hi! i hope you’re doing well! could i please request a little something about hotch coming home from a case to non bau!reader and jack watching star wars, just bonding and being cute. he wants to hug you both so bad cause he missed you and loves you but he doesn’t want to interrupt your moment
thank you for requesting! fem, 1k
You drop your head back into the cushions to avoid getting whacked in the chin with Jack’s forehead. “Woah,” you say, laughing as a wave of buttery yellow popcorn kernels drop onto the floor. “Good thing we have hardwood.”
“Why?”
You grab a handful of popcorn to eat from the bowl. “‘Cos all I’ve done today is make a huge mess.”
Hotch smiles from the doorway. It’s dark in the house, and the music blaring from the television has occluded his arrival. You’ve no idea he’s watching you now, and you don’t act much differently than if his presence was announced. In fact, he’d say that sometimes you’re so focused on not overstepping your place in Jack's life that you restrain yourself.
Butter and comfort alike has loosened the reins. You cuddle Jack to your side, the two of you laying across the long sofa with a faux rabbit fur throw wrapped around your two bodies, his head nestled under your chin. Your arm is around his tummy, belting him to you while blue light flashes over your faces. Lightsabers paint your eyes, their zinging and humming near painful in his bad ear.
“Who’s side are we on again?” you tease. It’s subtle, but Hotch knows you’re joking.
“Oh my gosh,” Jack says, “you forgot again? That one,” —he points at the screen— “that’s Obi Wan Kenobi.”
“And we’re team Obi Wan?”
“Yes, of course.”
“Of course,” you echo, clearly finding him funny. “But the other one is more handsome, don’t you think?”
“Am I handsome?”
“Jack, you are the most handsome.” You stroke his hair back and encourage him to meet your eyes. “You’re so, so handsome, babe, you’re beautiful, and so smart, and so awesome. You’d wipe the floor with Obi Wan Kenobi.”
Jack manages a reproach through his bashful smile, “I wouldn’t fight him, he’s the good guy. I would fight him.”
“Hmm.” You grab some popcorn from the bowl in front of Jack and eat a few pieces, then offer it to Jack. “I wouldn’t fight him. He’s too pretty.”
“He’s evil.”
“He doesn’t look evil.”
Jack laughs and turns to you completely. “You’re funny. People don’t look evil, they just are sometimes.”
“I know, baby, I’m just confused because all the good people in my life are beautiful.” You hug him behind his shoulders, looking at him with all the love in the world. “You’re a great example. You’re handsome, so how am I supposed to know you might be evil?”
“You have to be careful,” Jack says sincerely.
“Baby, I am. I promise I am.” Your eyes squint closed with your gentle smile, your noses almost touching. “I’m just kidding with you. I love having jokes with you.”
“I love having jokes with you.” Jack gives you a quick hug, arms tight behind your head and his face nuzzling your collar. “Thanks.”
“Thanks! Oh, you’re welcome, you don’t have to say thanks!”
“Well…” Jack pulls away, shrugging as you manoeuvre him bodily into a more comfortable position beside you. “I just think you should fight Anakin because he’s not kind, even if you think he’s handsome.” He says handsome with all the intonation of a boy discovering cooties for the first time.
You shrug, eat another handful of popcorn, and seemingly see the light. “Alright, I’d fight him. I suppose I already have your dad, right? I don’t need any more handsome men in my life. Two is enough.”
“Yeah,” Hotch says, flicking on the light, “I’d say so.”
Jack jumps, upending another wave of popcorn onto the floor. You grab the bowl, and Jack has enough wits about him to hop over the spilled kernels rather than crush them as he presents himself to Hotch for hugging.
“Hi!” Jack says.
He’s getting longer. It takes Hotch more effort than it ever used to to pick him up and pat his back. “Hi, buddy. Nice jammies, those are new ones. Is Y/N giving you gifts again?”
“She always gives me gifts.”
“I’m buying your love,” you say, shielding your eyes from the glare of the big light.
“I love it,” Jack says.
Hotch puts him back down on the ground with a kiss. “You should. Did you have a good day? Sorry I was working, I missed our Saturday.”
“Dad, it’s okay, you always work. We went to the store and we got candy, and now we’re watching Star Wars and you’re back, so it’s okay.” Jack beams and puts his hands behind his back. “Will you watch it too?”
“Sure, buddy, I just have to wash up. Did you have dinner?”
