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fallen-in-dreams · 3 years

Text

Moving On

Also on AO3. Pairing: Sasuke/Hinata. Summary: Everyone was lying to her. Killing her with kindness. Shielding her from the pain they all know is coming. But now it was time for some hard-hitting truths. And from the most unlikely source. SasuHina.Post-war. Prompt: Day 25: The Season of Grief. Rated: T. Words: 7,566. Status: Complete.

Author note: Angst and Hinata POV as she slowly comes to the realisation that she can’t have the life she’d been planning for. The Season of Grief = The Five Stages of Grief. The grief of losing the love she used to have.

Warnings/tags: One-sided SasuSaku. One-sided NaruHina. Naruto/OC. Angst with denial, pining, and romantic existential crisis. But with a happy ending.

Thank-you so much @sasuhinamonth for hosting this. I'm later than I’d planned, sorry. Hope that’s okay. :)

“There comes a time when you have to stop crossing oceans for people who wouldn't even jump puddles for you.” – Unknown

Denial.

Life was a series of choices.

For example, Hinata Hyuuga could choose to accept the arranged marriage her father had planned for her, or she could refuse to sign on the dotted line and hold out for love. She chose the latter. She was sure that fourth cousin her father had in mind for her was a nice man, but she wasn’t interested. And after surviving the war and learning to defend herself better emotionally, the last thing she wanted was to regress into the dutiful daughter who never complained. She was finally in control of her own life.

And she was still waiting on Naruto-kun.

Hinata was tired of the sad looks her clansmen would give her when she rebuffed their advances. Centuries of marrying their third or fourth cousins had instilled it too deeply in them that they couldn’t live any other way. Naruto had taught her she could do better, and she was determined to do so.

All of her choices to move forward were the reason Hanabi had been named Clan Heiress. She was already being prepped for it before the war, but their father’s insistence on an arranged marriage was the final straw. Hinata had been officially removed from the running. She would’ve been concerned about being branded with the Branch’s Curse Seal if Naruto hadn’t been so vocal in his disagreement about the practice. The Leaf hero’s words resonated with the village, and Lord Hokage started negotiations to prevent further sealings. Kakashi had also made motions to have those who currently bore the juinjutsu to be released from it. It would take a few more years to fully circumvent it, as the seal hadn’t been designed to be removed, but it was a step forward for the clan. A hope for a better future.

Everything Neji had wanted.

Hinata couldn’t be happier. She only wished to share in that future with Naruto. He was her hero. And the love of her life. She just needed to be more patient with him. But it was frustrating some days. She tried to talk to him and only succeeded when they were alone. Around friends and in crowds, he was so distracted by everyone. One-on-one he became fidgety, but she just chalked that up to him not being very good with girls. He’d stopped asking Sakura out, and the two were nothing more than friends, and he hadn’t asked anyone out. He was just shy.

Hinata already had a plan in place to ask him out herself. She just needed to work up for her own confidence to do so. Someone had to get this relationship going. In the meantime, she daydreamed about how it was going to go. But her days were lonely right now. Waiting. Patiently. And never quite making that important step forward. She had her family and friends and teammates but wanted more.

Her heart could only take so much.

“I just need to be brave.”

Hinata wasn’t brave, emotionally. In dire moments and with important things and people on the line, she knew how to be brave. Adrenaline and determination got her a long way. But in the aftermath, she found herself succumbing to the fear of rejection and crippling shyness.

“Yes, you do.”

She started, realising she’d said that out loud, in front of her sister. She’d been so lost in her thoughts and forgotten where she was for a moment. Hanabi was sitting across from her, the low serving table between them, ignoring the servants as they poured the tea for her before turning to her older sister. Hinata’s sister was clutching a half-finished kimono to her lap and lazily sewing at the hem of it. For such a skilled fighter, her movements were surprisingly delicate.

This was a weekly thing for them. Every Sunday at lunch, when their father was too busy with clan duties to interrupt or overhear them, they would talk to each other about anything or anyone, and when the Hyuuga servants left, even gossip sometimes. Hanabi had been carrying that kimono around all week, taking her time with building on it. Hinata knew her sister well enough to know it was a project with no defined outcome. She was just adding to it at her own leisure. Who knew what it would look like when she was finally done?

Hinata delicately sipped at her tea as Hanabi continued to ignore her own; her eyes narrowing as she focused intensely on the needle and thread. Her sister had developed a habit of people watching, since the war ended. And her insight was far sharper than anyone that Hinata knew. It made her feel insignificant.

“Spoken to Naruto lately?”

Hinata nodded. It was a silent lie. But she could’ve easily ran into him a few days ago if she wanted to so she didn’t see the point in saying otherwise. He was very busy with missions and handling Sasuke. The Uchiha’s release from jail had come as no surprise, given who was Hokage now. Kakashi had always had unwavering faith that he’d return. Just as Naruto did. Sakura… Hinata had seen her waver. But she was more confident now than ever about their team returning as family. Hinata only hoped that when she started dating Naruto herself, that it didn’t upset their dynamic.

“You’re grieving.”

Hinata raised an eyebrow at that. “What am I grieving?”

Her sister smiled. “Love.”

“I don’t understand.”

“Naruto-kun isn’t the smartest person,” Hanabi said. “And I think you know that.”

“He doesn’t have to be.”

Her sister smiled. Again. A knowing smile that Hinata didn’t appreciate. But she said nothing of it and returned to watching Hanabi’s expert hands as she weaved the thread in and out of the kimono. This was a hobby for the younger sister. They’d both learned how to sew traditional garments as well as fix them, when they were still barely able to fight. It was second nature to them both. But Hanabi found a kind of peace to the process that Hinata never could.

“Father wishes you to marry soon.”

“And you?”

Hanabi shook her head. “A few more years, perhaps. When I’m ready to begin training to take over the clan.”

She was still too young to learn everything. Given that Hiashi was nowhere near retiring, it didn’t serve any purpose to put her through those rigorous trials just yet. But Hinata was surprised their father wasn’t thinking about grandchildren yet. At least not from his heiress.

Hanabi put the kimono down and finally sipped at her tea. “How do you feel about Naruto-kun?”

“I love him?”

It was immediate and instinctive, but it sounded more like a question than a statement. Hanabi didn’t react to the questioning tone of her voice. She just gave her older sister a look that told her she was questioning her for more than just curiosity.

“Are you sure, Oneesan?”

She had convinced herself so thoroughly that it was going to happen. Hinata brushed at the hem of the sleeve of her Yukata. Was she? Did she?

Yes.

She still loved Naruto-kun. Of course, she did. She’d gone through too much to just suddenly stop caring about him. He was in her heart. Just like Neji still was.

Was.

“I asked him out.”

“What did he say?”

“He said ‘let’s go to Ichiraku’.” He also said, “that bum Sasuke can pay for mine this time,” but she didn’t see how that was relevant. It was a date. And only two people could go on a date at the same time.

Right?

“Will the rest of Team Kakashi be there?”

Hinata opened her mouth to answer then shut it, her eye twitching in annoyance. She calmed herself and shook her head. “Of course not.”

She didn’t like the way this conversation was going. Hinata glanced at the clock on the wall. They normally took tea, and then lunch, all awhile talking of friends and goals. It was funny to her that they’d never done this until recently. What exactly was the point before now?

Hanabi placed her tea down, almost finished. “We should have the food brought in, before it gets cold.”

Hinata nodded mechanically and waited for the servants to finish setting the table before disappearing. They could not be overheard in this room by anyone who wasn’t already in it. The jutsu that allowed this privacy had been in place since long before either of them were born.

Hanabi started talking about a jutsu that their father wanted to teach them and Hinata calmly dug into her Udon noodles. Silence eventually fell until they were both done. After the servants retrieved the plates, Hanabi went right back to pressing and hemming the edges of the kimono in her hand.

“Sasuke-kun walked by the compound again this morning.”

“Hm?” Hinata sat up straighter at that.

“He’s been doing that a lot lately,” Hanabi mused. “But not last week when you were staying over Sakura’s.”

For Ino’s surprise party sleepover. Which was Sakura’s idea.

Hinata hadn’t slept in her own bed for two nights. It was a first for her, for a long time.

“Sasuke-kun looks in here too. Like he’s searching for something. It’s a barely noticeable glance, but I’ve been staking out the gates.”

“Do you like him?” Hinata was surprised at her sister as well as the strange clenching of her gut.

Hanabi scoffed. “No. But ever since I first saw him watching you training with your team after he got out of prison, I’ve been noticing he does that with you a lot.”

Hinata scoffed. “Don’t be silly.”

“Yeah, you’re right. He’s probably just plotting to kill you.” Hanabi ignored her sister’s worried expression. “Or wondering why you always look so sad these days.”

“I’m not sad.”

“Yes, you are.”

“I’m not.”

Hanabi set the unfinished kimono down and stared her sister straight in the eyes. “Do you love him?”

“Who?” Hinata hated how her voice rose a few octaves.

“Naruto-kun.”

“Yes,” she said. “I love him.”

She would wait for Naruto. For him to come to terms with what had happened and realise they were meant to be together. Hinata would be the quiet voice he can’t block out because he loves her so much. No matter that he had already had numerous occasions to prove it to her. Even someone as clueless as him couldn’t not know how she felt. She just needed to give him a push in the right direction.

That’s what I have to do.

And she went right on back to pretending she didn’t see the pitying look on her sister’s face.

.:.

Anger.

The restaurant was noisy by the time Hinata arrived, dressed up and twisting her fingers nervously. She looked up into the colourful lights that decorated the restaurant of choice. Night-time made this place come alive in a way that surprised patrons that saw it for the first time. This was also one of the newer restaurants that opened after the war. So many things had changed, and so fast and it felt like Konoha was quickly becoming a very different village. Kakashi had authorised integral changes and Hinata could see the village one day becoming as large as a city. She was kind of nervous about that. Their population was steadily growing too, even only a year out.

She sighed and stepped forward in the waiting line. Naruto had said he’d come about seven and it was only a few minutes before. Hinata had spent the last hour already dressed for this date. Her stomach had twisted, making her throw up twice, before that. The line moved again, and she found herself at the head of it faster than her nerves could handle.

It’s finally happening.

“May I help you?”

Hinata cleared her throat. “Party for two. Under the name Hinata Hyuuga.”

The server looked through her list and her eyes widened in surprise. “I’m sorry, we were told that was a party of four.”

“A-are you sure?”

The woman turned the clipboard to show her. When Hinata had asked Naruto to make the arrangement, because she’d been called away by her father, she’d assumed he had made it just for the two of them. It was supposed to be a date… right? When the venue was changed from Ichiraku to The Sannin Sushi House she assumed this was finally going to be more intimate.

Hinata swallowed heavily. “I-I, uh. He must’ve made a mistake.”

The server nodded her head in understanding. “Yes, but unfortunately, we can’t change your table. There aren’t any spare ones tonight.”

The sound of the other patrons hit her then, reminding her of how loud and full the restaurant was. She just nodded and Hinata went along with it, hiding her disappointment. They would just have to do with a larger table between them. A voice in the back of her head scoffed at her.

Who else is coming tonight?

Maybe Naruto had misheard her? She didn’t understand how he could have but it had to have been a mistake. She shook her head, chastising herself for worrying over something so trivial. She was stronger than this.

“Thank-you,” she bowed to the server. “Where is the table?”

Hinata followed the woman and settled into the chair that gave her the best view of the restaurant entrance. She was already on edge, with the change in her plans, and worried that something else might sneak up behind her if she wasn’t careful. All the courage she’d learned from Naruto-kun had boiled off and she needed to get a hold of herself.

“Dining alone, again?”

Hinata gave a start at the familiar voice. “Sasuke-kun,” she said softly.

Why is he here?

Did this mean Naruto had invited him too? No, that didn’t make any sense.

The Uchiha slid into the chair across from her. This was one of the non-self-serve restaurants that had popped up in Konoha in the last twelve months and as a result the space between them, under the table, was minimal. His foot accidentally brushed against hers and she started again.

“A-are you here–”

“Hm. Naruto said he’d pay this time if I turned up early.”

They got dinner together a lot, then? Hinata struggled not to lose the soft smile she’d plastered to her face. It was only natural that Naruto would make time for his former teammate who was also his best friend. This didn’t mean he was avoiding her.

Of course not. Why would I even think such a thing?

“W-where is Sakura-san?”

Sasuke picked up the menu in front of him and lazily perused it, not answering her question. He didn’t look over at her when she repeated the question and began tapping the table with the menu absentmindedly. She wondered what was going through his head. After a few minutes, she’d had enough.

“Why are you here?”

Now, he looked up at her. “There are no more free tables.”

Is he making fun of me?

She assumed he was a joking. He had to be. This was supposed to be just her and Naruto. Sasuke was ruining everything. She didn’t want to burst that out at him, but it did really feel like he was getting in the way deliberately. Hanabi’s words to her the other day about Sasuke following her around popped into her head, but that was ridiculous. Everyone knew he was dating Sakura, just like Hinata hoped to begin dating Naruto. Why else would Sakura be so adamant something was going to happen between them?

“He’s just shy, Hinata,” the pinkette had told her yesterday. “And we’re going out tomorrow night anyway.”

Tomorrow night is tonight, she reminded herself. So where is Sakura?

A waitress sidled up to their table, giving Sasuke a once over with her eyes before asking them for their orders.

“Pork Katsu Curry,” Sasuke said. “With a side of Kani Salad and Green Tea.”

“Certainly, handsome.” The waitress turned to Hinata. “And you, sweetie?”

Hinata felt very uncomfortable under the stare they were both giving her. It felt like she was on a date with Sasuke, not Naruto. She didn’t know how to handle this. It felt like the world had just tipped on its axis. When she was this uncomfortable, Hinata usually just caved to whatever was expected of her. But she didn’t want to keep doing that with the important things in her life. However, this was too public and sensitive a venue for her to start putting her foot down without repercussions. Saying anything about her disappointment and desire to get rid of them both would only make her regret it later.

She blinked heavily. Uh, right. They were still looking at her expectantly. Though Sasuke’s eyes were occasionally drifting off to the side like he was embarrassed, but he still looked more bored than anything.

“Miso Soup,” she said finally, going with something she knew well. Hinata wasn’t hungry enough for a side, but she didn’t want them to think she was angry with them. “And M-Moyashi Salad on the side.” She cleared her throat. “And just some water, please.”

The waitress read their orders back to them then winked. “That’ll be ready in a jiffy. You two lovebirds let me know if you need anything else, okay?”

Hinata’s skin flushed crimson and she lowered her gaze to the table, not daring to see Sasuke’s reaction to that.

“How long until Naruto-kun arrives, do you think?”

Sasuke glanced over at her and shrugged, then leaned forward to rest his chin on his hands, now staring at her. It was making her uncomfortable, so she looked back down again. They remained that way, in silence, for a while. Hinata entertained herself by counting the tassels on the edge of the tablecloth. Over and over again.

“You…”

Hinata looked up quickly as Sasuke trailed off, the look on his face suddenly uncertain. Before she could ask him what he was going to say, the waitress returned with their orders. She felt herself turning beet red, realising they’d been sitting like this for at least ten minutes. The waitress was eyeing them curiously, like one would a couple of bugs under a microscope.

“Thank-you,” they both said at the same time.

Hinata sighed deeply as the waitress bowed to them. She was eerily silent this time and moved away quickly.

“I think we unnerve her,” she said softly.

Sasuke glanced at the woman’s retreating back before digging into his food. For him, it was digging in. Hinata had been in many group outings with Team Kakashi since the war ended and Sasuke was allowed free reign of the village. He ate like a nobleman; picky and proper. Not at all like Naruto.

She sighed again and picked up the bowl with her Miso Soup. If he wasn’t going to turn up, she might as well enjoy the night air and good food. They ate in silence and Hinata slowly settled her nerves, finding the quiet between them a comfortable surprise. The loud noises in the restaurant didn’t bother her anymore and she proceeded to escape into her own little world, just thinking about things.

Her father had been asking her about her future lately, instead of telling her what it would entail. She was finally having conversations with him in which taking part meant that she could approach the subject matter honestly. He’d even stopped asking her about her love life. (His attempt at a marriage of convenience notwithstanding.) Hinata put her bowl down and glanced over at Sasuke. It seemed nobody had a handle on their love life lately.

“Are you…” She hesitated when Sasuke put down his spoon and she suddenly had his full attention. “Um. I thought you were coming here with Sakura-san on a date.” He shook his head. “She, uh, said so yesterday.”

Was that a smirk? Whatever it was, it was gone a moment later.

“Sakura…” he cocked his head to the side. “She has different ideas on what an invitation out with friends means.”

Hinata understood what he meant but frowned softly. Everyone knew that Sakura was obsessed with Sasuke and saw any attention from him as evidence of their undying love. A simple invitation with Team Kakashi could set her off on a soliloquy about star-crossed love. But that didn’t explain why she wasn’t here. Her absence made even less sense than Naruto’s.

Sasuke sighed, obviously realising she wanted to know more. He sat back in his chair heavily.

“I… told her we were meeting at Ichiraku’s.”

“You…”

He told Sakura the wrong place on purpose. He had no intention of being honest with her. Was it a trick? Or just him being a douche? Hinata narrowed her eyes at Sasuke. A familiar feeling of annoyance rose up inside her and if she’d been paying attention to why this bothered her so much, she’d have realised Sasuke was giving Sakura the same kind of brush off that Naruto had done to Hinata.

