#just as so many legacies have played an important role in this story

[sobasluuurp]

I've never cried for a bnha death before. Not Nighteye, not Midnight, not even Twice (though that one was because I was in denial).

But Shigaraki?

I just sat on my bed and cried for who knows how long. He was so full of life, but his life was doomed before he was even conceived. So full of anger towards the selfish people who hurt him, but every action he took only benefited them (aside from his own death). A man who lived for his loved ones, but who will never see them again because he stood up for them.

I'm devastated. He deserved so much more than anything he got.

[yourartmatters-itswhatgotmehere]

❤️🤍💙 #RWRB #RWRBMovie #RedWhiteAndRoyalBlue

Casey being iconic-i just love Them so much!!

#CaseyMcQuiston

. https://twitter.com/ThisIsGSage23/status/1791335511728013403?s=19 .

"I just really wanted to explore both of those characters and I wanted to do it in a way that I hadn't really seen before, and also just like as a queer person I want to make queer art and that's what I'm drawn and that's what I'm interested in. So I kind of had these two different ideas, it was like one idea was that I would write a book about this rebellious first kid who's like figuring out that they're queer and what does that mean for their like political aspirations; and the other was about you know sort of a member of the royal family under all of this pressure to carry on this legacy and like what does that mean if they're gay. Um-And I'm just like kind of weighing these two different stories and deciding where I wanted to go and then I just kind of had this moment of like What If I didn't have to choose and it was the same story because they fall in love with each other? And-Um-You know in a classic bisexual fashion I was like I'm gonna have both, so I did!"

"It was really important to me that Alex was explicitly bisexual because like, you know, I really wanted the representation of like this bisexual character and then it was important to me that he was also Mexican like he is in the book and that he was played by a Mexican actor. (..) It was really important to me that, um, I didn't want any, I didn't want Alex or Henry, no matter how their stories were translated to the screen, I didn't want either of them to have any type of, um, like shame or resentment towards themselves for being queer, it was really important to me that the stakes of their lives and their like inner conflict was much more based on like the circumstances that they're in. It's like they don't hate themselves for being gay-or for being bi-they just wish that it was easier to be who they were in the world that they live in."

"..Taylor embodies that so beautifully. (..) I think he's just killer in that role. And Nick, I mean, if you like turned me upside down and shook me like he would fall out my brain as Henry (..) doesn't have blue eyes but they sure are sad eyes and that is exactly what they need to be."

"I see myself in Alex, tremendously, I'm very much in Alex, I relate to him so much, uh, truly, I think he's the most like me of all my characters."

"I very much would love screenwriting to become part of what I do, I'll say it that way."

BTW for everyone interested: Red, White & Royal Blue: Collector's Edition Henry PoV bonus chapter by Casey Mcquiston : https://www.tumblr.com/yourartmatters-itswhatgotmehere/752528941905018880?source=share

CMQ spotify (characters' playlists!!) https://open.spotify.com/user/p873j0jdmqn5hye7cakdnub7e/playlists

+ also queer history/facts from RWRB(Alex engaging with queer history)(thank you SO. MUCH. CASEY MCQUISTON!!)-GREAT POST here on tumblr!!-many links here, lots of information! (Waterloo Vase, Stonewall, SCOTUS decision 2015, Walt Whitman, Laws of Illinois 1961, The White Nights Riots, Paris Is Burning, THAT David Wojnarowicz photo 'If I Die Of AIDS-Forget Burial-Just Drop My Body On The Steps Of The F.D.A' https://www.tumblr.com/yourartmatters-itswhatgotmehere/757305651356729344?source=share (I encourage you to research more about David!!) , Thisbe & Pyramus, The V & A, James I & George Villiers and MORE!!) https://www.tumblr.com/yourartmatters-itswhatgotmehere/757308307835895808?source=share (Learning about things referenced in Red, White & Royal Blue, thank you @ elipheleh)

+https://www.vulture.com/article/casey-mcquiston-red-white-and-royal-blue-the-pairing-interview.html

+https://www.hollywoodreporter.com/movies/movie-features/taylor-zakhar-perez-casey-mcquiston-interview-red-white-royal-blue-1235975977/

.https://www.tumblr.com/yourartmatters-itswhatgotmehere/758778031058862080?source=share

+

[cinamun]

cin how do you keep yourself motivated/not so overwhelmed doing a save with diff generations and multiple sims? i always struggle making it past generation 1

Friend, this is the reason why Indya's arc alone lasted SEVERAL years lol. I'm not really a legacy player or multi-gen player. I've preferred to just play out the faves but the faves became a story and now I'm in too deep I fear.

Take breaks and don't overwhelm yourself trying to put everyone in the spotlight. TFA took a month long break so I could just have some gameplay fun and will likely take another break if this new Murda Pack™ turns out to be any good.

I will get frustrated and overwhelmed easily if there are too many things happening at once so, I take it one arc at a time and try to keep the energy around no more than 2 or 3 OCs at a time.

You don't even have to "make it past gen 1" if you don't want to. Indya and Darren having children was never set in stone for me. It was just their drama but once I felt I couldn't twist it and turn it anymore, we landed where we are now with Hope and her siblings and now her children and family. I could have left it at Indya/Darren and kept coming up with shit honestly but that became boring for me personally.

Remember the importance of secondary characters or supporting roles. Not everyone is your star. TFA is one save with one family and every other sim that interacts with them is a supporting character. I stay motivated because I love that family (downnnnnnnnnnnnnnn) and they are really fun for me to play. Because I have aging and autonomy off in the TFA save, I'm not worried about any random babies or marriages fucking shit up (I voted control freak in that poll lmfao).

Anyway, its okay for your gameplay or story to revolve around a manageable number of sims while others just play the background. The very last thing you want is burn out, which is a very real thing for writers/gamers/artists/literally anyone.

This became longer than anticipated but I do hope some of that helped.

[captainsavre]

100 Episodes and Beyond: The Legacy of ‘Station 19’

What we’ll always take away from the landmark series even after it fades to black.

BY MALCOLM VENABLEPUBLISHED: APR 10, 2024

Station 19 is ending, sadly, but when it does make its final farewell this year, Shondaland’s ABC series will leave behind more than teary eyes and a legion of loyal fans not ready to say goodbye. Though on the surface Station 19 functions as a standard emergency services/rescue drama, it has so much more going on underneath its fireproof exterior. For seven seasons now, the Grey’s Anatomy spin-off has become a landmark TV show in its own right, leaving behind a lasting legacy.

On a recent visit to the Station 19 set, where Shondaland was on hand to celebrate the momentous achievement of Station 19 finishing its 100th episode, which airs Thursday, April 11, we caught up with its beloved stars to probe what the show means — and talk about some of the ways the show will live on forever.

