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#it’s not supposed to be specific which song she’s jamming out to
f0point5 · 11 months
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I’ve come to add more to the y/nmax lyric collection
“So, I'm just fine, inside my shell-shaped mind
This way I get the best view
So that when he sees me, I want him too”
“I'm not defensive!
I'm simply being cautious
I can't risk reckless dating
Due to my miscalculating why
A certain suitor stands in line
I've seen in movies
Most made for television
You cannot be too careful
When it comes to sharing your life
I could end up a miserable wife”
From “when he sees me” from waitress and the with the way yn worries about marriage and what love is and how it’s supposed to look like and what if she makes the wrong decision? End ups up with a shithole dude? A miserable wife?
“It's not what I asked for
Sometimes life just slips in through a back door
And carves out a person
And makes you believe it's all true
And now I've got you
And you're not what I asked for
If I'm honest I know I would give it all back
For a chance to start over
And rewrite an ending or two
For the girl that I knew”
From “she used to be mine” also from waitress. With this song it’s more specifically these lyrics and for yn. They feel for the childhood trauma backstory (imo Ofcs)
Oh goddamn. Those first ones. Jesus.
I actually love the song she used to be mine, I heard it first be Sara Barailles and I knew it was from Waitress but I’ve never seen waitress. Back when I was younger and still like…idk in my trauma and just starting to not hate myself that was my JAM. I still think it’s a beautiful song, I just don’t relate to it anymore which almost makes me sad.
This bit
She's imperfect but she tries
She is good but she lies
She is hard on herself
She is broken and won't ask for help
She is messy but she's kind
She is lonely most of the time
Just gives Y/N and this
Who be reckless just enough
Who can hurt but
Who learns how to toughen up when she's bruised
And gets used by a man who can't love
Because the DADDY ISSUES
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victorluvsalice · 1 year
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But of course, Victor and Smiler had to dress up too! So, once they'd completed their pumpkins -- both excellent quality, I'm proud to reveal -- I had them pick their costumes! Victor stayed with Alice's space-related theme and put on an astronaut suit, while Smiler ended up as a cheerleader as I wanted to see what the masculine form of the outfit looked like. Kinda -- dull, honestly. I was expecting something with brighter colors. *shrug* Ah well, at least I'm sure it was comfortable! They headed inside to noodle around on their instruments -- Victor working again on that damn song that's been in his inventory for AGES because songs take TOO LONG TO WRITE; Smiler just singing someone else's song on their guitar -- while Alice headed upstairs to nuzzle Kelly and give her some love --
AND THEN, A POSSESSED CHILD APPEARED. O.O Well, more specifically, a random kid came up on the porch (the game didn't label her a trick-or-treater, and she didn't have a costume, so I guess she was just a random visitor), knocked on the door -- then pulled out a digital sketchpad and started sketching. And I'm guessing that's an item that kids aren't actually supposed to use, as she promptly did that thing where the legs stretch out and the kid starts hovering because the game's trying to use the adult skeleton or something. *facepalm* Sims 4, why are you like this sometimes...
However, something else appeared on the porch as well, as the possessed child finished up her sketching and eventually wandered off -- a specter! I figured that you HAD to give specters a gift on Halloween and had Smiler offer it their latest batch of skin balm. The specter was NOT appreciative -- possibly because it doesn't have skin. Smiler's attempts to communicate didn't pan out either, and I had them head inside to instead do something else Spookfest-related --
Namely, watch a terrible horror movie about a killer bunny-man with a chainsaw. At least, I think that's the intended plot of Moonlight Massacre III in-game. XD It took me a bit to get everyone settled properly on the couch, and there was another interruption from a trick-or-treater midway through(which I didn't mind, as it allowed Smiler to give them some candy and tick the tradition on their list), but they did get through it, and they all seemed to enjoy it well enough. Victor and Alice then had some cake and went to bed while Smiler went to jam on their guitar (getting skill level 9 out of it, yay), all while the jack-o-lanterns burned merrily in the front yard and the fish swam merrily in their little tank. :) It seemed to be the perfect Spookfest...
And then Alice woke up shortly before the 2 AM cut-off time with her Fury RAGING, despite an earlier Somber Howl and the fact that it was a new moon. Once again, I figured it was easier to tip her over the edge than try to bring it down, and so she ended her Spookfest with another brief rampage, marking her territory and digging in the dirt. I mean, at least this time she didn't change uncontrollably under a full moon in the middle of a party full of Smiler's friends? :p Maybe Alice going on a little werewolf fury-fest is gonna be another Spookfest tradition around here...
Anyway -- next week, we have a brief break from the Chill Valicer Save so I can show off another one of my builds here! And then the week AFTER that, it's back to farm chores and store stuff! See you then!
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inky-bun · 2 years
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I have deduced that bright colors are cool actually
Anyway, Mae jamming out with the color palette that’s severely underrated
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We Wouldn’t Be Us // Charlie Gillespie
IN WHICH: We get a look into the timeline of the reader and Charlie’s relationship from the first date that wasn’t so perfect to the news they get. The relationship has its ups and downs like all relationships do but this one brings the birth of a song. They know in their relationship that anything less just wouldn’t be them
Warnings: Swearing, an argument, allusion to sex (NO SMUT), pure fluff
Words: 3.1k
A/N: I suppose this is an entry for @cherrymaybank​’s Valentine’s Day Fic Challenge. 
Based on the song We Wouldn’t Be Us by Alexandra Kay
TO BE TAGGED SEND AN INBOX/ASK PLEASE!
Masterlist
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Every dress didn’t seem to fit properly no matter what mirror with different light in your apartment you tried. The spare bathroom’s bulb was dying, so that made the colour appear off, and the best mirror was dirty, which would dampen the romantic goal. Nothing made you feel that oomph that you desired for this date. 
You could wear the standby little black dress of which you had two options, the clubbing one or the work appropriate one. It didn’t seem right to choose a standard black and no colour for this insanely sweet guy that had this insane energy. With that thought in mind, you dug deeper in your closet for that special dress that you’d never found someone worthy of it. It was your best dress and your most expensive with the tags still on. You would have gone for the maroon dress but it was Valentine’s Day and that seemed like over kill.
Somehow it still fit perfectly despite the length of time from purchase, it was a vibrant green satin with lace matching the colour. The dress's satin ended just below the knee with the matching lace falling an additional six inches past. The A-line skirt was loose flowing contrasting to the form-fitting material across your bust and midsection. 
One of your favourite parts of the dress was the off-shoulder bateau neckline that gave a tasteful sneak of your cleavage. The bottom of the thick straps came to make a perfectly straight horizontal line. Across your waist was a one-inch wide satin ribbon attached to the dress that formed a perfect bow that tied the outfit together, no pun intended.
“Whoa.” You breathed stepping in front of the floor-length mirror kept in the spare bedroom, it had once been your roommates’ room before she moved.
You had to admit the dress was magical with it, bringing out all your curves and went with your skin tone. It was a pure shock to see how you managed to make the dress come to life with just a makeup look that was easy to do. All you did next was your favourite beige heels that went with everything. You had just slid on the left heel when the buzzer sounded and slid the right on as you hit the button unlocking the apartment building door.
“This is going to be perfect.” You breathed leaning into the mirror beside the front door. You inspected your lipstick as a knock sounded on the dark brown wood of your door. 
“You look gorgeous.” Your date breathed, widening those colour changing irises as he took in your outfit, “You take my breath away. Happy Valentine’s Day”
Your cheeks flushed, “Thank you, Charlie.”
He stepped into the apartment as you quickly went to the kitchen to grab your coat and purse with your essentials. He had gently retrieved the coat from your arms to help you into the cold jacket. 
“I know traditionally I would have brought you flowers, but I also know you love books.” Charlie breathed grasping the items in his hands, “So I got these flowers.”
His warm hands held three books. The top one was The Orchid House by Lucinda Riley with a cover that had the background blurry with only the back of a girl in clarity. The girl’s pink dress matching the flower in the upper corner of the book. The next cover proudly displayed The Rose Garden by Susanna Kearsley with red flowers growing down on a stone building. The third one was a light pink book with an anatomically correct heart with flowers growing out of the arteries, veins and valves; a collection of poetry I Saw You As a Flower by Ellen Everett. Lastly, you held Rupi Kaur’s second collection of poetry The Sun and her Flowers that had come out a couple years ago.
“Charlie, this is so thoughtful. You even has a rose one!” You breathlessly spoke gently touching the covers, “Thank you so much for these.”
“I thought we could read them together?” Charlie was bashful as he quietly asked with flushed cheeks. He didn’t know why he felt like this was his very first date all over again.
“I’d love that.” You softly told the Canadian with the manners a mother would be jealous to have in her home. Charlie’s fingers linked with yours as he tugged you out of the apartment into the hallway.
Your hands swung during the short walk from the apartment building to his bright orange Subaru across the street. The sound of the light wind rustling the trees lining the sidewalk mixed with the humming from Charlie was a perfect film score. He was the ideal gentleman even before he asked you out.
You couldn’t wait to tell your close loved ones about Charlie. You could really see this going somewhere. The relationship that is, as you were now on the side of a road with the Subaru’s hazard lights flashing.
“I forgot to fill the tank.” Charlie moaned, pressing his forehead against the steering wheel. His eyes clenched just as tight as his fists.
The Canadian was so embarrassed to have had what he thought was the best date of his life. He’d played music from the playlist he had patiently curated specifically for this date, and he held your hand to the restaurant. He’d already made plans for another date when his car’s warning beeped.
In Charlie’s haste, he’d forgotten to fuel up his car, so here he was with the prettiest person he’d ever seen in his passenger seat. His confidence in a second date had greatly diminished.
“Char, you said Owen was on his way. There isn’t anyone else I’d prefer to be stranded with. Don’t be so hard on yourself.”
“I wanted this date to go perfect. This is my first Valentine’s Day with someone.” Charlie admitted turning his head to stare into warm pools of your e/y colours. His eyes scanned the soft smile that appeared on your face as his confession, “I had this whole thing planned out, and now you definitely won’t want a second-”
“I’m gonna kiss you. If you don’t want that, let me know.” You murmured before pulling him in for what would be the best kiss of your life thus far.
Sure his car broke down, but you kissed him anyway. He tasted of the complimentary chocolate dessert from dinner.
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A Year Later
A young, admittedly broke couple sat on the cold floor of the unpacked kitchen eating SpaghettiOs. You had only just moved into the studio apartment with Charlie that had drained most of your savings. Had it not been in a decently safe area in the city and a close commute you would have said no.
But it was the perfect starting place for you two as you both were unfamiliar with living with an SO. It sucked on each of your ends to not have a better situation, Charlie wanted nothing more than to spoil you on the first day living together. Unfortunately, it wasn’t possible but sitting on the floor with a cheap candle was imperfectly perfect.
“I’m sorry we’re eating out of cans.” Charlie whispered pointedly, keeping his eyes on the spoon, stirring the red sauce with the beige circles.
“Char this is perfect. As long as it’s you and I then anything is perfect. Besides we didn’t label the boxes, I have no idea which box has our kitchenware.” You admitted glancing at the boxes boarding the edge of the room. 
You ate out of cans for at least a week before you had unpacked the kitchen and had the means to buy actual groceries. Living together thus far had been going super smooth until wasn’t.
It was a bad day on both your parts, your entire work was deleted after a computer glitch. Charlie had auditioned for a role he had been really really wanting since he heard about it. Your father came down with the flu axing the plans to meet for dinner; it would have been the first time in six months you saw him in person.
The apartment's atmosphere had been rising and very volatile by mid-afternoon when Charlie blatantly forgot a deal. If he was going to play music, it had to be in the study so you could focus on your work. 
Today he’d decided to be in close vicinity to have a virtual jam session with both Owen and Jeremy. He’d chosen the room you were in solely because it had the best wifi reception which you needed as well.
“Charlie, please can you go to the study? I’m trying to finish this!” You cried out as he struck a chord on the electric. His eyebrows came other in the glare he sent you, “I lost all my work last night.”
“The guys and I are working on songs-”
“-Charlie, this is due tonight. I can’t concentrate with-”
“It’s not my fault you have a shitty attention span!” Charlie angrily snapped contradicting the gentle touch on his guitar. He placed it back on the stand to not accidentally damage it, “The wifi is best in this room.”
“I’m very much aware of that Charlie. Out of the two of us, I use it the most. Can you please either move to the study or at least wait an hour so I can finish?” You pleaded with the Canadian actor ignoring the two guys on the computer silently waiting for the fight to be over.
“Why can't you mov-”
“Fine. I will.” You fully stared down your boyfriend for a full five seconds before you harshly closed the top of your computer. It took seconds to gather your work stuff into the leather satchel you stored the computer in, “You didn’t even mute the call.”
Charlie watched as you swiftly pulled on your jacket, “Babe-”
The sound of the door slamming shut cut his sentence before he even had a chance to speak his thoughts. The apartment was eerily silent compared to the sounds of music that always played through the Bluetooth speaker.
The inspiration to play evaporated with the aftermath of a stupid argument permeated the apartment typically filled with love. All three actors quietly said their goodbyes before they ended the video call.
You spent an hour uncomfortably sitting in a cafe finishing up what you’d needed to finish with the argument replaying. Your finger barely hit the button to send the email before you had already stepped outside the business. You spent the walk struggling to draft a text to your boyfriend. 
It didn’t matter because when you walked into the apartment, you heard the soft song you’d both deemed yours. It was cheesy, but that was part of Charlie’s charm. Speaking of your boyfriend, he was sat on the floor of your kitchen with matching mugs of brownies.
“I’m sorry. I was insensitive.” Charlie started as soon as your jacket was draped over one of the kitchen chairs. His usually wide smile was as bashful as the one he’d worn on the night of your first date.
“No I’m sorry, Charlie. I could have easily put on my headphones or moved to the bedroom for a bit. The fight was stupid, and I love you so much that sometimes I think I take you for granted. I mean, look at you! You made the brownie cups-”
“Even sitting on the cold floor like when we moved in.” Charlie cheekily inserted, reaching over to hold your hands in his, “I like our tradition. I definitely like how we upgraded from SpaghettiOs to brownies.”
“Me too.” You breathed leaning over to press a lingering kiss on his lips. His hands delving into your hair to keep you close.
The butterflies stormed your stomach as the heat slowly inflated from your toes until it reached your flushing cheeks. Raw emotion pouring into the passionate kiss that only closed down as you broke for air. But you also went back in as that warmth slowly built in your tummies. Charlie’s eyes marginally opened to ensure he wasn’t imagining the Angel he got to kiss.
Finally, with heavy breathing, you pulled apart, but only a fleeting moment froze the time in the apartment. For, as soon as Charlie caught your dilated pupils, his one hand cupped the back of your hand, fingers tangled in your h/c tresses. 
Soon enough, you were making up on the kitchen floor with each article of clothing tossed in the vicinity. A shirt landed on the kitchen sink spout. The brownie mugs forgotten as you gave into the passion with your boyfriend. Your lovemaking had you missing supper.
Charlie’s solution was a trip to the local authentic English pub founded by a nice guy from London. You never failed to stop him for a dance in the empty street as his smooth voice gave music for smooth motions. Dancing was a common thing from pulling off the road in Dieppe to dance. You drank and danced at the pub until Jack cut you off at 2am as his pub rules had.
You and Charlie just laughed in a love bubble as the real-world worries faded because you always came together in the rough times.
Months later you returned to Dieppe with Charlie to spend the holidays with them. The entire family together creating such a welcoming atmosphere.
“I’m gonna grab a glass of water.” You informed the group of gals ad non-binary pals who had gathered in Meghan’s bedroom. The group had decided to sleep over Meg’s childhood room with face masks, nail polish and lovely wine.
Meg and Jeannette both nodded to acknowledge your announcement before they returned to their respective conversations. You took a moment to take in the great group of Gillespie and Co you had the honour to be part of. The thirst was only temporarily forgotten in the happy bubble you found yourself in.
You practically skipped to the kitchen, barely noticing the two people in the living room, but their words stopped you in your tracks. Your boyfriend, Charlie Gillespie, stood close to his older brothers Ryan, Patrick and Michael.
“I’m gonna ask her to marry-” Charlie caught himself from finishing the sentence when he saw you standing pale-faced at the opening into the living room.
His entire body was encapsulated by the lights casting in the living room from the Christmas tree. The tree couldn’t hold a candle to the ring of your dreams that promptly had you bursting into tears.
“I RUINED THE SURPRISE!” You sobbed dropping your face into your cold hands, avoiding the gaze of the Gillespie brothers. Had you not been hiding in your hands you would have known the older three had vacated the room.
“Hey, it’s okay.” Charlie cooed with the ring safely put away in the box he had shoved back in his pocket, “You didn’t ruin the surprise. I shouldn’t have been telling my brothers in the middle of the living room.”
Charlie’s warm hands slowly pulled your hands from your soft post-mask skin with such a pretty healthy glow. He could see the remnants of the mask on the edge of your scalp, but it didn’t take away from your beauty.
“I’m sorry.” You whispered, staring up at him from underneath your eyelashes. The soft hazel eyes not upset in the least, things often didn’t go the way you wanted to together.
Take the first date from over two years ago where you and Charlie had waited for Owen to meet you with a jug of gas. You’d shared childhood stories and future dreams. Or the time you hadn’t marked the boxes creating an entire week of eating out of cans and cartons.
Ruining the proposal was almost expected at this rate.
“I knew from the moment I saw you in that emerald dress I knew that you were the One for me. I’ve adored each moment I’ve gotten with you from the spontaneous dances on the side of the road. To bursting into song in the middle of the street.” Charlie shakily started with sweating bands but an open heart, “When your best friend told me the emerald dress was the special one, it melted my heart.”
“Charlie.”
“Other than my belief that this relationship will last, I was only ever sure of one thing in my life. I was sure I would be an actor, but now I’m more sure that my favourite role will be supporting you, loving you and evolving with you as your husband.” Charlie sniffled, taking one hand from yours to wipe the tears flooding his cheeks, “Will you marry me?”
“Yes.” You breathed lunging on your tiptoes to kiss him with as much passion as you could. Your hands caressed the skin of his cheeks; his long tresses tickling your wrists.
“God I love you.” Charlie gushed with a gentle shake of his head. His hazel pinned to your e/c eyes as if you were the most precious gem in the world.
A voice cut the bubble enveloping you, “Well are you gonna put the ring on her finger or what?”
Charlie’s head moved to meet the teary eyes of his mother surrounded by his siblings as they bounced on their feet. You laughed as your now fiance clumsily rushed to slide the absolutely gorgeous ring on your finger. 
“Welcome to the family officially.” Jeannette cheered along with the celebratory whistles and yells as the crowd of the family grew more and more. Soon enough, the entire room was overflowing with people congratulating your new engagement.
Months later, you stood in front of that same group holding the hands of your handsome fiance. Both dressed to the nines in front of the officiant.
“I wasn’t looking for a fairytale, because they all end the same. The princess has a conflict that she revolves with the help of the prince. They get married and live happily ever after. I adore how we’re writing our own story that fits our relationship. Charlie Gillespie, I wouldn’t change a thing about our lives. I wouldn’t have it any other way even with the fighting and slamming doors, but we always end up on our kitchen floor making up with two brownies in mugs.” Your vows brought tears among the onlookers along with the Canadian barely keeping it together.
The vows would later be eloquently transformed into lyrics from you with the accompanying melody provided by Charlie. On Valentine’s Day, you played the song on the kitchen floor with a plate of brownies. Three brownies waiting to be devoured.
“Three for each of us.” You wept as you watched as Charlie melted into a puddle of joyful tears. He took no time in placing his hand over your flat stomach.
Yeah, you wouldn’t have it any other way. Especially when Valentine’s Day become more to the Gillespie family; a new little love taking up the day.
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(Reader’s Dress In Beginning)
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maldito-arbol · 3 years
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Are there any other songs that inspired you for PMIT and/or IBYBF, for the whole fics or just chapters even (Other than the title song lol)
OKAY OKAY IM GONNA TAKE MY TIME WITH THIS ONE. SO. Human was definitely the inspiration for the title of PMIT—it was something I was hyperfixating on when I published it, and I just ripped a lyric out for the title. I should note that chaps 1-2 were written months prior to posting, so there was no title yet, it was just “Sashannarcy Thing”. But then I found that Paint Me In Trust kinda matched with Marcy’s whole manipulation arc and I went with it. It wasn’t until I started IBYBF that I realized the next 3 lyrics after Paint Me In Trust fit like. PERFECTLY with the next stories I wanted to tell. So now the song inspires the whole series yay.
