#jessica masterson | Explore Tumblr Posts and Blogs

dustedmagazine · 2 months

Text

Dust Volume 10, Number 2

Ballister

It’s a leap year, so we all get an extra 24 hours to listen to February music. Why not try some of these selections from our endless piles of when-i-get-to-its? We’ve got unhinged beatmakers and noise-addled Canadians, smashing, grabbing jazz men and psychedelic post-punk. And really a lot more. February always seems long. This year it’s even more extended. Use your time wisely. Play records.

This month’s contributors include Patrick Masterson, Ian Mathers, Bill Meyer, Bryon Hayes, Tim Clarke, Jennifer Kelly, Jonathan Shaw, Jim Marks and Andrew Forell.

8ruki — POURquoi!! (33 Recordz)

youtube

This ain’t your mother’s TTC. Bilingual Parisian 8ruki takes most of his cues from Atlanta, acting with a whole lotta Whole Lotta Red in mind and squeezing 22 songs into his third album — about right for contemporary hip-hop in this vein, which frequently abandons ideas after less than two minutes and leaves a trail of incomplete sketches in its wake; like others his age, 8ruki has evolved to consider this less a bug (especially for stans forever thirsty for the next “project”) than a feature, the default mode of working. I don’t know what good it would do to comment on a song called “Andrew Tate!!” or “Elon Musk!!” at this stage other than to suggest the guy’s just being (what the French call) a provocateur, but peek elsewhere and you’ll find an unexpected beat switch on “VAris//PIENna,” not to mention a world-shrinking reference to the Golden State Warriors; the high-pitched squeaks of “CA$h!!” and “GIVENCHY MARgiela!”; the string sample and rolling bass of “EDQuer!!”; and a whole lot more to enjoy. Ignore the annoying tendency to turn caps off halfway through a song title; this is a fun record with a lot going on that’s even better if you more than half understand it.

Patrick Masterson

ALL HANDS_MAKE LIGHT — “Darling The Dawn” (Constellation)

The credits for this duo’s second release are deceptively simple; Ariel Engle (La Force, Broken Social Scene) as just “voice” and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt Zion) as just “noise.” But there are whole worlds contained in voice and noise, and there’s a sonic, emotional, and political complexity here that makes it feel much weightier and more elaborate than the work of any two people. (It also had one of the best song titles of last year in “We Live on a Fucking Planet and Baby That’s the Sun.”) There are distinct songs here, even some refrains, but the whole of “Darling The Dawn” also feels like one long ebbing and flowing movement, culminating in lovely, shattered grandeur with the closing one-two punch of “Anchor”/“Lie Down in Roses Dear.” Shoegaze without guitars (although not without occasional strings or drums, from Jessica Moss on violin and Liam O’Neill, respectively), emotional noise music, kosmiche played in a paupers’ graveyard; it’s hard to know what to call what ALL HANDS_MAKE LIGHT does, other than impressive. Maybe voice and noise is enough description after all.

Ian Mathers

Ballister — Smash And Grab (Aerophonic)

In Chicago, the smash and grab game is strong. People aren’t just breaking windows but driving vehicles through them. Ballister apply that spirit of aggressive enterprise to performance on this memento of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love’s reunion at the Catalytic Sound Festival in Chicago in December, 2022. The reeds wail and probe, the strings splinter and scrape, the drums smash rhythm in the air and reshape them. And that’s just in the first few minutes. Over the course of the set, they find ways to apply that assertive spirit to quieter passages and slower passages, fashioning rough thickets and inconsolable laments from the same rough material. While Dusted does not recommend literal application of the album’s title when acquiring it, we confidently predict that you’ll find the record sticking to your fingers, obliging you to return it to the playback device for another go around.