But she couldn’t bring herself to yell at him either. She ground her teeth. “Take it from me, Sasuke-kun, you wouldn’t like someone you care about doing that to you.”

“Don’t call me Sasuke-kun.”

He hated honorifics.

“You have no idea.” He said it like he’d come to some kind of existential realisation.

“About what?”

“You’re quiet and shy and sweet to everyone. Always putting yourself down and picking up everyone else.”

She didn’t know what to say to that. Sasuke continued, now leaning forward and pointing at her like he was her sensei, and she was a naughty genin who refused to listen.

“Despite having such a powerful dojutsu, you don’t even see what’s happening right in front of you. Naruto has obviously left you in the dirt, but you keep holding out hope he’ll come around.” She fidgeted as he continued to reprimand her. “Face it: he lied to you.”

“He was just trying to spare my feelings.” Her voice sounded hollow, even to her.

Sasuke scoffed. “By dragging the decision out.”

“What are you doing to S-Sakura-san?”

“That’s different,” he said, his eyes narrowing. “I’ve told her I’m not interested but she won’t take the hint.”

“Naruto-kun’s–”

“He’s a dobe. And he isn’t going to date you, no matter what you think.”

“How can you call him your friend and speak of him like this? I thought you cared–”

“I never said I cared about him.”

“I suppose you expect me to believe that?”

“I’m not the only one running away from the truth.”

“No, you’re perfect,” she said, spitting out the last word.

He smiled at that. Genuinely. Her frustration seemed to amuse him.

“Why are you saying these things to me?” She asked, clenching her fists and glaring openly at him.

“Because no-one else will,” he said, matter-of-factly. “Least of all the one person who should.”

But why did he have to be so rude about it?

He levelled her with the most intense non-glare stare she’d ever seen from him. “Kindness doesn’t seem to work on you.”

Damn. She’d asked that question out loud. Hinata couldn’t get a handle on the emotions bubbling up inside her. It was too painful. She’s waited for years. Held herself up high and given every inch of herself. But Sasuke knew Naruto better than she did. He said the blond had no intention of doing anything with her. He said that he was just a dobe who wasn’t telling her what she needed to hear. She was so furious now that Hinata couldn’t hear anything other than her own blood rushing in her ears.

How dare he?

“You are a low life.” Hinata could hardly believe the words were out of her mouth as she stood up, her body shaking with anger. Sasuke just stared back at her, not surprised or offended one bit. “Sakura-san could do so much better than you.”

“Tell her that.”

She desperately wanted to throw her untouched water at him. But she reigned in that emotion, not wanting to cause a scene that could get back to her father. She’d already embarrassed herself enough. Instead, Hinata huffed, rifled in her purse and threw down just enough money to only pay for her own food. Naruto had apparently promised to pay for Sasuke, and he wasn’t here to do so. But that didn’t mean that she had to do it in his stead. Feeling quite unlike herself, she scowled at him before storming off.

Hinata didn’t see the genuine curiosity on his face at her actions. The small smile of interest she’d sparked. She could only see red. It would be hours before she could calm down enough to realise, he’d been right.

.:.

Bargaining.

If only she’d been stronger. And more forceful, like Sakura, then none of this would’ve happened. Her life had spiralled out of control. Before that dinner with Sasuke, Hinata could just go along and pretend that one day Naruto would ask her out for real, or at least take her asking seriously. He wasn’t in a relationship of his own, though – to her chagrin – his fangirls were still as stubborn as ever. And that lack of a relationship had given her hope.

Now she had all kinds of thoughts about what was really going on. And the truth was, that Sasuke was right. Naruto-kun wasn’t interested in her like that. It was still hard to grasp since she’d held onto it for so long and it didn’t feel real. They’d shared a moment during the war, holding hands and promising to be there for each other. She’d taken it as a declaration of love while he’d been talking about friendship. Granted, the kid of friendship you kill and die for, but friendship all the same.

I’m as bad as Sakura.

Or maybe only almost as bad as Sakura, since the pinkette was still talking Sasuke up to everyone. He’d made a scene the day after that dinner date (and she could admit that, although accidental, it had been a date), which should’ve put Sakura in her place. Hinata hadn’t seen either of them since then, so she didn’t know if it worked. But she had bigger fish to fry.

Hinata needed to regain control of this chaos she’d created. Maybe she was still in denial though, and it would explain why she’d deliberately made her way to Ichiraku’s, knowing he’d be there. He always was at lunchtime. Everyone knew that Naruto got up at nine o’clock, had breakfast (sometimes in his apartment and sometimes at Ichiraku’s), headed over to the training grounds where he’d work out (and sometimes spar, if any of his former teammates were available), then practically skip to Ichiraku’s for lunch. He’d spend anywhere from half an hour to an hour there, depending on how hungry he was and how many fangirls slowed him down. Then Naruto would promptly return to the training grounds for a few hours before tracking down his former teammates to see who wasn’t busy and then bug them until they either kicked him out or he got bored. If the sun hadn’t set yet he’d wander through the village, waving at people, being waved at, and stopping to talk to other Konoha Eleven members.

Sometimes he spent the late afternoon with Konohamaru and his friends. Then he’d go back to the training grounds and use the dark to hone his sensory skills. Naruto would go at it until he dropped, then drag his arse back home, eat, bathe, and finally sleep until morning.

His schedule was a little different sometimes, depending on his mood and available friends (Kakashi didn’t send him on many missions because he was too overpowered for most of them) but the lunchtime and when he started night-time training were like clockwork.

When he would find time to do the things he’d always gone on about, she didn’t know. But Hinata knew his current schedule because she was a stalker. It was obvious to her now. Nobody else followed him around like this. She wondered if he’d ever taken the time to notice. She needed to get a hold of this before she wasted her life away.

But Hinata couldn’t stop wondering what could’ve been if she’d approached Naruto right after the war instead of waiting for him to get into a routine of ignoring her. Maybe she’d have shown him just how right they were for each other. And he’d finally listen.

This was why she was walking toward the Ichiraku Ramen stand. It was why she stopped next to a stall of flowers and pretended to be interested in them as she watched the ramen stand in her peripherals. And why she didn’t move away the moment she realised he was on a date. Her stomach clenched, but it was a milder pain than she expected. Even so, it still threatened to bring a fresh bout of tears to her eyes to watch him with this girl.

Naruto was the only member of Team Kakashi at the stall. He stood outside, laughing and joking with someone that Hinata didn’t recognise. The girl was really pretty. With short auburn hair and a petite figure that her clothes highlighted, and her makeup complimented. What made Hinata realise it was a date was not only how the girl was dressed to the nines (Naruto, too, for him anyway), but also how he reciprocated when she ran her hand along his arm. He was blushing and trying to pull of the cool guy act. If this was just another fangirl, he wouldn’t put that much work into it, surely.

They talked and laughed a few minutes more before clasping hands and ducking under the flap to take their respective stools in Ichiraku.

Definitely a date.

Hinata let out a breath she didn’t know she was holding and turned away from the flowers. The stall server was disappointed but quickly turned to another customer.

Story of my life.

A sudden flare of chakra had her spinning around and she found herself suddenly face to face with Sasuke Uchiha. Had he seen her stalking his friend? There was nothing but his usual aloof stare on his face as he silently appraised her. But she knew. He knew. And the shame of it made her body shake with both anger and humiliation. So, she did the only thing her body was willing to do in that moment.

Hinata ran away.

She took to the rooftops and pushed herself to her limit, trying to get away from Naruto. From Sasuke. Her tears dried on her face by the time she found herself at Team Eight’s old training ground. She wiped at them then found her favourite oak tree and sat down. Even under the shade, the sun was warm and comforting on her skin. She basked in it, closing her eyes.

This time, Hinata felt him arrive. But she didn’t feel childish enough to tell him to go away. She opened her bleary eyes and looked up at him, shielding her eyes from the sun. He looked radiant, with the curve of the blinding light almost silhouetting him. Sasuke moved forward to better block the rays and she lowered her arm.

“Why are you h-here?”

He moved out of the way of the sun and Hinata shaded her eyes quickly. Sasuke always did have a thing for being dramatic. She turned to look at him as he sat down on the grass next to her. He didn’t answer at first, staring up into the sun like it didn’t bother him at all. Nothing ever seemed to bother him. Finally, he sighed.

“I told you so.”

The floodgates opened. She broke down. Hinata couldn’t stop it. She pulled her legs up to her chest and hugged herself, her face in her knees as she cried. She wasn’t upset at him. Only herself. Hinata didn’t react when Sasuke shifted his bum to press his side against her and gave her a one-armed hug. Her head lolled to rest on his shoulder as he pulled her closer to himself, but she didn’t relent on the tears. His hand was large and warm against her, making Hinata cry even more.

Eventually, she stopped shaking and sniffled heavily.

She hated that he could get over their argument so easily and yet she was still plagued with doubts about how she’d acted. How rude he’d been. Hinata gave herself a few silent moments to compose herself before sliding out of his grip and wiping her face. Hinata rose shakily to her feet and gave him a slight bow.

“Thank-you Uchiha-san. I can see myself home now. Good day.”

He watched silently as she walked away solemnly.

.:.

Depression.

She avoided every member of Team Kakashi for weeks. Hinata couldn’t avoid Kakashi forever however, as the Hokage called her in for a pep talk – his version, rather, which was to ask her if she wanted a mission outside of Konoha. “To get away for a while. You could treat it like a vacation.”

Did everyone know about her problems? Kakashi probably just knew because of the other members of his former team, but it felt like a spotlight was suddenly shining on her and the whole world had gathered to watch her humiliation. She understood his concern. Hinata would think less of him if he hadn’t been. But she couldn’t deal with being this exposed right now.

“No thank-you, Hokage-sama,” she’d said, bowing lower than usual. “I am expected to join father in a mission soon and it would be disrespectful of me to leave Konoha right now.”

He just stared back at her for a moment but eventually nodded his head slowly.

Naruto’s voice interrupted them, suddenly bouncing off the walls as if he was standing right there and making Hinata jumped. But the loud blond was actually just booming down the hall outside.

“Hang on,” Kakashi said, then stood and disappeared out of the room.

Hinata could hear them talking, and Naruto’s whining voice and something about Ichiraku. Naruto yelled out, “woo-hoo!”.

Lord Hokage is trying to get rid of him for me.

But it sounded like he was too excited to get the hint.

Hinata couldn’t stand the pity. The deep, painful feeling that churned in her gut and worked its way up through her body like acid reflux. Hinata stumbled slightly from the physical shock of it. Kakashi meant well and she understood this, but it just made her feel so small.

She couldn’t let people cover for her anymore. Hinata realised that was what people had been doing. Trying to help her by keeping them apart. But all that had done was blind her to the truth. She loved her friends, but this was not the way to moving on. She had to be braver than this. Steeling herself, Hinata pushed her shoulders back and pushed the doors open, leaving the Hokage's office. Kakashi looked surprised to see her come out. His former student went silent upon seeing her, then started fidgeting.

“Hinata…” Naruto trailed off, rubbing the back of his head.

But Hinata ignored him, her chin high and face resolutely forward. She would not give herself the opening to fall back into the comfort of lies. She would not regress. She was stronger than this, damnit! Nobody said anything else as she left the Hokage Tower. When she was out of sight, Hinata finally breathed, shaking her arms to release the tension. Fighting the tears that threatened to spill over.

“I need to go home,” she said to herself, shivering. A storm was on its way, and she didn’t want to walk home soaking wet. She picked up the pace and quickly entered the front gates of the Hyuuga compound. The rain started pelting down the moment they closed behind her, and she sighed deeply. The guards nodded to her, and she smiled at them with all the warmth she could muster.

The grounds of the Hyuuga compound were beautiful no matter what time of year it was. Even in the moist air they came alive. Hinata walked through the covered walkways between the houses, mulling over what she’d just done.

I ignored Naruto-kun.

She’d never done that before. And she had no idea how to deal with it. A part of her wanted to break down again. The other was feeling light as air. Free. Hinata could feel the emotion building up inside her again so hurried into her room and slid the door closed, before anyone could see her. She carefully placed her sandals on the shoe rack and pulled a coat from her wardrobe. The temperature had plummeted, so she sent out her chakra to get the attention of a servant and had them bring her a hot chocolate. Once she found herself alone, she sat on the window seat of her study and stared out through the glass window at the rain below her, hugging the hot chocolate to herself as she took tentative sips.

She was just daydreaming about figures dancing in the rain when she spotted something.

A figure walking in the rain. It was definitely male, his hands in his pockets and exuding chakra from his body to keep the rain at bay. She could sense it faintly, even from this distance. It reminded her of that mission so long ago when she’d been encased in crystal and would’ve died if she hadn’t expelled chakra from her chakra points. It was an easy thing for a Hyuuga to do, but this person wasn’t a Hyuuga.

They paused and looked up toward her. She couldn’t see his face clearly because of how hard the rain was coming down but Hinata was sure now: it was Sasuke. Hanabi was right. She kept watching as he slowly turned away and continued walking. Had he seen her? Did she want him to? Did it even matter?

Yes. Yes. And emphatic yes.

She had no idea why, but yes. Hinata wanted him to care enough to take the long way home that took him past the Hyuuga gates. He was the only one telling her the things she needed to hear. Even Hanabi’s questions weren’t as blunt as they should be. Sasuke was the only one not pitying her. She found she hated pity. She appreciated him so much in that moment. More than she’d appreciated him before.

Hinata swallowed heavily, palming her hand against the glass windowpane as his figure disappeared into the haze of the heavy rain.

“Sasuke.”

.:.

Acceptance.

All she felt now was exhaustion. She had just run a marathon and dragged herself through most of it, but eventually the energy would return. Her body would recover, and her mind would follow suit. She hoped. She had put so much of her energy into the life she’d imagined with Naruto.

Hinata was surprised she hadn’t snapped much earlier. Looking back, it was obvious this wasn’t going to happen.

He hadn’t left her for someone else. Because they’d never been an item. Her heart still wrenched at the thought of what might’ve been, but she was finally taking those steps to let him go. She had no business shoving him into her heart anyway. Hanabi told her, “You’re finally accepting your grief” when she told her and gave her the warmest hug she’d ever received. It almost made her break down again.

Then Hanabi asked her about Sasuke.

“Sasuke-kun?”

He looked up as she approached, seemingly surprised that she’d sought him out this time. Normally it was him hounding her. No, that wasn’t the right word. He didn’t hound her. He wasn’t some obsessed fanboy. She smiled at that. No, Sasuke was a good friend. She swallowed heavily at the weird sensation that sentence had induce in her gut.

Friend.

The word didn’t sound right either.

So, she’d tracked him down, only to find him in the Uchiha compound graveyard. She almost turned around and left right then, to give him privacy, but figured if he could interrupt her when she was doing something important then she could do the same.

“Hinata?”

He didn’t complain as she knelt next to him and offered a prayer to the headstone he was sitting in front of. It had his parents name on it. She closed her eyes and silently wished them well in the afterlife, then opened her eyes and turned to look at him.

“I was looking for you.”

“Obviously. Why?”

She smiled. “Why not?”

He scoffed, but she didn’t lose her smile. He stared back at her before finally relenting and offering up his own light smile. They both turned back to the headstone and silence reigned for a while. It was comfortable and companionable.

“I’m leaving Konoha.”

She was surprised. “Where will you go?”

“I have a mission.”

Hinata frowned. “Lord Hokage is letting you on missions outside the village?”

He pulled a face and she almost giggled. “Kakashi has little choice.”

This told Hinata that the mission was international. She was suddenly burning with curiosity, but held back because, likely, it was top-secret. And she wasn’t in the know on top-secret missions. The inner circle of the Hokage was always a tight, handful of people and this Hokage was no different. She had no doubt that the rest of his former team knew what he was going to be doing.

“It’s just politics,” he offered, sitting back on his bum now and pulling mindlessly at the grass. “Nobody but I can do it, apparently.”

He didn’t look happy about it. Hinata was quite enjoying his openness right now.

“And it’s for an indefinite amount of time.”

She nodded but he wasn’t paying her any mind. It wasn’t personal so she didn’t take it to heart. She wondered how long he’d be gone. If Hinata was honest with herself, she was going to miss him. Before he got involved with her problems, she wouldn’t have really cared either way. But things were different now. Every day since that evening, she’d seen him in the rain, she’d sat at her window and watched him walk by. Every time he stopped and looked up at her, she swore she could feel his eyes on her. Like he knew she was watching him too.

“What’s the mission?”

Why did I just ask that?

She’d held back because it wasn’t her place. Was she really this desperate to know all about him?

Sasuke stood slowly and stared down at her. “Agree to come with me first.”

“What?” She scrambled to her feet.

“Agree to come with me and I’ll tell you all about it.”

He was serious. She frowned. “But Hokage-sama–”

“Kakashi already offered you an out. He won’t complain about you finally taking it.”

“I’m not approved for the mission.”

“You don’t have to be.” He stepped closer to her, and she felt rooted to the spot. His eyes were intense on hers and in the back of her mind she realised she was seeing a side to Sasuke that few ever did. It was intense. The way he looked at her would haunt her dreams if she said no.

She shivered. If I take too long to answer, will he beg?

His comment had a “they don’t have to know” vibe. Like they were runaways. Star-crossed lovers. She felt herself flush at the thought of that. The idea of going with him sounded exciting if not terrifying. But the idea of staying here, not knowing when she would see him again, was worse.