First-responder life

Perhaps the biggest and most important legacy of Station 19 is the way it reveals the struggles, sacrifices, and everyday heroism of first responders. Statistics show that Americans make roughly 240 million 911 calls a year — that’s more than 600,000 emergency calls per day. If we’re lucky, we’ll never have to make such a call, making it easy to forget that on the other end of that line are real people who get up every day and put their own needs and lives aside to help us when we’re having the worst day ever.

Through all kinds of calamities, disasters, and unthinkable emergencies — gas leaks and bombs, medical scares and car crashes, and of course, fires — we’ve seen these fictional characters mirror the courage and heroism real first responders exhibit every day. “I think Station,” executive producer and co-showrunner Peter Paige says, “has this magical formula of great action, incredible characters, incredible human stories that model a better way to be in the world.” Amen to that!

Mental health

The flip side of those incredible acts of service on Station 19 is the toll such a job takes. Sure, fires and rescue scenes make really good TV, but what has made Station 19 so impactful is the way it shows the human cost of such work. The death of Rigo (played by Rigo Sanchez) in season three is a good example: The subsequent group therapy sessions, where Andy Herrera (Jaina Lee Ortiz) and the team confront their grief and loss, illustrated how the job doesn’t exist in a vacuum and even the world’s toughest people feel emotional pain. “The relationships and circumstances really resonate with the audience,” Ortiz says. “They cry with us and grieve with us.”

Representation

“I feel like we have a lot of good representation,” says Zoanne Clack, co-showrunner and executive producer. “A lot of people who don’t see themselves represented usually on network television see themselves on our show.” She couldn’t be more correct. Station 19 has been trailblazing for the way it depicts a number of underrepresented groups — most notably Latinos, who are vastly underrepresented on television — in lead roles, with Pruitt Herrera (Miguel Sandoval) and Andy Herrera (Jaina Lee Ortiz) in particular as standout examples. Showing them as captains has been quietly revolutionary, helping to undo persistent stereotypes that have Latinx people in service jobs or as criminals. LGBTQ characters get a lot of shine on Station 19 too; we see characters like Carina (Stefania Spampinato) and Maya (Danielle Savre) living out their lives, and not being held up as perfect aspirational models but as everyday people dealing with work, relationships, parenting, and the like — just like so many LGBTQ people the world over.

Family

“I think everybody sees the family they grew up in and the family they created — good, bad, and ugly,” says Jason George, otherwise known as Dr. Ben Warren. Indeed, Station 19’s 100 powerful episodes give us unflinching glimpses into what it looks like to be a pea in a pod, so to speak, and navigate the dynamics of being in a forced cluster — particularly accepting and supporting other people even if, in the moment, you’d really rather not. From courtships to breakups, baby making, and confronting the finality to death, the Station 19 family have endured it all together, and viewers have gone through it all alongside them. And that’s just one of the many reasons why its impact will stick inside the hearts of viewers for years to come.

For more on the legacy of Station 19, watch the video above from the series’ 100th episode celebration. And catch the final season of Station 19 on Thursdays on ABC, or stream episodes on Hulu.

Link: 100 Episodes and Beyond: The Legacy of ‘Station 19’ (shondaland.com)

[andreal831]

Why does Celeste get so much hate?

My latest Celeste tiktok edit got me thinking about the different treatments of Elijah's love interests and Klaus' love interests. Specifically, Aurora and Celeste.

Because when you think about it, they are basically the same character. And yet, Aurora is treated with a lot more sympathy than Celeste.

Celeste was first introduced as a past love of Elijah. Elijah states that she was one of two great loves that he has ever had. We see that he was so consumed by this love that he, for the first time in 800 years, waivered from his family. This made Klaus angry and he had her brutally murdered.

Similarly, Aurora was Klaus' first love (yes, I know there is a debate on first or second love. I think she was his first). Klaus was so in love with her, that he wanted to bring her on the run with him and his family. However, when Aurora reveals that Klaus was responsible for his mother's death to Elijah, Elijah accidentally compels her to breakup with Klaus. He then proceeds to compel her to pretend to be Rebekah for 100 years.

To me, there are very similar stories. Except, at least Aurora isn't murdered. Because of this, they both turn to revenge against the Mikaelson family for the harm the Mikaelsons have committed against them. They even have similar runtimes on the show -- Celeste is on TO for 13 episodes and Aurora is on for 17 episodes.

Yet I've seen a lot more people support Aurora's hatred of Elijah and get angry at Celeste's revenge against Klaus. The most logical, and probably accurate, reason is that Klaus is the fan favorite and the show centers every storyline around him, reducing Elijah to a background character. Which reduces his love interests down to background characters. This is a big reason why people will "never forgive Elijah" but don't care that Klaus killed Celeste.

But the arguments against Celeste are often that "she was doing too much." While the same people will support Aurora because she is the female Klaus. Celeste essentially toyed with the Mikaelsons for the better part of half a year, but Aurora buried Rebekah at sea, murdered Camille, and tried to murder Elijah and Freya. If Aurora wasn't doing too much, I don't think it's fair to be angry at Celeste for trying to get her revenge.

I also see so many people saying 'if Elijah hadn't compelled Aurora, they would still be together,' but where is that logic with Celeste? I don't even think Celeste and Elijah get their own ship name when she was just as important to Elijah as Aurora was to Klaus.

Aurora typically makes lists of people's top favorite characters. She was so popular that they brought her back in Legacies. Celeste hardly got a mention once her character was killed, even though she was an ancestor on the Other Side and still could have played a role in the witches.

The TVDU has a habit of sidelining POC characters and it seems Celeste is just another woman of color who does not get enough credit. After all, her plotting is what set all of The Originals into motion.

(Celeste doesn't even come up when I search the tags)

[luna-rainbow]

(I've seen a couple of Peggy posts turn up today and please note I'm not trying to be contrary, just want to discuss things from a different perspective)

I've talked about this in another post before, but the MCU movies need to be examined in the context of the genre convention of superhero movies. From a writing perspective, CATFA (and all the Cap movies) needed to center on Steve Rogers (which is why CACW and TFATWS were failures in their primary story). All the other characters are meant to be support -- Bucky was the main foil, but so were Sam and Nat - Nat as the deceptive spy to Steve's blunt soldier, Sam as the modern parallel of Steve's traumas. By and large, CA1 and CA2 managed this balance well. Bucky Stans may not like me saying this, but as much as it would be nice to see more of Bucky's inner voice about his horrific experiences, that was not the point of those movies. The point of the movies was to focus on Steve, and Bucky's part - as lean as it was - fulfilled his narrative purpose. Of course it could've been gayer better, but it was good enough (** CA3 should have dealt with Bucky's recovery because that would have been important to Steve's recovery).

