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#it's his thing. spider hands
solarwreathe · 3 months
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look at them... couple'a cards. a little style divergence with @bleaksqueak's characters
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read solivaga here
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incorrect-spiderverse · 7 months
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Hobie: *pulls out a switchblade*
Hobie: "Alright, gang, let's do this!"
Miles: "Woah, since when do you carry a switchblade?!?"
Hobie: "It's a long story, Miles."
[earlier that week]
Hobie: *sees a switchblade in a store window*
Hobie: "Neat."
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"Mr. Dear, it won't bite you, it doesn't even have a mouth."
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dimensionzero · 10 months
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more atsv things that haunt me: pav doesn't originally have a watch.
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miguels-talons · 11 months
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across the spider verse did so well at writing miggy though. made him an anti-hero antagonist which fits his character SO well! he's willing to be the bad guy to reach the ends he believes are for the best of the plenty, not the few. he's doing what he thinks is best, and is willing to do anything- even be seen as the bad guy- to keep people and worlds safe, even if his view is kind of hazy on it (he has a bit of a bias towards miles)
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sincericida · 10 months
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Andrew’s hands appreciation post
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Bonus:
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I'm devastated
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lildoodlenoodle · 5 months
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Felicia was so cunty for this
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nyankoizumi · 1 year
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Who needs normal robot replacements with arms like these?
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Meet The Dark Lord 2.0. It's body was severely torn by The Second Coming, but with a little bit of technology, spider children and pure spite it turned himself into an eldritch horror. Good for him!
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dirtytransmasc · 1 year
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i’ve been wondering how quaritch the sullys or norm & the others scientists would react if spider actually got brain damage from the machine, like a speech problem or chronic illness and he becomes shaky, also how would spider himself deal with not being able to swing through trees safely anymore?
I've played with a disabled spider before, though I never posted it, so here's my idea of a potential symptom list; tremors/numbness in his hands, auditory processing issues, sensitivity to light and movement, focal seizures, a mild stutter, and fibromyalgia (cause we have to project a little). another thing is, he just drops sometimes, his legs give out from beneath him and he ends up in a pile on the floor, otherwise completely fine. he also gets phantom pains of the connection from the machine (from what I understand, that machine would feel like pulling your spinal cord out the base of your neck and plugging it into a car battery). Add that to his PTSD from the event, and you get one fucked up kid.
now we just apply this to his family.
for neytiri it's one hell of a wake up call; her neglect for the child allowed him to be kidnapped and he is no physically affected, seemingly for the rest of his life. spider was always weary of asking for help, but now that poses a massive threat to his wellbeing, and the mother in her aches at the realization that she did that to him, she made him feel unable to ask for help. its also really difficult to watch him go through his focal seizures after what had happened to kiri. she know's its wrong of her to want to care for him now after years of neglect, but she wants to right the wrongs. the only problem is, is the boy is terrified of her.
jake is forced to realize how spider is a lot like him, and then looking back and realizing he was always like him, he was just too blind and dumb see it the whole time. now his kid, if he even has the right to call him that (he doesn't), is struggling just to function, and he'd been the one to say 'he's a tough kid' and move on. he feels sick every time he looks at the boy, and he ends up avoiding him just like the rest of his problems.
kiri would be furious with her family for leaving spider behind when she had begged to look for him, and now because they left him with those people, he's in constant pain and fear, frustrated because he lacks control over so much of his body. she would be one of his biggest caretakers, as she knows how to go about it without being patronizing, though even then, her constant help makes him antsy.
lo'ak would feel... upset, angry, sad, frustrated. he doesn't have one word to describe it. I've talked about this with a few friends, but lo'ak, while he may not actually have these disabilities, feels very adhd and dyslexic coded in the way that his trauma and neglect/abuse present themselves within the narrative. especially in the sense that he was never accommodated for his own "shortcomings" and now he has a disabled brother and he's torn between his internalized "ableism" (loosely using that word to run with the example) that stems from pushing his needs below the surface and therefore expecting other's to do the same, and his want to take care of his best friend and brother. it's not that he wants spider to hurt himself by not hiding his disability, its just that he doesn't know what else he can do, because for so long he's tried to do exactly that with no help. it also really hurts watching spider go through his day to day life like that, especially in the early days when he and the people around him didn't fully understand what was wrong so he sorta had to suffer through trial and error.
