#it will give him more character developement

[crystalizedcryolite]

Woah woah woah what's this I'm hearing about Green hate?? Is this true? Probably not, but this is a great opportunity to explain character flaws! :D (I was saving this analysis for when the entire arc is done but whatever)

A perfect, flawless character is a boring character. What fun will there be if your character did everything right in the world, no mistakes to let them grow or problems they can learn from? This helps create conflict, which helps expand on a character and develop them further.

Green's ego problem, his whole attention and fame-obsession thing, is a part of his character for a reason. Flaws in a character makes them more realistic and relatable, you feel me?

Green is actually a really complex character, and that's something I love most about him. That's why he's my favourite.

He can be kind, he can be a cocky jerk, he can be selfish, he can be selfless, he loves his friends, he doesn't understand what he's doing to them, all of it. His character flaws make him feel real.

His wanting for a bigger taste of fame, his slowly losing himself to the world of content creation? It's realistic. It happens everyday.

I, of course, hate what he's doing to his friends, hell, I've been there before, but that's simply necessary for his character arc. When he realises his mistake, he's going to grow from it. He's going to become a better person, I just know it.

How do I know? Because we've seen it time and time and time again.

Green showing off when he wins every build battle, Green getting cocky when dodging Red’s pranks, his anger when he loses? Those flaws have been established since day one.

Except he's still a good person.

He remained loyal to his friends, genuinely loves and cares about them so very much, and most definitely the type to drop everything for them.

(I hope, if my analysing skills are any good..)

And who's the one who comforted Purple after all he's done to them?

Green.

He's still including his friends, albeit a lot, lot less. He still cares about them, he's still trying to give them some spotlight, but he doesn't understand that they don't want that. Doesn't understand yet, anyway.

Sure, he's losing himself to the taste of fame, sure he's currently filled with an ego-driven, attention-seeking drive right now, but he'll learn soon.

That's what makes a character arc so darn good. Sometimes the problem isn't an outside force, or an enemy to battle, or something to stop.

Sometimes the problem is yourself, and it's something that needs to be changed.

Maybe the whole point of this fame-chasing arc is to let Green learn more about humility, in all it's glory, and the dangers of devoting your life to giving content to a bunch of strangers.

Or maybe not, who knows? There's still two episodes for the influencer arc, after all.

I can't wait to see how Green's character arc goes for it :D

(I don't mean any malice towards anyone, by the way! This is just me analysing Green's character :>

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[bucked-it-up]

i wanted to ramble about where I think Buck and Tommy will be going into season 8 and what I think could possibly happen.

With the gap between S7 and S8 looking to be a shorter time skip and there not much development in the relationship, I’m quite excited to see what milestones they have passed together and which ones we will look forward to seeing.

This quote from Oliver interests me a lot “They’re still learning and figuring things out about each other and what a relationship might or could look like.” I feel like this could mean a few things, one being they are both firefighters and this is something new for Buck to navigate and also possibly new for Tommy as well. Both of them will have to get used to seeing the other leave for long shifts that mean they may not come home completely safe and sound. That will mean navigating the emotions that come with this, learning how to let one another go knowing that they will worry but they have to trust one another and having to live with the feeling that the other could get hurt without them being able to help/ get there as quick as they wish they could.

This is also the first relationship Buck has been in with a man and that will come with many obstacles, these could arise from being something that Buck hasn’t done before. A queer relationship come with pressures and negativity that straight relationships do not. Especially being in a queer relationship for the first time while having a boss like Gerrard and being separated from Bobby, someone he goes to advice and is a major part of Buck’s support network.

Another thing I get from this quote is they are working out how to be around each other and what they want their future to be like. This could include moving in which is something I would love to see but after this quote I am curious if it will be early season 8 or further down the line as a conversation talking about living situations could definitely come under what Oliver said.

I think as well the choice to bring back Gerrard will make things interesting for Buck and Tommy. I think it will give a good look at how they work through problems together and how they come to solutions. It will also show us more about how their relationship works, how they communicate and how they support each other. I hope that their relationship is explored in this arc because personally I think it would be a missed opportunity to not show how a newly out Bi character deals with a homophobic boss and how he communicates this with his boyfriend who has gone through it before.

Furthermore in S8 I really do hope we see many happy moments from them and we get to see ‘I love yous’ and milestones from them, I also hope we get to see some adversity. Preferably from outside sources rather than coming from within the relationship, such as one of them getting injured and having to navigate what that means for them and if they can cope. I would like to see them go through something like this and come out the other side even stronger.

As I have already said I would love to see them move in together and see Tommy’s house. To me this would signal that they (and the show) plan to stay with each other for a while and I would love to see Buck choose to live with his partner not because it just kinda happened like with Abby or out of some kind of guilt like with Taylor. I want him to make the choice and it be a deliberate and loving choice that allows him to spend more time with Tommy and increases their strength within the relatiionship.

To focus a little more on Tommy, I do hope he is featured in the opening arc in some way or another. I will be happy with any scenes he gets but i would love if he got a prominent role and we got to see his skills as a firefighter. I think having a pilot as a character is a good addition to the line up and allows for interplay between firefighters on the ground and in air support and means he can be included in more scenes as it has been shown he also does groundwork.

To end this ramble I hope that we get to see them happy and healthy. I hope the show explores their relationship and how different aspects of their life affect what they do and say. I truly hope that Buck is now off the hamster wheel and we don’t have to see him get back on it. I want to see Buck grow more within his professional life and outside of what he is like in relationships.

[sanflawoah]

Black Myth: Wukong

More brainrot commentary because I'M NOWHERE NEAR DONE WITH GOING INSANE OVER THIS MONKE GAME.

Cursed texts and massive spoilers bellow. Lots of random bits and wee woo wee woo.

First of all, YEEESSS to everything well written big budget media with heavy cultural elements that isn't western centric. Love it 👏, a thousand more like this please.

HONESTLY can't get enough of the character designs. Watching the old tv show in my childhood got me imagining the JTTW characters as these cute human with animal ears. But since the game took a more serious and darker tone they took the character design to 1000. So many memorable characters with distinct style, drip, and combat.

Ok so whose idea was it to make some of the plants sentient and will beat your ass for daring to pick them up. I now have trust issues with ginseng and mushrooms

The toad bosses reminds me of Gamabunta. For a moment they also gave me a war flashback of Jedi Survivor's Oggdo-Bogdo, I want those things vaporised from earth 🔫🔫

Kang-Jin darkening the environment during her second stage, I legit thought it was a problem with my screen, until I found out other players had it too lmao. Also looove her design, silver loong with holographic glow, prettiest loong in the game

Boss musics are so LIT, I've been looping them for weeks

The Scorpionlord. First I saw him I was like HANZO HASASHI :DD??? But instead of hellfire, this time he uses venom. And the fact that the environments have autumn palette, connects me to MK 11 Shirai Ryu fire garden arena lol

an NPC called Starved Abomination. The name really sends me because ngl it's a relatable concept, I too became an abomination whenever I'm starving.

To punish Wukong for his lifetime worth of trash-talking, the game now choose The Destined One as shy and doesn't talk much except for when he screams during fights. All my grievances of expecting him to be chatty and noisy actually works out the more I understand the story. And turns out it was all part of his journey, you are meant to complete him by collecting Wukong's scattered senses. Lil introverted fur-ball of scream I love you so much. Since the NG+++ Wukong stance actually gave him voicelines, I'm guessing the Destined One is going to complete his development in actually becoming Wukong in the DLC.

Everyone and I mean EVERYONE had a beef with Wukong and now we gotta pick up after his mess. My poor Destined One walked into an area completely clueless and suddenly everyone is jumping on him because "REMEMBER THE THING YOU DID TO ME A FEW HUNDRED YEARS AGO??? WELL FUK YOU, NOW DIE."

~

🐱Yin Tiger🐱. First time I met him I was like ohhh who are you, you look so cool and kinda cute tho, look at those big boba eyes, pspspsps.

He's all busy with his hammer and zabuza sword, thinks you're so annoying for bothering his work. Then there's this "challenge" option and suddenly he rose and casually tossed his hammer to the ground, I was like wait I was just joking aYO I WAS JUST JOKING-, then proceeds to delete my HP in 30 seconds. Anyway I love how he appears big and heavy and yet moves so swiftly. Of ALL the tiger bosses in this game, imo he's the coolest and THE SANEST. I still can''t get over the Tiger Vanguard and Mad Tiger trauma, those orange cats are on a whole new level of insanity.

🕷️Fourth Spider Sister🕷️. I'm actually so INVESTED in her mystery, like why are you helping me? Why do you look so sad? Are those tear stains on your cheeks?? Why did the Immortal Crane said that I'm giving you "false hopes"? What were we in the previous life?

"Think about her, won't you? Should you feel like stirring trouble in your next life." WHAT DOES THIS MEAN, TELL ME. SHE SEEMS SO NICE THO, she's just a sad goth girl what did she do?? What did WE do?? And her journal entry is so interesting.

🐉Yellow Loong🐉. LISTEN.... I literally had to pause for a moment when I saw him. Cutscene plays and I was like Oohh it's going to be that type of charismatic character reciting monologue, and then I saw his name and it's THE YELLOW LOONG??? This suave horned man is The Yellow Loong??

Well damn I have to say that's one handsome loong. He's one of those elegant style fighters, my favourite genre, up there with Whiteclad Noble and Erlang Shen.

👁️Erlang Shen⚡. The way I turned up the volume when I heard Andrew Koji's Erlang voice.....It's just so.......pleasant to hear. Something about the way he did his voice, the smug taunts, the gentle almost-whispers, and the gROWLS???

