#it makes me feel so insane

[macadam]

One of my favourite things to do while working on long mundane tasks with coworkers is to give them the complete rundown of the transformers fandom in as much detail as possible.

Thank god for this fandom, I become such a good storyteller

[yurious]

today i finished blue eyes black hair by marguerite duras. she's far from being one of my favorite authors but I feel very connected to her books. I'm having fun thinking about the similarities in everything I've read by her so far :-)

[decemberhigherpower]

umm best song ever?? maybe

[ame-gojo]

thinking of this gojou fanart always

[freitag1607]

1.05 / Battle of the Labyrinth

[ashleyloob]

this can't just be me but do you ever hear a YouTubers voice and immediately click off because you just can't stand how they sound and don't know why. even if the content itself is fine

[bearionette]

I think I forgot to post this um. GLaDOS 🫶🫶

[ilostyou]

yknow what picture i am ALWAYS. and i mean always. thinking about. the one luke posted of sierra doing his eye makeup

[time-woods]

more of this nonsense bc im sooo normal

[ynnu-64]

Boyfriends

[woahjo]

watching gojo's back in the mirror over your shoulder as he fucks you. watching the way his back muscles flex and curl and shift underneath his skin with every thrust of his hips. the way he rolls into you, skin to skin. n you can see where your thigh makes contact with his waist. the skin stretches and pulls and dips delightfully with the weight of their trembling.

and he's panting above you, sweat dripping from his forehead to your chest where he curls over himself to suck on your tit. gojo's hands hold your thighs up by his waist, fingers digging into the soft and supple flesh.

FUCK!! FUCCCCK WHAT IF I DIED.

[willowser]

i really think having an emotional connection is so important to bakugou sexually.

like, i think he has to be in the exact right mood in order to get off by himself at home alone. can't be too tired, can't be too stressed out, can't have too much on his mind regarding work or other things, and even if it's been a while and his body is sensitive and wanting for it—if his head is not right, he can sit there for hours and never reach his peak.

which is why i think ultimately he doesn't do it that often, because it pisses him off to waste the time and not find the release. makes him more agitated. i think porn for the most part doesn't help him because he's too picky, literature probably helps a bit more, but he's still picky, and his imagination can get him there, but his headspace has to be right.

i think he's slow to hands-on stuff, when your relationship starts, and you can tell he's going to be like that pretty quickly. he responds to your touch like it's an accident; you reach out to hold his hand and he pulls his back like your knuckles have knocked by chance, like you're too close. it's not meant to be a rejection of any kind, it's just—he doesn't want you to touch him if you don't want to. if you don't mean to.

but when he realizes that you mean to, that you want to—

it has him skyrocketing. surprises him terribly, the affect you have on his body, and how quickly, because not even he can always have that affect on his own body.

you reach up to push some hair out of his face and your fingers skirt his cheekbone and he feels like a stupid gross disgusting puddle of mush. you loop your arm through his and lean into him while you're walking and he feels like a prize, like he's yours and you're his and you want everybody to know and that gives him a rush of pride that makes his head woozy.

he's dropping you off at home after date number he-doesn't-know and you're staring up at him outside your front door and he knows he should kiss you so he does and his whole body lights up with a heat he doesn't recognize at all. just from that.

and then he finally gets it: that heart-aching, stomach turning, body shaking want he's only ever heard about, and now finally feels.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[melit0n]

Some cryptid photos of Vessel (+ ii) that I've collected over the past week. The fact that almost all of them look like they came out of trail cam footage is absolutely sending me

[carnivalcarriondiscarded]

more of the dapper lad! i Cannot get him out of my brain

[batcel]

he literally just studies her face every second he can... like HE'S CRAZYYY