#the plot and characters are very interesting

[withthewindinherfootsteps]

For all the very self-sacrificial Wei Wuxian takes out there, I think they may actually fit Lan Wangji more?

…Before you disagree, there’s a big caveat to this – I don’t think these takes fit either of them well. But it’s interesting to compare their default responses to situations. Both want to help others – but whereas Wei Wuxian’s first instinct is to redirect (redirecting attacks to other targets, redirecting enemies’ attention to distract them, etc), Lan Wangji is much more direct in his protection*. And generally, that’s going to lead to putting yourself in harm’s way more often.

My favourite scene to demonstrate this is when Wei Wuxian and Lan Wangji (alongside Jin Zixuan) are protecting Mianmian in the Xuanwu cave. Wei Wuxian does this by redirecting Wen Chao’s attention to him, provoking him and causing him to step out of Wen Zhuliu’s range of protection. Meanwhile, Lan Wangji stands in front of her, blocking her from danger directly… despite being at a disadvantage and already injured!

Wen Chao was enraged, shouting, “How dare you! Kill them!” A few of the Wen Sect’s disciples unsheathed their swords, rushing toward Lan WangJi and Jin ZiXuan (...) the two boys were at a loss in terms of both weaponry and sheer numbers. Even more, after the past days of being constantly on the move, they were in quite a bad state, not to mention that Lan WangJi had been injured. They definitely wouldn’t be able to last long. Chapter 52, EXR translation

This is a scenario with high stakes (Mianmian’s life), but also with multiple solutions, meaning that their choices aren’t muddied by there only being one option. Yet we still see Lan Wangji directly defend – despite the fact that, if Wei Wuxian hadn’t intervened, he almost certainly would have died! And that’s true of another moment in the Xuanwu cave I never hear anyone talk about:

Before Wei WuXian could think of what to do next, his body tilted as somebody shoved him to the side. Lan WangJi had pushed him out of the way. With this opportunity, the jaws of the beast had closed, biting down on his leg. Wei WuXian’s right leg hurt from simply watching the scene. Lan WangJi’s face was still expressionless. He had only frowned slightly. Afterward, he was immediately dragged away! (...) Lan WangJi didn’t expect that [Wei Wuxian] could catch up even under such circumstances. He was utterly shocked. Chapter 53, EXR translation

Admittedly, this is a scenario with more limited options, which is why I mentioned Mianmian first. But his reaction stays consistent – directly blocking somebody from a threat with his own body. And again, he didn’t think Wei Wuxian could do anything to rescue him! He does not expect to survive, and we just… don’t talk about this???

(And note that when Wei Wuxian rescues him, he actually puts himself in less danger! Again, this is mainly due to the limited solutions – you can’t rescue someone who’s already bitten down on by blocking the mouth from biting down on them – but he’s still in a position where he does have the option to get out of the situation if he chooses (he’s not between the teeth! His hands are opening the teeth from the outside, his feet are on its shell, he can jump into the water at any time and does after Lan Wangji is safe. There is danger of the Xuanwu choosing to attack him, but his position on its own doesn’t put him in mortal peril, which is not the case for Lan Wangji here). So though it doesn’t give us that much insight into how he prefers to deal with situations, the dynamic is still interesting to consider with regard to how fanon!WWX is often treated.)

Now, maybe these examples are unfair. Maybe Lan Wangji here was very tired (he was), stressed (he was) and not thinking straight, and so he just didn’t think of other options that he would’ve chosen in normal circumstances. If that’s the case, it still supports my point – no matter his eventual course of action, his first thought/instinct is still to obstruct directly – but this isn’t just a pattern limited to this arc, and to such high-stakes situations. For example, look at his reaction when the Wens order the Lans to burn the Cloud Recesses (and though I’d be very surprised if Lan Wangji wasn’t stressed here too, he’s at least less tired).

Wei WuXian, “Is Lan Zhan’s leg related to this?” The disciple, “Of course. The first place that Wen Xu ordered them to burn down was the Library Pavilion. He declared that he’ll teach anyone who wasn’t willing to do it a lesson. Lan WangJi refused. He was attacked by Wen Xu’s people and they broke one of his legs.” - Chapter 52, EXR translation

I say this is low-stakes because actions won’t actually have that much of an impact – though there is danger, the Cloud Recesses are going to be burned down no matter what, so it’s not something you’re risking by not acting to prevent it. Yet Lan Wangji still chooses to directly oppose, to directly protect the pavilion as much as he can (even if that’s very little, and even if I do think the main factor here was actually his refusal to go against his principles and burn down the Cloud Recesses, not him trying to protect them. But that still leads to the same course of action: to act very directly). And again, that results in direct bodily harm to him**! 

But even in situations where he’s not stressed or under any pressure, we still see that direct protection is his default. Just look at the way he acts towards Wei Wuxian in the present day. One of his very first actions towards him (and pretty much the very first after finding out his identity!) is to block Jiang Cheng from hurting ‘Mo Xuanyu’ with Zidian – to quote EXR, “[Wei Wuxian] hadn’t been hit by the whip yet only because Lan WangJi acted as a barricade in front of him.” – and after that we often see him protecting Wei Wuxian from dogs, we see him let Wei Wuxian stand behind him when Jiang Cheng is angry at the Golden Core reveal (Chapter 102), we even see him protecting Wei Wuxian from things they both know he can face (Su She):

On the other hand, Lan WangJi gripped Bichen in one hand as he grabbed Wei WuXian’s waist with his other, pushing Wei WuXian behind him for better protection. In reality, Wei WuXian had no need for his protection, but he still leaned against his body with both comfort and compliance. Chapter 104, EXR

None of this leads to any harm of either of them, but it still holds true to the pattern of Lan Wangji protecting by physically putting himself between what he’s defending, and harm’s way. This response of his is extremely consistent! And it’s not just towards Wei Wuxian either – there’s a tiny moment in the Lotus Seed Pod extra which you could argue fits this pattern, where Lan Wangji chooses to physically hold the heavy roof of an abandoned shed to block the rain from reaching an injured man and a few other people, rather than trying something like using wood from the shed (including the four pieces of unattached wood propping the shed up) to build a temporary shelter for them until help arrives. The circumstances and therefore actions are slightly different, but the process leading to them is still the same – Lan Wangji still acts in the most direct way he can to protect the people from the rain, which does involve exerting himself even in a situation where there would probably be other ways to solve it (even if his Lan arm strength means he can hold the roof up without a problem). It’s not a deliberate choice to do whatever puts him in harm’s way the most, but directly using himself to protect people, whatever form that takes, is his main and default course of action.

The final thing I want to mention is that even Lan Wangji’s ‘big reveal’ moment – him being the one to take Wei Wuxian away from Nightless City, fighting 33 elders to protect him – calls back to this trait as well (MDZS is so well put together)! Once more, Lan Wangji is directly protecting, risking and suffering serious bodily harm as a result. Recovering took a few years!

…And yet. I never see anybody thinking Lan Wangji is self-sacrificial. I’d argue they’re right – but why? Why, when he puts himself in harm’s way more than Wei Wuxian does?

Maybe it’s because of something like this: ‘but he does this because he loves Wei Wuxian and doesn’t want to see him hurt, and protecting others is just part of his morals! It doesn’t point to any issue within him, he does have a stable sense of self and self-worth – at least there isn’t anything pointing to the opposite’.

Which, again, I’d argue is right.

But… does that really not apply to Wei Wuxian, too?

---

*And there are moments where they don’t act like this, especially for Wei Wuxian, but that’s generally in situations where there aren’t any other options which still lead to them accomplishing their goals. Protecting the Wens by… redirecting the Jianghu’s hatred towards other people? How would he do that? How would that help anything??

**It’s quite interesting to think of how Wei Wuxian would act in these situations, actually – both being forced to burn down the Cloud Recesses (or Lotus Pier, in this case), and in preventing (in this case) Lan Wangji from being eaten by a Xuanwu rushing towards him. The first, I’m not actually sure what exactly he would do (especially as nothing he can do will stop the burning) – I’m not sure he’d just go along with it, but I don’t see him just refusing to despite that not doing anything, either (especially since if he’s unharmed, he’ll be more able to protect his shidi and shimei if they’re in danger, since he’s a much more skilled cultivator/fighter than they are), at least not in the same way. Hearing people’s thoughts on that would be really interesting, actually!

As for the second – if there’s really no time to change anything about the head or its direction, he would probably do the same (with the only other option being letting Lan Wangji die). But if there was the smallest room to change something, I could definitely see him activating another fire talisman (to distract the Xuanwu and redirect its attention to the pillar of flame instead of Lan Wangji, even if just for a moment). And even if self sacrifice really needed to be an option, with no way out beside it, I think Wei Wuxian’s would take the form of redirecting the Xuanwu’s head towards him rather than directly blocking it from reaching Lan Wangji. When he does put himself in danger in canon, this is usually how he does it (see: him redirecting the corpses towards himself during the Second Siege, while Lan Wangji is protecting him and blocking them from reaching him… another nice example of their situational response!).

I do plan on writing a separate meta about Wei Wuxian’s tendency to redirect, though, so some of these points may be reiterated there.

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[pepurika]

what inspired you to tell the story of a character like jamis? was he one of the first characters you came up with, and was his character role/creation really tied to remy from the start? you've done a really wonderful job at showing his growth/arc so far, and it seems like jamis and remy grow really in tandem with each other, so I was wondering how you came up with them and their struggles (for example, if you've just always been drawn to those character archetypes or if someone you know/a character you like inspired you) sorry for the long question!! i really love tigers <3 you're such a good storyteller!!!

