2009 song this, 2012 song that, 2022 song whatever, its actually all about long distance love
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I watched Shubble's Empires finale and I am Full Of Feels ngl.
Many of those feels are Nature Wives and the Witchcraft SMP tie-in. I loved that connection so much, though I did know it was coming. I'm going to have to think about that some more bc that brings in so much lore to have Witchcraft and Empires in the same universe.
Many others are skulk-related, and the way she was just hearing all the souls and their voices just being so loud. And maybe it didn't bother Cub so much bc he's used to the Vex chattering away in his head idk idk idk.
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kat: do you know your gay name?
mary: my what?
kat: yeah, it’s your first name-
mary: haha, very funny, katherine-
kat: *gets down on one knee* and my last name
mary: oh.my.god.
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I have always thought that Klaus probably painted many pictures with Tatia's face. He never got over her, he spent entire nights painting that face over and over again. His obsession with her face only got worse after Katherine escaped from him, but now every time he painted it again it was with a mixture of adoration and hatred in equal measure.
I can well imagine him doing paintings where Katherine is being tortured (often by him). The bastard even painted a huge painting depicting the moment where Katherine finds her family slaughtered.
It wasn't until he heard of Elena's existence that Klaus returned to painting that face with the same adoration with which he painted Tatia. His last work before going to Mystic Falls was a painting where he finally breaks his curse; he paints himself holding his new doppelganger in his arms while drinking her precious blood to death...
Okay, so this is incredible to receive, and that headcanon of yours, well, I kinda want to dive right into it, so here we go.
I agree, Klaus never got over Tatia, she was his first love after all. he must've spent countless hours reminiscing over her, and once he could, he absolutely drew her. He likely also hallucinated her asking him to join in her in death when he was afflicted by the hunters curse. And I'm sure that even after the curse was lifted, he was still enamoured with the idea of her, although I doubt he seriously contemplated ending his life after that.
The Katerina one is also fantastic, but I think Klaus was already torturing her when she was on the run. All his life, Klaus has only truly feared one person - Mikael. And for most of his life, that fear was evoked just by rumours of his presence. Klaus hated that Katherine got away, but the way he killed her family, the staging of it, the cruelty of it, was obviously (imo) an imitation of how Mikael tortures him over the centuries. Klaus wanted to make Katherine suffer so he did it in the way that he knows suffering. (Also, is there any gifset of this parallel? The way Klaus staged Katherine's family and the way Mikael staged Marcel and the others in the opera in NOLA?)
Although, now that you've brought this up, Klaus definitely has some paintings of him just torturing his enemies, made in one of his mood swings. And when he does torture them, he likely adds hints of their blood to it like accents. I bet they're hidden away like those letters he collects from his victims.
And Elena, that painting of her being drained by him, I think it's likely the crown jewel of his collection. (Can I include that in some work? Because I can imagine Elena being horrified and fascinated if she finds it.) The adoration with which he paints her lasts till he learns she's alive and then comes back when he realises how inextricably linked to her he is.
This is seriously such a fascinating message though, I love everything about this! Thank you so much for sending me this, and I hope you don't mind the lengthy discussion that followed! (I love diving into Klaus' psyche - so many layers and so rich.)
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