Bill Meyer

Cuneiform Tabs — Cuneiform Tabs (Sloth Mate)

The Sloth Mate label is the psychedelic tendril sprouting from the flourishing vine that is the modern Bay Area post-punk scene. There’s certainly an affiliation with Famous Mammals, Children Maybe Later and others of that ilk, but there’s a tendency to stray from traditional idioms that is unique to the Sloth Mate catalog. Violent Change, headed up by the imprint’s owner Matt Bleyle, is at the center of this sub-underground cabal, coming across like a garage punk band noisily banging out Face to Face-era Kinks jams after gobbling some mind-altering flora. Sterling Mackinnon’s The False Berries on the other hand is a lo-fi ambient electronic project that recalls the early beat-inclusive work of Christian Fennesz. Bleyle and Mackinnon collaborate remotely under the Cuneiform Tabs moniker (the latter musician is based in London, England). The cross-pollination works incredibly well, with the most listenable aspects of each unit rising to the forefront. When it appears, Mackinnon’s Dan Bejar-meets-Marc Bolan warble acts as a foil for Bleyle’s deeper crooning. Similarly, the former’s atmospheric tendencies highlight the beautiful melodies hidden beneath the latter’s noise-baked tunesmithery. Cuneiform Tabs’ psychoactive sonorities require work to decipher, but the endeavor is certainly worthwhile.

Bryon Hayes

Mia Dyberg Trio — Timestretch (Clean Feed)

It’s tempting to take the title of Timestretch ironically, since this Scandinavian trio compacts a lot of action into 43.18. There are 14 tracks, all but three composed by bandleader and alto saxophonist Dyberg. But more likely, it addresses this paradox; while the music never feels like it’s in a hurry, there’s a fair bit going on. Tonally, Dyberg shifts easily between slightly sour and just sweet enough, and her phrasing is mobile, but never busy. On a few unaccompanied tracks, she unburdens herself more directly, mourning for those laid low by conflict. Bassist Asger Thomsen anchors the music with stark, strategically placed notes, and adds dimension with occasional sparse, bowed comments. But it’s drummer Simon Fochhammer who gives the music shape, sometimes with a quick rustle, other times by building an eventful structure around his partners.

Bill Meyer

Kali Malone — All Life Long (Ideologic Organ)

Swedish composer and organist Kali Malone takes a rigorous, structured approach to making music, crafting deliberately pared-back and laser-focused pieces that make the listener acutely aware of the shifting harmonic dynamics within thick layers of sound. This 78-minute album presents an intimidating edifice to a casual listener, but it is organized to allow curious immersion in more easily digestible sections. The longest tracks are organ pieces stretching to around 10 minutes in duration, aching with melancholy. However, there are also shorter vocal and brass pieces that deviate away from held drones into more spacious, overlapping progressions that are, on occasion, almost buoyant. All Life Long feels like music for a less easily distracted age; to be patient enough to bear witness to its full, solemn unfolding requires commitment, but how often do you hear music this awe-inspiringly pure?

Tim Clarke

Michael Nau — Accompany (Karma Chief)

Accompany rides the line between cosmic country and garden variety indie pop, its gentle melancholy enlivened by radiant runs of twanging guitar. “It’s an impossible life to get over,” Michael Nau croons in “Painting a Wall,” sounding beaten down but not quite broken, grounded in the ordinary but yearning for transcendence. Nau, you might remember, fronted the indie chamber pop Page France in the early aughts and the slightly more countrified Cotton Jones in the late ones. This fifth solo album hits its peak in plaintive “Shape-Shifting,” where an otherworldly echo sheathes both Nau’s voice and the rumble of piano, and a glow suffuses everything, making it more.

Jennifer Kelly

Note — Impressions of a Still Life EP (The North Quarter)

Manchester’s Note hasn’t been around all that long — the earliest traces of his Soundcloud only reach back to October of 2021 — but just within the last year, he’s demonstrated a knack for fusing airy, sultry R&B moods with the breaks n’ bass of UK dance music’s storied past. Late January’s Impressions of a Still Life EP out via The North Quarter imprint, helmed by Dutch producer Lenzman (himself a veteran of labels like Metalheadz, Nu-Directions and Fokus), is another fine example: Aside from the stirring “Vespertine” that debuted last summer and features poet and spoken word artist Aya Dia, plus “Cold Nights” that came in November, Note fills out the EP with three additional songs of varying speed and mood. The best might be “EVR,” which again features a vocalist, this time singer-songwriter Feeney. Employing deep bass, fluttering percussion and featherweight piano flourishes, the production here is top-notch Brit-inflected R&D&B. Watch this space.

