#jaye alexander

[battyaboutbooksreviews]

🌈 Queer Romances to Love All Year Round

🦇 Good morning, my beloved bookish bats. We're halfway through pride month, but there are still so many amazing queer books to read! To celebrate that love is love mentality, here are 78 queer romance novels you can add to your tbr! Don't forget to #readqueerallyear, and that none of us are free until all of us are free. 💜

❤️ Delilah Green Doesn’t Care - Ashley Herring Blake 🧡 Skye Falling - Mia McKenzie 💛 The Breakup Lists - Adib Khorram 💚 Prince of the Palisades - Julian Winters 💙 Solomon’s Crown - Natasha Siegel 💜 The Borrow a Boyfriend Club - Page Powars

❤️ Full Shift - Jennifer Dugan 🧡 A Shore Thing - Joanna Lowell 💛 Showmance - Chad Beguelin 💚 Exes & Foes - Amanda Woody 💙 Full Disclosure - Camryn Garrett 💜 When You Were Everything - Ashley Woodfolk

❤️ Playing the Palace - Paul Rudnick 🧡 I’m So (Not) Over You - Kosoko Jackson 💛 When Katie Met Cassidy - Camille Perri 💚 Captive Prince - C. S. Pacat 💙 The Lovers - Rebekah Faubion 💜 That Summer Feeling - Bridget Morrissey

❤️ Wild Things - Laura Kay 🧡 Experienced - Kate Young 💛 Lose You to Find Me - Erik J. Brown 💚 The Lesbiana’s Guide to Catholic School - Sonora Reyes 💙 Nate Plus One - Kevin van Whye 💜 Countries of Origin - Javier Fuentes

❤️ The Passing Playbook - Isaac Fitzsimons 🧡 But How Are You, Really - Ella Dawson 💛 Looking for a Sign - Susie Dumond 💚 The Prospects - KT Hoffman 💙 Last Night at the Telegraph Club - Malinda Lo 💜 Malice - Heather Walter

❤️ You Should See Me in a Crown - Leah Johnson 🧡 Let’s Talk about Love - Claire Kann 💛 Bonds of Brass - Emily Skrutskie 💚 Looking for Love in All the Haunted Places - Claire Kann 💙 The Stars and the Blackness Between Them - Junauda Petrus 💜 In Charm’s Way - Lana Harper

❤️ Everything Leads to You - Nina LaCour 🧡 Marriage of a Thousand Lies - SJ Sindu 💛 I Think I Love You - Auriane Desombre 💚 Lavash at First Sight - Taleen Voskuni 💙 The Bump - Sidney Karger 💜 The Disenchantment - Celia Bell

❤️ The Dos and Donuts of Love - Adiba Jaigirdar 🧡 Riley Weaver Needs A Date To The Gaybutante Ball - Jason June 💛 Epically Earnest - Molly Horan 💚 Out of the Blue - Jason June 💙 Flip the Script - Lyla Lee 💜 Imogen, Obviously - Becky Albertalli

❤️ Café Con Lychee - Emery Lee 🧡 A Little Bit Country - Brian D. Kennedy 💛 Late to the Party - Kelly Quindlen 💚 The Key to You and Me - Jaye Robin Brown 💙 What If It’s Us - Becky Albertalli & Adam Silvera 💜 The Falling in Love Montage - Ciara Smyth

❤️ The Love Curse of Melody McIntyre - Robin Talley 🧡 Meet Cute Diary - Emery Lee 💛 Love & Other Natural Disasters - Misa Sugiura 💚 Date Me, Bryson Keller - Kevin van Whye 💙 Just Your Local Bisexual Disaster - Andrea Mosqueda 💜 Pumpkin by Julie Murphy

❤️ She Gets the Girl by Rachel Lippincott - Alyson Derrick 🧡 Home Field Advantage - Dahlia Adler 💛 The (Un)Popular Vote - Jasper Sanchez 💚 Melt With You - Jennifer Dugan 💙 Cool for the Summer by Dahlia Adler 💜 Hani and Ishu’s Guide to Fake Dating - Adiba Jaigirdar

❤️ I Kissed Shara Wheeler - Casey McQuiston 🧡 Jay’s Gay Agenda - Jason June 💛 Triple Sec - TJ Alexander 💚 Finally Fitz - Marisa Kanter 💙 I’ll Be the One - Lyla Lee 💜 This Is Kind of an Epic Love Story - Kacen Callender

❤️ May the Best Man Win - ZR Ellor 🧡 One Last Stop - Casey McQuiston 💛 Late Bloomer - Mazey Eddings 💚 The Fiancee Farce - Alexandria Bellefleur 💙 Stars Collide - Rachel Lacey 💜 Truly, Madly, Deeply - Alexandria Bellefleur

[popculturelib]

From our collection: Love After the End: An Anthology of Two-Spirit & Indigiqueer Speculative Fiction (2020) ed. by Joshua Whitehead.

This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson.

The Browne Popular Culture Library (BPCL), founded in 1969, is the most comprehensive archive of its kind in the United States.  Our focus and mission is to acquire and preserve research materials on American Popular Culture (post 1876) for curricular and research use. Visit our website at https://www.bgsu.edu/library/pcl.html.

[bookclub4m]

Episode 182 - Lyric Poetry

This episode we’re talking about the format of Lyric Poetry! We talk about reading poetry out loud, translation, French Canadian dialects, and more!

You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Google Podcasts, or your favourite podcast delivery system.

In this episode

Anna Ferri | Meghan Whyte | Matthew Murray | Jam Edwards

Things We Read (or tried to…)

Entre Rive and Shore by Dominique Bernier-Cormier

Let Us Believe in the Beginning of the Cold Season: Selected Poems by Forugh Farrokhzad, translated by Elizabeth T. Gray Jr

Ledger: Poems by Jane Hirshfield

Rapture by Carol Ann Duffy

Goldenrod: Poems by Maggie Smith 

Good Bones: Poems by Maggie Smith 

Alive At The End Of The World by Saeed Jones

The World Keeps Ending, and the World Goes on by Franny Choi 

No Matter the Wreckage by Sarah Kay 

White Pine: Poems and Prose Poems by Mary Oliver

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire

Le premier coup de clairon pour réveiller les femmes immorales by Rachel McCrum

The Hurting Kind by Ada Limón

The Arkansas Testament by Derek Walcott 

Alive at the End of the World by Saeed Jones

Other Media We Mentioned

The Bronze Horseman by Alexander Pushkin

19 Ways of Looking at Wang Wei: With More Ways by Eliot Weinberger

The Raven by Edgar Allan Poe

“The Fish” by Elizabeth Bishop

When We Were Very Young by A. A Milne

Where the Sidewalk Ends by Shel Silverstein  

The Inferno of Dante: A New Verse Translation by Dante Alighieri, translated by Robert Pinsky

All Def Poetry 

milk and honey by rupi kaur

One Piece by Eiichiro Oda

Trailer for Netflix show

“Poetry Is Not a Luxury” by Audre Lorde (pdf)

Links, Articles, and Things

Lyric poetry (Wikipedia)

The Writer's Block

The Midnight Library: Episode 001 - Halloween Poetry

Chiac (Wikipedia)

Plasco Building (Wikipedia)

30 Recent Poetry Collections by BIPOC Authors

Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.

This booklist features books from BIPOC poets published in the past three years.

Chrome Valley by Mahogany L. Browne

Feast by Ina Cariño

Your Emergency Contact Has Experienced an Emergency by Chen Chen

Girls That Never Die: Poems by Safia Elhillo

Content Warning: Everything by Akwaeke Emezi

I Do Everything I'm Told by Megan Fernandes

Living Nations, Living Words: An Anthology of First Peoples Poetry edited by Joy Harjo

Song of my Softening by Omotara James

Spells, Wishes, and the Talking Dead / Mamaht́wisiwin, Pakos̊yimow, Nikihci-́niskot́ṕn : Poems by Wanda John-Kehewin

Burning Like Her Own Planet by Vandana Khanna

Phantom Pain Wings by Kim Hyesoon, translated by Don Mee Choi

Bianca by Eugenia Leigh

Finna by Nate Marshall

Slam Coalkan Performance Poetry: The Condor and the Eagle Meet edited by Jennifer Murrin

God Themselves by Jae Nichelle

You Are Only Just Beginning: Lessons for the Journey Ahead by Morgan Harper Nichols

I’m Always So Serious by Karisma Price

Homie by Danez Smith

Blood Snow by dg nanouk okpik

Promises of Gold/Promesas de Oro by José Olivarez with translation by David Ruano

That Was Now, This is Then by Vijay Seshadri

it was never going to be okay by jaye simpson

Dark Testament by Crystal Simone Smith

Unshuttered: Poems by Patricia Smith

Falling Back in Love with Being Human: Letters to Lost Souls by Kai Cheng Thom

Femme in Public by Alok Vaid-Menon

Time Is a Mother by Ocean Vuong

Find Her. Keep Her. by Renaada Williams

Rupture Tense by Jenny Xie

From From by Monica Youn

Give us feedback!

Fill out the form to ask for a recommendation or suggest a genre or title for us to read!

Here’s Matthew’s limerick. Write your own!

There once was a book club for masochists Whose members delighted in making lists They all had a blast Co-hosting a podcast That their friendship will always persist

Check out our Tumblr, follow us on Instagram, join our Facebook Group, or send us an email!

Join us again on Tuesday, September 19th it’s time for our One Book One Podcast episode as we all discuss the book Upright Women Wanted by Sarah Gailey!