“Y/N made me lasagna from scratch, even the pasta,” Jack says.
He sounds deeply, sincerely loved. His pride at having you put time and care into the meal is evident, and Hotch knows that he and Jack are incredibly lucky to have you and to have Jack be able to experience it. Something as nondescript as dinner can make all the difference.
You sit on the couch still, a touch bashful. “It didn’t take long.”
“Was it delicious?” Hotch asks Jack.
Jack nods hard enough to hurt his neck, head bobbing up and down. “The best!”
“Well, she deserves a good thank you, huh? For taking such good care of you today?” He lowers his voice to a whisper. “What should we do for her, in return? Did you have dessert?”
“No,” Jack whispers back.
Alright, then that’s what they’ll do. You treat Jack like he’s a found treasure, and you love Hotch as easily as breathing. Hotch takes Jack’s smaller hand in his and gives you a look that promises the world’s most squeezing hug after they’ve procured dessert. “Can you pause the movie, honey?” he asks you. “We’ll be right back.”
You shake your head at him, but your smile isn’t easy to hide. “Your dinner’s under the grill,” you say.
He adores you more, somehow. “Thank you.”
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Do you have any recommendations for books with large, high quality photos of Rothko's work? I'd love to be able to see some outside the small confines of a computer monitor/phone screen but can't exactly afford a visit to the chapel
Hi
If you're on Instagram, I have a short video about this but I will tell you basically here.
The best reproductions by far are from the recent books published in the last year or two. This has to do with the Rothko family making things available and the curation of large exhibits.
The smallest book in size is the Mark Rothko: Paintings on Paper by Adam Greenhalgh is 8 3/4 by 10 3/4. This book covers just the works from the paper show (Nearly 100) and a bunch of interesting history of his work in this medium. It's a great book and the size seems just fine given that the paintings on paper are smaller anyway. It's worth having this and the book not high priced, but you're getting a sharply focused aspect of Rothko's work rather than all the famous ones. It's a lovely book though. The scans are excellent and it's likely to give you a different perspective on his work.
The Next book is the Louis Vuitton Foundation book that accompanied the show. It's physically the largest book, roughly 11.42 by 13. 32 inches. The size here helps the bigger works some of which are even foldouts. You can see the great devotion to the task in all of these books but this book contains the most historical stuff and anecdotes and is full of interesting material. The show was curated by Susan Page and Christopher Rothko and you can see a lot of effort went into it. This is the most complete of the books, in terms of a career retrospective and is fascinating. It's 312 pages, a big, heavy book. Scans are again very good. If you don't much about Rothko this is probably the book for you, but one could say in centers most on his big oil on canvas works.
The final book is the Rizzoli "Rothko book" credited to his children Kate and Christopher. This is over 400 pages and the most expensive book but it's a very personal and unique document. Rather than the usual history it has essays including one from Hiroshi Sugimoto, that I really enjoyed. The paintings are a mix, more of a selected group as the book doesn't cover a particular show. The scans here might be the best (even though all the books have really great scans) because they really reveal aspects of the paintings that are different than what we are used to seeing all the time. They reveal more subtly. Some paintings are absolutely revelatory, so much so that I use this book as my reference for how other scans reproduce color. This is a dodgy thing because color depends on light and scans are somewhat of an artistic endeavor. This book is a trifle less wide than the Vuitton book but it's big and has a nice slipcase too.
I have seen in person many of the paintings in these books and occasionally I "Disagree" a little with a scan here and there but it's a minor quibble as Rothko just looks different in different places. There's really a lot of work and love in all of these and they all are so much better than what we have seen before it would be hard to go wrong with any of them. These are not cheap calendar type repos, a great amount of time and effort went into all of them.
If you have further questions I am happy to help.
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xiangli yao x reader. nsfw, minors dni. oral, deepthroating, handcuffs, crying, sub xiangli yao
Xiangli Yao is a people pleaser.
You notice it within a few hours after meeting him and helping him with the wishes. It's not that he's a doormat or anything, he's not actively letting people use him. It's just that at the end of the day, he's doing things to make other people happy.
It makes you want to ruin him.
He's the ideal boyfriend, sweet and thoughtful, planning out dates and surprise visits during his breaks. He's utterly charming, taking your hand and meeting your eyes as he kisses your knuckles, despite the way he blushes over it.