I can't even with the entirety of Erlang's character design in this game, because dAMN BOI what a BEAUTY. I thought the game was going to make his appearance more mature looking, or even scarier, because that's just how it is with game character design formula, especially in games like this. But NOOOOO..... they made him ABSOLUTELY BEAUTIFUL. His face, his voice, HIS MOVESS, the way they designed his martial arts so elegantly. When you perfect dodge everything with him, it really feels like a dance. I have to note that when sometimes you tried heavy attack on him aND HE SIMPLY JUST-.... took one step to the side.... THE ABSOLUTE SLAYYY DISRESPECT💅💅. Welcome back Isshin from Sekiro.

Also I just found out that depending on what transformation you're using, he's going to react differently on each. Particularly interesting one was when you use Azure Dust. Most of the time, when you transform, he's going to transform too and chances are he's going to one-shot you out of the transformation. He doesn't do that with Azure Dust for some reason, instead he got amused because Lmao returning back to your origin?. And this line, "Walking his path is no easy feat, it will test you relentlessly". SOMETHING SOMETHING ABOUT ERLANG HAVING THIS HIDDEN BURDEN THROUGHOUT THE PLOT IS DRIVING ME INSANE, I NEED THE DLC TO EXPLORE HIS CHARACTER MORE I'M BEGGING YOU GAME SCIENCE. You can't leave me hanging with his journal entry please I want him to have some peace and closure.

Powerful quiet character with hidden struggle, the bane of my existence, my beloved.

☂️🐉The Four Heavenly Kings🎸🗡️. MAN I love these guys, their fight feels so rewarding somehow, because after all those struggles with Erlang, they feel more like a reward battle for visual entertainment.

Aside from being relatively easy, they're just so fun to watch. I keep wanting to stall the fight just to see what move sets they could perform because their coordinated attacks are just SO COOL.

South king throwing the sword at us, joined by the West king throwing punches, and then the West king passing the sword back to South king. That brief moment of them passing weapons, they need to do more of that, so sick.

The North king combo with every other kings. The West jumping up using the North's umbrella, summoned the dragon, the South yeeting the sword, and the East buffing up the umbrella thrust attack with his Pipa magic. I'd hate to be a normal human citizen under them during that scene GODDAMN. I'd say the West is the game's favourite king because he's the one with the most screentime. He's the one with distinct glowing eyes and he was the most visible behind Erlang during the opening. The North being the coolest because WTF WAS THAT TYPHOON UMBRELLA WITH THE WEST'S DRAGON ROLLING WITH IT, AND THE MUSIC QUE, ABSOLUT CINEMA. The East probably being the chillest of them all because my man was just serenading the fight yo, I like how his fingers actually moves accurately playing the BGM. I know they're on the heaven's side, but for some reason I want them to be on our side if it's possible in the DLC. If we could get Erlang, then surely we can get them? They're too epic not to have.

🐒THE GREAT SAGE'S BROKEN SHELL🐒

THE MONKEY, THE MYTH, THE LEGEND. SUN. WU. KONG. THE SCREAM I SCRUMPT WHEN THIS MF SHOWED UP ON SCREEN. TEARFUL CHEER AND AND UNIMAGINABLE TERROR. AND WITH THAT BITS OF THE OG TV SHOW THEME MOTIF PLAYING WHEN HE SUMMONED JINGU BANG.

Who would've thought that we're going to fight our former self as a literal your greatest enemy is yourself concept. Like yO IT'S THE G HIMSELF WUKONG but now FUK I HAVE TO FIGHT HIM?? Look, sir, Mr. Great Sage, I know I've been playing around as you and I don't even know what I'm doing, I'M SORRY.

So now we're fighting zombie Wukong. He's literally soulless inside and his voice sounds demonic. YET STILL he radiates that lively asshole energy. You try pillar stance to get away from him, he does the same but his pillar is TALLER than yours. You try to walk off calmly, he does the same but then taunts you for it, eats a peach and then flicks the seed to your head. Kicks you to the sky and transforms his jingu bang into a pillar and plants it to the ground with you under it. He cheats by summoning kintoun and body slammed you. He summoned his clones to kick you in all directions only for the original Wukong to wait on the side yawning, then he kicks your jingu bang back at you like "pick it up bitch", and taunts you with his hand gesture to come at him. Ok now you're raging and you tried to pillar stance heavy attack at him, he's like "shut yo bitch-" and GRABBED YOUR JINGU BANG WITH YOU STILL HOLDING ON TO IT AND STARTS USING YOU AS A FLY SWATTER. Just as you think that these suffering couldn't get any worse, you tried to heal and he IMMOBILISED YOU, SNATCHED YOUR GOURD AND TOOK A SIP, decided that it tastes like shit and threw it back at you. Now THIS is the little shit that I know and love.

The whole time you tried to do a move against him, he returned the favour but better. You think your staff extension is long? Ok he'll extend his staff to a kilometer, and that's STILL him holding back. You can do ring of fire? His is bigger in diameter and burns brighter. The game had to nerf out his lore accurate skills because it's just so atrociously OP.

Ok so you finally defeated him? Just as he got dusted away he still managed to croak a last laugh.

Que good ending animated cutscene with the JTTW plot in reverse serenaded with Celestial Symphony. Happy onions, happy onions tearing up the eyes. Crank the volume up, it's all coming together. That's Ba Jie, that's Sanzang, that's Wujing, that's horse.

MMMMMMM MONKE.

[kirbybecomesastarwarrior]

Why doesn't Marx want Kirby to forgive him, is it just the guilt thing?

Long story short, this is a combination of "the fear of getting hurt/rejected" & "shame and guilt," which results in self-sabotaging, but the main reason is...

HAMELIN REALLY MESSED UP MARX!

So, like Kirby with Cappytown... Marx was Hamelin's hero, but they betrayed him and thus turned to the dark side.

This all ties into his initial hatred for Kirby... he's very much angry at his former self for being so foolishly naive, and Kirby's good nature is too reminiscent of his former self.

That also makes it the main reason he could never truly hate Kirby... a younger self that he can't help but connect with. Leading to his "fake friend act" to accidentally grow to care for him and actually want him as a friend.

However, Marx knows he deceives Kirby the same way the people of Hamelin did to him... "pretending they cared for him." Using the very same methods, the townsfolk did to him... ("became what he hated")

This is why Marx doesn't have the heart to forgive himself... even though Kirby was always ready to forgive him and welcome him back with open arms. Because he knows he can never forgive the people of Hamelin... Why should Kirby? And, of course, he does!

The restoration of a friendship between Marx & Kirby happens~, But unlike the people of Hamelin, Kirby has this unconditional love for Marx and wants more than anything to have him back in his life.

I'd say these events happened after Planet Robboot... Marx finally makes his return and "saves Kirby?!" (I'm not gonna reveal from what because of spoilers)

With my interpretation of Marx, I wanted to take him into a sympathetic route (to make him stand out from the others). He still has the sass and mischievous charm, but I wanted to give him a proper reason why he is the way he is. It's a more heartfelt version of Marx that Kirby would want to be friends with and him in turn.

Marx represents "self-worth"; if people don't appreciate or treat you the way you deserve, then they don't deserve you. (Minus the piping all the Dark Matter back into the town as revenge...) KNOW YOUR WORTH AS A PERSON PEOPLE!

And he stands as one of the main reasons why Kirby ultimately chooses to become a star warrior. Moved out of the Popstar to travel and pursue his aspirations & dreams.

Please keep reading for spoilers & quick bonus comic~

So Arthur pretty much reveals Marx's backstory to the rest of the Kirby gang... and needless to say, they're speechless!

He still doesn't want to be forgiven, so he stays with Magolor (which I cover here with Magolor's lore), but yeah, of course, Marx opened up to Mags about Hamelin. And that's why Mags is there, while Kirby & Marx are back in his place telling his story to Kirby. (Kirby saw it because of "empathic touch" but didn't know the exact details of it..)

And Dragato, yeah, he was already on his redemption arc (Falspar's already went through his with Fluff, so he's there for moral support, plus it's the reason why Arthur partnered up together).... he already knew he messed up. But now, hearing the full story that he was, not only did he fall for the people of Hamelin's lies, but... MARX WAS THEIR HERO. (I know kinda of shoehorned the crew for the sake of missing the gang, I just missed them I had to...)

There's actually a small bit of tragedy... while the adults sold Marx out, the children who really loved him would've vouched for him... it'll tie back into his character later.

And I know it seems like I'm painting Dragato in such a bad light, but it's part of his character development. And for those of you who don't know... HIS MENTOR WAS DAME MORGAN (LE FAYE)! So yeah, high standards, little affection, never impressed~

Which is why I still need to establish her a bit more! More Morgan coming up soon

I'm trying to get to the old asks I wasn't able to answer before (since I was still developing the lore...) And I just need a little break from the tournament plus, I've been working on some Kirfluff stuff for Oct.: Kirfluff week!

Also, little funny side notes and gags' "Hero to Zero... Hercules" reference and Mag's little side comment. Based on the meme, "you ruined a perfectly good child..."

So, hope you guys enjoyed it!

[cripplecharacters]

i'm debating giving one of my OCs strabismus exotropia. the work/story is YA SFF. part of my reasoning is he's one of two characters in the group who's the Brains, his specialty being history and languages, and his magic relates to mind reading and telekinesis, and i know too often characters with eye differences are portrayed as the opposite of smart. one of his big hobbies is reading and i know strabismus can affect it bc of focus/headaches, so i thought maybe reading/being fluent in braille could help him engage in his hobby when actual reading is getting on his nerves / refer to his amblyopic eye as his "permanent side eye" as he can be quite critical of others sometimes. his personality is being smug but normally right and very sure of himself (though not without his insecurities), he's seen as a bit of a Pretty Boy (handsome), and is the youngest of his group of friends so they do look out for and protect him a bit more. is there anything else i should look out for, or any way i may be playing into tropes i'm unaware of? he's also queer (gay) and brown (pakistani coded) if that helps any provide context, and has an antagonistic bickering but genuine friendship with another boy (the other brains) that eventually develops into a romance

Hello!

In general, this sounds like a perfectly fine character concept and there's nothing about his personality/portrayal that's immediately jumping out at me. He sounds like a well rounded character, which is something I'm very glad to see!