Then on Tuesday, October 3rd get ready for Halloween because we’ll be talking about the genre of Horror!

[cynsualc829]

Happy Sensational Sunday radio listeners around the globe. It's time to vibe with Will Downing and those Wind Down Grooves!

Enjoy the music of The Brand New Heavies "Stay this Way,"

Musiq Soulchild Space," LUCY PEARL "Dance Tonight," plus a snippet of Will Downing's forthcoming single "What Part of My Love." The interpretation segment includes ALEXANDER O'NEAL and WILL DOWNING with their renditions of "Everything I Miss at Home." The Wind Down musical ride continues with the music of the Average White Band "School Boy Crush," Janay Nicole "Loving Me Down," Alexander O'Neal "Love Finds A Way," and Haitus Cayote "Fingerprints." This week’s spotlight is shining on the OHIO PLAYERS "FIRE 🔥 and Lover Rollercoaster." Closing out the show with the sounds of Seawind " Pra Vosé," EC3 featuring MISHA "You Know What It's Like," Miles Jaye "I've Been a Fool For You," and Benjamin Race Ft. Ellison Kendrick.

Tonight, beginning at 8 pm EST, 7 pm CST, 5 pm, PST, 1 am UK Time on the "WIND DOWN WARM PLACE" show.

Join Us!

🇺🇸 🇬🇧 🇩🇪 🇮🇹 🇬🇷 🇸🇩 🇿🇦 🇨🇦 🇧🇶

𝐖𝐏𝐔𝐑 - 𝐏𝐔𝐋𝐒𝐄 𝐈𝐍𝐓'𝐋 𝐑𝐀𝐃𝐈𝐎

pulseintlradio.com/

https://www.phazesintl.com/

#WillDowning #princeofsophisticatedsoul #winddown #sundayfunday #sundayvibes #rnbmusic #soul #soulmusic #international #global #weekendvibes #radio #radioshowhost #TheListeningExperience

[asian-heart-92]

A Real American Hero fancast (part 6)

Nicolas Cage as my choice #1 for Crystal Ball

Robert Downey Jr. as my choice #2 for Crystal Ball

Christina Ochoa as Alison R. Hart-Burnett/Lady Jaye

Alexander Ludwig as Philip M. Provost/Chuckles

Damian Lewis as Harlan W. Moore/Snow Job

Joe Manganiello as Ettienne R. LaFitte/Gung-Ho

Derek Mears as Croc Master, Cobra Blackstar, Darklon, an Interrogator, Ice Cream Soldier and Carcass

Daniel Kaluuya as my choice #1 for Seymour P. Fine/Sci-Fi

Timothy Eulich as my choice #2 for Seymour P. Fine/Sci-Fi

[dreamcastingbroadway]

Dreamcasting Broadway: RENT

“You don’t want baggage without lifetime guarantees; you don’t want to watch me die. I just came to say goodbye love.”

Dreamcasting Broadway: RENT

Brendan C. Callahan as Mark Cohen

Heath Saunders as Roger Davis

Melissa Barrera as Mimi Marquez

Vicki Manser as Maureen Johnson

Lilli Cooper as Joanne Jefferson

Fergie L. Philippe as Tom Collins

DeMarius Copes as Angel Dumott Schunard

Ryan Vasquez as Benjamin “Benny” Coffin III

Billy Joe Kiessling as Steve/Man with Squeegee/Waiter/Others (Mark u/s)

Caroline Lellouche as Mrs. Cohen/Ali/Others (Maureen u/s)

Cherelle Jay as Alexi Darling/Mrs. Davis/Pam/Others (Mimi u/s)

Elijah A. Carter as Paul/Cop/Others (Benny u/s)

Jaye Alexander as Mr. Jefferson/Pastor/Christmas Caroler/“Seasons of Love” Soloist/Others (Collins u/s)

JC Schuster as Gordon/The Man/Mr. Grey/Others (Roger u/s)

Nora Schell as Mrs. Jefferson/Woman with Bags/Mrs. Marquez/Sue/“Seasons of Love” Soloist/Others (Joanne u/s)

Alexia Sielo as Swing (Joanne u/s)

Courtney Mack as Swing (Mimi u/s, Maureen u/s)

Jacob Ryan Smith as Swing (Mark u/s, Roger u/s)

Ricardo A. Zayas as Swing (Angel u/s)

Taurean Everett as Swing (Collins u/s, Angel u/s, Benny u/s)

[unlimited-rice-puddin]

Titanique, The Musical Review: A truly unhinged, joyously chaotic masterpiece

Titanique, The Musical Review: A truly unhinged, joyously chaotic masterpiece

“Shall we go for it?” asks Marla Mindelle’s Celine Dion. You’d be mad not to. (more…)

[blackfemmecharacterdependency]

BFCD Masterlist: Video Game Characters

List will be updated as characters are introduced to the blog. Feel free to continue to submit characters as I do not play or really know video games and those that I didn’t find in searching/research, were fewer in number than the ones that I happened across or found by sifting.

Edit: The asterisk is for voice actors and I only included the Black female voice actors. That’s why they don’t all have them. (Some of them were for whatever reason voiced by some nonblack).

Alyx Vance Half Life * Ozioma Akagha | Amanda Amanda the Adventurer | Amanda Stern - Detroit Become Human * Simbi Khali | Anaya Imanu - Tombraider * Melissa Lloyd | Angrboda - God of War: Ragnarok * Laya DeLeon Hayes | Aveline De Grandpre - Assassins’ Creed

Bangalore (Anita Williams) - Apex Legends * Erica Luttrell | Billie Lurk/Megan Foster - Dishonored 2 * Rosario Dawson | Bow Kid - A Hat in Time | Bunny Brawler - Fortnite

Calamity - Fortnite | Chondra Unkrich - YIIK: A Postmodern RPG | Citra Talugmai Far Cry |  Clash (Morowa Evans) - Rainbow Six Siege * Sophia Walker | Claudette Morel - Dead by Daylight |  Clementine - The Walking Dead Game

Daisy Fitzroy - Bioshock Infinite * Kimberly Brooks | Darli Dagger - Samurai Shodown | Doctor Slone - Fortnite * Mara Junot | Dolores - The King of Fighters

Efi Oladele Overwatch | Eileen the Crow - Bloodborne * Jacqueline Boatswain | Elena - Street Fighter * Eva La Dare (Karen Dyer) | Eliza Skullgirls | Élodie Rakoto - Dead by Daylight | Eurydice - Hades The Game * Francesca Hogan

Flint - Brute Force * Monnae Michaell | Fliss Dubois ( Félicité DuBois)  - Man of Medan * Ayisha Issa | Frey Holland - Forspoken *  Ella Balinska

Grace - Fighting Vipers | Grace Sienar - Star Wars: Squadrons * Erica Luttrell | Grace Walker - Wolfenstein * Debra Wilson

Holiis Forsythe - Psychonauts * Kimberly Brooks 

Ikora Rey - Destiny The Game * Mara Junot |  Imani - Paladins |

Jacqui Briggs - Mortal Kombat * Danielle Nicolet, Megalyn Echikunwoke | Jade - Mortal Kombat |  Joslin Reyes Tomb Raider * Tanya Alexander | Julianna Blake - Death Loop * Ozioma Akagha

Kanna - Blast Master Zero | Kate Alen - F Zero

Lancer - Rogue Company | Layla Ellison - Redfall * Noveen Crumbie | Lifeline - Apex Legends | Liz Tuttle - Hogwarts Mystery | Lola Rembrite - Huniepop | Lydia Daybreak - Paradise Killer * Elli Osili Wood 

Mary - Pop N’ Music | Marina - Splatoon | Marlene - The Last of Us * Merle Dandridge | Melusi - Rainbow Six Siege * Sibongile Mlambo

Nadine Ross - Uncharted | Nilin - Remember Me | Nora Harris - The Last of Us * Chelsea Tavares | Nyoka - The Outer Worlds

Oerba Dia Vanille - Final Fantasy | Olara Horizon Zero Dawn | Olive Specter - The Sims |  Orisa Overwatch *Cherrelle Skeete |

Piranha Jet Set Radio | Plastic - Mirror’s Edge * Ozioma Akagha | Purna Jackson - Dead Island

Rae Sloane - Star Wars Aftermath | Regina Jones - Lily’s Garden | Riley Abel - The Last of Us *Yaani King | Robin Ayou - Subnautica Sub-Zero * Kimberly D. Brooks | Rochelle - Left 4 Dead | Rose Chapman - Detroit Become Human | Roxy Laveau - Mafia *  Kalilah Harris

Samina Ebadji - Horizon Zero Dawn * Jaye Jacobs | Senna - League of Legends * Kimberly Brooks | Shani Beyond Good and Evil | Shaunte By WayForward |  Sheva Alomar - Resident Evil * Karen Dyer | Shinobu Jacobs - No More Heroes *Kimberly Brooks | Stella - Spiritfarer | Sunny - Calico 

Talanji - World of Warcraft * Susan Wokoma | Talia - Lolirock | T-Bug - Cyberpunk 2077 | Tilly Jackson - Red Dead Redemption *  Meeya Davis-Glover

Vella Tartine - Broken Age *  Masasa Moyo | Vivienne de Fer - Dragon Age Inquisition 

Zahra - Indivisible *Secunda Wood | Zo - Horizon Zero Dawn  * Erica Luttrell | Zoey Wade - Choices: Stories You Play

[shesarealphony]




 

