Dear Stilton, when are you going to update Travellers through the Empty Gate? I love that fic and keep checking to see if there is a new chapter, when there isn’t I get sad. And it’s Christmas! 🙏🏻🙏🏻🙏🏻
I'm currently working on chapter 30 of TTTEG. I've been very busy for the last several months (hence the delayed updates for my major WIPs), but chapter 30 is a unique challenge because it involves topics I'm incredibly uncomfortable writing about...and which I now have no choice but to write about, because I laid the rails for this arc several chapters ago. I'm going to try to get this chapter out before New Year's, though!
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Okay but it's super interesting how
Din = Power = Ganondorf
Naryu = Wisdom = Zelda
Farore = Courage = Link.
Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.
Din created the body, naryu the mind, Farore the soul.
And the triforce and its wielders so perfectly reflect that.
Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.
Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.
Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.
They sit in perfect parallels to each other.
And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.
Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.
Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.
Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.
But the other direction?
Fire melts ice, ice redirects lightning, lightning burns fire.
And that's the very essence of the triforce.
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Snippet for @ckreversebang feat. emo lawrusso
Sort of could be post s3 but really whenever you like!
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love how Solar Opposites started out as a sitcom about two aliens who can't stand each other, stuck with their teenage clones (whom they also can't stand) & a toddler antichrist (whom they view as a sort of self-sufficient free-roaming hamster?) on a stupid planet they can't stand
and 4 seasons later it's a sitcom about a family of genderqueer aliens, headed by a gay couple in a happy & horny open marriage (with a graphic off-screen sex life, despite their canonical lack of genitalia?) teaching themselves to be okay parents to their 3 kids (whose Sci-Fi Antics now slightly-less-frequently revolve around wreaking havoc on human bystanders, and slightly-more-frequently revolve around alien-clone-sibling-bonding*), to the point that the central plot point becomes "We need to provide our toddler antichrist with a stable home environment."
(also the grumpy alien husband is too busy ingratiating his family with their suburban neighbors to even remember whom or what he dislikes. what is this show)
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i love putting dragon in Situations <3
BIG FAN of the ‘dragon is xebec’s son’ but i can’t decide if i like it in a funny way or a sad way 😭. do you think dragon thought he’d lose his father’s love if he knew he was taken in by a marine. do you think he mourned garp’s favor when he also failed to be a ‘good man’ and turned to revolution, that he wasted garp’s life efforts in saving a child from evil and a life lead to a death sentence. do you think dragon grieves that he managed to disappoint both his fathers. do you think that when he held luffy for the first time he realized he was no different then xebec, that he’d condemned his child to the stake for the crime of existence, a life of loneliness if he lived, a forced marine career and shackled dreams from his only ‘relative’. hey man what if i cried real hard abt it
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the " ive grown accustomed to the idea of not being human anymore, yet ive got this body back. this was the last thing i wanted, and i struggle with the dissonance of my existance" vs the "ive lived as an artificial being for longer than i ever was human, yet theres still so much humanity left in me. ive made peace with the way i am" that is hal and robro in turnabout
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the magnus archives is a romcom—no what the hell it's not. it is, however, a gothic horror romance between jon and elias. because you see, the thing about jonelias is that their canonical dynamic is built around an absurd number of gothic genre tropes. jon sims obviously fits the mold of the tortured gothic protagonist quite nicely who's facing both external (the other avatars targeting him) and internal horrors (his progress as the Archivist weighing on his conscience). but he's also trapped in the gothic manor which is the magnus institute. there are secrets (the place being a temple to the eye), locked doors, forbidden chambers, and bodies in the attic which serve as evidence of past misdeeds (the panopticon; gertrude and jonah's bodies in the tunnels), the institute/archives is ultimately destroyed by fire - purging the gothic manor i.e. the symbolic destruction of the previous order with fire is a common motif in the genre. and jon's work in the archives is haunted by the figurative ghost of gertrude who remains a curious mystery he must unravel and will serve as a constant reminder to jon of his own inadequacies (just like du maurier's rebecca fr)
elias is then —
1) his personal bluebeard figure who murdered his predecessor, a comparison which only gets stronger with the jonah magnus reveal since he's been cycling through archivists for two hundred years, all having met gruesome ends in service to him and jon being his final and most notable choice. are you seeing the maxim de winter rochester imagery. are you.
2) his gothic double. doubles as a literary trope are your hidden self made manifest, the horror lies in the double (elias) revealing the gothic protagonist's (jon) hidden, true self to them. elias as an avatar of the eye is entirely unrepentant for his nature, he revels in it. which is a mirror to jon's own self-flagellation because despite how much he feels torn about his own metaphorical vampirism, he likes it. he admits as much to gerry as early as s3 when asked about his feelings on his ability to compel truths. and why wouldn't he! after being kept in the dark so long, why wouldn't he like it? and jon and jonah had in common their natural curiosity even before they found the beholding. elias is a mirror and jon looks in it and sees someone who is him, but not quite. someone who is what jon would be if he could simply let go, but jon can't. like most gothic protagonists he will kill his double because it is a reminder of a self-truth he can never escape.
and watcher's call. like what even is that. what do you mean that's a thing. what. literally wuthering heights. "why did you heed the call?" // "because this is the place i know i should be" <- normal dialogue to write for two guys definitely not starring in a gothic romance.
^ same genre of images. so the spider, the mother of puppets, the web which is the symbolic representation of narrative thread in the magnus archives universe WEAVED them together? red string fated, that's what they are? so they're soulmates. that's what you're saying. they're literally soulmates. soulmates as existential horror? just enough of an illusion of narrative agency for jonah/elias to claim, "the Chosen One is simply that – someone I chose" but paradoxically joined by fate, which isn't a good thing! because no god-like powers of hope, or love, or indigestion, or whatever, only fear. because even though both help the other achieve narrative self-actualisation (elias making jon the archive and jon making elias the king of a ruined world), their union also irrevocably destroys their lives as they hurt each other in deeply personal ways which signify their greatest fears. elias manipulating jon, whose biggest fear is mr spider, i.e. loss of control and jon repaying by being the very thing that kills jonah, who has spent multiple lifetimes trying to escape the end. and that's romance <3
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