Even in bed, he's focused on your pleasure, on making you come until you're a whiny mess for him. He puts that arm to good use, tormenting you all while ferreting out all your kinks from you.
Now he's slumped against the headboard of your shared bed, his hands bound with a pair of handcuffs you picked up somewhere and forgot to return.
He's flushed gorgeously, cheeks pink and eyes glassy as he pants, his head thrown back in pleasure as you kitten lick the tip of his cock. Watching him react is almost distracting you from making him react, and you have to refocus yourself as you duck down and take him in your mouth.
He moans and you can't help but moan back, wrapping your hand around what you can't fit in your mouth and slowly stroking. He moans your name, the sound trialing off into a breathy whine.
You moan again, closing your eyes as you bob your head, taking more and more of his cock in your mouth until he's almost reaching the back of your throat.
Xiangli sobs on a moan and you open your eyes to look up at him in surprise. He's nearly drooling, tears in the corner of his eyes, and you pull off his cock.
"You okay? Too much?" You ask, pushing yourself up on one hand, your brow furrowing in concern. He shakes his head, the action somewhat frantic.
"N-no! Fuck, it's so good, I promise, please," he gasps, looking down at your through his lashes. "I'll- I'll tell you if it gets too much, just- don't stop until I tell you, please."
Well. When he's asking so nice and pretty, how can you resist?
You take a deep breath, pulling on every trick you know to suppress your gag reflex, and take him in your mouth again. It's hard to hold still when you press the head of his cock down your throat, but the loud, whimpering moan he gives makes it all worth it.
You pull back, breathing carefully through your nose, then take him even deeper. He sobs and his hips buck up, forcing his cock deeper into your throat and making you gag.
"Fuh-Fuck! Sorry!" Xiangli gasps, blinking away tears as he looks down at you.
You pull hum around his cock, running your hands up his thighs to palm his hips, pulling them up slightly in a silent encouragement. He whines at the permission, immediately thrusting up into your mouth.
You gag, tears coming to your eyes as you work on taking him deeper until he's fucking deep into your throat. You're drooling around him and it would be embarrassing if you didn't know it was such a turn on for him.
You look up at Xiangli, enjoying how utterly destroyed he looks, tears rolling down flushed cheeks. He's moaning so loud you can already hear the noise complaints, but all you can focus on is his tears and the absent thought of oh, we match before he's nearly wailing as he comes down your throat.
It takes a little effort, but you swallow around him as best you can before pulling off and gasping for air. Xiangli looks lovestruck when you look up at him and you can't help but crawl up and kiss him.
You move to take of the handcuffs but he stops you with a quiet, "Wait, leave them on."
When you glance down at him, he's smiling.
"You should sit on my face."
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I know we are kinda focusing on your aus which are also great! But! I wanna ask about robot boy cause I miss him(L330-N)
SO!!!
•How did L33 know Casey needed help when he saved him? Was he following at a distance?
•does lil casey get to ride the tall robot? I think the idea is cute
•why is L33 in a record store?
•can L33 turn back on easily? What caused him to shut down? The ninpo?
•do the metal parts of him need to charge or need batteries?? Or is it only ninpo powered?
•if the robot "suit" ever breaks will Leo's soul pass on?
(Fr fr I DO ADORE LIL HATER AND KID LEO THEY ARE THE CUTIES EVER! BUT! I RECENTLY REREAD THE ROBOT AU! AND I LIVE THINGS BY ASKING THINGS!)
I also miss L330-N!! I was just telling someone last night about how I would love to work on L330-N again, but I just don't have the time and I have a lot of complicated/difficult things I wanna draw :/ Ireally do miss that guy smh
Eventually I'll get back to it!! Once Kid Leo is over or I have more time. or both :)
Yep, he absolutely was. He was worried somehting might happen toi the first actual live person he's met in like...literally ever, so he was following from a bit of a ways away.
Yep! He doesn't LIKE to, cause he still really doesn't consider them friends. L33 just might know where the Hamatos are, so Casey is keen on being nice to him. And sometimes his little legs get tired and he needs to be carried :)
He likes music! He's actually been there for a fairly long time, maybe a little over a month? It was both safe from raoming krang dogs and he got to enjoy something "human". He's kinda just been sitting around listening to different records to see what kind of music he likes. So far his favorites are Queen, Mr. Blue Sky and a select few electronic type songs that he thinks he doesn't really like so much as they're just comforting for some reason.
