#lets make it a tag <3

[rosyredlipstick]

mariah carey is soooo conchell-coded

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[soosoosoup]

Chord Striker Au by @thatbennybee

[maulfucker]

it's so so sad that the aliens in the original and even the prequel trilogies look so weird and fucked up (which is great) and then newer stuff makes everything so smooth and human-faced. where's the meat greebles and nonsensical snouts

[attanos]

MESSMER THE IMPALER

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[itsscottiesstark]

Do I want more kisses and hugs and love and laughter in s3? Yes. Yes I do. But- please, oh please Neil give us more sassy Crowley. I need him. In a totally not normal way.

[mysicklove]

puppy yuuji in his nesting phase he steals ALL ur dirty laundry and wants you to lay in it with him so bad 😵‍💫 he spent so much time and effort into making his little nest the LEAST you could do is fuck him in it 🙁

gets all weirdly tense and surprisingly even a little snappish at you when he gets into his phase. he doesn’t mean to of course, he just wants everything to be perfect and it causes an unreasonable amount of stress on the poor puppy. so every time you ask for an article of clothing back, a low growl is let out and it surprises you, but he is nearly tackling you in the next second, yipping out apologizes and nuzzling his face into your neck. he wants you to like his nest, desperately so.

and so when he finally does show you the mess of clothing and pillows he seems to be practically hiding behind you, hands pawing at every inch of your body and clinging to you like he was afraid you would say something cruel about it. but the second you say how amazing it is, his tail moves at a rapid pace and he’s basically dragging you into the nest, wrapping his entire body around you and purring happily.

of course one thing does lead to another and yuuji seems to be practically glowing, face damp with sweat, but the biggest grin on his face. it is what he made it for after all

[ravennowithtea]

you can reply here with fanart requests/ideas or drop stuff in my askbox ✌️

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[wyrmswears]

yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]

Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).

Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.

more art but also cw for death under read more

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[lunarharp]

..polly pocket au.. (<- a type of doll.)

[autism-swagger]

Daisy's heart rate while she was going through Terrigenesis was 300 bpm. That's over twice the danger limit for a normal human heart, so there has to be something fundamentally different about Daisy's (or even Inhumans as a whole!!) heart on a structural level for it be able to not literally explode.

Is that heart rate normal for Terrigenesis? Was it just a her thing? Is her resting heart rate still within normal human range or is it permanently faster now?

We know that only some Inhumans have obvious external physical changes, but do only some of them also have internal physical changes? Do all of them have internal changes? Do any??

There has to be some sort of internal change to support their powers, like Lincoln's electricity not killing him, or Daisy's quakes not having an equal and opposite reaction on her.

And I'm not counting Daisy's arms as an equal and opposite reaction because her bones fracturing is in no way an equal or opposite reaction!!!! She would have to be so insanely fucking dense (like. physically.) to not be blown backwards every time she uses her powers.

I need to dissect an Inhuman sooo bad. For christ's sake they have literal alien DNA I think they should all be a little freaky looking, both in- and externally.

^ Me when I think about Inhuman biology

[skrunksthatwunk]

kurama has access to forbidden strains + shiori wedding shenanigans