One thing I would like to mention is that, while braille may be a useful tool for him at times, it's not likely to be a feasible solution for his day-to-day life.

Braille books aren't like regular printed books, there are quite a few differences that make them much more difficult to use:

Size:

Braille books aren't easy to carry around. With the possible exception of some smaller children's books, most are pretty thick and VERY heavy. In fact, many braille books are split up into several separate volumes for this reason.

To put the difference into perspective, let's look at The Fellowship of the Ring (The first Lord of the Rings book).

A standard printed copy generally weighs around 1.5 lbs, give or take a bit if it's a hardcover. A braille copy of the same book weighs over 15 lbs.

This printed copy has 432 pages including pages for spacing, author's notes, etc. The braille copy has 873, not including any non-text pages.

The physical dimensions of braille vs printed books also differs greatly. While a printed copy of The Fellowship of the Ring may easily fit in a small bag or even a pocket, the braille copy is around the size of a standard three ring binder (In terms of length and width at least).

This is all to say that taking a braille book with him out on the go wouldn't exactly be a simple task and, because of how braille is read, reading on the bus or on a park bench or anywhere that isn't a flat surface without disruption wouldn't be a possibility.

Cost:

Aside from the problems with physically reading and using braille books, it's also very difficult to acquire them in the first place. Braille books are EXPENSIVE.

Depending on the availability of the book, the size, and the popularity, a single braille novel can go for anywhere from 50$ to well over 300$ (In Canadian dollars).

The hardcover printed copy of The Fellowship of the Ring mentioned before costs around 25$ (Again, in Canadian dollars). The braille version ranges from around 150$ to 225$ depending on the type of braille.

And if your character wants to request a less popular book, it can still be pretty expensive. There's a wide range of factors that can affect the cost and it varies so wildly that it's hard to get a reliable estimate but they could be looking at anywhere between 5$ - 50$ per page.

Although some libraries may have braille books and there are several virtual libraries for the blind with braille books, it can still get very pricey for them to build up their own collection.

Availability:

In part because of this cost, there is a very low availability of braille titles compared to printed titles.

If your character is into more popular books like Harry Potter, Lord of the Rings, or some of the classics, they'll have little issues finding a copy.

Beyond that, unfortunately, they'd be out of luck. If a book isn't incredibly well known, it's a very slim chance of there being a braille version. Likewise, there's also very low chances of finding more recent releases.

Even one of my old favourites, The Perks of Being a Wallflower -- which was written around ten years ago and is fairly popular, doesn't have any braille copies.

While it is possible to get a book printed in braille for yourself, the costs of it can get quite high (As shown above) and it's not generally an option that people go for.

Durability:

The last point I want to make is that braille books don't last as long as printed books. Although braille is read with a light touch, the braille does get worn down over time.

Library books in particular are an unfortunate victim to this. Because so many different people are borrowing the books, they often get worn down much quicker. This can be because of new braille readers using a harsher touch when reading or it could be because of improper storage, either from the readers or from the library itself. It's less likely that somebody will notice when the braille is worn down.

The braille itself isn't the only concern. A lot of braille books are bound differently than printed books are and often use plastic for the bindings, which requires more care than the usual bindings of printed books. I've included an example of what a braille book may look like below.

[Image Description: A braille copy of The Fellowship of the Ring. It is open to a tactile map of Middle Earth. The binding is made of small, circular pieces of plastic, similar to a notebook of sorts. End ID.]

Now, this all isn't to say that he can't use braille books -- these are just some things to consider. And if you do choose to go in a different direction, may I suggest audio books?

Audio books have a wider availability than braille books do and are much less costly. There's also the added benefit of being able to take them pretty much everywhere with you, as long as you have one or two downloaded to your phone.

You could also go with having a balance of the two. Maybe your character uses audio books with his headphones or earbuds during the day and reads his braille books at home so he can give his ears a break from his headphones/earbuds.

Another option is large print books or e-books that allow you to adjust the font size, which could make it easier for your character to read them. There are also other strategies that he could use when reading regular printed books, such as covering an eye or using a bookmark to sort of box in the lines as he reads.

As one quick final note: Reading braille is actual reading! Braille is just another language with a different -- not lesser! -- method of reading it.

Hopefully some of this information helps! If you're interested in knowing more about the specifics of braille books, Blind In Mind's Braille Bookstore has a lot of great resources and their copy of The Fellowship of the Ring is the one I've been referencing.

Cheers,

~ Mod Icarus

[gofishygo]

mito mito mito hihi 😋

i’ve been having some thoughts n i felt like sharing w the class newayssss

so i was having bubble tea earlier and i started thinking,,,,what cod characters would like it? i feel like price def wouldn’t,,simon wouldn’t mind it but he does def think its too sweet and proper tea is superior and blah blah blah (i acc don’t know im kinda divided on that like i hc him as a sweet tooth but bubble tea,,,ehhh i feel like he wouldn’t like it all that much like he’d be all grumbly about it,,, idfk

johnny and gaz i think would like it lots ,,

i also think alex wouldn’t like it abd farah would (i js like hc farah as this secret softie ok leave me alone 😞)

but THAT got me thinking,,,, what other food preferences would they have ?? i think gaz would rlly like sushi (saw a fan art of him on a sushi date w the reader and i forgot who made it but ):$/:)/&!:!!!!! it was so cute) and i also think gaz would handle spicy food well ?? and he would like seafood in general methinks (tryna think of some select seafood items he wouldn’t like but im drawing a blank bc im vegetarian shusbssjnsuen)

idrk ab simon and johnny and price,,,,,,out of them 3, i feel like simon or johnny would have the biggest sweet tooth (they’re on like completely dif ends of the spectrum character wise but shh i js know it) but they all eat A SHIT TON like the food could be burned or too salty or smth but if they’ve js come back from a mission then they’re eating that shit UP. and asking for seconds. and thirds. they would still give u food feedback if it’s some other day tho

also johnny is extremely passionate about haggis. no i have never tried it yes i js know he is ok moving on

KONIGGGG hmmmm,,,, i have no fucking idea lmao i think? a lot of german cusine involves bread and stuff,,,so……………i think he’d have rlly bland meals idk

i’ve been rlly into keegan lately but i cant come up w anything for him aaaa

also gaz would be the only one who knows how to use chopsticks. the others would learn fast being in the military and all but gaz and chopstick skills js make sense???

ANYWAY im soso sry for rambling sm lmao this is a lot of words,,,,,and this isn’t a req by any means !!! js needed to hear ur thoughts bc food is js calling to me like “ok but would blank character like this” like. urgh. ok im done now i think but yeah food preferences for cod characters of ur choice

ALSO !!! THE IOS SHARK STICKERS REMIND ME OF U,,,,,look at them$:!!;&:!3 OK IM ACC DONE NOW BYE BEY MITO HIPE U DONT FALL ASLEPE READING ALL THAT

AHHH hi weebun !! ^^ i was literally having bubble tea with my sister like a few hours ago and when i checked the inbox n saw this i BOLTED !! sorry for never responding to this, i forgot inbox existed..,

notes: shittily wrote as this as a warmup/just general yap :> sorry for messiness and incoordination.., platonic, no warnings !! unless ur lactose intolerant idk

so you'll be jus chillin w the 141 on base and then say something like "boba is absolute gas shits better than normal tea" and of course, since the majority of the taskforce is british, you get absolutely fucking jumped for it. like- keep in mind, you say this price, the NUMBER ONE TEA AND BISCUTS DEFENDER, so you do end up getting toilet duty for a week with the explanation of 'uncordial behaviour.'

but after your deployment, you are the one to arrange where the 141 meet up. it's a little ritual you guys have developed to stay connected in between missions, one that makes your friendship seem a bit more real. sometimes the only thing that keeps your eyes open and heart pumping. and since you're an absolute fucking menace, you ask if you can meet around the heart of london- and then drag them all into the nearest bubble tea store you can.

-

price... doesn't end up liking it. takes a total of two sips, nearly chokes on the pearls, and then sets the cup down. he claims he's been around long enough to know that this- like many other foods, is probably some 'trendy millennial bullshit that'll disappear in a solid few', but that doesn't help ease the insane side eye that he gets from the cashier.

but to your surprise, ghost seems somewhat okay with it. his face doesnt really change (from what you can tell- his mouth is still hidden due to some face mask he put on), but he seems neutral, relaxed, even. he mutters something along the lines of how it isn't too bad, but it doesn't beat a cuppa- to which you chose to ignore, and how he'll probably just stick to having an earl grey in the mornings. but a few months later, you catch him at the same boba store, and you cant help but giggle to yourself.

soap fucking inhales the drink. its genuinely concerning, to say the very least. he seems to like.. unhinge his jaw like some kind of snake, and then inhales the whole drink in what you think is a millisecond. and since he's the only scotsman on the team- thinks the whole 'tea n biscuits' ritual his colleagues have is utter stupidity, so not only does he now FREQUENTLY drink boba because he likes it- he also drinks out of utter spite.

gaz is the only one with a seemingly respectable opinion about boba, unfortunately. he's had it before, multiple times- it appeals to his sweet tooth and is the occasional treat after long missions. but unlike you, gaz does not value peace, and seems to keep egging soap on in chugging unreasonable amounts of the drink. (and he doesnt mention it, as he does not want to face the same punishment as you did, but he thinks that bubble tea is sometimes, just sometimes better than his cuppa.)

masterlist (some of my other stuff is better promise)

[rosakuma]

DRDT EP 14 Thoughts(spoilers of course 😋)