Even Cowgirls Get the Blues dir. Gus Van Sant/ Smalltown Boy by Orville Peck/ Big Eden dir. Thomas Bezucha/ Wild & Unruly by Laurel Alexander ( @100percentsassy​ @gloriaandrews​​)/ God’s Own Country dir. Francis Lee/ Sweet Creature/ Certain Women dir. Kelly Reichardt/ Taking Flight by Siera Maley/ Desert Hearts dir. Donna Deitch/ Lambing Season/ Orville Peck/ Wild/ Old Town Road, Lil Nas X/ Georgia Peaches and Other Forbidden Fruit by Jaye Robin Brown/ Brokeback Mountain dir. Ang Lee

[battyaboutbooksreviews]

🌈 Queer Romances to Love All Year Round

🦇 Good morning, my beloved bookish bats. We're halfway through pride month, but there are still so many amazing queer books to read! To celebrate that love is love mentality, here are 78 queer romance novels you can add to your tbr! Don't forget to #readqueerallyear, and that none of us are free until all of us are free. 💜

❤️ Delilah Green Doesn’t Care - Ashley Herring Blake 🧡 Skye Falling - Mia McKenzie 💛 The Breakup Lists - Adib Khorram 💚 Prince of the Palisades - Julian Winters 💙 Solomon’s Crown - Natasha Siegel 💜 The Borrow a Boyfriend Club - Page Powars

❤️ Full Shift - Jennifer Dugan 🧡 A Shore Thing - Joanna Lowell 💛 Showmance - Chad Beguelin 💚 Exes & Foes - Amanda Woody 💙 Full Disclosure - Camryn Garrett 💜 When You Were Everything - Ashley Woodfolk

❤️ Playing the Palace - Paul Rudnick 🧡 I’m So (Not) Over You - Kosoko Jackson 💛 When Katie Met Cassidy - Camille Perri 💚 Captive Prince - C. S. Pacat 💙 The Lovers - Rebekah Faubion 💜 That Summer Feeling - Bridget Morrissey

❤️ Wild Things - Laura Kay 🧡 Experienced - Kate Young 💛 Lose You to Find Me - Erik J. Brown 💚 The Lesbiana’s Guide to Catholic School - Sonora Reyes 💙 Nate Plus One - Kevin van Whye 💜 Countries of Origin - Javier Fuentes

❤️ The Passing Playbook - Isaac Fitzsimons 🧡 But How Are You, Really - Ella Dawson 💛 Looking for a Sign - Susie Dumond 💚 The Prospects - KT Hoffman 💙 Last Night at the Telegraph Club - Malinda Lo 💜 Malice - Heather Walter

❤️ You Should See Me in a Crown - Leah Johnson 🧡 Let’s Talk about Love - Claire Kann 💛 Bonds of Brass - Emily Skrutskie 💚 Looking for Love in All the Haunted Places - Claire Kann 💙 The Stars and the Blackness Between Them - Junauda Petrus 💜 In Charm’s Way - Lana Harper

❤️ Everything Leads to You - Nina LaCour 🧡 Marriage of a Thousand Lies - SJ Sindu 💛 I Think I Love You - Auriane Desombre 💚 Lavash at First Sight - Taleen Voskuni 💙 The Bump - Sidney Karger 💜 The Disenchantment - Celia Bell

❤️ The Dos and Donuts of Love - Adiba Jaigirdar 🧡 Riley Weaver Needs A Date To The Gaybutante Ball - Jason June 💛 Epically Earnest - Molly Horan 💚 Out of the Blue - Jason June 💙 Flip the Script - Lyla Lee 💜 Imogen, Obviously - Becky Albertalli

❤️ Café Con Lychee - Emery Lee 🧡 A Little Bit Country - Brian D. Kennedy 💛 Late to the Party - Kelly Quindlen 💚 The Key to You and Me - Jaye Robin Brown 💙 What If It’s Us - Becky Albertalli & Adam Silvera 💜 The Falling in Love Montage - Ciara Smyth

❤️ The Love Curse of Melody McIntyre - Robin Talley 🧡 Meet Cute Diary - Emery Lee 💛 Love & Other Natural Disasters - Misa Sugiura 💚 Date Me, Bryson Keller - Kevin van Whye 💙 Just Your Local Bisexual Disaster - Andrea Mosqueda 💜 Pumpkin by Julie Murphy

❤️ She Gets the Girl by Rachel Lippincott - Alyson Derrick 🧡 Home Field Advantage - Dahlia Adler 💛 The (Un)Popular Vote - Jasper Sanchez 💚 Melt With You - Jennifer Dugan 💙 Cool for the Summer by Dahlia Adler 💜 Hani and Ishu’s Guide to Fake Dating - Adiba Jaigirdar

❤️ I Kissed Shara Wheeler - Casey McQuiston 🧡 Jay’s Gay Agenda - Jason June 💛 Triple Sec - TJ Alexander 💚 Finally Fitz - Marisa Kanter 💙 I’ll Be the One - Lyla Lee 💜 This Is Kind of an Epic Love Story - Kacen Callender

❤️ May the Best Man Win - ZR Ellor 🧡 One Last Stop - Casey McQuiston 💛 Late Bloomer - Mazey Eddings 💚 The Fiancee Farce - Alexandria Bellefleur 💙 Stars Collide - Rachel Lacey 💜 Truly, Madly, Deeply - Alexandria Bellefleur

[fereality-indy]

Top Ten GI Joe Characters That Need A Figure

There have been many characters in the GI Joe mythos that were only made in one media or another but never in toy form. And I mean 1/18th scale here.

Now a lot of these (ok all but three) are females, but really that's cause really they are needed. the original line only had Scarlett, Cover Girl, Lady Jaye, Jinx, Baroness, and Zarana. The 97-98 lines added Volga & Vypra. Since the 01 we've added Bombstrike, Doc II, Helix, Shooter, Stilleto, Freestyle, Chameleon, Quarrel, Natalie Poole, the Vypra twins, Munitia, Crimson Asp, Dr. Biggles-Jones, the Undertow officer, Zanya, and Heart Wrencher. We have also gotten two sets of Cobra army builders in the Cobra Troopers and Night Stalkers convention sets. Now that may (or may not) seem like a lot but when you think about the fact that the line has had over 455 individual characters there could stand for a few more.    

01. Wade Collins - Hama-Verse - The former squad mate of Stalker, Snake Eyes, & Storm Shadow and father of Kamakura/Throwdown is long over due for a figure.

02. Cadet Deming - Sunbow-Verse - The female Crimson Guard cadet. The figure can then be repainted for a generic female Crimson Guard and current favorite Laura 343.

03. Firewall - Devil's Due - Joes new computer specialist is a white hat hacker. She stayed undetected for some time, until she hacked her way into U.S. Army computers and discovered the Army's experimental nano-mite program. She was arrested by the Feds, but they realized they could make use of her skills and she began working for the government.  

04. Hashtag - IDW Shared - An imbedded ROTC blogger brought onto the "public" GI Joe team in the IDW shared universe storyline.

05.  Dr. Knox - Hama-Verse - A robotics expert that seeks to improve upon the BATs. In the DD verse she ended up replace Dr Mindbender as the head Cobra scientist.

06. Alexander McCullen - Devil's Due - We've gotten Doc II, Billy, Kamakura, & Zanya. We just need one more to finish off the Next Gen and I'm looking right at you, Alexander.  

07. Mistress Armada - Devil's Due -  And since you can't have one with out the other, so we also need Mistress Armada. Alexander's companion and right hand women.

08.  Snake Eyes III (Dawn Moreno) - Hama-Verse - The standard bearer for the Hama-verse in recent years. Dawn has a great design.  

09. Evy - DiC - From one of the bright point episodes in the DiC era, Evy is a childhood 'friend' of Ambush  who joined Cobra as a Range-Viper.  

10.  Brainstorm - IDW Shared - One of the Fobbits (research and development greenshirts) from the early run IDW shared verse. He was one of the characters that made the series readable. 

Honorable Mentions Layla, Lola, General Rey & the Phoenix Guard, Mariner, Krake, Lighthorse, Bildocker, and of course @cobrapr​

[bookclub4m]

30 books by Indigenous authors published in the past 5 years

Since 2020, we’ve been sharing lists of books by authors of colour for every new genre we read - and with our non-genre episodes, sharing lists for the genres we covered in our early episodes. The early episode we’re creating a booklist for this month is Episode 009: Aboriginal / Indigenous / First Nations. Our booklist for this episode features works by Indigenous authors that have been published since that episode came out in 2016. All of the lists can be found here.

