They Cloned Tyrone has a lot of good twists but my personal favorite is in the first few minutes when they start talking about Spongebob and you realize that the movie does not in fact take place in the 1970s
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I am looking forward to the think-pieces that put They Cloned Tyrone into conversation with Sorry to Bother You and Atlanta regarding the use of satire, the surrel, magical realism/enchantment, and the absurb.
Additionally, there's a through line from the use of satire in TCT to the parodies of films like Undercover Brother and Black Dynamite that all hinge on the very real and horrific experimentation done on Black people in the US and the larger Diaspora.
All in all, it's just the right mix of humor, satire, and mind-fuckery.
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The Royal Danish Academy - Jeppe Juel - ss22
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Jens Juel (Danish, 1745-1802)
View of the Little Belt from a hill near Middelfart, Funen, ca.1800
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They Cloned Tyrone / Juel Taylor / USA / 2023
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Fan art for @sillypikmin
*runs back to the Save the World askblog*
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DAGNY JUEL IN HER COFFIN | 1901
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‘they cloned tyrone’ is to me, as if jordan peele and spike lee had a love child. we have critique, we have humour, we have weird plot, we have an incredible delicious acting by the main trio. i’m so in love with it.
juel taylor what an incredible job of yours and your entire crew. kissing y’all on the mouth, mwah!
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Still Life with Flowers by Jens Juel (Öl auf Leinwand)
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jensen ackles
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They Cloned Tyrone (dir. Juel Taylor).
Netflix's kooky sci-fi riff on retrofuturistic '70s-era blaxploitation films is a genre-bending experience starring John Boyega, Teyonah Parris, and Jamie Foxx as a trio of street-level hustlers, a dealer, pimp, and ho. They're all trying to get by when they discover a series of conspiracies in their neighbourhood. There's an impressive fidelity to style and tone that cements the film as a fun and stylish genre ride into themes of paranoia, mind control, white dominance, and enslavement.
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Marie-Sophie-Frederikke Princess of Denmark and her Daughter Princess Caroline
Artist: Jens Juel (Danish, 1745–1802)
Genre: Portrait
Date: circa 1800
Medium: Oil on Canvas
Collection: Rosenborg Castle, Copenhagen, Denmark
Marie Sophie Frederikke
Marie Sophie Frederikke became Queen of Denmark in 1808. She was the daughter of Landgrave Carl of Hesse-Kassel and married Frederik (VI) in 1790.
The marriage between Marie and her cousin Crown Prince Frederik took place despite objections from the government and the advisors of the Royal House. The Queen led a quiet life; she had a weak constitution after giving birth eight times, although only two daughters survived. She was Regent in 1814-1815 while Frederik VI participated in the Congress of Vienna, where Europe’s new borders were decided after the Napoleonic Wars.
The Royal couple and the two Princesses Caroline and Vilhelmine could often be seen sailing on the canals in Frederiksberg Garden, which increased the already considerable popularity of the Royal family. In contrast to earlier Danish Royal couples, they became symbols of urban bourgois family life, even though it was well known that the King had a relationship with Frederikke Dannemand.
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