantly, don't really know him. What use is coolness and youth when you pit it against friendship and authenticity?

When Andy embraces his age and boldly states that he will never apologize for his friends and that he likes what he likes regardless of how "cheugy" it is? I felt that, okay? Being unmoved by the negative opinions of others is a battle I've fought my entire life, and seeing Andy figure it out was cathartic, no matter how seemingly silly the context.

Affordable Options

You can get black bike shorts almost anywhere that sells activewear. These stretch cotton bike shorts from Jessica London are extremely comfy and come in sizes 12 to 38/40. They're originally $29.99, currently on sale for $17! REI also has a variety of similar styles in a wide range of prices and sizes, for both men and women.

The sweatshirt is a bit more challenging to find, but Jessica London has a few options, all under $55, in sizes up to 5X (women's US size 38/40):

Boxy Fleece Sweatshirt in Misty Rose

Hooded Sweatshirt Tunic in Dusty Pink

Sweatshirt Tunic with Shirttail Hem in Pretty Lilac - I have this one, and it's very comfy and looks much more screen accurate on my plus sized body than it does on the model in the product photos.

The closest to screen accurate I've found is actually from Amazon, though I'm trying to stay away from recommending Amazon products as much as possible on this blog. This option is only available up to size XXL, but it's made to be oversized and according to the listed measurements, an XL would fit me loosely (for reference, my bust measurement is 55 inches).

Uniqlo also has a pink crewneck sweatshirt that's a viable option, available up to size XXL.

The platform sneakers actually qualify for my "under $100" affordability threshold, retailing at $95.99 from Demonia. But if you want some slightly cheaper options with a similar vibe, here are a few I've found:

BCBGeneration Riso Platform Sneaker - $69.30 from Nordstrom (currently on sale)

Coconuts by Matisse Nelson Platform Sneaker - $85 from Nordstrom

Converse Women's Chuck Taylor All Star Hi Lift Platform Sneaker in pink - $74.99 from Famous Footwear

Guess Women's Miram Platform Lace-Up Court Sneaker in pink metallic - $41.40 from Macy's (currently on sale)

The bag is the hardest part to find an affordable dupe for. I've searched and searched, and there's just very little out there that feels close enough to screen accurate that's also under $100. Your best bet is to find a bag with a similar vibe and add a chain to it if you want to cosplay Andy. Some great options:

Quilted Clutch Handbag from BagsBySimplyShere on Etsy - $35

Rainbow Metallic Quilted Clutch-style Purse from WildwoodTreasureCo on Etsy - $40

For me, because I'm extra, I've actually decided to make my own from the ground up. If it goes well, I'll post some photos here!

[farewell-persephone]

some new-to-me movies I've enjoyed this year so far. reverse chronological watch order:

1. High Life (2018, dir. Claire Denis). Weird, disturbing prison ship science fiction. Sort of an anti-Interstellar; a cynical warning of where we're headed if we continue the depravity of prison slavery and exploitative science. Look up content warnings for this one if you need that sort of thing; it gets rough.

Interesting coincidence: I wrote a short story with a similar basic concept not long before this movie came out (I had never heard of it before last year). This movie is better than my story was.

2. Tampopo (1985, dir. Juzo Itami). Charming food comedy-western with alternately funny, touching, and absurd vignettes interspersed throughout the main plot. The egg scene...goodness, what a scene. This movie made me hungry; pair it with a bowl or two of ramen.

3. Harakiri (1962, dir. Masaki Kobayashi). A brutal and depressing story of a broken ronin seeking the end. If you know nothing about this movie, go into it blind. Absolutely loved the way this was shot.

4. Seven Samurai (1954, dir. Akira Kurosawa). Six samurai and Toshiro Mifune defend a poor village against bandits. Funny, exciting, sad, beautiful. One of the blueprints for modern action movies. Everything from a slew of westerns to Ocean's Eleven to A Bug's Life owes something to this movie.

5. Dr. Strangelove (1964, dir. Stanley Kubrick). Satirical nuclear black comedy that shows that "redpill volcel conspiracy freak" is a type of guy that has seemingly always existed.

6. Come and See (1985, dir. Elem Klimov). "Enjoyed" is a strong word for this one, as good and important as it is. I wrote a short letterboxd review after watching it (something I've sort of given up on after a few):

"In a movie festering with disturbing images, one of the most affecting—and certainly one of the most relevant—was a Nazi woman eating lobster as her cohorts burned a village.

Exhausting."

7. Delicatessen (1991, dir. Jean-Pierre Jeunet & Marc Caro). Post-apocalyptic horror-comedy. Extremely French. Enough piss-yellow filtering to make Vince Gilligan blush. Kind of dreamlike and hazy in the impression that it left on me. I need to watch it again I think.

8. Amores Perros (2000, dir. Alejandro González Iñárritu). Another one I wrote a letterboxd review for. Some excerpts:

"A story in three converging lanes about the abuse, folly, fickleness, and redemption of loyalty. Ignore surface-level comparisons to Pulp Fiction; structure and violence are not all that makes a movie."