Fiction

Bawaajigan: Stories of Power edited by Nathan Niigan Noodin Adler

Indians on Vacation by Thomas King

There There by Tommy Orange

Black Sun by Rebecca Roanhorse

Jonny Appleseed by Joshua Whitehead

Non-Fiction

A Mind Spread Out on the Ground by Alicia Elliott

21 Things You May Not Know About the Indian Act: Helping Canadians Make Reconciliation with Indigenous Peoples a Reality by Bob Joseph

In My Own Moccasins: A Memoir of Resilience by Helen Knott

Indigenous Writes: A Guide to First Nations, Métis & Inuit Issues in Canada by Chelsea Vowel

From Where I Stand: Rebuilding Indigenous Nations for A Stronger Canada by Jody Wilson-Raybould

Young Adult

The Marrow Thieves by Cherie Dimaline

Fire Song by Adam Garnet Jones

Son of a Trickster by Eden Robinson

Strangers by David Alexander Robertson

Hearts Unbroken by Cynthia Leitich Smith

Picture Books

Bowwow Powwow : Bagosenjige-niimi'idim by Brenda J. Child, Jonathan Thunder, and Gordon Jourdain

You Hold Me Up by Monique Gray Smith and Danielle Daniel

Awâsis and the World-Famous Bannock by Dallas Hunt and Amanda Strong

We Are Water Protectors by Carole Lindstrom and Michaela Goade

Fry Bread: A Native American Family Story by Kevin Noble Maillard and Juana Martinez-Neal

Poetry

NDN Coping Mechanisms: Notes from the Field by Billy-Ray Belcourt

Holy Wild by Gwen Benaway

From Turtle Island to Gaza by David Groulx

it was never going to be okay by jaye simpson

Split Tooth by Tanya Tagaq

Comics

This Place: 150 Years Retold

Dakwäkãda Warriors by Cole Pauls

Surviving the City by Tasha Spillett and Natasha Donovan

Pemmican Wars by Katherena Vermette and Scott B. Henderson

Carpe Fin: A Haida Manga by Michael Nicoll Yahgulanaas

[sonyclasica]

BANDA SONORA

BANDA SONORA DEL MUSICAL DE BROADWAY MERRILY WE GOLL ALONG

Sony Masterworks Broadway, junto con los productores Sonia Friedman, David Babani y Patrick Catullo lanzan la versión digital de la nueva grabación del reparto de Broadway de MERRILY WE ROLL ALONG  de Stephen Sondheim y George Furth. El CD saldrá a la venta el 12 de enero de 2024.

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Producido por David Caddick, David Lai, Joel FramyMaria Friedman,el álbum fue grabado y mezclado por Ian Kagey en Berklee en PowerStationNYC y Renaissance Recording NY. La nueva grabación del reparto de Broadway incluye comentarios de la directora y productora del álbum, Maria Friedman, así como del antiguo crítico teatral jefe del New York Times, Ben Brantley. 

"La breve temporada inicial de Merrily We Roll Along podría no haber sido más que una nota a pie de página en la ilustre carrera de Stephen Sondheim si no se hubiera conservado su asombrosa partitura en la Grabación Original del Reparto de Broadway", afirma Scott Farthing, vicepresidente de Sony Masterworks U.S. "Es increíble que más de 40 años después, Masterworks Broadway haya tenido la oportunidad de conmemorar la célebre nueva reposición del musical para que conviva con el icónico álbum original".

Protagonizada por Daniel Radcliffe como Charley Kringas, Jonathan Groff como Franklin Shepard, y Lindsay Mendez como Mary Flynn, MERRILY WE ROLL ALONG también cuenta con Krystal Joy Brown como Gussie Carnegie, Katie Rose Clarke como Beth Shepard, y Reg Rogers como Joe Josephson. La compa��ía incluye a Calvin James Davis, Max Rackenberg, Brady Wagner, Sherz Aletaha, Maya Boyd, Leana Rae Concepcion, Morgan Kirner, Ken Krugman, Corey Mach, Talia Simone Robinson, Amanda Rose, Jamila Sabares-Klemm, Brian Sears, Evan Alexander Smith, Christian Strange, Koray Tarhan, Vishal Vaidya, Natalie Wachen y Jacob Keith Watson.

MERRILY WE ROLL ALONG está dirigida por la ganadora de varios Premios Olivier® Maria Friedman, con música y letra de Stephen Sondheim, libro de George Furth y basada en la obra original de George S. Kaufman y Moss Hart. MERRILY WE ROLL ALONG se estrenó oficialmente el martes 10 de octubre y estará en cartelera de forma estrictamente limitada hasta el 24 de marzo de 2024 en el Hudson Theatre (141 W 44th Street).

A lo largo de tres décadas en el mundo del espectáculo, MERRILY WE ROLL ALONG traza la turbulenta relación entre el compositor Franklin Shepard y sus dos amigos de toda la vida: la escritora Mary y el letrista y dramaturgo Charley. Un original clásico de culto adelantado a su tiempo, MERRILY WE ROLL ALONG cuenta con algunas de las canciones más célebres y personales de Stephen Sondheim.

MERRILY WE ROLL ALONG (NEW BROADWAY CAST RECORDING)

TRACKLIST:

Overture

Merrily We Roll Along

That Frank

First Transition

Old Friends -- Like It Was

Franklin Shepard, Inc.

Second Transition

Old Friends

Growing Up

Third Transition

Not a Day Goes By (Intro)

Not a Day Goes By

Now You Know

Gussie's Opening Number

It's a Hit!

Fourth Transition

The Blob - Part I

Growing Up (Reprise)

Good Thing Going

The Blob - Part II

Fifth Transition

Bobby and Jackie and Jack

Not a Day Goes By (Reprise)

Sixth Transition

Opening Doors

Seventh Transition

Our Time

MERRILY WE ROLL ALONG cuenta con un equipo creativo y de diseño formado por Tim Jackson (coreografía), Jonathan Tunick (orquestación), ganador de un premio Tony, Soutra Gilmour (diseño escénico y de vestuario), Amith Chandrashaker (diseño de iluminación), Kai Harada (diseño de sonido), Cookie Jordan (diseño de peluquería y pelucas), Jim Carnahan, CSA (reparto), Joel Fram (dirección musical y arreglos vocales adicionales), Catherine Jayes (supervisión musical), Alvin Hough Jr. (supervisión musical asociada), Kristy Norter (coordinación musical).

La obra de Broadway MERRILY WE ROLL ALONG está producida por Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland,

Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key To The City Productions, Richard Batchelder / Trunfio Ryan, FineWomen Productions / Henry R. Muñoz III, Thomas Swayne / Lamar Richardson, Abrams Corr / Mary Maggio, Osh Ashruf / Brenner-Ivey, Craig Balsam / PBL Productions, deRoy DiMauro Productions / Medley Houlihan, Andrew Diamond / Katler-Solomon Productions, Dodge Hall Productions / Carl Moellenberg, Friedman Simpson / Vernon Stuckelman, William Frisbie / J. J. Powell, Robert Greenblatt / Jonathan Littman, Cleveland O'Neal III / Tom Tuft, Roth-Manella Productions / Seaview y New York Theatre Workshop.

Esta producción de MERRILY WE ROLL ALONG se realizó originalmente en la Menier Chocolate Factory (Director Artístico: David Babani) y posteriormente se trasladó al Harold Pinter Theatre, donde cosechó el mayor número de críticas de cinco estrellas de la historia del West End antes de ganar el Premio Olivier a la mejor reposición musical.

MERRILY WE ROLL ALONG fue dirigida originalmente en Broadway por Harold Prince y producida originalmente en Broadway por Lord Grade, Martin Starger, Robert Fryer y Harold Prince en asociación con Ruth Mitchell y Howard Haines.

Las entradas están disponibles en MerrilyOnBroadway.com desde 87 dólares. Habrá un número limitado de entradas de 39 dólares disponibles para las representaciones de MERRILY WE ROLL ALONG mediante lotería digital. La lotería se abrirá para inscripciones en la aplicación TodayTix cada domingo a las 12:01 a.m. para las representaciones de la semana siguiente y se cerrará al mediodía del día anterior a cada representación. Los ganadores recibirán una notificación push y un correo electrónico entre las 13.00 y las 16.00 horas del día anterior al espectáculo seleccionado, y dispondrán de 30 minutos para comprar sus entradas en la aplicación. Los participantes pueden solicitar 1 o 2 entradas, y la participación es gratuita y abierta a todos. Haz clic aquí para descargar la aplicación TodayTix.

CONECTA CON MERRILY WE ROLL ALONG

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[dustedmagazine]

Dust Volume 6, Number 9

New Bomb Turks

Late summer in the oddest year in memory, and we are still, improbably, deluged by music. The world, it seems, will go out with a bang and a whimper and a steady four-on-the-floor, and we at Dusted expect to have headphones on when it all blows to smithereens. This month’s Dust covers the usual gamut, from milestone ambient reissues to several varieties of improvised jazz, from eerie folk to honest punk rock, from surprising debuts to unlooked for but welcome re-emergences. Two hurricanes, a hinged and unhinged convention, wildfires, confusing hybrid school plans and scorching days won’t stop us, and they shouldn’t stop you either. Some days music is the only thing that makes sense. Listen along with Ian Mathers, Bill Meyer, Tim Clarke, Jennifer Kelly, Justin Cober-Lake, Andrew Forell, Ray Garraty, Nate Knaebel, Jonathan Shaw, Ian Forsythe and Patrick Masterson.

Aix Em Klemm — Aix Em Klemm (Kranky)

Aix Em Klemm by Aix Em Klemm

If there’s one word that probably applies to most fans of Stars of the Lid and its many peers and offshoots, it might just be “patient.” Which means the fact that Aix Em Klemm, the so-far one-off duo between SotL’s Adam Wiltzie and Labradford/Anjou’s Robert Donne, put out this stunning record just under 20 years ago and haven’t followed it up yet is probably regarded more as unfortunate than maddening. With Kranky issuing Aix Em Klemm on vinyl for the first time, though, and even saying of the duo “they still collaborate musically so new Aix Em Klemm recordings remain a possibility,” it’s a perfect time to both appreciate what they did actually give us and maybe just gently lament that there hasn’t been any follow up (yet?). From the reserved vocals that introduce “The Girl With the Flesh Colored Crayon” before it ebbs into beautifully reassuring drones, to the closing, improv-ed highlight “Sparkwood and Twentyone” (written and recorded on the day, after a year or more of trading tapes and mulling a collaboration), Aix Em Klemm stakes out its own unique place in the oeuvres of its creators and its transporting enough that a little over 40 minutes never feels like enough. Still, we can wait for more.