But we’re not here for Human, we’re here for mal’s Spotify playlists. SO. There were some things that were inspired by music but for the most part there were just songs that I associated with each chapter because I was listening to them while writing even if they had NOTHING to do with the story itself. So the song I was hyperfixating on when I started writing PMIT WAS LITERALLY—-
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No this has nothing to do with the story, I didn’t even look up the lyrics while listening, it was just fun to jam to while I paced around like a madman writing delicious angst. And im giving it to u now bc it is good yes come look at my Spanish selection (I have a weird thing that every time I start writing a new fic or story there’s always that ONE Spanish song that I’m hyperfixating on and will forever associate with that story even if it makes zero sense)
Okay the next one might’ve had a little bit more of a resonance with the content of the fic itself. I was obsessing over Hop Along at the same time as Mi Cama, specifically the four songs Bruno Is Orange, Sirens, The Goose & The Wren, and THIS ONE
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The inspiration here was mostly taken from the vibe. It’s just. So upbeat and yet sounds so sad at the same time. I actually started making a sapphic Warriors OC pmv that i never finished to it at some point, which is why it ended up steering off PMIT territory and into other territory. However, I still recall fondly listening to it as I was writing chaps 1-2, and I still hyperfixate on it from time to time now too.
OKAY MOVING ON TO CHAPS 3-4 BECAUSE THERE WAS A MASSIVE GAP BETWEEN 2 AND 3. So first of all. THIS. THIS MOTHER MOTHER SONG HIT ME LIKE A TRUCK
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because of the lonely vibe of it—the feeling of watching everyone else all by yourself, because that’s how Marcy’s supposed to feel for like 90% of PMIT. just listen to it you’ll never be the same
PLUS! This song.
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The line “two-faced bitches never lie and therefore I never lie” obviously was a huge one, but THIS WHOLE PART is so PMIT Marcy I could just die:
“Got to work on my brain then I'm
Crawling back to my grave and
I'm certain that I'm gonna die this time
No doubt is left inside my mind tonight
So I'm just gonna wait for nausea to set in, I'm
Peacing out at eleven.”
right? RIGHT? crying in the club tonight.
Im not gonna talk about Insane Clown Posse Im not gonna talk about Insane Clown Posse Im
I will not tell you which of their songs I was hyperfixating on when I was writing chapters 4 and 6 because it has NOTHING to do with the story except for the angry and evil vibe and i was writing angey and evil uwuwu Marcy at the time. Please do not associate Marcy with Insane Clown Posse she does not deserve it *sobs* Please do not go listening to random songs of theirs to find it, ICP is not for the faint of heart IDK WHY I HYPERFIXATE ON THEM HELP!! I would like to reiterate that oftentimes it’s literally just the VIBE of the song that kicks my ass into gear, not the lyrics not the lyrics I’m screaming just thinking about it.
Anyway obligatory Two Birds because Two Birds inspires ALL of my angst pairings
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You listen to this song and then you automatically choose violence sorry i don’t make the rules
Okok now moving on to IBYBF.
This mother mother song released RIGHT as I started writing it, so of course you KNOW i was listening to it on repeat for all of the early chapters:
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The line “maybe I am right where I’m supposed to be” really hit me in particular and there’s this vibe of Recovery after a mental breakdown so it was literally perfect for the premise of IBYBF oh mother mother you spoil me so
ALRIGHT THE NEXT ONE IS ANOTHER ‘VIBE’ INSPIRATION.
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So okay i found this one RIGHT as I started writing Heart in chapter 5. I should preface this with: Heart’s feelings for Anne are NOT meant to be taken as romantic please don’t do that i will call the police, but Heart’s feelings ARE meant to be taken as an Obsession rather than a genuine care for another person. This is something I’m going to get into further during fic 3, and maybe possibly in the finale of IBYBF if the time is right, but Heart’s perception of what it means to love (again, NOT romantic) and to be loved are extremely warped. They have this insistence on claiming ownership of their vessels (which Wit and Strength do sometimes fall into in their more regressive phases but i digress) which is what ‘love’ means to them. If you are Heart’s vessel, you belong to them, you do what they think you want, you become what they think you want, but in reality it’s all just what they want. Their logic basically is: “I want to destroy everything I touch. You are my vessel, therefore you do too. I will make it happen for both of us, but most importantly for you.” and it just bleeds into EVERYTHING they do. They believe they are doing this extraordinary favor to their vessel, giving them everything they want, and that’s how they think they’re going to get their vessel to love them. BUT CLEARLY, THAT’S JUST ABUSE. YOU DO NOT OWN ANYONE AND YOU DO NOT DESTROY THE THINGS AND THE PEOPLE THEY LOVE. my god.
Okay okay so I got off-track. Back to the song. See the vibe of the song is an extremely aggressive kind of love that’s repeating in an obsessed mantra of “i want you to do this i want you to do that” which WEIRDLY resonates a LOT with Heart’s obsessive inclinations. Like put aside everything else and just look at lyrics like THIS:
“I want your horror, I want your design
'Cause you're a criminal as long as you're mine”
“I want your psycho, your vertigo shtick”
Does that not sound familiar.
I don’t quite understand how the song managed to find me at the exact perfect time but here it is and it’s now Heart’s theme song because i said so. Thank u this has been another “Heart is a fucking maniac PSA hours” <3
NOW ONTO CHAPTER 7! It was right around this time that Centaurworld s2 came out, which means my ears were full of just CENTAURWORLD SOUNDTRACK the entire time. Honorable mentions to Fragile Things, Fragile Things (Reprise), Rider’s Lullaby, The Nowhere King, It’s Gonna Be A While, Nothing Good, Becky Apples, Elk Tour Suite pt 3 & 4, Battle Round, and Last Lullaby pt 1, which I was listening to religiously as I wrote, but the big whammy is absolutely this one:
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Obviously Horse and Anne are in very different circumstances right now but the theme of “My reflection has become an unfamiliar someone” rings true in both so there’s that <3
Anyway what is Mal listening to now? Obviously the entire Encanto soundtrack, haha you caught me. But also this one Jack Stauber song. Doesn’t necessarily have anything to do with the story I just like it and it’s got a very melancholy vibe so that’s fun:
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Go give it a listen if you’re not exhausted listening to all this other crap I just dumped on you.
As I wrote the Party Chapter I was also listening to Thrift Shop by Macklemore and Ex’s & Oh’s by Elle King which also have nothing to do with the story but I just think it’s funny I randomly started hyperfixating on them again.
Sorry this post is SO LONG I just have so many Thoughts about my fics All The Time and it would be so weird to just randomly infodump them unprompted, but then u came and prompted me SO HAHA!! YOU HAVE FALLEN INTO MY TRAP!
Alright alright that’s all I have to say, thank u for reading! <3
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Macabre Album Review
DEG's second album! Oh yeah!
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Track 1: Deity
This first track is definitely very interesting. It starts with a sleigh bell and then quickly turns into ominous chanting of some sort. Very spooky but also very different from their previous work which shows how versatile these five musicians are. The chanting eventually stops and we're met with heavy guitars and bass with Shinya playing a steady beat and Kyo vocalizing with a woman’s voice eerily making sounds. It sounds like he's gasping for breath (see what I did there)? That section ends and a clean guitar is played for a few seconds before the song goes back to the heavy riff after the chanting but this time Kyo sings in Russian to the tune of Johannes Brahms' "Fifth Hungarian Dance." This song definitely feels very religious to me which I suppose fits because the case for Macabre has prayer (?) beads in it.
I think Deity showcases DEG’s experimental side and sets the foundation for the rest of the album and it shows that DEG took a very different turn and became a bit darker.
Track 2: Myaku
Is this track in 3/4? 4/4? 5/4? 6/4?
Yes to all of the above. In the booklet it's indicated that this song was written by DIR EN GREY so no individual member wrote it specifically but the band definitely had some fun with time signatures in this one. Myaku was released as a single which is a bit different from the album version but I'm not reviewing the single. This song definitely departs from their late 90s VK sound which in my opinion is a good thing as it showed that DEG wanted to become more serious musicians. Plus, this track has one of my favorite basslines but I never got around to learning how to play it. Myaku is a chaotic song but it fits very well with Macabre.
Track 3: Wake/Riyuu
My boy Die does it again. This song is one of my favorites on the album and despite it being written by a guitarist, Toshiya’s bass really drives this track but we can’t forget the soaring guitars in the beginning and in the chorus. Kyo’s vocals are also great. Fantastic rhythm, instruments that all work very well together, and Kyo’s clean vocals? What’s not to like? This song really gets me moving for some reason. Not nearly as chaotic as Myaku, but Wake/Riyuu provides a nice structure and a consistent time signature (4/4) which is good contrast in my opinion. 
Track 4: Egnirys Cimredopyh +) An Injection
Everyone probably knows this by now by  Egnirys Cimredopyh = hypodermic syringe backwards. Despite that, this song isn’t about intravenous drug use. Kyo references a “white powder” a lot in this song and in one part of the song he sings “I started to speak to the wall with my lower half” (of course he sings that in Japanese) so I think this song is about abusing a drug called kakuseizai and... ejaculating onto a wall? To my knowledge cocaine isn’t very popular in Japan and kakuseizai (roughly translated to “stimulant” in English) is a type of methamphetamine that is used to improve pleasure during sex. Anyway as the lyrics progress it’s clear that the person in the song is battling between his good and bad side. They’re aware that their drug use is stripping them of their sanity but can’t stop and eventually gives in and “kills” the good side. In regards to the musicality of the song, again I really like the bassline (probably because I play bass) but the solos in the song, both bass and guitar, are seriously lacking in substance for me. However the rest of the song is fun to move around to i.e. it has a nice rhythm. 
Track 5: Hydra
“I wanna be an anarchist”
“Dead born”
“Sid Vicious, suspicious”
What are those lyrics??? This song is another experimental one with electronic sounds throughout. It’s also fast-paced and has another chant near the end of the song that breaks it up nicely. Lyrically there’s not much I have to say but this song is definitely one of DEG’s most interesting sounding. I’m sorry that I don’t have more to say. 
Track 6: Hotarubi
Hotarubi... what a beautiful song. It was very clearly written by Shinya. This track is, in my opinion, one of DEG’s best ballads but I think it goes on for too long but that’s just a very minor complaint. The strings complement the rest of the instruments and the part from 2:40-3:42 is stunning, with a surprising violin solo and a woman breathily vocalizing. Everything in this song works so well together except for the loud buzzing halfway through and Hotarubi never fails to evoke an emotional response within me. If it weren’t too long for my liking I would listen to it on repeat. At a certain point I just get bored. Also I think this song would be better suited towards the end of the album where the songs become more melodic.
Track 7: 【KR】cube
I’m not sure what【KR】cube means but what a fun song. Toshiya starts it out with that funky bass that we all know and love and then it transforms into a fast-paced song with a very nice rhythm on the guitars and Kyo’s clean vocals come in which is always nice to hear. I like the speed and rhythm of this song as it offers a pleasant difference from Hotarubi which is a very slow song. The chorus is very catchy as well 
Kururi, furari, fuwari, kurari
Kururi, furari, fuwari, kurakurari
and so on. The music video is fun for this one. We love Hitman Die. 
Track 8: Berry
This song is easy to figure out from the beginning dialogue of an English girl apologizing but then promising to blow her parents’ head off like raspberry jam (spoiler: she does at the end of the song). This one has more of a punk vibe and it’s kind of a fun song. What I can say is that I’ve never heard a song that features parents yelling at a child as part of a breakdown. It’s a good song but in my opinion it doesn’t really fit with the Macabre sound.
Track 9: Macabre -Sanagi no Yume wa Ageha no Hane-  
WOW what a song this is. I believe that this eleven minute prog rock masterpiece was the first song I learned on the bass (go big or go home). I love Shinya’s drums in the beginning and as soon as the other instruments come in you just know you’re in for a journey. This song has a great composition with all of the instruments and vocal layers but I suppose I should get into the specifics. The beginning (after the drums) starts with guitars that, in my opinion, portray a certain sadness while the bass drives the the song. Kyo’s voice is great in this one and also portrays that same sadness. After the first two verses clean guitars come in which is a nice contrast from the beginning but this song truly comes alive during the instrumental breakdown where there’s a guitar playing a repeating riff while insects buzz and a church organ plays in the background. It then switches to Kaoru and Die playing the same notes but alternating between electric and acoustic guitars. The breakdown ends with a very beautiful solo and Kyo singing in a higher register and making slurping sounds which makes sense if you follow the lyrics. There’s a bass solo which is always nice to hear. 
I think I’ve written too much about this song so I’m going to go on to...
Track 10: Audrey
What exactly were they trying to accomplish here? Country rock? It doesn’t fit with the album and it doesn’t even fit with DEG’s sound in general. I never listen to this song so I don’t have much to say about it. 
Track 11: Rasetsukoku
This song fits much better with Macabre, but only marginally. It’s definitely more speed metal which at this point in DEG’s music career hasn’t really done. It’s fun to listen to but the composition is quite simple and it tends to be sort of repetitive. I do like the bass in the beginning but the guitars in this song are kind of boring to me.  Maybe I should give it more credit. 
Track 12: Zakuro
I have mixed feelings about this song. It’s very emotional but maybe too emotional. It starts out kind of slow but I like Kaoru and Die’s parts in the beginning because they harmonize very well. I think this song has one of the most beautiful guitar solos they’ve ever written and it conveys the sadness that is the central focus of this song. My problem with it (and it’s a minor one) is that it’s definitely better live. 
Track 13: Taiyou no Ao
Another favorite on this album. Once again there’s a great bassline and while the song itself sounds sort of like a pop song the lyrics are rather sad. The prominent bass complements the guitars and if Shinya wanted a workout routine he could play this song a few times and he would get pretty buff. Can you imagine a buff Shinya? Neither can I. It just seems like his drums never stop for almost the entire song. It’s a nice way to close the album because it contrasts with the very dark-sounding Deity and it leaves me feeling good, albeit a bit sad because of the lyrics.
So that’s it. Can you tell I got a bit tired near the end? All in all I give this album 7/10. It’s a great album but there are some real duds in my opinion but it’s not my least favorite by any stretch. I’ll be reviewing all ten albums so you’ll find out which one I like the least...
As always feel free to comment your thoughts! I would like to connect with my followers a bit more.
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ruzek-halstead · 4 years
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there’s one thing on my mind (it’s all for you)
i didn’t have a wip for jatp fanworks appreciation week, so i made one?? but i got too into it and finished it in a few hours. thanks to @ourstarscollided for sending in the incredible prompt that led to this fic!! 
home didn't seem like home anymore for luke patterson, and so he was desperate to find a new place to write music. after an especially brutal fight with his mother, he finds himself in front of l.a. books. he isn't expecting to get much out of it, it was solely a last resort. but then he sees her, julie molina, and he ends up coming back every week just to keep seeing her.
bookstore au
masterlist
If three years ago, someone were to tell Luke, he would actively be spending his Friday night in a small, but cozy book store, he would have laughed in their face.
He was a rockstar. If he wasn't jamming it out at some club with his boys, he was doing something wrong.
But life didn't always work out in his favour, and it wasn't long before he decided he couldn't write out of his home anymore. Home. Sometimes the mere word made him laugh. Home was supposed to be warm, welcoming and loving, and he felt none of those things every time he walked through the front door. It was starting to take a toll on him. Not only on his mental health, but also in his creative abilities. The songs he was writing in his bedroom had taken a dark turn, so dark they felt more like a cry for help than anything else.
So, he decided it was time to find another place to write songs; somewhere that could get his creative juices flowing. When Reggie first suggested this bookstore on the corner of Madison, Luke pinched his brows, not understanding how that was a viable solution. Reggie defended his suggestion by saying bookstores were quiet and he would be surrounded by millions of words of inspiration.
Luke never took Reggie's suggestion until one brutal fight with his mom left him pulling at his hair, desperate to leave the house. He would go anywhere at this point, but his fingers were itching to grab his pencil and book; there was so much he just needed to get out onto paper. If he didn't, he would explode. So, he grabbed his song book, a few pencils and stuffed everything into his backpack before he hopped out his window. At first, he just started walking to nowhere in particular. In the back of his mind, he was intending to drop by Alex's, but instead he found himself standing in front of L.A. Books.
He walked in with the intention of taking one quick walk around and most likely walking right back out. He was pissed off at the world and he didn't think Shakespeare would solve his issue.
But then he saw her.
She was stocking a book shelf, putting up new books as far as he could tell. Her curls kept getting in way of her vision and she was continuously tucking them behind her ears. He could only see the side of her face at this point, but when she was approached by a younger girl to help locate a book, Luke quite literally forgot how to breathe. She was stunning in every which way; her soft smile to the young girl made an unconscious smile spread over his own lips. There was no specific thing about her that drew him to her, but for some reason, he was rooted to the floor. Even when she started moving in his direction, leading the girl to a new section, he couldn't even move just enough to grab a book and look like he wasn't creepily stalking her.
But she only sent him a warm smile as she walked by.
So, maybe Reggie wasn't so wrong about this place after all.
After that, Luke found himself stopping by at least once a week, maybe twice if things at home were really bad. It was a quiet establishment for the most part, and Luke found a corner table that was perfect for his writing. He knew his song writing was starting to take a hit; he knew that. But since he started writing in the bookstore, an obvious shift was clear in the words he scribbled down.
Even the boys noticed.
"What the hell is this?" Alex had demanded one late night after Luke handed him his songbook so he could filter through it. They'd mostly been playing their old originals while Luke worked on some new stuff, and he was finally starting to share.
Luke frowned, biting his lip nervously. "What? Is it that bad?"
"Reg, look at this," Alex ignored Luke, reaching over to show the other brunette. "When were you going to tell us?"
Luke merely blinked, gaze flickering between the two. Reggie, to his credit, looked just as confused, meanwhile Alex was fighting a smirk. "Dude, I'm so confused. What the hell are you talking about?"
Alex placed the book down in his lap, finally letting the smirk take over. "When were you going to tell us you were in love?"
Luke immediately started to sweat. "What?"
"If you're writing these love songs about me, I'm flattered," Alex teased, to which Luke could only roll his eyes and snatch the book back into his possession. "But you know I'm taken."
"I'm not in love," Luke muttered under his breath.
And he wasn't. He would stand by that.
But he'd be lying if he said he didn't stop by the bookstore solely to see his curly-haired goddess. Every time, he would look at her and a sudden burst of inspiration would blindside him and he would be writing into his book without even realizing. He wasn't going to tell the boys that, though.
After about a month of hidden glances and polite smiles, he figured it was about time to say something. He also figured it could only look a little strange, him being at a bookstore every week and never buying anything. To his credit, many others took advantage of their tables to work quietly; he wasn't the only one. But he was the only one who couldn't take his off the employee with kind eyes and a mega-watts smile. Sometimes she came over to organize the tables, or wipe them down, and so Luke decided it was now or never.
"Hi," he blurted one night when she came to grab a stray book someone had left on his table. Her gaze lifted to meet his. Her face broke out into a warm smile and he nearly broke his pencil from how hard he was holding it.
Luke's eyes dropped to her name tag. He'd never been close enough to read it (with the exception of the first time he saw her, but he was understandably starstruck and couldn't focus on anything).
Julie.
He debated saying something else, it almost looked like she was waiting for him too, but the words were caught in his throat. He merely sent her a pained grin as she retreated. God, that was awkward.
Over the next few months, his confidence grew some, but he was never able to hold a full conversation with her. He was working up to it, but in the meantime, he was content in his corner writing songs about the girl who had unknowingly captured his heart.
This week had been particularly gruelling. School had taken a lot out of him (every mark counted for college admissions) and his parents were on his ass about his grades. He knew he had to do well, even if he wanted to pursue music, he needed the grades to get into a good music program; he knew that. He didn't need his mom yelling at him about it every day. So, this Friday he'd spent the entire evening at L.A. Books, anything to just get away for a bit. He knew it was almost closing time; there weren't many customers left and he could see Julie cleaning up out of the corner of his eye.
He was trying not to spend all his time watching Julie, instead focused on his latest creation. So, he didn't see Julie apprehensively watching someone shove a few books into his backpack. He was young, but probably a bit older than Julie. Why he would want to steal some books, Julie had no idea, but it was the wrong day to mess with Julie Molina.
She hadn't had her best week either, and watching someone blatantly try to steal like he was, severely pissed her off. Protocol be damned, Julie stalked over to the individual and blocked his exit. Protocol insisted on not confronting the shop-lifter by any means, but Julie was too annoyed to care.
"Are you going to pay for those books you put in your backpack or can I have them back?"
Julie was impressed with how confident she sounded. Even when he met her glance head-on, she wasn't the least bit intimidated.
"What? Sorry, I think you're thinking of someone else," he replied, but after meeting her gaze the first time, he couldn't hold it as he spoke.
"Just give me the books and I won't call the police," Julie reasoned. She sounded exhausted, and that was because she was; this was honestly the last thing she needed this week, and yet, here she was.
But as soon as the man noticed her change of tone, his mouth twisted into a scowl. "I already told you, you have the wrong guy."