Jamis and Remy were very tied together from the start! I wrote this whole story with the thought that Ludo/luck and jamis/remy will be sort of different sides of the same coin- jamis and remys arc is... softer? to me, more about the social structures and relationship drama- while Ludo and luck are more explosive and adventurous, creepy and wild.

balancing between the two storylines has helped me so much staying interested in drawing this story for years, every now and then when I grew tired of either one I could always switch to the other. highly recommended trick for other webcomic makers with adhd lmao!!

anyway about jamis; I needed one character that was a counter balance for all the secrecy and plotting in remys life- he lives in the world of traders where he has to navigate a sea of lies and schemes, and jamis is the complete opposite of that world- even to a fault maybe! he always speaks his mind, and he is true to his feelings (even if he might not understand them himself...) summa summarum, I wanted to make a character that's easy to love and easy to forgive, and even if he makes a ton of mistakes, they don't come from a malicious place.

and about remys and jamis love story, I just really wanted to write something that felt kind of doomed from the start (from remys pov at least haha), but then slowly... there builds up a chance, that even if you live in this world where you have to hide your love, there is a possibility for a happy ending. and I wanted it to build up slowly until- well, you'll just have to wait until the end to see what I have planned!!

also, to me remy and Ludo are the duo-main characters of this story, Ludo on the front as the one who makes things happen, and jamis and luck are the supporting characters for their stories. so everything rotates around Ludo and remy!

[seventeenreasonswhy]

Super Shy ~ A JWW School-Life Romance Pt. 3

Star Athlete!Wonwoo x Shy Wallflower!Reader

Jeon Wonwoo... THE Jeon Wonwoo is... paying attention to you!?

~1.5k words

Read Part 1 + Part 2

Series content: fluff, first crush plot line, school-life anime vibes, slow burn/yearning, some light angst, classmates to friends to lovers, fem reader, reader is ~*super shy*~ and has low self-esteem, reader is kind of bullied (?), sweetie pie Wonwoo, appearances by Choi Hansol and more!, all characters are in high school so no explicit content (but probably kissing eventually).

My Masterlist

Author’s note: Thank you to everyone who has read, reblogged, and liked this little series so far! This part reveals more about Y/N’s interests and talents, which she’s afraid to share because she is insecure! But not for long with sweet Jeon Wonwoo around. Also she has a fictional younger sister named Daehee (not after anyone in particular, I just like that name). 😉 These two are so innocent and cute, I’m having such fun writing them! Enjoy!!

Taglist: @clownprincehoeshi @soffiyuhh  @wonwoos-wineparty @hamji-hae @junniesoleilkth @seokqt @haniinah @yangtyunhannie @cherrylovescheol @lukeys-giggle @cookiearmy @sojuxxi  @vixensss @lixisoul99 @mjpark15 @lelsforlino  @neivivenaj  @blvkkeddcc (lmk if you want to be tagged!)

~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+

“Whoa you’re going all out on that, Y/N—”

Your younger sister, Daehee, had come down for breakfast with her bangs still in curlers, wearing her school uniform shirt over her Hello Kitty pajama pants. She was watching you as you concentrated on preparing various dishes at the stove. A thin omelet, grilled shishito peppers, vegetable tempura; it was pretty simple stuff, but you’d developed an urge to create aesthetically pleasing lunches these days.

You couldn’t really explain it, although somewhere in your heart you knew it probably had something to do with Jeon Wonwoo.

For the past week, Jean Wonwoo had been spending lunch on the roof alone with you.

The two of you barely exchanged words, really. Your longest conversation probably lasted only a few minutes. But not for Wonwoo’s lack of trying! You still wondered why he was spending his lunchtime up there at all—even more so why would he keep trying to strike up conversations with you? You guessed he really was just that nice. But every time you were around him you couldn’t help clamming up somehow.

“Are you in any clubs, Y/N?” he’d asked you the other day, between bites of his kimbap.

“Uh, no...” you answered quietly, your nerves frazzled from your total lack of conversational skills.

“None of them appeal to you?”

“Uh, not really that...” you didn’t know how to answer him. You’d ended up just looking at him blankly, like a fool. However, nothing in his facial expression or his tone made you feel like you had to necessarily come up with an answer... But his gaze was intent, and you found it hard to hold onto for more than about three seconds.

“What do you do for fun? To relax?” he followed up breezily, “You’re the class mystery.”

“Um,” the odd self-consciousness you felt at being called ‘the class mystery’ aside, you couldn’t really think of anything to say to him.

Actually, there was one thing that came to mind... but it wasn’t something you’d ever shared with anyone. Your one ‘hobby.’ Though to you it felt more like... squeezing a stress ball. It was what you did when you needed to turn your brain off.

He wants to know what I do to relax?

You couldn’t say what compelled you, but you pulled out your phone and found the photo album you had saved of your miniature paintings.

You worked with acrylic paint on very small canvasses, using very fine, small brushes to create miniature floral designs, portraits, landscapes... Your style was incredibly detailed. You had hundreds of tiny canvasses in little boxes and frames all over your room. You took pictures of most of these tiny paintings when you finished. You had even recorded a couple of time-lapse videos, showing you creating them in fast motion. You’d never felt compelled to create a social media account to display or monetize them, though. You painted because it was what you had done since you were a preteen—the careful, methodical process of dabbing tiny paintbrushes into your carefully mixed colors, getting the tone and shading of a poppy flower’s petal on a tiny scale just right... For you, creating these paintings was like a meditative practice.

By some stroke of inspiration—or insanity—you handed your phone to Wonwoo. His face became visibly more curious as he took your phone carefully in his hands.

“Wowwww,” Wonwoo said, holding the screen closer to his face. He seemed absorbed in your phone—you even caught him zoom in on a few pictures. You could tell he was looking carefully through the album.

“You’re crazy talented!” he said after a while. He sounded genuinely impressed.

“No, haha,” you somehow laughed, coughed, and gasped at the same time, your heart accelerating out of embarrassment from his compliment.

“No, seriously—Y/N, these are really incredible!” he said. “They’re so detailed, and they’re so small! How do you even do that!?” His eyes were glued to your phone screen. A part of you was screaming inside, why on earth you would show these to him!? and urging you to snatch your phone right out of his hand, throw it over the side of the building even. You couldn’t believe that Wonwoo was seeing this, this... habit. And YOU had been the one to show him, of all things!

“I wouldn’t say they’re ‘incredible,’” you said, filling up with more and more anxiety over coming off as bragging or crossing some social boundary that you shouldn’t have crossed.

Wonwoo finally looked up from the screen, looking directly at you instead. You still couldn’t bring yourself to meet his gaze, but you felt his eyes on you. After a long pause, you dared to glance up at him...

But he quickly looked away from you.

Ugh, I’m probably making him feel like he has to be super nice or something...

“Oh, whoa—a time-lapse?” He said, quickly recovering from the somewhat awkward moment when your eyes had met. But his stumbling across the most recent time-lapse video that you’d made prompted you to snap out of your reverie and bolt to grab your phone out of Wonwoo’s hands.

“Ah, don’t watch that!” you lunged for your phone, but Wonwoo reflexively pulled his hand away, surprised by your reaction but still effortlessly dodging your attempt. He smirked down at you, and your heart almost stopped.

“Why not?” he said, and the deep resonance of his voice made you realize how close your bodies were—you were practically sprawled over him after reaching for your phone, his face just inches from yours...

Your whole body seemed to flush a deep shade of red before you catapulted backward away from him. You could have sworn that you saw that Wonwoo smiling to himself, but you were so flustered and anxious about the way you’d completely invaded his personal space that you couldn’t think straight.

“I won’t watch it,” he said light-heartedly, smiling at you as he tossed your phone back to you. “But you are super talented, Y/N. Painting is such a unique skill, too.”

And just like that, he went back to eating his kimbap like nothing had happened. His relaxed, friendly tone mercifully neutralized the atmosphere, but you just stood there clutching your phone to your chest.

“It’s not that I’m embarrassed,” you started, even though you couldn’t look Wonwoo in the eye, “It’s just—I’ve never shared these paintings with anyone except my family...” Your heart kind of ached for some reason as you said this to Wonwoo, who just continued to look at you in silence. What on earth had compelled you to share that with him?

Agh, say something! You willed for this pause in conversation pass, but it didn’t seem to be budging.

“Thank you for showing me,” Wonwoo said at last. His low, gentle voice seemed to shoot directly into your bloodstream, flushing you an even deeper shade of red than you thought was humanly possible. You looked at him briefly, and something about the way he was looking back at you...  

The moment had played over and over again like a movie in your head for the past few days. The directness of his gaze. The rich, sincere quality of his voice. The way he’d smiled to himself... you couldn’t stop thinking of that particular lunch hour.

Standing at the kitchen counter, Daehee watched you dip veggies in tempura batter and toss them in the pot of hot oil on the stove. You let your mind run through the questions it had been asking all week: why was he spending time with you like this? Did he lose a bet? Is there some kind of hidden camera prank you should be wary of? More than that, why was he being so nice?

“Hellooo, earth to Y/N! I said you’re really going to town on your lunches these days,” Daehee tried again to get a rise out of you.

“Oh,” you said, taking the last piece of tempura squash out of the oil. “I just like experimenting.” You weren’t lying, exactly—you did like exploring all kinds of different food and dishes. Cooking was fun to you, different from the calm of painting.

You would be lying if you said that an added bonus wasn’t Wonwoo noticing and complimenting your work.

You liked it when he praised you. It felt like he meant it.

No one could be that good at faking sincerity, could they?

You couldn’t help but hear that small voice in the back of your head, doubting Wonwoo’s intentions.

But he hadn’t done anything other than come up to the roof during lunch this week, mostly just eating in silence with you—the two of you simply looking out at the sky...

But after you had shown him your paintings...

Maybe it was since then that you had started to put more effort into your lunches.

[teeny-tiny-revenge]

Look, when Ed leaves with Jack it isn't Ed choosing Jack over Stede as the better partner/love interest. This is what Stede thinks is happening. Stede hasn't even entirely admitted to himself at this point that his investment in Ed is romantic, but he does treat it as a breakup, he sees Jack as a rival for Ed's attention/love, so from Stede's perspective, yes, Ed is leaving him for Jack.

Stede thinks he is in the romance novel plot and has to compete with his love interest's ex for his affections.

This is also what Jack is intending to make Stede feel.