Ian Mathers

 Lina Allemano’s Ohrenschmaus — Rats and Mice (Lumo)

Rats and Mice by Lina Allemano's Ohrenschmaus

Pop the word Ohrenschmaus into a translator program and you’ll find that it’s German for “ear candy.” The choice of language makes sense, since the name applies to Canadian trumpeter Lina Allemano’s Berlin-based trio. But the imagery breaks down, since the music that she, electric bassist Dan Peter Sundland and drummer Michael Griener play isn’t sweet and easy. Allemano’s compositions are concentrated, full of events that are involving to follow and demanding to negotiate. One might expect the group’s configuration to leave plenty of room, but between the contrasting written events and the enthusiastic elaborations that the players work upon them, this music does not feel spacious at all. Griener shifts between skin and metal surfaces, and Sundland detonates flurries of activity, but the busyness of their activity never seems gratuitous. No, it’s just the thing to amplify the eventfulness of their leader’s fluent and wide-ranging playing.

Bill Meyer

 Jaye Bartell — Kokomo (Radiator Music)

Kokomo by Jaye Bartell

2016 Light Enough introduced me to Jaye Bartell’s pleasingly deep and measured vocal delivery and his elegant way with a tune, reminiscent of Leonard Cohen or M. Ward. There and on this new album, his words have the precision and droll humor of a writer sharply aware of the impact of a well-turned phrase. Kokomo takes its title from the faintly ridiculous and pathologically catchy Beach Boys song featured in the soundtrack to Cocktail. Bartell posits here that too often we live trying to bridge the gulf between our dreams and reality — and how tragi-comic this can be. Tellingly, Bartell’s music is sober and deftly played, but with a lightness to its step and a glint in its eye. (Look no further than the lovely, lilting “Sky Diver,” with its brushed drums and harpsichord.) He’s a smart, reassuring companion, someone who has gone the extra mile for his craft and doesn’t see the need to jump through hoops to catch your attention.

Tim Clarke

 Kath Bloom—Bye Bye These Are the Days (Dear Life Records)

Bye Bye These Are The Days by Kath Bloom

You might know Kath Bloom from her 1980s work with Loren Mazzacane Connors or from her spectral “Come Here” featured prominently in the 1995 film “Before Sunrise.” Her high flickering soprano, fluted with vibrato, is instantly recognizable, grounded in down-to-earth folk music, but tinged with otherworldly spiritual resonance. And oddly, her voice hasn’t changed much over the years. Up to last year (before the world fell apart), she was still performing periodically in Connecticut and Western Massachusetts, and now we have a new record from her, some 40 years past her Daggett Records debut. Here, her songs are gently shaped around her distinctive voice and twining dual guitars (she plays with fellow Connecticut musician Dave Shapiro of Alexander), yet not soft. They have a wiry idiosyncracy and a resistance to cliché, and the way the guitars work together is rather lovely. I like “When Your House Is Burning,” a song where the central metaphor—a burning house—is so precisely described that it may not be a metaphor at all, not a stand-in for musings on the value of connection, the fleetingness of stuff, but the thing itself. Bloom adds harmonica for the pensive “How Do You Survive,” a song about aging with grace and humor, and in her worn-in voices, the melody stretches out like spider web, transparent but nonetheless very strong.

Jennifer Kelly

 Catholic Guilt — This Is What Honesty Sounds Like (Wiretap)

Catholic Guilt really want us to get their honesty (there's no irony in the new EP's title This Is What Honesty Sounds Like). Authenticity has long been a vaunted (or derided) element of pop music, but the Melbourne-based quintet aren't posturing. They deliver straightforward rock with straightforward thinking, but that doesn't mean the music's easy. The group looks at the world with a mix of dismay and hope, as if they recognize that life is difficult but we don't have to let it kill us. The new EP leans into pop-punk, letting the upbeat approach direct the energy of the two standout tracks. “A Boutique Affair” looks at the challenges of increasing isolation as we age: “It's hard to make friends in your 20s / It's even harder to make 'em in your 30s / At this point I'm really dreading / The thought of making it to my 40s.” Vocalist Brenton Harris might wonder why we should bother growing, but he's determined to age loudly. Single “The Awful Truth” turns its pop guitars into rage as it looks at the sex abuse scandal in the Catholic church. By the time Harris says, “I can't wait to watch you burn,” it's clear that the truth may be awful, but at least it's honest.

Justin Cober-Lake  

 Cutout — Cutout (Driff)

Cutout by Jorrit Dijkstra, Jeb Bishop, Pandelis Karayorgis, Nate McBride, Luther Gray

The name Cutout implies removal, but that won’t get you very far in understanding this Boston-based jazz quintet’s music. Quite the contrary, Cutout’s performance dynamic involves judicious addition by a group of musicians who have made a long-term commitment to playing together. Alto and soprano saxophonist Jorrit Dijkstra and pianist Pandelis Karayorgis have been business and creative partners for years. They are the co-operators of Driff Records, all of whose releases feature one or both musicians, and they have shared several ensembles, including the large band Bathysphere, the Steve Lacy-themed Whammies, and Cutout. Trombonist Jeb Bishop, bassist Nate McBride, and Luther Gray often show up in these groups, and their smooth execution of sharp corners and sudden turnarounds reflects their shared understanding. What distinguishes Cutout from their other bands is the way they bring material by all five members into the set. Some of this album’s six tracks are single compositions, but others are sequential suites joined by improvisations. There’s plenty of dynamite soloing at work here, but the most intriguing turns come when one of the players elegantly links a couple of his bandmates’ compositions.

Bill Meyer

 Tim Daisy & Ken Vandermark — Consequent Duos: series 2a (Audiographic)

Consequent Duos: series 2a by Tim Daisy & Ken Vandermark

Ken Vandermark is a notoriously busy guy; in any ordinary year, the multi-reedist logs an extraordinary number of miles traveled, gigs played, records released and musical partners engaged. This 75-minute long recording braids together three threads of inquiry. It inaugurates the second volume of Consequent Duos, a shelf-full of improvised duos played in North America, mostly with Americans. And as with the other volumes of series 2a, it is a download-only release, part of a sequence of album-length recordings that may not be deemed to be major efforts, but that nonetheless don’t deserve to be filed away forever on some hard drive. Finally, it shares one night in Vandermark’s two decades and counting relationship with drummer Tim Daisy. It takes about ten seconds of any random selection from this concert recording, which preserves what went down one Sunday night in August 2011, to hear why these guys keep working together. The trust and empathy forged by playing literally hundreds of concerts together manifests in music that feels effortless, no matter how technically demanding it actually is. Whether it is the sound of drums being played at a galloping pace with the lightness of knitting needles while the baritone sax pops and roars eruptive masses of sound, or the bass clarinet leaping and trilling with joyous abandon while the percussion swings with dance beats that could get you arrested in certain countries, these guys know just how to make each other sound really good.

Bill Meyer

 The Dillards — Old Road New Again (Pinecastle)

The Dillards' influence on popular music outstrips their own fame (they might even be as well remembered for appearing on The Andy Griffith Show as they are for their proper recordings). The group became an important part of the development of country-rock, especially as they expanded the possible sounds of bluegrass. Nearly 60 years after their first release, they return with Old Road New Again. Only Rodney Dillard (sounding younger than his age) remains from the initial lineup, but he brings along a number of guests to fill out his act. Don Henley appears, and if “My Last Sunset” drifts into Eagles territory, that's no surprise, but Ricky Skaggs, Sam Bush, and others prove the act has plenty of flexibility left in it, whether cutting an original or reworking a classic like “Save the Last Dance.” The album winds down with “This Old Road” and a recounting of some musical history through playful allusion. Even as Dillard looks back, though, he thinks about new ways to push forward. Although the record could work just as reminiscence, the artists show more interest in what comes next.

Justin Cober-Lake

 Fire! Orchestra / Krzysztof Penderecki — Actions (Rune Grammofon)

Rune Grammofon · Fire! Orchestra - Actions (excerpt)

The Fire! Orchestra is not so much Swedish saxophonist Mats Gustafsson’s big band as his big house, the place where he can bring his myriad interests together and invite them to interact. They have already taken on free jazz, krautrock and abstracted songcraft, so why not one of the earliest documents of post-third stream classical-jazz interaction? Polish composer Krzysztof Penderecki originally composed Actions for Free Jazz Orchestra after hearing the Globe Unity Orchestra and handed it off to trumpeter Don Cherry to realize its first performance in 1971. Cherry’s imprint upon Gustafsson is deep; where do you think his long-running trio, The Thing, got its name? But this is no mere recreation. Some of Fire! Orchestra’s members weren’t even alive when the first version was performed, so the task is to find a way of playing the piece that makes sense now. So, they stretch things out, letting passages evolve organically. Special credit is due to the three-piece, whose contributions melt and glow.

Bill Meyer

 Ganser — Just Look At That Sky (felte)

Chicago quartet Ganser explores the bewilderment, claustrophobia and anxiety induced paranoia of the times on their latest album Just Look At That Sky. Brian Cundiff’s lockstep drumming anchors the record as Charlie Landsman whips out driving chords and intricate riffs that summon touchstones like Ian MacKaye, Thurston Moore and Rowland S Howard and push the songs to the edge of control. Spiky, equally detached and declamatory, Alicia Gaines (bass) and Nadia Garofalo (keyboards) share vocal duties working inside the kinetic rhythms to explore an interior world reactive to circumstance but seeking paths forward.  