"I saw you put them in your backpack!" Julie argued, her anger crawling back up her throat.
"No, you didn't, because I didn't do anything!" He replied angrily. "Are you going to move, now?"
Julie stood her ground. It was probably quite comical, considering she was a full head shorter than him, but she wasn't moving. "No. Give me back the books."
The man let out a furious snarl. "Get out of my way, bitch."
His words didn't offend her in the slightest. Honestly, she felt sorry for him, that this was how he was raised to treat women, especially someone as young as her. But she was perceptive, and she could tell he was getting agitated and possibly aggressive. She didn't know this guy, she didn't know what he was capable of.
Luke had kept his eye on Julie the entire time, he always did. But as soon as he realized what she was doing, he swore under his breath. He tried to keep his distance, to let her do her thing, but the second the man called Julie a bitch, Luke was up and out of his chair, ready to throw hands.
There was a point in his life where he wouldn't even think about the consequences of his actions, but as he approached, he caught Julie's eyes and figured punching this random guy in the face probably wasn't the best course of action. So, he hung back, close enough to be noticed, but not enough to be considered a threat.
Or so he thought.
The man noticed Julie's eyes focused on something behind him, so he whirled around to see Luke. What with his height and obvious biceps (that were currently on display because what were sleeves anyway?), the man scoffed.
"Is he coming to your rescue or something? Need someone to fight your battles?"
Luke merely raised his eyebrows.
The fact that he was saying all this to a high school girl seriously baffled him.
When the man tried to step around Luke, he side-stepped to be in his way again. Luke didn't smirk, didn't show any facial emotion. It was enough to unnerve him.
With an angry huff, he reached into his backpack to pull out the two books in question. He slammed them into Luke's chest as he stormed past him, muttering, "I don't need this crap."
The moment they heard the door slam closed, Luke's eyes slid over to Julie. Her face was blank, but her eyes were stormy, angry even. He didn't blame her; that guy was a right dick. He hesitantly handed the books back to her. Her gaze flickered to the books and back to him. She probably had no idea how absolutely intimidating she looked.
But then she smiled. A proper, full smile that had Luke merely staring. "Thank you," she said, reaching forward to grab the books. He was hoping she'd say more, but instead she took the books and walked away to put them back in their place.
It was fine, because she had talked to him and he was so ridiculously happy about that. He had also helped her out in that less than stellar situation, but not overbearingly so that he treated her like a damsel in distress who couldn't handle herself. Julie definitely held her own, but he wouldn't be able to live with himself if something happened to her and he was right there sitting in his corner. Pleased with himself and how the situation played out, he skipped back to his seat in the corner, feeling more inspired than ever to finish the current song he was working on.
He glanced up one more time, surprised to catch Julie's sparkling brown eyes already looking at him. She immediately averted her gaze, mouth twitching as she held back a smile.
That was when he decided, no more pining around; it was time to officially ask her out.
What was the worst that could happen? She would say no. And he'd be okay with that, because it was 2021 and respecting women and their decisions shouldn't even be questioned. He'd be disappointed, sure, but for now, he was still holding out hope that maybe she would be into him too.
It was nearing eight, and Luke could tell when he saw the remainder of customers heading for the door. He spotted Julie making her way over too, getting ready to lock the door behind the last customer. He gathered up his things and shoved them into his backpack as slowly as possible. His heart was hammering in his chest and his palms were sweaty; he was actually nervous to ask Julie out.
How couldn't he be? She was absolutely gorgeous.
Luke made it to the door, taking a deep breath before he met her eyes.
Julie stepped in front of him, blocking his exit.
He stumbled in his step, grabbing onto the door frame to keep from toppling straight into her.
"Sorry," she mumbled, tucking a curl behind her ear. For the first time literally ever, Luke observed the tell-tale signs of her shy and apprehensive behaviour. She was always so confident, so in tune with what she seemed to want, this was unusual to him. Not only because of that, but he'd never been this close to her, and he was suddenly finding it extremely hot (and he was barely even wearing a shirt).
Luke tugged on his backpack strap, because he needed to do something. He needed to focus, or else he'd end up doing something stupid, like blurt out that he was in love with her. "No, it's okay. I actually wanted to ask you something anyway."
Her sparkling brown eyes widened for a split second. "Actually, I want to ask you something — are you free to grab a coffee?"
It was safe to say Luke's brain started to short-circuit.
"Uh, what?"
He was so intensely focused on gathering the courage to ask her out, he didn't even know how to reply when she suddenly flipped the plan on him.
He started to lose his mind even more when a soft blush spread over Julie's cheeks. "I'm just closing up, and I could really use a dose of caffeine. I'd really like if you came with me."
Luke can't do more than simply stare at her; his body was failing on him. Julie held his gaze, biting her lip apprehensively with a nervous smile because he wasn't saying anything, and she really hoped she didn't misinterpret his signals. But then he finally fights for control of his body again, and a soft grin spreads onto his lips. "Yeah. I'd really like that."
She matched his grin, closed and locked the door behind her. "I only have a few more things to do. Just a few more minutes."
"No worries," he replied, shoving his hands into his front pockets. "Oh! I'm Luke, by the way."
Julie mulled over the name for a moment. "Julie," she responded.
"I know," he mumbled, eyes solely focused on hers. Even when she looked to him in surprise, he couldn't focus on anything but her eyes. God, she was so gorgeous. "Your name tag," he added, just to ease her fears about him being a stalker (I mean, he was there almost every week...).
Luke leaned against one of the tables as he waited for Julie to finish closing up. He watched her silently, unable to remove the excited smile from his lips the entire time he waited. When she told him he was ready, he diligently held open the door for her and then waited, hands dug into his front pockets, as she locked up behind them.
There was a coffeeshop right around the corner, and as they both started walking in that direction, there was an unspoken agreement, that was where they wanted to go. Luke hated himself and his weirdly awkward nature on their walk over. He couldn't find any words to say to her, none. He chanced a few glances in her direction, but she seemed content with just walking in silence, so he went with the flow.
Once again, he held the door open for her and smiled when looked at him with amused eyes. Julie headed straight for a table near the window, removing her jacket and setting it on the back of her chair. Luke followed, lingering when she didn't sit back down.
"I can go order," he offered, "What would you like?"
Julie looked up at him with a smirk, and dear God, his knees nearly buckled. "I invited you. It's my treat."
"Oh, come on," he nearly whined. "Let's not do this, please."
Julie pursed her lips. She was a very determined person, and if he didn't know that yet, he'd be quick to learn. "I invited you. It's only fair."
He ran a hand through his hair, shooting her the most charming smile he could manage. "Julie, I've been waiting to take you out for months. Please let me buy you a coffee."
All her determination died there and then on the tip of her tongue.
"Okay," she replied with a cheeky smile. She diligently took a seat. "I'll take an iced coffee, please."
Luke nodded, once again, skipping away from her for the second time that night. He ordered Julie an iced coffee (and a cookie because who doesn't like cookies) and a regular coffee for himself. He was already jittery enough but he could never say no to coffee.
"Here you go." He said softly, placing her treats in front of her.
Julie took a quick sip of her coffee and narrowed her gaze on Luke. "I want to hear more. You said you've been waiting to take me out for months."
Luke had never felt him blush so quickly before in his life. He nearly choked on the coffee he was currently drinking. "It sounds really creepy when you say it like that."
"I know you've been coming to the shop for months," she continued, breaking apart her cookie. She wasn't looking at him, and it honestly made Luke all the more nervous. She made him nervous. "And you've never bought anything, but you're always writing in a book."
"I needed a quiet place to write music and I found your shop."
Julie nodded along, humming. "I catch you looking at me a lot."
Luke scratched the back of his head. "Well, honestly, that's not entirely my fault. I can't help but stare at beautiful things."
Julie looked up at him with a smirk. "That was smooth. I feel like it's only fair I be as honest." She leaned her elbows onto the table, leaning in close. Luke started sweating again. "I always look for you during my shifts."
It was as if the air was entirely knocked out of his lungs. It was the reassurance he was looking for, the acknowledgement that his feelings weren't one-sided, but it was a lot to take in at once.
"You're the reason I come back every week," he admitted, the words flowing freely out of him now that he knew with certainty she felt something for him too.
Julie leaned back in her chair. Her eyes tracked his movements, mostly because she didn't know what to say next. Where do they go from here?
Who makes the next move?
"I'll keep dropping by. But under one condition," Luke reasoned, hiding his smirk with his coffee mug.
Julie found herself leaning in again. There was something about him that was so alluring, always drawing her in for more. "What's that?" She didn't want to give her real answer: anything.
"I'll keep coming by if you give me your number," he told her, running his finger around the rim of his mug. "Maybe go on another date with me?"
Julie didn't reply at first; she kept him waiting until he looked at her with curious eyes. She kept him on the hook, just enough that for a moment, he wavered in his confidence. "I'd love to give you my number."
He let out an obvious sigh of relief. Julie was definitely going to wreck him in the most beautiful of ways.
"And that date?"
Julie clicked her tongue, monitoring the way his eyes absentmindedly dropped to her lips. "I'll decide that after you walk me home. But your chances are looking pretty good."
A delicious smirk crawled over Luke's mouth, and now it was all Julie could focus on.
"Then I guess I should up my game," he winked, shrugging as he added, "Just in case."
When Luke walked Julie home hours later, she confidently latched onto his hand, mostly just to give him an ego boost because he acted like the perfect gentleman all night. And when he lingered at the door, unsure whether it was too soon to kiss her or not, she leaned up on her tiptoes and pressed a kiss dangerously close to the corner of his lips.
"How's next Friday night?"
It took Luke a moment to form the words after that, but he was anxiously waiting for her response.
"I'm off at eight, you know where I'll be." Even with all the coy flirting, she couldn't help but shoot him an excited grin.
Luke stuffed his hands back into his front pockets and started retreating down her walkway. "I'll, uh — I'll text you."
Julie leaned against the front door. "I'll be waiting."
And somehow, after months of pining on both ends, all it took was one attempted theft to bring Luke and Julie together.
It would take a lot more than that to separate them now.
x
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117 notes · View notes
whenimaunicorn · 5 years
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The Split
The Mandalorian x female Reader
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(gif contributed by @bennskywalker​) (much love and undying gratitude to @equalstrashflavoredtrash​ for constant cheerleading, support, and beta services, and saving me every time I felt stuck on a scene; and also to @cptnbvcks​ for indulging the Big Meat headcanon and guaranteeing it’s happening in all my fics)
Rating: Explicit Content Warnings: choking, spanking, dominance/submission, threats during intimacy, rough sex Words: 8478
Summary: The Reader is a fellow Nevarran bounty hunter, working with the Mandalorian to catch a quarry and splitting the reward. They keep renegotiating the split until passions spark and other, kinkier interests start slipping out.
Full Fic:
There’s one thing you can appreciate about working with the Mandalorian: he sure knows how to be terrifying to his quarry. It’s not about bluster with him, or wild threats that can make a hunter seem unhinged; it’s in his sheer presence. He’s caught up to the quarry you’ve been tracking together, and now he looms over his prey like he’s inevitable.
‘Course, you’d never let him know he even made you shiver. “Enough with the dramatics,” you say to him, coming up behind the cowering bounty and yanking her arms together behind her back. “I’m the one that got her blaster out of her hand, and that’s the hardest part. Once they’re disarmed it’s all over. That ups my cut to 70%.”
A frustrated little hiss emanates from your business partner. He points that looming mask more squarely at you. “Fifty-five was what we agreed,” he says, words clipped. “And that was only because you had the specific location—”
“Without which your schedule wouldn’t have been worth shit,” you finish for him, pressing the binder around your quarry’s wrists. At least, the metal cuff clicks shut around one of them…
Suddenly the woman is whirling around, slamming the solid metal of the binder, hanging off just one wrist, right into your stomach.
You try to grab her but the momentum is not in your favor, especially with the wind knocked squarely out of your gut. You brace your hands on your knees, willing yourself not to fall completely down as you fight the pain, not in front of Mando, and manage to suck in a decent breath as you look up with involuntary tears forming in the corners of your eyes.
Just in time to see the Mandalorian grab the woman by the throat, stopping her escape in its tracks. He shoves her to her knees, bristling with frank irritation, and presses the muzzle of his blaster to the side of her skull. “Stay down.”
You stagger one step in their direction. Your gut hurts just about as much as your pride.
You can’t see a smirk on that cold metal face, but you know there has to be one as he looks over at you. “What were you saying about the hard part of the job being over? I’ll take that seventy.”
“This gets you maybe an extra five,” you wheeze, stomping to the quarry kneeling at his feet and jamming her other hand into the binder where it belongs. “And you’re forgetting that I was the one that noticed her sneaking out that hatch in the back.”
Another one of his annoying silences follows, the one where he stands so still and makes you wait, just guessing what thoughts might be bouncing around inside the helmet. “And she’s going back in my ship. My fuel, my carbonite. I’ll take sixty.”
You huff.
“You’re the one that started this. I would have been fine with the original agreement.”
You roll your eyes. “We’ll talk about it after she’s loaded in.”
“Up,” the Mandalorian barks at the quarry, digging those orange-tipped fingers into the cloth covering her shoulder and hauling her to her feet.
The woman complies, looking defeated, and you all start walking across the plateau toward where the Razor Crest has been hidden. Mando’s been in the game too long to pay docking fees at an official spaceport on a planet so chaotic that you can get away without.
Soon enough, the quarry says what everyone with a price on their head says, once the binders are tight around their wrists. “You know, you two really don’t have to worry about your split. Just let me get back to my guys, I can pay you each as much as that whole price on my head.”
You snort. “If that were true, we wouldn’t have found you working in such a shit-hole. No way the syndicate values you that much.”
“I seem to recall a story about you taking up a quarry on an offer like that once,” Mando’s modulator emits at you. He slows his pace so he can see your face as the three of you trudge across the uneven ground. “Didn’t it end with another Guild member finding you stripped and tied up in a cellar? That would have been a sight to see.”
“I heard that story too,” you shoot back. “Wasn’t me. But if you want to see me like that, Mando, maybe you can try to play your cards right a little later…” you force your mouth to close. Not the most well-thought-out comeback. Nor the kind of thing to say if you want a fellow Hunter’s respect. Which you do. It’s just that there’s something about the Mandalorian that’s damned enticing, that makes you wonder if he ever loosens up even a little, lets anyone touch the warm body that’s gotta be somewhere underneath all that armor.
“I know a good hotel in the East Quarter,” the quarry pipes up before Mando gives you a response, “soft mattresses, and real good soundproofing in the walls. Maybe you two need to work out some of this sexual tension before taking me back to the ship? You can just stick me in another room until you’re done.”
“Yeah, I’m sure you’d just twiddle your thumbs and wait real nice for us.” You stick your blaster into her ribs and prod her to move faster, just for being annoying. “Sweet of you to be so generous, but don’t worry. He and I’ll have plenty of privacy while you’re stashed away in carbonite for the ride to Nevarro.”
The Mandalorian’s helmet turns toward you sharply.
“What? It’s not that I don’t trust you, Mando, but I always collect in-person. I’m riding with you.”
  Mando’s ship is a real bare-bones operation; it’s not much more than a cargo hold and a cockpit. It’s almost enough to make you regret insisting on coming along. You can’t find a spot to get comfortable in, and there’s nothing to do. Mando’s not helping; he’s been sitting at the controls of the ship, back perfectly straight, since take-off. The course has already been set; the eerie lines of hyperspace are streaking by, and there’s nothing in this cockpit that actually requires his attention unless something goes wrong.
“So… what do you usually do while you’re in hyperspace?” you finally ask, slouching against the cockpit wall.
Mando’s hands turn palm up. “This.”
“You serious?”
He shrugs. “Good time to meditate.”
You look out at the rushing stars. “You have got to be kidding me. I’d go completely crazy in about five minutes.”
“You probably would,” he says. So calm, so matter-of-fact.
You look down at him sharply. He hasn’t moved a muscle, though he could be looking at you sideways through his visor and you’d never know. Infuriating. You plop down into the seat behind him. “You don’t think I’m capable of being quiet?”
“I’ve never known you to be.”
You flip your hair. “Some of us have a thing called ‘people skills.’ But it doesn’t look like they cover that in Mandalorian school.”
Now he turns his face toward yours. “Is that what you think you have.”
You nod, stifling the quick words that heat up your tongue so you can prove how quiet you can be.
“I’ve seen you try to get free drinks from soldiers that haven’t had shore leave in months, and still not be able to seal the deal.”
Mando? Teasing you? That’s new. You scoff at the accusation. “You just left too early. You would have seen where that night went. Try loosening up a little sometimes.”
Another silence. Then he swivels away from you, back to his perfect posture. “No thanks.”
“What are you jealous?”
The stack of armor in the pilot’s seat gives you no reaction at all.
You exhale loudly. “You know, I always thought you must have had some other kind of life to go back to, the way you drop those pucks off with Karga and never stick around.” You glance down the ladder at the empty cargo hatch, thinking of the junky little cot you saw crammed into a closet down there. “But you really live like this? Nothing but work for you, huh. Is that what it takes to be the best hunter in the sector?”
His helmet moves a fraction in your direction. “At least you can admit it.”
Your face gets hot. You did not mean to give that to him. “Some people say that about you.” You cross your arms, trying to get more comfortable by throwing your feet up on the control panel to his left.
He rolls his neck, beskar facing pointedly at your feet until you huff and move them.
Your frustration cracks into all-out mockery. “Ooh,” you blurt out in a sing-song voice, “I’m Mando, when I’m not hunting I sit perfectly straight and stare into space; my capture rate is near-perfect because I never sleep and guns are my religion.”
His helmet tilts above his metal-encased shoulder, dangerously close to actually looking at you again. “If you’re going to keep running your mouth like that, I can think of a few ways to make you shut up.”
It takes you a moment to recover from the rush that shoots through your body, a confusing mix of adrenaline and frank arousal as he speaks to you with the tone he usually reserves for quarries. Then you bark out a laugh. “Mando! Did you just make a dirty joke?”
Slowly he swivels the chair toward you, until he’s facing you squarely with his legs spread and fists on his knees. “I suppose you could take it that way.”
And then he just sits there, staring at you, as you decide which way to take it. Was he trying to say he hadn’t meant it as a come-on? That you’re the only one here with a dirty mind, that immediately imagined him shoving his cock down your throat? Fuck. Or does he want you to take it that way, to climb into his lap and sit your ass down on the battered metal plate covering his thigh…
You have to shake your head a little to make the thoughts stop. That is so not what he means. “You’re just mad that we make a great team,” you say, standing up and grinning, trying a new tactic. “That after almost bungling the hunt today,” the helmet cocks sharply at that accusation, “you realize that you need me. I’ve got skills you can’t even come close to.”
It’s hard to determine what sound comes out of his modulator, but you think it’s a snort. “What are you talking about.”
“My aforementioned people skills, for a start. Don’t forget I was the one that took in that warlord on Strigoth by getting him to follow me out to the edge of town without any of his guards. Not everything has to be a shootout. And I knew the quarry today was going to run before you did.”
Mando crosses his arms over his chestplate. “Keep telling yourself that. I’m still not raising your percentage.”
“I can hack any security system since the final Imperial update release, which is most of them in the Rim, and on top of all that”—you swing your left hand in like you’re going to slap him upside the helmet, and when he lifts his arm to block, you smack him over the ear with your right—“I’m faster than you.”
You jump back instantly, not sure how he’s going to react. His body tenses up into a fighter’s crouch, starting to come up out of the chair toward you. Then he sits back down, body language deliberately relaxing. He adjusts his helmet with one hand. “You’re a child.”
“I call it playful,” you shoot back, the adrenaline rush of what you just did almost making you giggle. “Another asset you seem to be lacking.”
He only shrugs in response, then swivels back to facing the oncoming stars.
He’s given you an opening that’s impossible to resist. As soon as his back is turned you swing your open hand forward. He’s ready for it, which you basically expected, and he knocks your arm away before you can make contact with his helmet this time. And ouch, that gauntlet of his jars your forearm all the way to the bone. You make a frustrated little noise. “Well, if you want to stick to business, we still have to talk about the final terms of the split. We can go back to 55-45, if you admit that today I had the superior skills.”
“With you taking the forty-five?”
“Hell no.”
He pauses, and you think he’s about to say something mature and reasonable, like he always does. Instead, he comes back with a very calmly-worded: “I could put you out the airlock right now.”
You swear there’s a wry little tone to that modulated voice. “You’d have to catch me first”—you slap the bucket on his head again—“and we’ve already determined I’m faster than you.”
“Stop that,” he growls, finally standing up. His cloak swirls dramatically and you try to suppress the primal feelings that make you a little weak in the knees when he comes up to his full height in such close quarters.
“Make me.” The words are out of your mouth before you can decide if they’re really such a good idea.