Jack is playing a con. He is actively working towards Stede coming to the conclusion that Love Triangle Business is happening, but Jack's motivation isn't winning back Ed as a boyfriend from Stede. I don't think Jack does boyfriends. Jack does dalliances. He would probably agree with Lucius's "we don't own each other". And this would apply if Jack happened to randomly come across the Revenge and decide to fuck with Ed's new crush for kicks and giggles (which is what Anne and Mary do when in that situation!). But Jack doesn't come across the Revenge by accident. He is on a mission, given to him by Izzy. We don't know if Jack gets paid for it or if he does it because he's worried about Ed and doesn't want the Navy to get him, or some combination of both, but Jack is the only one in this equation who actually knows what is happening, and what is happening is a plan to drive a wedge between Ed and Stede to make Ed leave the Revenge so he's out of the picture when the Navy shows up.

But neither of this is what's going on from Ed's perspective. (This entire episode is a masterpiece in the "characters completely misunderstanding each other and what's going on" trope.) Ed doesn't really figure that he's been cast as the pivotal point of a love triangle. Ed isn't spending the episode trying to choose the better boyfriend candidate and then leaving with him.

Ed is busy having a personal identity crisis.

This crisis has been ongoing for a while when Jack shows up. With Izzy's pressure to pirate a certain way gone, Ed is freer to explore what Ed wants to do now and how he wants to live and who he wants to be. He is tired of the traditional pirate life, he wants to try something different. He also isn't ready to fully do a hard cut. He just figured out Stede might return his feelings during the treasure hunt. They just decided to co-captain. A lot of things are changing for Ed.

And then comes by a very old pal. Jack and Ed have history, they used to sail together, they survived their difficult youth under a cruel captain together. Jack represents a different type of pirate life than Izzy. Jack is fun. (Everyone but Stede thinks Jack is fun, and that's in no small parts because Jack is actively working towards making Stede uncomfortable but everyone else have fun and take Jack's side - this works on everyone in the crew including Ed!)

From the beginning on, Ed is struggling to make Stede and Jack get along and like each other. He's trying to somehow combine his old life and his new life because he doesn't want to choose between one of them. He wants to have the best of both worlds. He wants his old friend and his new friend/his ex and his crush to be friends and get along. He wants to keep what was fun about traditional piracy (as represented by Jack) but also move on to Stede's new brand of doing things. He wants fancy breakfasts, and then has to realise that Jack pours alcohol into his teacup. He wants to play coconut war like the old times, but has to realise Stede hates the idea. A big part of this episode, from Ed's perspective, is about trying to reconcile these two worlds and failing.

Ed's main problem, through both seasons, is that he doesn't really know who he is or who he wants to be. He struggles massively with self-worth and self image. He views himself as an unlovable monster and spends his entire life bending over backwards and wearing masks to cater to what he thinks other people want him to be. He plays up Blackbeard for Izzy, Blackie for Jack, and he isn't sure if who he is being with Stede is actually Ed or not. Ed thinks nobody can possibly like him, so he constantly tries to perform to whatever expectation his direct peers have of him.

Next to this main crisis, Ed is having another secondary crisis called "fuck I'm in love with this guy" and "does my crush like me back". This secondary crisis is heavily influenced by the first, because Ed thinks he is a terrible unlovable person, remember, so "does this guy who I think is the bee's knees return my feelings" becomes a lot more fraud than it would be for a person with a modicum of self-esteem.

Ed, who struggles with "who/what am I as a person", sees Jack as a person who is similar to Ed. They have a lot in common. They share a lot of backstory. They are both pirate captains. They used to do the same things. Ed always played Yardies and Whippies and Turtle Vs Crab, because really that's just pirate culture. The main difference between Jack and Ed is that at some point Ed outgrew this life, and Jack didn't. But Ed, who is bad at recognising himself as a person and to define his identity, is only sorta vaguely aware of that. In Ed's perception, him and Jack are very much alike.

So when Stede, Ed's new friend and crush who he already thinks is too good for someone like Ed, starts rejecting Jack and Jack's behaviour, and says things like "I don't like who you are around this guy", what Ed hears is "I don't like who you are". Ed hears Stede thinks Jack is a bad person, and because in Ed's head a) he and Jack are the same and b) Ed is a bad person anyway, Ed hears "you are a bad person".

"You were always going to realise what I am", says Ed, as he is leaving with Jack after Stede tells Jack to leave the ship. Note the dehumanising "what" instead of "who" Ed used for himself. Ed, who thinks he sucks and is an unlovable monster, thinks this is the other shoe dropping, and he's been waiting for it to drop all along, because someone great like Stede isn't for a guy like Ed. Stede was always going to see what Ed is.

Ed's leaving the Revenge/Stede is 100% down to Ed's abysmal self-worth. It's a self-perception born from childhood trauma that fucks Ed over several times during the show (and ultimately leads to his suicide attempt).

Ed is so busy having All That going on that he mostly fails to notice that Jack is playing him, or what exactly happens between Jack and Stede, that Stede perceives Jack as a romantic rival for Ed's attention/affection or that Stede too struggles with self-worth and that Jack is hitting him where it hurts all the time. Ed's headspace in this episode isn't "oh, two sexy guys I like, which one should I choose to be with". It isn't even "oh my old pal is being a real dick to my new friend who is feeling really insecure here". Ed's headspace is "I'm a terrible person and Stede is seeing it now and Jack wants me to do more pirate party stuff but Stede hates that so now they both hate me and I probably deserve that because I'm a monster".

Ed leaves for Jack as much as Stede an episode later leaves for Mary. It's the exact same situation. For Stede, his own trauma and self-worth issues show up in the form of Chauncey Badminton, telling him he is a monster and ruins beautiful things, and Stede's reaction is to agree because he already thinks that of himself, so he takes his horrible ruinous monster self away from beautiful things (Ed) and back to where it belongs (to a miserable life he was hoping to leave behind). And for Ed, no Chauncey Badminton is required, because he's already constantly thinking these things about himself anyway. From Ed's perspective, Stede tell him he is a bad person (just as Jack), so Ed agrees and takes his horrible self away from beautiful things he doesn't deserve (Stede) to a miserable life he was going to leave behind.

Neither Jack nor Mary actually feature into the leaving much. Neither situation is "leaving the new guy for the ex". They're both situations of "I have a fuckload of trauma and self-hatred and it destroys my actually pretty nice new relationship".

And this is very interesting as a parallel. It doesn't even end there! When Stede returns, and Ed hears where he went, Ed too goes to "you left me for Mary". Same as Stede went to "you left me for Jack". And neither of it is actually what was happening!

Stede doesn't leave Ed for Mary, and Ed doesn't leave Stede for Jack. They both decide, driven by very similar trauma, to leave because surely the other one is going to be better off without them.

[captainmera]

Words can't describe how much I love your modern au for the folktale trio. As always your Evelyn is the skrunkly scrimbo of all time, and Caleb as an exhausted barista is just perfect. Any lore you care to share about this au?

Sure! :D

And thank you! Haha, it's rather fun actually! And yes, skrunkly little powerhouse, there she goes. :3

Modern AU character synopses and plot ideas(?) Under cut!

EVELYN:

Evelyn is fighting with her mum and runs away to live in an abandoned tower. Now that she's trying to live independently, her older sisters advise her to become a bounty hunter (since she's so powerful, it should be easy! ..probably!)

And, because she's got a special interest in the human realm, she dives head first into chasing criminals who try to hide there.

Evelyn basically does what Eda was doing after she lost most of her magical power. Having to do odd jobs and hunt bounties. Except, for Ev, she takes jobs she can do in the human realm. She finds collectables to sell to shops (like tibbles), and hunts bounties.

She also tries to figure out why Gravesfield got so many little portal holes? It's as if someone in Gravesfield is opening them.. hm!

CALEB:

Caleb is a struggling barista at the coffee shop, who's raising his little brother and had to drop out of high school to work.

He's depressed, hates everything, and one sad night he uncovers a demon disguised as a human - who tries to kill him. He's rescued by a "local" strange and homeless girl (Evelyn), and he has now made himself enemy number one to a criminal gang by picking up a magical item (a disc with a moon on it) from the now-beaten-and-captured demon.

He still likes to carve wood, and is a bit of a shy artist. He doesn't believe his figurines or wood artwork is of any worth or interest.

He's also a closeted bisexual who wants to be out but terrified of being shunned from the community (the church) that helped him when he was/is struggling financially. He owes them a lot of gratitude for getting him his low-wage job and birthday/Christmas gifts for Philip via their support programs. As well as their poverty support.

He feels very indebt to the church (and they kind of use it against him too) and he feels stuck.

PHILIP:

Philip, the school weirdo who will not shut up about ghosts and demons. He runs a mewtube vlog about demonic beings and monsters. His online name is "Belos."

He's got no irl friends, loves horror video games and listens to the soundtrack from Zombie Deer the musical on repeat.

Philip makes his own ghost hunting gear, and goes exploring old abandoned places to hunt ghosts, try to summon demons, open portals, etc. To his knowledge, it has never worked...... to his knowledge, that is.

THE WITTEBANE BROTHERS:

Their parents are dead. Caleb stepped up to the role, and it's a lot to deal with. The brothers never talk about their parents. Their house (like the Noceda home) is full of pictures and half-finished projects. The brothers are in grief limbo. Caleb avoids and just keeps-calm-and-carries-on, Philip uses escapism and secludes himself.

Caleb has been gut punched hard by life's reality-check fists and has not recovered. He's more or less she'd and dropped his hobies and dreams because "that's just life, rat-girl. You either adjust and fit in, or, buh-bye!"

He unfortunately takes this pessimistic and depressive attitude out on Philip, creating a divide between the brothers. (Like Camila and Luz, except Caleb is less gentle about it)

Caleb wants Philip to start living in the hard, real world. Philip, however, wants to stay frozen in the fantasy that; if ghosts are real, then their parents aren't truly gone, and things can go back to how it was before. Kind of. Almost.