"The recurring variations on the dreary post-rock guitar theme are some of my favorite pieces of movie music I've heard recently."

"Maybe skip if you habitually check whether or not the dog dies."

9. Cinema Paradiso (1988, dir. Giuseppe Tornatore). A beautiful movie about movies. Another one that made it to letterboxd. My short review:

"I've seen this movie described as 'nostalgic,' but I feel that it's rather about transcending nostalgia and accepting that you can never go back. I cried; I wished I'd watched it years earlier; I had the urge to make something and love it."

10. Crimson Peak (2015, dir. Guillermo del Toro). An absolutely gorgeous Gothic horror-romance. Del Toro's beautiful visual style fires on all cylinders here. Similar to Pan's Labyrinth, while the ghosts are grotesque, it's the human antagonists that provide the real horror (though I will say that the Big Reveal is obvious and feels almost quaint these days).

[astoundingbeyondbelief]

Kaiju Week in Review (October 22-28, 2023)

Another Godzilla Day, another short from Kazuhiro Nakagawa to keep the series' tokusatsu roots alive. Fest Godzilla 4: Operation Jet Jaguar will see the grinning robot battle the King of the Monsters in live-action for the first time ever. I think that's why seeing the Final Wars Godzilla opposite a replica Jet Jaguar suit is even more surreal than his bout against the Showa Gigan last year. When the short drops on November 3, be sure to download it ASAP, because Toho doesn't like to keep them up for long.

I already posted about the unbelievable Movie Monster Series Bagan figure revealed last night, but it was accompanied by four more new figures: a glittery MinusGoji, an 8-inch black Kiryu, a quadrupedal Landing Stage Hedorah, and this year's fan poll winner, Flower Beast Form Biollante. The Kiryu is a homage to a theater-exclusive figure from Godzilla: Tokyo SOS, though it actually has more paint apps. They're all Godzilla Store exclusives.

TOHO Visual Entertainment has released Godzilla (1954) and Mothra vs. Godzilla (1964) on 4K, the first of a flurry of Godzilla titles debuting in 4K this year. (There's also a Blu-ray for each that uses the same 4K restoration.) The people I turn to for judgment on these things (@spacehunter-m, @tohocompanylimited-blog, and a few others) aren't thrilled, especially with Mothra vs. Godzilla, which compares unfavorably with the HD version of the shorter Toho Champion Festival cut. Both are improvements over what was previously available on home video, but that's not saying much.

Mothra vs. Godzilla unfortunately does not include the Frontier Missile scene as a bonus feature. (Don't know what all those nice-looking screenshots of it from the recent Mothra vs. Godzilla Completion book were about then.) It does offer eight-and-a-half minutes of unused effects footage, some of it making its home video debut, as well as four more minutes of set footage and a theater showing the film. Both films offer a ton of trailers, the most interesting of which is an export trailer for G54. Some of the ballyhoo ("incredible titan of terror!") would later be used for the U.S. release, and @biorante discovered that the subtitles are a near-exact match with the old BFI DVD. So it's possible to almost exactly recreate what the film would have looked like when it screened in, say, Honolulu in 1955.

This is strictly local news, but I know some of you are fellow upstate New Yorkers, so I'm throwing it in anyway. Rochester's Little Theatre will be showing Destroy All Monsters on the Saturday after Thanksgiving. This'll be the first Godzilla film I've seen there since Rialto distributed the original in 2004. The runtime and release date match the AIP version, so fingers crossed they landed the same 35mm print that screened at the Mahoning this summer.

Big week coming up, though even bigger if you live in Japan. For the Americans reading this, a reminder that Godzilla 2000 is in theaters the night of November 1.

[marisatomay]

Hey Amanda, I thought you would like to know that for my Masters uni paper we've been assigned Mission Impossible: Ghost Protocol to watch next week and that this will now be the second time at uni I've had a class discuss Tom Cruise as the last real Hollywood star. However, I do have a problem I would like your expert advice with. My problem is that I haven't seen any of the Mission Impossible movies yet and I'm not sure if I'll be able to go into this one blind or if I should try find time to watch the others before our next class.

If I don't find the time to watch all four films, what do you believe is the most essential one/s or moments to watch before the fourth one?

!!! first of all i’m seething with jealousy but okay so after consulting the collective i think it’s best to first note that the mission films are really good at being crafted as individual movies so even though they are part of a series you can watch each out of context and still know what’s going on and enjoy yourself. that being said, definitely don’t watch ghost protocol before class you should see that one on a big big screen the first time. but if you have the time then DO watch mi1 and mi3 at least—if you want to watch mi2 you can but it’s not as essential as the rest of the series but it *is* important because tc in that movie is the most beautiful a person has ever looked on film and it was the highest grossing movie of 2000 and is an incredible cultural touchstone that you should watch anyway—so i guess if you decide to not go into it blind then you should probably watch 1,2,3

[zalrb]

y'know I've been seeing the phrase 'chemistry' thrown around a lot lately. like it happened with rob and Zoe with the batman (2022) which you already talked about, it happened with the little mermaid live action (which you also commented on), and now with that new hunger games movie -> everyone is raving about the 'chemistry' between the leads (I haven't seen so I can't really comment). but it just makes me think: is it 'chemistry'? or is it just two hot people on screen breathing the same air?