Centerpiece “Emergency Equipment and Exits” demonstrates what the band can do when they stretch out and build layers of dread; Cundiff and Gaines drop into a propulsive groove as Gaines sings of parties past and now lost to the new reality: “Swallowing negative space/Like DB Cooper falling/Until I too am nothing/And it all seemed so big.” The tempo drops, a lonely keyboard riff, the song builds as Gaines intones “It’s a long way down” and Landsman’s guitar howls into the ether. The combination of exhilaration and enervation encapsulates the power that makes Ganser stand out amongst their peers working at similar intersections of post punk and art noise.

Andrew Forell  

 Godcaster — Long Haired Locusts (Ramp Local)

Long Haired Locusts by Godcaster

Possibly it’s the pandemic, though the trend seems to predate early 2020, but we have not heard a lot of over-stuffed, over-instrumented, over-the-top art-prog ensemblery lately. Godcaster, from Philly, busts the one-guitarist-on-the-couch paradigm wide open in this manic, Zappa-esque adventure. First of all, there are half a dozen musicians, augmenting the usual bass/drums/guitar with outre axes like flute, trombone and a variety of synthesized keyboards. All six of them lock into wiggy, hyper funky overdrive in opening salvo “Even Your Blood is Electric.” It’s a righteous groove, a tight and feisty disco extravanganza that mutated in the lab, but that sells it short and blurs the complications. Other cuts take the temperature down, but not the oddity. “Apparition of Mother Mary in My Neighborhood” feels like an almost pop song, though conceptualized by a 12-tone composer and interpreted in odd-numbered time signatures. Long Haired Locusts is too precise and earnest to be a gag, but an anarchist sense of humor pops up, as in the single “Don’t Make Stevie Wonder Wonder,” a Curlew-ish irregular jam punctuated with jump-rope chants. All these cuts have a lot of moving parts, a sense of play and a manic attention to detail, and if you’re sick of sad folksinger live streams, Godcaster could be just what you’re looking for.

Jennifer Kelly  

 Haptic — Uncollected Works (2005-2010) (Haptic)

Uncollected Works (2005-2010) by Haptic

Haptic is best characterized as a Chicago combo. Even though one or another of its members has lived out of town for roughly a third of their existence, the influence that such a situation has on their work’s pace only confirms that they are a band that needs to share space to get much done. The recordings on this DL-only collection of compilation contributions and curios dates from the first third of their existence, when Steven Hess, Joseph Clayton Mills, and Adam Sonderberg got together on a weekly basis. Heard end to end, these tracks don’t sound much alike. But whether the project at hand is framing a few piano noises with collected sounds, stretching out a bell’s toll, or patiently exploring the potential of signal corps training jazz, it sounds like the work of a common understanding about how sound can be molded and reframed.

Bill Meyer

 Boldy James — The Versace Tape (Griselda Records)

On his third album this year, Boldy James pairs up with Jay Versace, but despite a change in producers, there is little to distinguish the three tapes. After a long hiatus Boldy churns out music to flood the market, and every new tape causes head-scratching. Was it necessary to release this? As a stone cold pro, Boldy never repeats himself. He also never says anything new. His blueprint is all business talk with designer names splashed here and there: “First come, first serve, first through the third, no dealings \ Mama, I apologize, ain't mean to hurt your feelings.” When he steers towards Mafia references in his songs he sounds a bit archaic (but he already sounded retro when he first started in early 2010s). On The Versace Tape, as always, he raps like he’s not giving us the whole picture. He’s holding back, but maybe what’s left unsaid is the best part.

Ray Garraty  

 Madeline Kenney — Sucker’s Lunch (Carpark)

How big can a pop song go? This Oakland songwriter’s third full-length is boundlessly expansive without being particularly loud, the choruses swelling effortlessly, like a soap bubble blown to the size of your head. Kenney worked with Wye Oak’s Jenn Wasner and Andy Stack to produce Sucker’s Lunch and taps Lambchop’s Kurt Wagner, Boy Scout’s Taylor Vick and film composer Stephen Steinbrink for vocals. “Tell You Everything” is translucently gorgeous, layers of guitars, drum, percussion and saxophone shifting in iridescent patterns that never overwhelm its sleepy vocals. “Jenny” increases the friction, with a hard beat, surging synths and shoe-gazey gloss on the guitars, but sweetness in the vocals. Kenney’s subject matter is love and its complications, but she ends the disc in “Sweet Coffee” with a lucid purity. “I’m making coffee,” she croons in a breathy voice out of dreams, “Won’t you sit with me?” Sure, let me pull up a chair.

Jennifer Kelly

 Josh Kimbrough — Slither, Soar and Disappear (Tompkins Square)

Slither, Soar & Disappear by Josh Kimbrough

Writing an album in the spaces around an infant’s schedule is a delicate business, but Josh Kimbrough managed it quite well on this lovely album. His finger-picked rambles unfold like the slip-sliding time in a baby’s first year, a tumble of frantic activity interspersed with quiet, contemplative intervals. Kimbrough, a veteran of the North Carolina-based Trekky Collective, plays softly but with precision on acoustic solo pieces like “Sunbathing Water Snake” and “Giant Leopard Moth,” but his work really takes on warmth and resonance when he invites collaborators into his quiet, sunlit world. Blues-flecked “Two-thirds of a Snowman” gains an eerie glow from Andrew Marlin’s mandolin, which echoes Kimbrough’s licks in an upper register like the light hitting a shadowy corner. A sustained synth note in “Glowing Treetops” glitters like the surface of a pond—that’s Jeff Crawford of the Dead Tongues, who also play some bass—while gentle bent guitar notes zing like mosquitoes off its clear, cool liquid surface. Bobby Britt loops lush fiddle flourishes around this and other Kimbrough melodies; a rich, subtle blend of string timbres enlivens many of these tracks. The natural world also makes its appearance as well, most prominently in weather-haunted “The Shape of the Wind Is a Tree,” though the album’s light, clean tone throughout is like an open window. And yet despite multiple intermeshing elements, the album works very gently, light and soft enough not to wake a sleeping little one. “Simon’s Lullaby,” near the end, is beautifully communal, supporting Kimbrough’s clear, pensive guitar with the reassuring throb of cello, the bright promise of flute. Much of child raising is a solitary process, but Kimbrough’s meditation on it is not.

Jennifer Kelly

 Kimmig-Studer-Zimmerlin And George Lewis— Kimmig-Studer-Zimmerlin And George Lewis (Ezz-thetics)

Violinist Harald Kimmig, cellist Alfed Zimmerlin and double bassist Daniel Studer have been mapping out the possibilities of extra-idiomatic improvisation since 2009. They favor juxtapositions of raw and refined timbre, and in their roiling web of activity, the quicker a gesture passes, the more impact it seems to have. The Middle European trio matches up well with American trombonist/electronicist George Lewis, who is likewise devoted to making music spontaneously and unbounded by genre prescriptions or proscriptions. There are passages where it sounds like the four musicians have transcribed muttering and stifled laughter into musical activity. This incomprehensible vocal quality proves magnetic, drawing the listener ever deeper into the fray. While some might object to “chatty” improvisation, in this company, it’s a virtue.

Bill Meyer

Matmos — The Consuming Flame: Open Exercises in Group Form (Thrill Jockey)

The Consuming Flame: Open Exercises in Group Form by Matmos

Given the vigor with which Drew Daniel and MC Schmidt approach all of their work, it’s surprising to find Matmos’s new album, The Consuming Flame, to be somewhat lacking in cohesion. Like many of their previous releases there is a unifying concept — in this case, they corralled musical contributions recorded at 99bpm from 99 contributors — but it feels like the creative limitations they imposed on this project weren’t quite stringent enough. Inevitably, given the wide range of contributors (including Oneohtrix Point Never, Yo La Tengo and Mouse On Mars) and Matmos’s formidable technical virtuosity, there are plenty of satisfying passages that feature inventive vocal cut-ups, ear-catching beats and playful juxtapositions, but the presentation of these ideas within three continuous hour-long collages makes it hard to sift the gold as the music flows past. Bizarrely, the album’s presentation on Spotify is more listener-friendly, with each of the three discs broken down into digestible tracks that can be easily trimmed from the bigger picture to assemble your own collage of favorites.

Tim Clarke  

 Meridian Brothers — Cumbia Siglo XXI (Bongo Joe)

Cumbia Siglo XXI by Meridian Brothers

Eblis Alvarez, the sole musician behind the long-running Colombian space roots experiment known as Meridian Brothers, takes inspiration from like-minded predecessors in Cumbia Siglo XX for this electro-shocked take on coastal cumbia. Eerie blasts of jet-set synthesizer, buzzing funk bass and video game bleeps and bloops haunt the clip-clopping rhythms of these mad ditties. It’s like a Star Wars space port built on the verge of primitive villages, donkey tails swatting flies while lazer beams zip by. “Cumbia de la fuente” gene-splices syncopated hand-drum beats and traditional-sounding choruses with the splintered buzz of synth bass and glittery spurts of MIDI-generated arpeggios. It’s a hot tropical celebration lit by UFO glow. “Puya del Empresario” nudges a hip swaying cumbia rhythm to the foreground, but blares a rough-edged synth riff over it. “Cumbia del Pichaman” transforms Dusty Springfield’s “Son of a Preacherman” into a surreal technological marvel, buzzes and squeaks punctuating the offbeats like a DIY version of Zaxxon gone soft in the equatorial heat.