So now we come to the awkward subject of the Carters. We can argue about "better" female representation until our voices dry (that representation was given to Nat, by the way), but the two Carters were written as pure love interests in the movies. That was the first part of how the writing failed them. There was no narrative acknowledgement of how the Carter's experiences might mirror or contrast Steve's - and there were many! The first conversation between Steve and Peggy in the army - instead of drawing parallel between a man struggling against ableism and a woman struggling against misogyny, it simply plays up Steve as an incel and Peggy as the disinterested trophy. Instead of comparing how difficult it was for Steve and Peggy to get into the army, instead of discussing their respective reasons for wanting to join, the only parallel it draws between them is both are waiting "for the right partner" (i.e. a romantic connection only)....which it then reneges in CATWS when Steve talks about "someone with shared experiences" and does not include Peggy in that mix.

As the movies continue, more and more contrast is shown in Peggy's and Steve's experiences -- Steve, who laments of feeling lost and uncertain, and Peggy, laughingly dismissing him as "always so dramatic"; Peggy, who has lived a full life without him, and Steve, who still struggles to extract himself from the past; Peggy, who has used Steve's fame to set up SHIELD and thanks Steve for "finding" her husband, and Steve, who has to contend with the legacy of what Peggy has created and what her role might have been for "finding" Bucky; Peggy, who was willing to compromise with Nazis for whatever war she intended to win, and Steve, who stared Fury in the eye and said "SHIELD, Hydra, it all goes."

But the stories never have the self-awareness for these contrasts, as they do - and they do, the CATWS writers knew exactly what they were doing - with Bucky and Nat and Sam. The poignancy of Bucky's narrative/moral connections (and Nat's and Sam's) with Steve are intentional, but for Peggy, accidental.

She was written as a sexy lamp - which, while annoying, is part of the genre convention that I can ignore - with multiple moral failings, who continually demonstrates an inability to connect with Steve on an ethical or emotional level.

But since Endgame, Disney keeps insisting that she's the female equivalent of Steve. And that's where my dislike of the character comes from.

[physalian]

On the one hand I am sick and tired of nostalgia bait trying to make up for shit writing to convince you that the movie is better than it actually is, but there is something special about Deadpool & Wolverine, No Way Home, and DOFP that the rest of the MCU just doesn’t have (did not actually see DP 2 and haven’t seen DP 1 since it came out).

I think the obvious dividing line is that these cameos serve a narrative purpose they’re not just there tossed in with the kitchen sink. I know Spiderman’s movies were by Sony but they fit the same vibe as what happened with Fox—these movies can only exist because they’ve been re-cast and remade and rebooted so many times, and because of the nature of these characters, and when the writers understand that that is the essence of a comic book character, that their story will never end, there will always be a new issue, a new evolution of them, so let’s embrace it instead of trying to fit it into an adaptation that dismisses it, it just works so well.

NWH does ride the nostalgia train a bit too hard, but Toby and Andrew still treated their roles, getting to be on screen again, play these characters again after their dismissal from the canon, regardless of what the actual story was about, that was special. The heart and soul those two brought to those characters was special.

DOFP is still regarded as one of if not the best X-Men movie, and it goes beyond the “nostalgia” of seeing the original actors working with the next generation, that movie felt like a passing of the torch in a way that didn’t crack jokes at the OG’s expense, like so many Marvel movies have done—laughing at themselves before the audience can laugh at them and making themselves really insincere and unable to embrace the cheesy corniness of what comic books are.

You could have a movie where every single iteration of Batman comes back in some DCU multiverse of madness, but so many of his adaptations are grimdark and serious that the only movie that kind of pulled it off was Lego Batman, and those fourth wall breaks were just a couple jokes, not literally having a script with tiny Lego Batman on screen acting across from the Bale Batman.

Not only that, these three movies didn’t just bring in cameos and toss their actors a sack of cash for a couple days of filming. It really felt like all these actors, who’ve all had if not awful adaptations, but less than thrilling ones, and even some great ones, are getting the chance to show the world/Hollywood/whatever that they were given up on too quickly, that they still had more left in them—and Hugh Jackman acting his ass off in DP&W just goes to show it. Dude has played the same character I think more than anyone else in comic book history? If not, he’s very close, or at least spans the most years in his role. He could have phoned it in, showed up and did the bare minimum, but he didn’t, and he gave a version of Wolverine that is both so like the character we’ve seen on screen for 20 years, and something new, because this isn’t our Wolverine.

And of course all the other cameos—the oldest Fox movie I’ve seen is the first Spiderman. I recognized Wesley Snipes and knew that Jennifer Garner was important, knew her weapons were significant, but I didn’t realize who she was until they said her name. I just know that her movie was pretty bad. The meta narrative of a Fox send-off victory lap, giving these characters and actors one last chance to give it all they’ve got just felt like it was done from a place of deep respect for comics, cinema, and the legacy of these movies—X-Men ran so the MCU could fly. It didn’t feel like assembly line MCU schlock at all.

So while I really, sincerely hope that the higher powers at Marvel don’t look and go “oh so they do like nostalgia bait,” this felt like so much more than “nostalgia bait”. I do not need more of it at all, but if this was the send-off that Fox never got when Disney ate it, then this movie and the end credits BTS montage was, at least I think, the best they could have done with it.

[mirai-e-jump]

+act Magazine July 2023 Issue ft. Masashi Ikeda Interview (translation below)

Publication: June 12, 2023 (between episodes 15-16)

"First, please tell us how you were chosen for the role, and what you were thinking when the decision was made."

Ikeda: I originally auditioned for the role of one of the main five warriors (kings), and wasn't selected, but, there was an audition for the additional warrior (Jeramie Brasieri). When I was chosen to play the role of Jeramie, I was more confused than excited. Then, the realization slowy began to sink in, and my heart felt full of excitment and anticipation. I've been watching tokusatsu shows since I was a child, and I've always had a strong desire to become a hero. My favorite show was "Kamen Rider 555," and I was such a huge fan that I had all the transformation belts. But even still, it feels strange being chosen to be apart of a hero production.

"After appearing in a Sentai series, many of the actors are still active, as it's considered a gateway to success for young talents. What are your thoughts on this?"

Ikeda: I would like to grow as a person throughout the next year. I'm not content with just being in a situation that's considered a gateway to success, so I want to perform as well as the other actors, and I want to do my best as to not destroy the legacy or quality of the past works that my seniors have created.

"The character of Jeramie plays a very important role, but what was your first impressions of him?"