“You can return to Konoha anytime you want,” he added, stepping impossibly closer. “To whatever life you think you will have back here. Or you can come with me, do some good for the village without having to deal with all the shit you’ve been going through.”

Her eyes widened in surprise. His verbal acknowledgement of her problems seemed so out of character for him. But she was grateful and offered a small smile, which he quickly returned, also to her surprise.

Who is this man standing in front of me, asking me to basically run away with him?

It would be a huge undertaking and she had no idea what she was getting herself into. But suddenly, the rush of the unknown wasn’t so scary to her. It would be an adventure. One with purpose. And perhaps, she could find a little of herself out there. With him.

Hinata widened her smile and nodded. “Okay.”

He was full of surprises, because the next thing she knew, Sasuke’s hands were cupping her face. Her mouth opened slightly in shock, and he licked his lips before slowly moving in toward her. He was giving her time to pull away and change her mind. Hinata didn’t take it, closing her eyes as his mouth gently pressed against hers.

She should’ve seen this coming. This was why Sasuke had even bothered to give her the time of day. This was what all their little moments had been leading up to. This odd feeling of belonging was reciprocated.

I am so blind.

The taste of salt mixed in with the taste of him as she deepened the kiss. But for once, they were happy tears.

.:.

#SasuHina #sasuhinamonth2021 #day 25 #the season of grief #fanfiction #my fanfiction

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criminalmutantsins · 3 years

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My Top 10 Favorite Ducktales Characters

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NO. 10 Hewey Duck

At number 10 is Huey!

Hewey has been my least favorite triplet for most of the series; it by no means he’s a bad character or any of the sorts, Huey is more down to earth compared to other characters. It’s hard to say much about Hewey other than how he’s a sweet, fun character I’m glad is around.

His development in season three was good, though the weakest of the three. Kinda half-baked and rushed, as if the creators thought, “we have to add some Huey development since this is his season.” With Dewey and Louie’s, it felt like their respective seasons revolved around them instead of the other way around. The only episode I really think perfectly gave Huey development and at the same time move the main plot forward fluidly was the “Challenge of the Senior Junior Woodchucks!” with the whole Huey vs. Violet rivalry. Y’know what also sucks. Huey wasn’t even that integral to the finale. That annoys me to no end.

Now, I’m going to end this with positive notes.

What got Huey into the list was his sweet nature and how integral he is to the team’s balance. Every team needs someone who represents order and Huey is just that. Plus, his innocent love for romance is so cute. I love the episode where him and Webby were setting a date up for Fenton and Gandra.

NO. 9 Scrooge McDuck

Scrooge is probably the most interesting protagonist I’ve ever watched. Unlike most of them, he’s more of an anti-hero than a pure hero like Steven Universe or Luz from Owl House.

I don’t really have much to say about him because I don’t love him as much as the characters above him. He probably has the best development- Lena’s rivaling his really well. In the beginning, Scrooge was a grumpy miser but now, thanks to the kids, his heart is softer and more open. His cheapness is annoying, but the good qualities overthrow the bad.

Scrooge most likely would’ve been higher in the list if “The Life & Crimes of Scrooge McDuck” didn’t happen- or at least occurred in season two instead since humility and hard work was the main theme. The writers went overboard showing the audience how bad of a person Scrooge was in the past, especially with him taking advantage of the poor villagers and leaving them in their states-without even helping them. This episode downgraded Scrooge pretty badly.

NO. 8 Donald Duck

Although on the lower half of the list, I still hold so much love and respect for this version of Donald. He’s such a massive improvement from his previous iteration. The creators made him kind and strong-willed but kept his anger issues. Though, they turned that flaw into a more comedic and positive aspect of Donald since he uses that intense anger to protect his family. Speaking of that, his relationship with the triplets is absolutely adorable. He loves and protects them like a great father, and I’m still a bit peeved that characters didn’t acknowledge that more. Instead, their relationship was sidelined and pretty much haphazardly... replaced-I don’t know if that’s the right word- with May and June.

Another thing that annoyed me was Donald’s voice treatment. The creators pretty much portrayed his speaking problem as a joke, which is terrible. I hope to goodness that children with speaking troubles don’t take those “jokes” to heart because there is nothing wrong with having a different voice. It’s also surprising how much characters mostly don’t understand him when I can seventy percent of the time. This complaint is more towards season one since that was the season where most of the jokes happened.

Anyways, I hope this Donald will start a new beginning for the next iterations of him. A nice guy who has anger issues but means well. Same with him and Daisy’s relationship-another massive improvement the writers did. They are such a great couple from the episodes we got with them and this dynamic should continue.

NO. 7 Webby Vanderquack

Another character who was massively improved was the great Webby Vanderquack!

In the original series, she was a boring damsel-in-distress with no personality-pretty much like the earliest Disney princesses. The ‘17 creators did such a great job molding reboot Webby into a character who can kill you with kindness or impressive fighting skills. This pink-loving queen is probably the sweetest character I’ve ever met; I just want to hug her.

I love her optimism and caring personality. She was able to change Lena for the better and not give up on her when almost everyone did. Webby is the best friend you can have.

While I’m not fully on board with the Webby finale twist, I really liked how her interest in the McDucks played some big part of the finale. Do I wish it was in different circumstances? Yes, but I’m still glad Webby got an important moment for herself. That interrogation scene was very emotional; seeing Beakley fully breakdown like she did was shocking and really set the mood of how pivotal that moment. I literally almost cried seeing Webby so heartbroken by her grandmother’s lies- this pink baby deserves all the love in the world. At least she found out the truth and gained a parental figure in her life.

NO. 6 Louie Duck

I’ve gotta admit; I did not like Louie that much at the start of the show. Greedy and selfish characters usually don’t get my love, but season two changed. A lot more depth was added to him such as his insecurities and anxieties. I struggle with these issues and it was nice to see a character show that as well. One of my favorite arcs was Louie’s trouble connecting with Della; it was realistic and not rushed. While watching this season, I was often having trouble connecting with people, even old friends. Sort of having someone experiencing them alongside me made me feel less insecure and lonely.

His development was really good too, from beginning to end. At first, Louie was someone who was willing to execute every angle no matter how much it could hurt his loved ones. Yet, he grew to be a humbler person who now knows the consequences of his angles. A favorite episode of mine is “The Richest Duck in the World” because of this development. Seeing Louie clean the Bombei’s shoes with Scrooge made my heart melt.

What lowered him down to number eight was season three. There were a few episodes that backtracked Louie’s development like “The Trickening” and “The Fight for Castle McDuck” episodes. He was a real jerk towards Huey for no reason. It frustrated me enough to affect this list. And I also prefer other characters more.

NO. 5 Fenton Crackshell-Cabrera

You can’t expect me to not put this quirky and adorable dork in the top five! He’s one of the best boys in the show. Him being voiced by the great Lin-Manuel Miranda does add some bonus points- you can tell I’m a big Hamilton fan.

Like Webby, Fenton was drastically improved. He became this sweet, scatterbrained scientist who only wants to help people. I instantly fell in love with him. And it got even better when Fenton became Gizmoduck- my second favorite DT hero. He deserved so much more screen time, especially in season 3; “Beaks in the Shell” was not a good enough episode for Fenton and his relationship with Gandra. There should’ve been more. The finale moments he had was not satisfying enough, particularly him and DW sort of team up. It was rushed.

If a Darkwing Duck reboot takes place in the ’17 universe then Fenton must be a major character- at least show up in ten episodes a season. A Gizmoduck and Darkwing crossover is essential, and I will riot if it that doesn’t happen. And more Fandra, my fifth -maybe fourth- favorite ship.

I also had a big crush on Fenton back in season one. You can’t help but love him this sweety pie. This pretty much influenced thirty percent of his placement.

NO. 4 Launchpad McQuack

This muscular dummy is amazing! He brings a sense of comedy and light to every episode he is in. It’s infectious as h*ll!

I liked Launchpad instantly. He’s kind and wants the best for people. Optimistic characters are almost the best characters. They are great reminders of how there are still many good people in the world. Whenever I’m down and watch Ducktales, LP makes me feel a lot better with his dumb yet endearing moments. My favorite jokes are literally LP sending Beakley an invitation saying not to come and when he tried to make small talk with Gosalyn at the window; I can never stop laughing at those moments.

There are times when Launchpad’s dumbness irks me, but his good qualities overthrow that. Though, I wish he wasn’t used too much as comedy relief; LP had the potential to gain more development than what he got. I’ll give an example. Learning about his family would’ve been great to know- an appearance wouldn’t have hurt either. It could’ve opened a reason to why LP cares about Scrooge’s opinion and cares about him like a dad. Maybe there’s some bitterness in LP’s relationship with his dad and that’s why he doesn’t talk about his parents. Loopey not being introduced was a missed opportunity. Big brother Launchpad is all I need.

I also have a small crush on Launchpad, though mostly for his personality and voice. He’s still cute *wink.*

NO. 3 Drake Mallard

We made it to the top three! With the dashing caped crusader Darkwing Duck starting us off!

It’s funny how much I love a character who’s only appeared in like five-maybe six- episodes enough to put him in the top three. I had some trouble defining many reasons why I love him; it’s this weird connection I have with DW. He’s this dorky dummy who loved a big part of his childhood enough to make it his reality, yet I love him so much.

I think what made me fall in love with him was how similar we are. Like him, I was a meek person who got pushed a few times- either physically or mentally. Those times also inspired me to grow stronger and be an inspiration for the next generation. I can be pretty clumsy too(lol). Characters I see myself in are usually really high in my love list and it shouldn’t be surprising that Drake is one of them.

His kind and genuine nature was also what drew me in. And, I just made this realization, this is the first time I don’t prefer the original iteration over the latest one. I still love ‘91 Drake but he’s too arrogant.

Unlike the original DW, Drake became a hero to help others- though a wish for glory played a bit of a part too. This clumsy, stuttering actor took a step to become his hero and a future one for children like him. That’s admirable. His lovable personality also being so cute enough for me to want to give a big hug is a good addition.

NO. 2 Lena Sabrewing

Hands down Lena had the best development!

She started off as this distant loner who followed the gray area of morality. Now, Lena is a part of this loving family and her own person. A few of her episodes are my favorites, such as “Friendship Hates Magic!” and “A Nightmare on Killmotor Hill.” They are well-written episodes and hit me in the feels.

Like Louie and Drake, I see myself in Lena. There are times I’ve been afraid I’ll take on my family’s bad habits or turn like them. That’s why I love “A Nightmare on Killmotor Hill!” Watching Lena try to be good enough and feeling insecure reminded me of the dark times I usually think about. There are even times I have dreams of these issues. The creators must have been inspired by me (lol). Though, I am kind of jealous of Lena because of how great her friends are. I want friends like Webby and Violet.

Even so, I do have some issues with Lena. Her magic arc was not written as well as her previous arcs. This might be more of a personal opinion than anything, but I’m still going to say it. Lena learned to control her magic too quickly, and it was treated as more like a plot device. And a shaking one at that. For example, in “The Split Sword of Swanstantine” Lena was able to stop time and send her and Huey into his mindscape. But, somehow, she couldn’t conjure a burst of energy to attack Steelbeak; granted, Huey mentioned that, yet Lena’s reasoning was dumb. Attacking someone with magic is way easier than doing what she did. I’m a little lenient on this since that idea lead to more Huey development, though I’m still going to critique it.

A great thing about Lena learning was her temporary outfit change. She looks absolutely amazing in light colors, which I didn’t expect, and her hair design is what I saw she would look good in. The eye shape is kind of weird.

Lena’s magic mode is in my list of cosplays.

NO. 1 Dewey Duck

Finally, number one is Dewey Duck!

Dewey has stolen my heart since the beginning. His positivity and fun nature always make me smile, even during the toughest times.

In my opinion, Dewey has the best arc/development of the triplets. His arc trying to find out what happened to his mother was what kept me watching Ducktales and helped me see why this show is so special. Many of my favorite moments are in season one, specifically ones involving Dewey. For instance, the scene in “The Last Crash of the Sunchaser!” where Dewey was willing to risk his life to get the last piece of paper and possibly solve what happened to Della was emotional. Hearing the desperation in his voice while pleading with Scrooge to tell him what happened hit me hard. I can’t imagine how much pain HDL have gone through not knowing what happened and thinking they aren’t allowed to ask. It would be terrible to experience.

Another moment I loved was in “The Spear of Selene.” It was when Dewey was hesitant to know what happened as the possibility that Della was a bad person grew more prominent. He looked so defeated admitting that realization and it reminded me of myself. There were moments when I realized that my parents were not as good as I thought. It hurt me a lot. At least sweet Dewey didn’t have to go through that. The scene when Dewey started tearing up seeing his mom in the sphere was also heartwarming. I wanted to give him the biggest hug.

Dewey’s insecurities of not being good enough and to be loved is what I struggle with too. Its kind of different because I have trouble believing anyone loves me while he wants everybody to like him. Confidence is not my forte.

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femalechibiblogger · 4 years

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My Top 10 Underrated Anime Series

1. Welcome to the NHK

Plot: The main protagonist is Tatsuhiro Satō, a university dropout entering his fourth year of unemployment. He leads a reclusive life as a hikikomori, ultimately coming to the conclusion that this happened due to some sort of conspiracy. One day just when his life seems entirely unchanging, he meets Misaki Nakahara, a mysterious girl who claims to be able to cure Tatsuhiro of his hikikomori ways. She presents him with a contract basically outlining that once a day they would meet in the evening in a local park where Misaki would lecture to Tatsuhiro in an effort to rid him of his lifestyle. During these outings, many subjects are discussed, though they almost always pertain in some way to psychology or psychoanalysis. One of their first meetings in fact deals with interpreting Tatsuhiro's recent dreams. Both Tatsuhiro and Misaki, however, have a tendency of over-doing things, such as hiding the truth, especially from each other and themselves. Despite Misaki's offer and pressing attempts at salvation, it is Tatsuhiro's neighbor and high school friend, Kaoru Yamazaki, whom Tatsuhiro often turns to in moments of need and support. Despite his own idiosyncrasies, Yamazaki is one of the more stable characters in the story.

While many may not know about this series, those who do know of its existence can see it’s appeal. This anime shows that some people, like the main character, are shut-in’s due to social anxiety holding them back from living a regular life. The anime deals with subjects such as social anxiety, hiding depression from loved ones, paranoia, and a crippling fear of never being accepted by the outside world.

Throughout the series, Sato tries to go outside more often and is pushed to do this by a high school girl, Misaki, and his old classmate now neighbor, Kaoru. All the while, Sato meets some people from his past who cause him to go down a different path, such as becoming part of a ponzi scheme or joining a suicide group, because they themselves have problems that he unknowingly becomes a part of. This goes to show that if you have struggles with batting depression or have family problems...seek proper help before bringing others down with you.

2. Tiger & Bunny

Plot: The series takes place in "NC 1978" in a fictional, re-imagined version of New York City called Stern Bild City, where 45 years before, superpowered individuals known as "NEXT" (an acronym standing for Noted Entities with eXtraordinary Talents) started appearing and some of them became superheroes. Each of the city's most famous superheroes work for a sponsor company and their uniforms also contain advertising for real-life companies. Their heroic activity is broadcast on the popular television show "Hero TV", where they accumulate points for each heroic feat accomplished (arresting criminals or saving civilians, for example) and the best ranked hero of the season is crowned "King of Heroes". The story mainly focuses on veteran hero Kotetsu T. Kaburagi, a.k.a. Wild Tiger, who is assigned a new partner: a young man named Barnaby Brooks, Jr. However, Barnaby and Kotetsu have trouble working together, as they have conflicting opinions on how a superhero should act, while at the same time they are trying to crack the mystery of the murder of Barnaby's parents. In addition, the appearance of a homicidal vigilante NEXT named "Lunatic" stirs up the public and makes them question the place of heroes in the city.

The main heroes, Kotetsu and Barnaby, do not like each other at first...but a strong bond grows between them as they protect the city and help each other from the tragic moments of their pasts. They even help each other with the problems that they face within the series’ current timeline: Kotetsu slowly losing his powers, and Barnaby being manipulated by someone who he thought of like family.

While not as big as My Hero Academia, this series still has lots of good moments, terrific super heroes, and powerful storylines. Tiger & Bunny is definitely worth watching for anyone who loves superheroes and anime.

3. My Roommate Is A Cat

Plot: Novelist Subaru Mikazuki, who is shy and not good with other people, and Haru, the cat that has been living a severe stray life. This is a story of them suddenly living together and describes the happiness of living together from both point of views.

This series is definitely underrated. My Roommate is a Cat is filled shows how much of an impact a person...or in this case a cat...can have on a person who has lived a life of solitude and books. The main character, Subaru Mikazuki, begins to slowly open up to those around him thanks to the help of a stray cat: Haru. From Haru’s point of view, Subaru is someone whom she desires to protect and take care of, as she fears that he cannot survive without her. Subaru also comes to term with his parents’ deaths and learns to move past his guilt, and realizes that there are many people who love and care for him.

This series shows that it’s ok to open up to the people around you, and that no one is truly alone.

