Happy 5/14!!!!
Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would
Anyways! Process!
Now I will explain all of them:
Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.
Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔
2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.
The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.
The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?
In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.
I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.
Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.
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Hello!! If you're still taking requests for that drabble game, might I request either Strength with Kotoko + Mikoto or Weak with Amane + Futa? It's fine if you aren't doing it anymore, of course
I've been in this fanbase since trial one and out of all the things I've read, your writing is probably amongst my favorite! (Even if I haven't finished going through it all yet...) I hope you have a splendid day! <3
!!!!! You are so kind waaahh this completely made my day, thank you ;---; I'm so glad you're enjoying omg ✨And thanks for these, they were really cool and fitting combos!! I tried to do a dual-perspective of Kotoko and Mikoto's pre-T2 fight, and I posted the one for Weak below.
Strength can manifest in a variety of ways, not just physically. Kotoko had a strong determination, for example. Mikoto had a powerful way with people. She showed solid self control and willpower. He held to strict deadlines and routines. She maintained a sharp intelligence. He upheld an unshakeable resolve.
Also, they were both ridiculously physically strong.
The pair came to this realization around the same time. They’d gotten a taste of the others’ power when clashing in the interrogation room, but it had begun suddenly and ended just as quickly. This time was different. They stood in the center of the panopticon, with the echoing space to themselves. As Kotoko swung a punch toward Mikoto, and he caught her against his forearms, they had a moment to gauge the other’s muscle.
Kotoko stared into his eyes, which had a different sort of awareness to them now. He’s more coordinated, she thought, he must not be the same one I faced before. He’s leaning on the strength in his arms -- he’s not using his legs to their fullest potential. It doesn’t matter, given the raw force of his blows. Has he trained for fights, or just built his muscles in general?
Mikoto stared into her eyes, returning her fiery gaze. Fuck, this lady’s strong.
She wound up again. He retaliated quickly. She shoved his back into the guard’s tower. He sidestepped her next attack.
He didn’t really care why his fellow prisoner had come charging at him swinging, but she made sure he knew.
“The warden may not be able to administer punishments,” she said in between timed breaths, “so they entrusted me with that responsibility. This is justice, for the lives you’ve taken. You won’t be able to hurt anyone else.”
He broke into harsh laughter. “You’re one crazy motherfucker! You’re the only person hurting anyone.” He tried to grab her, but she slipped from his arms. His eyes narrowed, laughter dying away with unsettling speed. “But there’s no way in hell I’m letting you hurt me.”
Kotoko was struck by the way he said it. Her voice had shaken with the very same determination when putting herself between an innocent citizen and some creep. It was how she felt now, trying to keep his violent hands away from the other prisoners. There were children here, weak and scared. Es themself was just a child, and had already suffered his violence. She refused to let this villain cause any more pain. “I’m doing what needs to be done. You’re nothing but a murderous monster.” She swung her fist.
Mikoto caught her by the wrist, forcing her to look at the blood caked in her hand. He didn’t know whose it was, but it wasn't either of theirs. “You’re the fucking monster!” He shoved her backwards. “And I’m gonna kill you for it…!”
He didn’t know how she could think she was the hero in this whole situation. He was the one protecting someone else.
Neither held back. Mikoto wheezed as her boots connected. Kotoko cringed as Mikoto landed a solid hit on her face. There was some shouting from the hallway. Their resolves hardened. Mikoto wasn’t going to let anyone else threaten him. Kotoko wasn’t going to let him threaten anyone else. They were strong, they reminded themselves. They had to end this now.
The two charged at one another. A moment before they were set to collide, they both cried out in pain. Blinding white light flooded the dark panopticon. They clutched their eyes, stumbling away from one another. A figure shoved through, planting himself between them.
“Stop this, both of you!” It was Kazui.
“Get outta my way,” Mikoto growled.
“This is not your concern,” Kotoko said, blinking in the light.