I’m about to go insane

Okay for starters…..I’d like to apologize to the Hu nation and the Eden!cultprit truthers. To be fair, she was very sus before we clarified Nico’s murder attempt. To which damn Nico, I was trying to give you the benefit of the doubt only because it was strange how you held that wire, but it makes sense now knowing the reason. Man I feel awful for a lot of people here in this episode. Nico regrets trying to kill Ace even if they dislike him because he reminded them of the people who hurt Nico before(peers, teachers, and their father OOF). And now they gotta live with having “Almost murder” stuck to their name while also losing a potential friendship with Rose(we NicoRose shippers lost dang it). Poor Rose feeling guilty of her memory being out of shape(the poor girl is traumatized by remembering the clear deaths, I don’t blame her) and getting blames for it. But thank goodness my goat/best girl Teruko with some good old character development came in and reassured Rose that she is useful and it’s not her fault(Us TerukoXRoss shippers fricken WON!). David while still being an ass that I hate(albeit now feel more sympathetic towards) I feel bad for witnessing Arei’s body first….god no wonder why he’s so mad at the killer, I’m pissed at them too. And then there’s Ace….this episode turn me into the 1# Ace Markey defender. My poor man has been suffering this chapter and things keep getting worse for him. He pushes everyone away thanks to his paranoia, has a eating disorder no one notices which is hurting him, was ALMOST MURDERED with no one worried about him(hell Hu fricken defended his potential murder rather than reprimanding them!), and worse of all, the one person he thought who cared about him in this terrible place admitted he doesn’t care if he lives or dies….oh and now he’s being accused of killing Arei. F*ck Ace’s life is so tragic. Oh yeah speaking of the killer. EDEN HOW DARE YOU, I BELIEVED IN YOU!! She is 100% the murder and it makes me so sad and sick seeing how well she’s able to make Teruko take her side. She even hugged her like Min did(I am going to be sick). I will say, Arei would respect the hustle and manipulation though. Well done Eden, you impressed your would’ve been bestie. I might make another post about why Ace can’t be the killer unless someone beats me to it, but yeah it’s Eden. No way Ace is the killer and it sucks how David despite revealing his true colors is still able to manipulate everyone(bro gonna out do Kokichi Ouma man).

[scoobydoodean]

Honestly I think that a lot of the reason why people view dean as abusive towards jack is because they genuinely think of him as a baby/toddler and not someone with the cognitive abilities of an older teenager/young adult who just happens to not really know much about the world. Obviously there's more to it because people ignore that cas wanted to put jack in the cage and sam wanted to use his power, but I stumbled across a post the other day about how they (the writers and the characters) should've given jack a capri-sun instead of a beer because he's a "literal toddler"... which is just completely incorrect and considering he has the body and brain development of someone who's older, there's no reason to not give him a beer. (also is anyone really a dad unless they give their 3 yr old a beer /j)

Context

It's funny because the whole point of the beer scene is to establish that Jack is not a child and that treating him like one would be ridiculous.

[DEAN grabs and opens a bottle of beer. JACK imitates him.] DEAN Wait, wait, wait, wait. How old do you think you are? JACK 3 days, 17 hours, and 42 minutes.

(From 13.02)

When Jack proves that he has such an advanced understanding of communication and time and such an unusual awareness of exactly how much time has passed, Dean immediately realizes that treating him as if he's a baby makes absolutely no sense because he clearly isn't one. Treating him like a child would be infantilizing, and we see Jack rebel against the notion that he's a baby a few times.

There's some push I think to separate Jack's intellectual abilities from his emotional coping abilities, but even these I think are more or less on track with other young adolescents around the age he presents himself to be when controlling for traumatic experiences. Jack's initial emotional regulation abilities don't read like those of a toddler, but of a young adult who's confused and upset and has been through a lot. Without powers in the mix that he doesn't know how to control, his emotional regulation abilities seem fairly standard for boys his age (at least to me). I don't think for example, that the anger he experiences and the reasons he experiences that anger can be equated with toddler-like tantrums, and any other person whose been around a toddler and sees what kind of things make them furious knows what I mean.

Granted, there are things Jack is naive about that are probably connected to him being "born yesterday". We see this early on when Asmodeus tries to manipulate Jack into opening a hell gate. At the same time, this interaction also highlights Jack's innate sense of right and wrong as a counterbalance. I personally find it frustrating when people try to take away Jack's understanding of right and wrong (rooted in his love for others) and cast him as a baby to the extent that he isn't even capable of understanding the golden rule, when Jack shows over and over how seriously he takes the personhood of other people and the weight of their lives. This is what allows him to see through Asmodeus's trickery in a very confusing situation, simply realizing, "you're hurting my friends". Jack using his care for others as a foundation to navigate Asmoedus's trickery also serves as excellent contrast to soulless Jack in 14.19. Soulless Jack was not able to grasp that Dumah was manipulating him because he was missing this crucial piece of himself—his love for other people including strangers. Because he was lacking that part of himself at that time, he was unable to grasp that filling someone's body with worms for not wanting to be turned into an angel is horrible and cruel and couldn't be a good thing. His naivety played a role in what happened, but it was the crucial missing soul that actually allowed this situation to transpire. I think a lot of people just straight up think normal Jack also would have been manipulated into killing people for Dumah in this circumstance and I really just don't think that's true at all.

[top-faye]

Also, this may be a controversial opinion, but I love Wan's mom now.

Now, before y'all come for me! Give me a chance to explain! I still think she's a bad person and mother, but episode 3 had made me a lot more sympathetic to her and had fleshed her out far more. Before, she came across as "generic evil mother in Thai GL" but episode 3 portrayed her as the lesser of two evil parental figures.

We don't know what the full story of Wan's parents are, but Wan was born on the day of their wedding, and it clearly isn't a happy marriage. And I think the fact that Wi is still married to this man and had no support system outside of him and Pleng's parents, her employers, speaks volumes of what her background is like and what her own parents were presumably like.

Wi is awful to her daughter and thinks poorly of her, but it's also clear that the reason she pushes Wan to find a "good husband," is likely because her own regret of her choice of husband—not that she'd ever voice that as she seems to have very traditional values in that regard. She likely married him out of a sense that she needs to and remains permanently indebted to him.

She doesn't want that life for Wan.

She's also someone who has had a difficult and harsh life, so she approaches things far more directly, pragmatically, and harshly. I know some people after episode 3 were bashing Wi for how she treated Pleng, and I agree that she was awful, but I saw it as an example of some genuine "tough" love from Wi.

Because I do think Wi genuinely cares for Pleng. She doesn't want to kick her out, that's what her husband desires and she can't go against him, but she does want Pleng to get better and she wants her to be strong enough to survive it because she knows life is going to be harsh and difficult.

That was my sense of her after episode 3 and episode 4 really solidified that for me especially when Wi refused to take the money and in fact stood up against her husband—the FIRST time we have seen her do that—and really pushed for Pleng to take the money.

Wi absolutely knows that Pleng is likely not going to stay with her aunt, so she isn't going to allow Pleng to leave the house penniless which to me demonstrates the fact that she does genuinely care for Pleng.

But Wi is someone who feels like she has to constantly make sacrifices and compromises. Because life is a competition in a sense.

Wan hid her success because she was afraid of competing with Pleng. And where does she get that impression? Why would she think that her own success would ruin her relationship with Pleng? Because of her mother. Because Wi has an extremely competitive mindset because that is the mindset she has had to develop in order to survive in this world and it is a mindset that she continues to cling to for better and worst.

She's an awful person, but I feel like she's a character who is a lot more nuanced than she initially appears, and I really appreciated that.

[musicalmoritz]

what are your thoughts on hananene?

I’m so glad you asked this!! Some people assume I hate HanaNene because I ship Nene with Aoi and I don’t post about it as much as Aoi//Aoi, but that could not be further from the truth. When I first watched the anime I absolutely adored HanaNene, they were my favorite ship for a hot second there (though I was saving that spot for Mitsuba and Kou, and it was also Sakura and Natsuhiko for like a day. I never expected it to be the plant lesbians lol)

My love for HanaNene tends to be more mild when I’m not actively reading about them. I have never and will never dislike them, but I don’t think about them as consistently as some of the other ships (though I think of them more than some others). Then I read a scene of them in the manga and I’m abruptly reminded of why they’re one of my favorite TBHK ships. This also applies to when I’m rewatching either of the animes or when I get in the rare mood to read fan fiction for them

The thing that initially stole my heart was how weird they are. Their whole relationship is odd, it’s like if Aladdin got with the Genie. The first chapter doesn’t have anything romantic between them up until the very end and if you didn’t know they were love interests, you’d assume he was meant to be her goofy sidekick. And then we start the gag of him flirting with her while she’s very adamant about him being Not Her Type. But her relationship with him is still so different from everybody else, she’s usually so self-centered but with Hanako she notices things about him and makes efforts to make him feel better (ex: deciding to be his friend in the mokke chapter). Sure, there are still things she misses about him, Teru had to be the one to tell her he was unhappy in the new timeline. But she’s significantly better at looking out for Hanako than she is with everybody else, because he’s so important to her. She gives him time to open up about his past because she knows he’s not ready for it, she wants to be the one to confess to him because he deserves to feel loved. With heterosexual relationships I’m mainly focused on what the woman is feeling/experiencing and HanaNene is such an interesting ship for Nene! It gives her a lot of important development and stands out from her other crushes and ships. She had cheesy romantic fantasies about him but she doesn’t act like a blushing fangirl, it’s real love and we get to see a more mature side of her when they’re together

I have so many favorite moments for them so I’m gonna list them all now because I’ve been waiting for an excuse to do so. The end of the Picture Perfect arc where Nene asked Hanako if he wanted to trap her and he said “of course not, how could you even think that?” The Confession Tree chapter as a whole, it’s my favorite early chapter by far. When Hanako told Nene she’s cute when she’s smiling. When he tucked her into bed at Sumire’s house. I don’t remember when this was but when Nene made some big statement on the roof and then she was like “as a friend ofc.” When she kissed him on the cheek duh that was so cute. That convo they had in the classroom during the Picture Perfect arc. Their first kiss but that’s like a given everybody loves that scene. Wow. HanaNene.