"How it was before" being him and Caleb watching monster movies together, where Caleb was just an older brother and not an adult-too-soon that boss him around. "Before" being when Caleb was happy, and didn't sit up late at night reading bills and planning the next meal with coupons.

Philip doesn't want to be the "normal" Caleb asks of him, because to him; that normal doesn't exist anymore.

While Caleb tries to conform too much to his new hopeless mindset that he has no control at all, anyway, so why fight it at all?

Philip is turning 15 soon.

FOLKLORE TRIO DYNAMIC

After saving him, and introducing him to a whole new reality of witches, demons and magic.. Caleb loses his marbles a little. Life is more nuanced than he thought - maybe he's not so stuck after all. Maybe there's alternatives?

Evelyn needs a human guide, and in exchange for his help, he gets jewels he can trade in for cash. And he gladly shakes her hand on that.

Now he's got money for bills, food, and necessities, and he can even save money for Philip to go to college. This is going to be Calebs birthday present to Philip. To give him the future and life he never could have.

Evelyn is happy to have a guide, and friend. But as she becomes closer friends with the Wittebane brothers, she discovers there's trouble in the household.

Philip is also suspicious of her. To him, and the locals of Gravesfield, she's a crazy homeless girl who chases random citizens yelling about them being demon criminals. As well as stealing miscellaneous things from dumpsters. Like broken toasters and yoga mats.

A girl whom Caleb has befriended because she ate his customers' leftovers. Philip is less than keen on their budding friendship, and his brother's apparent crush on her. Philip, in the beginning, feels like she's taking advantage of Caleb’s good heart. But discovers soon enough that she's actually really nice, and is more than happy to talk about demons and magic with him.

ANTAGONIST PLOT: EVELYNS MUM.

Ev is a powerful witch, but has a bailsack condition where the sack is too large (that's why she's a powerhouse), but it has a physical affect on her. She can get lethargic or "turn gray" as she calls it (like when a basilisk sucks a witch empty on magic)

Evelyn wants to be a researcher and an author. She wants to learn from the human realm and use their inventions and adaptability to help the demon realm.

Evelyn's mum doesn't want her to go her own way.

Despite knowing her daughter's condition, she still wants her to utilise her power. She's trying to turn Ev to various plant-magic corporations to make mass production of crops, to help fight the famines.

Evelyn wants to understand how humans do things because they have no magic and they still sustain somehow.

She has a hard time arguing with her mother. She wants to appease her (find a human invention replacenent) and also go her own way. But it's just not how things goes.

Caleb becomes Evelyn's one defender and protector.

While standing up for her, he also realises hiw he's been treating Philip. Telling him who to be and how to fit in, instead ofvtrying to understand why Philip needs to escape into his hoby so much.

Evelyn's mother does not like Caleb, and doesn't like how the human is able to bark back to her - armed with reason and solid arguments, too.

She's been trying to guilt Evelyn into shouldering the whole world, more or less, by making her sacrifice her happinessand well being to keep famine away.

Which, obviously, hits Caleb close to home. And he makes an enemy out of Mrs.Clawthorne.

Mrs.Clawthorne wants Calebs influence on Evelyn gone. Caleb must be removed.

She discovers that there's someone else who doesn't like Caleb, and wants to get him (caleb got their disc after all.) And strikes a deal with them.

ATAGONIST PLOT: THE DISC

Evelyn takes both the brothers to her realm at some point, to hide them from the criminal that has it in for Caleb. Not knowing her mother is assisting the criminal.

In exchange of getting rid of Caleb, they can have the disc.

This is when Pip and Ev discovers that Caleb HAS the disc in the first place. And has been using it as a mirror decor in his bedroom. To him, it was just a keepsake from the first time he met Evelyn, and to commemorate that the night actually happened.

Philip has, at that point, gathered enough knowledge to know what the disc actually is: from what he knows, it supposedly grants wishes?

And he wants to use it to bring their parents back.

--------------

AND THAT'S ABOUT IT SO FAR?? :,D

[nightcolorz]

I think part of why communities autistic representation with Abed is so good isn’t just how it portrays the symptoms and experience accurately, but also how it conveys plot lines and story arcs about the different types of people and interpersonal conflict an autistic person would face. Community definitely isn’t the first show to have ableism as a conflict, but in my experience of watching stuff it’s the first show I’ve seen that has such a nuanced approach to so many different types of ableism and different realistic reactions and solutions (all while being a sitcom with a cast of morally corrupt characters and absurd fantastical scenarios).

Frankie Dart for example, who is introduced in season 6, is kind of that level headed business woman archetype, conveys that she has a lot of experience with disabled ppl in her personal life, and (as is later confirmed) a lot of affection for them bcus she has a sister with a high support needs disability. This draws her to Abed, being that he’s autistic, and the two begin and understanding and friendship. Frankie is very kind and unusually understanding and compassionate towards Abed and his needs, and communicates with him in a way that is refreshingly easy for him to understand. And at the same time, patterns of infantilizing and condescending behavior begin to occur in their dynamic, until eventually Frankie outright says that abed “doesn’t know any better”, conveying to him that she thinks he’s too disabled to be aware of what he wants and believes, or to make his own decisions without someone who knows what’s best for him to guide him. And the great thing is everyone who witnesses her say this is disgusted 😭🫶 she is berated bcus everyone who knows abed knows that he is a grown ass man who doesn’t need to be hand held or condescended to.

But what’s so interesting about this conflict with Frankie is that she does earnestly mean well, she’s not a one sided abliest villain, she’s a person who could really exist. What is conveyed is that Frankie infantilizes abed bcus she has an expectation of autism that does not apply to every autistic person. She assumes that bcus her sister has high support needs and needs help making decisions, that abed is the same way, bcus she thinks all autistic ppl r like her sister and acts accordingly. And then she learns that this is wrong, and abed is fully capable of functioning without her help. It’s great! There’s no moral speech about how autistic ppl aren’t babies or anything like that. Frankie means well, fucks up, and is forgiven when she changes her behavior.

I just love it bcus ableism and other forms of bigotry aren’t often portrayed with so much nuance. Ableism isn’t usually this big thing, most people r on some degree abliest, and a lot of the time people who have a lot of experience with disabled ppl and mean well (especially ppl with disabled family or siblings) end up having the most abliest biases, it just feels so real.

[eri-pl]

Silm reread 18: Tears Unnumbered ye shall shed

So, we got here. But first, B&L get an epilogue.

First, a tidbit about reembodiment: B&L take their physical forms again in Doriath. I guess they go from Mandos to there in spirit. (It's all "allegedly", anyway). Everyone is happy and afraid when seing them (very reasonable reaction I think) and Luthien heals Thingol from (depression, more or less).

Melian looks in Luhien's eyes and is sad. She "realized they will be apart till the end of the world and after" (huh?) and again, we have Pengolodh's favorite stylistic tool: "nobody ever suffered more from any loss than Melian suffered then".

Oh, I found the quote in original: “But Melian looked in her eyes and read the doom that was written there, and turned away; for she knew that a parting beyond the end of the world had come between them, and no grief of loss has been heavier than the grief of Melian the Maia in that hour."

B&L go to Ossiriand, it vaguelly feels like they don't neet to eat anymore? But unclear.

Anyway, back to the proper plot Feanorians. Maedhros gained hope, because he saw Morgoth is not untouchable. He starts creating the Union, but the wording about him doing it … even without knowing the story, if I read it carefully, I would probably be worried about how it will go.

And we have a clear reminder of the Oath and all that. Orodreth doesn't trust the Feanorians because C&C (makes sense I guess) (Finrod would probably join the Union but anyway). Gwindor joins Maedhros, going against his king's orders… we know how this will end for Gwindor.

doriath. Mae&co had sent brash letters to thingol along the lines of "you will be our enemy if you don't give the Silmaril back" and Melian advised Thingol to give it to them! But he is angry at their tone and at C&C, and also B&L have suffered so much for this jewel…

Sidenote: If your main claim to a piece of treasure is "but I/someone have sufferred so much", keeping it is probably going to end badly.

Also thingol wants to keep the Silmaril, because it is this jewel's power…. wait what? "And every day that he looked upon the Silmaril the more he desired to keep it for ever; for such was its power." [original] WHAT.

Ok, that is new. So, the Silmaril is canonically addictive? Or is it only because it has been in Morgoth's crown?

So, anyway, Thingol sends Maedhros a dissing answer and Maedhros leaves him be, because the Union is more important. Yay, Maedhros, great job, you are doing well! (For now :((( )

Unfortunately C&C threathen Thingol with genocide, after they win the wart. Which they assume they will. So thingol fortifies and doesn't go to the war. (Mablung and Beleg go, but Thingol allows them reluctantely, so they end up better than Gwindor)

Bór! :) and Ulfang :(

Maedhros plays his hand a bit too early :(

Also, another mention of Morgoth's spies (plural) and traitors. So, I guess the fallen Men, enslaved Elves and shapeshifting wannabe-Saurons sabotage the Union as much as they can.

Battle, Fingon doubtful, problems, suddenly: Turgon! First good surprise of this battle (it will be a whiplash…)

The Noldor want to charge too quickly, but Hurin stops them, because he is wise.

Morgoth wants to kill Fingon especially. Why? Probably to break Maedhros. (Also, revenge for the rescue, maybe.)

Gwindor gets unlucky chance (that's what happens when you go to war against your king's orders, I suppose)

The Noldor get really motivated and almost win. Morgoth is trembling of fear XD as they bang at his door. This is pretty cool of them. But then they all die. :(

Another turn: the Noldor might have won, but Ulfang. :( [Maglor kills him and it's probably the only named character that we are told is killed by Maglor, which is interesting]

Also, Glaurung is there.

Fingon dies. Also, his banner is silver and pale blue, which I did not remember.

Hurin, Turgon, foreshadowing for Earendil. Maeglin hears it all, but does not comment, and he remembers it and I have no idea why the book tells us that, this line feels so odd. "Maeglin, Turgon's sister-son, who stood by, heard these words, and did not forget them; but he said nothing" It's apparently odd to more people because there's a reddit thread about it. huh, ok, makes sense.

