#kinda cool i think

[technovillain]

dhmis wasnt lying, you CAN have a dream about drowning in oil!

[agentperezbian]

I'm curious. Tag this with your sexuality and what your favorite M/F ship is.

[isjasz]

Damn guys this new anime's opening is fire. U should all check it out i think. The mc is a bit of a maniac but the series seems pretty cool so far /SILLY

[transthatfag]

should've hate fucked ngl.

[astradyke]

also must say i am REALLY fucking with this level of phandom-dan&phil interaction right now. the bits are immense. we are communicating. we are locked in a war of pettiness at all time. dan and phil have had to address several allegations including "we made our sims ugly" and "phil did not literally dox our house". idk. nature is healing and ive never felt so joyous being so annoying <333

[ochiody]

TELEMACHUS PIPEBOMB!!!

@hymnoeides @opheliaveu @solchariot @awnrii

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[doctorsiren]

He’s so dramatic

[sentientstump]

watch your hwat?

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[askinsufferableprick]

@mspaintjade

[raycatzdraws]

LU WIND BUT HE'S A ITTY BITTY HUMMINGBIRD

Slingshot Proficiency!

+bonus doodle drafts

[stariiberry]

im back!! have wayfinders

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[littlecrittereli]

Something about CPS malfunctions make the best angst (I don't like drawing backgrounds if you couldn't tell)

[thewanderingmask]

so yea

1-2 months of on and off effort later IT'S MY FIRST EVER HERMITCRAFT (by which i mean exclusively tango tek) ANIMATIC

IN WHICH A MAN TALKS ABOUT BINARY FOR ALMOST 3 MINUTES (it's based actually. and was really fun to animate)