Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.
Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:
Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.
Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.
Mordred.
That night, Arthur holds Mordred and weeps.
There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.
Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.
*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*
**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^
Additional notes below the break:
Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.
I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)
Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*
Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D
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i really don’t know how im feeling about the latest fhjy episode. sure, it was fun, the combat planning was great to watch and the battle map was awesome, but… story-wise? It wasn’t good. more than that, the preview for the next episode looks like it’ll mainly be just a battle episode, and that combination does Not make me feel optimistic about the ending of fhjy as a whole.
i think the thing that best sums up my confusion and disappointment with this episode is when Ally/Kristen shouts ‘For Lucy!’ and honestly… why? What about Lucy Frostblade - the kind girl whose major philosophy was that the world is cold so we have to keep each other warm, the foil to Porter’s house of conquest without mercy - suggests that she’d want the brutal murder of her friends without any attempt to talk to or redeem them? the entire season has stressed the doubt/conviction relationship - with the RGs representing wrathful conviction and the BKs representing doubt - and yet there’s zero doubt, zero room for understanding, when Fig’s first action as Wanda Chillda is to stress that she fucking hates ruben and wants to see him die. also, whatever the fuck was going on with ivy and fabian.
its just. this episode is the penultimate episode of the entire season, and if i was watching with no prior knowledge, id probably say it would be episode 13, 14 etc. a cool fight, but absolutely zero emotional resonance - just the Bad Kids going to town on yet another enemy. cool fights, cool planning, cool teamwork, but nothing really special about it.
i’ve seen some people saying not to take this so seriously, that it’s an dnd liveplay so of course the storytelling isn’t always gonna be Handcrafted To Perfection TM, but Fantasy High has a track record of some pretty amazing and thoughtful storytelling, and that’s what makes this episode kinda suck. There’s zero emotional resonance. The BKs clearly view the RGs as minibosses, annoying obstacles to defeat so they can focus on the main event, and that would be fine if that’s what the RGs were. But they’re not. We’ve learnt about them, we’ve seen how they were corrupted and groomed, we’ve seen how they really are just the Bad Kids who really went bad. They have narrative weight! They represent the mindless, wrathful conviction that the BKs are trying to stop, and for the BKs to slaughter them with that wrathful conviction (with no room for doubt or redemption at all) is… it’s not good.
don’t get me wrong, I get why (they’ve been awful to the BKs all season, cathartic last fight etc) but it still sucks narratively. like i can’t stress enough that the BKs are using the exact same tactics that they resented the RGs for to slaughter them. ruben says to fig that the BKs are killing his friends (despite their awful interparty relationships, they’re still his friends) and her response, instead of the understanding and kindness that fig (and, tbh, Emily) are known for is to cast ruben into literal fucking hell.
even oisin’s death was anticlimactic. gorgug’s kill on him was cool, but no nod to adaine? not even a mention of ‘you led my friend on and broke her heart so now i’ll break your heart?’ the broken heart thing was Right There and nothing happened. oisin died, a player was removed from the field, the battle went on. no emotional connection or resonance whatsoever.
i don’t know. from a narrative perspective, this episode was bad. all the nuance of the bad kids/rat grinders dynamic has been lost. the bad kids have become Exactly what the rat grinders said they were with apparently zero self-awareness on the matter. they shoot porter and jace and the RGs down with zingers and cool spells and don’t bother even trying to de-rage the rat grinders, and the result is an episode 19 which feels like a mid-season miniboss fight. they bring the same approach to fighting the RGs that they did to fighting the monsters in the Last Stand, which, y’know. not good.
the only way i can think that they might turn this around is if the BKs are shown to be influenced by rage/the RGs get brought back (still hating the BKs, but at least giving them the chance to try again), but I really don’t know at this point. just overall feeling very disappointed.
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How Does it Feel to Read Classic Sci-Fi?
Orson Scott Card: Two of the most interesting books you’ll ever read if you’re willing to look past a handful of things. And then you find the planet of Chinese people who worship having debilitating OCD. And the Mormonism. And the fact that the author is wildly homophobic and ought to read his own books.
Robert Heinlein (or at least the Wikipedia Summaries): I guess that’s a neat concept—oh, it’s a sex thing. Um. Gotcha.
Ray Bradbury: Man, I gotta read this thing for class huh. Well here’s hoping it’s good! *three hours later* oh. that’s why he’s famous. this will stick with me forever and I will never look at the phrase ‘soft rain’ the same again. christ. And then repeat 3x.
Isaac Asimov: Wow, this is such an interesting concept! I wonder how the exploration of it will influence the plot! Wait, hey, are you going to add any characters? Any of em? No like, with character traits other than ‘robot psychologist’ and ‘autistic’ and ‘woman’? None of em? No, ‘detective’ isn’t a character trait. Those are all just facts. Aaaand now I’m bored.
Ursula K. Le Guin: Hah, get a load of this guy! He’s never heard of nonbinary people before. Lol, what a riot; how dumb do you have to be to comprehend that these people aren’t men *or* women actually? Oh, wait, what’s happening. Oh shit, it was about society and love and learning to understand each other? And now I’m crying? And perhaps a better human being for it??