The spotlight in the guard’s tower had been switched on, pointed directly at them. Kazui remained in place. “That’s enough. Look at yourselves, for god’s sake!”
Under the harsh light, they now saw the sort of state they were in. Mikoto’s uniform had torn in new places, blood seeping through. He could taste some in his mouth, too. Kotoko’s face was cut. Her leg ached. They stood covered in bruises, panting.
“Go back to your cells,” Kazui commanded. “We’ll sort this out in the morning.”
Kotoko squared her shoulders. “There’s nothing to sort out. He’s a murderer. I won’t lose to him.”
“This bitch tried to kill me. I’m not letting her get away with it.”
“I don’t care.” Kazui said simply. “Call it a draw. You’ll both tear yourselves apart if you keep going.”
They continued staring at one another as if their gaze alone could take them to the ground, but neither moved to fight.
Mikoto felt a pang of guilt. Lost in adrenaline, he didn’t realize how banged up he was. He thought of how much pain he’d experience in the upcoming days. The whole point was to save himself from harm.
Kotoko cursed Kazui for interrupting her. As one of the forgiven, he was supposed to be on her side. Even if he wasn’t honorable enough to see her as an ally, she’d have to be the bigger person. She wouldn’t threaten him.
Neither was happy about conceding, but couldn't think of a better option given their end goals.
Kazui remained between them as they stalked off to their respective cells.
“A temporary draw,” Kotoko muttered to Mikoto. She flashed a grin that felt more like an animal baring its teeth.
He returned the smile. “You won't be so lucky next time.”
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there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭
like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)
i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.
our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.
like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.
to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.
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So. Was in a server and talking about headcanon stuff, fic ideas, AUs, etc etc
And while discussing an AU with @pyarini , the idea of using Heba as a name for a reincarnation came up, to which I made some comment about how cute it would be for Atem to recognize it’s Yuugi, because they both mean game. To which she pointed out that it didn’t, and that Heba actually means “gift.”
Which made me think two things:
One: I seem to have been completely misled by the fandom to believe Heba meant game. (To be fair I had tried to look it up before, but could never find a concrete meaning, and figured I just missed something since everyone else was saying it did.)
And two: Oh…Why do we use that name in the first place?
I did some light digging and it seems there is nothing showing Heba means game, and within fandom, there’s nothing concrete showing where it originated from, though highly suspected to be a name someone liked and used in an RP for an Egyptian Yugi counterpart, which just got spread and used by the fandom. (The ONLY info I could find for it’s origins was Fandom Wiki, so if anyone knows any different please let me know!)
So here’s my thought process now: If it was randomly chosen by someone cuz they liked the name, I think I’ll just pick my own name for “Heba” and use that instead!
This was developed by Kanmani by saying “Maybe it should be Senet” To which I had the idea of using the name Sen, short for Senet.
Now, I know this seems silly as a name, but I think it’s fitting seeing how Yuugi literally just means “Game” in Japanese, and his Grandfather is named Sugoroku, after a form of Japanese Board Games. As a counterpart, to reflect it’s a version of Yugi just in a different time/place, I think it works well! (Plus Sen is a name already, with a few meanings, one of which is a thousand in Japanese, if people wanted to use it for a modern reincarnation as well!)
I’m not a newbie, but comparing my two years here to how long this fandom has been around, I know it would be silly to ask to completely change the name around or anything like that. I don’t wanna make it seem like I’m saying you shouldn’t or can’t use the name anymore! It’s a cute name, and I understand it’s got history in the fandom! I mainly wanna use this as my own nickname for a counterpart and explain where I got it from.
Buuuuut…I do invite anyone who likes the name idea to use it in your projects: whether it’s labeling art, comics, fics, etc!
I would love to see people joining in calling an AE Yuugi counterpart Senet/ Sen, and I know I’ll be using it myself for my projects :] ✨ It’s already been cemented in my mind, even if it doesn’t catch on haha.
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