tuk is a good kid, she probably accommodates spider best because things don't change unless they have to. she still plays with him, nags him, spends time with him all the same. she just adapts to his way of life. she doesn't treat him like he's fragile or in need of pity, and I could see her inadvertently putting him through some sense of physical therapy as she gets him up and about, using his hands, and such. she makes him smile even when he feels hopeless she's the best little sister he could ask for.
norm and max feel helpless, every time the offer to help him he shoves them off (cause they treat him like he's 5 years old and made of glass). they see him fading away, looking more and more dull by the day, they know he needs help or the injury won't heal and it will only get worse, they know they should have done more when spider went missing, but they can't do anything now and spider hates them (he doesn't he just doesn't like his brian being rummaged around in anymore then it has, he doesn't want to be fixed, he just wants to be. he's tired of everyone pitying themselves for not looking for him, tired of everyone worrying, he just wants things to be normal again.)
quaritch would hate himself, he had brought spider to ardmore, even if he hadn't known what the machine would do to him, he allowed it to happen, he let spider to get hurt, and now he tries to do everything he can to make it up to him. he took care of him in the field, pulled strings to get him under the table medical care back on base, was even willing to give him up to the sully's when it started getting really bad, cause even if they were and parents, spider would have a stable life with medical attention. he doesn't have any ill feelings towards his son or his disabilities as many would assume he would; he just wants his boy to feel ok, no matter what that means ability-wise. he's also one of the few people spider lets faun after him because he knows it's not out of guilt for abusing and neglecting him for years but for making a mistake that spider can't find within himself to blame him for.
(including the tonowari family, because I can, I love them too much to exclude them)
tonowari and ronal would throw a fit when they found out spider had been knowingly left behind with the RDA, especially because he knew what they were capable of doing firsthand, but also because he was clearly a worse father than the man he claimed to be running from (quaritch getting a redemption arc and being 'adopted' by ronal and tonowari is my favorite thing, sorry, I just can't leave it out). spider accepts treatment from her because its na'vi medicine, it feels right to seek the Great Mother's help in fixing what the Demons did to him. this quickly turns into him getting adopted, cause ronal has taken to this small human child, and tonowari just wants to see this boy happy.
ao'nung tries to throw hands with jake. that it, he treats spider like he would any other kid, any other brother, he just tries to kill jake for letting that happen to him.
tsireya is just a gentle soul to keep him company. she is a rock in the storm, always calm and caring, always asking permission to care for him, never assuming he wants her help. she holds him steady when the world around him is chaos.
now for spider himself? he feels even more useless and like a freak then before. he feels weak for being so screwed up by what he only lets himself think of as 'a flashy spinning machine' as if it wasn't created to break him. he would hate having attention on him because why should it have taken being tortured to receive this sort of attention? was being a kid not enough, he just has to suffer first? pair that with the fact that he is so self sacrificial and quick to defend the sully's he's shameful of his own anger. he's an emotional disaster, so many different though processes mixing and fighting with each other. but most of all he's frustrated, so frustrated, in the span of a few hours he lost the one thing he had, which was trust in his body, his physical capabilities that allowed him to survive on pandora and be a 'tough' kid that burdened no one. now he needs help with basic tasks and constant supervision so he doesn't just fall down and die somewhere.
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iwasbored777 · 9 months
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YouTube is saying that Prowler Miles was trying to rizz up our Miles and I'm in literal tears cuz I swear imo that scene felt unintentionally gay for some reason it's not like I was shipping cuz that's a little crazy but it didn't feel like they don't like each other and now I'm finding out that there is a big chance that they will work together in BTSV and oh my God. I know Miles' love story is with our Gwen but why does he have chemistry with everyone so much you can literally ship him with himself at this point 😭
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tsuyoiqueen · 5 months
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hot take: i need spideypool and lokius to go on a double date.
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transmascpeppino · 1 year
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idea : despite the Everything peppino isnt scared of bugs at all and actually really likes most bugs . noise on the other hand is scared shitless of bugs and will start screaming and crying and throwing up if he has to look at a cockroach
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milimeters-morales · 9 months
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(NOT ATSV) my ideal miguel and miles friendship (bordering on enemies) dynamic is where Miles is sort of a Mean Girls figure where he’ll say the worst things to Miguel, who actually has no problems dishing that shit right back out, is usually too fed up or somewhere else mentally to reply. They fight a lot, more physically than verbally, usually in a slapstick comedy type of way. Miles is banned from Nueva York once a month and got a restraining order against Miguel in his own dimension. His parents fucking hate him and Miguel hates them right back. Rio has tried and failed to poison him via food and Jeff is considering hiring a hitman. Gabriel is beloved by them. Miles takes Miguel’s money at least twice a week to go spend it just because he can. Miguel has tried (and succeeded once) to get Miles sick with a future illness because he figured out the lesbian bar Miguel liked to perform at in drag. Miles has cried at least once in every room of Miguel’s apartment and Miguel has been confused on what to do each time besides an awkward hug and pat on the back. People are rightfully worried for Miles’s safety at least 80% of the time but when they aren’t they’re shaking their heads at the two’s antics. They need to be separated until they have a healthy “this is a grown ass man / this is stupid little girl i don’t like at work” relationship and it’ll take an act of god for either of them to realize their current one isn’t healthy at all and has extremely negative impacts on their mental state.