I will say that I prefer their dynamic with Amane’s personality but I’m not one of the people who separates those ships entirely, I think people who do sort of miss the point of Hanako’s character. Amane is still a part of him, there are many scenes in present times when he acts like his old self. Sure, he’s changed over the years, but he can’t fully become a different person the way humans often do because he is forever that same 13 y/o boy. So if you were to ask me “HanaNene or Amanene,” I’d say both. I do prefer to call him Amane tho bcuz it’s such a pretty name. Amane. Amane. Amane. Pretend you can hear it, it’s gorgeous

Similar to how I will never slander Aoi and Akane for Aoi and Nene, I’ll never slander Hanako and Nene in favor of them either. I love all the canon ships so I’ll never be the type of fan to put them down in order to justify my fanon ones. I don’t need to do this because I have good reasons for liking fanon pairings, I can back them up without having to put down another ship. If you have to put down another ship in order to make yours look good, it’s probably not that great on its own

Also for headcanons. They are t4t and bi4bi to me, that’s just how it’s gotta be. Toilet-Bound Woke-Kun. Woke-Bound Hanako-Kun. Toilet-Woke Hanako-Kun. Much to ponder

[princessjadyn15]

so I noticed how some people have been wondering weather or not Amy (or Rogue) will be in the 3rd sonic movie

well I think she will, but in the post credit scene and not the actual main story of the movie and here’s why

In the first movie we saw Tails in the post credit scene, which teases the 2nd movie and him being a new character in it

Then in the 2nd movies post credit scene we saw Shadow, which again teases for the upcoming 3rd movie and Shadow being a new character in it

so my prediction is that they will do the same thing they did for the 1st and 2nd movie and add Amy or Rogue in the post credit scene to tease and hype people up for the 4th movie. (Now to be fair the 1st movies post credit scene did not have Knuckles in it but he was a new and important character in the 2nd movie.)

now I love Amy and Rogue and I would love to see how they characterize them both in the movies but I feel like putting them in the 3rd movie wouldn’t really be the best idea because it is already seems to focus on Shadow and his story so just adding another character or more would probably jam the story of the 3rd movie and not give other characters enough time for character development

[pluage-docters-go-brrrrrr]

SPOILERS FOR TFONE

So my thoughts on the movie. It was amazing, the progression was good, the characterization was great, I love how they did shockwave amd elita one especially. My one big complaint is that Ratchet only ever had silent cameos. Like (big boi spoiler) when Orion pax was giving his big speech to the other miners I was syaring at ratchet's back.

Megatron's decent into evil is really well done to, it starts you off by introducing him as Orion's partner in crime. Then showing him and Orion save jazz and participating in the Iacon 5000 showcasing that trust. Then it's revealed that sentinel is a lying basterd and he goes nuts about killing him for basically screwing him over his entire life. We see how far he goes till he's off the deeper and let's Orion die. It's just so powerful how well they tell the story.

I love how they fleshed out the world of Cybertron. I was expecting more, but they needed the time for character development. All in all, it was an amazing movie and I highly recommend you see it for yourself.

[if-chaos-was-a-boy]

SO.

I HAVE PLANS FOR BEST BOY CALIX.

This ain’t gonna happen super fast, I have examssss and ofc with the aftermath of the recent situation

so I’ve been posting less and less on him because I’ve been getting uninterested, this is because

A) I made Calix as a short term project, I didn’t expect to be here for such a long time. That means he has a shitty lore, background and character development.

B) I’m satisfied with the place he’s got to so far.

sooo…..this is my plan!

Calix is gonna lose all his memories and have his timeline reset to the day he reached camp.

Everyone else is also going to forget him [your stronger, more op ocs could probably have a faint recollection of him] and his journey at camp is gonna start from Day 1 again.

He’s gonna randomly have Deja Vu sections like:

“Oh damn, have we met? Maybe in another life? I guess we were always fated to be friends.”

Overall his personality is not gonna change much, just probably a little more shy at the ‘new’ environment.

This gives me an opportunity to

Reintroduce his character and personality

Let your ocs be able to make THEIR first impressions different from the first time

Buys me time to write him proper lore

ANYWAYS MOD’S MEMORIES WONT CHANGE AT ALL OFC

pls ask me questions about this, I need to develop it :3

@that-girl-cupid

@goddess-of-bubblegum

@unhinged-waterlilly

@love-lightning-forethought

@iceweavercatlover / @debacleofdaemons

@chaos-pers0nified

@stephen-the-spider

@bambi-the-dummy

@emdabitchass

@i-was-never-sane

@athenas-weirdo-daughter

@divine-wine-daughter

@kaiaalwayswins

@smileyalater

@daonedaonlyskh

@bast-the-best26

@kiaradaughterofselene

@pink-koi-lovejoy

@itsyourboyezra

@hispanic-child-of-hermes

@mireya-the-awkward-extrovert

@gellyhelio

@ariathemortal

@arisdaughter

@syd-the-nerd

@steve-the-union-man

@psychicbluebirdmiracle

@madson-of-hermes-notluke

@thegroovydaughterofhestia

@the-olympus-assassin

@heraaaaaaaa

[linkspooky]

How to write the perfect revenge story with Kohaku-Sensei! What Tsukihime does better than Avatar the Last Airbender.

So a follower asked me why Kohaku was my favorite of the Tsukhime girls after I made an offhand comment on my Ciel/Noel post on how Kohaku is the perfect take on revenge. Both Noel and Kohaku's story arcs are near perfect revenge tragedies that make their characters the standouts in Tsukihime. I tried writing up just why I thought Kohaku's character was good but it kept turning into a carbon copy of this post by comun right here. Eventually I decided to dig deeper.

Why does Kohaku's revenge story work so well? Why does every other revenge story suck so hard in comparison? See the thing is I hate a lot of revenge stories in fiction because they are very shallow, black and white tales of the good guy giving the bad guy everything he deserves.

In other words, I'm disappointed by most omdern revenge stories because they display a critical lack of understanding of how cycles of abuse start in the first place, and how both sides on the conflict no matter what are equally human. Perhaps that's why Kinoko Nasu writes revenge so well, because he's a deeply humanist author who's not really focused on good guys or bad guys but rather just understanding the characters involved.

So to show just how well Tsukihime humanizes Kohaku as both victim and villain of the story, I'm going to compare it to one of the worst revenge stories I've read in fiction. Both of these stories are tragedies that kill their main character, a victim who just wanted revenge for the long abuses they'd suffered in life. However, one of these is Tsukihime, and the other one sucks. So without further ado under the cut.

ORESTES THE FIRST REVENGE STORY

So Yun is a character from a spinoff novel prequel of Avatar the Last Aribender, focusing on the life of Avatar Kyoshi. In a lot of ways Yun is like Noel. He's a completely new character, thrown into the backstory of an already established character. He also steals the show because he's allowed to be a lot more flawed and act as a villainous foil to the main character, Yun even acts as a Jungian shadow the second novel is literally called the shadow of Kyoshi.

However, there's one major difference Noel's character greatly enhances Ciel's even if she is fridged for Ciel's character development. Whereas Yun's character and the eventual ending the story gave him ruined any kind of enjoyment I could have had from the story for Kyoshi's character. In fact, I think Yun's death made the whole story fall apart thematically.

Which is ironic because it was the exact same ending. Noel's character ends with her dying by Ciel's hands. Kyoshi kills Yun with her own two hands in order to stop his revenge. In both stories the victim dies so why does one frustrate me to no end and the other ending elevates Tsukihime to one of my favorite pieces of fiction?

The devil is in the details.

Revenge stories are by their nature tragedies. It makes sense for them to, for the most part with a few hopeful exceptions have bad endings. Taking personal revenge against every single person who's hurt you grievously no matter how deserved that revenge might be does not solve the problem. In fact it creates several new problems.

This is pretty well explored tragedy in fiction, all the way back to The Oresteia. Orestes is the son of Agamemnon and Clytemnestra. If you know anything about the trojan war you should recognize those names.

The story begins like this, King Agamemnon of Mycenae offends the goddess Artemis by killing one of her stags. So, in retaliation she prevents the greek troops from reaching troy by taking the wind out of their sails, unless Agamemmnon kills his oldest daughter Iphigenia. Agammemnon drags his daughter away from his wife Clytemnestra who was crying and begging him not to and offers her as human sacrifice. Ten years later when Agamemnon returns home he finds his wife sleeping with another man, and the two of them together butcher him to avenge iphigenia.

Then in order to avenge her father's death, elektra urges her brother Orestes to kill their mother and the man she committed adultery with. Orestes eventually goes through with it out of duty to his father, but because he's committed the clan of kin slaying the gods send the furies after him to chase him down and torment him.

The revenge just continues to cycle. Orestes doesn't right a wrong by avenging his father's murderer, he just commits kin slaying a taboo among the gods. Even though he felt he had an obligation too because he couldn't let his father's murderer live, the gods don't let him live in peace. Orestes would have been chased by the Furies for the rest of his life if Athena didn't intervene and basically hold the first court case in order to rule if it was really just to punish Orestes like this.

The point of my long foray into greek mythology is that no matter how entitled each person in the revenge cycle might have felt to their revenge, in the end they were committing a horrible act. Clytemnestra was avenging her daughter against the man who killed him, but she alienated her other two children. Orestes was duty bound to avenge his father, but he still killed his own mother with his two hands. At each link in the chain there's no real innocent parties, and the moment you take revenge you become a perpetrator in this cycle of abuse as well.

That is I think a central concept that the greeks understood but many modern authors fail to grasp, that revenge is a cycle during which any time a person can become a victim of it, and also a perpetrator of it. It's not a matter of internal goodness or badness but rather an uncontrollable cycle of violence that people get caught up in.

What revenge stories should be about is escaping the cycle. When the character manages to escape like Orestes and live for something other than revenge that's a happy ending, but when the character fails to escape that's a tragedy. Whether or not a character actually accomplishes their revenge is a footnote.

