#lawsuit saga

[system-of-a-feather]

BTW we are basically seeing if we can sue our employer for wrongful termination down the line cause they fucked up and decided to pull a scummy move to save what would be at most $600 when we were already planning on resigning amicably

And like its not a huge deal if it goes through or not and Im not in it for the money or doing it for the money cause idc really since I was planning on resigning anyways and it just means I qualify for unemployment while I'm out of a job which makes up for it

I'm just doing it on principle and out of spite. Spite cause it was a personally scummy move. Principle cause on a political, economic, social level, I really don't like people pulling ableist and capitalist moves that undermines workers rights.

They literally did the worst look, worst play to someone who is going to be put out on medical disability for a month who is a workaholic and needs 40 projects to juggle and was raised by an S Tier Karen in the art of stressing capitalists out.

I got a month of a whole lotta nothing to do for a while and thus a whole lotta time to invest into a passive game of "Im reporting this to HR, The Union, Disability Advocacy Centers, and Low Income Legal Aid groups cause I literally wont have anything better to do and even with it Id still be bored."

Its honestly a really dumb play and I'm going to have fun seeking advice from lawyers and unions and what not to see the full level of which I can either demand compensation or just give them a hard time

And at the very least, make sure that HR knows about the toxic environment and gets on their ass to fix it cause I do feel bad that I left the one person who really supported me down there with one ally and three people I know talk shit about her constantly

Dear Boss,

You fucked up and fuck you in a professional legal manner.

Sincerely,

Worker and Disabled People's Rights

((Btw we actually took a chemistry professors job in our undergrad cause he was an ableist dickhead so its not our first rodeo complaining professionally to a californian university about injust behaviors and actions among their faculty and staff. That is still THE highlight of my undergraduate experience.)

Anyways, the XIV part of our brain whose whole function as a part is to shake shit up and destroy things that he sees as corrupt is so excited to have a project to do while we recover along side my TTRPG and Art stuff.

[terrible-miraculous-ladybug-aus]

AU where Adrien decides to honor his father's memory by taking up the libel lawsuit against you.

It never ends. Adrien, how could you?

[magpiesbones]

I STILL think about Paper Girls honestly. That series rocked. Believable teenage girls who were also INCREDIBLY fucked up and time shenanigans. It’s been too long since I read it for me to really analyze it but I SHOULD reread it.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[bonepile-shieldwall]

I love reading old stories, especially the Sagas, because its so hilarious seeing the older verions of "Kids these days"

Glad to see things never change

[caoimhe-from-hoenn]

Sue em for harrassment

We're exhausting other options before using that

[papasmoke]

the conmen won, rip disco

[driverlando]

✧.* FAMILY FIRST

synopsis- In which Charles and Y/n have had enough of the paparazzi standing outside their house

before you continue: it’s been a while since I did anything for Charles, I missed this! If you enjoyed this then please reblog and give me a follow! <3

—

—

—

✧.* Charles has had enough

You glanced out the window, your heart sinking as you saw the familiar sight: a cluster of paparazzi, cameras flashing like distant lightning, capturing moments of your private lives for public consumption. You sighed deeply, feeling the weight of their intrusion settle heavily on you shoulders. Another day, another invasion of your sanctuary.

Charles entered the room, his footsteps heavy with frustration as he followed your gaze to the window. “Again?” he muttered through clenched teeth, his hands balling into fists at his sides.

“They just won’t leave us alone,” you said softly, your voice tinged with weariness as you absentmindedly rubbed your pregnant belly, the new life within a poignant reminder of your need for peace and privacy.

Charles kissed your forehead tenderly, a silent reassurance before he strode purposefully outside. His jaw was set in determination as he approached the nearest photographer, who greeted him with a mocking smirk.

“Hey, dude! Got any news for us?” the paparazzi taunted, his camera clicking away relentlessly.

Charles’s temper flared, a surge of protective instinct coursing through him. In one swift movement, he closed the distance, snatching the camera from the man’s hands with a firm grip. “I’ve had enough of this,” he growled, his voice low but carrying an unmistakable edge of authority. With a forceful gesture, he tossed the device to the ground, the clatter of impact punctuating his frustration.

The photographer stumbled back, momentarily taken aback by Charles’s sudden assertiveness. His eyes widened in surprise as Charles stood tall and unwavering, his presence commanding respect. “Get out of here,” Charles commanded, his tone brooking no argument, his stance a formidable barrier against further intrusion.