4. And Yet The Town Moves

Plot: Hotori Arashiyama loves mysteries, but there’s one she just can’t solve: why does the solution to one problem inevitably seem to lead to another? Like how when Hotori has to start working at the Seaside Maid Cafe after school to pay off a debt and her friend Toshiko fortunately knows exactly how a Maid Cafe should be run. Which is fortunate since Hotori has no clue. Except that, unfortunately, Toshiko has no interest in working at the cafe—until she discovers that Hotori’s childhood friend Hiroyuki is a regular. Which SEEMS fortunate. Except that Hotori doesn’t know that, while Toshiko likes Hiroyuki, Hiroyuki secretly likes Hotori, while Hotori secretly has a crush on… No, no more spoilers!But if that’s not enough drama, there’s work, angst with a certain math teacher, table tennis between her classmates, her younger brother versus the school’s bad girl… And yet, even though everything seems like it’s going to crash at any moment, somehow Hotori’s life keeps going hilariously forward.

Sure...it doesn’t have sexy and cute maids that most maid-theme anime has... But And Yet The Town Moves is still a series worth watching. The series features cute, slice-of-life storylines filled with antics by the mystery-loving Hotori Arashiyama. Because of her crazy antics and goofy nature, Hotori brings laughter and new experiences to those around her.

If you want an anime featuring klutzy maids and funny slice of life, then And Yet The Town Moves is definitely the right choice.

5. Keep Your Hands Off Eizouken!

Plot: Midori Asakusa wants to create an anime, but she's too disheartened to make that first step by herself. By pure chance, she meets Tsubame Mizusaki, an up-and-coming socialite secretly dreaming of becoming an animator. Together with Midori's money-loving best friend Sayaka Kanamori, the energetic trio start the "Eizouken" club and slowly work towards making their "greatest world" a reality.

This anime is truly a one-of-a-kind masterpiece. Keep Your Hands Off Eizouken! has animation that is truly breathtaking and filled with the imaginations of aspiring animators. Throughout the series, our three protagonists: Midori, Sayaki, Tsubame experience the hardships of running their own studio, all the while dealing with the Student Council and School Board who wish to shut down Eizouken. But no matter how hard they try, there is no stopping these three girls from making anime and running their studio.

Keep Your Hands Off Eizouken! has such brilliant animation, creative storylines, and normal looking characters who viewers can relate to. If your dream is to become an animator, than you certainly learn a lot from this series.

6. Angels of Death

Plot: 13-year old Rachel awakens to find herself trapped in the basement of an abandoned building. Without any memories, or even a clue as to where she could be, she wanders the building, lost and dizzy. In her search, she comes across a man covered in bandages. He introduces himself as Zack and he wields a grim-reaper like sickle.A strange bond is struck between them, strengthened by strange, crazy promises…These two, trapped in this strange building, don’t know why fate has placed them there. But they will work together desperately to find a way out…

Rachel and Zack are quite an unlikely duo...yet their skills and personalities are what complete each other: Rachel is calm and calculating, while Zack is aggressive and strong. But they have something in common: They both suffered their whole lives, became killers, and being killers is what got them trapped in the mysterious building in the first place. Together, they face various serial killers who want to keep them from escaping: A doctor with an eye fetish, a pumpkin-headed child who wants to bury Rachel in his graveyard, a female-prison warden who’s obsessed with punishing ‘sinners’, and a faithless priest whose goal is to test the faith of those who fall victim to the killers within the building.

Angels of Death is filled with such mystery and psychological thrills. While it is not for the faint of heart...it is definitely for those who wish to find a good psychological thriller to watch.

7. Zombieland Saga

Plot: In the year 2008, high school student Sakura Minamoto is abruptly killed by a truck on the morning she plans to submit an idol application. Ten years later, Sakura, along with six "legendary" girls from various eras of Japan's history, are brought back as zombies by a man named Kotaro Tatsumi, who seeks to revitalize Saga Prefecture by putting together an all-zombie idol group known as Franchouchou.

Unlike most ‘pop idol’ anime series, that feature cute girls whose music can save the world...this one features cute girls who are zombies who were brought back to life to save a city as a pop idol group. While it seems unusual, Zombieland Saga shows the viewers all the things that Saga has to offer...because it basically advertises the entire prefecture. The members of Franchouchou: Sakura, Saki, Ai, Junko, Lily, Yugiri, and Tae...are determined to become a great idol group while keeping their true identities a secret. Thanks to their mysterious manager, Kotaro Tatsumi, they are given a second chance at life and learn more about each other...but they also help each other move on from their deaths and give closure to the loved ones that they had to leave behind.

If you are looking for a ‘pop idol girl’ anime that is different from others...then Zombieland Saga is definitely a good choice, as it does differ from the usual plots that anime featuring pop idol groups has.

8. Mitsuboshi Colors

Plot: Set in Ueno. The series follows three elementary school girls, Yui, Sat-chan, and Kotoha, who together form an organization known as "Colors". Together, they perform various deeds and errands to protect the peace in their town.

This series is very adorable and is filled with a lot of hilarity. What makes it hilarious, are the crazy antics of the crybaby Yui, the rambunctious Sat-chan, and the dark-humored Kotoha as they try to help others and maintain the peace in the town that they love so much. They recieve help from local shop owner, Pops, who gives them clues to solve, and are often coming into conflict with police officer Saito, who sees them as nothing but trouble while dealing with their childish antics.

Mitsuboshi Colors really does make you want to go to the real Ueno in Japan, and see all the shops featured within this series.

9. Lovely Muco

Plot: The series depicts the life of the pet dog Muco and his owner Komatsu, who lives in his glass-making workshop in the mountains.

Lovely Muco shows life through the eyes of Muco, a shiba inu who lives in a mountain town with her owner, Komatsu, who works as a glass blower. Muco is an energetic dog who finds everything around her fascinating. Muco loves Komatsu more than anything in the world, who gives her lots of love in return. Muco also interacts with other people such as Komatsu’s long-time friend, Ushikou-san, bar owner Bouda and his energetic daughter Rena.

Lovely Muco shows the viewer how the world looks through the eyes of a dog, and what goes through their curious minds.

10. Chi’s Sweet Home

Plot: A grey and white kitten with black stripes wanders away from her mother and siblings one day while enjoying a walk outside with her family. Lost in her surroundings, the kitten struggles to find her family and instead is found by a young boy, Youhei, and his mother. They take the kitten home, but, as pets are not allowed in their housing complex, they try to find her a new home. This proves to be difficult, and the family decides to keep the kitten. While being housebroken, the kitten mistakenly answers to "Chi" (as in shi- from shikko, the Japanese word for "urine") and this becomes her name. Chi then lives with her new family, learning about different things and meeting new people and animals.

This series is filled with so much love and cuteness that it could give you diabetes. Chi’s New Home shows viewers how the world looks through the eyes young kitten ‘Chi’, as she grows to love her human family and makes new friends along the way. Chi and her family love each other greatly, and cannot imagine living without each other.

Chi’s Sweet Home shows us just how important family is, and how a new member of one’s family can bring so much love and joy into one’s life.

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yurireview · 4 years

Text

The difficulties that the Supercorp went through

I always found it funny that even when many love this couple … they don’t know everything that happened to get us here and I think a good summary of this always helps

Season 2

Karamel:

As you know when they switched to the CW, the first thing they did was to separate James and Kara because they already had a plan:

“Chris and Melissa” the “perfect couple” on the screen, that was the plan and if they were Supergirl fans in 2016-2017 you would know how the CW and the producers wanted to sell that couple to the public. But what happened?

The first thing was the bad writing and the change of Supergirl narrative … a lot of affection to the show especially the couple who wanted to sell

Katie Mcgrath

What do I mean? well unlike Chris who was already hired to be the co-star … our dear Katie was only hired for 3 chapters

3 CHAPTERS What change?

That against all predictions Katie and Melissa had a real chemistry, for some reason Melissa acted with her in a way that not only fascinated the audience … but the production.

They hired Katie for the entire Season … The Supercorp was born strongly compared to the character of Chris Wood … the character of Katie

Lena, was charismatic and with a good narrative which helped a lot to the development of the ship

Supercorp became the favorite ship … but it eclipsed the Karamel which the Production did not expect and tried to do everything possible to undermine it.

The SDCC2017 was a failure due to the idiocy of STAff that cost them a lot of audience and was a dark chapter for the Supergirl fandom

Katie expressions say a lot about what happened that day

It was a total disaster

There were many YouTube videos claiming the idiocy they made in the SDCC2017 … not to mention how on Tumblr and Twitter they crucified the series and most of the Staff

but as I mentioned (they really tried in Season 3 to put an end to the Supercorp) but at the same time they knew that KARAMEL was no longer enough but they tested the waters to see how the audience reacted

Season 3 brought Lena and James together but at the same time they showed the public how bad KARAMEL was, that they still wanted to rescue him and “redeem him” … at this point the Producers saw something:

EVERYONE HATED THE LAMES INSTEAD OF DOING THE SUPERCORP DISAPPEARED, MADE PEOPLE MORE TO LIKED.

Chris Wood character no longer attracted the audience … it was a failure

We had the SDCC2018 where again one of the topics most asked was the dynamics of Lena and Kara … here I really believe that the Supergirl Staff changed their focus.

Fourth Season where everything changed

Very few realized that it was in this season that the producers made several positive changes in the character of Kara (the way to carry his narrative) and of course … the element of the Luthor (including the Supercorp)

The Fourth Season only dedicate 17 minutes to Lames and I fill it with problems… basically is over

I’m still laughing at how Katie acted almost as if James was her “beard” because she was so gay … she looked like one of those lesbians who have fake boyfriends and their scene where they end up was hilarious.

Instead they made both Lena and Kara become the most important people towards each other and began to make romantic parallels with other couples, not to mention tributes to Clois

Not to mention the Drama and how friendship-connection in the Third-Second season was so good (a full narrative was created even though that was not his intention)

The SUPERCORP was a success in 2019 was the most successful year for the Supercorp even without the 5 season.

We closed the cycle with the 5 Season where the SDCC2019 was a success and many of the conversations were about Supergirl and Lena as well:

-We win all ship contests

-The plot now revolves around Lena-Kara drama

-The romantic parallels are more shameless than before

-They dedicated 2 romantic soundracks

-More parallel with Clois.

-Supercorp brought attention from people outside the fandom

-Supercorp drew attention from directors and writers

If they couldn't make the Karamel successful when they prepared it for that, is there really Negativecorp that they think they will be able to do with William? At this stage of the story? without offending the actor, he is a nobody and that his character has not won the sympathy of the fandom already says a lot about his supposed "stay" in the following season

I mean imagine a ship that literally was not going to exist ... we came to this where it literally became the reasonable option - better written and more accepted by the Public .

Conclusion

The Supercorp has come a long way and its progress is comparable to the Harlivy of being just a fan idea for an official and well-developed couple ... but that's the way we go.

So relax and wait for the inevitable (it only remains to say Supercorp End Game)

#supercorp #supergirl #lena luthor #katie mcgrath #lgbt

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hudsontfreeman · 4 years

Text

Noticing (or a Case for Seinfeld Living)

It’s really impossible to know definitively, but I’d say I’m about halfway through the fourth or fifth season of the second reboot of my life’s tv show.

This is more of an estimate - I’m not really sure how I’ve been dividing up the seasons. Obviously, the first season was the 3-4 years at the beginning where nobody really knew what was going on and the protagonist was kind of just there. He was arguably, more of a blank canvas for the audience to see themselves through, as the real protagonists (his mom and dad) did all the expository heavy lifting. To be fair, this was just an introduction to the series and audiences were at least impressed enough for it to be renewed.

The formula found its bearings in the second season, as most successful shows tend to do, and stayed more or less on track for ten seasons till adolescence prompted a hard reboot. I can’t stress enough how much the show changed: episodes varied widely week to week, multiple characters were booted, the previously so-called co-protagonists of the show (those rascally parents) occasionally became outright antagonists, etc… It was quite frankly, not that great of a show, and in many ways traded the lack of conflict of its predecessor, with an abundance of conflict rarely resolved. It was not a show anyone was enjoying and the second college reboot was a welcome return to form.

This latest season is not half bad. We’ve got a lot of good series-wide story arcs going. There is a fair amount of midseason conflict, reoccurring characters that are staying relatively fresh (with the exception of Trevor), a decent theme song (it’s currently some experimental jazz from hell), and I’m really feeling like the protagonist is “starting to figure out what his deal is”, so to speak.

It is important to note that the protagonist has “started to figure out what his deal is” many times before this season, so I wouldn’t necessarily trust his judgement, but the confidence is remarkable.

He, at the very least, seems to finally be able to admit that he is not a cool person, which is certainly progress. Naively, though; he is convinced that this admission might very well be the first step to eventually becoming cool.

Most engaged viewers know this is a misstep.

“Life’s not like a movie” might be as useless of a phrase as it is pervasive. The assumption of the phrase implies that everyone is going around living their lives like the main character in a blockbuster comedy - cartoonishly pursuing their dreams, accidentally falling in love, and somehow, repeatedly being surprised when things don’t work out the way they think things should.

This is clearly false. No one thinks like this.

No one thinks everything will work out. No one thinks they’ll get everything they want. No one thinks their life is simple. No one thinks they’ll find the complete answer to the question they’ve been asking all along.

No one is nearly as naive about their existence as we seem to think they are. And I don’t think people watch movies and TV shows because they want these things either.

Sure, maybe there is someone out there who says they want life to be this uncomplicated, straightforward thing, but no one actually believes them. Nearly every person I’ve ever met genuinely believes that they are the true pragmatist. Has anyone ever actually met a consciously sincere idealist? Who wants to be the sucker?

Perhaps I’m generalizing, but I don’t think people watch television or movies, read books, and tell stories because they are innocently convinced of the simplicity of their narrative structure or because they want to vicariously live through that simplicity either. People are not starry-eyed, gullible children, nor do they wish they could be. People reflect their lives through story, not because they make life seem simple, but because these stories make life seem meaningful. I would go as far as to say - they don’t just make life seem meaningful, they remind them that it already is.

My friend Trevor and I believe genuinely, that we are this latest generation’s reincarnation of the 90’s sitcom, Seinfeld. He is George and I am Jerry, respectively. We’ve drawn out many of the parallels over the course of our friendship and I will list them here now:

- Trevor is short and stocky (George), while I am tall(er) and lanky (Jerry).

- My friend, Sam (Kramer) often walks into my house unannounced, hair lopsided, looking to “borrow” things from my kitchen.

- We routinely complain about our lives at various diners/coffee shops loudly and with little sympathy for the people around us. (The plot of the show)

- We improvise neurotic standup routines about the absurdity of mundane life and our own selfishness. (Much like George and Jerry, these routines are more sad than they are funny)

The only thing we’ve failed to find a direct parallel for is Elaine, as perhaps the most unrealistic aspect of the show, was the fantasy of anyone staying good friends with their ex.

All of these specific comparisons aside, I think what Trevor and I really like about this joke, is the idea that the only difference between our lives “in the real world” and our lives as tv characters, is the perspective that comes with observing rather than experiencing. What I mean by that is to say, there is something inherently and beautifully constructive about observing years as seasons, days as episodes, and people as characters. They become features of the life we are actively noticing, not just necessities of the existence we are passively being forced to endure.

As many sad, 90s-sitcom-obsessives like myself know, the significance of the creation of the Seinfeld rested in the catchphrase Larry David and Jerry Seinfeld sold the show on - it’s “a show about nothing.” The idea of it was, if you take a comedian like Seinfeld and put him in a variety of mundane settings, the jokes will come, not from heightening his experiences, but by letting him endlessly interpose his observations on the absurdity of the mundane itself. But I don’t think that’s significant in the way people may think it is.

Yes, George/Jerry/Elaine/Kramer are funny, goofy people with above average neurotic tendencies. Yes, it is a situational comedy written by professional comedy writers, building narratives out of the ways standups get their material. Yes, it broke many mainstream television conventions and historically broke the formula of the sitcom. But I think the most brilliant thing Seinfeld did, is definitively inspire the tacit belief that everything is worth paying attention to. Maybe, it’s worth noticing because its infuriating, or ridiculous, or hilarious, or disturbing, etc… But absolutely everything demands to be noticed.

In the fourth season of Seinfeld (arguably the best and most influential season), George and Jerry begin developing a TV show in much the same way Seinfeld and Larry David did four years prior. Throughout episode after episode, they go back and forth trying to come up with some fresh idea to wow NBC executives. This goes on with some degree of expected laziness and hijinks till George finally has it. Ever the meta-self-referential goldmine, George decides it should be “a show about nothing.” NBC executives are neither wowed nor thrilled, but the pilot get’s made, and all the characters in Seinfeld get remade in the show-within-the-show - “Jerry”. This was genius for two reasons.

It justified itself as a show by explaining its own concept directly to the audience through the show itself. (Perhaps the reason why this season skyrocketed the shows viewership)

It explained how television works, and more importantly, it explained how stories work.

The characters of Seinfeld, much like the characters of any story where the writer takes the time to describe them, are just bizarre people living in our bizarre world. Brought to their logical conclusions, television characters are human beings incapable of not observing the particularities of their existence. They go to the same coffee shops, they hang out with the exact same people, and they can’t stop scrutinizing the smallest detail of, or change, to that reality. Television shows remind us that the details of our existence are interesting.

The characters we surround ourselves with can be the funniest people in the world when we notice why they do what they do. The job we spend thirty to seventy hours a week at can be the weirdest thing in the world when we notice how ridiculous it is. This year can be a not-so great season. Tomorrow can be a particularly great episode. The television show we’re participating in can be surprising and disappointing and funny and sad and predictable and strange, but its a show we choose whether or not to watch - just watch it!