So, Hurin is brave and great and I will need to make a post about how the story is an ecosystem and the benefit of one character's heroics sometimes lands to another character's lap and it's painful but also quite real. So. Hurin. But we'll get back to him later.

Morgoth is happy, because divides and betrayal and stuff like that. :/

Also this (Ulfang) is why the Elves don't like Men anymore (except the Edain).

Cirdan is besieged, allo we learn that there are Orcs who can use explosives, and orkish engineers and what not. Interesting. they destroy the ports, Cirdan&co escape to the sea and to Balar.

Turgon again sends ships to Valinor, again it doesn't work (again I suppose he didn't ask Ulmo about his opinion or ignored it), and we are told who kills those sailors: not the Valar. "Only one, Voronwe, was saved by Ulmo from Osse's wrath". So yea, it's the "not rebel, but not not-rebel" sea guy. Don't blame the Valar for this.

Turgon is the rightful king of the Noldor (says the book), Morgoth hates him, because Fingolfin, and because he's a friend of Ulmo, and because Turgon's vibe scares him. We have a wonderful line about how even back in Valinor Morgoth was anxious every time he saw Turgon and tbh this is criminally underexplored in fics (this whole period is) and must have been quite hilarious.

Hurin disses Morgoth, Morgoth curses him and his wife and kids, takes him high up, and curses him again for a good measure.

Results of that: in the next chapter.

[chiisana-sukima]

Hey so this post just came up on my dash and its an interesting perspective for sure. I was wondering if youd feel inclined to share your thoughts on it but no pressure ofc feel free to ignore.

https://www.tumblr.com/zudilio/648738136098275328/the-thing-is-that-i-miss-the-early-seasons?source=share

Yeah, I saw it on my dash too and considered reblogging with comments, but it's three years old and the OP has said in other posts that they're a "Sam ignorer", so I figured they wouldn't be appreciative. Also, to a certain extent, "they should've given the plot points I don't like to the character I don't care about" is just a matter of taste, so there's not a ton to say about that part anyways.

As far as the "Sam is like John because at the start of the show he's driven by anger and his need for revenge" part, my thoughts on it are here, and @ardentpoop and @aliusfrater have excellent meta here as well.

Leaving aside the piece where I think the OP is wrong about Sam though, I do agree with them that Dean's character arc was mismanaged, and I sympathize with them and all the other Dean girls (gn) who got stuck with *waves vaguely at spn in general*. I agree with OP that Dean isn't an inherently angry person. I don't believe inherently angry people exist, but even beyond that, I don't think the intended reading of spn is that Dean's story is about anger. Gamble said at some point very early on that on the inside Dean is a frightened little boy who never had the chance to grow up, and I do think spn carries that thread through the seasons pretty well all the way to s15, where it attempts (with not-great success imo) to resolve it.

Unfortunately, I also think that spn's failure to resolve Dean's character arc satisfactorily was inevitable, and that the things that attract many fans like OP, who identify with Dean, are the same things that made resolving his issues impossible given the set-up. Just as Sam has a realistic case of poorly-controlled, chronic dissociative/classic PTSD (with psychosis during s7 and some CPTSD-like features) and doesn't have the resources to manage it beyond bare-bones survival, Dean has pretty realistic untreated, chronic CPTSD/BPD without the resources to even begin to manage it in a way that doesn't destroy his own life and the lives of the people around him. Dean's violence stems ultimately from his childhood environment, sure, but the person he is by the time we meet him in s1 has severe attachment issues, difficulty regulating his emotions, poor distress tolerance, black and white thinking in a job where black and white thinking results in victimizing people based on factors they have no control over, and most of all, no real concept of boundaries whatsoever. The cause was for sure his childhood, but the present of spn is just a very symptomatic adult. His mental health issues--and Sam's too--are the kinds of chronic illnesses that never go away and that people struggle with over their entire lifespans.

I don't want to be overly negative; many people with mental illnesses this severe do learn to manage them well and live full and happy lives (I am, within reasonable limits, one of them). But it's hard. And longstanding, deeply-rooted patterns of thoughts, beliefs, and behavior don't change without community resources, considerable effort, and for most people, years of trial and error. Spn's main premise is, for some wild reason, that the problems Sam and Dean encounter are metaphorically equivalent to real life problems normal people encounter all the time, but that in the spn world, all of the resources real world people have available to help them are impossible to access, except guns and torture. It's s13 before spn manages to get Sam and Dean into ONE SESSION of therapy with someone they can tell the truth to, and by then, we get this:

Dean is being a lot less unrealistic here than one might think, and yes, this picture will end badly in real life too.

Since the finale, a lot of fans have said things like "Dean deserved to go to therapy and get better" or "spn thinks if you have trauma, you should kill yourself about it", but deserving is fake. We in the real world live in a The Good Place universe. There's no fair calculus for who "deserves" anything. Everyone both deserves health and happiness and love and a comfortable life and also deserves nothing because there are other people who have nothing.

And unlike ours, the spn universe is not a The Good Place universe. It's worse. The writers of spn are and always have been profoundly ungenerous. The whole universe is built on victim-blaming and bullshit calculi of what crimes deserve what punishments and who should or shouldn't mete them out. In the spn universe, Dean is lucky. He had not one, but two BPD favorite persons, and he treated them both like shit, and they still both loved him and wanted to be with him and will be with him in the afterlife, presumably continuing to have the same intense, volatile relationships they've always semi-tolerated.

I like to pretend that maybe Sam, Dean and Cas can all read The Dialectical Behavior Therapy Skills Workbook on Heaven's version of archive.org and take it to heart, or that maybe Sam grew some boundaries in the years he lived without Dean that he can insist on hard enough and long enough for Dean to get a reparative relationship out of, and they can all after-live happily ever after. But the Dean that was alive during the 15 years of spn hadn't done that work yet, and the outcome he got was--if one subscribes to "deserving" as a concept--better than what he "deserved". If you hit your partner, you deserve to be left. If you hold a gun on them, you deserve for it to go off and kill them by mistake and you never see them again (although of course they don't deserve to die). It doesn't matter who the "angry" partner in the relationship is. Any sane person in this universe or the spn one should be angry a lot of the time, because both universes suck. Not to beat a dead horse with a flowchart but:

image source

The violence is the bastard. The emotions are not.

[yanderes-galore]

Yandere Husk please

The request for a Sinner darling was pretty much the plot I had for his concept... so I hope it's okay I combined the two :(? It would make more sense than me repeating myself.

@okchijt helped me out with this to make sure I got the character right and filled this with good ideas ^^

Yandere! Husker Concept

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective/Possessive behavior, Stalking, Drinking, Trauma, Emotional Manipulation, Clingy behavior, Murder briefly mentioned, Blood mention, Biting mention but not done, Scenting, Dubious relationship.

For how moody Husk is most of the time, I imagine he'd care for his obsession very much.

It's said he lost the ability to love long ago... which he no doubt believes to be true for a long time.

Even when his obsession begins Husk would still be in denial of the idea.

There's no way he's feeling love towards another sinner here.

Yet here he is, worrying for you more than any other.

His obsession would be the most likely to occur with someone who's in the hotel.

So another sinner employed to help out the hotel or looking for redemption.

For the most part, Husk tends to stay out of the way and observe.

Most of his behavior is obviously cat-like.

Which means he'd keep his distance and watch you... just to see how you behave and what you're planning.

Husk's obsession is slow... gradual.

It's not like other yanderes who feel an immediate spark only for it to grow.

He watches you for a bit... Then slowly talks to you over a drink, then you become close.

His mood can put people off.

He's always drinking, always grumpy, apathetic, and gruff...

Yet he really does like to listen to people and help.

In that case... I can imagine one of your bonding times is opening up over a drink.

Maybe you're anxious about the hotel or some other thing.

The cat's good at listening... soothing your nerves with a drink and advice.

You'd swear he's the hotel's therapist more than the bartender.

However...

A good drink certainly would start a bond between you two.

Observant and empathetic... Husk would care for you once he shows some interest.

It's certainly not romantic immediately to him...

But it is a curiosity.

He's patient with you and often knows if you lie to him.

Which at first is revealed by something innocent... like you trying to hide some problem you have.

Yet that ability can turn sinister later on... like if he feels you're lying to him about something to distance yourself from him.

Husk is said to be sweet and protective of those he likes.

Naturally, as a fellow sinner in the hotel, Husk often keeps track of you.

He looks forward to sharing a drink with you or playing a game of cards.

You don't even have to trauma dump on him, he enjoys your casual conversation in his normally dull day.

He doesn't even realize he enjoys your company so much until someone, maybe Angel, points out he's purring when he sees you.

This would probably occur within a couple months.

You two often chat as you work and get along pretty well.

Better than he thought apparently if he's purring when he sees you.

He can't seem to help it...

You just stir something in him... It's familiar but... it can't be anything serious....

Husk is a subtle yandere for a couple reasons.

One reason is he's in denial of being in love for a long portion of his obsession.

He often tries to rationalize with himself that he just sees you platonically.

That he's just a shoulder to cry on....

Another reason is this... Even after he comes to the conclusion he does love you...

There's Alastor.

Husk's soul is still owned by Alastor, the radio demon is his master.

He can't show his love for you much as he fears Alastor will pick up on it.

The last thing Husk needs is causing you more stress because Alastor needs leverage against him.

Such a thought forces him to keep his obsession over you out of sight.

Both out of shame and fear.

Doesn't stop him from accidentally dropping hints, though.

When you two talk in private, or even in public and he lets his guard down too much, you can hear Husk purring around you.

He denies it the whole time, of course.

When alone, Husk tends to be more affectionate once he accepts he's in love.

However, he excuses it to try not to give himself away.

For example, if you're having a stressful day, he may hug you and start purring.

When you question him, he claims he's just trying to get you comfortable.

After all, did you know a cat's purr supposedly eases the mind?