The Count of Monte Cristo accomplishes most of his revenge but the act of revenge isn't what saves him, but rather the faithful love of Haydee who had always been by his side and the words "wait and hope." The Count isn't saved by the revenge he took on all the people who hurt him, but by the strength he had to wait through a terrible situation until it got better and then live on to the better future. Carrie accomplishes her revenge in burning down the school gymnasium and all of her bullies, then goes home and dies a few minutes after killing her mom the last of her abusers unable to escape the cycle.

While their endings are opposites, in both cases completing their revenge didn't give them any measure of peace at all. In fact, the Count almost in the course of his revenge committed a sin far worse than anyone had done to him by killing a newborn infant. No, any good revenge story should know that in the words of percy from Critical Role you can't murder your way to peace.

"There was nothing I could’ve done to save my family, yet I still sold my soul in search of vengeance. Later I allowed Ripley to leave, knowing full well she was a greater threat to the world than the Briarwoods would ever be. I traded the world’s safety for the belief that I could murder my way to peace; that if I could be a greater horror, it would bring my family back. And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made." -Percy's Death Letter, Critical Role

In most revenge stories I've noticed that revenge is the main character motivator for the character taking revenge. Therefore the conflict becomes whether or not they can find something new to live for by the end of the story. The characters seeking revenge often make that revenge their entire reason for living, but then what next?

This quote from Oldboy a modern adaptation of the Count of Monte Cristo is relevant.

Seeking revenge is the best cure for someone who got hurt Try it The loss of 15 years the pain of losing your wife and child you can forget all this Once again revenge is good for your health But... What happens after you've revenged yourself?

What happens after you've revenged yourself should be the central question to these revenge arcs. The ones who don't have an answer to that question and are unable to free themselves from the cycle are the ones who end in tragedy.

YUN VS KOHAKU

Yun and Kohaku are characters from a western animated series that adopts eastern themes and a Japanese visual novel about vampires. These two characters come from very different genres of stories, an adventure story about magical warriors using martial arts to bend the elements and a horror story about vampires and serial killers respectively.

However, because both Yun and Kohaku are the central figures of a revenge tragedy they end up having a lot in common. The largest common thread between them is that both of them is that they are child abuse victims, specifically the victims of long term grooming.

They are children who were adopted and then groomed by their father figure for years. In Kohaku's case, it was sexual grooming, whereas in Yun's case it was grooming him into a child soldier. The official definition of child grooming works for both of these cases, it is when an adult forms a relationship with a child to sexually assault them or induce them into doing something dangerous or harmful to them.

Kohaku and Yun are more obscure characters though so for the sake of people who haven't read one or both of these series I'm going to go more into depth on their individual circumstances.

Kohaku is an empath, born with the ability to transfer energy to other people through sexual intercourse. She and her sister were brought into the Tohno Clan, because Makihisa Tohno the elder had demon blood in his veins. This demon blood made him at risk of going through a process called inversion, where he would slowly lose all his mind, all reason, and violently attack everyone around him until he was finally put down. In order to mitigate that risk, Makishisa engaged in regular sexual intercourse with a young Kohaku and made use of her abilities as an empath to control his demon side.

As the elder of twin sisters Kohaku made a deal with Makihisa that she'd let him use her whenever she needed as long as he never touched her sister. Since he kept his word to her, she found it hard to resent him in the long term. Also, because she was constantly high on drugs that made it impossible for her to feel pain.

"So, I took in everything Makihisa-sama wanted to do. I asked him not to touch Hisui-chan because I would take everything myself. He was probably ashamed and agreed to my request. He probably also thought it was better that as few people knew about this secret as possible."

Kohaku is eventually sent to take care of Makihisa's son who also inverted, but when he loses control and rapes her too that's when she loses her last bit of humanity and starts to think of revenge.

At this point she starts to think of herself as an unthinking doll who cannot move for herself, and can only move for revenge. She eventually starts to move against Makishia, first by informing Akiha and Hisui of the abuse she's suffered. She's surprised when Akiha immediately protests what he farther was doing right away, and the sexual liason ends and Kohaku becomes a normal servant. However, even after the abuse ends Kohaku decides to continue living for revenge leading to the main plot of the Far Side of Tsukihime.

Yun is the false avatar. If you've heard of Avatar then I'm sure you at least vaguely know of the concept of the avatar, spiritual guide in the world of avatar that reincarnates over and over again to guide both humanity and the spirits.

In the avatar prequel novels it's established each nation has its own way of tracking down the avatar, but because Kuruk died early and under mysterious circumstances the earth nation was in a panic to find the next avatar. Instead of waiting for more sure confirmation, they picked one random kid on the side of the road on what was basically a hunch that he was Kuruk's reincarnation. This kid was named Yun, a nameless but smart kid with no parents who was conning people by playing Pai Sho really really well. While all along the next avatar Kyoshi was right next to them as one of Yun's servants.

Yun is trained as the avatar through years, and is put through the kind of training that only the Zoldyck family from Hunter x Hunter would approve in. Including being forced to walk on spiked caltrops to learn bending, and being forced to microdose on poison to gain an immunity. Like, this is literally what Killua's parents did to him in HXH.

"I'm surprised you can move," Jianzhu said to him, more impressed than anything else. "Poison training," Yun spat through clenched jaws. "With Sifu Amak, remember? Or did you forget every darker exercise you put me through?"

Yun is a genius earth bender, a brilliant statesman, he works all around the clock to become the avatar everyone is telling him he's destined to be but he's not physically capable of bending any element other than earth. To the point where after a year of failing to learn fire, his bending teachers frequently lambast him as being lazy and not trying hard enough.

"Your situation isn't unique" Hei-Ran went on. "History is full of Avatars like you who tried to coast on their talents. You're not the only one who wanted to take it easy." Yun slipped. An event rare enough to notice. His motion took him too far outside his center of gravity, and he stumbled on his knees. Sweat stung his eyes, ran into the corner of his mouth. Take it easy? Take it easy? Was she ignoring the fact he spent sleepless nights poring over scholarly analyses of Yanghcen's political decisions? That he'd extensively memorized the names of every Earth Kingdom noble, Fire Nation commander, and Water Tribe Chieftan back three generations on the living and the dead? The forgotten texts he'd used to map the ancient sacred sites of the Air Nomads to such a degree that Kelsang was surprised about a few of them? That's who he was when no one was looking. Someone who dedicated his whole being to his Avatarhood. Yun wanted to make up for the lost time he'd squandered by being discovered so late. He wanted to express gratitude to Jianzhu and the entire world for giving him the greatest gift in existence. Taking it easy was the last thing on his mind. [Literally a few seconds later...] "In the old days, masters used to maim their students for insubordination," she said horsely. Yun restrained himself from flinching, "What wonderful modern times we live in."

So Yun is physically and emotionally abused by all of his teachers, Jianzhu, Hei-Ran and several other adults who were complicit with it to train him up into being the avatar. Then, when it turns out Yun isn't the avatar, he's immediately abandoned and left for dead.

Yun gets dragged into the spirit world as a human sacrifice to a horrifying spirit known as Father Glow Worm. He is abandoned by his master who makes no attempt to save him the moment he learned that he wasn't the avatar. Then, in the spirit world he fights Father Glow Worm for days and eventually has to eat him in order to escape home.

After getting to a random village he asks for water. Yun is mocked by a man he saved earlier fo rasking for a single glass of water. When the man throws the water on the ground and tells him to water bend it, Yun snaps and then kills the man who mocked him, the city guard, and everyone who was sitting in the teashouse and has his Geto moment. He decides to start living for revenge against all of the teachers who abused him.

"Well," he said out loud to no one. "It looks like I've been fired." Perhaps it was for the best. He would need the free time, because he had a losit of things to do. lots of personal business to take care of. And at the top of the list was paying his respects to Jianzhu. Filled with new purpose, Yun took off down the road, whistling as he went.

Both of these characters decide to make revenge their reason for living. To quote Oldboy, "Seeking revenge is the best cure for someone who got hurt. Try it." They also face the same fundamental issue, now that they're only living for revenge then what happens after they've revenged themselves?

These characters are also similar in a couple of other ways. They are schemers who mainly work through manipulating others. Yun fakes a political conflict between the fire nation royal family and another noble family in order to bring one of his abusers into the crossfire. Kohaku manipulates both SHIKI and Shiki through the use of drugs to orchestrate her revenge in the Far Side Routes.

They're also both trickster characters. Yun refers to himself as a clown and constantly hides everything behind a smile. "He added that smirk that everyone said reminded them of Kuruk's. After all, a clown needed his makeup." A major part of Kohaku's character is that after Hisui learned about how her sister was being abused she stopped smiling. Kohaku wanting her sister to be happy, started to fake a smile and goof around the way Hisui used to because she wants to see her sister smile again.

One more similarity before I begin dissecting their differences and the way these two characters are handled is that if Kohaku and Yun were the main characters of the story their revenge would undoubtably be framed as one hundred percent justified. If they were the main characters it would definitely be a kill bill situation.

I don't think they are justified, because straightforward revenge is boring. The fact that they are antagonists is the point of each story. I'm just making an underlying point on how a lot of revenge stories suffer from protagonist centered morality. It's alright if Maki Zen'in, or The Bride kills upwards of a hundred people in retaliation for the harm that was done to them and we're supposed to root for them without thinking too deeply on it because they're the protagonists of the story. Protagonist centered morality is bad, because it makes things too centered on the protagonist and therefore if the morality of a piece of based on the protagonist it will make things too easy and the protagonist will go unchallenged.

In fact, in the story of Tsukihime itself, the entire Tohno family thinks that Kohaku 100% has the right to take revenge against them. Akiha is fully aware of Kohaku's revenge scheme. She lets Kohaku get away with her revenge every step of the way, including taking what is essentially a bullet on purpose and dying for Kohaku's revenge scheme because she believes her family deserves it.

However, because they are not the protagonists they don't get the easy route of taking their revenge against the people who deserve it and then riding off into the sunset happily. No, Kohaku practically gets her revenge handed to her on a silver platter and still revenge doesn't fix anything.