The paparazzi hesitated, uncertainty flickering in his eyes before he begrudgingly began to retreat, muttering under his breath as he moved away. Charles watched him go, a mix of relief and lingering tension evident in his posture, before he turned back to you.

“We’ll figure this out,” you reassured him gently, her touch a soothing balm against the raw edges of his frustration as you placed a comforting hand on his arm.

Charles sighed heavily, the weight of responsibility for their family’s well-being pressing heavily on him. Pulling you close, he buried his face in your hair, his cheek resting against yours. “I just want our family to have some peace,” he murmured softly, his voice filled with a mixture of longing and determination.

You stood together in the quiet of your home, finding solace in each other’s presence amidst the turmoil.

—

—

✧.* the boys show their support

—

charles_leclerc

liked by lewishamilton, yourusername and 156,478 others

charles_leclerc To the tabloids and paparazzi lurking outside: here’s your exclusive! a never seen before picture of me holding my son for the first time, hopefully this will stop you from spending day and night outside my house.

view all 14,628 comments

yourusername well they’ll have no choice but to leave us alone after the lawsuit 🫢

user1 omg crazy how this was 3 years ago and now yall are having another baby 🥹

user2 dad Charles is everything to me

user3 im glad they have gained some control, hopefully the paps leave

landonorris cutest baby (I’m not talking about you Charles)

—

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Charles Leclerc’s Explosive Confrontation with Paparazzi: A Battle for Privacy

By: Sasha, Rumour Radar

In a gripping saga that has captured public attention, Formula One star Charles Leclerc and his influencer wife Y/N Y/L/N have found themselves embroiled in a fierce confrontation with paparazzi over their family’s privacy. The couple’s determination to protect their young son and their unborn child has led to heated exchanges, a broken camera, and a looming lawsuit against intrusive photographers.

The First Signs of Trouble

The tension reached a boiling point when Y/N tweeted a stark warning to the paparazzi:

“Hey paparazzi, here’s a tip: stop scaring my son. Respect our privacy or lawyer up.”

Charles Leclerc, known for his calm demeanor on the race track, showed a different side of himself by retweeting her post with his own impassioned message:

“I’ve reached my limit. It’s exhausting having to explain to my 3-year-old son why there are grown men waiting outside our house with big cameras. Please respect our privacy or be prepared to deal with the consequences. Nothing matters more to me than my family’s peace and security, and it’s my duty as a father and husband to shield them from any intrusion, especially now that my wife is pregnant.”

Forced to Reveal the Pregnancy

The couple, who had hoped to keep the news of their pregnancy private for as long as possible, felt compelled to make an announcement after the initial confrontation. The public reaction was overwhelmingly supportive, with fans expressing outrage at the paparazzi’s disregard for the family’s privacy.

Despite the couple’s plea for respect, the relentless paparazzi returned a few days later, once again besieging their home. The situation reached a critical point when Charles, frustrated and protective of his family, confronted the photographers and broke one of their cameras.

Charles’s Bold Statement on Instagram

In a bold move to address the paparazzi directly, Charles posted a poignant message on Instagram alongside a never-before-seen photo of him holding his son for the first time:

“To the tabloids and paparazzi lurking outside: here’s your exclusive! A never seen before picture of me holding my son for the first time, hopefully this will stop you from spending day and night outside my house.”

The post quickly went viral, with fans and fellow celebrities rallying behind Charles and Y/N, applauding their courage and condemning the paparazzi’s invasive behavior.

Legal Action Looms

Y/N followed up with a decisive announcement that the couple would be pursuing legal action against the photographers:

“We have had enough. Our privacy has been violated, our son has been scared, and our peace has been disrupted. We are taking legal steps to ensure this stops. Thank you to everyone who has supported us and respected our privacy.”

The news of the lawsuit has added another layer to this dramatic story, highlighting the ongoing struggle between celebrities seeking privacy and the relentless pursuit of paparazzi.

Public and Celebrity Support

The public reaction has been largely supportive, with social media flooded with messages of solidarity. Fellow drivers and celebrities have also spoken out, condemning the paparazzi’s actions and expressing their support for Charles and Y/N.

Carlos Sainz tweeted, “Absolutely unacceptable behavior from the paparazzi and it needs to be stopped. Charles and Y/N deserve to share their happy news on their own terms and to live their lives without being hassled. Congrats on the baby, my friends!”