Patrick Masterson

Plaza — Adult Panic (Self-Release)

The novelist and rock critic (and one-time Dusted writer) Michael Fournier spent the pandemic on Cape Cod with his wife Becca, he learning the bass and she the drums. Adult Panic collects 11 spiked and minimalist cuts from this experiment, almost entirely instrumental (there’s a shouted refrain on “(The Real) Mr. Hotdog”) and rife with lockdown agitation. The drums are pretty basic, a skitter of high-hat with snare on the upbeats, but the bass parts wander and jitter intriguingly. The title track has a Slint-ish post-rock open-ended-ness, repeated riffs left to linger and shift in the air. “The Tomb of Santa Claus” moves faster and more insistently, letting surf-like bent notes flare from rickety architectures. The whole experience is rather dour and claustrophobic, right up until the end when “(The Real) Mr. Hotdog” clatters into earshot and the two Fourniers seem to be, finally, having some fun.

Jennifer Kelly

Caroline Polachek — Desire, I Want to Turn to You: Everasking Edition (Perpetual Novice)

youtube

I’m not gonna sit here and tell you all about how big Caroline Polachek’s 2023 was; if you were paying any attention to the conversation, you already know Desire, I Want to Turn to You was universally, justifiably acclaimed. The Everasking Edition tacks on seven additional songs, five fresh out the box, one an acoustic rendition of “I Believe” and one a cover. Regarding the latter: Anyone paying attention to the machinations of the modern music business will know the name Jaime Brooks, who was half of Elite Gymnastics and now works as Default Genders in addition to unflinching commentary on whatever the fuck is going on with Billboard charts and the ugly realities of how no one’s getting Spotify royalties. “Coma” was originally theirs from Main Pop Girl 2019, a beautiful, delicately skipping adrenaline rush of a love song. Polachek doesn’t radically reinvent what’s already great; instead, she leaves the music alone and takes ownership of the rendition with her lower pitch and breathy delivery. A heartfelt nightcap on an imperial year, you couldn’t have scripted that Valentine’s Day release any more perfectly.

Patrick Masterson

Proton Burst — La Nuit (I, Voidhanger)

When the wife of storied French comics artist Phillipe Druillet died in 1975, Druillet poured his grief and rage into an idiosyncratic graphic narrative, La Nuit (1976); it’s full of mutant biker gangs, Druillet’s signature fever-dream architectural forms and hair-raising violence. French thrash metal weirdos Proton Burst loved the book, and in 1994 they produced an album-length project, part response, part soundtrack to the comic’s maniacal intensities. I, Voidhanger has given that Proton Burst record a deluxe reissue, including the original music, an extended live performance of it from 1995 and a booklet including eye-popping images from Druillet’s comic and an essay. If you’re in this for the music, the real treat is the live set, which is nearly as unhinged as Druillet’s illustrations. The band rages, rants, foments and froths—and is that a harp? Who knows. Like the original graphic narrative, what matters here is the volatility of the feeling tone, more so than any sense-making (or sonic) throughway. Lose yourself in the violence of it. Maybe that feeling of dislocation gets closest to the irrational agony of loss Druillet drew La Nuit in the teeth of, some 50 years ago.

Jonathan Shaw

Mariano Rodriguez — Exodo (self-released)

Mariano Rodriguez is an Argentinian guitarist in the Takoma school tradition with a large and high-quality back catalog. He often focuses on playing with a slide but is equally adept at playing without one and sometimes incorporates experiments with sound, as on Huesos Secos (2020), and fuller traditional instrumentation, as on Praise the Road (2017), into his recordings. Exodo, released late last year, is a set of mainly guitar soli. The playing is typically inspired, impressive without being flashy, and the compositions are tuneful and well-developed. Included is a 12-string anthem (“Lazaro”), Rodriguez’s signature slide work (such as on “The Desterrados”), bluesy 6-string meditations (“Diaspora”), and a couple of experiments with studio effects and overdubs (“The River and the Blind”) and drone (“Mother of the Road”). Over all, Exodo is a fine set of tunes that flows cohesively.