Ikeda: Since Jeramie is a "storyteller," my first assignment was to narrate the story. What I thought was most interesting, is that Jeramie has been narrating since the beginning with Episode 1. It's unusual for a hero to also narrate the story.

"Your first task was to record the narration, right?"

Ikeda: That's right. Actually, at the time, I myself didn't completely understand Jeramie. I also wasn't familiar with doing narrations, so I had a hard time trying to put Jeramie's character into it. In order to convey Jeramie's emotions, the director gave the advice, "Try moving like you're in a play," so I tried speaking while doing a flashy pose and putting my hand in my hat. It's a recording, so luckily the cameras weren't turned on (laughs). I tried various things out, so it took two to three hours to record the narration for Episodes 1 and 2. The phrase "tosa" was created at that time. It wasn't originally written in the script, but the director had the idea to, "add in "or so it goes" at the end."

"The phrase "tosa" is a strong and memorable one, isn't it?"

Ikeda: That one phrase helped me a lot. The unique way of saying "or so it goes" was the foundation of Jeramie for me, and I was able to envision his character.

"Jeramie is a character of many strong traits. In official material, it also describes him as having an "annoying personality" (laughs)."

Ikeda: Ahahaha! He's pretentious, has a high sense of pride as a storyteller, and has a repetitive way of speaking…Even still, I try to be conscious of the lines I perform, and try to speak in abit of a joking way, or speak with alot of tension when it comes to things he doesn't understand. Jeramie is 2000 years old, he's composed, and enjoys talking to people. That's the kind of character I try to create when performing.

"In regards to Jeramie, what did you and the director discuss about?"

Ikeda: Reading the script, within his annoying, awkward, and narcissistic personality, you can also find a cute and innocent side of him. We discussed how we should remember those points, and express them in order to make him a well loved character. Actually, when I'm told something happy or sad, I react to them honestly and show my true emotions. I'm the type of person who understand emotions easily, so I hope I'm able to show that off.

"How did the other warriors react to such an intense character?"

Ikeda: Everyone said, "You're a nice character. I'm envious" The way he appeared in Episode 11 was very cool, he may be the narrator, but he has an intense presence. He's not just weird and annoying, he wants to help the world for the better more than anyone else. Jeramie's father is a human, while his mother is a Bagnarak, and although he has complex feelings about being a "child of love," he is a pacifist who has a strong desire to help those living in difficult situations, and wants to stop the war between the humans and Bagnarak.

"On the first day of filming, were you deeply moved by the fact that you were finally able to join the heroes you had been longing to work with?"

Ikeda: When I first appeared, I was wearing the Spider Mask that hid my face, so I didn't really feel it then. But, when I was able to let go and take off the mask, I thought, "Uwa! I'm finally going to become a hero!" and an excited feeling overtook me. When we were filming the transformation, I thought, "What should I do? What kind of face should I make when I transform?…" (laughs)

"What kind of things were you conscious of during the transformation scene?"

Ikeda: Jeramie's fighting style is brilliant. He can manipulate spider webs at will, uses his two weapons, a dagger and shooter, he can fly around, and is very smart. When I transform, I don't do it with a lot of enthusiasm, but rather, with a sense of grace. However, the pose is a abit "pretentious" and is kind of annoying (laughs). To transform, I bend my body back as much as I can while saying "Royal Arms." Suspended by a wire, my body flies up, and in a blur, turns into Spider Kumonos, but it's also filmed from the camera above me. It was the first wire acting in my life, and when they first explained the moves to me, I was like, "Eh? We're going to do this?" It was surprising (laughs). Furthermore, my body felt really stiff, and even though they said, "You're not bending at all," I really was bending to my limit…The action director said, "It's difficult for beginners." He also said, "I'm know I'm asking you to do something impossible," but I felt frustrated that I couldn't do it, and my back and abdominal muscles were sore the next day (laugh).

"Do difficult transformation scenes await you in every episode?"

Ikeda: That was the main one for Episode 12, so I won't have to do it every time. However, the director told me to, "Keep my body soft," because it might happen again in the future. That's why I'm going to work hard on my flexibility and try to become even closer to Jeramie.

"What are some highlights to expect in Jeramie's future?"

Ikeda: The relationship between the five kings, Racules, the Bagnarak, and the consequences of their actions, will be the main highlights as the story unfolds. But, how will Jeramie be involved, and what kind of relationship will he have with other Bagnarak? I think it's worth paying attention to see what Jeramie's up to, and I hope you will look forward to the movie being released this July.

[dorkydegeneracy]

1. Andor

2. Obi-Wan Kenobi

3. The Mandolorian

4. Ahsoka

-----------------------------

5. The Acolyte

5. The Book of Boba Fett

Andor is by far the greatest live action Star Wars project to date, which is a shame because I think it is the least watched of all projects. As someone who loves the political intrigue side of Star Wars, this show speaks to me on a personal level. I understand that most Star Wars fans may not value this aspect of the series. Indeed, I have heard from many fans that this is their least favorite aspect of Star Wars. Nevertheless, I truly believe that Andor is the only show that I can confidently say makes for good television (not perfect of course, far from it). Diego Luna's performance rivals only one other lead actor's performance imo for the best performance in live action Star Wars (more on that in just a second!). Kyle Soller's Syril was a pleasant surprise standout. Overall, the cast delivered in a way that I did not expect.

The other projects imo have writing/cinematography flaws that severely effect the quality and overall enjoyment of the show.

---

Obi-Wan Kenobi ranks second for me in LARGE part because, despite some valid concerns of characterization, Ewan McGregor absolutely nailed his portrayal of Master Kenobi! Ewan is a phenomenal actor. We all know this. His Obi-Wan was a highlight of the prequels, and he tried his very best to hold this show together because he cares so much about Star Wars.

Unfortunately, there are so many questionable writing issues. Chief among them, Reva's character was terribly written and the continued existence of her character damages Obi-Wan's legacy as the protector of the "last hope." Second, the budget was the smallest of all of the shows, resulting in lower quality cinematography and special effects. Lastly, there were too many strange gaffes that made the it hard to take the show serious at times (this includes the trenchcoat fiasco, Flea's portrayal of a kidnapper to name a few).

Other straws that make the show valuable and interesting to me include:

1) Excluding Reva, everything else that happened in the show doesn't present concerns for me in terms of canon compliance. In fact, the way the show ends leaves the possibility of a more introspective character story about Kenobi learning how to communicate with Qui-Gon, and his life on Tatooine.