I think that the word 'chemistry' is overused, do the general audience even know what 'chemsitry' really looks like anymore? I mean yes casting directors still have their actors do 'chemistry reads' but...? I say this because I think back to the posts you made about both rob and Zoe, Halle and Jonah, and now tom and Rachel (from the new hunger games movie, not sure if you will watch). all those actors performed chemistry reads with another for their respective movies, and you would think since the directors saw that chemistry then they must have it right, but after going through your blog, I've been more confused. do directors really look for chemistry, or do they just say "these two look good together, that should be enough to sell the movie"? cause they kinda have a point if that's the case.

I'm sorry I know this ask is like all over the place, but your blog really helped open my eyes, I guess I'm just tired of seeing the word 'chemistry' be thrown around at every 'hot ' couple that graces our screens. guess I would just like to know your thoughts on how the definition of 'chemistry' has changed since the early 2000s media?

sidenote: idk if you're going to watch the new hunger games but, I personally don't think the 2 leads have chemistry. I've only seen clips but from what I've seen they're just mostly 'longing' gazes between them and heavy breathing? I will say that the guy that plays snow is doing the more heavy lifting in scenes with Rachel. for Rachel, this probably just me but I feel like she was miscast for the role (according to sources she did not have to audition, it was just offered to her). in some scenes it does look like she was trying too hard, like she was struggling with some of the emotional beats. its almost as if she was 'insecure' in this role, and that her acting ability was not strong enough to handle the emotional weight of this film, if that makes sense? I would like to know your opinions/thoughts if see the film or watch some clips

OK. So.

First of all, I would like to see the actual chemistry tests and wish they were available because when I watch Sam and Cait's chemistry read, for instance, I'm like, it's obvious that they were going to be lightning in a bottle. LOOK at them.

This makes absolute sense.

So, I wanted to find another chemistry read soI literally just typed it in on youtube and saw TSITP and how they did it over Zoom and then before I watched it, to make sure that that actually happened, I looked it up and the author was like,

"It was the first chemistry read I had done over Zoom and I was like, 'I don't know if this is going to work?'" Han exclusively told E!. "Obviously, it's more enlightening to be in a room with people and see how they connect and see how they look together and what the energy is. But when Han saw Tung and Briney together for the first time, she knew she had found her Belly and Conrad. It really felt like it was popping off the screen right away," she raved, "honestly."

and then I watched it and was like, OK if you think these people are your characters then who am I to tell you they aren't, you wrote them, but were they popping onscreen, though? Were they really? And watching this and then watching the show had me like, no wonder why they frustrated the hell out of me, there's nothing here.

The most I can say is that Chris seems to be a marginally better actor when he's not actually physically interacting with Lola and it actually seems like what was popping onscreen was that they were both exactly who she thought her characters would be like as individuals, but alas, that's just my interpretation of what happened there.

And then there's the chemistry read for To All The Boys I've Loved Before and I watched it like, Noah is charming in it and he's natural and Lana is... keeping up, they're comfortable enough but I wouldn't say there's vibing, it's pretty forgettable, which is what I said about their chemistry in the movies

so I was like, yeah this chemistry read makes sense for what I saw onscreen because it was fine but i wasn't great, it still felt staged and I forgot about them and the movie(s) right after I finished watching it.

So, when directors talk about the chemistry reads I'm like, I want to know what they looked like. Are they Outlander or TSITP?

but it just makes me think: is it 'chemistry'? or is it just two hot people on screen breathing the same air?

And this has always been something I've posed to anons when I used to argue about chemistry.

Do you just like the dynamic?

Are they just attractive?

Does she just have big eyes?

Those seem to be the three questions I asked a lot and I'm inclined to believe that now, directors look for the people who they think look good together and will sell their show/movie based on that because the internet's going to do the rest. Like, initium kept sending me these tweets about the AMAZING. INTENSE. HOT. chemistry between the Bridgerton leads

and I was like ... oh yeah, that fist bump screams sexual tension. Please be serious. Like, Tony and Kerry didn't have chemistry reads and they kind of just hoped for the best but when Shonda talks about how she literally had to leave the stage watching them film something

it's earned in what I'm actually watching onscreen.

I also feel like now, if one person has the intent, and if one person is carrying the dynamic, then that's considered chemistry and it's sufficient.

In terms of seeing the Hunger Games, I know my mom really wants to see it because Viola Davis is in it and I was like, you know she's probably going to be in it for like 3 minutes "I don't care!" so it's probably going to happen sooner or later. I can't find any clips of them just edits and I have a rule about edits.