That's a bit of a spoiler ;) But I will say he powered down due to the electric shock! His systems were given a bit of a power override so he'll need to cool down for a while. He will probably turn on soon though ;)
L33 isn't sure how he's powered. He knows he has some sort of power source, but he himself isn't really sure of what it is. Just that there's a deep hum of some sort of current inside him. He does need to rest from time to time, though. He can sometimes feel that power source weaken and knows that means he needs to shut off for a bit and rest - which, a s aside note, L33 can willingly shut himself down or go into sleep mode. He has some sort of internal timer set up that he can't control that will eventually wake him - sort of like an internal clock in a human! I can't say much else cause spoilers but yeah :)
That deoends on if his ninpo/soul is actuallly tied to it, which, no one ever really found out :) L33 himself doesn't really know what will happen if he "breaks" either, and it kind of scares him. Spoilers as well ;)
I'm glad you enjoy L330-N so much! I really really love robots and love drawing him, I jus thaven't had the time to work on a more complex comic (drawing wise I mean) in a while so it's been hard to focus on him ;-;
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I think when it comes to the "is leona a feminist" debate we're missing the broader context of why the narrative would push any ideology.
His disney counterpart is a very female centric character (even if unintentionally) who relies on women, yet he dominates them in his pride once he leads it. He's ultimately defeated by an ambitious, focused woman, and his regime is carried on similarly (twice) by a militaristic, ambitious woman. In real life lionesses are the hunters, and in the literal sense of home makers, a pride is only a pride when lionesses are involved, with just men it's called a "coalition" btw. This is probably the main reason why others see him as feminist, because women are woven into the fabric of his story and given attention, despite it being ultimately Leona's story. But then that's an arguement you could make, is it really feminism if it's not intentional?
What makes a feminist? In what context does it stop being feminism and rather a natural reaction in a gynocentric society?
Twst has a habit of exploring motivation over actions, and that's how (I think) people should address Leona's claims. Like for instance, Vil is obsessed with reaching a physical zenith of beauty, and that's portrayed as her being overly ambitious, which is what she uses to save Idia and Ortho. Although she's not the hero of book 5 like she is in book 6, her ambition is reframed as jealousy over being ostracized (in childhood) and passed over for roles. In the same book we learn that Niege has had an even harder life, and the fruits of his labor are manifested when he procures roles that Vil seemingly can't. The narrative isn't asking if Vil is wrong or right in her actions, but rather if her ambition should be considered as valid as Neiges. To twist real life phenomena and explore them through a lens of "cultural favoritism and privilege" is essentially the point of every conflict. Like, should Jamil be forgiven when given the full context of his situation, or why is it fine for the Shrouds to be punished for the actions of an ancient ancestor, aren't necessarily asked by the narrative, but rather why are these conflicting truths valid when seen from another, more socially acceptable perspective?
This, to me, is what's missing in the heart of the "Is Leona a feminist" debate. The story isn't asking for you to confirm if he is or isn't one, but rather to reflect on your real life understanding of feminism in regards to patriarchy. Leona is considered a feminist by fans in the sense that he allows women's feelings to take precedence over his own, and how they view him being important to him as well. He can blow off Kifaji, someone who seemingly raised him, but God forbid he miss a call from his sister-in-law (who he picks up for, but ignores the calls of his nephew.) His criticisms of women are always shallow observations or misdirection because he has an image to uphold. He's a feminist in the sense that he doesn't contest female supremacy in any meaningful ways, and that's a very loose (yet valid) definition of feminism.
Leona double speaks on the idea of being considered "extra nice" to women, but even his answer doesn't necessarily malign them in a way that would be seen unfavorably by beastmen society. From what we’ve seen, being aggressive, dominating, physically imposing, strong-willed, are traits that the best possess. (He even inadvertently criticizes his brother for lacking these traits by implying he’s not cunning and too friendly.) If anything, it makes sense for him to not want to incur the wrath of a demographic if he deemed them in any way above himself. After all, he doesn't mince words with those beneath him, or even on a similar level to him like speaking poorly of Kalim to his face or the constant bickering with Malleus! I don't think his exasperation with women is fake, it must be annoying having to submit to somebody placed above you unfairly, but these are regulations he imposes on himself. When considering how Leona behaves and what he believes, (only the fittest should rule/everybody has their strengths but others just have much more) it makes great sense that his view of women is influenced by their societal performance and their ability to serve him.