2) The Obi-Wan/Anakin relationship. One of the key goals of the Prequels and the Clone Wars was to expand on this relationship. It is a fascinating tragedy at the heart of Star Wars. I would have loved it if the whole show was about Kenobi's guilt, seeing him get back in touch with the force, communing with Qui Gon, and Tuscan Raiders. However, the little that we did get was fulfilling, and Darth Vader releasing Obi-Wan from his guilt over Anakin was beautiful.

3) Eventhough there were critiques about having Princess Lei play the key role that she did in the show, Vivien Lyra Blair was very likeable and portrayed the spirit of princess Leia in a new way. Never in a million years would I have said that I needed or wanted to see Leia as a child, but I am glad that I did. She was for sure a highlight.

That's enough about Obi-Wan. It's not like I could possibly convince anybody who thought the show was holistically bad (a valid criticism imo) to find any redeeming qualities.

---

The Mandolorian is a visually stunning show for the most part, and it serves as the foundation of live action Star Wars. Admittedly, I have little significant criticisms with the stories told throughout the series. My biggest issue with Mando, and I will continue to die on this hill, is that I want it to be more about Mandolorians. This is why, believe it or not, season 3 is my favorite season. It finally focused on the show's namesake, and builds on the incredible world of Mandalore, one of the best things to come out of the Clone Wars. I desperately want Mandalore to rise again. It's such an important planet in the canon, and people love all the lore that is associated with Mandalore.

I think Grogu is an amazing character, and I love his connections with Luke and Ahsoka. I love Din Djarin and his role as Grogu's father figure. These characters are very valuable and important, but they should not have been the focus of the show. I want more clan conflicts, and I want to see Mandalore grow! I want flashbacks to Bo Katan's childhood, when Mandalore was thriving! Why has there not been a single mention of Satine Kryze in a show called the Mandolorian? I know the show is not about Satine. Nobody is asking for the show to be about Satine. But Satine is supposed to be Bo's older sister, and there is so much character development to be expounded upon there.

Other than that, I just don't personally have a connection to the Mandolorian in a way that I do with Andor and Kenobi. Seasons 1 and 2 just really weren't my type of show. Season 3 did pique my interests tho.

---

Lastly, Ahsoka! I thought Ahsoka was okay, but it really just confuses me tbh. My confusion stems from two key things: 1) Thrawn was very lackluster; and 2) the world between worlds was even more complicated.

Thrawn in the books and in Rebels is arguably the smartest, most cunning creature in the universe. This is his primary attribute which makes him stand out in a universe of force wielders, aliens, and bots. The Thrawn in Ahsoka made some questionable decisions, and heavily relied on Morgan Elsbeth as his fellow strategist. He also just looked goofy to me, but his skin is blue so I won't harp on it too much.

Unlike some fans, I find the world between worlds to be an interesting addition to the Star Wars universe. The mechanics established in Rebels were relatively straightforward: some sort of plane governed by the force containing various doors to different points in time. The mechanics of the world between worlds were complicated in Ahsoka.

First, Ahsoka entered the world between worlds (WBW) after falling off of a cliff at sea. Was the ocean a magical gateway to the WBW? Did Ahsoka die? Nobody knows. My best guess is that the WBW is probably an astral plane where one's spirit enters, and not their whole corporal being.

Secondly, if the WBW is an astral plane, that means that Anakin's soul was communicating with Ahsoka. Was he trapped there? Is he a force ghost? Do all force ghost reside here? And then Anakin's force ghost shows up at the end! I just have so many questions.

Third, Ahsoka did hop between different points in the timeline, but did so as a younger version of herself, which we have never seen before. Additionally, Ahsoka never walked through a door on her journey.

All of this just makes the world between worlds hella confusing.

I'm not that bothered by Sabine is training to become a Jedi. Let me be clear: her midichlorian levels are insanely low, and had this been in an era during the Jedi Order's prominence she would have been sneezed at. But I can appreciate having a character who is truly like the rest of us train as a Jedi. That was the whole point of Rey being a nobody, which they immediately retconed. No, Sabine being a Jedi isn't necessarily canon compliant, but the force is within us all, right? God knows I wouldn't be sufficiently force sensitive, so I can relate to Satine on a personal level.

---

The last two are set apart from the rest in all fairness because I have not watched them in their entirety. I have watched 10 minutes of Boba Fett, and after hearing what was going on in The Acolyte, I watched detailed recaps of the season because I do think that Lucas Films will be creating more stories that will build on stories established therein. Overall, I don't believe that these two shows are of the same caliber as the rest of the Star Wars live action projects.

[invisibleicewands]

Michael Sheen is portraying Aneurin 'Nye' Bevan - the man who spearheaded the creation of the National Health Service (NHS) - in the National Theatre's latest play, aptly named Nye.

Written by Tim Price, the production, according to the National Theatre, takes the audience on a "surreal and spectacular journey through the life and legacy of the man who transformed Britain's welfare state".

But, as the Welshman tells ITV News, the timeliness of the show's release has taken on extra importance given the modern-day pressures felt by the NHS and, what he feels, is the need for radical change.

Sheen said: "I think the NHS has to be reimagined I suppose in many ways.

"The kind of audacity of Bevan's vision and the drive and the determination to bring those fundamental beliefs about: you shouldn't be denied basic healthcare because of your lack of means."

He added: "We really don't want it to go back to the way it was.

"We talk about people having surgery without anaesthetic because they couldn't afford it, I mean just awful, awful stories and we cannot let things go back to that."

Audiences can enjoy performances of the play at the National Theatre, in London, up until Saturday May 11, before it moves to the Wales Millennium Centre, in Cardiff, for several weeks.

And, in a quirk organisers hope will entice greater viewing interest, the production is also available to watch in selected cinemas.

Dame Helen Mirren starred in the 2009 production of Phedre, which was then the first play to be broadcast in cinemas across the UK.

She explained to ITV News the importance of bringing such shows to the big screen, enabling future generations to watch what she hailed as "incredible performances".

"Having spent a lot of my career in theatre, having seen incredible performances you know witnessed them on stage, acted with the person or sitting in the audience and thinking future generations will never know how brilliant this performance was, was always very heartbreaking for me.

"Of course, theatre and film are two completely different disciplines and it's a strange marrying of the two, but at least to save great performances, great plays, great productions for future generations is one very important element."

Asked about the play's importance in highlighting work done by the NHS, Sheen recounted how an early performance demonstrated a real-life example of the healthcare provided by staff.

He said: "Funnily enough on one of the earlier performances someone, unfortunately, got taken quite ill in the theatre and it was towards the end of the play and we had to bring the lights up and everything and stop the play. 

"And someone said 'Is there a doctor in the house?' and there was about fifty of them!

