#it's about being wanted dead or alive...

[084392]

its nice to feel wanted

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[thosewildcharms]

Any personal headcanons on Rick and Michonne as a couple? Like their favorite things about the other, what they argue about, love languages ect. lol they’ve set up camp in my brain and I just want more of them 🙇🏻‍♀️

this is so funny because i've been thinking about their love languages ever since danai did that interview with YNB after 1x04! yvette said rick's is words of affirmation and michonne's is acts of services, and I definitely agree but I also think they display pretty much all of them, and quite a bit? rick is obviously into giving gifts and loves quality time (family fun day, begging her to spend just a few more days on the road in 7x12) and to say they both love physical touch is an understatement. this gorgeous gifset highlights it all beautifully.

anyway, some headcanons~

I really don't think they argue about much? they are very in sync most of the time. historically their big arguments are about how to handle major threats (negan, the crm, rick's PTSD) and since nothing bad is ever happening to them ever again because I said so there's no need to fight about those things anymore

michonne's favorite things about rick are how affectionate he is with his family, his strength, his accent, and his hair

rick's favorite thing about michonne is everything

i actually think they talk about books a lot. they're both nerdy as hell in different ways and love that about each other

michonne likes to cook and is very experimental while rick likes to bake (mostly secret family pie recipes) and they love feeding each other and their kids

michonne absentmindedly sings and does little dances when she's doing things around the house and rick stops whatever he's doing to lean against the wall and watch her and smile

that scene we saw in 9x01 where they cuddle up in bed and unpack their day was a ritual they started way back at the prison, even though back then it was obviously platonic (we do actually see them talking when everyone else is asleep several times throughout twd). they would linger and chat before heading to their respective cells at night. in the six years michonne spent without rick, she continued the tradition herself, talking to him out loud alone in their bedroom

rick DEFINITELY teases michonne about being oblivious to his feelings for her before The Couch

michonne hits back by teasing him about Whatever the Fuck He Was Doing With Jessie 💀

you didn't ask for grimes family headcanons but:

after they got home, michonne has a moment like that scene at the end of kill bill vol 2 and has a near silent hysterical laugh-cry of relief by herself in the bathroom before calmly walking back out to join her family. only rick notices

rick on the other hand is afraid to let any of them out of his sight. he spends the first six months he's back home being a total insomniac watching the three of them sleep because he's afraid if he closes his eyes he'll wake up alone back at the CRM

antony azor who plays rj is apparently very shy and reserved but opened up unexpectedly with andrew lincoln and so obviously this is also exactly what happened with rick and rj. father and son bonded INSTANTLY

his first night back, judith asks rick to finish reading the wizard of oz to her because he never got a chance to. it takes a good five minutes for him to compose himself but she does finally get the full story from her dad

rick and michonne do have an actual wedding ceremony, but it's just for them, judith and rj.

[shortnotsweet]

In a Week by Hozier ft. Karen Cowley

“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”

Johnny “Soap” McTavish has a journal. Had. It is his no longer.

Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.

It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.

[abijahfowler]

this mfer is mizus father because why the hell did he pull all that nonsense about indirectly answering her questions rather then immediately ratting out who her father was IF IT WASN’T HIM to spare his own life. why is he posing things like “you could be routleys.. you could be skeffingtons…” when he very clearly knows the damn answer. and WHY was he so mad at the “eyes like yours” comment that heiji made…. mizu just looks like her mother and those are my two cents.

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.

[cirrus-draws]

nearl utena paletteswap. is this anything

......wait, hold on...

[aardvaark]

i think hardison would be in lost media recovery communities online but he’d also be trying his hardest to make all recordings of a certain country singer named "kenneth crane" become lost media, and feel really kinda bad about it

[erregiulydraws]

*thinks about vol 19’s sleeve illustration*

*thinks about vol 19’s sleeve illustration*

*thinks abo

Bonus:

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[wackpedion]

Hey can we talk about how disheartening it is when as a disabled person unable to work you're given money to live off of but its actually nowhere close to being able to live off of? And how it makes no sense? I am disabled, I have been officially judged by the welfare department as being unable to and/or impacted in my ability to work, so theoretically the money I recieve is to make up for this and ensure that I can live, but it's literally not even enough to cover rent most places let alone other bills and food. I am lucky in that I live with my mom and she covers many costs, but not everyone has that option, that or staying with their parents or a partner means staying in an abusive or harmful environment, studies show disabled people are more likely to be abused. This system is trapping them. And so then you're presented with two choices: Work, no matter how hard and damaging it is to your mind and body and health so you might be able to live, or do what you can with what little money the government gives you, if it's even possible, at detriment to you and your quality of life.

And honestly, this just feels like the government doesn't care and wants us to die. That's the message they're sending, when they say "we recognize you can't work, but we won't give you the money you need to be able to live". And what's sickening is that the people around us don't bat an eye about this and may even think what we do get we don't deserve or is enough. My own father went on an angry tirade to me about how he has to pay alot of taxes, a portion of which go to this, which just tells me he doesn't care about me or my disabled friends and familys wellbeing. That he would rather us die or destroy ourselves working so he has a bit more money in his pocket. It's a sick individualistic mindset, to only worry about yourself, and not care about having a functioning society in which everyone is taken care of, including your family, friends, and even yourself, in the case you become disabled or simply grow old. Who doesn't want that? To be against that isn't only harming your close ones but also yourself. Why are you so upset about the idea of contributing to a society that takes care of its people.

This is a bit of an unprompted post, this topic has just been on my mind for a while. I wish things were better for us and that we could all live the lifes we deserve

[sealrock]

the major arcana, shuffled: 5/??

THE TOWER; ⤉ disaster, destruction, upheaval, trauma ⤈ resisting change, avoiding tragedy, delaying the inevitable, avoiding loss

[polysyndetonaddictsupportgroup]

literally no one was doing it like natsuno yuuki. he was genre savvy but he was also fucking gay so he still died. after his death he started dressing like the google search results for gay vampire. his only friends were his homoerotic bestie, an adult medical professional speed running his descent into madness, and two random kids he dug up his stalker’s grave with. he became a vampire and was immediately better at it than all of the other vampires but he thought they were bitches so he didn’t even tell them he turned. his last words was that he was never going to make it out of that town alive but if anyone could have it was him and that’s what makes him so tragic. he died trying to save someone who was never ever going to save him back. he wasn’t afraid to die because he was already dead. he burned the entire town to the ground mourning his own death and he didn’t do it to save a single goddamn person, he did it because they murdered him and he was going to fucking hurt them back for it. I’m obsessed with him

[dq9]

on one hand i do like eduarent bc theyre an interesting dynamic between the subtly obsessive freak and the naive arrogant fool esp in regards to how they interact and play around each others mere presences but on the other hand i think makoto should be allowed to skin laurent and eat his innards raw with zero legal repercussions

[zooophagous]

I see some notes on that Lovecraft post all "why aren't we also willing to look past Harry Potter if we're able to for Cthulu" and I gotta say death of the author works a loooot better when the author is actually dead.

[13reasonstoeatthatcake]

I really want to know how Lilith Sorrengail feels about trying her best to get her youngest daughter away from whatever it was that her dad supposedly found in the Archives after Brennan 'died', just to get said daughter even more involved with the tyrrish rebellion two: electric boogaloo.