Sometimes, when I have a bad day, I go home, I go to bed, and I narrate out loud, “Hudson was not having a good day.” It almost always helps. Not because it reminds me that I am an insane person and that’s funny, but because it reminds me that I am a character in a movie I am watching, not just playing a role in. I am the protagonist of my own movie, playing a character in other people’s movies, learning how to notice why we’re in a movie at all. Any moment that we don’t realize that, that the story is meaningful, whatever it is, is a moment lost to ourselves.

"Life’s not like a movie” is a pointless phrase that doesn’t mean anything about anyone. We know life is not simple, but we want life to be consequential. Stories tell us it is. So we remind ourselves by telling the stories and listening to the stories and vice versa and on and on till we're dead and death is always a pretty good story too. (Almost always a great tv show or movie)

Life may not be painless or easy, but it is certainly interesting. Movies, television, novels, myths, comics, plays, etc… Those things are at their best when they remind us that the only difference between letting living pass us by and actively choosing to experience existence, is the amount of attention we pay to it. The latest season of the tv show that is my being is sometimes pretty rough, especially when I’m arguing with Trevor about who the main character is, but it is not boring. I can’t ask for much else.

#writing #in this essay i will #essay #personal essay #seinfeld #existentialism #existential humor

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tibbinswrites · 5 years

Text

Suptober Day 30 - Kansas

He wasn’t sure why the song seemed to follow them. It seemed to crop up once every few weeks. It would be playing over the tinny speakers of the diner they were in, or it would sputter out through Baby’s radio the one time Dean decided to take a break from his tapes. It was on one of his tapes, too, the Kansas one, so if Dean ever got a hankering for Steve Walsh’s voice then it was the first track he heard.

Don’t get him wrong, it was a good song, he liked it as much as any guy who was into classic rock. It wasn’t as good as Zeppelin, but he didn’t hold grudges.

Carry on my wayward son,

There’ll be peace when you are done.

But it did seem to follow them around. A song that old had no reason to be played on the jukebox so often by college students in bars, it had no reason to be playing in Wal-Mart or crop up every single time he re-shuffled his playlist of over 2000 songs, or added by freaking teenagers into a musical about their lives. He’d even heard it in the most religious towns, where rock music was the devil’s voice or something. He wanted to tell them that Lucifer didn’t have the range.

It was just one of those weird things, he supposed. He made a point to try not to listen too closely to the song when he heard it, unless hearing it was something he set out to do. Which he did sometimes because again, good song.

Lay your weary head to rest,

Don’t you cry no more.

He’d mentioned it briefly to Sam, just a ‘isn’t it funny how this song is always playing, no matter what state we’re in?’ Sam had just shrugged and said he hadn’t noticed. Of course, Sam had never really been into music the way he was.

They’d gone for cases on longer shots that ‘this song is following me’ but it just didn’t seem important. Maybe it was only because after the fourth or fifth time he’d noticed that he started listening for it, and that made him hear it all the more.

Once I rose above the noise and confusion,

Just to get a glimpse beyond this illusion;

I was soaring ever higher,

But I flew too high.

Cas had seemed interested when he’d mentioned it, but hadn’t offered an further insight as to why it happened.

“Why anything?” Had been his answer, which, despite being the start of a fun philosophical debate in any other crowd that wasn’t fully and painfully aware of the existence of God, wasn’t exactly helpful in this instance.

Though my eyes could see, I still was a blind man,

Though my mind could think, I still was a mad man.

I hear the voices when I’m dreaming,

I can hear them say…

Maybe it was God, he found himself thinking. The guy did seem to have a weird kind of obsession with them after all. Maybe he thought it was funny to give them a theme song and blast it in the most unlikely of places.

The thought didn’t bother him, until it did. He wasn’t annoyed by it, until he was. It varied depending on his mood; how his day had gone, what the next case looked like, whether the song was rounding off a successful hunt or a bad one.

It wasn’t frequent enough to devote much of his time to though. He had much bigger things to worry about.

Masquerading as a man with a reason, My charade is the event of the season And if I claim to be a wise man, Well, it surely means that I don't know.

It did… niggle at him though. It felt like it was important, like if he heard the song more than once in a week then it was going to be a big week, usually in a bad way. It felt like a warning, like a sign, and Dean hated to think of himself as that kind of superstitious.

On a stormy sea of moving emotion, Tossed about, I'm like a ship on the ocean; I set a course for winds of fortune, But I hear the voices say…

There wasn’t really anything to do about it except keep noticing, he supposed. If he could use it as an early warning system then that was helpful, but it made him wonder who was bothering to give him a head’s up when everything was about to go to crap. It wasn’t exactly specific on what he needed to be prepared for, so he’d spend the whole time tense and on-edge, along with whatever else was going on that already had him tense and on edge. Maybe when the week went bad because of something he did, it had something to do with the song that was stuck in his head, with the way it made him anxious to act.

Maybe it wasn’t so helpful after all.

Carry on, You will always remember. Carry on, Nothing equals the splendour.

Sometimes he took the lyrics at face value, took comfort in a song that told him to just keep on chugging. It was more soothing than any of those stupid cross-stitched messages that adorned the walls of far too many homes in his opinion. Stuff like Live, laugh, love and Keep calm and carry on. When had that crap become popular? Inspiration didn’t come from empty words written by some kid in a greeting card factory, it came from music. It came from the cadence of notes, from lyrics sung from the very soul. He’d always though that. About one of the only things his dad had taught him outside of hunting.

Now your life's no longer empty, Surely heaven waits for you.

Lately he’d been hearing it more often, beating behind his skull to the tempo that Michael had had when he was stuck in there; it was causing no little amount of fear, especially since Jack had burned off what was probably most of his soul to kill him.

It felt like it something was building, something huge, something cosmic, something that he wasn’t sure he was ready for. The song became a war cry and a funeral dirge, it became every worry that they wouldn’t make it through this one, and every confidence that they would.

And then it stopped altogether… After hearing that song almost everywhere for weeks, now it had gone silent.

Dean didn’t find any comfort whatsoever in that. This was just the breath before the wave hit, the calm before the storm came to uproot trees and destroy homes. The longer he went without hearing it, the more certain he became that the next time would be the last.

Carry on my wayward son,

There’ll be peace when you are done.

He pushed his thumb down on the hammer of the Equaliser, hearing the click as the gun cocked. The song was playing from somewhere behind him; the car, probably, Sam trying to stop him from doing something stupid.

Chuck turned to face him, his face dark as a thunderstorm; every bit the ruthless deity who had sent plagues and wrath and a swarm of angels to murder first-born sons in their beds.

“Plot twist.” Dean said. And then he pulled the trigger.

Lay your weary head to rest,

Don’t you cry no more.

@winchester-reload

If you liked this, please consider buying me a coffee.

#suptober #suptoberart2019 #season 15 #day 30 #kansas #kansas song #prompt #writing #TibbinsWrites

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kdramalands · 5 years

Text

Binge Craze September

This month has been quite busy for me regarding my kdrama addiction, and I thought that a little update on what has been going in my life would be nice... I haven’t had a good sleep in a while, and my health-sleep tracking app is acting accordingly to prepare for my soon-to-take-place funeral.

I’m going to include a rating for the dramas regarding their bingeability according to my fucked up sleep schedule, which is very accurate and just rating system, excuse you.

REM? More like RAM one more episode in the 3 a.m. time slot.

Do not try at home.

Her Private Life (2019) [10/10]

🍁🍁🍁🍁🍁🍁🍁🍁🍁🍁

The source of the paintings and the source of Kim Jae Wook’s handsomeness kept me from closing my eyes till 6 a.m. Dramas that light and effortless will be the death of me. It was a nice romantic drama, but it had some heavy emotional moments as well. My friend who also got around to finally watching this drama actually thought we’re going to enjoy it together for a while and discuss every detail. YOU FOOL. I’m a heartless binger, and once I finished this one, I didn’t even blink before I started watching another.

The Guest (2018) [8/10]

🍂🍂🍂🍂🍂🍂🍂🍂

I had it on my “golden dramas” list for a long while. I noticed I have tendency to leave out the best dramas for later as safe bets. I have no idea what happened, maybe I was worn off after Her Private Life, but I only stayed up till 3 a.m. to watch it. And it kinda wasn’t the best idea to watch it at night... I mean, I guess it has a horror tag for a reason. However, this one was truly a mild one, so no harm done. Whatever was left of my sanity is still intact. And I got my stolen watch time back during the day. I couldn’t possibly be stopped with that little nap, especially when actors did such a great job and the plot was very unique.

Signal (2016) [9/10]

🍁🍁🍁🍁🍁🍁🍁🍁🍁

I really went all the way with treating myself this month with good dramas. I’m sure you can understand why it got rating this high. The secrets in this one are laid in a thick layer, so I was watching it without blinking, not to mention sleeping. I finally got my beauty sleep at 5 a.m. Yay health. The best part of Signal was definitely Lee Jae Han fighting workplace discrimination single-handedly. Woke men are sexy. Signal is also a brilliant commentary on the biggest cold cases in Korea. It is clear the research that went into making this drama was intense, and you can really learn a lot from it.

P.S. Where is the second season?????

Life on Mars (2018) [7/10]

🍂🍂🍂🍂🍂🍂

We didn’t have a good start. Life on Mars isn’t that fast paced at the beginning, and my WiFi connection started acting up at that time. I’m pretty sure it was a serious case of an assassination of my internet provider on the binge status of these series. My mood went down, and honestly, the action at that point didn’t pick up the pace, so we had a hard time. The biggest mystery wasn’t actually a mystery, and the writers put all important cards on the table indicating where the plot is going. But all things worthy sometimes need that effort, and I’m glad I found my pace again. Life on Mars hit me hard, and like the big masochist I am, I really enjoyed the ending.

The Undateables/ Handsome Guy and Jung Eum (2018) [6/10]

🍁🍁🍁🍁🍁🍁

I got hooked within the first 10 minutes of this drama. It was very smooth and easy to watch. I enjoyed these little gestures and facial expressions that appeared here and there, making it 10 times more silly and 10 times more bubbly. It was very addictive and very much appreciated after that row of brilliant, but heavy dramas I went through on my own accord. It’s not a big piece of art, but I searched for some sweet sweet couple moments and I got them, so the winner is probably still me. I took it easy with this one though. It wasn’t action packed or that gripping to pull an all-nighter, but definitely a good way to spend my time.

When The Devil Calls Your Name (2019) [7/10]

🍂🍂🍂🍂🍂🍂🍂

I added this title to the list, but it was actually binged in 75%. Math queen right here! Staying up all night doesn’t fry all of your cells, see? From the day episode 1 was uploaded I did a serious stake out on this title. Observing and calculating. I knew I wanted to binge it all, but it took sooooo long to end. I snapped right before episodes 13 & 14 came out. This drama is a gold mine of really good OST songs. The plot was literally flowing, and I didn’t even notice how I got from episode 1 to episode 12. I agree that it became a little draggy around episode 13, that’s why I lowered the rating a little bit. However, the ending totally got me, and I still can’t get it out of my head, it was so wholesome.

Bring It On, Ghost/ Hey Ghost, Let’s Fight (2016) [5/10]

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This drama could be described as a “classic beauty”. It definitely follows the basic form of a good drama, and it is addictive to the point of no return. It was fun, but took me a while to finish, I have no idea why. I noticed that even though I lost my pace after 5th episode, I picked it up back again when I got neat the end. Bring It On, Ghost is full of action scenes, and it has a very consistent and interesting plot, and supernatural elements in it, so I’m very surprised I didn’t finish it faster. Guess it wasn’t the right time and place.

Queen In Hyun’s Man/ Queen and I (2012) [10/10]

🍂🍂🍂🍂🍂🍂🍂🍂🍂🍂

I went full old-school with this drama, didn’t I? It was overloaded with typical couple drama like amnesia, big inheritance, and politics. Do you smell that? It’s the good stuff. I was smitten with the chemistry of the main couple here, I couldn’t stop myself from smiling. Very thick chemistry, very nice to look at. We can fawn over how good Yoo In Na and Lee Dong Wook look together in Goblin, but Yoo In Na and Ji Hyun Woo were the OG couple back in the day. I just couldn’t wait till Kim Boong Do finally admits that he, in fact, is a player so I barely stopped to drink and eat. I have no idea how long did I stay up, but the morning sun greeted me through the window alongside In Na’s bright smile through my computer screen.

Laughter In Waikiki 2/ Welcome to Waikiki 2 (2018) [6/10]

🍁🍁🍁🍁🍁🍁

It is a tricky one, because one does not simply laugh at 4 a.m. in a house full of sleeping fussy people.The beginning and ending kept the class of the first Waikiki, but I guess the A-class humour got lost in the middle. Don’t get me wrong, it was really funny, but I found myself laugh out loud less than I did during the first one. However, the romantic aspect got me good. If I were to mention one big reason why you should watch it, it’s the Romance in Waikiki. The romantic element of the plot was written well, and it was very neat that they referenced past characters too. The episodic skit format is not perfect to binge, it’s more of a watch two episodes this week, and next two probably next week. At least for me.

Be Melodramatic/ Melo Suits Me (2019) [9/10]

🍂🍂🍂🍂🍂🍂🍂🍂🍂

There was no way for me to stop watching this after I hit a play button. Not only the drama is damn interesting, taking the form of an ultimate meta-drama, it has some nice winks to all kdrama manias like me. You can see them in small things, e.g. when Reply series were mentioned, PDs added the goat sound effect, or when Jin Joo said that Director Son kind of reminds her of Jung Bong from Reply 88, and bigger ones, when a lot of kdrama hits were put as a background music, e.g. ALMOST PAAAAARAAAAADISE from BOF, She is from My name is Kim Sam Soon or Appear from Secret Garden. It took me by surprise that even though the general atmosphere of Be Melo is kind of serious, they easily went over that fourth wall with light steps, and overall this drama keeps a nice balance between humour and sadness. And that song... every time I wash my hair... among the swaying flowers I can smell your shampoo’s scent... Play it at my funeral, I beg you.

It was a fun month of escapism and running away from my responsibilities. I had a little break at the beginning of this year, so I’m glad I caught up with some dramas I’ve been planning on watching for a while now and new ones I couldn’t wait to watch. I feel happy with the outcome. I hope you’re happy with my rating as well. See you in the next one.

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slothcritic · 5 years

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Dragon Ball Z Abridged - Episode 9 Review

Consistently funny. The weak points do not drag this episode down.

The Set Up begins with a great cold open. Piccolo is drop-dead unconscious on the ground, Gohan is desperately trying to wake him up, and Krillin is anxiously awaiting for Goku to show up. After all, he’s their friend who would never let them down right? Meanwhile... Goku is busy eating at Jadoshin's palace. Even as a departure from the original series, I like the idea that the two of them made up and are friends now. Jadoshin, however, has to remind Goku about the Saiyans. Goku then runs out in a panic.

[Title Sequence]

Piccolo isn't getting up and Nappa needs a new toy. He chooses Gohan seemingly at random from the two remaining, and floors him in one kick.

"Wooo! Not me!"

When Krillin isn't being the resident Milhouse, he's the rimshot comedian. The joy doesn't last for much longer though, as Gohan stays down.

Nappa is about to tear Krillin a new one, when the bald monk suddenly screams out that it's his turn. And for some glorious reason, this actually works on Nappa. This is some straight up Looney Tunes, "Duck Season, Fire!" type tomfoolery.

Vegeta does not handle Nappa's stupidity very well, and in his anger does a fourth wall break where he references a timestamp in the video. This is kind of clever and a bit of a break from the other fourth wall jokes that they've done so far, but I feel like it could lose its charm if it's done more than once. As for the timestamp itself, which is at 9:18 in the video... we'll get to that later.

Krillin decides to use the Destructo-Kienzan, and Vegeta shouts a warning to Nappa that it's a trick.

"But Vegeta... tricks are for kids."

The tense background music just completely stops here, but you can still hear the vibrations of the kienzan in the background. Great sound design. The long pause afterwards is also well timed, and Vegeta takes up the "fuck it, you wanna die, then die." mentality with Nappa. This skit is succinct, well paced and well editied.

Nappa receives a deep cut to the face for his troubles, as it just nearly takes his head off. Nappa laments his modeling career, and the scene cuts to a photoshopped rendition of Nappa on Vogue magazine. The bald, beautiful Saiyan, and his 10 tips on being a better lover!

This might have been a joke before its time, or perhaps the intention was different while writing this in 2009, but Nappa shows us all what a "nice guy" he was trying to be during all of this, and now decides "okay, full ultra-violence it is!" and fades Krillin with a white sparkly angel dust attack. I'm sure it has an actual cool sounding name (Like "Galaxy Breaker" or something) but I'm going to keep calling it the white sparkly angel dust attack. The owned counter ticks up to 8 here, but it doesn't feel deserved.

Piccolo jumps up with an "I'm back" and shoots Nappa... in the back. He sees what you did there. Just as Piccolo and Nappa are about to throw down, Gohan appears out of nowhere and roundhouse kicks him through a boulder. More indication that Gohan has some incredible hidden power inside of him. This surprises Piccolo, and Gohan is initially apologetic, but Piccolo begs for him to stay angry before Nappa just as quickly hops back to his feet.