Jim Marks

Twin Tribes — Pendulum (Beso de Muerte Records)

Pendulum by Twin Tribes

It’s unclear precisely which tribes are twinned here, but if the music on Pendulum is any indication, it’s the deathrock freaks (with their long-standing romance of moldering, undead bodies) and the coldwave kids (who like to dance in place, furiously, disaffectedly, bodies frosty for entirely different reasons). Twin Tribes hails from the bastion of moody electronic music that is Brownville, TX, and somehow these Latinx fellows have managed to survive their local cultural climate long enough to release three LPs, a live tape and a whole bunch of singles and remixes. Pendulum refines the essential sonic template laid down in 2019’s Ceremony: tuneful, shimmery synths; snappy, brittle rhythm tracks; baritone vocals about zombies at the disco. If that sounds like fun, it surely is—but you’ll have a hard time convincing the kids in black eye makeup to crack anything like a smile. This reviewer can’t help it. The songs are too good, the vibes are way too goofily gravid. Dance, you flesh-eating misfits, dance.

Jonathan Shaw

Volksempfänger — Attack of Sound (Cardinal Fuzz / Feeding Tube)

Attack Of Sound by Volksempfänger

Attack of Sound’s swirling boy-girl harmonies instantly call to mind shoegaze luminaries Slowdive, but Volksempfänger’s noise-strewn guitar latticework is more aligned with The Jesus and Mary Chain. Furthermore, the Dutch duo’s melodic flavor is as sweet as 1960s AM radio. Ajay Saggar (Bhajan Bhoy) and Holly Habstritt combine these disparate sonic strands to create tidy noise pop gems, which they wrap in Phil Spector sonics. The wall of sound approach imbues each song with a pulsating thrum. This is the beating heart of their sound, underpinning the delightful vocal harmonies, shimmering guitar melodies, and waves of coruscating feedback. The pair attains a balance between saccharine and savory aromas: dream pop wistfulness (“What the Girl Does” and “Your Gonna Lose Hard”) interchanges with propulsive garage rock (“How We Made It Seem” and “Damned & Drowned”). The album closes out with the kaleidoscopic psychedelia of “You’ve Lost It,” introducing yet another aspect of Volksempfänger’s oeuvre. This last-minute shift in mood adds a quirky sense of quietude to an otherwise exhilarating journey.

Bryon Hayes

Ian Wellman — The Night the Stars Fell (Ash International)

The Night The Stars Fell by Ian Wellman

Recorded in the fire swept forests and deserts of Southern California, Ian Wellman’s The Night the Stars Fell plays like a Disintegration Loops for natural disasters. Wellman’s treated field recordings encourage the listener to subsume themselves in the natural rhythm of the wind that fanned the wildfires much like Basinski’s seminal work. While Disintegration Loops drew its potency from the association with 9/11, Wellman’s project is a more deliberate meditation on destruction. He coats his field recordings of deteriorating human structures — railcars, homes — and landscape ambience with short-wave radio static and decaying tape loops. There’s a concentration on both the violence of the destruction and the desolation of the aftermath. Huge swells of sound are interspersed with howls of wind, coruscating swathes of static and the creak and crank of burnt timber both natural and manufactured. The Night the Stars Fell is an absorbing evocation of nature’s power.