#i wanna write this so badly bc like . this type of relationship with adults as a kid when you can’t 100% trsut them and place your safety +#in their hands is sooo interesting to write esp considering Miguel’s past and what Miles is used to#which is dangerous fights from adults (his villains) but also the loving ones like his parents his neighbors ripeter and peter b etc#and this miguel (imo) wouldn’t hurt miles on purpose because he knows the pain BUT he also doesn’t realize some shit is pain-causing both+#mentally and physically bc yknow some abused kids grow into adults who subconsciously do similar shit#and for Miles and Miguel to finally realize beating the shit out of each other almost constantly and the negative back and forth (if miguel#feels like talking that day) is just. not a good thing#it’s sort of like the way i write pavitr and miles’s relationship regarding their fighting because it’s genuinely helpful but#can seem borderline awful and physically abusive to each other#peter b is so fucking worried sometimes bc he sees Miguel in a completely different way than other people. like he’s off in lala land#like. he’ll see this 15 year old stickbug of a kid fighting his buddy Miguel who has been known to kill#he’ll say some fights tou just can’t win Miles… and Miles is setting Miguel’s apartment on fire#like they have good moments. okay. trust me. but a toxic friendship like the kind you see that people take too seriously from a show like.#idk bluey. or some kids show like that.#spiderverse fans DNI ‼️‼️‼️🤦🏾🤦🏾🤦🏾🤦🏾🤦🏾🤦🏾🤦🏾🤦🏾🤦🏾🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾‼️‼️‼️‼️#not ship never ship don’t even tag is as such bc i’ll just delete the post#miles morales#spiderman#spider man#gabriel o’hara#rio morales#jefferson morales#miguel o’hara#m&m posts
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daisyachain · 4 months
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Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.
Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.
This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.
The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.
Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.
If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.
Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.
All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.
#kelsey rambles#I’m as guilty of it as anyone.#just thinking about Johnny Storm and like. bisexual ass character. deeply bi guy. but.#what IF he’s just heterosexual. what then. wouldn’t that almost be…more interesting#if he’s Like That and not closeted? what twisty gnarled psychological torments would a good comic have to explain him#and on the other hand. that one post I saw about how miles/hobie totally misses the point that their relationship is about solidarity#spider-punk and spider-byte’s alliance with miles are the same thing and to read it as romantic erases the important part#and on a third hand. when speaking of miles’ story. the stupid fucked Bendis running joke/subtext with Ganke#to have Miles be gay would possibly take away from the messy and interesting part of his character that is being a person with nothing#to hide. a totally honest genuine straightforward kid who is forced to start a double life by an outside actor#but at the same time it’s dumb and a cop-out to throw in that much bait and that much of a genuinely charged tense friendship#and then go ‘lol jk. nothing to see here’#the other thing is the semi joke in atsv about ‘coming out’ as spider-man#the most important thing about Miles having to hide is his relatively precarious position as a black kid. he’s not afforded the leniency#that Peter Parker would expect if he got unmasked. Miles is more cautious because he is in more danger because he’s Black#so to paint that struggle with the gay brush is to disregard the character’s raison d’être. while also#using that sort of language and structure deliberately puts a gay lens over that character and ignoring that or kicking it to the side#feels a bit cheap. to borrow the look and not the substance#way too many tags and it’s past my bedtime. thesis statement is:#miles morales is a character whose history is fraught with plenty of real gay subtext and whose character struggles are entirely divorced#from any sense of gender performance. he’s subtextually bi but that’s got so little to do with his story that it feels almost wrong to read#that into him because there is so much other interesting stuff going on with him
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duckapus · 3 months
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Spider-Candace encounters the Impossible Man and is... notably unimpressed. She's only got room in her life for two guys with unusually shaped heads who regularly do the impossible, and frankly actual children who manage it with science and no (relevant) powers are far more impressive than an alien man-child who can just do it with a wave of his hand.