It turns out Gohan hit Nappa so hard that he turned Italian. Seems a little out of left field, but why not. The "I'm a firing my laser" reference is perhaps the most dated thing I've seen since Episode 1. Would this even count as a meme? Wasn't "Firin Mah Laser" something that came out before the word meme even became popular as a way of describing internet fads, jokes, templates and trends? Back when Demotivational Posters and I Can Haz Cheeseburger ruled the internet? Truthfully, I loved this joke when it came out, but now all it does is remind me of the proto-internet days. And part of me feels weird for being nostalgic about that, because I just know someone in their 30's is going to read this and roll their eyes saying "Oh God, I'm getting old", in much the same way I'll feel horrified when people start to become nostalgic for Fortnite in the next 10 or 20 years.

Back to the episode, Piccolo's sacrifice happens right about here, and the scene does a good job of pointing out a plot contrivance in the source material. Piccolo could have just grabbed Gohan and moved out of the way. Though the scene plays up the amount of time Piccolo had to work with, there was still nothing stopping him from just grabbing him and chucking him like a bag of potatoes out of the way, even in the original. However, if Piccolo doesn't die, there's no real reason to go to Namek. What I think might be a more practical reason is that, this is a turning point for Piccolo as a character where he starts thinking emotionally. It's no real secret across both the canon and the abridged material that Piccolo is actually a pretty decent parent. So this right here is the idea of Piccolo more or less abandoning rational thought and considered only protecting Gohan. That contrasts a little with the ruthless, methodical, cunning, intelligent character he's been shown to be, just to throw that all away to save him, but the contrivance definitely becomes less egregious when you consider these factors.

However you want to address it, then end result is that Piccolo sacrifices himself to protect Gohan. In the original this is capped off with Piccolo comparing Gohan to his son, which is what Gohan begins to explain before Piccolo calls him a nerd. In this series however, Piccolo laments one final time:

"Why... didn't you... DODGE!!!"

Bleh. And with Piccolo's death, Kami is soon to follow. He explains the Namekian Dragon Balls to Mr Popo, and the long (very long) journey that must be undertook in order to revive everyone, but Mr Popo outright refuses and simply reminds Kami of the pecking order. Kami dies, and thus the Dragon Balls become inert.

Back at the battlefield, Vegeta was busy reading an issue of that very same Vogue magazine with Nappa on the cover and thus didn't see him kill Piccolo, like a mother three sangria's deep at her kid's soccer practice.

I've never much cared for Gohan's exasperated expletives in this or any scene in DBZA. This one in particular doesn't sit well with me simply because they went to the effort of being purposefully verbose but then still chose to use the word "condom" over "contraceptive" - A condom is made of latex, whereas a contraceptive is any kind of device at all that prevents pregnancy. As an example, some of the first contraceptives in history were made from linen and animal intestines, while the condom itself wasn't invented until 1855. Gohan specifically saying he's going to use Nappa's intestines as a condom serves the same purpose either way, but “contraceptive” would’ve been more technically accurate, in a bit of dialogue that is purposefully trying to be technically accurate. I wouldn't be picking on the semantics so much if that weren't the express purpose of this entire scene. Also it has more syllables and therefore sounds more smarterer.

Nappa gives this scene the backhand and the "bitch please" it deserves and we're done with that.

"Everyone important to you is dead." "Hey I'm still alive--" "EVERYONE important." "...Damn it."

See, this is where the Krillin Owned count should have gone up.

After Nappa doesn't smash, Goku appears on the battlefield. His reaction to showing up too late and everyone being dead is uncharacteristically deadpan, and it's hilarious. He asks where Chiaotzu is, and Krillin gives him the Achmed the Dead Terrorist explanation. Over there, over there, and up there. I'm not actually sure if this episode predates Jeff Dunham or not, but I enjoy both, both used the same joke at least once, and both make me laugh so I'm drawing the comparison anyways.

Goku asks why everyone is dead and Nappa immediately and without hesitation calls dibs. This leads into one of most famous and iconic scenes, if only for meme reasons, in all of DBZ.

"Vegeta, what does the scouter say about his power level?" "It's... 1006." "Wha-- Really?" "Yeah. Kick his ass, Nappa!"

Not gonna lie, this genuinely made me burst into laughter the first time I saw it. I don't know if it was just shock value or what, but it doesn't have the same effect now that I know it's coming every time I rewatch this episode. I just love the idea of the scouter being upside-down and Vegeta not questioning it. An even better headcanon is that the scouter was never upside-down, Vegeta was just getting tired of Nappa's bullshit and just decided to send him into an ass-kicking anyways.

We're treated to a solid 15 seconds of Nappa getting completely curbstomped while the various characters look on in shock and awe, until Nappa gets dumped at Vegeta's feet.

It's also here that Vegeta finally learns that Piccolo's life is directly intertwined with the Dragon Balls. I believe this was already established in the original series, but no such conversation ever occurred here. Vegeta has quite simply lost his chance at immortality and it’s all because of Nappa.

I actually wonder how an immortal Saiyan would work. They receive a Zenkai boost, which makes them stronger when they almost die, but if you can't ever die, you can't ever “almost” die either, so you wouldn't get the Zenkai boost and your power wouldn't increase that way. Then again, most expectations of logic or consistency within Dragon Ball are pretty much always doomed.

Speaking of doomed, remember that timestamp at 9:18 that Vegeta referenced earlier? Because Vegeta certainly does, and with both the camel’s and Nappa's back having officially been broken, Nappa is sent to the shadow realm in a blinding flash of light and a massive explosion.

Vegeta's smirk is all we needed to close out this episode. There is no stinger.

Conclusion

Really good episode, actually. I wouldn't consider it as strong as Episode 7, but it definitely holds the same energy throughout. There are more high quality comedic moments in this episode than I could count on both hands. At worst some of the dialogue was uninteresting, pointless or overproduced, but the average pace of this episode rests rather highly compared to its valleys.

Microphone quality and sound mixing on some pieces of dialogue is still meh. Krillin's first line in this episode peaks the audio or something similar, because it takes me out for a hot second just because it's so sudden and emphatic.

We also see a slight evolution in the dynamic between Vegeta and Nappa which keeps things fresh. This is becoming less of a deadpan snarker and over the top clown, treads more into the ticking time bomb territory which is great for slowly building tension, and not unjustly as it has a satisfying payoff.

Plot holes in the original are addressed and lampooned here, creative jokes such as the Vogue Nappa and “1006″ are present and accounted for, and on the whole there's a lot of very on the mark humor, and only some of it is overdone. The story for this episode also holds significant weight and momentum, and it all blends together quite well with an above-average script and some great visual and audio edits.

Score: 77

Passing Thoughts

"Riiiiiicola!" - Oh hey, it's this again.

"Oh and I totally killed that guy. Oh well, at least we still had fun getting here, right Vegeta? Vegeta? Remember the bug planet? Vegeta? Vegeta? Vegeta? Vegeta? Vegeta? Vegeta? Vege-- AAAAAAAAHHHHHHHHHH!!"

#slothcritic #DBZ #Dragon Ball Z Abridged #TFS #teamfourstar

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buffster · 5 years

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New Moon Rising (BTVS 4.19)

This is part of my ongoing Buffyverse Project, where I write notes/meta for every episode in an attempt to better understand the characters and themes of the shows. You can find the BTVS list here and the ATS list here. Gifs are not mine.

It’s interesting to re-watch New Moon Rising, because the first time I saw it I was dreading it. At the time I hadn’t taken to Tara at all and did not want Willow to choose her and hurt Oz (I was already spoiled that she did). Who knew Willow and Tara would go on to become such an iconic couple from Buffy, right up there with Buffy and Angel? In the following season I grew to love Tara and the Willow/Oz relationship became a distant memory.

I don’t entirely blame myself for these feelings, though. Tara wasn’t really much of a character at this point. Her main personality trait seemed to be shy. We knew Oz was stoic but internally a big thinker, quirky, and liked music, which is much more than we got on Tara. She seemed to exist solely to be Willow’s girlfriend for the fourth and even much of the fifth season (anyone else thinking of that out-of-nowhere Tara thinks she’s a demon plot?).

I have to really admire the respect Tara gives Willow during this whole scenario, though. She doesn’t get possessive, she gives Willow the time and space to make a clear choice, and just overall conducts herself with dignity. It’s behavior worth aspiring to. Especially since we don’t get even a moment of Tara feeling conflicted when Oz is in trouble. She does the right thing with the full expectation that she’s pushing Oz right in to Willow’s arms. Eventually they would decide Tara is a remarkably mature and level-headed person, but at this point I think they just used her as a plot device. Another note on the relationship: Tara knows the whole Oz story already, which contrasts with Buffy and Riley when it comes to Angel.

Riley: Gotta say. I'm surprised. I didn't think Willow was that kind of girl.

Buffy: What kind of girl?

Riley: Into dangerous guys. She seems smarter than that.

Buffy: Oz is not dangerous. Something happened to him that wasn't his fault. God, I never knew you were such a bigot.

Riley: Whoah! How did we get to bigot? I'm just saying it's a little weird to date anyone that tries to eat you once a month.

Buffy: Love isn't logical, Rye. People can't just be Joe Sensible about it. God knows I haven't been.

Oz’s return brings up an issue for Buffy and Riley: they have very different attitudes about supernatural creatures. I’d argue we could also have examined the fact that Buffy has told Riley nothing about Angel. It’s an early sign that she just hasn’t let him in. As I said, Tara knows all about Oz, and Riley and Buffy’s relationship has been developed over the season as much (if not more so) as Tara and Willow’s. I think Angel is to blame for this one. It looked like she was learning to fully rely on Angel as her partner, but when she had to kill him that cemented her role as slayer in her mind and therefore other. It’s hard to entirely blame her for distancing herself and treating her relationships as sort of a side item; after all, what if Riley gets possessed and she has to kill him? Or some other shenanigans? The circumstances won’t matter because slayer comes first. Buffy dealt with having to kill Angel, but I think she dealt with it by hardening her heart to ever being that vulnerable again. I’m not saying this isn’t an issue she could overcome, but it is an issue and we see her fall into these habits even more in the fifth season.

Before I go full meta essay on Buffy’s romantic relationships (let’s save that for after both shows) let’s get back to Riley’s bigotry. He has to make a clear choice this episode between Buffy’s ideologies and the Initiative’s and he chooses Buffy’s. But I think it would be more accurate to say he chose Buffy over the Initiative. He’s able to return to them later and I doubt they’ve changed their attitudes that much.

Buffy: Is that regulation or something? You have to do those every single morning?

Riley: No. I do them because it's a good way to start the day.

Buffy: Right. And then you have your perfectly balanced breakfast and call your mother.

It’s funny to hear Buffy react like this because it almost sounds like something Faith would say to Buffy. Hmm. I could have a theory that Riley was a really good match for pre-slayer Buffy and that was a big part of her attraction to him. Ultimately, the black-and-white worldview was broken for Buffy and she was forced to see the grey. Unlike Buffy, Riley actually gets the choice. We can’t say for sure, but I feel like after leaving Buffy he eventually goes back to his old ways.

Willow and Oz finally get to talk. Willow says that Oz has done all these amazing things while she has just been in Sunnydale, but the truth is she is the one who has changed while he hasn’t. He got her a sari and kept her in his mind like a goal to get back to, but Willow had no idea if he was ever coming back and moved on with her life. Oz really needs to work on more communication in his future relationships.

It was a little convenient that the Initiative showed up to save Tara from werewolf Oz. And then they just let Tara walk off like it’s no big deal? What happened to the undercover concept? Apparently that was just a plot device to play up the drama of Buffy and Riley learning each other’s identities.

We get a look at the darker concepts of the Initiative when they torture Oz, but once again see that it’s the personal that drives Riley, not the principal. He’s all for killing the werewolf until he realizes he knows Oz and has a connection to Buffy.

Graham: This can't end well, man.

Riley: You gonna start killing people?

Forrest: I'm thinking just one.

Riley: You and me trained together from day one, Forrest. But I always outranked you. Come after me, you're gonna find out why.

Riley pulling out some BDE. Buffy and Riley end the episode hiding out together, and she finally decides to tell him about Angel. Convenient, given we’re going to see him next episode.

Oz: But I couldn't look at you. It turns out the one thing that brings it on, is you. Which falls under the heading of ironic in my book.

I’d forgotten that it’s really Oz who decides to walk away, rather than Willow rejecting him. I think she always would have chosen Tara but couldn’t bear to hurt Oz. I don’t know; the vibe just seemed more regretful than torn throughout the episode.

Willow goes to Tara and has sexy times right after, too, so that lends credence to the not-really-torn idea.

Character Notes:

Willow Rosenberg: She considers herself a dog person, but she loves cats too.

Adam: Parts of him were a boy scout...yikes. He’s recruited Spike to his cause.

Buffy Summers: She makes a reference to William Burroughs. She plays dumb sometimes but is incredibly knowledgeable with her references.

#newmoonrising #Marti Noxon #Daniel Osbourne #willow/oz #willow/tara #willow rosenberg #buffy summers #Riley Finn #Buffy/Riley #forrest gates #Graham Miller #tara maclay

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ebiizaleth · 5 years

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so season 8 was a shitstorm

DON’T READ IF YOU DON’T WANT SPOILERS. HUGE RANT AHEAD.

First, we need to talk about Allurance. So few were rooting for it, and so few were actually expecting it, which made it even more disappointing than it was in the pure essence of the show. It was poorly developed and made practically no sense at all. Lance was after Allura since season 1 and every time he made any romantic advance on her, she shut him down, damaging his self esteem and fueling his insecurities.

The first time she ever showed any kind of romantic interest in him (s7 ‘blush’ scene) was out of the blue, had no development, and most of all, made no sense whatsoever. So, now Allura’s agreeing to go on a date with him as the first notable event in the season, which, again, made no sense and seemingly came out of some kind of Senseless Abyss. Originally, she didn’t even seem enthusiastic about going with him until Romelle encouraged her. And then the dinner, which felt forced and gave no extra insight to the characters except that Lance felt uncomfortable with his childhood stories being revealed to Allura (again, she fuels his insecurity). Even worse, Lance dropping the big “I love you” on their first date was from nowhere and completely abandoned any sense of his character the season hadn’t already stripped from him.

Worse, Allura wasn’t what Lance needed. The show is made for children, if I’m not mistaken, meaning it should give at least some lessons to kids about how life is. In that, you don’t always get the girl, and definitely not by pining after her for years. Allura didn’t do anything for (much less ‘develop’) Lance’s character. Lance needed someone who could empower him, aid him in overcoming his insecurities and helping him to develop as a person and bring out his positive qualities. Instead, she stripped him down to a tiny part of his character and made him solely for the purpose of being a love interest. If Allurance had actually been developed and made Allura a character who checked the boxes in that she is what Lance needs, I’d be far less infuriated and more just disappointed that it wasn’t a ship I prefer. Honestly, I could go on more about how annoyed I am by the Allurance clusterfuck but I’m going to show some mercy.

Second point. The characters. I mean, the characters are what make Voltron what it is, right? The characters are what the audience fell in love with at the start. But season 8 completely ruined any idea of that. Threw it all out the window. All logic seemed to depart the writers when actually writing the characters. Keith’s character and style was just... not. He was a lot softer than he was in previous seasons, which was nice to see, but there was pretty much nothing that led to him acting that way. A random change of heart isn’t exactly Keith’s (or anyone’s???) style.

Pidge was decent this season but had no development yet did get some good ‘look-at-me-I’m-smart’ moments (which, let’s be honest, we have seen too much of before). Hunk, again, was reduced to a fat joke and ‘likes cooking’. Shiro was practically nonexistent this season, which was one of the things I was really afraid of in the build-up to the season. Shiro’s irrelevance was so obvious that it made him relevant. And just for the brownie points, they throw in a wedding scene with some random background character and a good old mlm kiss to spice things up. Then there’s Allura. Who, to be honest, hasn’t changed much as a person through the course of the show. The only real change we saw in Allura was that she suddenly started to have feelings for Lance.

The person everybody’s talking about (and who am I to break a trend?), however, is Lance. This season, in my eyes, didn’t even include Lance. The ‘boy from Cuba’ on the screen was not any Lance I’ve ever seen. By halfway through the first episode, there was practically none of Lance left, and no clear reason for his abandonment of character other than Allura. His inner insecurity vanishes, any cockiness or arrogance disappeared, and he had little to no ‘funny’ and/or ‘dumb one’ lines. He was kind, calm, emotional and mostly collected throughout. Which is definitely a part of Lance’s character, but only a small segment.

And the plot? Didn’t understand about nine-tenths of it. In fairness, it may have been because I was pretty much bored out of my mind and stopped focusing, but either way, it was boring as fuck. It was frustrating, confusing and made almost no sense. From the random fight scenes to the overabundance of mechas and robots, I was done from around the fourth episode. I was confused for the entire thing.

We all already knew that Altean Lance was quite a popular concept, but not like this. Never like this. First of all, for about the billionth time I’ve said in this post, it makes zero sense. Is Lance part Altean now? Does he have any special powers or just the markings, an imprint on Allura’s unfortunate permanence on his character? So he can be sad about her for the rest of his life, and never move on? And for him to go on to be a fucking farmer and his whole life to revolve around Allura? That is not the Lance that we knew for seven seasons. I call bullshit. I’m genuinely really pissed off about this because Lance was such a fan favourite and they did him so dirty, just like they did us all dirty.