Lewis Hamilton chimed in with, “Proud of @/Charles_Leclerc and @/YourUsername for standing up for their family. Privacy should be respected. Congrats on the new addition ❤️”

Moving Forward

As Charles and Y/N prepare for the arrival of their new baby, they continue to advocate for their right to privacy, setting a powerful example for other public figures facing similar challenges. Their story underscores the importance of respecting personal boundaries, even for those in the public eye.

This ongoing battle between the Leclercs and the paparazzi serves as a stark reminder of the toll that media intrusion can take on a family’s peace and well-being. As the lawsuit unfolds, it will be a pivotal moment not only for Charles and Y/N but for the broader conversation about privacy and respect in the age of instant celebrity.

Stay tuned to Rumour Radar for the latest updates on this unfolding story and more celebrity gossip.

[matan4il]

Daily update post:

I wrote yesterday about a Hezbollah drone which crashed in Israel without setting off the sirens, and missed by a small margin a kindergarten. Now we know about a second Hezbollah drone, which was found in someone's backyard in northern Israel, and which also didn't trigger any alarm systems. The fact that no warning systems were set off twice that we know of, is a real cause for concern, and is being looked into. As this second drone didn't explode after crashing, Israel will be able to study it, which is the main silver lining.

I have written repeatedly about UNRWA's complicity in Palestinian terrorism in general, and Hamas' in particular. We're getting even more data on this. Previous numbers talked about how many UNRWA members had ties to any Palestinian terrorist organization, now the figures on ties to Hamas specifically are being shared: at least 440 UNRWA workers in Gaza were active Hamas terrorists, at least 2,000 are registered Hamas operatives, and at least 7,000 have a first degree relative who's a Hamas member, making a total of at least 9,440 UNRWA employees in Gaza closely tied to Hamas out of a total of 12,000 Gaza UNRWA workers. And since we're talking about this UN agency again, remember when I recently wrote about the social worker employed by UNRWA, who was captured in CCTV footage kidnapping the body of a murdered Israeli man to Gaza, with the help of a fellow Hamas terrorist? Well, we now know who the man, whose lifeless body Faisal Ali Mussalem Naami was kidnapping, is. It's 21 years old Yonatan Samerano.

He was attending the Nova music festival on Oct 7. It seems he and two friends tried to escape the slaughter there by fleeing to the nearby kibbutz Re'im, where all three were murdered by Hamas terrorists at the community gate. Then Naami showed up DRIVING A UN VEHICLE (that's right, with UN LICENSE PLATES, as confirmed by Ayelet Samerano) and used this car to kidnap Yonatan's body. In the interview I heard with Ayelet Samerano, Yonatan's mom, she said she's going to be demanding answers from the UN secretary general, and that the family is considering filing a lawsuit. Meanwhile, because Jewish lives really are nothing, I'll remind you that UNRWA has been nominated by a Norwegian member of parliament for a Nobel Peace Prize. If you think this is the bad judgment of one politician, Norway is also one of the few western countries NOT temporarily suspending funding of UNRWA until further investigation, and have even said they might increase it. There's only one bit of good news, and that's the fact the US is saying its suspension of UNRWA fudning is going to be permanent.

The reality of Hamas' brutal sex crimes isn't news at this point to anyone with a bit of decency regarding Israeli civilians' fate on Oct 7, but a new report delving into more details than ever on those sex crimes has now been sent to the UN. I expect it to have zero impact given the UN's track record, but it's still important that this report was compiled and submitted by ARCCI, the Israeli association of organizations aiding rape and sexual assault victims.

There's a whole saga with Brazil's president, Lula. Sit tight. It started with Lula saying that what Israel is doing right now in Gaza has never happened before in history, and if it did, it was only when Hitler decided to genocide the Jews (this is absolutely untrue on any measurable level. The war in Gaza is not the bloodiest one ever, doesn't have the highest rate of killed civilians when the global one is a 9:1 ratio of killed civilians compared to killed militants while in the Gaza war there's a 4.5 times lower rate at 2:1, and certainly doesn't include an intentional attempt to kill all Palestinians on an intense industrial level with tens of thousands often being killed daily as the Nazis did to the Jews and which made the Holocaust stand out even in comparison to other cases of genocide). So to make it clear, what Lula did was antisemitic, both in falsely demonizing the Jewish state, and in minimizing the Holocaust by presenting it as comparable to a drastically less extreme event (in fact, the internationally accepted IHRA definition of antisemitism has included false comparisons of Israel to the Nazis for years now). In response, Israel has declared Lula a persona non-grata (unwanted personality) here until he retracts these antisemitic comments. This didn't make Lula reconsider his antisemitic comments, instead he recalled the Brazilian ambassador to Israel. This is maybe connected to Lula's warm ties with the Islamist regime in Iran (including allowing Iranian ships to dock in Brazil), which officially denies the Holocaust.