As you can imagine, Ol' Impy doesn't take that kind of immediate dismissal well.
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brutal-nemesis · 7 months
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Goretober III: Hematemesis (Written By Nemesis)
This one funny to me haha Castys so miserable he super loves the @coyotehusk goretober
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Ingredients: chocolate, emeto (blood!), poison, gore, noncon touching that is a little bit more intimate than normal but still unsexy
Today’s restraint of choice was a metal collar around his neck that was chained to the floor, and Castys wasn’t really a fan. Sure, it gave him more freedom of movement than the table or dangling on a hook, but it didn’t really matter when Kuro could pin all of his limbs down and still have her hands free, which was super unfair. And the chain attached to his collar was long enough to allow him to sit up, but he couldn’t stand at all, which he supposed was better than being forced to stand and not able to sit, but still. 
Right now, though, Kuro was sitting across from him, holding out what appeared to be a piece of chocolate. “Here, Castys. You deserve a little treat for being a good boy so far.”
“You know I’m, like, way older than you, right?”
“You’d be surprised,” she laughed. And hey, maybe she was pretty old, too, considering that he didn’t even know what exactly she even was.
He kind of wanted to refuse the chocolate on principle, but he was also not one to turn down a little treat, especially if it was candy. Warily, he took it, watching Kuro as he put it in his mouth, but she just watched him right back, unreadable as ever. The chocolate was good, and it’d been a long time since he’d had something sweet, or any food at all, really, so he tried to savor it, but the longer he kept it in his mouth, the more he started to taste something…odd.
He was a fucking idiot this wasn’t just chocolate of course it was laced with something-But as soon as he tried to spit it out, Kuro pounced on him, pinning his wrists next to his head, her hand covering his mouth. “Swallow, Castys. You deserve it, remember?” Castys tried to squirm free and spit what was left of the chocolate in her face, but Kuro didn’t budge, so he was forced to chew the rest of the chocolate and swallow, since it would just melt in his mouth if he kept it there. “There you go,” Kuro said, stroking his face and causing him to flinch, which of course just made her laugh. It was always so funny to everyone how much Castys hated being touched!
Finally, she got off of him, allowing Castys to sit up and scoot as far away from her as his short chain would allow. “What the fuck was in that?”
“We’ll see, won’t we?” Castys sighed in annoyance and crossed his arms, waiting for whatever stupid drug or poison she’d fed him to take effect. He felt fine at the moment, maybe a little chest pain, but…okay, it was starting to get worse. As time went on, the pain only got sharper, and he started to get nauseous, which wasn’t really unexpected but still not fun. 
Soon enough he really, really had to puke, but Kuro was still sitting there, just staring at him, and he didn’t want to give her the satisfaction. However, his stomach didn’t give a shit about Kuro, forcing him to lurch forward on his hands and knees and vomit. It sounded more…solid than he was expecting, like there were little bits of something in it, but it was hard to tell by looking at the dark puddle between his hands.
Having a Suspicion, he wiped his mouth on the back of his hand, and…yep, that was blood. “What’d you do to me?” he groaned, feeling even worse now that he’d thrown up, like the worst heartburn ever combined with an awful stomachache.
“It’s a special poison that sort of…destroys your stomach lining,” Kuro said lightly. “So your stomach acid is digesting you from the inside right now. I want to see if it’ll get fixed when you die.”
“It won’t.” Castys gave up and laid down on the cold stone floor, already feeling nauseous again. Well, this sucked ass. The acid was gonna eat through him no matter how many times he died until it…ran out? Did acid run out? Probably. Didn’t matter right now, he was gonna puke again, and he was barely able to get upright before even more blood spewed out of his mouth, splattering all over his arms and hands. 
Kuro laughed and picked up a little red chunk of something. “Ooh, I think this is part of your stomach. Looks like little pieces of you are coming up now instead of just blood clots.” Castys didn’t have the energy to reply, just lying curled up on his side as he coughed blood out of his nose and mouth, waiting for the next delivery of corroded bits from inside himself as the world spun out of focus.
He could hardly tell when he’d died or come back to life, the pain never really went away despite him having a stomach lining again since the rogue acid was no longer in his stomach. At some point Kuro tackled him so she could wrench his shirt up and look at the fun shade of purple his stomach area had turned, poking at it with interest. He’d stopped puking now and was just stuck lying there and groaning as his insides turned into soup.
It would stop eventually.
Right?
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