Finally, the whole thing felt so odd and disjointed. It didn’t feel like a season of Voltron, it felt like one huge mess. The characters’ interactions, of the few that actually mattered outside of Allurance were weird and felt forced. Even the Klance-y moments felt slightly wrong in that Lance went to seek out the one person on the team he’s always struggled to get along with to have a heart-to-heart. The episodes all seemed to blur into one mix of bullshit and there were a shit ton of loose ends/unexplained bits of plot from both this season and previous ones that leave us all clueless as to what became of certain characters, why some events went the way they did, etc. The rest of Voltron, for the most part, managed to lead on well and keep the characters’ personalities consistent (even if they weren’t being developed). This was a shitshow.

By the end, with all the shit it had thrown at us, like going in Honerva’s mind, the fucking Altean markings, everyone being a shitty character and Allura dying having no lasting repercussions except turning Lance into some ridiculous stagnant idiot, I pretty much lost all sense of caring. To be honest, they could’ve ended it at the end of season 7 (minus the “It’s an Altean!!11!!” thing) and everyone would’ve been happier.

While I hated a lot about the season, there were a few things I did enjoy:

- Pidge with bunchies and she looked great this season

- Keith being soft (irritatingly without reason)

- Bae Bae

- Getting to know the MFEs (and Kinkade’s vlog/passion being shown)

- Colleen Holt (and her liking ‘Plance’)

- Veronica/Axca interactions

- Matt Holt

- The animation improved a bit??

- Ponytail Keith

- Shiro did get a happy ending, no matter how shittily done

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letterboxd · 5 years

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Trustworthy: The Lynn Shelton Q&A.

“I wanted to let myself have a bit of fun.” Filmmaker and actor Lynn Shelton chats with Letterboxd about the improvisational joy of her new film Sword of Trust, the “mixed bag” of streaming services, and the power of Claire Denis.

Lynn Shelton is a trusted director in the world of TV comedy, having helmed episodes of GLOW, Fresh off the Boat, Shameless, New Girl, The Good Place and many more. Along the way, she has written and directed several feature films that together form a smart, gently praised mumblecore-meets-naturalism oeuvre.

Shelton’s films are small delights, with low stakes and a human scale to them; introspective, contemporary chamber pieces that give her actors plenty of space to improvise. Your Sister’s Sister, which she wrote and directed, has been hailed on Letterboxd as a “terrific little character piece from three superb actors” (Mark Duplass, Emily Blunt and Rosemarie DeWitt), and her earlier mumblecore arthouse porno comedy Humpday (also starring Duplass, with a turn from Shelton as well) has received love for being “absolutely hilarious and deeply awkward”.

Her latest, Sword of Trust, which she co-wrote with Mike O’Brien (a.k.a. Pat the Pizza Guy from Booksmart), is a screwball inheritance comedy starring comedian and podcaster Marc Maron as Mel, a pawn shop owner. He teams up with a couple (Jillian Bell and Michaela Watkins), who are trying to hawk a Civil War-era sword. Together with Mel’s man-child shop assistant (Jon Bass), they are drawn into an absurd world of conspiracy theories.

Shelton’s association with Maron began in 2015 when she appeared on an episode of his exemplary podcast, WTF with Marc Maron. The following year, Shelton directed the first two episodes of the fourth and final season of the IFC series Maron (she also had an on-screen role in episode 11), and in 2017, she directed Maron’s Netflix special, Too Real. He is, it turns out, not only the star, but also the muse for Sword of Trust. “Since the first time I worked with him, I felt he had untapped depth that I wanted the world to see on-screen.”

Marc Maron as Mel and Jon Bass as Nathaniel in ‘Sword of Trust’.

What inspired the premise of Sword of Trust? Lynn Shelton: [Marc and I] started writing a script for a different movie but it was hard to make progress on it because we’re both so busy. I was getting frustrated since I wanted to get on set with him, until he told me he would show up for any part I wrote for him. For Sword of Trust, I was inspired by seeing a pawn shop and thinking he would be a great pawn shop owner and that it would be a great place for a narrative to unfold.

I knew that I wanted to give myself the opportunity to explore a new genre and do a screwball caper. It would be emotionally grounded and have authentic characters who resonated as real people, but goes on a misadventure; a comedy that allows itself to go into slightly unrealistic territories. That was something I’ve never allowed myself to do. Before this I always wanted to make sure that every single minute was completely realistic.

I wanted to let myself have a bit of fun. I also wanted to return to improvisation, which I haven’t really done since Your Sister’s Sister, which was nearly ten years ago. I was excited to return to that territory and I started to assemble a cast of people I knew that would be really good at improvising around Marc.

Lastly, I really wanted it to involve some sort of a con that was relevant to what’s going on in our cultural political situation. One thing I’ve been obsessed with right now is this peak moment we’re having in society of conspiracy theories and the idea of alternative facts. I wanted to make a film that would point it out, but also one that wouldn’t make you want to slit your wrists as you walk out of the theater. That’s where the whole conspiracy theory premise came from.

When you direct with improvisation, what structures do you have in place to ensure you and the cast keep the characters and the story consistent, yet also make sure you stick to the schedule? I built those characters with and for the actors, especially Marc’s character Mel. With improvisation in general, it’s important to have clear back-stories and relationships between the characters going in, even weeks before you arrive on set. I asked the actors to get together with the people they were supposed to have relationships with to get the wheels turning about who these people were. By the time we got there they were able to start spinning out some sort of narrative that reflected all of that work we put into their back-stories.

This is a very plot-heavy movie, which was tightly pre-constructed, so it wasn’t the kind of improvisational movie where you show up and wonder ‘what will happen to these people today?’. I knew exactly what had to happen in each scene to map out into the final narrative. In this case we had a 50-page scriptment, where some scenes are written out in terms of dialogue but actors were always free to toss the specific words out the window and come up with their own replacements. There’s a lot of room for embellishments or improvised little side roads.

There’s a moment I always think of: when Jillian Bell picks up a sale item she was inspired by in the pawn shop we were shooting at and she created a whole little funny side thing about it. People are inspired by the environment they’re in and something will just come out of their mouths and they’ll just go down that road. It’s a beautiful thing.

I ask them to do a lot of heavy lifting in terms of getting some exposition out while planting seeds, but outside of that they can really play and have the freedom to find their own way through the beats of the scene and add their own little grace notes to how the scene plays out.

Jillian Bell as Cynthia and Michaela Watkins as Mary.

Did anything significantly change between the initial treatment and final film? How does it transform on set from the core essence of what you have on the page? There were a couple scenes that ended up getting thrown out on the cutting-room floor after we had a few feedback screenings. We had multiple endings and we got rid of a lot of them, which didn’t seem to hurt the film at all. We also had some great scenes that were added along the way. Halfway through the shoot we had a little break and Marc suggested a new scene that helped round out a couple of the side characters that we hadn’t gotten a chance to get to know very well.

I had planned for the confederate thug characters (who try to get the sword from Mel in the pawn shop) to turn up again later when the four characters are at the farm, but it was Marc’s idea for Mel to recognise them from when they were kids and embarrass them about how they would come into his shop when they were younger. It’s a tragic story Marc paints about them and it really shifts your perception of these two bozos and gives you a sense of sympathy for them even while they’re trying to be tough guys.

I love when you can take a couple of characters who seem to initially be two-dimensional and then you find out some extra facts about them and you’re able to turn them into fully fleshed-out human beings, even if they don’t get a lot of screen time. It’s a wonderful thing to humanize characters like that.

The scene in the back of the van—which I think is really the heart of the movie—also developed over time. In the script itself it just said: “they get to know each other in the back of the van.” That’s all it said. That was the most fully improvised scene in the film. I left it open-ended because I had a feeling it would fulfil a really important role in the movie but I didn’t know exactly what it was until we got going.

It became clear there was an emotional journey with Mel as he starts out very shut-down and he opens up a little bit by the end. I realized this scene needed to be used in the service of that arc, so I told the actors that I needed them to open up to each other and be vulnerable to each other so the characters could become more intimate. A lot of the time they drew from real life, drawing from first- or second-hand experiences to build those back-stories.

You’ve settled into a real groove with directing television. Your resume in that area is really impressive. What keeps you circling back to film when you could keep making a career out of being a TV director? Most of my income is from television and I really enjoy the extra-collaborative nature of television. It’s almost a pathology with filmmaking—I can’t stop doing it! This is my eighth movie and I just love it so much. I love the little family you develop. Obviously there’s a lot of overlap in the process of making film and television since it’s basically the same thing, but when I’m writing and directing I have more of an opportunity to set the tone and really create from the top-down of what I want the culture of the production to be like.

I can be the creative visionary in a way that, until I create my own television show, is not going to be possible. If I’m the director on a show, I’m ultimately in the service of other people. Luckily, I keep working with really visionary and talented people. This film, I sort of willed it into existence and it’s nice. I really wanted it to happen, so I asked a bunch of friends if they would join me, and it ended up becoming reality and there’s something really lovely about that.

Your last two films and your Marc Maron stand-up special are on Netflix. Anyone can (and should) watch them at any time, and streaming has completely transformed indie cinema in this way over the past decade. Yet, there are so many films that they can all still get lost in the shuffle. How do you feel about the way streaming has changed low-budget cinema? What work needs to be done to support them? This is a constant topic of conversation between filmmaker friends of mine. I know a lot of friends who were able to get films made that wouldn’t have been able to if not for Netflix, for instance. I don’t know if that’s even going to continue being the case because they seem to be shifting their paradigm in the kinds of films they’re producing, but for a while there they were almost the last bastion of producing films of a certain size that weren’t just giant tentpole movies.

Obviously films are still being made, little- to medium-sized films, but the issue of them getting lost in the shuffle because of this vast ocean of content that’s out there—unless you have this big machine waving flags to say: “look at this over here”—they will continue to disappear into the ether. It can be disheartening for sure.

My last film Outside In [one of Shelton’s more highly rated films on Letterboxd] had a very tiny theatrical run and basically went straight to Netflix, so I don’t really have any sense of who is seeing the film. But it’s interesting how I do have people reaching out to me saying they didn’t know I directed it but watched it because of Edie Falco, or they were recommended it. People do seem to see the movie, I just don’t know exactly what the numbers are. You just don’t know, so it’s a very strange feeling.

On the other hand, it’s very nice that it’s accessible and it can be discovered. If I wanted to point somebody to one of my films on Netflix, I know they can easily access it anytime. Streaming is a real mixed bag for independent filmmakers. Right now I have about 30 theaters showing Sword of Trust and I’m so thrilled that even if it’s just a weekend, at least a good chunk of folks will be able to see the film and have the communal experience the way I wanted in the first place.

Lynn Shelton turns up on screen as well as behind the scenes, playing Mel’s ex, Deirdre, in ‘Sword of Trust’.

Finally, a favorite Letterboxd question: what was the film that got you into films? I could go to different points in my life. My mother was a huge fan of Jules et Jim so I saw that at a really early age and it had a big effect on me. It was the first time where I was ever aware of the filmmaker’s hand. I never started thinking about it until the one sequence where Jeanne Moreau is singing and it freezes and then it plays and then it freezes again and then it plays again and it made me realize there was a director who made that decision to do that. What does that mean? That got me thinking about filmmaking when I was really young.

Then later in life I heard Claire Denis speak when her film Friday Night was coming out. I remember finding out that she was 40 when she made her first feature and Friday Night was her sixth or seventh film. I had an epiphany that I could start making movies and it wasn’t too late for me because I didn’t make movies in my 20s and 30s. I didn’t make my first feature [We Go Way Back] until my late 30s. That was the film and filmmaker that really made me feel like ‘I can do this too’. Those would be my two bookends about being inspired to be a filmmaker.

‘Sword of Trust’ is on streaming services and playing in select US cinemas now. Images courtesy of IFC Films.

#lynn shelton #sword of trust #marc maron #maron #tv director #female director #directed by women #letterboxd

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konekoryuugamine · 5 years

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Riffing the Reef: “Good Neighbors”

This was written with the intent to start riffing apart Spongebob episodes since going about it in a general way would lead me to rant on everything under the sun. I will select episodes that need to be riffed, immediately and definitely, and begin riffing them as needed. Also, I will not take requests unless I can have a valid reason to riff them, other than a character being out of character. With that in mind, I am only criticizing the episodes and not the show in general. The show is credited to Stephen Hillenburg. Please enjoy.

We can't go on and deny it. Spongebob Squarepants used to be one of the greatest and funniest cartoons on Nickelodeon, nay on the air. It took inspiration from 'Ren and Stimpy', another classic Nick cartoon, and the evidence remains to this day. It had pizzazz, humor, and a sort of distinct charm with Spongebob being a likable protagonist while still having moments of advanced stupidity. Sometimes he was in the right, other times he was in the wrong. He always learned his lessons and kept being the same happy-go-lucky sponge we watched on Friday Night Nicktoons. Sure, he had some downer moments, but he was always perked and peaked, and soon became a cultural icon. But then . . . it all turned sour. How you may ask? Let me answer that question with this small tangent. The Spongebob Squarepants Movie was planned to be the final Spongebob Squarepants animation, with the creator himself having gone off to start a career in marine biology. Smart move. The film was made out to be Spongebob's biggest adventure, and it was: King Neptune, an adorkable princess, Mr. Krabs getting frozen, Squidward showing brains, Plankton actually winning for once, Dennis, David Hasselhoff successfully being shoehorned in, an epic quest, and a Twisted Sister parody song with awesome guitar riffs.