The Mandalorian’s helmet tilts. Now it’s his turn to try and work out what you may or may not be implying. When he finally speaks, there’s a new tone in his voice, one that catches something deep in your belly and drags. “You think you can take me?”
…Can you? You may be as good a Hunter as he is, but you couldn’t say unarmed combat is one of your strong suits. And you don’t even want to think about how much he out-weighs you, especially with all that armor on. But how can you possibly eat your pride and back down after you’ve provoked this?
You look around the tiny space of the Razor Crest’s cockpit. Mando’s helmet stays squarely aimed at your face.
“A lot of expensive equipment in here,” you say casually. “Wouldn’t want to damage anything throwing down right now.”
“Mm-hmm.” His skeptical hum makes the modulator crackle. Did he just lean in closer?
At this point the sexual tension is thrumming like a mis-firing engine in the space between you. If he had a face you could read, a mouth you could tilt your face up and kiss, you’d know what to do, but this? Even your renowned ‘people skills’ are failing you now.
You look away from the impassive, dark lens that covers his eyes, and that’s when he retaliates. One heavy gloved hand whips around your side and thuds a stinging strike right into your ass. The impact knocks you forward, almost into his chest, but you stop yourself before your hands touch his breastplate.
You suck in a breath and freeze, wide eyes drawn like a magnet back to that beskar face. Mando just spanked you. Hard. Mando… just… The pain ignites an arousal so sudden and strong that you’re worried you’re about to start trembling. It would absolutely kill your reputation if any Hunter found out that your sexual tastes ran submissive, that a deep secret part of you wanted nothing but to be overpowered and forced, to be used by someone stronger than you, better than you…
You can’t think of anything to do but flee. “I… uh…” His helmet tilts again, watching your face closely as you stutter. “Yeah, I guess I was being a little too childish. I’ll stop…stop trying to make you lighten up.” Your eyes slide away from his helmet’s eye slit, unable to handle even the imagined eye contact. “I’ll leave you alone to do whatever it is you do up here. Meditate. I’m gonna go down and…” you make for the ladder to the cargo hold, “and clean my blaster.”
He just watches you go. You can still feel the impact of his hand on your ass, with every movement of your leg as you climb down the rungs of the ladder. Fuck, it’s making your pussy tingle just a badly, too. Your head has just dropped below the hatch when Mando’s modulated voice follows you down with a suggestion that sounds suspiciously like a command. “Why don’t you clean mine, too.”
You feel your face and chest getting hot as soon as you get down to the relative privacy of the ship’s lower level. If you were trying to maintain control of the conversation, you’d say something sassy back to that, not let him win an inch of dominance, but you’re not in control anymore, are you? Not of yourself, not of whatever this is that’s going on between you. And it’s so dangerous. How would you keep his respect, if your top competitor in the Guild knew this about you, what you wanted him to do to you…
Mando’s weapon rack is set into the wall across from the ladder. Certainly there’s cleaning supplies stashed somewhere in that section, but you’re too shaky to get right to work. Instead, you walk down along the racks of carbonite, idly inspecting his cargo as you try and pull yourself together.
Four of the racks are currently occupied; the Mandalorian has been busy. Each one is tagged with a bounty’s chain code. You recognize two of them from Karga’s list. Quarries that you had passed on, that seemed too difficult to be worth their price. Bastard was about to show you up again when he unloaded these trophies.
You take a deep breath when you reach the end of the line. Your ass still tingles in the most tantalizing way, but you grit your teeth and tell yourself to ignore it. Maybe if you just stay down here, avoid your traveling companion until the ship reaches Nevarro, everything else will go just fine. No more bruises to your pride, no dirty secrets revealed. Yeah. That’s smart.
You turn and Mando is just there, boxing you in between the racks of carbonite carriers. How can a guy covered with so much metal be this stealthy? You try not to let shock show on your face; which only means you end up freezing like a prey animal.
“You liked that.” He makes the accusation solidly, with the weight of heavy interest bearing down behind it.
“What are you talking about.” You know, but you don’t want to answer for the heat that surely showed in your face when Mando spanked you. You try to wiggle past him, but he doesn’t acknowledge your intent, makes no move to make way for you.
“You know.” He’s just staring down at you.
You twitch in irritation and decide if he’s ignoring personal space, so can you. Your chest and thigh slide against solid armor as you force your body through the gap between him and the carbonite. “Get out of my way.”
His helmet is the only thing that moves, tracking your labored progression. “Make me.” He echoes your earlier challenge with an amused little tone.
“Fine.” You use your entire body weight to slam him into the rack on the other side. But he recovers too quickly; when you try to step away, into the center of the ship’s hold, he gets an arm around your chest.
As if your adrenaline wasn’t spiking already; now your combat reflexes kick in and you pull him in tighter, squatting low and grabbing that arm for leverage. With a quick burst of effort from your legs, you flip him over your shoulder.
You follow him down, taking advantage of the way a fall inside all that metal has to stun him, and climb on top of his body. “Fifty-five percent.” You also attempt to change the subject.
He reaches up and it’s a struggle to control his arms. He’s kriffing strong, and you’ve already taken off your combat equipment with the hidden tricks you usually use to deal with opponents that are bigger than you. He twists underneath you, in some way that you don’t expect, and with a rough shove and a brief crushing sensation along one leg you find yourself flat on the deck beneath him. “Are you really going to pretend you don’t like this?” his modulator purrs down at you.
Subject not changed. Every one of your nerve endings is in high gear now, and there’s a powerful urge inside you that wants to mewl and spread your legs apart for him right here, like a bitch in heat acknowledging the alpha male. You push the image back with a growl between your teeth, and use your thighs only to try and throw him off you.
Mando responds to your offensive by smothering you back down with his hips. Something solid crushes into the apex of your thighs, and you remember his armor does not have a codpiece.
A feral little moan escapes past your lips. Mando stops, lifting up just a little off your body and cocking his helmet to the side where it hovers only a hand’s breadth above your face. “What was that?” he asks, voice pleased.
And just like that, the whole game has changed. You were so worried he was trying to embarrass you, get one over on you. But if he likes it like this too… You reach your hand down boldly and throw his question back at him. “What’s this?” you ask as your palm makes contact with a delightfully solid bulge straining against the thick fabric of his pants.
A deep rumble purrs out of his modulator. “If you can manage to behave, maybe you’ll find out.”
How does he know exactly what to say to make you squirm? Your body floods with heat as you inwardly flail around to find a non-submissive answer. “And what happens if I don’t behave?”
“Then, maybe things get really interesting.”
Oh. Fuck. Now there’s an option. Maybe you don’t even have to submit to get the kind of tumble you want from him. You bare your teeth in a ferocious, challenging grin, and take advantage of the way he’s pulled his weight back to twist out from under him, knocking his helmet one more time with your elbow as you go.
You scramble across the deck out from under him, but a heavy hand catches your belt before you can get very far. You kick but Mando’s already inside your reach; your heel glances off his armor without even slowing him down.
He tugs on your belt, harshly, and climbs over the backs of your legs to force you down. “Where do you you think you’re going?” His voice is tight with the effort of getting himself positioned on top of you, squishing your belly into the deck.
“Mmf” is the sound you make in response, because now he’s pressing a forearm into your back and putting most of his weight on it.
“Hold still.” You give him a little token resistance, but mostly you let him get settled how he wants, holding you down to the floor evenly with the left side of his body. Leaving his right hand free. “So. What happens when you don’t behave.”
He spanks you, solid and centered and sharp.
You expected it just enough to hold your breath, and make sure you don’t cry out. You may be face-down on the floor under the Mandalorian, but you still have your pride. The first smack is followed by two more, and he grunts when you still don’t make a noise.
Heavy fingers smooth over the sting in your flesh. His hand feels amazing as it covers the swell of your ass, a slow, deliberate drag that feels warmer than it ought to and much more soothing than you expected.
“What’s it going to be, Y/N?” he asks. When you don’t answer fast enough for him, he swats at your other cheek, lazy and powerful.
Maybe he got a little noise out of you with that last one; it’s just too hard to stay quiet and not flinch both at the same time under the strength of that arm.
His helmet comes closer down to your face. “It’s okay to let go.” He speaks with such confidence, such seductive calm. “I can tell you want to submit. You don’t have to keep fighting it.” He shifts on top of you. “Though I do like it when you struggle.”
Your body rolls enticingly underneath him, without your brain’s permission. “Don’t you dare tell anyone you got me like this.”
“Of course not.” His answer is immediate. You remember how he’s always been an honorable man, that part of his reputation impeccable. Perhaps you really can trust him with this side of you. He sticks to the Code, he honors his promises, and lives by the Way of the Mandalore.
That last one begs a certain question, of course. “I wasn’t sure that Mandalorians could even have sex.”
A throaty noise makes the modulator crackle. “We have our ways.” A pause. “Is that what you want?”
You lift your head a little higher. He doesn’t give you much freedom, but he shifts just enough to help you feel comfortable breathing again. “If that’s what you’re offering, yeah, I wouldn’t be opposed to things ending up there.”
His hand gropes over your ass, fingers diving to tease more sensitive flesh between your legs. “After we… resolve a few things.” He grips tightly, almost cruelly. You agree in a sound that comes out much more high-pitched than you intended as he palms your ass and kneads it boldly. “Like whether you’re ready to start behaving like a good girl now.”
You still can’t bring yourself to just say yes, as hot as his words are making you. But you curl into his hand, just a little. To encourage him.
He growls something in a language you don’t know. It sounds like a curse and his weight is pressed down on you again as he scrambles with your belt, loosening your pants just enough to shove everything off the curve of your hips, baring you to mid-thigh in the ship’s cool air. When he spanks you now it’s sharper, the sting lighting up your tender flesh under every open-palmed strike that just keeps coming and coming. “Rubbing your ass on me does not count as an answer.” Smack. “I want to hear you say it.” Smack. “That you submit.” Smack. “That your ass is mine tonight.” A few involuntary cries squeeze out of your throat before he relents and rubs you again, the leather of his glove singing over your overstimulated skin.
You slow your panting breaths before you speak up, endeavoring to match his even tone. “Maybe I’ll play along for a little while.” You twist further, until you can stare up into his silver mask. “What do you want me to do?”
He pulls back, sitting up on his hip. From the angle of his helmet you’d guess that your answer does not really count as the submission he was looking for. Nor did you mean it to be. Someone’s gonna top you, they’ve got to earn it. Even if they are already, physically, on top of you. His moment of thought ends. “Take off your clothes.”
His hand squeezes at your ass one more time as you shift, like he’s loathe to let go while you comply with his command. You make as quick of work with your boots as you can, then push your bottoms off after them. Mando’s sitting beside you, leaning up against a large cargo crate, helmet fixed on your slowly-revealed body.
You’re so self-conscious that your skin feels like it could be glowing, as you bare it for him inch by inch. There’s nothing to read in that cold helmet, but its angle never wavers, riveted on you.
Once you’ve gotten yourself completely naked, he beckons you to come to him with two curling fingers. It’s amazingly erotic to move toward him with nothing on, while every inch of the Mandalorian warrior is still covered in battle-scarred plates.
He reaches out, palm up for your hand. You place your hand in his and he draws you in, until you’re kneeling right beside him. His fingers trail up your arms, over your shoulders, coaxing you closer. His touch is lighter than you expected. But you can hear him breathing through the mask. He’s struggling to stay this calm. To savor this.
His helmet tips down as his fingers knead harder; he watches himself press and squeeze the flesh of your shoulders, your neck, your jaw. The modulator translates another buzzing hum. Does it fascinate him, to see so much bare and vulnerable skin, when he can show none?
You feel your nipples tighten, a silent craving for contact. This feels good, but you want so much more. You look right into his eye slit. “I won’t break,” you say, twisting yourself tighter into the grip of his hands.
The Mandalorian growls and rises up to his knees, helmet filling your vision as he presses himself close and rakes his fingers down your back. He’s looking down at your panting chest and squeezing your ribs, watching the way your pristine tits are so close to brushing against his dirty metal chestplate. He clutches you in, pressing your belly against his, betraying a desire for closeness that he just can’t achieve.
Your hands come up to his shoulders, burrowing through the cowl wrapped around his collar, trying to make contact. Your fingers curl up the column of his neck, where the thinner fabric lets you feel a hint of his body heat. He stiffens when you come close to the bottom of his helmet.
“Leave it,” he snarls, just as you’re telling him “Don’t worry, I wasn’t—"
He scoops you up tightly and sets you on top of the cargo crate he had been leaning against. Your legs open and wrap around him of their own volition as he presses between them. You cross your ankles underneath his cloak, locking his body in close. You let your hands rest on his shoulders, just inside the pauldrons, but don’t attempt to slide under anything again.
Leather-clad fingers rake up your ribs, dragging up the sides of your body before they close over your breasts. Finally. You arc into him and let your eyes close, feeling the texture of his gloves across sensitive skin, the hungry twisting and tugging against your nipples.
“Open your eyes,” he demands, voice breathy with as much arousal as you’re feeling. “I want you to look at me, keep looking at me, let me see…”
He trails off, but you can guess what he means. Let him see what it feels like to be touched. You tip your chin down and lock your eyes on that T-shaped window in his helmet. His fingers pinch around both your nipples at once and your jaw drops. He tickles around the edges, then grabs up the full swell of your tits and squeezes. Your eyes try to flutter shut; it’s already hard to remember his instruction.
He settles into an entirely delicious rhythm, kneading your peaks, watching every crease of your brow, reading every gasp and twitch of your lip so that he can tweak at your nipples just right, until the pleasure is almost unbearable. You don’t even realize your eyes have fallen closed until his hand disappears from one of your tits and slaps at your cheek.
It’s not hard, just a slight sting, the corrective swat of a playful alpha. “Eyes,” he reminds you, then goes right back to his blissful torture.
Your core is warming almost unbearably. Every tug at your nipples is drawing a tingling line of pleasure right down between your thighs, taking the heat that had already awoken there during your spanking and fanning the flames, until the need for more is almost unbearable. “Mando,” you moan, tilting your hips forward on the crate, “please…”
A pleased little sound comes out of the modulator. “Please what?”
“Urmmm,” you moan at him, twisting your body, trying to scoot your hips a little closer to him. “I need more.”
He responds by pinching your nipples harder, just enough pain to make you gasp and curl. You pout up toward his helmet. “That’s not what I meant.”
“But you like it.” He does it again, and this time you cry out. A stabbing ache deep between your legs reminds you you’re still not getting what you want.
Fingers tickle down your belly, brushing across your inner thighs. Then they slide around behind and pinch you hard on the ass. You wail in frustration.
Mando tips his helmet closer to your face. “Tell me again how I don’t know how to be playful.”
“Fuck!” you cry through gritted teeth.
“Fuck what?”
Your hands scramble down his armored chest, aiming for his belt to just reach down and show him what you want.
“Uh uh.” He grabs your wrists before you can do more than pop the buckle on his utility belt. “Hands stay on my shoulders.”
You immediately comply, too far gone now to be contradictory. “Fuck me, Mando.”
“Oh yeah?” He straightens up a little, his posture cocky as he stands there wrapped in your naked legs. “You ready to say it?”
“I’m yours.” You don’t even hesitate. “Do whatever you want with me.”
He takes his belt the rest of the way off with one hand, lets it drop to the floor. The other hand is busy squeezing your ass, then traveling around your hip. He pushes your legs open a little wider, then his thumbs come running down your inner thighs, pulling at your labia, spreading you even more. You lean back, curling your hips up, to give him a better view.
His breath hisses out from under the helmet. “You want me to fuck this little pussy?”
“Yes,” you moan, as his thumbs stroke up and down, just around its edges.
He pulls you open wider. “You ready to be a good girl, and do exactly as I say?”
“Fuck, yes.”
“Exactly,” he repeats, and a ghost of a chill runs down your spine in the midst of all this heat. He takes one of your hands from his shoulder, and turns it palm up near your mouth. “Spit.”
The thumb of his other hand is still sliding up and down next to your opening, not touching your wetness. You appreciate that he’s not about to let his dirty gloves make things unsanitary. You gather up saliva to the front of your mouth and carefully coat your first two fingers.
Mando keeps his grip on your wrist, and pushes your hand down to your entrance as soon as he’s done watching your lips and tongue work over your own fingers.
You smooth the spit over your slit, Mando’s grip still guiding you, making sure you do a thorough job lubricating yourself. His other thumb creeps down over your clit, rocking across it carefully, steadily, his helmet angling back up to watch your face.
It’s a struggle to keep your eyes open against the pleasure of that pressure, finally right where you need it. But you remember his rule. You keep your gaze locked on the beskar as your own fingers find a rhythm underneath his, the gloved hand locked around your wrist urging you to press into yourself deeper, faster, in coordination with his rolling thumb. You find yourself clutching at the back of his neck just to keep your balance as the needy pleasure explodes. “That’s it,” his voice soothes over the modulator, “get yourself ready for me.”
You’re doing more than getting ready. Even just this much touch from him is sending you straight toward a spiraling orgasm, now that all the wild pleasure built up by every slap and struggle and pinch finally has somewhere to go.
He sees it coming, the way your eyelids go tight at the effort to keep them open and looking at him. “Don’t,” he warns. “Save it.”
He stops moving his thumb, though he doesn’t release its pressure. He swirls your hand inside of yourself one last time before drawing it out, then setting it back onto his shoulder in line with the other one.
You can’t help but roll your hips against his thumb while Mando starts loosening his own clothing. You want to call him cruel when he removes that hand too, bringing it up to caress your neck, but you have no ability to talk back anymore. Especially when his fingers curl up underneath your jaw. “Now. The most important thing.” You can feel him pulling himself out of his pants, though he’s brought his body in closer and you can’t see that far with your head tilted up in his hand like this. “Don’t look down.” His fingers squeeze tighter around your jaw, the heel of his hand pressing into the top of your throat. “If you look, I’ll have to kill you.”
He could be exaggerating, just to make this hotter for you, more intense, but you remember what he said to some over-curious bitch at Karga’s tavern once. No living thing has seen me without my helmet. Apparently The Way is preserved if violators quickly become only the formerly living.
“Yes,” you say quickly, voicebox buzzing against his wrist, words mumbling together against the unrelenting pressure in his fingers, “I understand.”
A few more quick movements down where you can’t see, and then you feel something warm and thick pressing up against your core. You both moan together as he slides his head up and down your slick folds, only fumbling a little before he finds his aim. Fuck. This is what you’ve been craving. You brace yourself against the cargo crate as best you can, squeezing your legs around him to invite him in.
You think you're ready to take him, but you're not. He crushes in bigger and wider than you’re used to, and you wail up into that impassive beskar face and try in vain to remember how to relax and take a dick like this one.
His breath is catching in little straining grunts; apparently this is pretty overwhelming for him, too. When he’s halfway in he removes his guiding hand from his own shaft and returns his thumb to your clit; that helps. The more familiar pleasure of his pressure helps melt your walls into the stretch of him. “You’re so. Fucking. Tight.” His hand never wavers on your jaw as he starts to pump, in and out, getting a little bit deeper into you with every thrust, groaning a little louder with every inch he gains.
Fuck. This position has every muscle in your body straining, which is probably why it’s so hard for him to fit in, but you don’t even care because the intensity of it is everything that you’ve been craving. “Fuck—” he adjusts his grip just a fraction, so you can talk a little easier, “fuck me just how you want, Mando, I can take it.”
He groans and takes his thumb off your clit, bringing that big hand around to grab onto your hip and brace you for a wilder pace. You only bemoan the loss of his thumb for a second, because the new angle slides his cock against a wicked spot deeper inside you.
“Ahh!” you wail, and wrap your arms tighter around his neck, needing him to hold you up as he fucks up into you at an angle that destroys the precarious balance you had been maintaining on the edge of this cargo crate. His controlling grip on your neck is choking you just a little, a sensation so erotic that you can feel your impending orgasm sizzle and tighten all around his cock the more you focus on it. “Mando, I—Can I?” you pant, your face so close that your breath is fogging up the beskar.
“Yes, fucking come for me,” he orders, then presses into you harder, his grip momentarily cutting off your airway completely. A second later your orgasm hits you like a ton of bricks, spasming every muscle in your core, your thighs, in your silent, breathless chest, and Mando just keeps fucking you through it all.
As soon as the heel of his hand slides off your throat you’re screaming through your teeth, the sound bouncing along with his thrusts. His pace is relentless until your orgasm finally peaks, and the stiffness of your body starts to melt against him. You realize that you’ve wrapped your arms fully around his helmet, getting as close as his controlling grip on your jaw would allow.
His pace slows, but it does not stop. From the aching deep inside your belly, you know that he’s still fully hard, just giving you a brief moment to recover yourself.
You sigh into the side of his head, a long, lovely sound. Your body shivers with aftershocks around his solid shaft, keeping your pleasure brimming, not letting it fade. That hand controlling your jaw pushes you back, gently, until he can see your face again.