Jennifer Kelly

 Nas — King’s Disease (Mass Appeal)

Like all of Nas’s output in this century, King’s Disease, his 13th album, is pretty much unlistenable. King from the title here has two meanings. Every black man is a king (every woman is a queen) or should be. And second, it reminds that Nas is a king of rap, even though his royal days are long over. But even kings had to live on crumbs of their fame. With regard to the current moment in history, the album compels the listeners to unite and wear their blackness proud. Nas’ idea for achieving that? Just listen to his truisms and patronizing rants. On “Ultra Black” it’s “We goin' ultra black, I gotta toast to that”. On ‘Til the War is Won”, dedicated to women, it’s “May God gives strength to women who lost their sons \ I give all I have 'til the war is won.” All Nas gives to a black community is his bad music and maybe some charity. Every track here is to some degree about empowering black people, yet the only person Nas ends up empowering is himself. Every line on King’s Disease is disguised as virtue signaling, and the last thing we all need now is patronizing advices from rap millionaires.

Ray Garraty

The New Bomb Turks — Nightmare Scenario: Diamond Edition (Self-released)

Nightmare Scenario - Diamond Edition by New Bomb Turks

It would be understandable if, upon hearing the New Bomb Turks 1993 debut full-length, Destroy-Oh-Boy!, you thought to yourself, "They'll never top this." You wouldn't necessarily be wrong, but you'd be neglecting a much larger story and a key release in their catalog, 2000's Nightmare Scenario. With their debut, the Ohio quartet built a distinct machine out of familiar parts: cheap-lager-fueled thrash, butterflyin'-around rock 'n' roll swagger and barstool-philosopher lyrics. And with the possible exception of fellow buckeyes Gaunt, no other band at the time combined those attributes in quite the same way. It was as if America finally had its own Saints. The Turks would go on to make five more LPs over the next decade. Though lost in the shuffle a bit after jumping to Epitaph in 1996, the band were never going to become darlings of that label's skater boi base anyway. You certainly can't blame them for trying to reach a new audience nor should you overlook the output from that era. 2000's Nightmare Scenario, their third for Epitaph, is gritty, witty, and so full of Midwest blastitude you'd think it was year zero at Datapanik (or at least 1991). Yet to hear the album in its original mixes by Detroit studio guru Jim Diamond, newly issued for the 20th anniversary of its release, is all the more gratifying. It's stripped of that extra coat of paint found on the original, and it reveals what a decade's-worth of relentlessly plying one's trade in the punk rock free market will get you. The Turks were an absolute musical force by this point: they could still hit warp speed but could also swing with the best of them. And frontman Eric Davidson is in full possession of his vocal gifts (always a key aspect of the band's sound), nestling into the groove like a Funhouse-era Iggy or leading the charge as needed. The 20th anniversary Diamond Edition of the album is a nice reminder of just how consistently good the New Bomb Turks were and a nice splash of Pabst in the face for anyone who slept on that reality the first time around.

NOTE: Never above a little frat boy humor, the Turks were always much more about mocking those particular attitudes than ever truly embracing them. With that in mind 100 percent of the digital will be donated to Black Queer & Intersectional Collective bqic.net and Columbus Freedom Fund www.instagram.com/columbusfreedomfund www.instagram.com/columbusfreedomfund.

Nate Knaebel

 Siege Column — Darkside Legions (Nuclear War Now!)

Darkside Legions by Siege Column

Some thoughts that occurred on first listening to Darkside Legions, the new LP from Siege Column: Track one, “Devil’s Knights of Hell”: “Whoa, this is pretty nuts. Exciting — raw and barely coherent, but exciting.” Track three, “Snakeskin Mask”: “Okay, I get it. All this stupidity is just too frigging stupid. Enough, already…” Track five, “Funeral Fiend”: “Holy shit! I think this may be genius-level stupid!” And so on. The record keeps on doing that, and the listener (this one, anyways) keeps on generating phrases like “genius-level stupid” in an attempt to cope with the experience. Siege Column is constituted of two shadowy figures from somewhere deep in the chemically treated wilds of New Jersey, and for sure, this is music that could only come from New Jersey. I still can’t figure out if Darkside Legions is too moronic for words, or if that projection beyond words is the mark of some sort of greatness. Meanwhile, the next song is peeling out like a 1969 Chevelle that needs some serious muffler work, trailing empty cans of cheap domestic, wads of bloody paper towel and the smell of burnt hair. Yikes. Feel like I better catch up…

Jonathan Shaw  

 Smokescreens — “Fork in the Road” (Slumberland)

A Strange Dream by Smokescreens

A new single from LA’s Smokescreens is notably partly because David Kilgour took a hand in it, distilling the band’s jangly sweet sound in a Clean-like way, where the guitar comes coated in liquid clarity and everything else is drenched in beautiful fuzz. Even if you’ve been liking Smokescreens for a while, “Fork in the Road,” is something special, the thump of bass glowing quietly, the guitars cavorting, a synthesizer building dense shimmery textures, the chorus softly harmonized around a koan-ish verse. (How do you go straight at the fork in the road? ) The guitar solo two minutes in is worth the trip all by itself. If the upcoming album is anything like this tune, I’m in.

Jennifer Kelly

Matt Sowell — Organize Or Die (Feeding Tube)

Organize Or Die by Matt Sowell

Too often, the words “sounds like John Fahey” denote either laziness or a sparse descriptive vocabulary on the part of the people who utter them. But it cannot be denied, Matt Sowell sounds like he’s closely studied Fahey’s records, especially the less experimental ones of his Takoma/Vanguard period. There’s a similar melding of bluesy styling, compositional elegance, and emotional evocation. But Sowell’s motives are different. Where Fahey’s music looked at the snarl of personal memory and the blacker, deeper pit of his tangled subconscious, Sowell’s looks outward. Fahey tried to subdue demons within; Sowell calls out the devils of capitalism, and honors the purity of respect untainted by dollars or oil. Of course, since his music is purely instrumental, you can project whatever you want onto it. But in times like these, we need all the resistance and resonance we can get.

Bill Meyer

  Treasury of Puppies — S/t (Förlag För Fri Musik)

Treasury of Puppies by Treasury of Puppies

The Gothenburg duo of Charlott Malmenholt and Joakim Karlsson’s debut release as the Treasury of Puppies is lo-fi depressive but charming pop, recorded at the beginning of 2020. A Fairly short release, barely pushing past an EP length, it's in the vein of other Swedish underground releases of the past few years. The two trade chilly, spoken-sung vocals over a set of eight tracks, either buoyed by repeating, fuzzy guitars alongside field recordings, sauntering looped drums and hand-tampered tape sounds, or a layer of delayed static and fuzz churning under over drifting bells and slowly rotating keys.

Ian Forsythe

Trio No Mas — A Tragedy Of Fermented Undulation (Mars Williams) 

A Tragedy Of Fermented Undulation by TRIO NO MAS

Chicago has saxophonic tradition, and part of that convention is the expectation that the city’s saxophonists work hard. However you look at it, Mars Williams holds up his end. He’s busy on both local and world stages. In recent years you can hear him melding Albert Ayler and Xmas carols on a couple of continents, freely improvising with the Extraordinary Popular Delusions and playing not-just-old-memories rock and roll with the Psychedelic Furs. But it would seem that he has room for another band, if the situation is right, and that’s the genesis of this trio. Williams sat in with brothers Stefan and Aaron Gonzalez when the Texan rhythm section came through Chicago and then made a couple quick passes through their neck of the woods. This live recording, which is being sold as a download as Williams figures how to make up for not going on the road with the Furs this year, brings us to the other way that Chicago saxophonists work hard. Switching between several horns, he plays them all with a mix of vein-popping force and pyrotechnic fluency. The freres Gonzalez toggle between heavy lurching and molten streaming, pulling back every now and then to create quiet spaces in which Williams can tap into yet another Chicago tradition — the evocative chatter of little toy instruments. If you can handle the unbearable lightness of the no-physical format, this music brings plenty of satisfying heaviness to the sonic realm.  

Bill Meyer

 Various Artists — Total 20 (Kompakt)

Total 20 by Various Artists

Since 1999, each summer Cologne’s Kompakt label has compiled recent and new tracks from their roster. For fans of the label’s distinctive musical aesthetic — a shuffling, playful, pop-facing, experimental minimalist form of techno — the Total series seems a must-have, but the series has also served as an entrée into Kompakt’s world for curious newcomers, casual listeners and cash-strapped collectors. Total 20 maintains the high standards of its predecessors. Coming in at two plus hours and 22 tracks from stalwarts Michael Mayer, Voigt und Voigt and Jörg Burger share space with newcomers like Kiwi and David Douglas. This edition works as a soundtrack for in home dance sessions, concentrated listening and background for escaping the mope and drag of enforced isolation. The music itself is uniformly of high quality, but the sequencing is key here. Moments of elegantly constructed ambient minimalism (Soela’s “White Becomes Black”), euphoric vocal house (Kiwi’s “Hello Echo”) and high concept psy-trance (ANNA & KITTEN’s “Forever Ravers”) are interwoven with the familiar midtempo Kompakt sound. While it’s a lot to digest at first and may to some ears merge into an amorphous mass, Total 20 will lift your mood, shift your body and shake off your funk. Have a taste, you may find yourself grazing if not gorging.