When you contrast traits that Leona finds noteworthy in women, you get this understanding of a "gender-flipped" society, and the real question that should be asked ends up being "is Leona's respect of women not valid because of the conditions that it exists under? What makes his feminism less realistic than someone who only pays women lip service without taking real action?" Like Vil, Jaml, and Idia, Leona's foil is somebody who exposes hypocrisy but also bridges a gap in understanding of societal expectations.
So, in essence, I think the conversation should switch from "is Leona a feminist" (we're talking in circles) and move towards "What does he get from being one / does his motivation make his resolve less valuable?" (we can explore his actions and dissect his character further)
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This book I’m reading gives me SO MANY MIXED FEELINGS
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Uh-oh! You are like, SOOO awkward!!
You're so awkward that it is occasionally mildly uncomfortable for people!
You're so awkward that sometimes people are confused by you and then there are awkward silences!
You're so awkward ...... that ultimately no one is harmed!!
Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!
Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!
So you better absolutely hate yourself for it.
Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!
You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.
Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!
Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.
Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.
Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*
Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...
Better not show yourself even a little kindness a little bit at a time.
Better not make a habit out of it after all that practice.
Better not get confident.
Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)
Better not be confident and awkward because then you might confuse and delight people
- you might accidentally end up making other people feel less shame for their social difficulties
- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations
- you might even make them feel they can be themselves around you
- you might start loving the effect you have on a room
- you might enjoy conversations more
- you might forgive yourself and bounce back from shame more easily and frequently
- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations
- you might stop apologizing so much.
- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.
Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!
Why, it would be carnage!!
In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!
If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:
- You might realize that it was never your fault that it took so long to like yourself.
- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.
- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.
- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.
You might discover that you were always deserving of kindness, first and foremost from yourself.
So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.
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when people who like seasons 1 and 2 better explain why it was better they always lose me when they say "the characters were what mattered the most the supernatural plot was basically not that important it was ALL about the characters" like...that's just what YOU were more interested in not what was happening in the show? like wdym the supernatural plotline wasn't that important in seasons 1 and 2. saying that it was more balanced or more subtle i get but saying that the supernatural plot wasn't THAT important and that it's not what made anyone love the show is a blatant lie
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murder time trio come back from killing some guy (me) and dust just pulls out a rainbow cleaning duster and starts dusting himself off. horror questions him. he says it's self care
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I know ppl couldn't care less about the humans in the cgi movies but Zoe and Dr. Rubin were both hilarious characters and the more i rewatch the movies the more i think about that.
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From a very young age, Kaeya held such a fondness for handholding. Whether it was his father clinging tightly to him to make sure he didn’t get lost, Adelinde’s gentle, grounding hand closed over his to comfort him whenever his nerves got the better of him, Crepus’s rough-palmed, firm yet comforting grip as he brought him back home, or, as it was most often of all, Diluc’s warm, yet at times uncomfortably tight hold as he dragged him anywhere, everywhere, determined to always keep Kaeya close and eagerly show him all there was to see, Kaeya treasured the gesture greatly.
Of course, being as shy as he was, initiating it himself was always the harder part. So much so, he would tend to hold pinkies, rather than outright take a person’s hand in his own. Eventually, it would become his most common way to go about the gesture of affection.
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I'm so exhausted I don't really know where or how to begin my one-day weekend, have spent the day just kind of collapsed into executive dysfunctional confusion when what I WANT to do is post on tumblr about gay tv
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I finished final fantasy vii rebirth and. Some mixed opinions.
The main good points: as a Sequel to original FF7? Its good. The women are all written well (which was a concern considering Kairi and Lunafreya in past games), and everyone was in character just fleshed out more (with 2 slight exceptions). What the game did best was accomplish an open world game, world spanning adventure, stick fairly well to some main highlights from original ff7 (which is what people wanted for ages) and with new stuff thats fun if you like the world, very little wasting of player time (so much better than ff7 remake). It did open world well, pacing well, side quests and mini games well, characters well, combat well, and overall gave the feel of what square enix was maybe Hoping and Wishing to successfully accomplish in a mainline game for years but either hasnt been able to achieve on a technical level or fumbled in the past. (So no time wasting dungeons like ff7 remake, fleshed out open world with stuff you enjoy doing so more than ff15, open world so more than ff13, and combat that feels like things theyve learned and improved on well). How it feels to play? Great, fast paced, no dead time, all enjoyable game you came to play. (With the exception maybe of Cait Siths box mandatory mini game and the aerith in ancient temple magic platforms thing but they both werent too difficult to push through if you dont enjoy them).