Once again, revenge is good for your health, but...

WHAT HAPPENS AFTER YOU'VE REVENGED YOURSELF?

Yun and Kohaku are both characters who either lost everything, or had no reason to live to begin with and decided to make revenge a reason for living. Both of them were unable to keep living for revenge because revenge is unsustainable. It's not something you do once and you're done, it's a cycle. The act of participating in it continues to perpetuate the cycle. As a result both of them met their tragic end.

However, Kohaku's tragedy surpassed Count of Monte Cristo for my favorite revenge story in all of fiction, whereas Yun's ending made me want to rip his book in half.

There are some differences in how their revenge stories play out. Kohaku is a very unique character. In spite of being an emotionless doll, she takes her revenge not out of anger or hate but empathy. I can't word it better than Comun so I'll just quote their post:

Hisui route ends with the reveal that Kohaku masterminded the demise of the Toono family and her motives are pretty obvious but I never expect the way she felt about it. Kohaku describes herself as not as a human, but as Makihisa’s emotionless doll. Kohaku had to constantly intake pain-removing drugs in order to endure Makihisa’s (and latter SHIKI’s) abuse and this state of not feeling anything disconnected her from her emotions. Kohaku admits that, to some extent, she did all of this because it made her feel human a little. What you would expect from this premise? Kohaku channelling her remnants of humanity into hatred for the Toono family and orchestrating her revenge. Was that what really was on her mind? Nope, Kohaku (and Kinoko himself, as Fate/Grand Order is a great evidence of) has a much more positive definition of what it means to be human. Kohaku expresses her humanity through fairness, empathy and a desire to make the situation better. Even though, Makihisa singlehandedly completely ruined her life, she acknowledges that he didn’t do it out of sadism or perversion, he did because he really had no other choice in order to keep himself from inverting and causing even bigger harm to everyone. Kohaku sees Makihisa as much of a victim of this tragedy as herself. 

Kohaku's revenge actually takes a twisted form of empathy. Kohaku doesn't have the standard revenge motivation of just wanting to hurt the people who hurt her, because she can objectively see the points of view of almost everyone involved in the tragedy.

It's a bit like Orestes where there's no true beginning or end point. Makihisa is a sick pervert and the instigator, but he also didn't choose to be born with demon blood that made him liable to turn insane at any moment. SHIKI is kind of helpless in all of this, as another person with demon blood he couldn't help inverting at nine years old and going completely insane, he's not really in control of his actions. Hisui is an innocent, and while Akiha is a part of the same family the moment she learned what Kohaku was suffering she stood up for Kohaku and made it stop.

"But, there wasn't anything else I could do. Without a purpose like that, I couldn't live. A doll cannot move on its own. Without anything to guide it, it can't move." "But still--" ...... That is unforgivable.

Comun frames Kohaku's motivations as genuinely believing the world would be better off without the Tohno bloodline, because it only has caused everyone involved with it suffering. Therefoer she makes a plan to kill every member of the family, except for Hisui and Shiki who are technically innocents, and then herself finally so Hisui can run off into the sunset together with Shiki who she'd always loved.

I'd also add that on top of empathy there's also a certain justice in her actions. Not justice in the sense that she has to hurt the people who hurt her, more like justice in the sense of fairness? Like, Kohaku isn't driven by personal hatred but rather a desire to make things fair and balance the scales. A family like the Tohno who cause misery to everyone shouldn't exist, because people shouldn't have mixed their blood with demons in the first place. There has to be a consequence to Makihisa's actions because you can't get away with child rape and the only one who could enforce it was her. The same way that Kohaku considers everyone's opinion equally and considers everyone equal victims in this twisted family cycle of revenge, Kohaku also acts to make things more fair.

To quote Percy again, it's like she's trying to balance the ledgers.

"And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil."

Kohaku's also constructing a narrative around her pain. She needs a reason to keep living, and that reason is the narrative she's constructed, the story she told herself that she only half believes that everyone would be better off if everyone associated with the Tohnos, herself included, except for Hisui and Shiki died off.

Of course this is just a narrative. A lie she is telling herself to justify her actions. Because Kohaku acts out of fairness, and empathy, but she also acts for the sake of acting. She wants a reason to move, because otherwise she would just be a doll, passively enduring suffering. The story she tells herself is in the end a lie, like all stories are. Kohaku ignores the feelings of two people in her assumption that everyone would be better off without the Tohnos, that is her own personal feelings towards Akiha, and Hisui's feelings towards her. Kohaku understands that the reason Hisui can't smile any more is that she's too horrified at all the things her sister endured to protect her. However, she can't grasp that killing herself in front of Hisui would just make Hisui live with that guilt forever. That Hisui would rather be miserable with her sister alive than happy with her dead.

(From the good ending)

"Nee-san......? Nee-san, hold on......!!" A desperate cry. Seeing that, the girl smiles like a child. "...... Huh? ...... Don't do that, Hisui-chan. Crying like that, it feels...... like back then." "What---Nee-san, why----" "...... Yeah, because if I, don't do, so, you won't be, able to return, to the way, you were." Her words in pieces, and with glazed eyes, she speaks to Hisui. "---------Nee, san." Hisui's face contorts in grief. Her tears flood her face. "...... Why? That's fine. I was okay with the way I was. If you were happy, then I was happy. I---I was always protected by you, so---" I was always happy. Painfully, she swallows her last words.

Yun is in comparison less magnanimous towards his abusers. He wants more straightforward revenge against his teachers and all the people who "lied" to him by promoting him as the false avatar.

This is the biggest area where he differs from Kohaku. Rather than Kohaku, I'd say he's more like Geto, someone with a savior complex who genuinely put their all into being good because they believed they had the responsibility to save people, only to be then betrayed by those same people they were working so hard to save.

I do still think empathy is the central motivation for both characters. Kohaku commits revenge out of a twisted sense of empathy to see the perspectives of everyone involved and decides the only way to fix everything is to destroy it all and wipe the board clean and give the two innocents in the Tohno Household a fresh start.

Geto and Yun are both high empathy individuals whose empathy for other people twists them so much when they're confronted by human ugliness and selfishness, that they end up turning on the same people they wanted to save. They feel a bone deep empathy that twists them into monsters because they're not able to exist in an unfair or imperfect world that isn't the way they imagined it to be.

'...no matter what, I hate non-sorcerers. But it's not like I hate everyone at Jujutsu Tech. It's just...' It's just that it was what Geto had to do. In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '...that in a world like this, I couldn't be truly happy from the bottom of my heart.' To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality. This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. JUJUTSU KAISEN ZERO LIGHT NOVEL

Geto is broken by the idea that all of his comrades and himself are considered expendable, and they're all meant to sacrifice themselves for an ignorant public. Yun is broken by the fact he broke his body and mind trying to be a great avatar because he wanted to help people, only to learn that it was all for nothing because he was discarded the moment it turned out he wasn't the avatar.

(Yun is more Morgan Coded but that's a different post).

It was too late. "I dedicated my life to people like you." Yun said. He couldn't tell if he was laughing, crying, croaking out beastial sounds of fury. "I wanted you to thrive. I wanted you to prosper. I tried so hard."

However, I'd say both of them Kohaku and Yun are driven by an underlying idea of fairness. They're not taking bloody violent revenge for personal gratitude, but because they can't cope with the unfairness of the world they're living in and are trying to find some ways to balance the scales.

Yun is so driven by fairness that he doesn't want to punish Kyoshi even though she technically stole the title of avatar from him. He considers her innocent of the whole thing, and even sympathizes with her and the struggles she carries right now as avatar.

"I can't believe you think I would ever hurt you." He gently tugged the closed fan out of her right hand. "You, the one innocent party in this whole affair! I would never hurt you, Kyoshi! For Yanghcen's sake, I used to be your whole life.!" He dropped the weapon and it pinged against the ground. "I know what's happening here. Your duties have gotten to you haven't they? I remember what it was like, carrying the weight of Four nations on my shoulders. Jianzhu used to liken them to unruly students in a classroom, requiring the guidance of a strong hand." He paused and chuckled, "I used to believe it meant showing the wya, leading my example. Now I know better. The world is a child refusing to listen, creaming in a tantrum. It needs to be slapped a few times until it learns to be quiet."

I think this is essentially the difference that makes one narrative and breaks the other. Nasu is fully aware of Kohaku's humanity even as she calls herself a doll. He goes to great length to demonstrate Kohaku's humanity in all the ways I pointed out above, by showing how much she sympathizes with others, by how she protected her sister, by how she's guided by principles.

More than anything, it sympathizes with Kohaku by making us as the reader understand that while she did bad things it was in retaliation to an even more horrible evil done to her. Also, that Kohaku only did these things because revenge was the only way she could think of to live, Kohaku was just a victim coping in the worst way imaginable. I think Nasu really nails down the hopelessness of someone who's clinging to revenge because they can't think of any other reason to live.

Whereas so much effort is put into Yun's backstory and detailing all of his suffering, only for him to be treated like a very standard villain. Like, honestly, Geto is a genocidal maniac and he's framed way more nicely by the story he's in than Yun. All Yun really wants to do is kill his abusers and that is apparently a sin too deep to continue living with.

Geto who does way worse things than Yun, and who is also killed by his former best friend is shown way more love and acceptance in his ending than Yun is.

This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. Where did it go wrong? And how could they start over again? The answer was left in their far-away, far-away youth. And even considering everything that had happened until now, it was clear that this story was about to end. But, there was one thing that was concrete. Even if everything was different now, there was still one thing that - from the very moment it all started - had never changed. Gojo knelt down, meeting Geto's eyes as he sat there. '...Suguru.' '...?' Geto Suguru. It was a named that the Jujutsu Tech organization feared: one of the four special grade sorcerers, who had killed over a hundred ordinary people, who had been named and exiled as the most evil curse use. But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing (t/n: makes you self-conscious) words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.'