Here is a vid 21 years old Maya Regev, who was injured, and then kidnapped together with her younger brother Itay by Hamas on Oct 7, from the Nova music festival. Despite her complicated leg injury, she didn't get any medical help during here time in captivity, which compounded her state. She was released in the hostage deal more than 2 months ago, and had undergone several surgeries due to the state of her leg. In this footage, shared yesterday, Maya is seen walking on crutches for the first time since her abduction, more than 4 months ago.

(for all of my updates and ask replies regarding Israel, click here)

[vintagerpg]

Right, so, this year marks the 50th anniversary of the publication of the original Dungeons & Dragons box set, and the subsequent birth of the RPG hobby. To celebrate, I’ve decided to, over the course of the year, post all of Mayfair Games’ Role Aids products that I own (well, the one’s I haven’t posted yet, anyway — you’ll have to look in the archive for the Demons box sets and module based on the Michael Mann film The Keep). Role Aids was a line of third-party D&D supplements that irked TSR to various degrees for many years and inspired at least one lawsuit; TSR wound up buying then mothballing the brand when they couldn’t sue it out of existence in the mid-‘90s. Profiling these books seems somehow more appropriate a celebration to me, if nothing else because it highlights the importance of third-party creators in the hobby’s ecosystem (there’ll be plenty of official D&D stuff in the feed this year, too, never fear).

Anyway, this is Wizard’s Vale, the first in the series of adventures about Fez, the wizard of time travel. This is the 1987 second edition; the first was originally published in a folder with a cut-out cover that looks more appropriate for a small business’ P&L (as were the first three Role Aids adventures — they’re rare, expensive and I don’t own those). David Cherry did the cover art, Tim Bradstreet and Gerald O’Malley were on the interiors.

The Fez series is pretty well regarded. It isn’t the high point of the Role Aids line, but its still pretty great, funny and horrible in turn. The players use pre-generated characters, but awaken with amnesia and have to recover their memories. They are, as a group, instrumental in a prophecy to defeat Fez’s ancient enemy (Scarsnout the dragon), but that’s in danger of being disrupted by an untimely case of lycanthropy. It’s lightly plotted, moves at a brisk clip and ends with the defeat of the dragon and the culmination of Fez’s saga. Sort of.

[essektheylyss]

WWE Final Result: Eventually, There's Only One Left...

And the polls are closed.

It has been a wild week, and these thirty-two wizards have sure been through some situations. You've cheered! You've cried. You've laughed, I hope. You've written glorious speeches, made videos, edited memes, and shown off some impressive artistic prowess. To get a bit sentimental here, it was a joy and an honor to campaign alongside and against you all, and to see what awe-inspiring and absurd things you have created in defense of your wizards.

But as it always must, it has come down to one.

Our winner of the World Wizard Entertainment is, with the power of friendship, comedic bits, and unstoppable tiddies: Caleb Widogast.

Here is the trophy, it's leaving my hands— and— it's already gone. Does anyone see Mrs. Brenatto? No? Okay.

The Keeper of Scrolls has kindly invited the competitors out for drinks on the Por'co tab before hopping over to Tal'dorei to clean out Mr. Gilmore's shop of arcane foci, so there will be no opportunity for autographs, and if you are looking for glorious goods, I suggest you try the Marquet locations.

All four of Pumat Sol will be out of commission for a week—that shopkeep parties hard.

(Oh no, yeah, no one's dead, hahaha, when I said there was only one left you thought—? oh boy, no, these weren't death matches, you're thinking of Garyon Garrington's Plunder Games. No, they're not airing right now. Something about a lawsuit, I think.)

If you would like to relive the saga of the World Wizard Entertainment, you can find those posts here, along with the original rankings, methodology, poll results, and campaigning. Do peek through the notes for more spectacular commentary, as it is delightful. (And if you would like to see even more of the absurd and wacky content that did not make it into the main tag while I was trying not to clutter things, #VETHSWEEP.)

Now please check your DMs, as one lucky winner has been chosen... to pay for my ensuing therapy bill! This kind of mental tenacity ain't cheap, folks.