The bad? Mostly... if you treat Rebirth as a SEQUEL to original ff7, these arent major issues. They just annoy me as a player of the original ff7 game. Because i know plenty of people will ONLY play ff7 Remake and Rebirth etc, and never know the original characterizations. So 2 characters were slightly unlike their original ff7 selves, and instead more like their Advent Children (and general non ff7 appearances) selves: aerith and sephiroth. Sephiroth's character being NOT like ff7 originals is more irritating personally. Because yeah... i get it. As a sequel to original ff7, this Remake/Rebirth Sephiroth might be from the future (so he is Advent Children esque version of himself), hes had time post losing his way to really get all mysterious and hyperfocus on cloud and be a looming vague pest. But the thing is... in the original ff7 the reason we learn hes used to be a SOLDIER war hero, is so the cast and you are confused why he kills Shinra people. Then you and the casy figure: well cloud remembers sephiroth finding out hes a monster cause of shinra, justifiable for sephiroth to hate shinra. Unflrtunately Sephiroth also decided to hate ALL HUMANS. Then you later find out maybe Jenovas controlling Sephiroth/one with him etc. But the key here is you find out at some point in original ff7 that sephiroths goal is mainly Destroy World because Hes not Human. Rebirth... does not clarify this very important and very BASIC point ever. Maybe it assumes its so basic that as a ff7 fan you should know.. but plenty of new players wont. Rebirth clarifies yes sephiroth may be Jenovas kid... but the whole MOM, im an ancient like Jenova! Oh Jenova isnt an ancient oh well fuck humans anyway! Either way fuck humans ill kill them all! None of those Very basic sephiroth motives are clarified much. I felt Rebirth did good explaining the Gi and the black materia. But to make Sephiroths motives so vague, why he wants to end the world SO VAGUE, why hes in clouds head (the black robes are everywhere but the game HINTS theure sephiroth clones but never actually spells it out eevn though its a BASIC KEY DETAIL). Now... because Rebirth is a sequel, it makes sense... if hes Advent Children Sephiroth he already knows he isnt an ancient, knows hes Jenovas kid, knows he wants to fuck with Cloud specifically now and the world generally but not necessarily so singlemindedly desperate to just kill all humans. So yes, Sephiroth is in character for his future self... but i feel like even with him less SINGLE MINDED and freshly with Jenova, clarifying some basics of his Original old timeline motives... would be helpful to new fans. So it annoyed me. I think the biggest Not Good writing decision in Rebirth was to never fucking clarify Sephiroths original basic goal: im not human like mom, hate humans, kill world. I suspect the writers either thought players KNEW so hinted instead of being on the nose (but to new players theyll just be CONFUSED), or they plan to explain those basic things in game 3. Which seems stupid to me and shouldve been explained earlier.
And Aerith. As a sequel? She remembered the other timeline which explained some moments she was calmer than original ff7. She forgot, then toward the end of Rebirth she seems to have remembered the other timeline again and that she needs to die and X happens etc. So her being calmer based on the plot they wrote for Rebirth? Makes sense. However... i deeply miss her Original FF7 personality where as an Ancient she freaks out a bit LIKE sephiroth, paralleling him, that shes not human, a freak, that it all rests on her as only one ancient left. Their overwhelm parallels each other. Aerith is more scared in original ff7 of being the only ancient, of what it means, of finding out more. That fear is slightly there in Rebirth but WAY LESS. its only a little in cosmo canyon and almost gone in the Ancient Temple. In ff7 expanded universe theyve changed her character over time to a calmer wiser goddess type like in Advent Children, and so yes in Rebirth when she remembers the alrernate timeline it makes sense she'd be calmer like her future self. However... i miss original ff7 aerith. I miss her initial shock, loneliness, fear of the weight on her shoulders, not being sure what to do. Her and Sephiroth, because of Rebirth writing them to know more, act more like their future selves and so. While it is in character and logical to the Rebirth plot. Its also sad to me that anyone who only plays Remake and Rebirth simply wont see what they were like WHEN these revelations were brand new shocks to them, forcing them to react and grow and fear. I dont think Aerith is written bad, i just think because this game is in reality is a Sequel im just personally mourning that it didnt have that as much of the original Aerith's personality who was afraid and discovering. Mostly her Rebirth personality is similar to original ff7s. But in some high tension moments shes way calmer and wiser than in the original. I miss getting to see some of that before to after character growth.