"So, yes, it's well attended anyway. And I meet people outside of the stage door you know saying 'I've been working in the NHS for thirty years or more' and they're so moved by the production and they just want to say 'thank you for doing it'.

"But I mean it's just an opportunity to say 'thank you' to them for their service."

[igglemouse]

Song of the Day! New Music Friday!

I realized something...this year will be my 10th...yes, 10th year here. I'll probably make a post about it later but it has given me a thought.

I've been here a long time! I feel like a simblr elder, not sure if that is a good or bad thing but...I am surprised to have been here for so long now that I think on it. Even through some times where I wanted to quit. Each time I restarted my legacy was a moment where I felt like just quitting, except the one with the technical issues. Especially that time where a simblr I was very close mutuals with just stop interacting with me and then blocked me. It was very odd. It always made me feel like someone was saying something about me behind my back which was also odd since...I literally just post my stuff here, reblog other stuff, and try to keep positive energy. I remember thinking at the time, was it something I had done? I couldn't figure out why, I'm socially awkward so I thought maybe that was it...

When I started this simblr, nearly ten years ago, I was not in a good place. I was dealing with pretty bad depression, medicated, suicidal, the whole bit. I might have mentioned that over the years here, I doubt it because I'm pretty guarded, but I think back on it posting was the best thing I could have done then. It was a fun escape and knowing that people saw some value in my writing, even if just a little bit, really helped and it pushed me more and more into writing, which was a good thing. It was something I could focus on. I discovered through this that I have this ability to write and write a lot and here I could play out any story idea I had and I've always had so many come and go.

I'm not sure where I'm going with this one! Sometimes, I just have a thought and it turns into something longer. I would say I'll be here ten years longer but honestly who knows?! I think that's more on tumblr than myself lol as I do love tumblr but I hope there's a better platform in that time to migrate to.

I will say, to all the people that complimented me. That said I inspired them to do this or that, reached out to me, to even those that complimented my writing. Even those that did so and seemed really into my stories until just randomly unfollowing and ignoring me...well, no take backs! I've absorbed all the nice and positive thoughts. Not that they would be reading this any way lol.

So, I guess if you wonder "Why does she keep saying stuff like that!" I guess that's why, maybe its being dramatic but since tumblr/simblr played such a big role in me writing in general I know it meant a lot to me when people have shown me love in any kind of way. Taking things a day at a time is also important to my mental I guess that's why I've always tried to post daily. It's something I've been told years ago to always look forward to something tomorrow and keeping my little legacies going is one small thing in my life that has been pretty consistent.

So yeah! Ten years here will be a cool achievement! If I have the time and have the health maybe ten more years! I feel like even if I became a millionaire I'd still be posting >.< and that millionaire thing is ahem...might be a possibility...life is much better for me now then when I started doing this!

OH! For those new followers, sorry, I do this like 2-4 times a month. I do used my SOTD posts for venting, ranting, talking, whatever!

Also Maria and Araceli tomorrow!

It's always too early to quit. ~ Norman Vincent Peale

[katnisseversky]

I've been rewatching The Walking Dead after getting back into the series after playing all the amazing Telltale games, I'm almost done season 1 but rewatching is also making me upset again about Carl's death.

I stopped watching when he died, I think I was just to upset and let down. I'd been SOOO excited to watch him teach Judith the lessons Rick taught him. I was so eagerly awaiting hearing him repeat hard lessons to Judith, like "People are gonna die. I'm gonna die. There's no way you can ever be ready for it..." Just teaching her everything he learned. I wanted him to pass on the hat when she was old enough to understand.

And I'm just forever upset they killed Carl and took those stories away. It just was such a waste and I just wish so badly it could have been different. Like how did those involved in this decision not realize what they'd be sacrificing? The Grimes legacy may carry on with Judith (and now RJ) but without Carl to pass on the legacy... it's just... it's not what it could have been. I'm never going to be over it. The Walking Dead kills so many characters, and I get it for the world they live in, but Carl should have been off limits for the sake of the story. He was way to important, and had such an important role still to play. I JUST LOVE big brother/little sister or big sister/little brother dynamics in stories (like Clementine and AJ) and I wanted that for Carl and Judith SOOO bad. And that got stolen from me. From us! And I'm so mad to this day. Like how... did they not understand his importance with Judith's story? She must barely remember him. Playing Season 4 of the Telltale Walking Dead made it hit me even harder what we lost.... seeing Carl teaching Judith like Clementine had to teach AJ, seeing them bonding... I'm forever upset!! I'm stuck at the anger stage of grief for Carl. I almost wish Telltale would make a game about what if Carl lived and get Chandler to voice act. It's the only way we could see Carl again, in the storyline he deserved!

[a-student-out-of-time]

There has been some terrible news. Firstly Rooster Teeth an early success story for indie studios, has been shut down by Warner Brothers in another example of corporate greed. While Rooster Teeth isn’t exactly guilt free as many people have issues with it, it’s still devastating for those who have lost their jobs and livelihoods. RWBY and Red vs Blue are being sold off and the news regarding Death Battle is uncertain (1/2)

//I've heard, trust me. I've been sitting on it for a while now, because I've been unsure of how to react. What I'll say is, no matter their faults, both of them shaped their respective mediums and helped make them what they are now. They were both a major part of millions of peoples' childhoods.

//Toriyama is, of course, the creator of one of the most popular shonen anime ever created. I don't need to tell you about Dragon Ball because you already know it; for the vast majority of people, it's probably what they think of when anime comes to mind.

//And sure, he wasn't perfect. He's had his flaws and some elements of his work haven't aged well, but I'd like to share a story that really cemented by respect for Toriyama as a creator. It was, ironically, when he retired between 1996 and 2012.

//When Dragon Ball: Evolution, the infamous in-name-only adaptation of his work, was in production, nobody involved listened or cared what he had to say about it. They weren't trying to make an adaptation of his work of passion or respect, they were using the name to make money.

//Considering that Toriyama, by his own admission, was a pretty laid-back guy who would put off doing his work until the last minute, the fact they managed to get under his skin is a testament to how god-awful that movie was. I don't blame the actors, I blame the corporate parasites who wanted money.

//What matters here is, after seeing the end result, Toriyama was so horrified at the idea that this would be his legacy, he came out of retirement and went back to creating Dragon Ball. That was how we got Battle of the Gods, Resurrection F, and the Dragon Ball Super series.

//He wasn't doing this for money, but because of a renewed passion for creation. The man could've stayed retired and lived comfortably, but what mattered more to him was artistic integrity. I can't tell you how much I respect that.

//As for Rooster Teeth, well...I have fewer nice things to say about where they went as a company. There's no denying they played a major role in how machinima and internet content as a whole is created, with the style of Red vs. Blue being the most influential.