The movie. Was awesome. More importantly, it demonstrated how Spongebob had come of age in his own time and how he was ready to move on. He was even shown in the epilogue images doing the things he always does, but now with the respect and responsibility of being the manager of the Krusty Krab 2. Given this information, continuing the series after the movie would have killed the movie. The lessons and experiences Spongebob had learned from the movie would not be remembered, the Krusty Krab 2 would be gone and everything would remain unchanged. That being said, since the movie was considered by many to be the true ending for Spongebob and friends, the fourth season was a large slap in the face. To Nickelodeon, it was a business decision. The movie brought in a record amount of viewers and cash, and was generally well-recieved, aside from some negative criticism about the amount of singing and unnecessary filler in some parts, but that's beside the point. Hillenburg decided to move on from Spongebob and do what he wanted, but Nickelodeon decided to cash in on the movie's popularity, and created new seasons with new writers and artists for Spongebob Squarepants. And since everyone watched the new episodes with the added expectation of it being like the movie, even the specials of Spongebob from season 4 onward, Nick gained the ratings and money needed to continue producing more seasons. Now the show is going on season nine, and the show has become what most would consider 'adult swim' channel entertainment. Thus, the series became what is called in the trope community a 'franchise zombie'. This means the show is continuing down the same path as before, the Status Quo is God, and it is constantly brought back from old drenches. I could go on about how Nick jumped the shark, how their newer writers were also old writers from previous seasons, and how most of the season four to five episodes were shorts cut up into 5-7 minutes each, but that would take all day and I want to tackle things like this one at a time. Not all at once. Way too much vernacular for my fingers to type out. Thus, I feel it necessary to state that many, if not all, of the post-movie Spongebob Squarepants episodes are crap. Many names come to mind in how bad they are: "The Splinter". "Pet Sitter Pat". "Smooth Jazz at Bikini Bottom". "A Pal for Gary". "One Coarse Meal". "Squid Baby". "The Thing". "Driven to Tears". "Rule of Dumb". The list goes on from there. These episodes and more are given the harshest of critiques for children's programming, and are often scrutinized by longtime fans of the series, if any still exist. The main reasons for these episodes' condemnation? Their quality and quantity. These episodes feature characters who are placed into horrible situations for no reason than to either be tortured, placed there just for the sake of plot convenience, or placed with a deus-ex-machina that makes everything completely unnecessary. Sometimes these characters are flanderized beyond belief, others are defined as jerks throughout, and in the case of Mr. Krabs, Spongebob and Patrick most of the time, are made completely unlikable. These episodes also feature some, if not all, of the following: mean-spirited humor, anti-humor, disgusting shots, clunky dialogue, out of character moments, torture, gross out humor, gore, adult jokes that go over children's heads, severe sterotyping, insulting humor, false outcomes, cliche plot devices, and just plain bad writing in general. Making episodes and cartoons like this in general is a bad idea. Kids watch this show not only because it's their demographic but because they like watching cartoons about funny things. Constantly writing and creating episodes where a character gets a toenail ripped off, or abuses a pet snail for no reason other than plot, immediately send the wrong messages to kids. They'll either be grossed out or be forbidden from watching a violent show by their own parents. The creator himself even stated the show has become something that should be aired on 'adult swim'. I can believe it. I also know my mom has banned my sisters from watching the show. After re-watching a few episodes, I can see why. If we take all of the previous statements made before and try to form a given conclusion, we always come to this: Spongebob Squarepants has become one of the worst cartoons in history. It has come to deserve this title wholeheartedly. And considering it has to compete with Family Guy, I'm not surprised at all. Spongebob episode quality had a drop in many seasons, with seasons 6 and 7 being the most devious with the most infamous episodes. Season 4 had a few hits and misses, while season 5 had less hits and more tries. The once splendid animation to me has now become creepy and despondent, like it was purposely making me want to turn off . . . my . . .TV . . . That may be their true intent, but I need my TV for anime. Sorry, writers. No dice. As to why I'm just now bringing up the episodes when earlier I was praising it is because a good show can have bad episodes. Fosters Home for Imaginary Friends had 'Everyone Knows It's Bendy', and Powerpuff Girls had 'Town and Out' and maybe 'PeePee Gees'. Spongebob Squarepants has had a good run, but the episodes have shrunken in quality and merit, and it reflects that through the writing and characters. And, considering how everyone keeps talking about the show while I have had almost NO say in the matters, I feel it necessary to take a stance on some of the episodes that either tugged at my heartstrings or yanked out my heart and stomped on it. These episodes have to be taken apart, lest the writers of now never learn what the show did wrong. That way, these mistakes can never be made again. Hopefully. One such episode that left me scratching my head was "Good Neighbors" from season 4. I consider this to be the first truly 'bad' episode of Spongebob. Not only are some of the animations and screenshots disturbing, but Spongebob and Patrick become incredibly stupid for the sake of the plot while Squidward is placed as the butt of their torture and jokes. Another name for this from other critics is a 'Squidward torture porn'. Now, before I go on, I have to admit: I hate Squidward. He's an egotistical, spineless and spiteful squid who often reviles at his own employment, longs for the fancy life and enjoys only his pursuits of arts. His artwork is terrible because he sees himself as perfection and sophistication, thus uses himself as a muse. This in turn makes his artworks hard to look at, and like what happened with 'Bold and Brash', get thrown away. He is shown as selfish, self-centered and a stickler in many an episode, and often reviles in Spongebob's happiness and positivity. Now you see why I hate the guy. Of course, he gained his moments of sympathy, such as when he is confronted with his high school rival Squilliam Fancyson, who seems to be his antithesis. Squilliam can even be stated as what Squidward wants to be: perfection, a god and even a fancy gentleman. However, something will always hold Squidward back, either by plot device, plot or some sort of personality trait. He does have moments where he impresses Squilliam, such as hosting the Krusty Krab as his own restaurant with Spongebob's help, or rocking out at the Bubble Bowl, also with Spongebob's help. That being said, it is also wise to note that I feel Squidward placed too much hate onto Spongebob most of the time. The yellow cube was often doing his best to help the cephalopod, and often times his own quirks made the good deeds backfire. Episodes like "Are You Happy Now?" and "Tiki Dream" are two that come to mind with this. I'd say a word about PATRICK, but THAT is for another time. So, I've stated Squidward is a prick, can be a major jerk, and Spongebob often helps him see the light. It just takes a while for Squidward to see it. Hmm . . . Spongebob and Squidward are opposites in this case, but not with just being happy and sad. The two are two sides of the same coin; Squidward is mopey and pathetic, fed up with fulfilling his dreams while Spongebob tries his best to become a fulfilled character with goals and dreams. Aside from that depth, and given that I've gone on this tangent with a purpose in mind, consider this: Squidward has often liked Spongebob, and admits it in certain episodes like "SB-129". In "Good Neighbors", however, Spongebob is showing his usual brand of stupidity and naivety, while bothering Squidward, who later yells loudly at Patrick and Spongebob for being horrible neighbors. Something once touched on in "Naughty Nautical Neighbors" and "Opposite Day". Why did that work there and be funny while here it was a bad idea? A few reasons, actually. "Good Neighbors" revolves around Squidward wanting to just enjoy a nice, quiet day, like a previous episode of Spongebob called "Squid's Day Off". The first problem is this episode is borrowing and/or stealing a direct plot line or idea from a previous episode. This is considered rehashing, and this is a major author no-no. You never rehash an old storyline or plotline unless you can expand on it, make it better and more detailed, or solve the problems that were with it before. Rewriting it into a newer season with a different style and name is still rehashing, and looks like copy-pasting on paper. In other words, THIS IS CHEATING. Furthermore, "Squid's Day Off" did this well to begin with, because Squidward's conscience kept playing with him. It was actually funny to see him worry his head off about things Spongebob would never do, such as destroy the Krusty Krab. He even admitted he wanted his job back at the end of the episode because he was worried. Showing morality with the character is the best way to connect with the audience. Much better than some cheap laugh. But no; Squidward ends up planning out the perfect Sunday, and Spongebob and Patrick come out of nowhere to ruin it. The second problem with this episode is Spongebob and Patrick in general. They are flanderized to be stupid and naive as possible, when in previous episodes, Spongebob was accepting of limits and wants for others of the sea. He saw his own faults when he shrunk everyone in Bikini Bottom, and stopped himself from doing dangerous things with Patrick in "Life in a Day". He knows limits and accepts them. In this episode, however, Spongebob is completely ignorant of Squidward's frustration and anger, nor does he seem to be aware of his own morality index. What he was doing is wrong, he should have known it was wrong, but he did it anyway. Patrick being there is more of a double-marker of him being stupid for stupid's sake. That's another nitpicky rant for another time, but for now, having there just furthers the stupidity. The two constantly barge in on Squidward as he tries to relax on his only day off, (in a comfy and casual way no less, which actually looks peaceful), and cause trouble for him. The two end up being told to paint polka dots on trees and accidentally paint Squidward to where his eyes are hurt and he looks ill. They steal his fancy pedicure and Sunday time relaxing, ruin his Sunday paper, and drive him mad, and for what, you may ask? To let Squidward become the leader of their Secret Royal Order of the Good Neighbor Lodge. Again, this was touched on before, and done better, in other previous episodes of Spongebob. This episode is a continuity rehashing of over ten separate episodes of the previous seasons, with less humor and more anger filled dialogue. Squidward ended up deserving the hurt he needed in those other episodes as well because he acted like a jerk in "Club Spongebob", "Naughty Nautical Neighbors" and "Squid's Day Off". Moreso, Spongebob, and Patrick just randomly break into Squidward's house, wearing fezes, and just decide to annoy him right when he wants to relax. This is a case of plot convenience gone wrong and a Squidward Torture Porn in the making. Furthermore, Squidward only wanted to relax, something we all can relate to. He was only trying to be himself and enjoy a day off from his terrible job with a terrible boss. Mr. Krabs, I'm looking at you! He had no reason to be tormented or tortured by the two of them. This came out of nowhere for him. You could say it was because he tossed Spongebob out of his window by saying it was Sunday and he didn't have to go to work, but again, it makes Squidward look like he's in the wrong because Spongebob is portrayed as being in the right. Thus, the third problem here is who the real protagonist and antagonist of this episode really is. Squidward, Spongebob and Patrick: who is the real jerk? I say it varies in interpretations, given Squidward is still his pre-movie self, and Spongebob and Patrick are dumber than hell, but either way, it falls the outcome of the episode is still the same. The only saving grace of the episode is that Squidward manages to pierce their veils of idiocy by yelling at the two of them at the top of his lungs. He lets ALL his anger and frustration out. That is the only time within these newer seasons that ANYONE has managed to break through their idiocy. Savor the moment, people. SAVOR IT. The final part of the episode, or what I consider the undoing of the episode, is pretty much the reason I thought it was entertaining as a kid. Now, I find it cruel and unusual. Squidward finds an ad for an advanced security system and purchases it with the intention of keeping the two knuckleheads out of his house for good. After installation, the two materialize into his house with an apology cake that says "Sorry for Bugging You So Much". This is another making or breaking of the episode, surprisingly. They realize what they did was wrong, and they accepted it as such. However, Squidward is still reasonably upset by the fact the security system did not get rid of them. They even bring in a cake, but the fact is the end up barging in, but still pose no real threats. Had this been handled well, Squidward would have ACCEPTED their apology and admitted he was in the wrong as well for being so overly upset. However, Status Quo is God dictates he must get punished and get severely angry at them for coming in, and at the security system for not responding to their annoyance. It goes haywire and the system hurts Squidward in the process. AND then the cake flies on the machine, it goes haywire and . . . makes Squidward's house come to life and destroy Bikini Bottom . . . This is COMPLETELY unnecessary, and completely over the top. There are so many questions for this and a lot of writing plot holes here. If the security system was on the inside of his house, how did the house grow arms and legs? Why would the system go haywire when cake hits it when drinks and beverages would do far more significant damage than smear the screen with frosting? Why does Squidward seem in the wrong here? And . . . if Mr. Krabs is so cheap, how the hell did Squidward afford that much of a security system? The point remains; this is completely unnecessary. It only serves to cause more trouble for Squidward, get him kicked out of his own house, have it destroy Bikini Bottom with Patrick and Spongebob inside, and cause the terrible conclusion of this episode. I'm not going to go over how contrived this is or how forced this is, mostly because I think I've already covered it before. An angry mob - why is it always an angry mob? - forms outside of his house and is placed at fault for causing the damage. Then he gets a court summons to clean up the town every Sunday for the rest of his life. Spongebob and Patrick get it as well, and they take it as naively as possible.

I think Squidward’s look in the final scene summed everything up nicely. He was stuck in purgatory he could never relieve himself from. Overall, this episode is the basic example of a Squidward Torture Porn, and of modern Spongebob episodes to boot. The lack of consistent writing is jarring, their behavior is off-putting and the whole episode is mean-spirited to Squidward, even if all he wanted to do was relax. There are a few moments that can make or break the episode, but given the overall quality of the episode, it's more weighed down with them than weighed up.

It’s an indicator of things to come in the world of Spongebob and should have set off alarm bells for us. Good Neighbors is often called one of the worst episodes of Spongebob now, and I can firmly see why.

Although, I can see much worse episodes on the horizon from later seasons that could possibly contend with it.

#spongebob #analysis #spongebobsquarepants #spongebob squarepants #writing analysis #writinganalysis #good neighbors #goodneighbors #nickelodeon #nicktoons #sponge #comedy #series #nick

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x5red · 6 years

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Supergirl: Where to start reading her older comic series?

With the Melissa Beniost’s Supergirl show about to relaunch for its fourth season, it seems an apt time to revisit the oft asked question: Which of the old Supergirl comicbook series is the best starting point if you’re a fan of the show..?

It’s an interesting question. Many tv fans have some familiarity with Kara’s most recent comicbook adventures -- Sterling Gates, etc. -- but they harbour a desire to explore beyond the most immediate decade, into the murky misty depths of the classic Kara Zor-El and Matrix eras. But where to begin..?

Detailed below, for your rumination and delectation, are the four classic titular Supergirl series -- Supergirl Volumes 1 to 4 -- ranked by merit from best to worst, with particular regard to accessibility by the modern tv/comic audience.

So, without further ado, let’s begin...

1st - Supergirl Vol. 2, aka The Daring New Adventures of Supergirl: (Nov 1982 -- Sep 1984, 23 issues)

The bright micro-chip fuelled optimism of the early 1980s was the backdrop for Supergirl’s second eponymous title. Linda Danvers makes a new home as a mature student studying Psychology in Chicago, where she hopes she can find a balance between her superhero duties and her personal life. She immerses herself into student life, immediately acquiring a collection of enthusiastic friends and a hectic social calendar. It isn’t long, however, before criminal elements in the city require the attention of her alter ego, Supergirl.

Writer Paul Kupperberg gives us a Supergirl for the 1980s, clearly aimed at the more mature audience that was starting to dominate comicbook sales thanks to the direct market of specialist stores. Kupperberg’s Linda Danvers is sassy, intelligent, confident, and witty, while her costumed alter ego is strong but compassionate. For the first time Kara Zor-El is allowed to have a proper boyfriend, and (shock!) actually go to bed with him. The story lines devote equal time to Kara’s heroic and everyday identities, surrounding her with a diverse cast of supporting characters.

The book’s adventures largely constrain themselves to Chicago, with a parade of monsters and supervillians showing up each issue to challenge the Girl of Steel, but there’s still plenty of variation between stories, and some particularly bold ideas towards the latter part of the series’ run.

Pros: Equal prominence is given to Linda Danvers and Supergirl, and the series is all the better for it. Giving Kara a life outside of her Supergirl antics rounds her character, a device used 30 years later by the tv show. Paul Kupperberg’s scripts are intelligent, imaginative, and not afraid to sometimes tackle tough subjects. Industry legend, Carmine Infantino, pencils almost every issue, and captures the 80s fashions well.

Cons: The comic’s witty and headstrong Linda Danvers is a radical departure from Benoist’s often goofy and adorkable portrayal, which may be off-putting to some tv fans.

Conclusion: This is a nice set of uncomplicated stories with a basic structure that has many parallels to the tv show (sans DEO.) Highly recommended.

2nd - Supergirl Vol. 4: (Sep 1996 -- May 2003, 81 issues + 2 annuals)

Peter (Allen) David, usually known in fan circles as PAD, took control of Supergirl after her misguided Matrix run, and immediately morphed the character into something more interesting. In an act of supreme selflessness, the Matrix Supergirl merges with satanic cult member, Linda Danvers, saving Linda’s life by becoming a hybrid made up of Linda’s memories and feelings coupled with Matrix’s protomatter shape-shifting superpowers. Such is the starting point for Supergirl’s fourth volume of adventures.

Early stories deal with Linda haphazard attempts to cope with her new status as superhero, but pretty quickly it becomes apparent that her transformation is part of a bigger tale involving battling satanic and angelic forces. The series mixes superhero action with occult and religious symbolism, playfully referencing Old Testament lore and even writing God in as a supporting character. PAD’s storytelling doesn’t shy away from examining matters of belief head on, with subplots examining how faith can be lost and restored, but also misguided and abused. Other themes include the ethics of free speech, and the power of unintended consequences.

After fifty issues the series was soft-rebooted, with Matrix being un-merged from Linda Danvers and captured by dark satanic forces, and 'God’ teaming Linda up with a reforming demon to help find and rescue her. A second reboot (#75, Dec 2002) saw a youthful Pre-Crisis Supergirl take an unplanned detour into the Post-Crisis universe during her trip from Argo City to Earth.

Overall the series holds to classic old-fashioned good-versus-evil storytelling, told with humour and quirkiness.

Pros: The series has a good balance of humour, drama, and superheroics. The main characters are well defined, often quirky, and immediately likeable, with a healthy mix of darkness and light in the main cast, which leads to some engaging interactions. The spiritual elements are mostly well handled, and never pander or proselytise.

Cons: The heavy use of lore and mythology, plus occasional course-altering soft reboots, make the main plot arcs more than a little convoluted. There’s not much variety in the types of story told: it’s angels versus demons pretty much every issue. The series was initially conceived in a world before 9/11, before The God Delusion, before Catholic priest scandals, before the overt linking of evangelical Christianity with neo-conservatism -- as such its benign treatment of organised religion may seem a little naive and dated to some.

Conclusion: Enthusiastically told and funny, although occasionally a bit of a slog, PAD’s fusing of superheroes and the celestial provides for novel storytelling.

3rd - Supergirl Vol. 1: (Nov 1972 -- Sep 1974, 10 issues)

The early 1970s were an era of student politics and campus sit-ins, so it’s no surprise that Supergirl’s first self-titled series is set in the heart of academia. Linda Danvers heads off to San Francisco to study Drama at Vandyne University, and gets involved in all manner of adventures typically involving college life and romance. Stories vary in style from issue to issue, sometimes spooky supernatural, sometimes B-movie sci-fi, sometimes inner city gang violence -- but there’s invariably a square-jawed hunk involved for Kara to swoon over and rescue.

The initial issue was edited by Dorothy Woolfolk, but issue two saw Robert Kanigher take up editing duties. In the 1950s Kanigher had transformed William Marston’s feminist Wonder Woman into a lovelorn heroine who spent much of her time fretting over Steve Trevor. But thankfully by the early 70s Supergirl’s inevitable romantic adventures are complimented by her exasperation at the male chauvinism all around her. Although affairs of the heart are prominent, the Maid of Might is always shown as being as tough as any male superhero -- this is girl power... just a version of girl power that happens to include lipstick and hot pants.

Pros: The stories are certainly fun, even if they lack depth or complexity. The artwork has a certain quaint charm, and the groovy mod fashions of the time add to the curiosity value.

Cons: There’s a lot of repetition: almost every issue has Linda Danvers falling for a different campus heartthrob, who ultimately requires the help of her super powered alter ego.

Conclusion: Very much of-its-time, innocent and fun, but the heady 1970s mix of pulp romance and cartoon feminism may be way too dated for some modern readers.

4th - Supergirl Vol. 3: (Feb 1994 -- May 1994, 4 issues)

When Supergirl was re-introduced after Crisis on Infinite Earths, she took the form of a shape-shifting protomatter blob named Matrix, originally from a pocket universe. The Lex Luthor of her home universe had been a hero, so when the innocent Matrix encounters the regular Lex Luthor (nemesis of Superman), her confused and child-like mind instinctively trusts him, and she becomes his female companion. Lex, of course, is only interested in learning the secret of his girlfriend’s protomatter powers.

This four part series finally, slowly, sees Matrix wake up to the fact that Lex Luthor has been using her. It’s a slow build towards the final chapter, that meanders through a lot of self-denial before it gets to its inevitable finale. The ending is clearly signposted from the start, but the plot does a decent job of stretching out the journey across four episodes.

Pros: The idea of the hero playing the role of so-called useful idiot is a novelty, as least within the annals of American comicbooks.

Cons: This is a lacklustre story which brings to an end one of the more regrettable periods in Supergirl’s history -- despite often displaying immense courage, the Matrix Supergirl became nothing more than a plaything for Lex Luthor, and a pawn in his game against Superman.

Conclusion: There’s apparently a giant pit out in a desert somewhere filled with unsold Atari E.T. game cartridges -- if we can find it, maybe we can add every issue of the Matrix Supergirl run(?) Avoid!!

#supergirl #supergirlcw #melissabenoist #comics #dc #kara zor-el #dc comics #matrix #silver age #bronze age

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