In the actual manga of JJK too, Gojo tells a teenage ghost of Geto that if his adult self was there he was the only one who could have satisfied him. Gojo thinks about how he has to finally catch up to Geto after being left behind that day, when he moves on to kill the higher ups. Gojo's dream of protecting the youth came about because he never wanted someone to suffer alone like Geto did again.

Whereas, this is basically the only thing Yun gets told from his best friend and the hero of the story who is supposed to be the chosen spiritual guide of humanity chosen by the gods.

“It’s time to let go.” Kyoshi lowered her hands. “Whether you kill me here today or not, you have to let go of what happened.” “And it didn’t brting me peace. It was wrong that you were lied to, Yun. It was wrong for Jainzhu to do what he did, but he’s gone. Whatever pain and anger you have left - you have to live with it. You can’t put it on anyone else.”

Have you tried, uhhhhhh getting over it?

The "you have to live with it" is just particulary insensitive because as I went to great lengths to demonstate above, Yun was TRYING to live with it. Just like Kohaku, revenge was the only reason he could come up with to keep living.

It's fine if the heroes cannot find a way to reach out to save Yun in time and he dies because living for revenge is unsustainable. That's what happens to Kohaku, that's what happens to Geto. There's just a cruel lack of empathy in the way that Yun's death is framed. It's framed as a mercy killing, because Yun, a like eighteen year old boy who was retialiating against his abusers was just apparently so beyond hope. Not to mention that Kyohsi deliberately sides with one of the abusers and gives Hei - Ran a chance to redeem herself, but doesn't give that same chance to Yun her victim.

It's just this way that they characterize violence as bad but don't analyze at all where the violence came from or why they'd want to retaliate in that way. Gojo mercy killed his best friend Geto, but he also realized that the problem didn't begin with Geto and sought to create change in Jujutsu Society after Geto's death in order to try to break that cycle.

"I'm sorry for saying you have to live with your pain." Kyoshi put her palm into his chest in a gesture of comfort. "Because you won't." The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the air behind him turned to frost. With his heart and lungs frozen solid, Yun fell to the side.

Kyoshi kills Yun by freezing his heart. She specifically uses a technique that was taught to her to heal people, to murder him and put him out of his misery.

In the aftermath Kyoshi buries him and then lets the entire world remember him as a boy who went crazy and tried to kill the avatar. She doesn't even like... tell the whole story. That he was abused and lied to his whole life to clear his name.

Like, what a great friend.

This is what happened with Noel and Ciel too, but as I said in my Noel / Ciel post, Ciel killing Noel is meant to make her look like a terrible person. Noel is a victim caught up in circumstances, and Ciel could have saved her much earlier by lifting a finger and now that it's too late all Ciel can do is coldly put her out of her misery because Ciel isn't a hero. Shiki, a character who chops women into tiny little pieces has the opportunity to kill Noel a couple of times and doesn't do it, because he knows that killing her would be wrong and leaves it up to Ciel to decide.

Noel is fridged and dies a miserable death as a victim but it serves the greater story purpose of pointing out what a terrible hero that Ciel is. However, in avatar, the story still wants me to believe that Kyoshi is the hero so the only way they can accomplish that is by villainizing Yun and giving him an unsympathetic death.

if you wanted Yun's life to be some great tragedy, then you should let Kyoshi look bad. Let Yun died because Kyoshi completely failed to save him, have it be her wrongdoing. If you don't want Kyoshi to look bad, if you want her to be a hero then have her save Yun. You can only have it one way or the other. If the only way you can make Kyoshi still look like a hero is by victim blaming a victim of long term child abuse for not just getting over it then I don't know what kind of story you're writing there.

The writing just needs Yun to be a straightforward twist villain in the end for Kyoshi to defeat, so they downplay all of these good points and his status as the victim to make him fit into a more two dimensional role. If Yun is wrong because violence against his abusers won't solve his problem, then why is the solution for Kyoshi to just put him down with violence? Why is Kyoshi's violence sanctioned but Yun's violence not sanctioned? Kyoshi is allowed to kill Yun and put him out of his misery, but Yun can't kill his abusers? It's justice when Kysohi does it, but revenge when Yun does it? Kyoshi preaches that you can't stop the cycle with violence you have to let go then proceeds to end the cycle... by murdering Yun.

You can't preach this empty revenge bad message unless you're willing to look into why a character like Yun would want revenge in the first place, and how the world has failed him in ways that he thinks the only way to keep living is for revenge. You can't just tell him to let go without showing both him and the audience what letting go would look like.

This is exactly what Tsukhime did right with one of the most beautiful scenes in all of fiction, by showing that the cycle didn't end with Kohaku killing her abuser, and it didn't even end with Kohaku killing herself because each time she tried to enact revenge all she succesfully did was bring more pain into the world.

"But----" "Eh?" "But, there was just one strange thing." Really just a little bit. She said that as her eyes trailed off into the distance. "Akiha-sama protected me in the end. I knew there was a fifty-fifty chance she would do that. I stayed close to her for that reason. Revealing Makihisa-sama's abuse and devotedly helping Akiha-sama who was slowly turning nonhuman. ---Yes that's right. Really, I knew she would die protecting me." That smile. Even though she is smiling, she looks really sad, as if she's-- "But----I was really surprised at the time. Why is she protecting me? Why is she protecting me, risking her life?" ---She looks like she might burst into tears. "I still don't actually understand if I was actually happy or sad when Akiha-sama died. But when I wake up in the morning, I take tea to her room even though I know she is gone. Isn't this strange? Even though there's no one in that room anymore."

Kohaku thought she was relieving everyone of pain by killing the Tohno, that everyone would be better off, but the moment she succesfully kills Akiha she regrets it. It's all so hollow that she goes to Akiha's room every day for like a month leaving tea in front of her door.

Kohaku's identity is so wrapped up in pain, she forgets that in spite of the pain caused by those bonds there's also love. Hisui might not be able to smile because she feels constant guilt over how much Kohaku endured for her sake, but that doesn't mean Kohaku disappearing would fix that because she loves her sister.

Kohaku may think that Akiha is better off dead, that they're both better off dead because they only cause each other pain through their twisted connection but once Akiha is dead she goes to her door and leaves tea there every. single. day. because she valued her connection to Akiha so much.

Then she kills herself by gauging her knife out with a heart, mirroring Akiha who was pierced by the heart protecting Kohaku. "Hang in there...! Why, why did you do that...!" "Because revenge was the only thing I could do----I can only disappear when it's all over. I tried to find new springs, but I could never find one, and time ran out." She smiles. That... for no reason at all---- "What the hell is that? What are you saying...!" I look at the wound like I did to Akiha. ---She won't make it. It has pierced her heart. "........." Why? There was no reason---I just can't bear the sadness.

Revenge was unsustainable but because she couldn't be her genuine self in front of others, because she couldn't get in touch with her genuine feelings of affection for people like Akiha tshe couldn't find any other reason to live in time.

Even after Kohaku has just confessed to orchestrating the murder of Shiki's sister and terrorizing him for weeks on end, Shiki still begs for her to live though.

"...... Right? You're a normal girl who liked Akiha, was always worried about Hisui, and laughed when we talked about stupid things. So----" Even if she wished it and caused the deaths of Akiha and SHIKI... "--Kohaku, there was no reason for you to die." Increasing my grip, I say these words from the bottom of my heart.

I think that's ultimately what makes Kohaku's story superior, because it is at its heart a story about an abuse victim who couldn't find any better way of living. The story bends over backwards to show us all of Kohaku's good qualities, and how it's those good qualities that led to her fall, not any internal badness on her part. Even if Kohaku is someone who's capable of doing bad things and got a whole bunch of unrelated people serial killed by SHIKI. The tragedy is also on the onus of the main character. That's what the story of the ribbon is for, the whole thing could have been prevented if Shiki could give the ribbon to the proper girl in time. The whole thing is written with the premise that Shiki could have saved her, and he does in her route. It's as much of the main character's failure as Kohaku's.

On the other hand, the tragedy in Yun's story isn't that Yun is a longterm victim who didn't get the help he needed in time. It's that Kyoshi is sad because she has to put down her childhood friend like a mad dog. All of Yun's good traits are invalidated and he's painted as a villain to make the story simpler and as a result it's far more boring and doesn't have anything to say about abuse, or the human condition and how it survives terrible abuse like Nasu's writing does.

That's why Nasu is the goat.

At least until Tsukihime Remake comes out and Kohaku's route gets padded out with filler and turned into a giant extended boss fight that didn't need to exist at all that takes like five hours to finish NO I'M NOT BITTER ABOUT CIEL ROUTE'S TRUE END IN THE REMAKE AT ALL.

[bakllori]

i really like the tcm movies but i've heard the game is like poorly balanced and that the devs fucked it up, so i just want to know, would it be worth getting into now? like i want to give it a shot but idk if i want to pay forty bucks just to play a game that's unfun, lol. i figured i'd ask you since you're into the game. i mean i really like dead by daylight so tcm is right up my alley but all the stuff i've heard is making me apprehensive

wait for the discount.

The game is not perfect, yes. especially if you always play the victim. but she looks very beautiful and it's fun to play especially if you have someone to play with and oh my god I literally bought this game just for Nubbins and family members' voicelines to each other.

sometimes the developers themselves don't know what to do with the game and make strange decisions...but damn...like I really loved DBD, it was literally almost my only game. But after TCM I don’t want to go back there. Well, I just liked TCM much more from a gameplay point of view. but I don't know how it will be for you

also 1v6 gamemode coming soon and we all wait Chop top because everything points to him being the next character (you have no idea how much I want to hear Chop Top and Nubbins' voice lines. Considering the fact that they might invite Bill if they already have Ed Neal for Nubbins )...So the game is trying to develop😭

and if you love tcm, then I think you, like me, will enjoy playing with your favorite characters

but it's better to wait for sales, maybe on Halloween or Christmas. 40 bucks is a LOT (especially for a game that sometimes breaks)