//Rooster Teeth was, for me and for a lot of other people, a big part of their childhoods with RVB and RWBY. They had some very talented and creative people, who put their all into making things that did have a positive impact in the creative world.

//Just as there's also no denying that a lot of troubling things happened behind the scenes as things went on, from enforcing crunch time to deflecting criticism to other mistreatments of employees. There were times it did feel like they were coasting by on the positive reputation they once had. Things like the controversy involving Ryan Haywood also didn't help matters. That, for me, was the moment I really started to drift away from the group.

//But at the same time, I still think about the day that Geoff Ramsay opened a video they released after laying off 50 employees talking about how it was one of the darkest days in their history. He went on to talk about how much fan support means to them, and how important Rooster Teeth is to him and how he wants people to find something they're passionate about, just as he's passionate about the company.

//Seeing that, hearing how they considered calling it a day, but deciding to instead keep going out of respect for the people they had to let go, I do think it rings of that same artistic integrity. Was it naive? In hindsight, maybe so, but I never doubted it was genuine.

//Thinking about that, about how they've had people decrying their creative pursuits and the very clear passion and interest they all had in wanting to do things, just to see it cut down by corporate greed? It really stings.

//Honestly, it reminds me of this one line from Bojack Horseman:

You know what it's like? It's like that show "Becker," you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just… It couldn't put them together. And when it got cancelled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that's what losing a parent is like. It's like "Becker." Suddenly, you realize you'll never have the good relationship you wanted, and as long as they were alive, even though you'd never admit it, part of you - the stupidest goddamn part of you - was still holding on to that chance. And you didn't even realize it until that chance went away.

//I guess there's a part of me that still holds onto the idea that, no matter how far a creator falls or how bad a work gets, maybe there's a chance they could get better. But when something closes down, gets cancelled or sold off, that chance goes away.

//I've seen so many criticisms of RWBY over the years, very passionate discussions about the show's flaws and how disappointing it is. They weren't just mindlessly bashing it for fun, they were talking about how the show has potential and could be made to work, and they were clearly coming from people who wanted it to be good.

//Now it's getting sold to someone who may have even less care for that creative vision, and that could be an even bigger tragedy than if the show were just cancelled. The fact that nobody on the staff even knew until they saw a Twitter post about it shows how little even the current people in charge cared.

//To the people still working on it and all current fans of RWBY, I sympathize completely.

//Idk what else to say. Between these events, and the news that Matpat is leaving Game Theory, it's been jarring seeing all these hits to my youth and the youths of many others. At least it all came when I was out of my depressive episode ^^;

//So what can we take away from all this? I think the biggest is the importance of artistic authenticity and passion for your craft. Not just enjoying what you do, but being willing to hear criticisms and use that to improve yourself. People who constructively criticize you do so because they want to see you improve your work.

//It's a lesson I've tried to live by and I'll continue to live by as long as I'm creating things. And while these losses might hurt, I'm glad that they were part of my life.

//Do I think that this is somehow the end of all creative freedom on the internet forever, as I'm sure someone may ask? No, of course not. This was an example of corporate greed and a tragic death, things that have happened and will continue to happen so long as capitalism is here and immortality is not.

//But if you look at the clear successes of independent works and passion projects, such as the many fangans I've shared my thoughts on, there's obviously still passion in creatives out there. Passion I hope to continue to be a part of.

//And sometimes, bad things like this happen and you get something even better out of it. From Walt Disney's bad management leading to people splitting off and creating Looney Tunes, to the miserable development of Daikatana being superseded by Deus Ex, to the slump of brown and grey military shooters being outdone by works like Portal in the late 2000's.

//Your creations will outlast you, and that's why I believe in artistic authenticity and improving your craft. Give people something they won't just enjoy now, but they'll have to remember you fondly when you're gone and to have as a source of comfort and joy through the dark moments in their lives.

[aestheticsims-x]

Welcome to Aestheticsims🌷

~ We are a Sims 4 Discord Server that focuses on encapsulating aesthetics, gameplay and photography all into one safe space in which like-minded humans can share their love for the sims 4🤍

We have recently recognised that so many of us play the game with animals, especially horses, and have decided to launch an equestrian section of the server, which is now up and running🐴

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🌷Server Features🌷

- Regular events such as our “Style An Outfit Event”, Banner Contest, custom roles, “Randomised Sim Event” and we also have an equestrian event in the works by one of our lovely Admins, Sophie🫶🏽

- A “Positive Message of the Day” channel in which the owner, Tia, posts a positive, motivational message each day for our members to see🌞

- A counting bot for some interactive fun!

- A fake currency platform that allows for you to earn money by “working”, “collecting an income” and by offering services and sales of sims, horses, builds etc!

- A photography section with individual channels for sims, horse, build, roleplay and artwork photography📸

- Our new Equestrian section: “The Stables” where you can register your stable, riders and horses to participate in AS Equestrian events! Horse sales, breeding services and imports are also found here!

- Club opportunities: sim clubs, skill clubs, equine clubs, you name it! If you have an idea for a club, submit an application and get it up and running!🫶🏽

- A “CC Corner” where members will post CC that they find, specific to categories for easy access and downloading!

- A “Showcase” section where you can post sim lookbooks, links to Pinterest boards etc!

- A “Scrapbook” section where you can document your sim’s legacies, stories, photography and so much more.

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This list is just a few of the features we have to offer, but not only are there multiple ways to get involved, we are also welcoming of individuals who just want to make some friends and become a part of our community🤍

There are people who are there to chat, listen to you, support you and spread the love for each other and the sims 4!

We’d love for you to join our family🫶🏽 Find the invite link below!

- Tia (Owner of Aestheticsims)

~ A huge thank you to Mia for submitting her gorgeous entry to the first banner contest, and being the face of the server for the past month, we love you ❤️ ~

[invested-in-your-future]

Do you think that Team RWBY are supposed to be chosen or extraordinary, destined to save the world, or are they meant to be ordinary people doing their best in extraordinary circumstances? I've gone back and forth on it myself and I think you can argue it either way.

I think it really depends at which point of RWBY story we are talking about.