His grip spasms on your ass. He must like what he sees. “Close your eyes.” You do, and he starts to pull away. “Keep them closed. I’m turning you over.”
You unlock your ankles from behind his back as he draws his length out of your body, both of you gasping and shuddering as he withdraws. Your legs come down to the ground rather stiffly, and you’re glad of the way he manhandles you along, until you’re bending over the crate with your thighs pressed into its edge. You’re not sure your legs would have held you up without his help.
Mando wastes no time lining his cock back up again. You hold onto the edges of the cargo crate as he presses in eagerly. A gasp rips from your throat as your head lifts up in an involuntary bend of your back; this position lets him drive in deeper, forcing you to adjust to his size all over again.
A split second after your head comes up, Mando’s fingers squeeze through your hair at the base of your skull, using that grip to hold you steady and facing forward. You really weren’t trying to turn and look, but you suppose he can’t risk it. He keeps control of your head, pulling your hair a little in time to his thrusts, as he groans out a deep, pleasured sound. You give voice to how you’re feeling, too, letting little sobbing moans spill out in time to his insistent thrusts. He can’t see your face anymore, and you barely have the leverage to move your hips against him, so this is the only way to keep the connection.
“Oh, keep making those sounds,” Mando pants, then the modulator keeps crackling with more of his soft grunts as he plumbs your depths. “You take me so good.” When he flattens his hips against your ass it definitely hurts; he’s reached the end of you, and is trying to stretch past it, deep inside. But even that pain is erotic; you wail and submit under his praise and his smothering need.
His grunts and his thrusts both start coming faster, and just as you fear that you’re hitting your limit, that you can’t take any more, some new dimension of release and submission open up inside you, and all that suffering transforms into a pleasure so fierce that your walls are clenching and your mind is wiped by an orgasm that turns the rest of your body to jelly.
When your mind clears you find your cheek flush to the surface of the cargo crate. Mando’s hand is pressing it there, with his fingers wrapped across your eyes, and he’s groaning through his teeth as he smashes himself as deep into your body as he can get. He shudders and bucks, roaring through his orgasm, the modulator translating the sound with an almost musical edge.
When he’s done he sags partially on top of you, his belly resting on your hips while his arms keep his chestplate from digging into your back. His cock is keeping you plugged, a thick presence that makes you feel stretched even when it’s going soft. One of his hands is still resting over your eyes, but all the tension has gone out of it. You wonder if he’d feel the flicker of your eyelashes against his glove if your lids accidentally parted. You keep them closed.
He hums, fingertips running softly up your back. You wonder if he’s looking down, admiring your bare skin once again. Your entire body is thrumming, the satisfaction spreading to every muscle fiber. You know things will feel awkward soon, but for now you really don’t want to move.
Eventually Mando pulls himself gently out of you. A spurt of warm liquid follows, running thickly down your leg. Fuck, how backed up was he?
“Don’t move,” he warns, lifting his body up off of yours.
You give him a contented little murmur and stay perfectly relaxed. “Eyes still shut,” you reassure him. You’re not even annoyed at the lack of trust these constant reminders might convey. This is something he has to control strictly. Certainly it’s a great privilege that he even took the risk with you. You listen to his footsteps retreat and return, as you lay draped over the cargo crate and enjoy the bliss that is only just beginning to fade.
“You can open them now,” he says softly once he’s standing over you again. One hand slides over your ass, pausing at a spot that feels surprisingly sensitive. “I’ve given you a welt or two here.”
“Souvenir,” you grin up at him, twisting your spine while keeping your hips relaxed under his hand. “Thanks.”
Mando nods his helmet back at you. He’s got a cloth in his other hand, dampened from the fresher, and he wipes up the mess he’s left between your legs with careful, steady dabs. “I should be the one thanking you,” he says softly, maybe even a little awkwardly. “That was…”
“Overdue?” you quip, as he’s wiping all the way down to your ankle to clean up the enormous load he had for you.
“Maybe just a little.” He steps away to trade the towel for a thin, precisely-folded blanket, which he shakes out and spreads over you. You stand up in his arms as he does, guiding him to wrap it around your shoulders. You hold it tight and lean in toward him for a snug embrace. The blanket makes pressing your bare body against his armored plating much more comfortable. “Come here,” he mutters, and draws you to sit on the floor with him, leaning up against the cargo crate and each other. Even the afterglow of wild sex with the Mandalorian doesn’t make his spare ship any less uncomfortable, but you focus on the way his arm holds you tucked in tight against his body, the way you can feel him breathing against your ribs.
“That was good,” you breathe.
“Yeah.”
You lean your head tentatively against his shoulder, wondering how much intimacy he’s going to allow now. His arm shifts, helping you get more comfortable, and his thumb is dragging back and forth, idly, along the top of your thigh.
There’s one question you have to ask.
“Would you really have had to kill me, if I looked?”
He holds his breath for a moment, then lets it blow out with a soft glottal sound. “Most Mandalorians would. But honestly? To me, that wouldn’t have made a difference. Even if you didn’t live to tell the tale, my honor would still be smirched. I’d know I’d failed a central tenet, and from every day after I’d be living a lie.”
Your brow creases, and you turn to look up at him even though you can’t read his face. That was kriffing serious. “So it’s not just about the helmet.”
His beskar mask nods. “Not the way I was raised.”
You turn your gaze away, idly looking across the cargo bay. “Wow.” You’d never seen him not covered head to toe, and you never would.
“But I think…” he trails off as his hands burrow under your blanket, coming around to meet each other in front of your belly and fumbling with something. “I think this is acceptable.” His hand finds one of yours, and air rushes into your chest in a silent, measured gasp as you realize the fingers winding between yours are his, warm skin, completely bared to the wrist.
You sit together in silence for a long time, feeling the twin pulses of living palms pressed together, the small twitches of muscle and the sparkle of nerve endings when a finger softly strokes across the back of a hand. The more you imagine how much this must mean to him, the more it means to you, until your head is spinning and you can barely handle the intimacy of the kind of touch you’ve always taken simply for granted.
You’re afraid to ask what this means. This whole encounter was so unplanned; you don’t even know what you want from the Mandalorian, much less what he wants from you. Is he doing this just because of the afterglow rush of soft hormones, or does he think you and he could be something more?
And when you feel awkward, you talk. People skills, remember? You squeeze his hand and restart an old conversation. “Told you we make a good team.”
He grunts.
Maybe you should just shut up and enjoy the cuddle. But his non-answer does not help your racing mind to still. The urge to tease him starts taking over again. “You know, we’re still not done negotiating that split.”
Mando groans softly. “The only split I want to think about is how far I can split open your legs.”
A new thrill runs up your spine, but you stay on track with only a small giggle escaping your throat. “How about we round it back up to sixty percent for me, and as soon as that big dick can get hard again, I’ll throw on a blindfold and give you the best head you ever had in your life.”
Mando’s fingers card through yours, and his other hand comes up to play with your hair. “Tempting.” There’s a rumble deep in his throat that makes your aching cunt tighten. “But let’s just call it 50-50, and we can fuck all the way to Nevarro.”
Part Two here
My Mando Smut Masterlist
Taglist: @mabelleen​ @lokiaddicted​ @aethersghoulette​ @nolivingthingdroid​ @pinkmoontribe-blog​ @baar-ur​ @otherthingsinhead​ @biolo-tea @greendragonzz @aesikupills​ @of-narwhals-and-ink​ @doubtedbus409​ @kittyatemytaco​ @wish-i-was-a-mermaid @space-princesssss @okilover02 @debonaire-princess @myfruitgummies  @pinstripeninja13 @taman-a @mandowhoreian @cptnbvcks​ @funmadnessandbadassvikings @soapjay @otherthingsinhead @onebatch--twobatch @lilwickedred @mabelleen @stardancerluv @naiomiwinchester @equalstrashflavoredtrash @laketaj24 @themaskismyface @pascallorian​ @shadowfoxey​ @thatkidofwarandpeace​ @pokeasleepingsmaug​ @anniemar​
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ananicoleta · 3 years
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I’ll Always Be Here
Summary: Penelope makes a last second decision that she does not want to be in Space Jam 2 without Pepe, and she quickly goes home to comfort him.
Hello, everyone! I’m back with a new fic about Space Jam 2, this time focusing on Pepe and Penelope. This fic was inspired from and ask, submitted by anonymus on @thebrownssociety 's account. They said they didn't want to write it, however, so I did instead (with their permission of course).
Disclaimer: I do not own any of these characters. They all belong to Warner Bros.
Enjoy!
“Ms. Le Pew, filming starts in ten!” The voice of a staff member reached Penelope’s ears, muffled by the door of her changing room.
“I’ll be there in a minute!” She called back. Then, there was the sound of footsteps walking away, meaning that she was all alone again.
Penelope sighed and looked at the scrip in her hands. She had tried memorizing the lines all morning, but with no result. Her brain just couldn’t process the text, the words danced in front of her eyes and the letters all became hieroglyphs with no meaning. No matter how much she tried to concentrate, her mind always drifted away, far from the Warner Bros. lot, far from the film set and the film itself, traveling all the way back to her home, where she knew there was her husband, alone.
It was so unfair. 
Pepe didn’t deserve all the hate and backlash he had gotten. Her beloved had done nothing wrong ever! All those people that claimed Pepe was encouraging a deviant behaviour had no idea what they were talking about. They didn’t know him, so why were they speaking like that?! Her Pepe, was the kindest, most romantic and gentle soul she had ever met. He would never hurt a fly, let alone do those kind of things.
But people didn’t seem to understand. No matter how many times Pepe and the other Looney Tunes tried to clarify this misunderstanding, how many times they told people those were just cartoons and they were just actors, how many times she tried to explain she had not been assaulted, their narrow minds just couldn’t comprehend it. In the end, the descision to remove Pepe from the movie and from the future Looney Tunes productions was made and, despite all the protests, no one had been able to do anything.
Those news had terribly depressed Pepe. Every single one of them knew how much the skunk liked acting and how fond he was of cartoons, so naturally, the whole situation was like a punch in the gut. He isolated himself from the rest of the world, which deeply worried both her and the rest of their family. At least Speedy, who knew better than any of them what it felt like to go through all that, had tried to cheer him up and comfort him, and to some extent, he succeded. Everytime Speedy talked to Pepe, he always felt better afterwards and acted a bit more like his usual self.
Still, concern always seemed to pull on Penelope’s heart strings, now more than ever, considering Pepe was all by himself at home, feeling lonely and depressed that he couldn’t be with them and do what he loved. And oh, how she wanted him to be near her right now! She wanted to hold his hand, as they walked on the film set, she wanted to hear him whisper romantic things in her ear, and then scold him because “it’s nor the time nor the place!”, but both of them knowing she liked it a lot. She wanted him to make her laugh and smile and fill her stomach with butterflies. She wanted...
Suddenly, she noticed a wet spot on her page and wondered what could that be. Then she noticed another. And another. Bringing her hand towards her face she realized that her fur was wet. She was crying.
Tossing the script aside, she buried her face in her hands and cried, and cried, and cried, letting all of her frustration out.
Knock, knock
Penelope jumped. “Who is it?”
“Sorry to bother you, Ms. Le Pew, but filming is starting now.”
“Yeah, s-sure, I’ll be out immediately.” She said, trying not to sound disstressed.
She got up and checked her reflection, making sure there were no clues that she had cried, then exited her trailer and marched towards the set, desperately whishing that Pepe was by her side.
XXXXXXXXXXXXX
“Ms. Le Pew, are you even listening?” 
That sentence snapped Penelope out of her thoughts. She quickly realized that no, she had not been listening. Instead, she kept galncing at the empty spot, where Pepe should have been...
“I am sorry, Mr. Lee.” She apologised. “Please, continue.”
So, the man went on about how he wanted that specific scene acted and all that blah, blah, blah that Penelope, again, did not, could not, listen too. What was Pepe doing right then, as her and the others were filming? Was he feeling lonely or had he found something entertaining to do? At least that was what he had promised her that morning. I promise you, ma cherie, I will be fine. 
Those were his exact words. But the question was, did he mean them? Or they were just pretty lies, meant to chase away all her worries? Knowing how much Pepe loved her, she wouldn’t put it past him to hide his sadness just so she could have a good time...
Finally, Mr. Lee finished his rant and they were ready to film.
It should have excited Penelope. Ever since the first Space Jam released, she had dreamed of filming a sequel. Back then it seemed so exciting and fun to relive all that. Now, however, it was different. Suddenly, she realized that she didn't want to film at all.
“Okay, people, places!”
Just then, a thought blossomed in her mind. What if...? But no, she couldn’t do that. People were counting on her. She couldn’t possibly... Or could she? Truth was she didn’t play a big part and did not have that many lines, so it wouldn’t really be a problem if she left... would it? 
She looked around frantically. She had very little time to make a decision and she needed to make it right then!
“Ready! Actio-”
“Wait!” The word had left her mouth before she could even stop them. 
Everyone looked at her.
“Is there a problem, Ms. Le Pew?” Lee asked, confused.
“Yes, it is.” Penelope said. “I do not want to be in this movie anymore.” 
For a moment, silence engulfed the set. Then, the director’s voice rang clear, stuttering and, as Penelope had expected, trying to convince her against it.
“Ms. Le Pew, p-please, reconsider- I mean, you can’t- you can’t possibly-”
“Oh, I can. And I have.” She said confidently, ready to leave.
But Mr. Lee was not finished. Getting up, he marched right after her.
“Ms. Le Pew, why? Why do you want to leave production? Is there something wrong?”
“Yes, there is. My husband is not here and I don’t want to do this without him. Good day Mr. Lee.” And with that, she turned around and left, leaving behind a shocked director and a bunch of rather happy Looney Tunes.
“Guys, can’t you do something?” Mr. Lee said to the rest of the cast. “Convince her to come back?”
“For Warner’s sake, leave her alone, Doc.” Bugs said casually, munching on his carrot. “Even if we tried to convince her to retoin she’d refuse. Besides, we don’t wanna.” The other looneys nodded in agreement. “Now how ‘bout we get back ta filmin’?” The rabbit smiled (a bit) smugly at the director.
Mr. Lee sighed, realizing he had lost the battle, and yelled at everyone to get to their places again.
Meanwhile, Peneople was already out in the parking lot, unlocking her car, desperate to get to her beloved. As she drove back to Toon Town, not for one second did she regret her decision.
XXXXXXXXXXXX
Pepe sat in his armchair, quietly reading.
It had been a long day. A long, boring day. His wife and friends had left in the morning to film Space Jam 2 and he had been alone ever since.
First, he tried taking a walk through Toon Town. Usually, a breath of fresh air, hearing the birds sing, the perfume of flowers and even the sight of other toons, going about their day, cheered Pepe up. It was so normal, so simple, yet he enjoyed it, and it reminded him to be grateful and take pleasure in the smallest things in life.
That day, however, it was different. The cent of flowers didn't smell as good as it did, the song of birds faded into obscurity, mixing with other sound and becoming insignificant, and the mere image of toons hurryig to work, filled him with depression. It reminded him he had no job anymore, no purpouse...
So he had returned home, picked his favorite romance book, Gone With The Wind, and sat down to read. But even that wasn't able to cheer him up.
He had truly lied to Penelope that morning. He was far from being fine. But, what else was he supposed to say? That he was sad and needed her there? How could he?! Penny had wanted to film that movie for so long. He couldn't take that away from her.
Just then, he heard the front door open and shot his head up in alarm. For a split second he thought someone had broken into his house (maybe some backround character thief that would be stupid enough to try to rob a house by walking through the fromt door?)
But, all his fears were cast aside and replaced with confusion when he saw his beautiful wife standing in front of him.
"Penny? What are you doing here?"
"I quit the movie." She said in an unaffected tone.
Pepe jumped on his feet. "Tu as fait quoi?!”
"I already told you. I don't want to film Space Jam 2 anymore." Her voice was, again, emotionless, showing absolutely no regret.
Walking towards her, he cupped her face in his hands. "But why?"
Pepe wasn't stupid. He had a hunch why she would do it. Yet, still he wanted to make doubly sure.
"Because I don't want to be in it, if you are not in it."
There it was.
Pepe sighed and caressed her face. "Ma cherie, don't let me spoil your fun-"
"But you're not! You never spoiled anything for me! Those bastards did when they kicked you out!"
"But you were so excited, Penny. You wanted this, so don't let me get in the way. Please, go back."
"But I don't want to!" Her voice now was hoarse and her eyes were filling with tears. "True, I was excited in the begining, but that changed when you were out. I don't want to do it without you, so don't ever feel guilty or say you are getting in the way. You are never getting in the way. It was my choice to leave, and I regret nothing, got it?" She was basically clinging to him now, gazing into his hazel orbs.
Looking into those beautiful eyes of hers and, seeing her passion, love and sincierity, filled Pepe with a strong emotion. Lifting her chin up a bit, he kissed his wife deeply. Penelope reciprocated this gesture, warping her arms tightly around his neck.
They stayed like that for a while, completely lost in their bliss. When they finally broke apart a few inches, Pepe had tears rolling down on his cheeks.
"Thank you for being here, my angel. Je t'aime beaucoup."
Penelope smiled. "I’ll alway be here, love. Et je t'aime aussi."
THE END
Translations: Ma cheire = my dear 
Tu as fait quoi?! = You did what?!
Je t'aime = I love you
Beaucoup = very much
Et = and
Aussi = as well
Thank you everyone for reading!
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bluefirewrites · 4 years
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Flynn and Luke Headcanon
Okay, let’s just say Luke takes after Charlie in that he’s crazy fluent in French. 
And since Flynn does take French class at school, wouldn’t it be a cool way for them to bond? With Luke helping Flynn with her French?
Maybe Flynn has been taking her role as the band’s manager and marketing team way too seriously during French class that her grades slip? And she has to play catch up on all this material that she totally brushed aside to help the band succeed. 
Hearing her rant about it to Julie, Luke takes it upon himself to help Flynn out. It’s the least he could do after what Flynn has done for him and the band. 
It’s tricky of course because she can’t see them when they’re not performing with Julie, so Luke ropes Julie into his plans and has her learn the keyboard for some French songs so he and Flynn could sing them together to help her practice some new words and phrases. 
It would start off with some songs that Luke learned when he was younger that helped him become fluent in the language. But now, when he’s not writing with Julie, Luke takes a stab at writing some songs in French, specifically using the vocab and grammar that Flynn’s supposed to learn for her exams. 
Sometimes, Flynn would give Luke a break from trying to come up with songs tailored to her, so she offers up a fun movie night for the whole gang instead of their usual study sessions, but makes sure to turn on the French subtitles so it wouldn’t be a total waste. 
They do this so often that soon enough the whole house ends up humming along and accidentally learning French because of Luke and Flynn’s jam sessions and movie nights. 
And wouldn’t it be fun for these two individuals, who both love Julie so much, to be able to bond and communicate with each other? Julie finds it endearing during practice that Luke continues playing just so he could utter some French phrases to Flynn and vice versa. 
Also, they definitely use French to talk about the others behind their back. One time, Flynn said something, tilting her head in Julie’s direction, and it instantly made Luke blush and stutter out a reply... 
Julie realizes this and so she starts teaching Reggie Spanish so they could have their own conversations. And also she knows how much Reggie wants to communicate with her dad in their native tongue one day. 
She’s surprised that the bassist picks it up pretty quickly, although his pronunciation is still a tad bit off. But they’re able to carry on conversations, talk about the others without them knowing, and Julie also teaches Reggie some songs in Spanish, to which he kills it on both the bass and piano. 
Meanwhile, Alex has tried to learn both languages but has deemed himself linguistically inept. 
He does manage to retain the swear words in either language though, much to everyone’s annoyance...
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historyman101 · 3 years
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Fena Pirate Princess Episode 9 Review
After a predictable flashback, the anime remembers it has to move the plot along and gives us an 5-minute infodump at the end of the episode that solves the puzzle. That’s literally ALL you need to know.
Seriously, though, does anyone really know what happened in this episode? Much like Helena when Abel found her dancing, I don’t know, either. So, let’s try to break it down.
Much of the episode concerns fleshing out Abel’s backstory, specifically how he met Fena’s mother, Helena. They grow up together, fall in love, and are torn apart by greater (and unclear) circumstances. As adults, they reunite but with Helena sentenced to be executed by burning at the stake for....what, exactly?
I realize this may sound like nitpicking, but it’s hard for me to really empathize with what’s happening when the anime offers so little in the form of concrete answers. Is Helena accused of witchcraft? Adultery? Being too pretty? Seriously, what is her deal? It’s like the anime just expects us to feel sad for her without putting in the work necessary to make us care about her character or her relationship with Abel. This is a blatant violation of the “show don’t tell” rule, which is the golden rule in storytelling. 
