Seeing how Cap’n 3 doesn’t swim as often, does their squid form look more plump-ish similar to how chubby they look?
truue i didn't even consider their squid form omg, i'd assume it would reflect their humanoid form yea
ya got me thinking abt their kraken form too lol they must be intimidating
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A Message for the RotTMNT Fans
For everyone who is afraid of drawing Rise Raph because of his large body type and proportions, I am here to give you this message: I promise you, I would much rather see you try your best effort and it look a little wonky than for you to exclude him entirely from your art and doodles.
The reason I am able to draw Raph as well as I am right now is because I learned how to draw fat/muscular/chubby body anatomy in my early art career. But it's really never too late to start practicing! I encourage you, I implore you even, to take a few small steps out of your comfort zone for a bit and see where it takes you. If you want to draw him (or any favorite character from a piece of media you love, really) but are intimidated because of their size being abnormal from the thin/skinny, I want you to know that it's okay to be scared. What's not okay is giving up, quitting, or not even trying to attempt their bigger proportions at all. Because then that will bleed over into the rest of your art style/mentality, and there are aspects of your art that you may never improve on because of that. You don't know until you try.
I know it may feel awkward at first, and you may be intimidated by the pressure of getting it right, less anyone make fun of you or you get caught by peers or non-artists and be judged. Trust me, I know. I have been there! It's not a pleasant experience. But if you want to get better as an artist, you need to learn different body types. You need to unlearn the internal fatphobia that society has ingrained into your brain. You need to free yourself and allow yourself to make mistakes as you learn and practice to get better.
Raph is such a wonderful character and he deserves just as much love as all the other brothers, but I've talked to so many artists who all repeat the same thing; "He's so hard to draw." "I can't get his shapes quite right." "I don't draw him that much because I'm intimidated." You are 100% valid for these feelings, I promise. But I think it's for these reasons that you should draw him anyway, and learn his shapes, and learn to draw larger bodies and bigger muscles, because it helps you grow as an artist. And besides that, representation matters. I know there's plenty of fans out there who would love to see more representation like Raph.
So go for it. Even if you're scared. Even if you're unsure. Give yourself a little grace if you wanna draw that big lovable turtle, and do your best. And when it comes down to it, I bet that if he was real and you showed it to him, he'd love it and appreciate the effort no matter what. <3
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"Cassian's face is a brittle thing, no person's eyes should shine as painfully tearful as his. Kino offers his hand and Cassian - bright as the sun, steady as a roc, fluid as water Cassian - accepts it with shaking fingers.
He tells Kino everything."
Art for we're spitting off the edge of the world by Xenomorphic for the 2024 Star Wars Big Bang @swbigbang. It is an amazing Canon Divergence Fix-it fic from one of the most memorable moments of Andor onwards, with beautiful prose that fits the mood of the show so so well and will make you feel just as deeply for these characters. Please give it a read and heap some love on my team's amazing and hardworking author, they were such a delight to work with!❤️
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i think there's something to be said about what exactly it means to be "non-human" in a story that is as much about humanity as wolf 359 is, where even the dear listeners are defined less by their own perspective and more by what they fail to understand and therefore reflect about the human perspective - to the point that they don't even have their own voices or faces or identities that aren't either given to them or taken from humans. they speak to humanity as a mirror.
even pryce and cutter are "very much humans" - pryce defined by her resentment of and desire to transcend its limitations, and cutter by his aspirations to redefine and create a "better" type of human - and find the idea that they might not be human laughable. it's interesting that they have distinctly transhumanist aspirations when their goal is the narrative opposite of common science fiction fears: that we will expand the definition of humanity so much that we'll lose whatever it is that makes us human. pryce and cutter's transhumanism narrows the definition of humanity to the worthy and the useful, as defined by them; "there will still be a humanity; it'll just be our humanity."
in direct opposition to that, i think it's meaningful that the show instead expands the definition of humanity in ways that include lovelace and hera, who in another show with different themes might be considered (in the descriptive, non-moralistic sense) non-human. i will always make a point of saying that personhood and humanity are two often-related but meaningfully distinct concepts, especially when talking about sci-fi and fantasy. i am talking about humanity.
the question of how hera identifies, and what social pressures influence that, is a complicated one. i've talked about it before and i will talk about again. what's important for the purposes of this post is that i think the show considers her fundamentally human. think about her role in shut up and listen - consider jacobi's lion example and the concept of different paradigms - that even things that are close to humans, comparatively speaking, understand the world in different ways. whatever differences hera may have from the others, it's primarily in experience, not fundamental understanding. she shares their emotions, their concerns, their values, their thought patterns. she has an appreciation for music, which the show considers a hallmark of humanity. she fits within the framework of humanity as the show defines and is, in her own words, left feeling "uneasy" about how difficult it might be to communicate with beings who don't. and it's significant that this takes place in shut up and listen, of all episodes, specifically because the way she is clearly and unambiguously included in the show's understanding of what it means to be human highlights the ways she and lovelace are othered by eiffel's careless comments that suggest otherwise.
(i don't want to get too into these details for this particular post, but it's worth noting that hera will refer to 'humans' as a category, often when she is upset and feeling isolated, but has never said that she 'isn't human' - she has never been upset that people are treating her 'too' human. i've seen it said about the line "you need to get it through your heads that what goes for you doesn't always go for me", but that's a frustration related to ability and safety, not identity. far more often, she will refer to herself in 'human' terms - referring idiomatically to experiences or body parts etc. that she doesn't literally have - and is upset primarily with comments referring to her status as an AI. it does not diminish how being an AI influences her perspective and experience, but again, so much of that is in terms of ability that it feels almost inseparable from a discussion about disability.)
lovelace's humanity and hera's humanity are so interlinked and directly paralleled in the text that i think it's impossible to really argue one of them is "not" human without making implications about the other. in desperate measures, lovelace tells kepler he's "not human" and he responds "you're hilarious. on a multitude of levels." later, defending lovelace against kepler's repeated dehumanization, hera very pointedly uses the phrase "that woman." in out of the loop, hera says she's never met anyone who "worked so hard at being inhuman" as jacobi, who says "what do you know about being human?" hera very emphatically responds, "i know plenty." later, defending hera against jacobi's repeated dehumanization, minkowski pointedly uses the phrase "that woman." with the care taken towards language and the way scenes and turns of phrase will parallel each other, that's not a coincidence. it might seem strange to have the "non-human" characters be the ones to express criticisms based on perceived "humanity" (something hera will do in other contexts as well - "we don't have funerals for animals" etc.) but in the broader context of the show, i think it's the point.
so, whether hera would ever call herself human, or be comfortable with that, is a complicated question for another time and depends on a lot of other factors. but wolf 359 is a show about humanity, it includes her within its definition of what it means to be human, and i wouldn't be comfortable definitively saying she's not human because of that. it can't be a neutral statement within the particular context of this show.
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tbh I dont rlly buy the idea that just bc lloyd is half human/mostly human he would have less lifespan I think its bc I use the same logic as genshin where there's this character who's half human half qilin but her lifespan is just as long as the other immortal beings and she still looks like young adult despite being like thousands year already
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