In reality... He's trying to excuse his urge to touch you... just to keep up his facade.

So you'd just keep venting while he nuzzles into you to "cheer you up".

Apparently....

Husk is limited in his obsession.

Kidnapping and physical isolation would draw too much attention.

Alastor would definitely find out then.

Although... Emotional dependency and social isolation?

He can make that work.

In fact, making his darling dependent on him is core to his yandere tendencies.

It's easy since you already come to him for help anyways.

He wants to be the only one you're vulnerable around.

Husk wants you to seek him out for help, comfort, and company.

Perhaps even love eventually.

Making you dependent on him makes you his... Yet keeps Alastor out of it.

... Hopefully....

Because you vent to him, Husk knows nearly everything about you.

More than you know yourself sometimes.

While such secrets and info would be great blackmail... Husk wouldn't want to ruin your trust.

Instead he uses it to his advantage, a way to gain your favor.

He'd use the info he gained to help you.

He knows what you like, what you hate, what situations make you uncomfortable...

He's always around and ready to tug you out of a situation you hate.

He acts like such a caring friend, he's even protective of you.

Husk may actually leave his post at the bar to follow you and check on you.

He does some stalking but has to make it subtle.

If someone was messing with you or hurting you, Husk is quick to step in.

Considering how he handled those Loan Sharks in the show...

Safe to say you're in mostly good hands.

The only time he'd murder is if your life is in danger.

In that case... Surely you can ignore the blood in his fur?

Not like it's very new to you, though....

Hell's violent... Which is another reason Husk hates you wandering off alone.

While Husk is subtle... I can see him scenting his darling in secret as he nuzzles and purrs.

He may even be into biting you... leaving marks to show you're his...

Yet since he has to be subtle, he reigns in such urges.

Overall, Husk is a subtle protective yet possessive yandere who would make his obsession vulnerable and dependent on him.

This way, you're kept safe and cared for...

All his... even if you don't know it yet.

[autumn-foxfire]

IT'S TIME! FIST OF BLUE SAPPHIRE! THE NUMBER ONE KAISHIN MOVIE!

How interesting though, that this movie is set after Ran and Shinichi are officially dating but they went for KaiShin instead with ShinRan sprinkled in from time to time. I guess they were like "you had your cheek kiss, let the gays have something" and we appreciate them for doing so!

And that card is how poor Kaito is dragged into this sinster plot T-T

I appreciate the movie actually understanding Ai's character better than Gosho does. This should have been her response when Shinichi had pestered her for the antidote for the school trip.

I still don't know why Yuusaku hasn't used his "many" connections to help his son get a passport but Kaito's solution worked too. And is a lot gayer.

Kaito really likes to dress up as cute girls XD We stan a gender non-conforming thief.

We don't acknowledge enough how gay Kaito's "I've been waiting a long time for you," is. We know honey. The boy still believes that he's straight but he'll get there.

Did Kaito strip Shinichi to put all that tan on him? I just need to know. Because that is also very gay of him (also creepy but he was only did it because he needed Shinichi's help and he knows that Conan can't be in Singapore so he's just being a good future husband protecting his identity).

Shinichi always sees Kaito as so handsome.

The second best part of this movie beside the Kaishin? We get really cute Makosono.

It's funny that Sonoko says "they have good vibes between them" but we know that Ran is already aware that this is Kaito and she's acting to catch him off guard. She's a better actor than Shinichi and now I believe that she's always acting when it comes to Shinichi.

Kaito and Shinichi are already being gay with one another. Come on guys, get a room. Shinichi has just been kidnapped and he does not give a shit because it was his husband that did so.

Agasa totally made that suitcase. Jii definitely had him make it. What I'm saying is that Agasa is a bro and wanted Shinichi to have a date with his boyfriend.

Shinichi and his love for Sherlock Holmes T-T

Ran is very pretty in this dress by the way. It's a shame that her wife isn't here. My only complaint about this movie is that there is no Sera even though she definitely should have been.

This movie shows us why KaiShin are such a great couple with one another. There's no tension between them, they're always on the same wavelength and it's amazing.

Makoto showing us why he's an amazing boyfriend and why he and Sonoko are so great together!

Sonoko is very gorgeous in this movie.

I love how he panics. When Shinichi panics he drops all pretense but with Kaito, he keeps his grin on his face, probably because of how he's trained his poker face but all it does is make him look manic XD

Kaito's love for sweets is being seen too T-T

Sonoko is the most supportive girlfriend.

It can't be a double date Sonoko with Ran, Ran's wife isn't here sadly. But you can have a double date with KaiShin.

Ran: This is definitely not Shinichi. He is not a smooth talker at all. And he would not interact with my dad that way.

This movie actually also shows us Ran's intelligence, though it's only revealed at the end. What I'm going with this is that SHE. SHOULD. KNOW.

One complaint, again. But how come Makoto gets to have muscles. It's not very apparent but they're there. Ran should get them too.

We love a self-confident Kaito. And Shinichi being exasperated at his husband for being so.

The jealousy Makoto has towards KID is actually one of the few in the series that I don't mind because Sonoko is very open about how she is attracted to KID (though she has assured Makoto her heart is his and even here she makes sure he knows that).

You know Leon saying Kaito's hands belong to that of a magician is also something Ran uses as confirmation that this isn't Shinichi.

You know Kaito is annoyed because it's Shinichi that deserves all the praise that Kogoro gets.

We know that Ran knows this is Kaito, so I'm willing to be she also knows that Arthur is actually Conan and that's why she's okay with this small child who is all alone following them around. Let her be the intelligent women that she is.

Kaito, my smart boy.

AND HIS FIRST HEIST STARTS.

HE'S SO ACROBATIC. HE'S INCREDIBLE. Although, it's because he's so acrobatic that I find it hard to believe his hands are "supple" like it's said. Gymnasts are prone to calluses on their hands due to it. I guess the excuse is that Kaito wears gloves, but that doesn't actually stop them from forming.

MY POOR BABY GOT TASED. AND THEN ALMOST DROWNED. This is the Kaito goes through it movie.

Leon: I am one step ahead.

Shinichi: Hold my beer.

KAITO JUST SHOOTING THE GUY WHO GETS IN THE WAY IS SO FUNNY. He knows who the danger is.

Kaito your adrenaline junkie is showing.

He's so goddamn pleased that Shinichi helped him.

Shinichi: Got to save my idiot husband.

He looks so good in this movie.

And Shinichi just casually waiting for his husband to pick him up is so goddamn cute of him T-T THIS MOVIE IS SO GOOD T-T

They're so adorable, flying over the city while discussing a case. It shows how much trust they have in each other.

And there's the obligatory Shinichi and Ran. I can't even be made about it because I'm being fed so well.

Shinichi is so flustered that Kaito is actually interested in why he chose his name. He's not used to it.

AND HE'S SO CONCERNED FOR KAITO.

Someone pointed out that Kaito doesn't hold his hand over his heart, he usually holds it more to the left. So there is a reason he does so for Shinichi and that reason is gay, gay, homosexual gay.

Lol I just noticed he stole Shinichi's shoes and put him in sandles.

And the acting award goes to Ran! She's doing all of this just to catch out KID and we love her for it!

In fact, she knowing that this is Kaito but chosing not revealing that it is actually gives support that she to my idea that she knows Arthur is Conan and that there must be some way he brought Conan here that was illegal so the only way he can actually get him back home is to let Kaito be arrested in Japan. In this essay I will-

ANOTHER GREAT THING ABOUT THIS MOVIE. Ran is showing off how much she enjoys martial arts too.

The distance Ran put between herself and Kaito is so interesting (and Sonoko doesn't even notice, suggesting she'd do the same for the actual Shinichi).

I'm assuming that Kaito raided Shinichi's wardrobe because Shinichi likes pink shirts with white. He wore it in London and now Kaito is wearing pink and white in Singapore.

I love Kaito's disgrunted look in the background when Kogoro says he won't get the belt. Those are fighting words.

Awww, Shinichi looking back at Kaito was adorable. He's curious but also concerned about his husband as he knows he's being led into traps.

MAKOTO T-T DON'T LISTEN TO HIM.

TIME FOR CUTE MAKOSONO. And Ran is a bro letting Sonoko have some alone time with Makoto, using Kaito as an excuse (she also wants to investigate).

We love Ran.

KAITO OUR GENDER NON-CONFORMING QUEEN. I love how he flirts with the inspector to return his phone too. My queer king. (Yes he is a king and a queen).

Kaito, did you really need to drop your skirt first? Or have you always wanted to do that.

I like to believe that Kaito only noticed the letters because he's learnt a lot from his detective boyfriend.

ALSO ANOTHER THING A PERSON NOTICED THAT WASN'T ME. This time around, Kaito included a propellor on his handglider. There was another Kaishin movie where his detective boyfriend complained about having to land and Kaito telling him they had no choice as it's not like he has a propellor on his glider. Me thinks, he doth use one now due to that.

MY DEAR KAITO

This is why we don't like police. They shoot indiscriminately.

What's with this face Shinichi. Disappointed? Or concerned? Both. He can't have his husband framed.

Nah, definitely concerned.

MY POOR BABY.

I adore the way Sonoko looks at Makoto.

She adores him so much.

And Makoto adores her and just wants to do everything in his power to keep her safe T-T Him catching the knife between his fingers was so cool of him.

SONOKO.

She's going through it too. She and KID can bond over their suffering.

KAITO THE JANITOR T-T Keeping up the act even though he's been injured himself and is in pain.

MY POOR BABY CAN'T EVEN GET PROPER TREATMENT. SHINICHI GO BANDAGE UP YOUR BOYFRIEND.

He's so calm about Shinichi seeing him as his true self too.

Hehe, half naked.

NO ONE SPEAKS ABOUT HOW GREAT THIS MOMENT IS. KAITO GIVES EVERYTHING BACK TO SHINICHI, ASKING FOR HIS FULL SUPPORT TO SOLVE THE MURDER BECAUSE THATS HOW MUCH HE TRUSTS HIM. AND SHINICHI DOES SO. HE DOES WHAT KAITO ASKS.