Normally when I watch this anime with my friends I like to make cracks and throw shade a la Rocky Horror Picture Show or The Room. But this was one episode where I was actually struggling to find something to say; it was dry and empty that I couldn’t make a joke. The anime just gives me so little to work with that it’s hard for me to stay invested.
Not only that, but Abel just isn’t a compelling villain. He hasn’t done anything memorable nor does he have an interesting backstory. Sure, he lost the only woman he ever loved, but there needs to be a more compelling motivation to his actions. 
Why do we remember anime villains like Fuhrer King Bradley, Char Aznable, or Vegeta? They were well-fleshed out characters before they were villains. They had charisma. Personality. Commanded presence. Abel has none of that. Everything about his character is just so insubstantial that it’s hard for me to really be moved by his actions. We’re just supposed to accept that he’s the edgelord villain because reasons.
Fuck off. I’m not that easily swayed, anime.
Surprisingly it wasn’t entirely a flashback episode like I initially thought. We do go back to Fena and Yukimaru, who finally remember they need to find Eden and solve the puzzle. I will give the anime props for at least hiding the clues in the song Fena sang at the first episode. It was a nice callback and very clever, and in a better anime, the episode would have ended with them setting sail with new, reinvigorated purpose. Instead, we get hit with a 5-minute long infodump bombarding us with numbers and codes like this is supposed to be National Treasure. I can appreciate the attempt to include the mystery but the way it was jammed in at the end, it makes me think the writers almost forgot to add it. 
On the bright side, we finally see a bit of the Fena we had in episode 1, as she rallies her crew to follow her on to Eden. I can appreciate the effort but that too is undercut in that she hasn’t really put in the work to make that kind of speech to them. What did she do to earn their loyalty? If she had fought alongside them and maybe taken down a couple ships (like I had hoped for this whole anime), then it would be earned. If the anime had been longer and we had more time to bond with Fena and her samurai harem, it would have been a better show.
Well, at least we’re back on track to solving the mystery and finding Eden. Feels like forever since the anime focused on that. Episode 10 has some promise to be good, but at this point, I’m not even trying to set expectations for the show to get better. I just want us to finish up this treasure hunt at last.
Some people may think that I’m taking this too seriously and it’s meant to be a fun romp, but as I’ve said in the past, the “turn your brain off and have fun” argument doesn’t work for me. If anything, it’s a poor excuse to wave away criticism. You don’t have fun without trying. And for most of Fena: Pirate Princess’ run, it hasn’t really been trying. 
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causticsunshine · 3 years
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HEYYY!! since you’re a returning larrie, what are the proofs that made you realize they’re still together still going strong ? (see what I did there lol okay bye sorry 😭)
hello! (and yes i did thank you asjfkdkd) sorry this is going to be a bit of a Journey because my time in the fanbase in the og days was pretty isolating and i was going through some Shit for the latter half sooo it might come as a surprise how things turned around for me!
BUT when i came back last year, i started looking into everything from the very beginning because when i left, i completely left. like, didn’t check up on anything or anyone, was super embittered and unhappy and basically believed all the stuff i thought about harry and louis’ relationship was an illusion. so, i wanted to see if everything really was just something i believed because other people said they did, or there was actually something there.
like i won’t lie, i was already drifting in and out of the fanbase in early 2015 and then babygate took me super off-guard—somehow—and was kinda my last straw? so coming back i was thinking, “okay was i actually delusional for four years, or did i let something that was most definitely a stunt coupled with some feelings of resentment undo everything i believed?” because over the four or so years even as i’d randomly listen to some solo music and the old jams i’d get back to thinking about larry and well, after my re-education and some reading into the post-hiatus stunts? it was definitely the latter.
i guess coming back i was kinda on the fence about them still being together without ever having a hard break though, but only because i was still trying to make sense of the big stunt timelines—at least just for a little while—but it didn’t take long for me to make up my mind like “oh nah these bitches have been in love for a whole ass decade”. really, looking into everything from their music released post-1d hiatus to when they’d both seemingly disappear and then reappear around the same time (like i see you, jamaican holidays, and maybe italy too), anon receipts taken with both a grain of salt and a lot of wishful thinking, collectively told me they were together?
if i had to pick some key moments though, i’d definitely go for:
— harry’s “i fell in love to this song” before performing wmyb on tour and straight up not singing louis’ parts in some 1d songs
— louis back pedaling on his stories about listening to abba with his ‘best friend’ and jamming along to 1d on a drive with the same ‘best friend’....like you cannot expect me to believe when he hastily added in the OH AND ME GIRLFRIEND ELEANOR WAS THERE TOO with the latter that that wasn’t damage control, or that ollie was the one who was the supposed best friend in these contexts
— b-stage my beloved....i think about harry looking up in the stands with that special smile and blowing kisses and i know we don’t see him all the time or wholly know him like a friend but i have never seen him give anyone that kind of look before except for louis :’)
— “‘i went to amsterdam without you’ is about going to amsterdam with me girlfriend.....” bro why are you missing her if she’s right there....is it because you ditched her on her birthday to chill with some fellow homosexuals on the gay strip?? and/or because your real beloved actually wasn’t with you??
— ‘come so far since princess park’ aka is there a nonspecific heterosexual explanation for this because i will never believe his intention with that line was to showcase how much has happened to him personally since then, when he and harry were gushing over living together there years after the fact
— harry and kasey musgraves performing shania twain’s iconic love song and kasey changing the lyrics to ‘they’re still together’ to fit a third person narrative instead of just satisfying the role in the duet and harry’s knowing smile when she sang that line like....i guess i love to weep??
— aaaand the interview in which clifford—like audio ‘proofs’ are kinda hard for me to follow because i’m hoh but my ass definitely heard harry hissing something that sounded like ‘clifford’ so i’m counting it—totally gave harry away by barking like a maniac in the background before (presumably) louis yanked him into another room...i definitely think they’ve done video call interviews while the other one has been in the room watching the whole thing (i swear harry was in the room during louis’ hits radio interview for example)
there really are a lot of convincing moments when i really think about it buuut i’ll stop there, because it really was a combination of everything from delving into how some post-hiatus stunts were/are so obvious—louis clearly loathing danielle, eleanor following or preceding every louis post with a hashtag spon, holivia being dead obvious pr fodder while hamille was pointedly formulaic, the entire nonsense that is babygate—to very surface-level lyric analysis, rather than one or two specific events. some may speak louder or not require as much analyzing or investigating as others but all-in-all i think the collective is more reliable than one or two particular moments!
but yeah. there’s just so MUCH that while it’s not as obvious as the old days where we got to see them showcase their love even when they couldn’t sit next to each other in an interview or change lyrics to make their love songs more personal in front of thousands of fans—ie just being in the same vicinity and getting to watch them interact, really—the hinting is nowhere close to non-existent. it’s there, just less obvious and maybe better planned.
tldr; i came back, did some digging, and i’m still:
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every god damn day of my life
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acephysicskarkat · 3 years
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Duet
I was just packing up from practicing in my garage when Rosetta shot bolt upright.
Rosetta’s my dragon.  She’s mostly a blue, but there aren’t any blue breeds that are crestbacks, so there’s definitely some other stuff in there.  Her crest is also malformed, so it flops over to the right all the time instead of standing straight up like crests are supposed to.  When I got my undercut, I made sure it flopped over to the right as well, so we matched.  She seems to appreciate the ‘do when she’s riding on my shoulder.
Anyway, Rosetta’s awesome. Smarter than some people I’ve met, although to be fair I’ve met some really dumb people.  Also, I’ve managed to teach her to play the drums.  Some dragons have an amazing sense of music.
In this case, though, she’d apparently heard something in the bushes – yes, even though we’d both just been rocking out for the last twenty minutes.  I don’t know how her ears work.  I put down my electric guitar and went to have a look…
…and found a white dragon.
I looked up a lot of dragon breeds when I was a kid and obsessed with them, so I recognised him as a purebred at once.  Specifically, he was a seraph – a rare and very expensive featherwing breed, with a long, wavy feather sticking out the back of his head like a ponytail.
“Hey there, little guy,” I said, keeping my voice gentle and sing-song – at least, as far as I could. “Someone’s gotta be missing you. Come on, I’m not gonna hurt you…”
Cold fangs nipped at my fingers, but after a few moments, the newcomer seemed to decide I could be trusted.  A heart-shaped tag on a simple but expensive-looking collar told me that this was Ludwig, and gave an address.  Needless to say, it was on the rich side of town; if you lived anywhere else, getting a seraph would probably leave you in a cardboard box.
“You up for a trip, little buddy?” I said, and  Ludwig hopped up onto my wrist.  “Great. Let’s go find your owner.”
***
The house Ludwig’s collar pointed me at wasn’t the biggest in the district, but since my house is basically six rooms including the garage, which doesn’t even have a car in it, it still made my place look like a shoebox.  And here I was carrying a dragon probably worth as much as a car.
Some low, shitty part of me whispered that I should just run away and sell the thing, but I felt the comforting weight of Rosetta on my shoulder and shut that thought down.  I knew how I’d feel if Rosetta went missing. I wasn’t going to inflict that on anyone, not even for a big sack of money.
I was just about to knock on the door when it swung open and all my brain’s resources were assigned to Being Gay simultaneously.
She was gorgeous. Blue eyes, a tight ponytail of night-dark hair, wearing a tailored shirt and elegant pants, carrying a handbag that probably cost more than anything I’d ever owned and holding a bundle of Missing Dragon posters with Ludwig’s picture on them and the legend “IF FOUND, CALL GWYNEIRA” and a number I couldn’t quite make out.  Standing there in my leather jacket, pride pins on full display, an old skirt, hand-repaired glasses and big, tough boots, I felt like a nail driven into a classical painting.  I had no business being here and I knew it.
After a frozen second, her face broke into a smile.  “You found him!  Thank you so much!”
“Uh.”  My brain whirred for a few agonisingly slow seconds, and then some parts of it kicked into gear.  “He was hanging around my garage.  Must have heard my music and thought it sounded interesting.”
“Oh, a fellow musician!” she said.  “What instrument, pray tell?”
“Well, I dabbled when I was a kid, but these days I mostly stick with the axe.”
“Axe?  You mean a weapon?”
“No, I mean an electric-” A stray neuron sparked back to life. “You’re messing with me, aren’t you?”
She gave a too-innocent wide-eyed look and then started laughing.  After a few moments, I did too.
She reached out, and Ludwig hopped across from my wrist to hers.  She waggled a finger under the dragon’s snub little nose and said, “I hope you won’t be pulling any more disappearing acts, Ludwig.”  Ludwig gave a smug, catlike smile and hopped up to her shoulder, and she turned back to me, reaching into her bag.  “I didn’t have time to put the posters up, but I was planning to give a reward for finding him-”
Take the money, Vetra, you dumbass, the parts of my brain that were functioning said.  Your amp is so old it was designed for the mandolin. Take the money, stick it in a jar, and when you have enough money, buy an amp that isn’t held together with baling twine.
Then my mouth, operating entirely independently from those parts, said, “Don’t worry about it.”
“Are you sure?”  When my treacherous head nodded, she said, “Then at least allow me to buy you dinner.”
***
I was crammed into the only halfway decent dress I owned and had eaten something about half the size of an actual proper meal, but somehow I was still having a great time.
“So then we found the drummer hanging from the tree, in his underwear, rope around his ankle, and all he had to say when we let him down was, ‘I hate chipmunks.’”  Gwyneira choked back a laugh, and I shook my head.  “The band didn’t last long after that, although the bass player still crashes on my couch when he’s in town.”
“Such an…adventurous lifestyle,” she said, and sipped her wine.  
“But I’ve probably rambled long enough.”  I stabbed what I had been assured was the correct fork into a too-small morsel of chicken and said, “You said you were a musician, but you haven’t even told me what instrument.”
“Oh, how rude of me.” She cut a slice off…well, I don’t speak French, so whatever it was she was eating, and said, “I’m a violinist.”
“Huh.  Just as a hobby, or-”
“Professionally.”  She adjusted the cuffs on her suit, an outfit choice that was just deeply unfair.  “Have you ever studied much classical music?”
Show her how smart you are.  “Tell the truth, uh…I never really got into it.  I like my music with a bit more impact to it, you know?”  I mimed shredding on the air guitar.  Nailed it.
“I think I can show you plenty of impact,” she said, her delicate features arranged into a cocky smirk. “Come to my place tomorrow afternoon, and bring your…‘axe’.”
***
Rosetta took a deep breath and spat lightning into the amplifier.  For some reason, dragon thunder-breath doesn’t just charge a battery; it keeps it charging.  I scratched her behind the ear, and she grinned up at me, then spread her wings and soared over to the drums.
Ludwig raised his head from the piano, and Gwyneira started to play.
Notes didn’t fall from the violin; they rose, soaring into the air like birdsong.  Her voice, just as high and pure, mingled with it, underscored but never challenged by the slow, measured notes of Ludwig on the piano.
It was beautiful, but I wasn’t just here to listen.
I was here to play.
As the notes from the violin started to die away, I flicked my plectrum between my fingers like an old-time riverboat hustler playing with a coin.  Rosetta chose the tempo, her bunched-up claws striking the drums, a drumstick wrapped in her tail striking a cymbal, and my axe sang as I began: not the high, pure note of birdsong, but the howl of an iron wolf.
After a few bars, the piano started up again, but without its previous dignity and reserve.  Ludwig, apparently, relished the chance to cut loose a bit.  His claws struck the keys with speed rather than precision, keeping up with the beat of the drum and the snarl of the electric guitar, mixing in the occasional, perfectly timed glissando.
Then the violin’s song started up again.
Gwyneira’s eyes were closed, but she was keeping up with the much faster tempo like she was born to it, her bow dancing over the strings.  Her violin and my guitar weaved notes around each other, twining together like the tails of dragons in love.  It was like we were instinctively opening spaces for the other to slip into, letting the instruments work together rather than battle for dominance.
It was the kind of jam session you usually only get once in a lifetime.
***
Anyway, that’s how I met my girlfriend.
I own some nicer clothes, now.  I speak a little French.  And, you know, I’m starting to get along with classical music.  I mean, give me the faster ones any day – you should hear my cover of Rondo Alla Turca on the electric guitar, it’ll knock your socks off – but, you know, we meet halfway.
And I mean halfway.  Gwyneira looks like a goddess in anything, but when she’s let her hair out of its ponytail?  When she’s at a rock concert, just letting it all out, headbanging along? It’s amazing.  She’s amazing.
There have been challenges – you try finding good homes for an entire clutch of half-seraph, half-mongrel dragon hatchlings sometime – but we’re going pretty damn well.  She’s even talked about starting a proper band – weaving classical and rock together.
And if that never comes to pass?  If we can’t get a gig or find a good rhythm guitar?  At least we can still jam together.
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billiejs · 4 years
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Three times the boys are blown away by pop culture and new technologies (and one time when Julie can’t resist the 90s)
Julie and the Phantoms, Julie/Luke, the timelines are not super accurate but bear with me, 1.9k 
ALEX is obsessed with the Harry Potter books 
Luke checks his phone again for the seventh time in the past ten minutes, his guitar hanging from his shoulders. 
“DUDE!” He shouts out, eyebrows furrowed. “Are you gonna join us or what? We were supposed to start rehearsing half an hour ago!” 
Alex’s head peeks from the loft: he’s laying on the pavement beside the sofa, and his eyes are barely visible from behind a battered copy of a book. 
Julie sighs. Luke looks ready to blow Alex off, but she’s pretty sure it’ll make no difference. 
“I’m sorry! I’m nearly finished with this chapter, I swear!” Alex turns a page, eyes glued to the book. 
“You said that three chapters ago!” Luke’s eyes bulge out and he turns to Julie, pointing frantically upwards. “Is he serious? Are you serious?” 
Julie opens her mouth, but she’s not sure of what to say. Alex has been like that for the past three days. 
“Hey guys,” Reggie strides in, an open bag of Doritos in one hand and an aura of complete calm around him. Julie hadn’t even noticed he’d left. “Here Luke, you look nervous. Have some of these.” 
Luke looks at Julie, then at Reggie, then he shoves his hand in the bag of chips and starts munching angrily on a handful of Doritos. 
“Hey, ‘lex!” Reggie happily calls out. “Want some Doritos?” 
“Not now, I’m reading!” 
“IT SHOULD BE, NOT NOW I’M PLAYING!” 
“Luke, calm down.” Julie pleads, “He’s about to finish the book anyway.”
“Whatcha reading, Alex?” Reggie calls out to the loft. 
“It’s those damn Harry Potter things.” Luke seethes. “It’s like he can’t stop reading, he’s obsessed! Am I the only one who remembers we have a gig in four days?”
Reggie nods sympathetically at Luke. 
“Yeah man. But that’s a really cool story, I watched the films with Carlos last week,” Reggie mimics a brain explosion. “I was mind blown. Hey Alex, which one are you reading?” 
“Half-Blood Prince.” Alex replies, “And I’m almost done so…” 
“Ohhh that’s a good one. Did you already get to the part where Dumbledore dies?” 
A stunned silence falls over the studio. 
“Oh, boy.” Julie covers her face with her hands. A heavy rumble of footsteps announces Alex’s descent from the loft: his hair is sticking in weird directions and his eyes are bloodshot. He looks at Reggie like he’s ready to murder him. 
“Dumbledore what now?” Alex hisses, stepping forward.
“Dies. Snape kills him. Were you there yet?” 
Alex points his drumstick at Reggie’s face like it’s a magic wand. 
“NO, I WAS NOT!” Alex shouts. “HOW COULD YOU, REGGIE?” 
Before either Julie or Luke can do anything to stop him, Alex throws himself at Reggie and they both roll around the floor, trying to get on top of each other. Julie slips an arm around Luke’s waist to give him a comforting squeeze.
“We’re not going to get anything done today if we let them do this.” She reminds him. Reggie is currently smacking Alex with a throw pillow and Luke observes attentively. 
“Just a little more. Alex deserved it.” 
LUKE adores School of Rock
“Your boyfriend,” Alex comes into the kitchen with his hands on his hips and glares at Julie, “Is a hypocrite.” 
Julie, on her tiptoes to reach a jar of strawberry jam on the top shelf, just stares back.
“Be a little less specific, will you?” 
“Come see for yourself.” Alex grabs her by the hand and pulls her all the way to the studio, where Luke is currently busy playing a guitar solo kneeling on the floor, hair drenched in sweat.
“NO YOU’RE NOT HARDCORE,” he shouts, “UNLESS YOU LIVE HARDCORE!” 
“Ah,” Julie stands back and enjoys the show. “Luke, have you been watching School of Rock again?” 
“No,” Luke lies, smiling like Julie’s just brought the sun back after a dark winter. “Maybe?”
Julie purses her lips, smiling. She gets why Luke identifies so much with that movie. Jack Black’s love for rock music and the whole ‘stick it to the Man’ talk are all Luke is about. 
“You got mad at me for wanting to read Harry Potter instead of playing…” Alex accuses. 
“But I am playing.” Luke protests, his fingers sliding on his guitar to play a riff that Julie’s pretty sure he’s stealing from Hendrix. 
“Not our music!” Alex protests. “And before you even think about suggesting it, no, we’re not going to dress up in school uniforms for our next gig.” 
“You would rock a skirt, though.” Reggie points out.
“I would,” Alex flips his hair out, “And knee socks too. But can we please get to practicing now?” 
“It’s just, such a good story,” Luke tells Julie in a dreamy tone later that evening, while he’s splayed out in the garden squinting at the sky. There’s way too much light pollution to see any stars though. “I mean, the guy has a dream, and not only he manages to stay true to himself despite everyone going against him, he also inspires younger kids to do the same!” 
“Yeah, I know,” Julie laughs, petting Luke’s head in her lap. “You see yourself in him.” 
“I do,” Luke grins. “But I’m much better looking.” 
Julie lightly pulls at the hair on the back of his neck. 
“And people think Reggie is the vain one…”
Luke laughs, nestling more comfortably against her touch. Ever since they’ve become human again, he can’t seem to get enough. 
“You know what I was thinking…” he begins, tentatively. 
“No.” 
“You didn’t even let me speak.” 
“I already know what you’re going to say.” 
Luke sits up, making puppy eyes at her. 
“Come on, Jules! It would be epic!” 
Julie sighs, taking Luke’s hands in hers and looking him straight into his eyes. 
“No, Luke. You’re not stage diving at our next gig.” 
REGGIE can’t get enough of Siri
“Guys, I think something is wrong with Reggie.” Julie announces nervously, twisting her hands as she walks into the living room. Alex and Luke are sprawled in front of the Tv and don’t look half as worried as she thinks they should. 
“And you’re only noticing this now?” Alex arches his eyebrows, unbothered. 
“I’m serious, guys! Come see!” 