Andrew Forell

Wharfer — Postboxing (Self-Release)

Postboxing by Wharfer

Wharfer’s Kyle Wall has long made the kind of shadowy, pared down indie-folk singer/songwriter music that elicits comparisons to Bill Callahan and Will Oldham. This time out, however, he ditches vocals and verse chorus structure entirely and enlists Chuck Johnson (pedal steel), Ian O’Hara (acoustic bass) and Duncan Wickel (violin) for a set of ambient, piano-forward reflections. These tracks are quietly riveting as, like “Wishing Well in White Noise,” the blend the chalky, elegiac tones of the piano’s upper registers with limpid pools of sustained pedal steel. Not quite ambient, the piece swirls and rounds to its own subtle rhythms, a faint thunk of bass ordering it forward. “Alto” brings the long, bowed vibrations of violin into the mix, then a sprightly sprinkle of pizzicato strings. And in the title track, a ritual voice flickers in and out of focus, but only as tone and texture. The piano carries the narrative, as string washes build and bass notes drop in and seagulls cry in the distance. It’s a subtle but powerful voice on its own, and you don’t miss the words one bit.

Jennifer Kelly

8 notes · View notes

arxchnoverture · 5 months

Text

+ ( After consideration, I am dropping the following muses due to lack of interest/engagement.

Cassie Lang / Stinger

Janine Godbe / Hallows Eve

Felicia Hardy / Black Cat

Gwen Stacy

Gwen Stacy (Earth-65)

Gerry Drew / Spider-Man

Franklin Richards

Jean DeWolff

Jessica Drew / Spider-Woman

Julia Carpenter / Spider-Woman

Kaine

Kevin Masterson / Thunderstrike

Mattie Franklin / Spider-Woman

Millie Collins

Nancy Lu / Push

Norman Osborn / Green Goblin

Peter Parker / Spider-Man ( 616 )

Peter Parker / Spider-Man ( Renew Your Vows )

Peter Parker / Spider-Man ( Raimi )

Allison Dillion ( Aftershock )

Rina Logan ( Wild Thing )

Shannon Carter ( American Dream ) .

#out of character talk ( ooc )

8 notes · View notes

a-cloud-for-dreams · 1 year

Text

Mira's Masterlist!

Fun Fact: I change my blog theme to fit my current MC or OC I'm obsessing over

~Fave RC MCs~

-> A Collection of the Most Gorgeous RC MCs

NOTE: These are not listed in any particular order, I used the canonical given names so the ones in quotes are ones I personally changed, and I may have forgotten to add some MCs so don't take it too personally! I'll remember to add them at some point imao (you could also just ask if you're curious!)

Amala Basu (KCOD)

Deviya Sharma (KFOS)

Evthys (SOTCN)

"Renée" de Noailles (VFV)

Selena/Lilith (ARC)

"Audrey" (ABH)

Vyxaria (SL)

"Irene" (SOL)

Mei (LOTW)

"Lane" (HSR)

Novalie (W:TC)

Lou Reed (Psi)

"Agatha Harrington" (CY2)

Lale Hatun (DALS)

-> RC Reading List

~MY OCs~

-> Scarlett Vera Sandiego

FULL Character Intro Post

FC: Eiza Gonzalez *w/ auburn hair*

Animated FC: Princess Elena Castillo Flores from EOA

Fandom: Carmen Sandiego 2019/Laws of Attraction

Designated Tag: #scarlett sandiego oc

LI: Soren Turner (OC)

-> Detective Haelyn Rózsa

FULL Character Intro Post

FC: Kelsey Merritt

Fandom: Blades of Light and Shadow I and II/Kiss of Death/Crimes of Passion I and II

Designated Tag: #haelyn rózsa oc

LI: Trystan Thorne (AU that matches the OG Rose/Thorne dynamic from the CoP books)

Ship Tag: #haelstan🌹

Artist Credit: The Trystan x Haelyn fanart at the top of this post was by @hydn-jpg!