The Ultimate Losers tournament commences on Thursday, March 2nd, at 7pm PST. As if defeat at the hands of a kind, underappreciated teacher and animal lover wasn't enough, Ludinus Da'leth is coming BACK FOR MORE against the Bells Hells!

And lastly, thank you all so much for participating. I know some of us have had our differences, but now, at the end, we come together—and if there's one thing we can all agree on, it's Veth Brenatto's Big Naturals.

(Wait— Sorry, who's calling? Say that name again. Vinni— Vince? Vince Mc—? Nah, don't recognize him.

Put it through to voicemail.)

[system-of-a-feather]

It's really funny cause my old work environment was super toxic and judgemental and unaccomodating to my autistic communication style and struggles with heavily verbal and "read between the lines" communication and so the three people I work with the most basically started putting me in the "uwu poor baby autistic cant communicate and needs to try harder to learn" and Im pretty sure three of them just built up this self affirming image of us that we are incapable of effectively communicating or engaging with non-autistic people and thus have a negative charisma or what not

So I think they got the impression I would be an easy person to screw over and all

But jokes on them I actually get along with people pretty well, was on good terms with the two of the main HR people, 2/8 of the other lab members I had actively good work relationships with, and I am very very good with professional conflict resolution and problem solving enough to coordinate with three different departments against discrimination.

Like yeah, I struggle with receiving and sometimes presenting verbal communication

No, that does not mean I am inept in all forms of communication, that I don't have people who can attest to my character, or a big soft uwu baby

Anyways, XIVs having fun raising his fourth organized and coordinated "someone with more power than me is abusing their power and is testing their hubris thinking wed take the L" riot since his role in our childhood environment and I'm just here looking at his work, doing my part as he asks, and just - I am both proud of him and happy for him and thus proud of us and happy for us

It's such a nice closure to a shitty place of work.

[terrible-miraculous-ladybug-aus]

So, is that lawsuit still going on?

The Agreste estate has dropped the suit following certain recent developments, thankfully. This means that I finally get to move on with my life and look forward to better things (unlike Gabriel).

[magpiesbones]

.

[st-just]

Remember, medieval Iceland was an early attempt at anarcho-capitalist utopia. When Harald Fairhair declared himself King of Norway, the Norwegians who refused to bend the knee fled west to build a makeshift seastead on a frozen volcanic island. No lords, no kings, no masters. Only lawsuits. So, so many lawsuits.

-Your Book Review: Njal’s Saga

[aprilias]

Wait what was that about Pecco? Finding out about the whole jm bullshit now. What happened with Pecco?

Hi anon!

I think it’s pretty obvious that there’s a lot of people on here that don’t like Pecco (me being one of them) and at first for me it was cause I thought he was massively overhyped and something was off, but there are bigger reasons.

The first one is that he’s made some kind of borderline but misogynistic comments in the past, the main one I can recall was comparing his bike to a girl on her period because it was being temperamental. I believe there were other kinds of comments like this made by him and Jack Miller but this was when I was very new to the sport so I can’t properly remember back to 2020.

He was also charged with drink driving back in 2022 during the summer break. He was 3x over the legal limit and he basically excused it by saying he was celebrating his win from Assen. The apology he posted was absolutely terrible, a complete non-apology tbh, and the way that Ducati dealt with it was by not allowing the media to ask questions, and his ex-teammate (Miller again) would berate journalists before they even got a chance to ask.

There was also the Dennis Rodman helmet saga. Basically in Misano (2022?), one of his home races, he dedicated a helmet to the former basketball player. Rodman was at his peak before Pecco was even alive so it was weird anyway but even more so when you look into Dennis Rodman. The guy has had several lawsuits for SA, drink driving and domestic violence, and also one for a hit and run. He also supports Donald Trump, and during his presidency, he was sent to North Korea to “negotiate” deals for prisoners and became besties with Kim Jong Un. It just feels very weird to do a tribute helmet to this guy, who stopped playing in the NBA when Bagnaia was 3, especially a few months after he was also done for drink driving.

There’s also his general attitude that a lot of people personally don’t like. For me we reached the point of no return when he said he wanted satellite bikes to be slower when the title fight was between himself, Martin and Bezzecchi around this time last year. Apparently it was out of context but still another massive own goal.

I can’t quite remember if there’s more with Bagnaia but these are the main things that come to mind, combined with the fact he takes zero responsibility for any of these actions (and Ducati don’t let him either). It’s actually shocked me that there’s someone more dislikable than Pecco but Jorge has done it with ease.

If anyone feels like I’ve missed something then feel free to add it as always!