Julie guides them upstairs to the room that’s become Reggie’s, and they all peek from the semi-closed door.
“Hey, Siri,” they hear Reggie say, “Does anyone ever ask you, like, how are you?” 
“I’m fine, thank you. Helping you makes me happy.” 
“That’s very nice, thanks Siri.” Reggie sighs happily, kicking his feet up on his bed. “You never judge me, even when I asked you what a wi-fey was.”
“I don’t know what a wi-fey is. Were you looking for Wi-Fi?”
“I was!” Reggie slaps himself in the forehead. “You get me so well. Here, play our song Stand Tall, it’s one of my favorites.”
“Now playing: Stand Tall, by Julie and the Phantoms on Spotify.”
Outside in the corridor, Julie gestures frantically towards the room. 
“See what I mean?” She whispers, “That can’t possibly be okay.” 
“Think he feels a little lonely?” Alex scratches the back of his head. 
“I mean, he’s basically using Siri as a therapist so…” 
“I think you’re overreacting,” Luke shrugs. “He’s always liked robots. Siri is basically a talking computer, Reggie digs that stuff. 
Another happy sigh from Reggie as the song ends has them all listening intently. 
“So, this is one of the new songs. Sometimes I think to the fact that I actually died and lost my whole family and it’s a bit much, you know what I mean? I would like to find my parents, I think.” 
“Here are all the results I found for ‘parents’”
“Wait, you can do that?” Reggie sits up on his bed, his mouth hanging open. “I thought you could only call the pizza guys!” 
“Calling: pizza guy.” 
“Siri, you’re a blessing!” Reggie is enraptured. “I was feeling sad and you call pizza! It’s like you can read my mind!” 
“He shouldn’t be talking to Siri when he feels sad,” Julie hisses. Alex has sort of caught onto her concerns, but Luke merely giggles.
“I bet he’s going to call the milkshake place next.” 
“Siri,” Reggie says as soon as he’s placed his pizza order, “Can we call Gordon’s Milkshack next? I have a craving for a chocolate banana shake.” 
“Called it!”
(Bonus: JULIE discovers the Spice Girls)
Luke knows that one of Julie’s favorite parts of hanging out with them is introducing new technologies and pop culture wonders for the Millennials and Gen Z experience; she does this thing where she tilts her head to the right while she watches them discover something new and has a cute little smile Luke can’t get tired of seeing. 
He’s tried to do the same for her, but it seems that she already knows everything about the early 90’s. 
Except one day, he’s walking into the studio a little earlier than usual and finds it occupied by a Julie like he’s never seen her before, flailing her arms around and shaking her hips to the beat of a sugary pop song he knows all too well. 
“If you wanna be my lover…” 
Luke slaps a hand on his mouth and hides behind the door, watching Julie belt out Scary’s rap verse in perfect time. When the song ends, he comes out of his hiding spot with a cheek-splitting grin. 
“That was amazing!” 
“Luke!” Julie’s cheeks are blazing, but Luke can’t tell if it’s embarrassment or rage. Probably both. 
“Before you say anything,” Luke holds up his hands, “I was here for only a minute, but you rocked every single second of it.”
“Yeah, I like the Spice Girls, okay?” Julie nervously twists her hair into a ponytail and refuses to look him in the eyes. “I was going through a playlist and it came up, it’s good fun!” 
“Hey, no judgment!” Luke laughs, cupping her heated cheek in his hand and pulling her forward or a quick kiss. “You’re almost seventeen now, basically an adult. You can listen to whatever you want.” 
Julie smiles against his lips and kisses him again, humming the melody of Wannabe as he does. 
“Good thing your friends love me,” Luke laughs. 
“We have the same friends, I’m not sure it counts.”
Reggie and Alex choose that very moment to barge in, as if they’d been summoned. 
“Practice time!” Reggie announces, pinching Luke’s waist and sneaking out of reach immediately. “No more love-birding here.” 
Alex reaches Julie’s laptop that’s still plugged into the sound system.
“Oh, let’s see what your love tunes are…”
“NO!” Julie’s horrified shout comes too late, because Alex is already doubled over laughing. 
Luke leaves her to shout about privacy while Say you’ll be there blasts over the speakers.
“I’ll be right back guys.” He says, stepping out of the studio. He’s got an idea and there’s no time to waste. 
Luke fishes his phone from his pocket and scans through his contact list. Reggie’s right: these touch screen thingies are pretty cool after all. 
“What do you want?” A shrill, annoyed voice comes up from the other end of the line. 
“Hello to you too, Carrie,”  Luke smiles through the phone.
“Is Julie sick? Did she find out about the surprise party? Is this why you’re calling?” Carrie’s tone sounds accusatory, and Luke just knows that there is no way he’ll ever be able to get along with her. She is the spawn of his traitor ex bandmate after all. 
“No, but that’s why I’m calling you.” He explains, “How would Dirty Candy like to become Julie’s favorite performance of the party?” 
There’s a pause. 
“I’m listening.” 
Luke grins. He’s about to win the best-boyfriend-in-the-universe award. 
“I hope you’re ready to Spice it up, Carrie.” 
_______________________________________________ Thank you for reading! I know the Spice Girls are late 90s so the boys wouldn’t really know them, but bear with me.  Feel free to drop a prompt in my askbox if you’d like! More minifics (x)
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heartofether · 3 years
Text
Episode 13 - Dog with a Bone TRANSCRIPT
[You can listen to the show wherever you get your podcasts, or go to our “Listen” page if you’re on desktop.]
AUTOMATED VOICE
[INCREASINGLY SLOWLY] Please state your message.
[THEME SONG PLAYS.]
VAL
Three-eyed Frog Presents: The Heart of Ether.
[THEME SONG FADES TO A STOP.]
[PHONE BEEP.]
[INT. AGENTS MAY AND JUNES’ COMPANY VEHICLE, DRIVING INTO DAUGHTLER, WASHINGTON, MIDDAY.]
[THE TWO ARE HEARD DRIVING THROUGH THE TOWN.]
AGENT MAY
This is the audio log of Operation Saturn, phase 1.2. Investigation taking place in Daughtler, Washington, 2019. Set to last for two months minimum. This is day one. Conducted by Agents May and June. All recordings are legal property of the Harper Foundation. Any unauthorized access to these recordings will result in—
AGENT JUNE
[OVERLAPPING] Does Daughtler know no God? That church is crumbling like a communion wafer!
AGENT MAY
Agent June.
AGENT JUNE
I’m just saying! You’d think for a place of worship, they’d take better care of it. Basic maintenance, maybe a new paint job.
AGENT MAY
Well, I guess the people of Daughtler aren’t particularly religious.
AGENT JUNE
Oh, not that I care. I’m an atheist. Raised in a Catholic household, which went about as well as—
AGENT MAY
Look, in the future, could you please avoid speaking over me when we’re recording important information?
AGENT JUNE
What important information? We just got here.
AGENT MAY
Well, if we’re going to be constantly on the record, I would like to maintain some level of professionalism.
AGENT JUNE
Ahh. Hate to break it to you, bud, but if you expect me to shut up for this whole mission, I think you will be greatly disappointed. I am, you see, constantly burdened by great ideas—trust me, it’s exhausting.
AGENT MAY
[SARCASTIC] I’m sure it is.
AGENT JUNE
[AFTER A BRIEF PAUSE, HE SNORTS A LAUGH.] DVD rentals? Dude, who’s renting DVDs in the digital era of pirating—I mean, uh, legally buying and streaming everything online?
AGENT MAY
[DEADPAN] Nice catch.
AGENT JUNE
Anyways, where are we heading first? I’m guessing the motel?
AGENT MAY
Actually, we’re going to make a quick detour. Stop somewhere for a quick interview.
AGENT JUNE
[HE GROANS.] Seriously, dude? We have so much time to do that kind of stuff. Can’t we just, you know, relax for our first day? Settle into Weird Town, USA?
AGENT MAY
I’d like to start this mission off on a good foot. It would be valuable to meet some of the residents, see what they’re like. Besides, this particular individual is important enough that by establishing a relationship early on, it may be beneficial in the long run.
AGENT JUNE
Ugh, fine. Who is our person of the hour, then?
AGENT MAY
Actually, it’s less about the person and more about where they’re living.
[A BEAT.]
AGENT JUNE
Yeah, dude. Obviously. They’re living in Daughtler, Washington. You know, the place we’re investigating?
AGENT MAY
[OVERLAPPING] I mean their house.
Agent June, please, please tell me you know who Bernard Kelly Valencia is.
AGENT JUNE
Obviously, dude! That’s like asking a chemistry student if they know what an electron is. [THEN, UNDER HIS BREATH] Actually, I failed chemistry, so maybe that isn’t the best analogy.
But yeah. Bernard Kelly Valencia. Super weird dude that the entire town was kinda freaked by. Supposedly was well-known among the Ether community for his vast range of research conducted with Dorothy Wood. Nobody actually knows where all that work went after he and Dorothy died, though.
AGENT MAY
Actually, it’s possible some of it was left behind in his own house.
AGENT JUNE
Wait, seriously? Didn’t all of his belongings go to his son afterwards?
AGENT MAY
According to the original house plans, there’s an attic. His son, after leaving the house once and for all, never mentioned there being anything in the attic. This could mean it was just empty, but that fact would have to have been noted at some point. His son was thorough in his complaints about clearing his father’s house, from what we could find. It’s possible nobody ever even bothered to look up there.
AGENT JUNE
So you think he had something in his attic that just never got found?
AGENT MAY
That’s what the Foundation believes.
AGENT JUNE
Alrighty, then. That’s not too bad. We just break into a dead guy’s house and pillage through his attic. I mean, how hard can that be?
AGENT MAY
It’s not that simple. There’s a new tenant living there.
AGENT JUNE
Ahh, I see. Do you think they know?
AGENT MAY
Perhaps. There was a recent missing person report linked to the house—an inspector who the landlord sent out to investigate a supposed mold problem.
AGENT JUNE
Classic.
AGENT MAY
Which leads us to believe that the new tenant is at least familiar with Ether—assuming the mold problem was of supernatural origin, which is probable due to the house’s location and the report filed by the landlord describing the mold: yellow, with an odd scent.
AGENT JUNE
So, what’s our plan? Are we just going to go and ask to search the house?
AGENT MAY
Unfortunately, the Foundation couldn’t acquire a formal search warrant. We’ll have to convince the new tenant to let us in of their own free will.
AGENT JUNE
Who is this person, anyways?
AGENT MAY
Her name is Irene Gray. She’s twenty-one years old. Works as forestry aid.
AGENT JUNE
Do we know anything else about her?
AGENT MAY
Let’s just say the mold inspector isn’t the only missing persons case she’s connected to. Four years ago, an 18-year-old girl named Rosemary Quinn went missing. Officials think it’s likely she ran away. Irene Gray was Rosemary’s girlfriend. The police’s interview with Irene states that the two of them had planned on running away together not long after the date Rosemary had gone missing.
AGENT JUNE
Way to rat your girlfriend out like that.
AGENT MAY
She could have been desperate for any sort of lead, even if that meant getting herself and Rosemary in trouble. And she did get in trouble, I believe, though not with the law, per say. Irene couldn’t have known where Rosemary had gone, though. She was so emotionally devastated after the event, there was little chance she was faking it or lying to cover for Rosemary. She actually started therapy not long after.
AGENT JUNE
So, why does it matter? Did they ever find Rosemary?
AGENT MAY
Unfortunately, no. The official record states that the last place she was potentially seen was a local animal shelter, where she dropped off her cat, whose name she said was Sage. This, however, does not sync up with reports from her family claiming the cat’s name was Sir Griffin the Third, which led to some uncertainty. They had a difficult time tracking her after that, though. All they had to go off of was one potential gas station siting, but all that resulted in was another dead end.
AGENT JUNE
Uh, you still haven’t explained why any of this matters.
AGENT MAY
[FRUSTRATED] Could you just be patient for one— [HE HUFFS A SIGH.]
Look, it’s important because it’s unlikely Irene Gray will let us explore her house if we just ask nicely.
AGENT JUNE
So, we have to use bait?
AGENT MAY
It could be a mutually beneficial relationship, is what I’m saying. We both have something the other wants.
AGENT JUNE
Wait, does the Foundation, like, know what happened to that girl?
AGENT MAY
Not quite, but, potentially. I’ll show you what we have once we stop the car.
AGENT JUNE
Great! This should be interesting.
AGENT MAY
[UNDER HIS BREATH] I’m sure it will be.
[PHONE BEEP.]
[RECORDING ENDS.]
[INT. IRENE GRAY’S HOUSE, MIDDAY.]
[IRENE IS ON A PHONE CALL WITH ADEN. ON HIS END OF THE LINE, THERE IS THE LOOPING SOUND OF A BROKEN FAX MACHINE ATTEMPTING, BUT FAILING, TO PROCESS PAPER.]
IRENE
It’s a fax machine. How do you not know how to use a fax machine? I’ve literally watched you do it before.
ADEN
Well, I thought I knew! And I mean, come on, how come you get to judge me when you can’t even use your phone properly?
IRENE
Oh, my god—Aden, it’s my day off. Can’t you just look it up?
ADEN
I don’t know how to describe the problem in a way a search engine will understand. It’s too—you know—specific.
IRENE
Ask someone there, then. Carol and Julia probably know better than I do.
ADEN
Julia’s sick, and Carol’s on some important phone call. Look, I just—if we have to replace this thing and it’s my fault, I’m going to freak out—
IRENE
Okay, wait until Carol gets off the phone and then—
ADEN
[WORRIED] What if it sets on fire or something?
IRENE
[FRUSTRATED] It won’t! It’s probably just jammed.
ADEN
But what if it does?
IRENE
[SNAPPING] Jeez, dude, just go find the manual! Why are you calling me?
ADEN
[PANICKED, STUTTERING] Because I’m panicking, alright? Look, ever, ever since the mold incident, I’ve been so scared constantly of everything. Every tiny thing that happens feels like it’s the end of the world, especially because that dude’s van went missing and it’s like you guys are just constantly waiting for the police to just show up at your door—
IRENE
[HER TONE SOFTENS, GROWING SYMPATHETIC] Oh, Aden—
ADEN
[CONT.] —and you and Carol almost died, and I did nothing. Okay? I sat in my office and talked to the knitted cat on my desk while I had a panic attack and did nothing.
I just want to find some way to, to do good, to fix something, but instead I think I ruined the fax machine and now I’m just failing you and Carol, again.
IRENE
[CHOOSING HER WORDS CAREFULLY] Hey. Look, I—I’m sorry I snapped. It’s not…it’s not that big of a deal.
ADEN
[COMING DOWN, GUILTILY] No, no, you’re right. I shouldn’t have called you on your day off.
IRENE
It’s fine. Seriously, don’t worry about it. Do you need me to go down there and look at it?
ADEN
No, don’t. I’m kinda starting to calm down, and I think if I can’t find the manual, I’ll just wait until Carol gets off the phone.
IRENE
That’s a good idea.
[A BEAT.] Um, if you need a distraction or anything, we can still talk for a bit. I know how anxiety can be.
ADEN
[SINCERE] That means a lot, Irene. Thank you.
IRENE
Of course.
Is there anything in particular you want to talk about?
ADEN
[A BEAT, THEN, HESITANT] I actually have a question. I’ve been thinking about it for a bit, but if it’s too personal, you don’t have to answer.
IRENE
I mean, I think you’ve already seen me at some pretty low points, so…
ADEN
[HE CHUCKLES.] Alright.
[CAREFULLY] You said you had a girlfriend who went missing.
IRENE
[A BEAT.] Yup.
ADEN
What was her name?
IRENE
[A HESITANT BEAT.] Rose. Er, you may have seen the name Rosemary Quinn at some point, but it was years ago.
ADEN
Yeah, I don’t remember. Sorry.
IRENE
It’s fine.
ADEN
What happened to her?
[THERE’S A PAUSE.]
IRENE
[GRIM] We never found out.
For a long time, I’ve thought that she just decided she was sick of her life as it was. Ran away to start a new one without telling anyone where she went. It would have made sense—she had planned on doing it for a while. Even took cash from her savings out in chunks so nobody would be able to track her card when she did. Her mother simply wrote this off as poorly thought-out impulse purchases.
We had planned our entire future together, though, and for her to just throw it out didn’t make sense, it—well… [SHE TRAILS OFF.]
ADEN
I’m sorry.
IRENE
I thought it was her mom at first, though. Grace Quinn. [SHE SAYS THE NAME WITH VENOM.]
They investigated Grace for domestic abuse. Believed Rose ran away to escape a dangerous situation. Upon Rose not answering her bedroom door, Grace, well…broke it down. Rose had locked it before she went out the window, and her mother just—decimated the doorknob to get in. At least, that’s what the police report says.
ADEN
Jeez.
IRENE
Without the child there, however, it was difficult to prove any abuse. I had some texts. Her aunts had a couple of anecdotes. That was all, though. Grace refused to admit to anything, of course.
ADEN
[HESITANT] Was there? Um, was there abuse?
IRENE
[A BEAT.] Yeah.
ADEN
I’m so sorry.
IRENE
It was rarely ever physical, but it definitely happened.
ADEN
I mean, if Rose was trying to escape something, I hope she was safe in the end.
IRENE
[PAUSE, THEN, SOFTLY, ALMOST SAD] I do, too.
[A BEAT.] That wasn’t all, though. Grace acted really strange afterwards. When police asked what had happened the night before, she said she couldn’t remember. Seriously, she didn’t have any concrete details. She said she had just woken up that morning and Rose was gone, but her story kept changing in little ways. It was disorienting.
She seemed…paranoid. Jumpy. Confused, even. Angry, but her anger wasn’t directed anywhere. I might have felt bad for her if just the thought of her hadn’t made my blood boil. I mean, I imagine your daughter going missing has gotta have some sort of effect on you, even if you’re not on good terms with her.
Grace wasn’t entirely there, though. Looking back, it’s a lot more clear. I…know some things, I didn’t know back then. I just, I wonder what was really wrong with her. I haven’t talked to her in years. Certainly not about to start now.
ADEN
I mean, I kinda sympathize with her, but also, she doesn’t sound like a great person.
IRENE
Oh no, she’s horrible. I know I should feel some remorse for all the awful things I’ve said about her, but I don’t. Not really.
When Rose first went missing, I became blinded by rage. I screamed at Grace when I saw her. Cursed in her face. Said it was all her fault, because I was—well, I was scared, and I had no other explanation. My dad had to drag me away before I attacked her.
ADEN
Jeez, Irene.
IRENE
I’m obviously better about my anger management now. Therapy at least did that for me.
ADEN
I mean, I get it. I can’t imagine how hard that must have been for you.
IRENE
Yeah. Um, yeah. [IT SOUNDS LIKE THERE’S SOMETHING ELSE SHE WANTS TO SAY.]
Thanks, Aden.
ADEN
Of course. If you…I mean, I know it’s been a while, but you can always talk to me about it. I’ve said that before, but, y’know.
IRENE
I appreciate it.
[A PAUSE.]
ADEN
I think Carol’s call ended.
IRENE
[TEASING] And did the fax machine catch on fire?
ADEN
[HE LAUGHS.] No. No, it did not.
[IRENE LAUGHS. ANOTHER PAUSE.]
IRENE
[MORE SERIOUS] Aden?
ADEN
Yeah?
IRENE
I’m…I’m working on something. It’s a personal project.
ADEN
[CAUGHT OFF GUARD] Oh. Okay.
IRENE
I don’t think I can tell you what it’s about, but…just so you know. I mean, I trust you, so.
ADEN
That’s—um, that’s fine. Uh, let me know if I can help at all?
IRENE
Sure. I’ll talk to you later.
[AS THEY SPEAK, THERE’S APPROACHING FOOTSTEPS ON ADEN’S END OF THE LINE.]
ADEN
You, too. Thank you again for talking.
IRENE
Not a problem. Bye.
ADEN
Talk to you soon!
CAROL
[IN THE DISTANCE] What did you do to the damn—?
[PHONE BEEP AS ADEN HANGS UP. IRENE SIGHS.]
IRENE
[CONFUSED] Oh, uh. Didn’t realize my phone was recording. [MUTTERS] When did that start? Guess I turned it on at some point.
[A BEAT.] Well, Rose. I’m talking to you now. Not just some figment of you in my head, but, you.
I know you’re going to hear these. I don’t know when, but you will. Of course you will.
[A BEAT.] Only problem is, I’m kind of at a dead end. My only lead so far is a mysterious recording that popped up on my laptop with no explanation. I have no idea how any of those files got there. Do I just have to wait until whatever weird force that gives them to me decides to throw one my way?
It’s like gambling at that point. I don’t know when I’ll get something or if what I find will be helpful or not. I mean, hell, I could get a new file on my computer and it’ll just be some voicemail I sent you sophomore year about baking brownies. Who knows what I’ll find or when I’ll find it?