-> Verena Solaris

FULL Character Intro Post

FC: Neha Velan

Fandom: The Elementalists

Designated Tag: #verena solaris oc

LI: Shreya Mistry

-> Kashmiré Blanche

FULL Character Intro Post

FC: Anya Chalotra

Fandom: Carmen Sandiego 2019/Open Heart

Designated Tag: #kashmiré blanche oc

LI: Python/Henry Cavill he's the face claim with the same name in this universe lol

Ship Tag: #kashénry

Here's my MC Intro for Chandini Ramakrishnan (distant relative)

-> Aaliyah Hadid

FULL Character Intro Post

FC: Dina Denoire -> Rihanna

Fandom: The Nanny Affair/Criminal Minds

Designated Tag: #aaliyah hadid oc

Main LI: Spencer Reid (Aaron Hotchner/Luke Alvez/Derek Morgan in some AUs)

-> Lyra Lexington

FULL Character Intro Post (To Be Updated)

FC: Alyssa Raghu -> Naomi Scott/shredz55 (Insta)

Fandom: Ride or Die/Nightbound

Designated Tag: #lyra lexington oc

LI: Trystan Thorne (subject to change)

Anonymous Fanart Commission!

-> Lady Aria Lockhart

FULL Character Intro Post

FC: Neelam Gill

Fandom: The Unexpected Heiress/Desire and Decorum

Designated Tag: #aria lockhart oc

Main LI: John Somerset (Hugh Crawford in some AUs)

-> Salem Rae Nightingale

FULL Character Intro Post

FC: Jessica Alba

Fandom: Carmen Sandiego 2019/Blades of Light and Shadow/ Criminal Minds

Designated Tag: #salem nightingale oc

Main LI: Mal Volari (Prince Aerin in some AUs)

-> Kendall Hayes

Character Intro Post

FC: Lucy Hale -> Phoebe Tonkin

Fandom: Criminal Minds

Designated Tag: #kendall hayes oc

LI: Derek Morgan

-> Vendetta Varshini Viswakumar

Character Intro Post

FC: Dheekshitha Venkadeshan (Dhee)

Fandom: Criminal Minds/Open Heart/Carmen Sandiego 2019/ Mother of the Year

Designated Tag: #vendetta (varshini viswakumar) oc

LI: Emily Prentiss

-> Princess Sabrina Aveiro

FULL Character Intro Post

FC: Banita Sandhu

Fandom: The Royal Romance/Open Heart/Foreign Affairs

Designated Tag: #sabrina aveiro oc

LI: Tatum Mendoza

Ship Tag: #mendeiro

-> Nayeli Lopez

FULL Character Intro Post

FC: Rachel Zegler

Fandom: Crimes of Passion * many liberties taken*/Criminal Minds/Carmen Sandiego 2019

Designated Tag: #nayeli lopez oc

LI: None

-> Mirage Aléxia Gomez

FULL Character Intro Post

FC: Becky G

Fandom: Carmen Sandiego 2019

Designated Tag: #mirage (aléxia) oc

LI: None :) she's aromantic

-> Emmelinè Sinclaire

FULL Character Intro Post

FC: Christina Masterson

Fandom: Greenhouse Academy/Desire and Decorum (Ernest Sinclaire's ____daughter)

Designated Tag: #emmelinè sinclaire oc

LI: Dylan Mayuran Cavill-Blanche

-> Astríd Rivera

FULL Character Intro Post/Role in Designated Survivor

FC: Nailea Devora

Fandom: Designated Survivor/The Cleaning Lady/Go! Live Your Way

Designated Tag: #astríd rivera oc

LI: None at the moment

-> Cerise Hexley

FULL Character Intro Post

FC: Hande Erçel

Fandom: Bloodbound/It Lives Within

Designated Tag: #cerise hexley oc

LI: Sebastyan Thorne

-> Athena Deveraux

FULL Character Intro Post

FC: Vanessa Morgan

Fandom: The Umbrella Academy/Criminal Minds/Carmen Sandiego 2019

Designated Tag: #athena deveraux oc

LI: Olivia Valentine (OC)

-> Xiomara Isabel Calloway

Character Intro Post (WTD)

FC: Adria Arjona

Fandom: Carmen Sandiego 2019/Wake The Dead

Designated Tag: #xiomara calloway oc

LI: Troy Hassan (WTD) // Gigi Sinclair (LOA; Windverse)

-> Harshini Halawai

FULL Character Intro Post

FC: Amita Suman

Fandom: Desire and Decorum/ Bridgerton

Designated Tag: #harshini halawai oc

LI: Prince Hamid (died during a war) -> Annabelle Parsons? (True nature of the relationship is unknown to historians but were very close); Ernest Sinclaire (one-sided from him)