Shinichi does not need a room with two beds. So, what I'm saying is that they shared a bed. And Shinichi is the blanket hog while Kaito sleeps with barely any and snores. Actually, with how wrapped up Shinichi is and how there is so little on Kaito but the bedding is going in the direction of Shinichi, I think we can confirm this is a double bed they are sharing, as well as a blanket. Noting this down.

OOF. He just lets Rishi fall to the hard floor. Shinichi you are a cruel man but I can excuse you because you want to solve this case before your husband is hurt any more.

MAKOTO AND SONOKO ARE SO CUTE IN THIS MOVIE.

We don't get to see Sonoko and Makoto as casual as they're being so it's nice to see them interact.

TIME FOR KAITO'S COMEBACK.

Awwww, this isn't what Sonoko wants Makoto T-T She wants you to be at your happiest and she knows that is fighting against those who are strong. She doesn't want to be a burden to you.

ALSO CAN WE TALK ABOUT SONOKO'S RESPONSE TO FEELING LIED TO! IT'S WHAT WE'VE WANTED WITH RAN AND MORE. SHE IS UPSET MAKOTO ISN'T BEING HONEST WITH HER AND WON'T LET HIM TRY AND LIE TO HER. QUEEN BEHAVIOUR.

I know what you are Kaito.

RAN JUST DOESN'T CARE SHINICHI IS SCREAMING. She totally knows that Conan is Arthur (and that Shinichi is Conan) and is letting him tell of his boyfriend.

Kaito gets Shinichi down to a tee, even to how he abandons Ran T-T

TIME FOR SHINICHI AND KAITO TO BE GAY MASTERMINDS WHO SOLVE THE CASE TOGETHER. The gay part is very important to it.

Look at these babies being dramatic together as they sum up the case so far to try and solve it.

This is how playful teasing is done by the way. Neither of them think less of the other so the teasing is just that, something that neither of them mean. This can't be done between Ran and Shinichi because we know he actually views her that way.

KAITO BOUGHT SHINICHI A SNACK AND IT'S SO CUTE. HE'S NOT EVEN BOTHERED BY HIM REVEALING THE TRICK, JUST CURIOUS HOW HE KNEW IT WAS COCONUT WATER.

I love Kaito using casual magic tricks with Shinichi too. It's just so cute and so Kaito.

Shinichi: Haibara, can you figure out who this is? KID took it

Ai: WHY THE FUCK ARE YOU WITH KID?!

Shinichi: ...I'll explain later

Ai, already used to Shinichi at this point: Fine, don't be stupid.

It's kind of funny that Leon says he'll build a new city and he's not wrong because Shinichi and Kaito do blow it up for him.

Kogoro: Did I just get mugged?

LMAO Ai knows Shinichi so goddamn well. It's why they make great partners.

Kaito is having fun playing detective, isn't he.

Shinichi: My idiot husband fell right into the trap

Kaito: As if you haven't fallen for things like this too

And Rishi fell into Shinichi's trap.

Poor Sonokoa and Makoto.

LOL Kaito be careful of your detective. You don't want him falling off your shoulders.

SHINICHI AND KAITO DOUBLE TEAM.

LMAO Shinichi shading both Rishi and Leon. He's the king at making you feel stupid XD

Kaito: Actually the detective is closer than you think.

TIME FOR THE CLIMAX.

MAKOTO T-T He'll protect Sonoko with his life.

RAN. YES. SHE GETS TO BE INCREDIBLE. ANOTHER SCORE FOR THIS MOVIE.

And it's Shinichi who gets to be the damsel in distress who is saved by his man T-T As we love!

AND IT'S TIME FOR SHINICHI'S BEST PLAN TO DATE. HE ASKS KAITO TO HELP HIM BLOW UP A HOTEL.

I WANT TO SPEAK ABOUT HOW KAITO IS CARRING AROUND AND PROTECTING HIS LOVE WHILE MAKOTO IS DOING THE SAME. CAN I?

Kaito is one hell of a shot. And he has no ascended to the god of fighting as that was said to be the only thing to make the bracelet fall off.

Obligatory Shinichi saving Ran where it wasn't really needed but I'll allow it because we've been fed so much AND-

She gets the last move. So it's okay.

And Kaito can't forget his purpose. He is a jewel thief after all. And it makes a good reason to get people to shoot at him.

Kaito loves to make people bungee jump. He has to make them into extreme sport lovers too.

Oooh. What do you do two do in the bedroom. Makoto is very good at tying knots I see.

TIME FOR THIS SHIP TO MOVE. Kaito and Shinichi are so insane for this.

Makoto fighting with Sonoko on his back is also insane.

I JUST REALISED HE WAS HOLDING HER HAND! I ADORE THEM.

Sorry, that's just really funny.

Shinichi and Kaito did this. I fucking love them.

And Kaito has fun having the last word. King.

Sonoko has a fringe? I just thought it was as long as her bangs.

ADORABLE!

Shinichi got to say the line. Can't have a movie without it.

RAN IS THE MVP OF THIS MOVIE AND THIS IS WHY. SHE IS AN AMAZING ACTRESS AND PUTS SHINICHI TO SHAME.

What a warm welcome home for Kaito.

Again, it's not cute for Shinichi to insult Ran because he means it. Also she doesn't KNOW YOU FUCKING ASS.

Well. We'll ignore that last moment.

[onlymurdersintheafterparty]

OMITB S4:E5 "Adaptation"

We're at the halfway mark and I feel like fans with a Hercule Poirot or Sherlock Holmes type of IQ could solve the mystery by now but I am not one of those fans so I'm just here to recap and debunk or strengthen theories I already had. I say this every week but I am truly loving the pacing of this season and that they don't shy away from answering questions early on instead of trying to shoehorn everything in for the season finale. As always spoilers ahead!

Ok so now we officially have confirmation that there are two killers. After circling back to the footprint on the windowsill of the Dudenoff apartment, the tacky paper used on the photoshoot and production room set reveals that the footprint belongs to one of the Brothers sisters. We see that one twin is physically strong enough to lift a body when she lifts Oliver and moves him onto his correct mark. I don't think that necessarily means both twins are involved in the murder though. We also end the episode with that same twin being missing and hearing a gunshot implying that she has been killed. I have been waiting YEARS for a season in which the bodies start piling up and it's finally happening!

This episode was narrated by Marshall the writer and I don't know how to feel about his character. I get that he and Mabel are supposed to be similar in that they both have imposter syndrome but he in general just gives off red flags. He's inserting himself into investigating which is something killers do and him having the fake facial hair introduces the idea of the killers having disguises so clearly he was important to this episode. Not to mention he's giving stalker vibes or parasocial Arconiac vibes. I find it very interesting that Mabel and Charles did not view the video of his stand up to verify his alibi. This could very well mean that he was at the Arconia the night that Sazz was killed. He also never stepped on the tacky paper so we don't have his footprint. That's two strikes against him.

You know who else we didn't see step on the tacky paper? Glen Stubbins. Who is back by the way. I still don't care for his character but I am starting to suspect him. He's physically capable of jumping on the windowsill because he's a stunt performer and for that same reason I'm sure he's also capable of aiming and firing a gun. Also how did he know exactly where Charles lived? They only met the one time at the Stunt Man bar. And yes it's sweet that he brought bread but he could have left it downstairs with Lester. As Ben's stunt double I can't help but wonder if he was present at the Arconia the night of Sazz's murder but in disguise. There's actually a really compelling theory on the hulu subreddit that Glen is the killer if you want to check it out.

Bev actually does have an alibi for that night and seems to only be guilty of wanting her movie made. Can we rule her out just yet? Idk but we'll see. She didn't seem that confident while aiming the gun or firing it off to prove it wasn't loaded. Her revealing Sazz's voicemail and the time it was left definitely proved helpful in establishing a timeline and confirming that there are two killers. Or three if you think it's three people working together.

Howard working for the production team is only strengthening my theory that he's the Moriarty. This man is everywhere! He was working at the theater last season and immersed in the plot there and now here he is in the center of it all once again. Again I don't think he's an evil mastermind, I just think he started off envying the closeness of the trio and now he's high off the power of manipulating things behind the scenes.

Have any of you heard of the opera La Forza Del Destino? In A Series of Unfortunate Events, there is a reference and parallel to it in which a character is mortally wounded after a weapon is accidentally fired off and strikes them. What if the killer was aiming for Charles, saw Sazz dressed similar to him and was aiming to shoot, and the accomplice called to warn them that it was the wrong person but something startled the killer and they accidentally shot Sazz? Like for example they were ready to go and then someone knocked loudly or something which not only muffled the noise of the phone but startled them enough to shoot.

This season has so many parallels and coincidences that we have to assume is on purpose. We've got multiple dopplegangers and cases of mistaken identity, guns being misfired (Eva with Rudy's prop gun and Bev with Sazz's loaded gun), and even the blackout in the S4 premiere vs the fire alarm going off in the S1 premiere.

My small takeaways from the episode:

Mabel being 30 and having an identity crisis is so relatable and I hope she finds her way by the end of the series.

Lester talking about wearing a gimp mask is WILD

Charles mentioning having an account in Belize and Detective Williams pretending to unhear it is hilarious

I'm beyond tired of this Oliver and Loretta plotline and him being insecure about her new status as a celebrity. WRAP IT UP!