I have to figure out something more reliable. Maybe figure out where the recordings are coming from, and if I can use whatever it is to my advantage. Or, I don’t know, Phoebe is coming over at some point to look in my attic. Maybe I should just—
[THERE’S A KNOCK AT THE FRONT DOOR.]
IRENE
…huh. Wasn’t expecting anyone.
[IRENE IS HEARD GETTING UP AND WALKING TOWARDS THE DOOR. AS SHE APPROACHES, THE AGENT'S MUFFLED ARGUING IS HEARD, GROWING LOUDER AS SHE GROWS NEAR.]
AGENT JUNE
[MUFFLED] I'm just saying, it could be pretty cool, you know? I'm all like, "Ooh, ahh, no, tell us what we wanna know, and you're like—"
AGENT MAY
[MUFFLED, OVERLAPPING ] June, you're too impressionable by all of these movies that you watch.
[IRENE OPENS THE DOOR, BUT THEY CONTINUE AS IF SHE ISN'T THERE.]
AGENT JUNE
[CONT.] No, no, listen. It could be great, it could be great! We could like, stand back to back, and like, ooh, finger guns—
AGENT MAY
No, I'm not doing finger guns!
IRENE
[OVERLAPPING] Um, can I help you?
AGENT JUNE
[TO AGENT MAY] Okay, but just try it—
AGENT MAY
[HARSHLY CUTTING HIM OFF.] Yes, actually. Is this the residence of Irene Gray?
IRENE
[SKEPTICAL] Who’s asking?
[AGENT MAY IS HEARD FLASHING HIS BADGE.]
AGENT MAY
We’re Agents May and June of The Harper Foundation. We’d like to ask you a few questions, if you don’t mind.
IRENE
The hell is that?
AGENT JUNE
Ah, see, that’s the point: you’re not supposed to know. [A BEAT.] I mean, well, we do leave kind of cryptic ads in the local paper sometimes, but, still.
AGENT MAY
[UNDER HIS BREATH] Agent June.
AGENT JUNE
What? I don’t choose to put those weird ads there!
IRENE
[UNIMPRESSED] …so, what, you’re secret agents?
AGENT MAY
If you’d like to call us that. May we come in?
IRENE
Why?
AGENT MAY
We just need to ask you about a few things. I promise it won’t be long.
IRENE
…are you going to, what, search my house?
AGENT JUNE
You got something to hide?
IRENE
[DEFENSIVE] No! I’m sorry that I value my privacy.
AGENT MAY
We’re not searching your house right now. This will be much easier for all of us if you comply, Ms. Gray.
IRENE
[SHE THINKS FOR A MOMENT, THEN, DISGRUNTLED] Fine.
AGENT MAY
Thank you.
[IRENE IS HEARD LEADING THE AGENTS INTO HER HOUSE, CLOSING THE DOOR BEHIND THEM. THEIR FOOTSTEPS ARE HEARD AS THEY ENTER.]
AGENT JUNE
It’s a nice place you got here. Oh, wow, did you paint that yourself?
IRENE
It was a gift.
AGENT JUNE
Ah, gotcha, gotcha.
[THERE’S A PAUSE AS THEY STOP WALKING.]
IRENE
Well? Take a seat. Be my guest.
[AGENTS MAY AND JUNE ARE HEARD SITTING AT THE TABLE. THERE ARE TWO LOUD THUNKING NOISES, AS IF SOMEONE IS HITTING THE TABLE.]
AGENT MAY
Agent June, take your feet off the table.
AGENT JUNE
Sorry, sorry.
[SHUFFLING NOISES AS AGENT JUNE MOVES HIS FEET.]
IRENE
Can I get you both anything to drink?
AGENT JUNE
There are your manners!
AGENT MAY
[UNDER HIS BREATH] You’re one to talk.
AGENT JUNE
Whatcha got?
IRENE
Um, water? I could make coffee? I also have lemonade in the fridge, but that’s for emergencies.
[A PAUSE.]
AGENT JUNE
I think I’m in the mood for an emergency lemonade. You, Agent May?
AGENT MAY
I’m fine, thanks.
[AS THEY CONTINUE THE CONVERSATION, IRENE IS HEARD GRABBING THE LEMONADE OUT OF THE FRIDGE, TAKING A GLASS FROM THE CUPBOARD, AND POURING JUNE'S DRINK.]
AGENT MAY
How long have you lived here, Ms. Gray?
IRENE
Not long. I moved here for work.
AGENT MAY
And what do you do?
IRENE
[HASTILY] I’m an engineer.
AGENT JUNE
Mm! Enjoying the area so far?
IRENE
It’s nice. The people are friendly.
[SHE SETS AGENT JUNE’S LEMONADE DOWN ON THE TABLE.]
AGENT JUNE
Much obliged.
[HE TAKES A DRINK LOUDLY. IRENE SITS DOWN ACROSS FROM THE TWO OF THEM.]
IRENE
…well? You said you had questions.
AGENT MAY
We’re here to ask you about a missing person.
[A TENSE PAUSE.]
IRENE
Which one?
AGENT MAY
Which one are you thinking of?
IRENE
[SHE PAUSES.] Are you talking about Rosemary Quinn?
AGENT MAY
[A TENTATIVE PAUSE.] You and Rosemary were close, correct?
IRENE
Why do you care?
AGENT MAY
I’m asking a question. An answer would be nice.
IRENE
[HESITANT] I knew Rose, yeah.
AGENT MAY
When was the last time you saw her?
IRENE
Um, it was two days before her disappearance, I believe?
Look, this should all be on her file. I don’t see the need to recount this all to you unless they’ve opened the case again. Hell, you’re not even cops, are you?
AGENT JUNE
Oh, don’t be that way, Irene. I know this case isn’t as recent as the other one you’re involved with, but you should be able to remember, right?
IRENE
The—
[THERE'S A LOW, EERIE INSTRUMENTAL AS IRENE'S BLOOD RUNS COLD.]
IRENE
[BLUFFING] What other case?
[AGENT MAY SLIDES A PIECE OF PAPER ACROSS THE TABLE.]
AGENT MAY
You were the last person to see this man, correct?
IRENE
I, um, I don’t know him, no.
AGENT JUNE
You’re not as good at lying as you think you are, you know.
[HE'S HEARD FLIPPING OVER A PIECE OF PAPER TO EXAMINE IT.]
AGENT JUNE
[CONT.] I mean, why lie to us about your job, anyways? There’s no shame in being a forestry aid. I’m sure it’s a lovely profession.
IRENE
Who the hell are you people?
AGENT MAY
Relax, Irene. The Harper Foundation has already taken care of his vehicle and rerouted the case so it doesn’t trace back to you. Investigators will come up with a dead-end soon enough, and nobody will know what you did.
AGENT JUNE
You’re welcome for that.
IRENE
I— [THEN, GUILTILY] I didn’t kill him.
AGENT MAY
I’m sure you didn’t. That’s not important right now. We’re just trying to give you a nudge in the right direction so maybe then you’ll be inclined to tell us the truth.
IRENE
Why? What do you want from me?
AGENT MAY
If you’d give me a moment to speak, then I can explain.
[IRENE HUFFS A SIGH, BUT LETS AGENT MAY SPEAK. HE FLIPS OPEN A FOLDER.]
AGENT MAY
Are you aware of this house’s previous tenant?
IRENE
You mean Bernard Kelly Valencia? His reputation precedes him, but I never knew the guy.
AGENT MAY
That’s correct. We believe he left something behind after he died, however. Something that could be incredibly beneficial for the Foundation. Have you found anything like that?
[IRENE STAYS SILENT.]
AGENT JUNE
[WHISPERS TO AGENT MAY] I think she’s trying to plead the fifth.
AGENT MAY
We expected such stubbornness. We’re not asking you for this for free, you know. We believe we may also have something that would be beneficial for you.
IRENE
And, what is that, exactly?
AGENT MAY
I’m glad you asked.
[HE'S HEARD HANDING A PAPER TO IRENE. MYSTERIOUS MUSIC BEGINS PLAYING IN THE BACKGROUND.]
AGENT MAY
Sometime in July, the same year Rosemary Quinn disappeared, a dusty yellow bicycle was found in the middle of nowhere in Oregon. It appeared to have had a broken piece in the front where a basket was supposed to be attached. It was never brought to the police, so unfortunately, it could never be examined as possible evidence.
AGENT JUNE
Hiker who found it posted about it on Twitter, though. The guy didn’t have many followers, so it never got traction.
AGENT MAY
This photo was taken not too far from Bent. If this is Rosemary’s bicycle, it could mean that we have a possible travel path for her after her disappearance.
[A TENSE PAUSE.]
AGENT JUNE
Oh, that was quite the shift in your expression, Irene. Have we struck a nerve? [MELODRAMATIC] I guess young love tends to leave such sore, open wounds, doesn’t it?
AGENT MAY
If you let us look at whatever it is Mr. Valencia left behind, we can help you find Rosemary Quinn. It may take some time, but we believe we can determine what happened to her. We just need your help.
[THE MUSIC STOPS. THERE'S A LONG PAUSE.]
IRENE
Get out.
[SHE'S HEARD GETTING OUT OF HER CHAIR.]
AGENT JUNE
Wh—hey!
IRENE
[GROWING MORE UPSET] Get out, I said. Get out!
[AS SHE SPEAKS, SHE'S HEARD PHYSICALLY GRABBING THE AGENTS AND PUSHING THEM OUT OF HER HOUSE. WHILE SHE'S AT IT, SHE GRABS THEIR FOLDERS AS WELL, THOUGH ONE PAPER STAYS BEHIND.]
AGENT JUNE
Hey, no, stop! You can't just grab our things like that! Please.
AGENT MAY
[OVERLAPPING, STUTTERING] Hey—!
[BOTH AGENTS STUMBLE OUTSIDE. IRENE IS HEARD THROWING THEIR PAPERS OUT THE DOOR.]
AGENT JUNE
Woah!
AGENT MAY
That's confidential information, you can't keep that in your house—
[SHE CUTS HIM OFF BY SLAMMING THE DOOR. THERE'S A PAUSE AS SHE BEGINS PACING THE FLOOR.]
IRENE
Who the hell do they think they are? Do they think I’m just some sort of—some sort of tool for them to use? Do they think they can dangle Rose over my head like I’m a dog with a bone, all over some—
[SHE PICKS THE PICTURE UP OFF THE TABLE, STOPPING HER PACING]
IRENE
Some picture of a bicycle?
[THERE’S A PAUSE AS IRENE STARES AT THE PHOTO, BEGINNING TO CALM DOWN.]
IRENE
[CAUTIOUS HOPE.] Is this really your bike, Rose? Why would you tear the basket off? You loved that basket. [WANDERING INTO DAYDREAM TERRITORY] You’d put flowers I got you in it and then ride around your block. Said it made you feel like you were in a painting.
[A BEAT.] Maybe I shouldn’t have kicked them—
[THERE’S ANOTHER KNOCK AT THE DOOR. IRENE STORMS BACK OVER TO IT.]
IRENE
[YELLING] I told you to get out! I’m not some stupid—
[SHE OPENS THE DOOR, AND REALIZES IT'S NOT THE AGENTS.]
IRENE
[EMBARRASSED] …dog.
TEEN
Well, I sure hope you’re not.
IRENE
[AWKWARDLY] Um, hi. Sorry, it’s just, someone else was just over and—
TEEN
Those two dudes? Yeah, they didn’t look very happy. That one guy, the one who had his tie undone for some reason, he had to chase one of the papers down the street. It was really funny.
IRENE
You were watching?
TEEN
Well, I didn’t realize you had a line going out your door of people waiting to talk to you.
IRENE
[DEADPAN] I’m new to the famous life.
TEEN
You’ll get used to it, I’m sure.
IRENE
Well, are you here to interview me and talk about my darkest secrets?
TEEN
That would be cool, wouldn’t it?
IRENE
[DISGRUNTLED] Not after the day I’ve had.
TEEN
Well, you see, I’ve actually been dying to meet you. My mom told me about you, said she met you at the store. I don’t know if you remember her, but from what she told me, it sounds like maybe you could use a bit of help.
IRENE
Your m— [IN SHOCKED AWE] Oh my god, are you the meat lady’s kid?
AVERY
Actually, my name is Avery.
Wanna grab lunch sometime?
[PHONE BEEP.]
[RECORDING ENDS.]
AUTOMATED VOICE
Today's quote is: "Most of the people are homesick anyway, and a little lonely, and they hide themselves in their hair and are turned into flowers."
Tove Jansson in Sculptor's Daughter, 1968.
[A PAUSE AS A HOLLOW NOISE BEGINS TO GROW IN THE BACKGROUND, FOLLOWED BY STATIC.]
AUTOMATED VOICE
[SLOWLY, AS IF STRAINED] Sometimes, when I close my eyes, I can feel it—
[THE VOICE IS CUT OFF BY STATIC.]
[OUTRO MUSIC & CREDITS PLAY.]
[AN EXTENDED PIANO VERSION OF THE NIGHT POST’S OPENING THEME PLAYS IN THE BACKGROUND.]
NIGHT POST PROMO
Hello there, citizen. You’ve lived in Gilt City for a while now. Maybe you’ve wondered, when you wake in the morning and retrieve the letters tucked neatly into your postbox, just where your mail comes from. It comes from the Night Post, of course. Those faithful couriers deliver it while you’re sleeping--all the better that they stay out of sight, and keep the unseemly strangeness that follows them out of our city, in the Skelter, where it belongs.
Ahem. If, for some reason, you’d like to know more about Gilt City’s conscripted couriers and the burden that chose them, their secret hopes and fears, the ancient, untamed threats that hound them on their nocturnal journeys--you have only to listen. The Night Post is a supernatural audio drama by an all-LGBT team, delivered weekly, in dead of night, to wherever you listen to podcasts.
Find answers at nightpostpod.com.
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OP Review #2: Death Note
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For my first solo review I wanted to review openings for another series very near and dear to my heart, Death Note. Death Note is my absolute favorite anime of all time (you can read my review where I gush about it here), so I’m very excited to dive into the openings! 
Death Note has two openings for its anime, “the WORLD” for the first 19 episodes and “What’s up, people?!” for episodes 20 to 37. They’re very interesting openings, I’m excited to dive into my thoughts on each!
“the WORLD” (link to OP)
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Category 1, Artstyle/Animation: The art and animation in this opening is incredible. Of course, it was made in the early 2000’s, so it isn’t as crisp and clean as the openings that we see now, but it’s still up there. The beautiful renaissance painting parodies across the opening, the detail to each character (even in moments where I’d imagine it’s REALLY hard to animate, like :08-:11 specifically), just the variety of shots in general is amazing. We never stay in the same environment for more than 3-4 seconds, the opening is always taking you to a different shot of a different character doing something that holds great symbolism to the story. It’s pretty great. They’re also able to pair the music REALLY well with the shots in the opening which is just… mwah. So good. 2/2
Category 2, Song: Bit of an unpopular opinion here… I’m not the biggest fan of the song by itself. I still love it paired with the opening, but when I hear people praise it as “a banger” in the same way that I’d applaud an opening song like “Sakura Kiss”, I just can’t agree. It’s a great song! I really like it! But I wouldn’t say it’s as god-tier as everyone makes it out to be. I rarely listen to it by itself, and I listen to a LOT of OPs when I’m driving/walking to classes so that’s saying a lot. One thing that’s pretty cool is that the song itself REALLY relates to the show. It’s in Japanese so even I missed it the first time around, but when looking up the lyrics some important/telling lines are  “I won’t let anyone interfere with everything that will come about from now on”, “am I a broken Messiah? everyone wished for a finale”, and “someday, I’ll show you a shining sky”. If you’re familiar with the show… it feels like an opening song directly made for this anime. I can respect that. 1.5/2
Category 3, Relevance: This opening is filled with symbolism and references. There’s a lot of Christian symbolism, nods to events in the show, at some points the way that certain characters are LOOKING represents different views in the series, I LOVE openings that are packed full of references like this one. I’m not going to do a full-blown analysis on the opening as A) I’m probably gonna miss stuff and B) that’d take too long, but there’s plenty of “Death Note OP analysis” videos out there so feel free to check those out if you’re interested. I love openings that connect so much to the show it’s just… so good. 2/2
Category 4, Originality: Like I mentioned, it’s pretty PACKED, so even if it does a stereotypical anime opening thing (characters in a line/walking dramatically, etc.) it’s not for a very long time, and it’s surrounded by plenty of originality. The pseudo-renaissance art, different shots of Light in his god-like mindset above the city, all the great shots of Misa, it’s great. I wouldn’t say this is your typical anime opening, even if it does have some familiar elements. 1.5/2
Category 5, Bias: I really like and appreciate this opening, but I’d never call it one of my top favorites. Not to give away too much of the second half of this review, but I actually like OP2 better, so more of my bias points will go to that. To keep it at an even score I’ll give it a 1/2
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Death Note’s first opening, “the WORLD” , scores an 8/10. I really like this opening, and even if it’s not one of my favorites I can respect how jam-packed it is with symbolism and references, which I always appreciate and like to see. Song is good too, not to the point that I listen to it by itself, but it’s a nice addition. 
“Whats up, people?!” (link to OP)
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Category 1, Artstyle/Animation: This opening upholds the same quality of animation as the first Death Note opening, if not even better. Shit gets crazy. I love the new effects and crazy backgrounds that this opening presents. Ryuk dancing with the apple, Misa on the bed sheets, Light in the MANY shots where he’s just losing his shit, and my absolute favorite shot with Light walking through his “ideal world”. This opening is so chaotic, which perfectly represents the latter half of Death Note… Light is losing his shit, everything is getting chaotic. 2/2
Category 2, Song: I might be in the minority here but I LOVE this opening song. It pairs with the opening so perfectly, and though I’m 100% not a heavy metal/screamo/whatever genre this is fan, I still absolutely rock out to this opening from time to time. My favorite part of the song also pairs with my favorite part of the opening, Light walking through his “ideal world”. The sudden calm pairs so perfectly with the scenery, and when it builds back up to the levels of madness it was at before it’s just gold. The lyrics… are interesting… lots of cursing and screaming and I can’t say it means a lot, it certainly sounds like what the inside of Light’s head probably sounds like by the end of the show. I love it. 2/2
Category 3, Relevance: While there aren’t as many symbolic shots as the first opening, a lot of it still relates to different characters in the show and how they’re portrayed. Misa, instead of being depressed and upset like she was in the first opening, is now simply doing her modeling biz, reflecting how she loses all of her memory of the Death Note in the latter half of the series. Light… we can all tell what the shots of Light are supposed to represent. He’s losing it. There’s a lot less L in the opening (for… sniff… obvious reasons), and all of the other important secondary main characters get pretty cool shots too. Going back again to my favorite scene in the opening (starting at :44), you can see Light walkling by all of the prominent figures in the second half of the series, with his view of each of them very clear based on where they are in comparison to him. In his ideal world, Mikami and Takeda are very prominent figures, with Mikami being closer to him than Takeda (shown by how he walks next to Mikami and away from/above Takeda (because… you know)). He also walks directly above Mello, who in his ideal world is living in the sewers, not much of a threat (which is pretty true for his role in the series). Finally we have Near, who lives in what would be darkness in Light’s ideal world, fighting against his idea of justice, perfectly representing how he views the figure “N” and how the series concludes. It’s just… I love it. While it doesn’t have meaning in every shot like the first opening, I still think that the second opening holds up with its madness and sprinkles of references thrown in. Also, seeing Light scream and thrash around is very therapeutic as he rarely loses his cool in the show. It’s nice… (  ̄ω ̄) 2/2
Category 4, Originality: This opening is anything but ordinary. Not many shows go this crazy with their opening song choice and visuals, and I respect Death Note for changing it up a bit. It’s pretty cool and memorable, definitely sets it apart from a lot of the generic openings out there. 2/2
Category 5, Bias: While this opening isn’t on my “TOP 10 EPIC ANIME OPENINGS OF ALL TIME” list, it’s definitely up there around #11 or #12. I’ll always remember this opening as being a crazy cool viewing experience, I still listen to the song until this day, and for that I’ll give it a 2/2 bias points.
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Yes, Death Note opening 2 scores a 10/10. Maybe I’m jumping the gun a little bit with this score but I really love this opening and think it deserves it! I’m probably in the minority with this opinion, hopefully not(?), but I have been confronted by a few friends going “?? how can you like the second opening better, the first is a classic” so please… don’t bully me. Death Note is my favorite anime, Light Yagami is probably my favorite anime character, clearly I already have pretty trash taste so don’t rely on me for the most “based” opinions~ (>ω^)
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Death Note openings are pretty damn cool. They’re definitely made with a lot of care, they have a lot of relevance to the plot of the show, and they’re anything but typical and ordinary! Love this series and love the OPs just as much!
-zantids
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