If to believe the narration at the beginning and everything, I think the original vision is 110% "Next Generation of ordinary people doing their best" kind of set-up and the only "predestination" is Ozpin having some control over who gets in and who doesn't , essentially stacking this generation of students with as many of wild cards and special cases as possible. A former WF member, a Schnee heiress, a girl with silver eyes, a prodigy champion from Mistral, some dude who cheated his way in and so on - These students are there because Ozpin sees their potential and wants them there because he knows things might go real bad. I also have sneaking suspicion the original intent was him probably not having realized Ruby has silver eyes till he met her because Qrow, etc very likely hid that fact because of Summer, but once she was there, she was there. Beyond Ruby (where the show seems to imply Ozpin took specific interest in her due to her eyes and the songs pretty much imply that the eyes are intrinsically linked to whatever Ozpin's real deal is) while the rest of people that are at Beacon might have special circumstances, ultimately which paths they take is up to them. Its all about free will and the potential humanity has. V1 through V3 places a great deal of importance on personal choices - choosing what kind of person one can be, choosing which paths they want to walk, making mistakes and learning from them, etc. Multiple characters struggle with who they want to be and what paths they want to walk (ex: Jaune's arc is literally dealing with either giving in to toxicity or opposing it, Weiss is torn between her "legacy" and her kinder self, the BIG Decision Pyrrha has to make in V3, etc). V3 ends on all characters about to make important decisions of what they want to do next and logically seeing consequences of those decisions would have to follow.

Instead from V4 onwards it slowly morphs into a predestination kind of deal. Team RWBY are the chosen ones in a grand battle between Good and Evil - they are destined to appear in specific big events and play a deciding role there. Blake is destined to Solve The Racism because she's literally equivalent of a Faunus Princess, Weiss is destined to bring kindness to the Schnees and Atlas overall because she is literally a grand daughter of SANTA CLAUS, Silver Eyes is not merely a genetic trait, but something tied to literal Gods and so on. It starts subtextual and by V9 its just plain text that morphs into literal giant glowing sign what's with them literally being directed onto a mission by a Divine Higher Will.

[lfcollectibledealers]

Rediscovering Joy with Vintage Toys: Little Falls Collectible Dealers

In a world dominated by digital entertainment, there lies an enduring charm in vintage toys that continues to captivate enthusiasts of all ages. Little Falls Collectible Dealers has established itself as a premier destination for those seeking to relive their childhood memories or discover the rich history of playthings from bygone eras. This article delves into the allure of vintage toys, exploring why they remain so cherished and how Little Falls Collectible Dealers has become a beloved hub for collectors and enthusiasts alike.

The Timeless Appeal of Vintage Toys Vintage toys are more than just playthings; they are time capsules that offer a glimpse into the past. Each toy carries with it a story, a piece of history that reflects the cultural, technological, and social contexts of the time in which it was created. From tin wind-up robots of the 1950s to the intricate die-cast cars of the 1970s, vintage toys encapsulate the spirit of their respective eras.

One of the primary reasons vintage toys hold such timeless appeal is their craftsmanship. Unlike many modern toys, which are often mass-produced and made from plastic, vintage toys were typically crafted with meticulous attention to detail. Materials like wood, metal, and early forms of plastic were skillfully manipulated to create durable and aesthetically pleasing items. This craftsmanship not only ensured longevity but also imbued each toy with a sense of uniqueness.

Nostalgia and Sentimentality Nostalgia plays a significant role in the enduring popularity of vintage toys. For many, these toys represent a tangible connection to their childhood, evoking memories of simpler times filled with imagination and wonder. The tactile sensation of handling a vintage toy, the familiar sounds it makes, and even its distinctive smell can transport individuals back to cherished moments from their youth.

Furthermore, vintage toys often hold sentimental value as family heirlooms. Passed down from generation to generation, these toys become symbols of familial bonds and traditions. They carry the stories of parents, grandparents, and even great-grandparents, fostering a sense of continuity and shared history.

The Role of Little Falls Collectible Dealers Located in the picturesque town of Little Falls, Little Falls Collectible Dealers has become a beacon for vintage toy enthusiasts. Founded by a group of passionate collectors, the store is dedicated to preserving and celebrating the rich legacy of vintage toys. Its extensive inventory includes a wide range of toys from different eras, meticulously curated to cater to the diverse tastes of collectors.

One of the standout features of Little Falls Collectible Dealers is its commitment to authenticity. The store's founders have a deep understanding of the importance of provenance and condition when it comes to vintage toys. Each item in their collection undergoes rigorous inspection and verification processes to ensure its authenticity and quality. This dedication to authenticity has earned Little Falls Collectible Dealers a reputation for reliability and trustworthiness among collectors.

A Community Hub for Collectors Beyond its impressive inventory, Little Falls Collectible Dealers has fostered a vibrant community of collectors. The store regularly hosts events, workshops, and exhibitions that bring together enthusiasts from all walks of life. These gatherings provide a platform for collectors to share their knowledge, exchange stories, and build lasting friendships.

The sense of community extends beyond the physical store. Little Falls Collectible Dealers has a robust online presence, with an active website and social media channels that keep collectors informed about new arrivals, special events, and industry news. The store's online forums and discussion groups offer a space for collectors to connect, seek advice, and showcase their prized collections.

The Business of Collecting While the emotional and historical aspects of vintage toys are undeniable, the business of collecting is also a significant factor. Vintage toys have become highly sought-after commodities, with certain items commanding substantial prices in the market. Little Falls Collectible Dealers has adeptly navigated this market, offering fair prices to both buyers and sellers.

The store's knowledgeable staff provides appraisal services, helping collectors determine the value of their items. This expertise is invaluable for those looking to sell their collections or for new collectors hoping to make informed purchases. Little Falls Collectible Dealers also acts as an intermediary for collectors seeking specific items, leveraging their extensive network to locate rare and elusive toys.

Educational Endeavors In addition to its commercial activities, Little Falls Collectible Dealers is committed to education. The store regularly collaborates with local schools, museums, and historical societies to promote the educational value of vintage toys. Through interactive exhibits and presentations, they highlight the cultural and technological significance of these toys, inspiring a new generation of collectors and historians.

Their educational efforts extend to their in-store experience as well. Visitors to Little Falls Collectible Dealers are often treated to informative displays and guided tours that provide insights into the history and evolution of various toy genres. This educational approach not only enhances the appreciation of vintage toys but also fosters a deeper understanding of their impact on society.

Preserving the Past for the Future As the world continues to evolve at a rapid pace, the preservation of vintage toys takes on even greater importance. Little Falls Collectible Dealers is at the forefront of this effort, dedicated to ensuring that these cherished artifacts are not lost to time. Their meticulous restoration and conservation practices help maintain the integrity of vintage toys, allowing future generations to experience the joy and wonder they bring.

In conclusion, Little Falls Collectible Dealers stands as a testament to the enduring allure of vintage toys. Through their commitment to authenticity, community building, and education, they have created a haven for collectors and enthusiasts. By preserving and celebrating the rich history of vintage toys, Little Falls Collectible Dealers ensures that the magic of these timeless treasures continues to captivate and inspire for years to come.