Oh and. The aerith dies scene. Does it make sense in context of Rebirth written as a sequel? Sure. Is it impactful? Not as much as the original. In Rebirth, theres a scene where Cloud is losing control and listening to Sephiroth and attacks Tifa, causing Tifa to fall into mako. That scene is high stakes and emotional and lands WELL. Later in Rebirth, when Aerith actually dies, Cloud has not lost control and isnt the one who killed her. Its fine, as a sequel to ff7 i get the choice to make him able to stop himself from hurting her. But it does make the scene less impactful: now cloud will NOT be blaming himself for her death, will not be struggling with the guilt and fear, and will not be as terrified of losing control again. Since he wasnt the one who attacked her. And since he saw her ghost/something post death, hes not even sad or grieving her. He thinks shes fine. These 2 things will result in a WILDLY DIFFERENT cloud moving forward than the original ff7 one who very much was distraught and horrified he did that. So like... as a sequel its fine these changes were made. But death wise... i wouldve prefered like, cloud drops her from up high qhile struggling with whispers, or doesnt get to her in time and sephiroth stabs her when shes too far away. The way Rebirth did it, cloud was near her, she gets stabbed anyway. It seemed to me almost like the writing was trying to vaguely or softly kill her, like somehow making it vague would make it hurt less. Yeah it did hurt less... but id rather if a character i love dies that its a Worthy Scene for them to die in. A strong meaningful scene that makes me cry, that felt like the loss it is. The Rebirth scene... couldve done its plot as intended and just make Cloud farther away or something and it wouldve been better to me. Maybe the writing point was Cloud thinks its fine, and its still not, and he cant even feel distaught because he cant tell if she died or if things are fine? Thats the only angle i can see where maybe the death scene did what the writers wanted? Anyway. Aeriths moms death made me sob, Aeriths death did not. It is what it is. I feel like Tifa, crying in my heart off screen, the game acting like Cloud like its fine and it looks fine to him but im confused like Tifa aa to why hes (the game) treating it that way. Lol.
Overall? Um 4/5. 8/10? Really solid square enix game, Amazing as far as final fantasy 7 SEQUELS go. It has one main weak spot in treating Sephiroth fully mysterious when a few clarifying details could help the game stand on its own Better (and make Sephiroth a stronger enemy character instead of a vaguer one). The other weak spots are more my personal preference and mourning the parts of ff7 original i miss and had wished were in this, but as this is a Sequel in a parallel timeline i dont feel the parts effect Rebirth on its own merit. It IS the best Square Enix game ive played in ages, at least since Final Fantasy X or XII. I thought it was better than FF13, FF15, definitely better than ff7 remake (i hate time wasting dungeons and bad pacing its a dealbreaker), and than kh3 (although kh3 was quite good for a kh sequel). I get to play FF16 next, which will hopefully be as good as Rebirth or better! Since its also on the PS5 and clearly from Rebirth, the square enix main team can do excellent combat, open world, level design, mini games, side quests, and good pacing now. So i'll just have to see if ff16's story is better. And i am guessing it hopefully will be, since Rebirth as an ff7 sequel has some weirdness to its plot quite typical of ff7 extended universe stories like Crisis Core and Dirge of Cerberus. Whereas ff16 is a brand new plot, so they have nothing preventing them from a tight excellent written story except themselves. I am curious how BIG ff16s world will be though. Because ff7 Rebirths world was MASSIVE and very full of stuff, tons of mini games, cool stuff to find or do or little character side quests. If ff16 also takes me 60 hours to beat the main story its gonna be thw longest final fantasy main title ive ever played.
Rebirth is very replayable if you enjoyed it. I will probably replay ff7 original soon.
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have i mentioned lately that i fucking hate the council
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this is tumblr so the answer is absolutely yes but i have to phrase it this way because i am a tumblrina.
do u ever think about how so many people would be perfectly satisfied working manual labor jobs if it werent for the exploitation of it... like if the jobs that Need Doing hired More people for Shorter shifts and paid them a Comfortable wage there would be so many people that would be into that. like SO many people in my experience talk about how nauseating the idea of an office job in a cubicle is and yet ! for some reason! the jobs that pay money are all that sort....
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