Fans keep bringing up the cold case and I wonder if that will become the plot point in season five

Zach Galifianakis telling Oliver about how Jonk (sp?) ran through the seven dwarfs and that they could be heard Hi-Ho'ing from the trailer took me out 🤣

Charles having a new murder board each week is my favorite thing because that's literally all of us fans each week after watching a new episode

Bev and Cinda would be besties or frenemies and I really need to see them in a scene together before the season is over

[recurring-polynya]

Bleach 129. Suspicion [for Assassination]

I love Captain Hitsugaya so much, how is this remotely his problem? Okay, okay, I can buy the argument that he's got temporary jurisdiction over the Fifth, and maybe Hinamori was even being detained at the 10th, since it seems a little weird to have her in the custody of her own subordinates with no commanding officer around (altho I am pretty sure she was at the Fifth). On the other hand, seems like kind of a conflict of interest to have her own childhood friend as a warden (lol, like the Gotei has ever once cared about conflicts of interest and also like Rukia didn't spend three weeks being co-wardened by her childhood friend and her brother)

However, why does the Tenth's Seventh Seat even know about Renji or Kira busting out? It's not like they were in some central jail facility that lets you sign up for jailbreak notifications. Renji's over at the Sixth. He didn't even get charged with any crimes. B just tossed him in jail because he woke up and chose petty bitchery that morning. On the other hand, Kira, whom I assume was in the brig at Three, was released by his captain. Presumably, this is just...allowed? Are there even rules for detaining people in the Gotei, aside from 'captains do what they want'? It does not seem like it!!

Other bloggers might pin this on bad writing, but this is the best writing to me. How does this supernatural fighting manga so deftly capture this extremely specific flavor of workplace dysfunction? Where the management is so bad that you have to try to run a project without authority over any of the people involved, knowing you will inevitably get in trouble over it, but at least you will meet your deliverables. Hitsugaya is like six or seven years old and is the only person doing any work around here, while everyone else is day-drinking or melting into puddles or straight-up canoodling with the enemy. Ukitake feels like an authority figure, but that man has spent 1000 years learning to slither-out of actually being responsible for things while still giving off the air of competency. Vice-captains escaping prison? Seems...fine. How much trouble can they cause? Lot going on right now, you know? Someone will surely take care of it.

I think it's so great that Hitsugaya is considered one of the main characters of Bleach, especially as far as, like, merchandising goes, and he really has very little to do with the plot, he's just a guy who works here. Anyway, there's some vice captains on the loose, better go get 'em.

[year2000electronics]

Ford is such a fascinately flawed character, If he not keep in check he unintentionally brings ruin to everyone around him.

this is literally how i feel talking about ford. ^

because dont get me wrong at many times i am a ford defender when people slander him for the wrong reasons, but also a lot of the time i will be like "YOUR HONOUR HE DID THAT SHIT AND I THINK HE WAS HOT WHEN HE DID IT" and then at other times i will be like "YOUR HONOUR HE DID THAT SHIT AND ISNT IT AMAZING THAT SUCH A COMPLEX AND FLAWED CHARACTER IS NOT DEMONIZED AND VILLAINIZED BY THE NARRATIVE BUT INSTEAD GIVEN A CHANCE TO GROW". so a lot of the time i just end up walking in circles rotating him a lot because i end up wanting to play devils advocate from like literally every angle of "so how much harm did ford do Really"

but i think when you look at ford in the show, hes a very interesting character, specifically because he's this very "loadbearing" character. he's the author, so he has to be the driving force behind the mystery, but he also has to have met and have ended things badly with mcgucket, so we have their falling-out as a tease to the mystery. we need him to cause conflict in the show thanks to his arrival, so he'll do some unlikable things like punch stan and demand his house back and offer dipper the apprenticeship. but he cant be TOO unlikeable because this is a member of the family stan has fought for 30 years to get back, and he also needs to be integrated as Officially A Pines in the VERY limited time we have with him on screen. not only that, but you have to explain his entire backstory in one episode where he harms and is mean to a character who has had two seasons' worth of love behind him SEVERAL TIMES. but you also need to make us feel for him, and you have to make stan's part of the conflict sting too. and THEN! ON TOP! OF ALL! THAT! YOU ALSO NEED TO PAY-OFF THE SETUP YOU HAD OF BILL CIPHER AND THE AUTHOR'S MYSTERIOUS RELATIONSHIP!

and so a lot of the time what i end up thinking is yes, ford is flawed. yes, he can be really callous and unfeeling at times. but i think because he's constantly needing to carry like 10 different plot elements on his back at once, constantly needing to drive conflict along, he ends up being really divisive to people- especially since he has no time to just goof off like everyone else!

so i circle back to this idea of ford as the "ruin-bringer". i think about that wording most meticulously. because that walks this VERY delicate line between saying something about fords character, his flaws, his backstory, and dipping right into "omg lets blame ford for EVERYTHINGGG!" but you think a lot about ford and his self-isolation and his EGO and the way he lifts himself above others both out of pride and out of shame.

ford is almost doing that to himself, really. making himself this common denominator black hole that people keep getting sucked into. because he is of the opinion that there are Special People who need to rise above, he ends up either isolating himself or isolating others to Join Him on the Path. and obviously that in and of itself is a gesture of companionship, of reaching out, because he says "i see the same greatness in you that i do myself"! but of course there IS no secret hidden greatness! so its all inherently flawed! you cant be rising above simply because youre "special" and you "deserve it"! but "special" is the only thing ford knows how to be!

ford is deeply hurting i guess. he seems deeply hurt the way that stan does to me, where everything he does just BLEEDS his trauma. you can see it staining everything. stan's need for companionship and ford's self-isolation. ford's hurting and he needs a healthy outlet but he has a path of destruction in his wake. and that just makes it so much crazier

[dreamytfw]

Not liking Cas because he let Sam out of the panic room in s4 and no one ever found out sure is... a choice. For a few of reasons.

a) Cas was under direct orders from Heaven at the time. He hadn't fully rebelled yet. And it was either carry out orders or be killed. Cas really didn't have a choice. And after he'd rebelled in s5, he didn't let Sam out of the panic room

b) Dean said he'd let Sam die in that panic room. He let Sam's hallucinations torture him. The detox Dean tried to do was cruel and inhumane, and can very easily be read as retaliation for Sam "choosing" Ruby over Dean (note: this does not mean it is the ONLY reading. And regardless of if you subscribe to the retaliation reading, the conditions Dean put Sam in were still cruel and inhumane). Hating Cas for letting Sam out of abusive, cruel, and inhumane conditions, but not hating Dean for doing that to Sam in the first place. Hm. Interesting.

c) This is a Doyalist reason rather than a Watsonian one, but it's still worth bringing up imo. From a writing perspective, I'm not sure who else was going to let Sam out. Demons can't open the door, so Ruby or even Lilith aren't options. iirc Dean and Bobby are the only humans that know Sam is in there, and they're not going to let him out because they've convinced themselves this is the right thing to do. Uriel's dead, and Anna's off doing her own thing. There literally was not another character who could have let Sam out. And the writers had to let Sam out to let the plot move forward. Like, if anyone can think of another character that was available, let me know. But just from a writing stand point, I literally cannot think of who else would have been able to let Sam out.

d) Blood freak Sam is extremely hot, so really, we should be thanking Cas for letting him be a feral little guy.

If people want to be mad at Cas, I can't stop them. But hating him for letting Sam out of the panic room in s4 is, imo, one of the dumbest and most inconsistent reasons. Dean was literally torturing Sam to death, but sure, yeah, let's be mad at the guy who was being forced under penalty of death to let Sam out. Like what kind of logic??

[tozettastone]

Hm, let me reword; are there characters from the series you love to write but have a comparatively different level of interest in how they're actually portrayed in the source material? I.e. the akatuski who were both introduced and killed early tend to be more of an echo of a character than something that reads as a person

Oh yeah, I see! Thank you for rephrasing this. Okay.

Well, characters like Kakuzu and Hidan (and actually a lot of the cast) are very flat¹ characters in canon. They are also very often flat characters in fanfiction, even when they are major characters — Kakuzu is the money guy, Hidan is the religion weirdo (often referred to as "the miser" and "the zealot," haha) and rarely is this expanded upon.

I write a bit about characters who are like this, and one of the things I like about it is the process of extrapolating a rounder character from the few characteristics of a one-dimensional villain, without just losing all of their villainy. They should still be bad guys. I like to write bad guys.

But, it's also hard for a character to be only a terrible horrible villain when you think a bit more about what they're like in their interpersonal relationships, what they care about, what their preferences are, and just... in regular situations. That's why my Kakuzu and Hidan tags on this blog (...and my kakuhida and hidakaku tags, too, which are interchangeable but somehow never consistent) are full of random comments about this kind of characterisation exercise.

I usually do this extrapolation by looking at characters' attitudes and behaviours in canon, inferring their motives, and then thinking about how those motives might be expanded on so they can be expressed in the broader setting! I have mixed success — sometimes people don't like my characterisation and, much more importantly, sometimes I look back on my characterisation and don't like it either (as one of my recent Deidara posts attests 💀).

In that vein, sometimes I do make villain characters like these seem a lot nicer than they are in canon, just by virtue of writing scenes where they, like, have to have a normal conversation...? But if you're trying to take a flat canon character and reverse engineer it into a rounder one, you have to kinda accept that they will be less, like, unalloyed one-note violence and evil, I guess. Like, at some point they are just going to have to eat lunch without having a little massacre first.

So... That's the comments I have about that process.

I think there are a lot of characters like this in Naruto because a lot of the broad cast can have pretty flat characters. I feel this way about everyone from Orochimaru to Tobirama to Hidan, hahaha. So I wouldn't necessarily single anyone out. I guess the least flat characters I write about would include characters like Sakura, who exhibit a more complex mix of personality traits, motives, desires, preferences, feelings, etc., in canon.

---

One footnote:

1. A quick comment on flatness vs roundness, for anyone who hasn't heard those terms used like this before. Characters, settings, "plot" events, and so on, are all elements of a story. A character is the element that delivers the impression of a "person" to the reader/viewer. They are usually successful to a greater or lesser degree.

One way of thinking about characters is that they can fall on a spectrum between "flat" and "round." When one calls a character "flat," it means that they don't have the depth of personality that makes them very good at being a "person." They are usually one-note and simple. "Round," characters, by contrast, are usually a bit deeper. They usually have complex motives and desires and give a more complete impression of personhood to the audience.

This doesn't mean flat characters are bad characters, it just means that they serve a purpose that doesn't require lingering over the complex mix of characteristics that depicting personhood might otherwise require.