Andy Weir: Alright, this guy’s a really good writer. Funny, creative, knows so much engineering stuff…ooh, a new book! …I guess he can’t write women. Well, he wouldn’t be the first sci-fi writer…ooh another new book! And it’s more engineering problem solving and—wow. It’s not just women he can’t write. Please stop letting your characters talk to each other.
Lois Lowry: Oh, I remember this being fun when I was a kid! Wouldn’t it be fucked up to not see color? …upon reread, it would be fucked up to have your humanity stripped away, replaced with a tepid, beige ‘happiness’ for all time. Yeah.
Tamsyn Muir (let me have this ok): Haha, “lesbian necromancers in space” sounds fun. Lemme read this. Oh wow, yeah, this is right up my alley. OH GOD WHAT. NO. FUCK. OH SHIT WHAT IS EVEN HAPPENING AND WHY IS IT REFERENCING THE BOOK OF RUTH AND HOMESTUCK BACK TO BACK!!! AHHHHHHHHH!! Now give me more please.
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I wish we knew more about the timeline of Diane. Like, we can assume Beth's Rick left around the time C-137 lost his family but a long time had to have passed before she was erased because I doubt Beth became an orphan at a young age.
I know not all universes exist in the same year so maybe Beth's Diane died from old age before all versions got erased. Or maybe she got erased and Beth just assumed she passed away? I wish we knew more about Beth's relationship with her mom in general.
I 100% agree anon, I’d love to know more about Beth’s childhood so much. I assume Diane is erased around the time Beth gets pregnant and starts her life with Jerry (so like 16/17) and it’s also super interesting that Prime walks out on his family for good around when she’s like Morty’s age (I need to know more about him as a dad as well tbh)
But yeah, Beth’s childhood is definitely the most interesting unexplored detail of the show and Diane is definitely more interesting narratively to me as Beth’s mom opposed to as Rick’s wife
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ok gonna be real I’ve never understood the “daigo is like a son to me” route that the writers took with kiryu. they’ve never, at least for most of their time knowing each other, felt like they’ve had a father and son dynamic– an older brother/younger brother one sure, or maybe a young uncle/nephew one. because I mean? they’ve known each other since they were both kids and they’re literally only 8 years apart in age. in y0 it’s implied that kiryu played with him and babysat him more or less when he was around 16-20 and it just doesn’t feel like a Dad sort of thing At All. kiryu was also a kid. just an older kid. daigo was a little brat to him just like an annoying little brother while secretly thinking of kiryu as a Cool Teenager he looked up to and wanted to be more like. it feels way more like an older/younger sibling sort of thing or something akin to that and it only starts being a little more like a father/son dynamic some time after daigo loses his father and feels the need to fill the void– which he couldn’t even begin to do until at least ten years later because kiryu was in prison. and it’s not particularly in a healthy way either, considering. well. like I said. kiryu’s never actually been like a father to him. I don’t even mean that in a negative way in this case, it’s just literally not the role kiryu fundamentally had in his life (especially because their age difference is a good 10-20 years too close to be that of a parental relationship.) so idk. having kiryu say all of a sudden that he sees daigo as a son (especially rather than as family in some other way) just feels kinda. wrong. and jarringly unfounded.
I mean shit, even majima would be more of a dad-ish figure to daigo realistically considering kiryu basically assigned him to look after daigo for like. years. while kiryu just kinda left without any known plans of reconnecting at all. or even kashiwagi on a certain level because of how he stepped in alongside yayoi after sohei’s death. kiryu has barely been around, hasn’t really showed any interest in legitimately being in his life, and has barely had any deeply personal interactions with him since they were basically both kids. and as much as I think how long they’ve known each other and what they’ve both been through is a means for a familial bond of SOME kind, there just seems like no room or evidence for a paternal role being taken on.
at least nothing healthy in that regard; if kiryu’s like a dad to him then he’s undoubtedly a deadbeat one and perhaps feels like a dad to daigo in a way because daigo’s paternal model (his birth father) was also emotionally (and probably largely physically) absent and near-impossible to live up to. that’d at least make sense, regardless of how unhealthy it’d be, but it STILL really doesn’t explain kiryu saying he thinks of daigo like a son.
it’s just. it’s such a weird thing to have him say and I wish it was this confusing because of nuance but honestly I just think the writers watered their dynamic down to supposedly father/son because it seems more emotionally impactful for kiryu to say “you’re like a son to me” than anything else he could’ve potentially said about their bond.
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Still thinking about the monster alt au…..
Like. Specifically Adam. I’m thinking he was turned into a werewolf during a BPS investigation, but after his wounds were tended to by Jonah, he never shared that it even happened to any of the others. Like keeping it to himself even though he felt that something was wrong as the days went by.
Maybe Seth began to have suspicions after a while, and when he eventually learns about the attack, he wants to like. Slowly break the news to Adam that it wasn’t an alt that attacked him but. Adam won’t listen and won’t even let Seth talk on the matter. Doesn’t learn he’s a werewolf until he learns the hard way.
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