Andrew Forell 

 Verikyyneleet — Ilman Kuolemaa (I, Voidhanger)

Ilman Kuolemaa by VERIKYYNELEET

 This new LP from Finland’s Verikyyneleet hits a bunch of the essential marks for hyper-obscure, one-man black metal: Difficult to pronounce and vaguely creepy name? Yep (translated from Finnish, Verikyyneleet means something like “tears of blood). Primitivist, kvlt-ish album art with lots of spindly, symmetrical, necromantical forms? Yep (pretty cool, too). Ghastly, croaked, semi-strangulated vocals and sweeping, epical song structures that likely attempt to represent the frozen forests of the Laplander landscape? Yep (see especially “Yhta Luonnon Kansaa,” which empties into another song called “The Great Scream in Nature”). But in spite of the degrees of familiarity struck by those various notes, there’s a compelling idiosyncrasy to Ilman Kuolemaa. And although Finnish weirdo Isla Valve — sole creator of the sounds — has been releasing music under the Verikyyneleet name since 2006, he hasn’t exactly been prolific: two demos in 2006, an EP last year, and now this LP. It’s all rather mysterious. But whatever the back story, the songs are really good. There’s a slightly smeared, off-kilter sound that adds to the strangeness. Is it 4 am and suddenly really, really quiet, wherever you are? Here’s your soundtrack. Light up some candles, turn it up loud and freak out the neighbors.  

Jonathan Shaw

 Young Dolph — Rich Slave (Paper Route Empire)

It’s not a little ironic that Adolph Thornton, Jr., 35 years old and some seven records into his career (not counting the endless mixtapes floating around), has peaked both in hard numbers — Rich Slave hit #4 on the Billboard 200 — and stylistically with an album that arrives after the Memphis rapper was supposed to retire from the game. When GQ interviewed him in May, Dolph was locked in and hanging out with his kids, marinating on his next move; with Rich Slave, he’s unlocked a socially conscious side of himself that, admittedly, was always bubbling below the usual braggadocio. Alongside guest spots from Megan Thee Stallion, established sidekick Key Glock and Chicago staple G Herbo, Dolph tweaks his usual template to speak to the moment in what is his most effective full-length deployment yet. There are a trillion rappers who work this hustle, but no one’s done it better this year.

Patrick Masterson

[beautifulfaaces]

Female English Masterlist

English

2010s

Amelie Bea Smith

Dafne Keen

Florence Keen

2000s

Beau Gadsdon

Emily Carey

Florence Hunt

Isabella Blake Thomas

Isla Johnston

Isobelle Molloy

Katy Byrne

Millie Bobby Brown

Pixie Davies

Rhea Norwood

Rosie Dwyer

Ruby O‘Donnell

Ruby Stokes

Sadie Soverall

Sujaya Dasgupta

Tamara Smart

Yasmin Finney

90s

Aimee Lou Wood

Aisling Loftus

Alexandra Dowling

Alia Bhatt

Amelia Eve

Amira McCarthy

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Anya Taylor-Joy

Bessie Carter

Bethany Antonia

Bonnie Wright

Cara Delevingne

Carla Woodcock

Celine Buckens

Charlotte Hope

Cher Lloyd

Cheyenne Carty

Chloe Howl

Corinna Brown

Emma Mackey

Dasiy Edgar-Jones

Daisy Ridley

Dominique Provost Chalkley

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Ella Purnell

Ella Rae Smith

Ellie Bamber

Ellie Duckles

Ellise Chappell

Emily Coates

Emma Appleton

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Erin Doherty

Frances Encell

Genevieve Gaunt

Georgie Henley

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Georgina Leonidas

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Maddy Hill

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Manpreet Bambra

Maya Jama

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Phoebe Dynevor

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Precious Mustapha

Priya Blackburn

Rachel diPillo

Rachel Hurd Wood

Rose Reynolds

Rosie Day

Sabrina Bartlett

Samantha Boscarino

Shannon Flynn

Simone Ashley

Sophie Skelton

Sophie Turner

Tahirah Sharif

Tasie Lawrence

Yasmin Paige

Yvette Monreal

Zoe Sugg

80s

Abbey Clancy

Agam Darshi

Aiysha Hart

Alexa Chung

Alice Coulthard

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Amy Winehouse

Amy Wren

Anna Passey

Anna Popplewell

Antonia Thomas

April Pearson

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Ashley Madekwe

Billie Piper

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Carey Mulligan

Celina Sinden

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Claire Foy

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Cynthia Erivo

Daisy Lowe

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Elizabeth Knowelden

Ella Smith

Emilia Clarke

Emily Barclay

Emily Bridges

Emily O'Brien

Emma Rigby

Felicity Jones

Gabriella Wilde

Emily Blunt

Emily O'Brien

Georgina Moffat

Gugu Mbatha Raw

Hannah Murray

Hannah New

Hannah Reid

Hannah Ware

Haruka Abe

Hayley Atwell

Holliday Grainger

Imogen Poots

India de Beaufort

Jade Ramsey

Jaime Winstone

Janet Montgomery

Jaye Jacobs

Jenna Coleman

Jessica Brown Findlay

Jessica Clark

Jessica Fox

Jessie Cave

Jing Lusi

Julia Chan

Juno Temple

Kate Phillips

Kathryn Drysdale

Katrina Kaif

Klariza Clayton

Lara Pulver

Larissa Wilson

Lauren Cohan

Lauren McAvoy

Lily Cole

Lily James

Margaret Clunie

Mickey Sumner

Nazanin Boniadi

Nichola Burley

Nikki Sanderson

Nikita Ramsey

Olivia Llewellyn

Natalie Dormer

Poppy Corby-Tuech

Poppy Delevingne

Rebecca Humphries

Ritu Ayra

Samantha Baines

Sophia Di Martino

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Sophie Colquhoun

Sophie McShera

Sophie Rundle

Susan Wokoma

Tamsin Egerton

Tuppence Middleton

Tracy Ifeachor

Vicky McClure

Victoria Ekanoye

Yasemin Kay Allen

Zoe Boyle

Zoë Tapper

70s

Alesha Dixon

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Anna Friel

Carmen Ejogo

Christine Adams

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Emily Bergl

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Emma Heming

Eve Best

Fay Masterson

Hattie Morahan

Katherine Parkinson

Keeley Hawes

Joanna Bobin

Leanne Best

Louise Brealey

Lucy Akhurst

Marsha Thomason

Olivia Colman

Parminder Nagra

Rachel Weisz

Rebecca Mader

Rosamund Pike

Sharon Duncan Brewster

Shelley Conn

Stephanie Waring60s

Alex Kingston

Alice Amter

Cate Blanchett

Catherine Tate

Elizabeth Hurley

Jane Horrocks

Kristin Scott Thomas

Morwenna Banks

Pippa Haywood

Rebecca Naomi Jones

Sarah Alexander

Sarita Choudhury

Sophie Thompson

Susy Kane

Tilda Swinton

Zoie Palmer

Zuleikha Robinson

60s

Adjoa Andoh

Anna Chancellor

Helen McCrory

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Josette Simon

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50s

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Emma Thompson

Harriet Walter

Imelda Staunton

Julie Walters

Lesley Manville

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40s

Helen Mirren

Jane Lapotaire

Penelope Wilton

30s

Elizabeth Taylor

Judi Dench

Julia Blake

Julie Andrews

20s

Audrey Hepburn

Unknown Birthday

Adelle Leonce

Amanda Fairbank Hynes

Amelia Calley

Daniela Norman

Eve Austin

Faith Alabi

Jenny Walser

Lucy Davenport

Lydia West

Manal El-Feitury

Nancy Farino

Natasha Atherton

Razan Nassar

Sophia Brown

Sophie Fletcher

T'Nia Miller

Tafline Steen

Tanya Moodie

Violet Verigo

Zainab Jah

[dreamcastingbroadway]

Dream(re)casting Broadway: HAMILTON

“I am the one thing in life I can control; I am inimitable, I am an original.”

Dreamcasting Broadway: Hamilton: An American Musical

Jason Tam as Alexander Hamilton

Joaquina Kalukango as Eliza Schuyler Hamilton

Dimitri Joseph Moise as Aaron Burr

Rebecca Naomi Jones as Angelica Schuyler

Alan H. Green as George Washington

Matt Sax as Marquis de Lafayette/Thomas Jefferson

Julio Chavez as Hercules Mulligan/James Madison

Rohit Gopal as John Laurens/Phillip Hamilton

Samantha Pauly as Peggy Schuyler/Maria Reynolds

Aaron Tveit as King George III

Noah Kieserman as Man 1 (Charles Lee), King George III u/s

Aaron Alcaraz as Man 2 (Samuel Seabury), Laurens/Phillip u/s, King George III u/s

Cameron Amandus as Man 3 (George Eacker), Mulligan/Madison u/s

Noah Lieberson as Man 4

Omar Lopez-Cepero as Man 5 (Philip Schuyler/James Reynolds/Doctor), Lafayette/Jefferson u/s, Mulligan/Madison u/s, Laurens/Phillip u/s

Paul HeeSang Miller as Man 6, Burr u/s, Washington u/s, Lafayette/Jefferson u/s

Yesenia Ayala as Woman 1

Daisy Hobbs as Woman 2, Angelica u/s

Ui-Seng Francois as Woman 3 (The Bullet), Peggy/Maria u/s

Alexa De Barr as Woman 4

Nicole Kyoung-Mi Lambert as Woman 5, Eliza u/s, Angelica u/s, Peggy/Maria u/s

Tamrin Goldberg as Swing

Ericka Hunter as Swing

Nika Lindsay as Swing, Eliza u/s

Azudi Onyejekwe as Swing, Hamilton u/s, Burr u/s

Gus Reed as Swing

Warren Yang as Swing

Heath Saunders as Standby (Hamilton, Lafayette/Jefferson, Laurens/Phillip, King George III)

Jaye Alexander as Standby (Burr, Washington, Mulligan/Madison)

Marina Kondo as Standby (Eliza, Angelica, Peggy/Maria)