-> Ophelia Hassan

Character Intro Post (WTD)

FC: Rashan MH

Fandom: Carmen Sandiego 2019/Wake The Dead/Perfect Match

Designated Tag: #ophelia hassan oc

LI: Damien Nazario AND F!Hayden

-> Violet Hale

FULL Character Intro Post

FC: Chloe Bennet

Fandom: Agents of SHIELD/Criminal Minds

Designated Tag: #violet hale oc

Main LI: TBD

~MY FAVORITE PARAS ~

-> Wheel of Witches

Credit: Completely goes to @evermore-grimoire who came up with the whole universe and mythology. It's so fun to daydream this scenario, especially with my own OCs

FULL Backstory

-> Nancy Chavez and Two Ghosts

Credit: Completely to @lcvrreid on TikTok for coming up with an amazing plot and backstory for her CM OC based on Ghostface. I definitely recommend her fanfic!

-> Lilac Allende & Open Heart

Credit: @jamespotterthefirst who makes incredibly detailed MCs to the point where I cannot imagine anyone else as said MC

~MY FICS/EDITS~

Geneva -> Supernatural Sci-Fi Original Story

Livin' the Luxe Life -> Original Story Based on Home Furnishing Magazines (Weird, right?)

Broken Stars w/ @magicwithineleteo -> HSMTMTS x GMW Crossover; Spotify Playlist; New Info Will Be Updated

The Scholars of Bellachoix Lane -> Academia!Playchoices AU

The Scars of Revenge -> Carmen Sandiego x Graham Crackle; feat. Scarlett Sandiego (F!OC)

Once A Shattered Heart -> Bryce Lahela x F!MC (Dr. Chandini Ramakrishnan); feat. Aishwarya Pillai (F!OC)

Doctor Date -> Bryce Lahela x F!MC (Dr. Chandini Ramakrishnan); feat. Dr. Aaliyah Hadid (F!OC)

My Baby Penguin -> Spencer Reid x F!OC (Dr. Aaliyah Hadid*); feat. Cleopatra Emilia Reid

A Sweet Mistake -> Aaron Hotchner x F!OC (Dr. Aaliyah Hadid*); feat. Jack Hotchner

Sleepyhead -> Derek Morgan and F!OC (Dr. Aaliyah Hadid*)

Overthinking -> Raleigh Carrera x F!MC (Destiny Katz); feat. Aaliyah Hadid

Here For You -> Aerin Valleros x Salem Nightingale (F!MC); Mal Volari x Salem Nightingale (F!MC)

fire on fire -> Gabriel Grant x Amala Khan (Independence Route)

timeless -> Radha Basu x Devi Sharma

Save It For Dessert Text Fic -> M!Trystan Thorne x F!MC/ OC (Dr. Lyra Lexington); feat. Detective Nayeli Lopez

Vigilante Sh*t CM Edit -> feat. Emily Prentiss, Spencer Reid, Dr. Aaliyah Hadid, Aaron Hotchner, and Elle Greenaway

Aesthetic Quote Post Masterlist

Carmen Sandiego (Netflix) Edit to "Ride" by Sir Mix-a-Lot

Happy Birthday Carmen Sandiego Edit for @/tiredguyswag

Corrupted Aerin Valleros Edit

Livin' the Luxe Life Intro Edit

Candella Edit to “Paparazzi” by Lady Gaga

Devi/Renée/Amala/Evthys MC Edit

*Just to clarify, I currently intend to leave Spencer and Aaliyah as the main pair while the other fics would exist in an alternate universe of some kind where she didn't end up with him. For some reason, I just like writing her with multiple characters so I can see who I feel most comfortable writing her with

~Social Media ~

Ao3

Wattpad

TikTok

Honestly, just ask me if I have social media/what my account is. The links aren't working and it would be more fun to send everyone who comes here on a wild goose chase

21 notes · View notes

popentertainment-moviereviews · 6 months

Text

FIVE NIGHTS AT FREDDY’S (2023)

Starring Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mary Stuart Masterson, Matthew Lillard, Kat Conner Sterling, David Lind, Christian Stokes, Joseph Poliquin, Lucas Grant, Theodus Crane, CoryxKenshin, MatPat, Jophielle Love, Tadasay Young and the voices of Kevin Foster, Jade Kindar-Martin, Jessica Weiss and Roger Joseph Manning Jr.

Screenplay by Scott Cawthon, Seth Cuddeback and Emma Tammi.

Directed by Emma Tammi.

Distributed by Universal Pictures. 109 minutes. Rated PG-13.

As a longtime fan of this video game franchise, anyone could imagine how excited the Five Nights at Freddy’s community and I were for this upcoming movie. Now after seeing it myself, I have a deep appreciation for the heart and talent that went into this film. The movie itself is best described as a love letter to its fans, and the wonderful online creators and YouTube personalities who have promoted its development for nearly a decade.

This point is driven home by how the directors got as many of the aforementioned creators in the movie itself. From recognizable employee of the month photos on the wall, to actual cameos by Game Theory’s Matthew Patrick, (a.k.a. MatPat to his 40 million YouTube subscribers), and CoryxKenshin (Cory Williams) another popular YouTuber with nearly 18 million subscribers. There is also a very special musical appearance by The Living Tombstone whose music was loved by fans of the original FNAF games. It was very refreshing to see these individuals represented in a movie that truly valued those who had helped get it to this point.

Aside from the heartwarming inclusion of creators, the movie harbored wonderful acting talent. Josh Hutcherson (The Hunger Games) took the lead as Mike Schmidt, the night shift security guard. Hutcherson’s performance gave the character a fitting personality that complimented the film’s busy story.

His performance was well complimented by horror movie veteran Matthew Lillard (Scooby Doo, Scream), who portrayed the main antagonist of the story, William Afton. Both are accompanied by Elizabeth Lial (You, Once Upon A Time) took on the role as Officer Vennessa, and Piper Rubio as Abby, Mike’s younger sister. Overall, the cast portrayed their roles very well, and did everything in their power to reflect their videogame counterparts or add what would fit well.

Sharing the stage with their human cast, the incredible craftsmanship of Jim Henson’s Creature Shop brought to life the animatronic cast of the film. Freddy, Bonnie, Chica, and Foxy captivated the screen with their incredible amounts of detail, well executed puppeteering, as well as suit acting. The personality that shone through their every moment truly gave them life.

The movie’s pace tended to be a bit slow at times, and it was a bit lacking in the gore that was referenced while the movie was in production. This decision was most likely made to allow for a larger demographic to enjoy the movie, which allows it to serve as a good horror movie for younger people. The film, from a strict horror perspective, leaves something to be desired, but this does not make it a bad scary movie. It balances some good scares, with a dash of heart, in an overarching mystery plot. The storyline from the games to the movie was rightfully adjusted a little in order to play out better in a movie.

I believe most critics will not understand Five Nights at Freddy’s, and that the fans who have long anticipated its release will walk away with the most from this film. Truly, it is a well-crafted movie from a production and acting perspective. Blumhouse, Scott Cawthon, and Emma Tammi did a wonderful job delivering a movie for the fans, with all the lore and countless references that we needed.

Would someone unfamiliar to the franchise be able to enjoy this movie? Of course, this all depends on what someone prefers in a movie. However, if a stranger to the concept gave it a shot, I believe that the story that was set up for the film is easy enough to follow. The visuals in the movie are captivating with a nostalgic feel, and overall, the humor seen in the movie is enough to make it an enjoyable experience. One just needs to be open to the experience first. I highly encourage FNAF fans to see this movie, and for strangers to the franchise to give it a chance to be a fun change of pace from regular horror movies.

Jordan Wagner

youtube

#Five Nights at Freddy's #2023 #Movie Review #Josh Hutcherson #Jordan Wagner #Youtube

3 notes · View notes